# Then Play On

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Blender | |
| Encyclopedia of Popular Music | |
| Entertainment Weekly | A− |
| The Rolling Stone Album Guide | |
Then Play On is the third studio album by the British blues rock band Fleetwood Mac, released on 19 September 1969. It was the first of their original albums to feature Danny Kirwan (although two tracks recorded with him were included on the compilation album The Pious Bird of Good Omen released earlier in 1969) and the last with Peter Green. Although still an official band member at the time, Jeremy Spencer did not feature on the album apart from "a couple of piano things" (according to Mick Fleetwood in Q magazine in 1990). The album offered a broader stylistic range than the straightforward electric blues of the group's first two albums, displaying elements of folk rock, hard rock, art rock and psychedelia. The album reached No. 6 on the UK Albums Chart, becoming the band's fourth Top 20 LP in a row, as well as their third album to reach the Top 10. The album's title, Then Play On, is taken from the opening line of William Shakespeare's play Twelfth Night—"If music be the food of love, play on".
Then Play On is Fleetwood Mac's first release with Reprise Records after being lured away from Blue Horizon and a one-off single with Immediate Records. The label would be the band's home until their self-titled 1975 album, after which they signed to Reprise's parent company Warner Records. The initial US release of the album omitted two tracks that were previously issued on the American compilation album English Rose, while the second US pressing further abridged the tracklist with the addition of the hit single "Oh Well". The original CD compiled all the songs from the two US LP versions, both of which omitted the English Rose tracks that are on the original UK version. In August 2013, a remastered edition of the album was reissued on vinyl and CD. This version includes all the tracks from all previous versions of the album, with the original 1969 UK track listing as the main album and both parts of "Oh Well", as well as the 1970 non-album single "The Green Manalishi (With the Two-Pronged Crown)" and its B-side "World in Harmony", as bonus tracks.

## Background

Fleetwood Mac's previous albums had been recorded live in the studio and adhered strictly to the blues formula. For the recording of Then Play On, editing and overdubbing techniques were used extensively for the first time. Fleetwood was adamant about veering away from material that was strictly blues-oriented and told Samuel Graham in a 1978 interview that "we didn't have an exact concept of what we were going to do, but we knew what we weren't going to do, and that was put out another record of Jeremy singing Elmore James.
Jeremy Spencer attended some of the studio sessions and attempted to record a few things for Then Play On, but none of his contributions appeared on any of the album's original tracks. Fleetwood said that the band was "stylistically two bands in one" at the time; this was reflected in their live setlists, which consisted of conventional blues compositions and rock-and-roll covers with Spencer onstage and another portion of the show without Spencer primarily dedicated to extended jams. Green was opposed to the idea of including disparate styles on Then Play On, so the original plan was to release an EP of Spencer compositions to coincide with the album, but the EP was not commercially issued until 1998, when the tracks were included on the band's 1998 compilation album, The Vaudeville Years. In a 1989 interview with Musician magazine, John McVie labeled this EP as his favorite material he ever recorded with Fleetwood Mac.
   It was a parody album, which was very funny and technically perfect. It was done as a whole show with different bands in it. It started off with your typical gross MC who introduced this acid band, a blues band, a jazz fusion band and one doing some '50s Fabian-esque cutie music. We'd be playing in each different style, and Jeremy was very much a mimic with a beautifully sarcastic sense of humor. It was full of wanker jokes, vulgar gags and very outrageous stuff. I don't think the record company thought we were serious, but it was great!
Green and Spencer also considered the idea of recording a concept album – "an orchestral-choral LP" – about the life of Jesus Christ, although the album never materialised. Instead, Spencer released a solo album in 1970 with the members of Fleetwood Mac as his backing band. Spencer later said in a 2012 interview that he had only discussed this idea with Green "in passing" and that the project was never seriously pursued.

## Recording

Green, the de facto band leader at the time, delegated half of the songwriting to bandmate Danny Kirwan. Music journalist Anthony Bozza remarked that Green "was a very generous band leader in every single way. And Peter gave Danny all of that freedom. You just don’t hear about things like that". Several of Kirwan's tracks, including "One Sunny Day", "Without You", and "Coming Your Way", were originally recorded on 6 October 1968. At the time, "Coming Your Way" carried the working title "Going My Way". These songs were later re-recorded and remixed for Then Play On, with sessions for "Coming Your Way" and "Although The Sun is Shining" beginning in April 1969. Christine McVie, who at the time was known by her maiden name Christine Perfect, played piano on "Coming Your Way". Kirwan played all of the guitar parts on "Coming Your Way", "My Dream" and "Although the Sun is Shining" as Green wanted him become more independent and proficient in the recording studio.
Much of the album's mixing was conducted by Green and Martin Birch, who served as the album's audio engineer. When the two were working on the two Madge jams, Birch employed panning on the guitar tracks to create the impression of a "guitar duel" between Green and Kirwan. Birch recalled that Green would frequently come into the recording studio with a demo he had recorded at home on his Revox. Once Birch understood the general feel of the song, the rest of the band would record the basic tracks. He said that the other members would then leave the studio, leaving himself and Green to work on the song until all of the parts were recorded. He would then repeat the same process with Kirwan and alternate between the two songwriters until the album was complete. Dennis Keen, who served as the band's road manager at the time, said that the band was reliant on Green during the recording sessions.
   If Peter didn't get his guitar out there wouldn't be a sound made. If Peter was late, they'd just spend the time sitting about drinking coffee. Instead of Danny saying 'Oh I've got a number, let's work it out and when Pete comes we'll see what he thinks', they'd do nothing.
Green's friend Paul Morrison remembered that Green spent a considerable time working on tracks alone. Morrison also said that Green would occasionally prevent the rest of the band from entering the recording studio so that he could overdub guitars, bass, and drums himself. He played percussion on a few tracks, including some timpani parts.
The band began to embrace jamming in their live performances around the time Then Play On was developed. Three of the tracks on the album, including "Underway", "Searching for Madge", and "Fighting for Madge", were compiled by Green from several hours of studio jam sessions. Green told Gianluca Tramontana of Rolling Stone in a 2001 interview that "Underway" was a free-form composition that was created collectively by the band through jamming, adding that "it was what I used to play before I had my problems." Green was involved with the editing and cutting of the song and spent time reviewing the tapes and would provide feedback to Birch, who mixed the tracks. "Searching for Madge" was pieced together with five snippets of tape from an extended jam session. The full 16 minute version of the jam was later included on The Vaudeville Years.
"Before the Beginning", a Green composition, was first developed in January 1969 during the recording sessions that later produced the band's "Man of the World" single. At the time, "Before the Beginning" was titled "Blues in B flat minor" and lacked the vocals found on the Then Play On recording. Green wrote "Closing My Eyes" during a time of spiritual awakening and was reading extensively about the Bible. "[It] was written around the time I had such a great faith in Jesus that I felt I was walking and talking with God. I wanted to tell people about it, but they turned it round and tried to shatter my dreams."

## Release

In the United States "One Sunny Day" and "Without You" were not included on the album, as they had already been included on the compilation album English Rose. Then Play On was quickly followed by the non-album single "Oh Well", which reached No. 2 in the UK Singles Chart. "Oh Well" was not initially released as a single in the US, as the band's then-manager Clifford Davis felt album track "Rattlesnake Shake" would be a better choice for US single release, although the song did not chart despite Davis' expectations that it would be commercially successful. After the failure of "Rattlesnake Shake", "Oh Well" was chosen as the next single for the US market. "Oh Well" fared much better than "Rattlesnake Shake" and became band's first song to chart on the Billboard Hot 100. Davis had also recorded a cover of Green's "Before the Beginning" with members of Fleetwood Mac serving as his backing band. The recording was adorned with orchestral overdubs and coupled with a cover of Fleetwood Mac's "Man of the World", both of which were released in October.
On January 1970, Then Play On was reissued in the US, this time with "Oh Well" in place of "When You Say" and "My Dream". The 2013 remastered CD has the original UK album as tracks 1 to 14 with parts 1 and 2 of "Oh Well", the 1970 non-album single "The Green Manalishi (With the Two-Pronged Crown)" and its B-side "World in Harmony" as tracks 15 to 18.
Spencer expressed disappointment with the album, saying that it "wasn't complete" and "lacked humour." However, Fleetwood called Then Play On his favourite Fleetwood Mac album. Green was also pleased with the album, saying that he "loved every minute of it. There is nothing I feel I could have done better." However, he believed that the band made a mistake in producing the album themselves and said that they "should have kept Mike Vernon", who had produced the band's first two albums. Vernon agreed with Green's assessment and said that he felt "disappointed" with the album due to his belief that it sounded too "synthetic".

## Artwork

The painting used for the album cover artwork is a mural by the English artist Maxwell Armfield. The painting was featured in the February 1917 edition of The Countryside magazine, which noted that the mural was originally designed for the dining room of a London mansion. According to Christine McVie, the painting belonged to Fleetwood's sister.

## Reception

Contemporary reception of the album was mixed. Writing for Rolling Stone magazine, John Morthland said Fleetwood Mac had fallen "flat on their faces", and later dismissed the album as mostly "nondescript ramblings". On the other hand, Robert Christgau was more positive. He described the album's mixing of "easy ballads and Latin rhythms with the hard stuff" as "odd" but "very good". Melody Maker praised the album, saying that it would "enhance" the Fleetwood Mac's reputation and "surprise anyone who thinks of them as a straight, bashing blues band." Record Mirror characterised Then Play On as "an interesting, progressive LP" that "may not please their blues fans."
However, more recent reviews of the album are highly positive; The New Rolling Stone Album Guide labeling the album as a "cool, blues-based stew" and considered it the second best Fleetwood Mac album. The Daily Telegraph described Then Play On as a "musically expansive, soft edged, psychedelic blues odyssey". Clark Collins of Blender magazine gave the album five stars out of five, and described "Oh Well" as an "epic blues-pop workout".

## Track listing
### Alternate track listings

Original US LP, September 1969
The two songs ("One Sunny Day" & "Without You") deleted from the US version of the LP had already appeared on the US compilation English Rose, and "Underway" was shortened by about 15 seconds.
Revised US LP, January 1970
When the double-sided single "Oh Well (Parts 1 & 2)" (released November 1969) became a hit, the US LP was re-released in January 1970 with a revised running order to include "Oh Well", dropping Danny Kirwan's "When You Say" and "My Dream" to make room for it. The two parts of "Oh Well" differ widely, the first being hard rock, the latter a meditative instrumental, on which Green played cello.
Other changes include putting the two edits from the "Madge" jams back-to-back, fading down between them. The giggle that previously linked "My Dream" to "Like Crying" ended up, in the previous edit, following the end of "Fighting for Madge" instead. Madge, the press were told at the time, was a female fan of the group.

### Unreleased bonus EP: The Milton Schlitz Show

The original intention was to include a bonus EP in the Then Play On album. The EP was to be compensation for the fact that Jeremy Spencer barely appeared on the album. The EP consisted of Spencer's parodies of doo wop ("Ricky Dee and the Angels"), Alexis Korner, country blues ("Texas Slim"), acid rock ("The Orange Electric Squares"), and John Mayall ("Man of Action"). It was finally released on Fleetwood Mac's The Vaudeville Years compilation in 1998.

## Personnel

Fleetwood Mac
* Peter Green – vocals, guitar, harmonica, six string bass, percussion, cello on "Oh Well (Part 2)"
* Danny Kirwan – vocals, guitar
* John McVie – bass guitar
* Mick Fleetwood – drums, percussion
* Jeremy Spencer – piano on "Oh Well (Part 2)"
Additional personnel
* Christine Perfect – piano – uncredited
* Sandra Elsdon – recorders on "Oh Well (Part 2)"
Production
* Fleetwood Mac – producers
* Martin Birch – engineer
* Dinky Dawson – sound consultant

## Charts

1969-1970 weekly chart performance for Then Play On :
| Chart (1969–1970) | Peak position |
| Finnish Albums (The Official Finnish Charts) | 13 |
| German Albums (Offizielle Top 100) | 90 |
| Norwegian Albums (VG-lista) | 8 |
| UK Albums (OCC) | 4 |
| US Billboard 200 | 109 |