OpenLLM-France/wikimedia huggingface dataset:
# ORACLE (computer)

The ORACLE or Oak Ridge Automatic Computer and Logical Engine, an early computer built by Oak Ridge National Laboratory, was based on the IAS architecture developed by John von Neumann.

## Summary

The Oak Ridge National Laboratory Review states:
   [Oak Ridge National] Laboratory engineers assisted Argonne [National Laboratory] during the early 1950s in design and fabrication of the Oak Ridge Automatic Computer and Logical Engine. Its name was selected with reference to a lyrical acronym from Greek mythology—ORACLE, defined as 'a shrine in which a deity reveals hidden knowledge.'
   Assembled before the development of transistors and microchips, the ORACLE was a large scientific digital computer that used vacuum tubes. It had an original storage capacity of 1024 words of 40 bits each (later doubled to 2048 words). The computer also contained a magnetic-tape auxiliary memory and an on-line cathode-tube plotter, a recorder, and a typewriter. Operational in 1954, for a time the ORACLE had the fastest speed and largest data storage capacity of any computer in the world. Problems that would have required two mathematicians with electric calculators three years to solve could be done on the ORACLE in 20 minutes.
   [Alston] Householder and the Mathematics Panel used the ORACLE to analyze radiation and shielding problems. In 1957, Hezz Stringfield and Ward Foster, both of the Budget Office, also adopted the ORACLE for more mundane but equally important tasks—annual budgeting and monthly financial accounting. As one of the last 'homemade computers,' the ORACLE became obsolete by the 1960s. The Laboratory then purchased or leased its mainframe computers from commercial suppliers. From the initial applications of the ORACLE to nuclear aircraft problems, computer enthusiasm spread like lightning throughout the Laboratory, and in time, use of the machines became common in all the Laboratory's divisions.
ORACLE was operational (passed acceptance test) in 1953, and replaced the USAF-Fairchild Computer (or "SPEC" - Special Purpose Electronic Computer).
As with all computers of its era, the ORACLE computer was a one-of-a-kind machine that could not exchange programs with other computers (even other IAS machines). It used vacuum tubes, transistors, and diodes. It used a Williams tube for 2048 words of memory. Its addition time was 70 microseconds, the multiplication time was 370-590 microseconds, and the division time was 590 microseconds. These times include the storage access time, which was about 62 microseconds.
The ORACLE pre-dated input from disks and the use of punch cards with computers; it used paper tape for input and breakage of the tape was a frequent problem.
# Mooreeffoc

Mooreeffoc, also known as the Mooreeffoc effect, refers to what stylisticians call "defamiliarization". G. K. Chesterton used the phrase in his 1906 book Charles Dickens: A Critical Study to "denote the queerness of things that have become trite, when they are seen suddenly from a new angle".
The word, however, is first found in John Forster's 1872 Life of Dickens.
   In the door there was an oval glass plate, with COFFEE-ROOM painted on it, addressed towards the street. If I ever find myself in a very different kind of coffee-room now, but where there is such an inscription on glass, and read it backward on the wrong side MOOREEFFOC (as I often used to do then…) a shock goes through my blood.
It has been noted that the Mooreeffoc effect characterises Charles Dickens' four comic short stories for children of 1868 published as Holiday Romance. In these, the stories are "told" by child-narrators aged between "half-past six" and nine, and so have a child-like perspective that inverts the narrative "norm". These have been related to Lewis Carroll and his 1865 Alice's Adventures in Wonderland and "there are clear parallels between Carroll's work with its inversions and subversions and Holiday Romance, overshadowed as the latter has been".
J. R. R. Tolkien also used the word in the same sense in his essay "On Fairy-Stories", perhaps picking up on G. K. Chesterton's added observation that Dickens displays "this elvish kind of realism ... everywhere".
# PRT543

PRT543 is an experimental anticancer drug which acts as an inhibitor of the enzyme protein arginine methyltransferase 5. This protein is involved in repairs to DNA following damage, so inhibiting it makes cancer cells more susceptible to other chemotherapy drugs. PRT543 is in early stage clinical trials against adenoid cystic carcinoma.
# Manny Oquendo

Manny Oquendo (January 1, 1931 – March 25, 2009) was an American percussionist of Puerto Rican ancestry. His main instruments were the timbales and the bongos.
He was a long-time member of Eddie Palmieri's Conjunto La Perfecta, which he left in the 1970s to co-lead the Conjunto Libre.

## Life and career

Oquendo grew up in New York City and began studying percussion in 1945. He worked in the bands of Tropical and Latin music ensembles such as Carlos Valero, Luis del Campo, Juan "El Boy" Torres, Luciano "Chano" Pozo, José Budet, Juanito Sanabria, Marcelino Guerra, José Curbelo, and Pupi Campo.
In 1950, he became the bongó player for Tito Puente. Following this he played with Tito Rodríguez in 1954 and Vicentico Valdés in 1955. He worked freelance in New York before joining Eddie Palmieri's Conjunto La Perfecta in 1962, where he helped develop the New York–style of the Mozambique rhythm.
He co-led Conjunto Libre (later simply Libre) with bassist Andy González from 1974 and had a worldwide hit with "Little Sunflower" in 1983. This Freddie Hubbard composition was included on their album Ritmo, Sonido y Estilo.

## Musical style

Oquendo's timbales solos were famous for their sparse, straightforward típico phrasing, reminiscent of the Cuban timbaleros of the 1940s. According to musician and producer Juan de Marcos González, Oquendo's tuning of the timbales was comparable to that of Silvano "Chori" Shueg.
Oquendo's solos also incorporated the rhythmic language of the folkloric quinto, the lead drum of rumba.

## Discography

* Con Salsa, Con Ritmo, Vol. 1, (Salsoul Records, 1976)
* Con Salsa, Con Ritmo Vol. 2 - Tiene Calidad, (Salsoul Records, 1978)
* Los Líderes de la Salsa (Salsoul Records, 1979)
* Libre Increíble (Salsoul Records, 1981)
* Ritmo, Sonido, y Estilo (Montuno Records, 1983)
* Mejor que Nunca (Milestone Records, 1994)
* Muévete! (Milestone, 1996)
* Ahora (Milestone, 1999)
* Los New Yorkinos (Milestone, 2000)
With Eddie Palmieri
* Eddie Palmieri y La Perfecta (1961);
* El Molestoso (1962);
* Azúcar Pa' Ti ("Sugar for You") 1965);
* Mozambique (1966);
* El Sonido Nuevo (Verve, 1966) With Cal Tjader;
* Bamboléate (Tico, 1967) With Cal Tjader;
* Molasses (1967);
* Champagne (1968);
* Justicia (1969);
* Superimposition (1970);
* Harlem River Drive (1971)
With Tito Rodriguez
* Tito Rodríguez Live at the Palladium (1960);
* Estoy Como Nunca (UA Latino, 1969);
With Grupo Folklorico y Experimental
* Lo Dice Todo (1977)
With Paul Quinichette
* Moods (EmArcy, 1954)
# Meddybemps, Maine

Meddybemps is a town in Washington County, Maine, United States. The population was 139 at the 2020 census.

## Geography

According to the United States Census Bureau, the town has a total area of 16.07 square miles (41.62 km$^2$), of which 13.11 square miles (33.95 km$^2$) is land and 2.96 square miles (7.67 km$^2$) is water.

## Demographics
### 2010 census

As of the census of 2010, there were 157 people, 80 households, and 49 families living in the town. The population density was 12.0 inhabitants per square mile (4.6/km$^2$). There were 182 housing units at an average density of 13.9 per square mile (5.4/km$^2$). The racial makeup of the town was 99.4% White and 0.6% from other races.
There were 80 households, of which 20.0% had children under the age of 18 living with them, 47.5% were married couples living together, 3.8% had a female householder with no husband present, 10.0% had a male householder with no wife present, and 38.8% were non-families. 30.0% of all households were made up of individuals, and 13.8% had someone living alone who was 65 years of age or older. The average household size was 1.96 and the average family size was 2.33.
The median age in the town was 52.3 years. 13.4% of residents were under the age of 18; 3.9% were between the ages of 18 and 24; 17.2% were from 25 to 44; 45.2% were from 45 to 64; and 20.4% were 65 years of age or older. The gender makeup of the town was 48.4% male and 51.6% female.

### 2000 census

As of the census of 2000, there were 150 people, 67 households, and 46 families living in the town. The population density was 11.2 inhabitants per square mile (4.3/km$^2$). There were 176 housing units at an average density of 13.1 per square mile (5.1/km$^2$). The racial makeup of the town was 100.00% White.
There were 67 households, out of which 22.4% had children under the age of 18 living with them, 58.2% were married couples living together, 9.0% had a female householder with no husband present, and 29.9% were non-families. 26.9% of all households were made up of individuals, and 10.4% had someone living alone who was 65 years of age or older. The average household size was 2.24 and the average family size was 2.68.
In the town, the population was spread out, with 18.0% under the age of 18, 6.0% from 18 to 24, 26.7% from 25 to 44, 29.3% from 45 to 64, and 20.0% who were 65 years of age or older. The median age was 45 years. For every 100 females, there were 89.9 males. For every 100 females age 18 and over, there were 83.6 males.
The median income for a household in the town was $35,625, and the median income for a family was $36,250. Males had a median income of $34,167 versus $21,563 for females. The per capita income for the town was $17,840. None of the families and 2.4% of the population were living below the poverty line, including no under eighteens and none of those over 64.
# Chamberland filter

A Chamberland filter, also known as a Pasteur–Chamberland filter, is a porcelain water filter invented by Charles Chamberland in 1884. It was developed after Henry Doulton's ceramic water filter of 1827. It is similar to the Berkefeld filter in principle.

## Design

The filter consists of a permeable unglazed porcelain tube (called bisque) that contains a ring of enameled porcelain through which the inflow pipe fits. The core of the porcelain is made up of a metal pipe with holes through which water flows out and is collected. Inflow is pressurized so filtration occurs under force.
There are 13 types: L$_1$ to L$_{13}$. L$_1$ filters have the coarsest pore size while L$_{13}$ have the finest.

## Usefulness

The Pasteur-Chamberland filter is as useful as other ceramic and porcelain filters. It is a good bacterial water filter used mainly as a high volume water filter. The filter works more quickly when the water supplied is under pressure. As with other filters of its kind, it cannot filter very small particles like viruses or mycoplasma. It is used in removal of organisms from a fluid culture in order to obtain the bacterial toxins.

## History

The Chamberland filter was developed by Charles Edouard Chamberland, one of Louis Pasteur’s assistants in Paris. The original intention was to produce filtered water, free of bacteria, for use in Pasteur's experiments.
The filter became increasingly known for its ability to filter out bacteria, the smallest living organisms then known. The filter was patented by Chamberland and Pasteur in America and Europe. An American company licensed the name in Ohio. They sold filters to private homes, hotels, restaurants, and the 1893 Chicago World's Columbian Exposition.
Use of the Pasteur-Chamberland filter led to the discovery that diphtheria and tetanus toxins, among others, could still cause illness even after filtration. Identification of these toxins contributed to the development of antitoxins to treat such diseases. It was also discovered that a type of substance, initially known as a "filterable virus", passed through the smallest Pasteur-Chamberland filters, and replicated itself inside living cells. The discovery that biological entities smaller than bacteria existed was important in establishing the field of virology.
# Bacharach Giants

The Bacharach Giants were a Negro league baseball team that played in Atlantic City, New Jersey.

## Founding

The club was founded when two African-American politicians moved the Duval Giants of Jacksonville, Florida, to Atlantic City in 1916 and renamed them after Harry Bacharach, the city's mayor. The Bacharachs became a top independent team within a few years, featuring shortstop Dick Lundy, third baseman Oliver Marcell, and the great pitchers Dick Redding and Jesse "Nip" Winters.

## League play

In 1920 the club joined the Midwest-based Negro National League (NNL) as an associate member. Though the Bacharachs played NNL teams extensively, touring the Midwest each year from 1920 to 1922, they did not compete for the league championship.
In the winter of 1920-1921, the club competed in the Cuban League, and were managed by Tinti Molina.
In 1922, the club splintered into two factions; one took most of the roster and moved to New York City under the management of John Henry Lloyd, while the other remained in Atlantic City.
In 1923, the two clubs were reunited in Atlantic City, and the Bacharach Giants became a founding member of the Eastern Colored League (ECL). The team hovered around .500 until 1926, when the shortstop Dick Lundy took over as playing manager, and brought home two consecutive pennants, helped by Marcelle, the center fielder Chaney White, and pitchers Rats Henderson, Claude Grier, and Luther Farrell. The Bacharachs lost the Negro League World Series to the Chicago American Giants both years, though Grier and Farrell both tossed no-hitters for the Atlantic City team, the only no-hitters in Negro League World Series history. When the ECL failed early in 1928, the Bacharachs continued to play as an independent team.

## Decline and demise

Despite the Bacharachs' success, attendance was not high enough to sustain their high-priced roster. In one of the most famous trades in Negro league history, they sent Lundy and Marcelle to the Baltimore Black Sox in return for veteran first baseman and manager Ben Taylor, catcher Mack Eggleston, and cash. Lundy and Marcelle sparked the Black Sox to the 1929 American Negro League pennant, while the Bacharachs languished in fifth place (out of six teams), with a 19–45 record. The team disbanded after the 1929 season and its connection to Atlantic City ended.

## Later reincarnation and demise

In 1931, white promoter Harry Passon organized a new Bacharach team based in Philadelphia. The club eventually joined Gus Greenlee's new Negro National League in 1934 but returned to independent baseball in 1935. The Bacharachs then operated independently until Passon's death in 1942 and then disbanded for good.
# Juan Carlos Rosero

Juan Carlos Rosero García (28 November 1962 – 23 January 2013) was an Ecuadorian professional road racing cyclist, who competed for his native country at the 1992 Summer Olympics in Barcelona, Spain. After retiring from competition, Rosero became a teacher: he also became a mentor to Richard Carapaz, Ecuador's first European-based professional cyclist and Grand Tour winner, through a cycling club he founded at the school where he was teaching; the club has also produced a number of other professional riders, including Jhonatan Narváez and Jonathan Caicedo. Born in Tumbaco, Quito Canton, Rosero died in Tulcán.

## Career
### 1986

    1st in General Classification Vuelta Ciclista a la Republica del Ecuador (ECU)

### 1987

    1st in General Classification Vuelta a Mendoza (ARG)

### 1989

    1st in General Classification Vuelta Ciclista a la Republica del Ecuador (ECU)

### 1991

    2nd in General Classification Vuelta al Táchira (VEN)

### 1992

    1st in General Classification Vuelta a Boyacá (COL)
    1st in General Classification Vuelta Ciclista a la Republica del Ecuador (ECU)
    43rd in Olympic Games, Road, Amateurs, Sant Sadurni d'Anoia, Barcelona (ESP)
    5th in General Classification Vuelta a Colombia (COL)

### 1993

    1st in Stage 13 Vuelta a Colombia, Pamplona (COL)
# List of assets owned by the Coca-Cola Company

The following is a list of assets owned by the Coca-Cola Company. The Coca-Cola Company had equity positions in 51 unconsolidated bottling, canning and distribution operations which produced approximately 58% of volume. Significant investees include:
| Company | % owned | % of market | Area |
| International Beverages Pvt. Ltd. | 100% | 1% | Bangladesh |
| Diamond Beverages Pvt. Ltd. | 1% | 1% Area-Isr |
| Costa Coffee | 100% | | Worldwide |
| Coca-Cola Europacific Partners | 19.5% | 79% | United States |
| Coca-Cola Europacific Partners | 19.5% | 99% | Canada (excluding Quebec) |
| Coca-Cola Europacific Partners | 19.5% | 100% | Great Britain |
| Coca-Cola Europacific Partners | 19.5% | 100% | Continental France, Benelux, Monaco |
| Coca-Cola Europacific Partners | 19.5% | 100% | Philippines |
| Coca-Cola FEMSA | 41% | 49% | Mexico |
| Coca-Cola FEMSA | 41% | 17% | Brazil |
| Coca-Cola FEMSA | 41% | 99% | Colombia |
| Coca-Cola FEMSA | 41% | 48% | Guatemala |
| Coca-Cola FEMSA | 41% | 100% | Costa Rica, Ecuador, Nicaragua, Panama, Peru, Venezuela |
| Coca-Cola FEMSA | 41% | 31% | Argentina |
| Coca-Cola Bottling Shqipëria | | | Albania |
| Coca-Cola Hellenic | 24.5% (78%) | 100% | Armenia, Austria, Belarus, Bosnia-Herzegovina, Bulgaria, Croatia, the Czech Republic, Estonia, Greece, Hungary, Ireland, Latvia, Lithuania, North Macedonia, Moldova, Montenegro, Nigeria, Northern Ireland, Poland, Romania, Russia, Serbia, Slovakia, Slovenia, Sri Lanka, Switzerland and Ukraine |
| Coca-Cola Hellenic | 24.5% (78%) | 68% | Italy |
| Coca-Cola Içecek | 20.1% | 100% | Azerbaijan, Iraq, Jordan, Kazakhstan, Kyrgyzstan, Pakistan, Syria, Tajikistan, Turkey, Turkmenistan, Bangladesh |
| Coca-Cola Bottling Co. | 28.3% | | United States |
| Embotelladora Andina | 12% | 1% | Chile, Argentina, part of Brazil |
| Coca-Cola du Canada, Ltée | 1% | 1% | Canada - Quebec only |
| Coca-Cola AG, Deutschland | 1% | 1% | Germany |
| Refreshment Products Finland Oy | 1% | 1% | Finland |
| Thums Up | 100% | 1% | India |
| Limca | 100% | 1% | India |

## Former assets

* Beverage Partners Worldwide (50%; co-owned with Nestlé)
* Columbia Pictures
* Columbia Pictures Television
* TriStar Pictures
* TriStar Television
* RCA/Columbia Pictures Home Video/RCA/Columbia Pictures International Video (Half owned by RCA)
* Coca-Cola Telecommunications
* Embassy Pictures
* Merv Griffin Enterprises
# Umar Mohammed Gunu

Umar Mohammed Gunu (born August 15, 1954) is a Nigerian Politician and the chief whip of the 8th assembly representing Ilesha/Gwanara constituency the Kwara State House of Assembly.

## Early life and education

Umar was born on August 15, 1954 Yakiru, Kaiama Local Government area of Kwara State Nigeria. He obtained Nigeria Certificate of Education and Higher National Diploma in Public Administration.

## Career

Umar Previously, held key positions, including Chairman of the Governing Council at Kwara State College of Education in Ilorin, and Special Adviser on Human Resources Development to the Kwara State government. He also served as Special Assistant on Herdsmen and Farm Lands Matters, showcasing his diverse expertise and commitment to public service. He is the Honourable member representing Ilesha/Gwanara at State assembly and served as the house Whip.
# Grete Stückgold

Grete Stückgold (6 July 1895 – 15 September 1977) was an English-born German and American operatic soprano.

## Life and career

Born in London, Stückgold was the daughter of Ludwig Schneidt, a German who worked in Nordenham, England. Her mother was English, and she was a citizen of both England and Germany. She attended schools in Nordenham and London before moving to Germany in 1913. She trained as a soprano with voice teacher Jacques Stückgold (1877–1953) whom she later married. She had a daughter with Jacques before their marriage ended in 1929. Her second marriage was to the baritone Gustav Schützendorf [Wikidata].
Stückgold began her professional career in the mid-1910s as a concert and oratorio soprano. She made her professional opera debut at the Staatstheater Nürnberg in 1917. In 1922 she became a resident artist at the Berlin State Opera. In 1926 she gave a recital tour of the United Kingdom, and in 1927 she made her debut at the Royal Opera House, Covent Garden, in the title role of Giuseppe Verdi's Aida. She made several appearances at the Semperoper from 1926 through 1929 during which time she also appeared in multiple concerts with the Leipzig Gewandhaus Orchestra conducted by Arthur Nikisch. She also performed as a guest artist in Barcelona at the Liceu in 1927. In 1929 she created the lead role of Laura in the premiere of Paul Hindemith's opera Neues vom Tage at the Kroll Opera House.
In 1927 Stückgold became a principal artist the Metropolitan Opera ("the Met") in New York City, and not long after became a naturalized American citizen. She made her debut at the Met on 2 November 1927 in the role of Eva in Die Meistersinger von Nürnberg. She performed in eight seasons at the Met between the years 1927 and 1939; only being absent from the Met stage in the years 1935 and 1936 during that period. Some of the roles she performed at the Met included Aida, Agathe in Der Freischütz, Elisabeth in Tannhäuser, Sieglinde in Die Walküre, and the Marschallin in Der Rosenkavalier.
Stückgold died on 15 September 1977, in Falls Village, Connecticut.
# Levelling the Land

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | link |
Levelling the Land is the second full-length album by the Brighton folk-punk group, The Levellers, released in 1991. The album reached number 14 in the UK album charts and has since gained platinum status through ongoing sales. The original album pressing contained ten tracks but following the success of the single "Fifteen Years", which peaked at #11 on the UK charts in May 1992, the song was added as track three to later pressings.
This was the first Levellers album to feature the input of Simon Friend as songwriter, vocalist and musician. He replaced Alan Miles, who had sung and played guitar and mandolin on the previous album, A Weapon Called the Word. "Liberty Song" on this album was co-written by Miles.

## Track listing

* All band members are given writing credits on all the tracks.
* "One Way" – 4:08
* "The Game" – 3:28
* "Fifteen Years" – 3:11 (not on initial pressing)
* "The Boatman" – 5:56
* "Liberty Song" – 4:29 (co-written by original member Alan Miles)
* "Far From Home" - 3:22
* "Sell Out" – 4:17
* "Another Man's Cause" – 4:35
* "The Road" – 4:00
* "The Riverflow" – 3:02
* "Battle of the Beanfield" – 3:41
The 2007 re-issue of the album also included the bonus tracks:
* "Last Days of Winter"
* "Dance Before the Storm"
* "Hard Fight"
* "The Devil Went Down to Georgia"
* "Plastic Jeezus"
A bonus live disc was recorded at Glastonbury in 1992:
* "The Game"
* "World Freak Show" (co-written by original member Alan Miles)
* "Dance Before the Storm"
* "The Boatman"
* "Far From Home"
* "Sell Out"
* "The Riverflow"
* "Battle of the Beanfield"
* "Jig/Three Friends"
* "Liberty Song"
* "One Way"
* "The Devil Went Down to Georgia"

## Personnel

* Mark Chadwick - lead vocals, guitars, harmonica
* Simon Friend - backing vocals, lead vocals on tracks 4 and 11, guitars, mandolin, banjo, harmonica
* Jeremy Cunningham - bass guitar, album artwork
* Jonathan Sevink - fiddle
* Charlie Heather - drums/percussion
* Alan Scott - producer