# Lee J. Cobb

Lee J. Cobb (born Leo Jacoby; December 8, 1911 – February 11, 1976) was an American actor, known both for film roles and his work on the Broadway stage, as well as for his starring role on the television series The Virginian. He often played arrogant, intimidating, and abrasive characters, but he also acted as respectable figures such as judges and police officers. He was nominated for two Academy Awards and two Golden Globe Awards, all in the Best Supporting Actor category.
Cobb was a member of the Group Theatre and originated the role of Willy Loman in Arthur Miller's 1949 play Death of a Salesman under the direction of Elia Kazan. He received his first Oscar nomination for playing Johnny Friendly in Kazan's On the Waterfront (1954). His subsequent film performances included Juror #3 in 12 Angry Men (1957), patriarch Fyodor Karamazov in The Brothers Karamazov (also 1958). Dock Tobin in Man of the West (1958), Barak Ben Canaan in Exodus (1960), Marshall Lou Ramsey in How the West Was Won (1962), Cramden in Our Man Flint (1966) and its sequel In Like Flint (1967), and Lt. William Kinderman in The Exorcist (1973).
On television, Cobb played a leading role in the first four seasons of the Western series, The Virginian as Judge Henry Garth and the ABC legal drama The Young Lawyers as David Barrett, and was nominated for Primetime Emmy Award for Outstanding Single Performance by an Actor three times. In 1981, Cobb was posthumously inducted into the American Theater Hall of Fame.

## Early life and education

Cobb was born in New York City, to a Jewish family of Russian and Romanian origin. He grew up in The Bronx, New York, on Wilkins Avenue, near Crotona Park. His parents were Benjamin (Benzion) Jacob, a compositor for The Jewish Daily Forward newspaper, and Kate (Neilecht), a homemaker
Interested in acting from a young age, Cobb ran away from home at 16 to try to make it in Hollywood. He joined Borrah Minevitch's Harmonica Rascals as a musician and had a bit part in a short film featuring the group, but failed to find steady work and eventually moved back to New York.
Cobb studied accounting at New York University while working as a radio salesman. Still interested in show business, he went back to California and studied acting at the Pasadena Playhouse. He finally made his film debut at 23 in two episodes of the film serial The Vanishing Shadow (1934). He joined the Manhattan-based Group Theatre in 1935.

## Career
### Stage

Cobb performed summer stock with the Group Theatre in 1936, when it summered at Pine Brook Country Club in Nichols, Connecticut. He made his Broadway debut as a saloonkeeper in a dramatization of Crime and Punishment that closed after 15 nights. He starred opposite Elia Kazan in Group Theatre's productions of Clifford Odets' Waiting for Lefty and Golden Boy. He also acted in Ernest Hemingway's only ever full-length play, The Fifth Column, and Odets' Clash by Night.
Cobb gained widespread recognition for his portrayal of Willy Loman in the original production of Arthur Miller's play Death of a Salesman under the direction of Elia Kazan. Miller praised Cobb as "the greatest dramatic actor I ever saw" and, upon his casting, changed a line referring to the physical appearance of the title character, whom the author had originally conceived of as a small man, from "shrimp" to "walrus". Cobb played through the play's entire initial run at the Morosco Theatre between February 1949 and November 1950. The play won the Tony Award for Best Play and the Pulitzer Prize for Drama. Miller later offered Cobb the part of Eddie Carbone in A View from the Bridge, but Cobb turned it down.
During World War II, Cobb joined the US Army Air Forces in the hopes of becoming a pilot. Instead, he was assigned to a radio unit. He was later transferred to the First Motion Picture Unit, where he appeared in Moss Hart Army Emergency Relief fundraiser productions like This is the Army and Winged Victory.
In 1968, his performance as King Lear with Stacy Keach as Edmund, René Auberjonois as the Fool, and Philip Bosco as Kent achieved the longest run (72 performances) for the play in Broadway history.

### Film

Cobb entered films in the 1930s, successfully playing middle-aged and even older characters while he was still a youth. His first credited role was in the 1937 Hopalong Cassidy oater Rustlers' Valley, where he was billed using the stage name 'Lee Colt.' In all subsequent films, he used Lee Cobb and later Lee J. Cobb.
He starred in the 1939 film adaptation of Golden Boy, albeit in a different role.
He was cast as the Kralahome in the 1946 film Anna and the King of Siam, upon which the musical play The King and I was later partially based. He also played the sympathetic doctor in The Song of Bernadette and appeared as Derek Flint's (James Coburn) supervisor in the James Bond spy spoofs Our Man Flint and In Like Flint.
In August 1955, while filming The Houston Story, Cobb suffered a heart attack and was replaced by Gene Barry. Later that year, he picked up a Best Supporting Actor Oscar nomination for his portrayal of corrupt union boss Johnny Friendly in Elia Kazan's On the Waterfront. He was nominated a second time for playing Fyodor in Richard Brooks' movie adaptation of The Brothers Karamazov.
In 1957, he appeared in Sidney Lumet's 12 Angry Men as the abrasive Juror #3. The role earned him a Golden Globe nomination for Best Supporting Actor, one of two in the same category. He was nominated again for the Frank Sinatra comedy Come Blow Your Horn (1963).
One of his final film roles was that of Washington, D.C. Metropolitan Police homicide detective Lt. Kinderman in the 1973 horror film The Exorcist, about a demonic possession of a teen-age girl (Linda Blair) in Georgetown, D. C. In the same decade, Cobb travelled to Europe to work in Italian films, primarily poliziotteschi (crime thrillers). His final films, Cross Shot and Nick the Sting, were both released posthumously, nearly two months after Cobb died.

### Television

In 1959, on CBS' DuPont Show of the Month, he starred in the dual roles of Miguel de Cervantes and Don Quixote in the play I, Don Quixote, which years later became the musical Man of La Mancha. Cobb also appeared as the Medicine Bow, Wyoming owner of the Shiloh Ranch, Judge Henry Garth in the first four seasons (1962–1966), of the long-running NBC Western television series The Virginian (1962–1971).
He reprised his role of Willy Loman in the 1966 CBS television adaptation of Death of a Salesman, which included Gene Wilder, James Farentino, Bernie Kopell, and George Segal. Cobb was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as Linda, Willy's devoted wife.
One of his last television roles was as a stalwart overworked elderly physician still making house calls in urban Baltimore, in Doctor Max, a TV pilot for a potential series that never materialized. His final aired television role was Origins of the Mafia, a miniseries about the history of the Sicilian Mafia, filmed on-location in Italy. He subsequently appeared alongside British actor Kenneth Griffith in an ABC television documentary on the American Revolution called Suddenly an Eagle, which was broadcast six months after his death.

## Political activity

Cobb was accused of being a Communist in 1951 testimony before the House Un-American Activities Committee (HUAC) by Larry Parks, himself an admitted former Communist Party member. Cobb was called to testify before HUAC but refused to do so for two years until his career was threatened by the blacklist. He relented in 1953 and gave testimony, naming 20 people as former members of the Communist Party USA.
Later, Cobb explained why he "named names", saying:
   When the facilities of the government of the United States are drawn on an individual it can be terrifying. The blacklist is just the opening gambit—being deprived of work. Your passport is confiscated. That's minor. But not being able to move without being tailed is something else. After a certain point it grows to implied as well as articulated threats, and people succumb. My wife did, and she was institutionalized. The HUAC did a deal with me. I was pretty much worn down. I had no money. I couldn't borrow. I had the expenses of taking care of the children. Why am I subjecting my loved ones to this? If it's worth dying for, and I am just as idealistic as the next fellow. But I decided it wasn't worth dying for, and if this gesture was the way of getting out of the penitentiary I'd do it. I had to be employable again.
       — Interview with Victor Navasky for the 1980 book Naming Names
Following the hearing, he resumed his career and worked with Elia Kazan and Budd Schulberg, two other HUAC "friendly witnesses", on the 1954 film On the Waterfront.

## Personal life

Cobb married Yiddish theatre and film actress Helen Beverley in 1940. They had two children, actress Julie Cobb, and son Vincent Cobb, before divorcing in 1952. Cobb's second marriage was to school teacher Mary Hirsch, with whom he also had two children. Cobb supported Progressive Party candidate Henry A. Wallace in the 1948 United States presidential election.

## Death

Cobb died of a heart attack on February 11, 1976 in Woodland Hills, California at age 64, and was buried in Mount Sinai Memorial Park Cemetery in Los Angeles.
He was inducted into the American Theater Hall of Fame in 1981.

## Filmography
### Film

| Year | Title | Role | Director(s) | Notes |
| 1937 | North of the Rio Grande | Goodwin | Nate Watt | |
| 1937 | Rustlers' Valley | Cal Howard | Nate Watt | Credited as Lee Colt |
| 1938 | Danger on the Air | Tony Lisotti | Otis Garrett | |
| 1939 | Golden Boy | Mr. Bonaparte | Rouben Mamoulian | |
| 1940 | This Thing Called Love | Julio Diestro | Alexander Hall | |
| 1941 | Men of Boys Town | Dave Morris | Norman Taurog | |
| 1941 | Paris Calling | Captain Schwabe | Edwin L. Marin | |
| 1943 | The Moon Is Down | Dr. Albert Winter | Irving Pichel | |
| 1943 | Tonight We Raid Calais | M. Bonnard | John Brahm | |
| 1943 | Buckskin Frontier | Jeptha Marr | Lesley Selander | |
| 1943 | The Song of Bernadette | Dr. Dozous | Henry King | |
| 1944 | Winged Victory | Dr. Baker | George Cukor | |
| 1946 | Anna and the King of Siam | Kralahome | John Cromwell | |
| 1947 | Johnny O'Clock | Inspector Koch | Robert Rossen | |
| 1947 | Boomerang! | Chief Harold F. Robinson | Elia Kazan | |
| 1947 | Captain from Castile | Juan Garcia | Henry King | |
| 1948 | Call Northside 777 | Brian Kelly | Henry Hathaway | |
| 1948 | The Miracle of the Bells | Marcus Harris | Irving Pichel | |
| 1948 | The Luck of the Irish | David C. Augur | Henry Koster | |
| 1948 | The Dark Past | Dr. Andrew Collins | Rudolph Maté | |
| 1949 | Thieves' Highway | Mike Figlia | Jules Dassin | |
| 1950 | The Man Who Cheated Himself | Lt. Edward Cullen | Felix E. Feist | |
| 1951 | Sirocco | Col. Feroud | Curtis Bernhardt | |
| 1951 | The Family Secret | Howard Clark | Henry Levin | |
| 1952 | The Fighter | Durango | Hebert Kline | |
| 1953 | The Tall Texan | Capt. Theodore Bess | Elmo Williams | |
| 1954 | Yankee Pasha | Sultan | Joseph Pevney | |
| 1954 | Day of Triumph | Zadok | John T. Coyle and Irving Pichel | |
| 1954 | Gorilla at Large | Detective Sgt. Garrison | Harmon Jones | |
| 1954 | On the Waterfront | Johnny Friendly | Elia Kazan | Nominated–Academy Award for Best Supporting Actor |
| 1955 | The Racers | Maglio | Henry Hathaway | |
| 1955 | The Road to Denver | Jim Donovan | Joseph Kane | |
| 1955 | The Left Hand of God | General Mieh Yang | Edward Dmytryk | |
| 1956 | The Man in the Gray Flannel Suit | Judge Bernstein | Nunnally Johnson | |
| 1956 | Miami Exposé | Lt. Bart Scott | Fred F. Sears | |
| 1957 | 12 Angry Men | Juror #3 | Sidney Lumet | Nominated–Golden Globe Award for Best Supporting Actor – Motion Picture |
| 1957 | The Garment Jungle | Walter Mitchell | Vincent Sherman | |
| 1957 | The Three Faces of Eve | Dr. Curtis Luther | Nunnally Johnson | |
| 1958 | The Brothers Karamazov | Fyodor Karamazov | Richard Brooks | Nominated–Academy Award for Best Supporting Actor |
| 1958 | Man of the West | Dock Tobin | Anthony Mann | |
| 1958 | Party Girl | Rico Angelo | Nicholas Ray | |
| 1959 | The Trap | Victor Massonetti | Norman Panama | |
| 1959 | Green Mansions | Nuflo | Mel Ferrer | |
| 1959 | But Not for Me | Jeremiah MacDonald | Walter Lang | |
| 1960 | Exodus | Barak Ben Canaan | Otto Preminger | |
| 1962 | Four Horsemen of the Apocalypse | Julio Madariaga | Vincente Minnelli | |
| 1962 | How the West Was Won | Marshall Lou Ramsey | John Ford, Henry Hathaway, and George Marshall | |
| 1963 | Come Blow Your Horn | Harry R. Baker | Bud Yorkin | Nominated–Golden Globe Award for Best Supporting Actor – Motion Picture |
| 1966 | Our Man Flint | Lloyd C. Cramden | Daniel Mann | |
| 1967 | In Like Flint | Lloyd C. Cramden | Gordon Douglas | |
| 1968 | The Day of the Owl | Don Mariano Arena | Damiano Damiani | |
| 1968 | Coogan's Bluff | Lt. McElroy | Don Siegel | |
| 1968 | They Came to Rob Las Vegas | Steve Skorsky | Antonio Isasi-Isasmendi | |
| 1969 | Mackenna's Gold | The Editor | J. Lee Thompson | |
| 1970 | The Liberation of L.B. Jones | Oman Hedgepath | William Wyler | |
| 1970 | Macho Callahan | Duffy | Bernard L. Kowalski | |
| 1971 | Lawman | Vincent Bronson | Michael Winner | |
| 1973 | The Man Who Loved Cat Dancing | Harvey Lapchance | Richard C. Sarafian | |
| 1973 | The Great Kidnapping | Iovine | Roberto Infascelli | |
| 1973 | The Exorcist | Lt. William Kinderman | William Friedkin | |
| 1973 | Ultimatum | | Jean Pierre Lefebvre | |
| 1974 | The Balloon Vendor | Venti Anni | Mario Gariazzo | |
| 1975 | Mark of the Cop | Commander Benzi | Stelvio Massi | |
| 1975 | That Lucky Touch | Lt. Gen. Henry Steedman | Christopher Miles | |
| 1975 | Mark Shoots First | Commander Benzi | Stelvio Massi | |
| 1976 | Cross Shot | Dante Ragusa | Stelvio Massi | Released posthumously |
| 1976 | Nick the Sting | Robert Clark | Fernando Di Leo | Released posthumously |

### Television

| Year | Title | Role | Notes |
| 1951 | Somerset Maugham TV Theatre | Charles Strickland | Episode: "The Moon and Sixpence" |
| 1951 | Tales of Tomorrow | Wayne Crowder | Episode: "Test Flight" |
| 1951 | Lights Out | David Stevenson | Episode: "The Veil" |
| 1954 | Ford Theatre | Matt Erwin | Episode: "Night Visitor" |
| 1955 | Lux Video Theatre | Émile Zola | Episode: "The Life of Emile Zola" |
| 1955 | Medic | Henry Fisher | Episode: "Break Through the Bars" |
| 1955 | Producers' Showcase | Rubashev | Episode: "Darkness at Noon" |
| 1956 | The Alcoa Hour | Zocco | Episode: "A Patch of Faith" |
| 1956-58 | Dick Powell's Zane Grey Theatre | Capt. Andrew Watling / Frank MacKinnon | Episode: "Death Watch" & "Legacy of a Legend" |
| 1957 | Studio One | Dr. Joseph Pearson | Episodes: "No Deadly Medicine: Parts 1 & 2" |
| 1957-59 | Playhouse 90 | Al Bengsten / Dr. Lawrence Doner | Episodes: "Panic Button" & "Project Immortality" |
| 1959 | Westinghouse Desilu Playhouse | El Jefe | Episode: "Trial at Devil's Canyon" |
| 1959-60 | DuPont Show of the Month | Miguel de Cervantes / Dr. Hochberg | Episodes: "I, Don Quixote" & "Men in White" |
| 1960-62 | General Electric Theater | Dominic Roma / Grayson Foxhall | Episodes: "The Committeeman" & "The Unstoppable Gray Fox" |
| 1961 | DuPont Show with June Allyson | Capt. Maximillian Gault | Episode: "The School of the Soldier" |
| 1961 | Naked City | Paul Delito | Episode: "Take Off Your Hat When a Funeral Passes" |
| 1961 | Vincent Van Gogh: A Self-Portrait | Vincent van Gogh | Television film |
| 1962-66 | The Virginian | Judge Henry Garth | Main cast; Season 1-4 |
| 1963 | Bob Hope Presents the Chrysler Theatre | Ernie Wigman | Episode: "It's Mental Work" |
| 1966 | Death of a Salesman | Willy Loman | Television film |
| 1970-71 | The Young Lawyers | David Barrett | Main cast |
| 1972 | Heat of Anger | Frank Galvin | Television film |
| 1972 | Double Indemnity | Barton Keyes | Television film |
| 1972 | McCloud | Alexander Montello | Episode: "Showdown at the End of the World" |
| 1974 | Trapped Beneath the Sea | Victor Bateman | Television film |
| 1974 | The Great Ice Rip-Off | Willy Calso | Television film |
| 1974 | Gunsmoke | Col. Josiah Johnson | Episode: "The Colonel" |
| 1976 | Origins of the Mafia | Bartolomeo Gramignano | Miniseries; 1 episode |

## Stage roles

| Run | Title | Role | Director | Original venue | Notes |
| 01/22/35 - 02/06/35 | Crime and Punishment | Koch the Saloonkeeper | Victor Wolfson | Biltmore Theatre | |
| 03/26/35 - 07/13/35 | Till the Day I Die | Detective Popper | Cheryl Crawford | Longacre Theatre | |
| 03/26/35 - 07/13/35 | Waiting for Lefty | Voice | Sanford Meisner | Longacre Theatre | |
| 11/19/35 - 12/07/35 | The Mother | Smilgin / Vasil Yefimovich / Policeman / Worker | Victor Wolfson | Civic Repertory Theater | |
| 03/30/36 - 05/03/36 | Bitter Stream | Don Circonstantza | Jacob Ben-Ami | Civic Repertory Theater | |
| 11/19/36 - 01/16/37 | Johnny Johnson | Dr. McBray / Brother George / French Major-General | Lee Strasberg | 44th Street Theatre | |
| 11/04/37 - 06/04/38 | Golden Boy | Mr. Carp | Harold Clurman | Belasco Theatre | |
| 01/05/39 - 05/06/39 | The Gentle People: A Brooklyn Fable | Lammanawitz | Harold Clurman | Belasco Theatre | |
| 11/14/39 - 12/02/39 | Thunder Rock | Dr. Stefan Kurtz | Elia Kazan | Mansfield Theatre | |
| 03/06/40 - 05/18/40 | The Fifth Column | Max | Lee Strasberg | Alvin Theatre | |
| 12/27/41 - 02/07/42 | Clash by Night | Jerry Wilenski | Lee Strasberg | Belasco Theatre | |
| 03/09/42 - 05/09/42 | Jason | Jason Otis | Samson Raphaelson | Hudson Theatre | Replacement |
| 11/20/43 - 05/20/44 | Winged Victory | Dr. Baker | Moss Hart | 44th Street Theatre & US tour | Produced by the U.S. Army Air Forces |
| 02/10/49 - 11/18/50 | Death of a Salesman | Willy Loman | Elia Kazan | Morosco Theatre | |
| 03/12/52 - 04/06/52 | Golden Boy | Mr. Bontaparte | Clifford Odets | ANTA Playhouse | |
| 02/09/53 - 02/21/53 | The Emperor's Clothes | Elek Odry | Harold Clurman | Ethel Barrymore Theatre | |
| 11/07/68 - 02/12/69 | King Lear | Lear | Gerald Freedman | Vivian Beaumont Theater | |

## Radio appearances

| Year | Program | Episode/source |
| 1945 | Suspense | "The Bet" |
| 1946 | Hollywood Star Time | The Song of Bernadette |

## Accolades

| Award | Year | Category | Nominated work | Result |
| Academy Awards | 1954 | Best Supporting Actor | On the Waterfront | Nominated |
| Academy Awards | 1958 | Best Supporting Actor | The Brothers Karamazov | Nominated |
| Golden Globe Awards | 1957 | Best Supporting Actor – Motion Picture | 12 Angry Men | Nominated |
| Golden Globe Awards | 1963 | Best Supporting Actor – Motion Picture | Come Blow Your Horn | Nominated |
| Grammy Awards | 1967 | Best Spoken Word, Documentary or Drama Recording | Death of a Salesman | Nominated |
| Laurel Awards | 1954 | Top Male Character Performance | On the Waterfront | Won |
| Laurel Awards | 1958 | Top Male Dramatic Performance | The Brothers Karamazov | Nominated |
| Laurel Awards | 1960 | Top Male Supporting Performance | Exodus | 4th Place |
| Laurel Awards | 1963 | Top Male Supporting Performance | Come Blow Your Horn | Nominated |
| Primetime Emmy Awards | 1958 | Actor – Best Single Performance – Lead or Support | Studio One (Episode: "No Deadly Medicine") | Nominated |
| Primetime Emmy Awards | 1960 | Outstanding Single Performance by an Actor (Lead or Support) | Playhouse 90 (Episode: "Project Immortality") | Nominated |
| Primetime Emmy Awards | 1967 | Outstanding Single Performance by an Actor in a Leading Role in a Drama | Death of a Salesman | Nominated |
| Western Heritage Awards | 1966 | Fictional Television Drama | The Virginian (Episode: "The Horse Fighter") | Won |

### Honors

* 1966: Golden Plate Award of the American Academy of Achievement
* 1981: American Theatre Hall of Fame