# 1st Korean Music Awards

The first edition of the Korean Music Awards was held on March 17, 2004, recognizing music released in 2003. The event was organized by Munhwa Ilbo and Cultural Action, with support from KT, the Korea Sports Promotion Foundation, and KTF. It originated from a perception in early 2003 that South Korea's popular music industry was facing a crisis. A selection committee was formed in September of the same year, and the awards ceremony was announced on February 23, 2004.
Nominees were selected through an initial review by the selection committee and announced on February 28. Following the announcement, online voting was conducted. Hosted by Kim Kwang-jin and Lee Sang-eun, the ceremony took place at the 600th Anniversary Hall at Sungkyunkwan University. Despite Asoto Union, Big Mama, and Loveholics receiving the most nominations (4 each), no artist won more than once. The event was broadcast live by OhmyNews and Music City, while Mnet aired a recorded version. On April 2, a public forum was held to gather opinions about the event. While the ceremony faced some criticism, it was praised for challenging conventional, politically motivated music awards organized by broadcasting companies.

## Background

Discussions about an alternative music awards ceremony, distinct from those held by broadcasting companies, began in early 2003. Kim Chang-nam, a professor at Sungkonghoe University, stated that the event began with "an awareness that our popular music is in a serious crisis, both culturally and industrially."
In early September 2003, the Coalition for the Reform of Popular Music (hereafter referred to as CRPM) held discussions to address issues surrounding the existing seven music awards ceremonies, deliberating on issuing statements about these problems during the year-end, a time when many of these ceremonies were held. In the subsequent meeting, participants agreed to establish an award focused on music rather than commercial considerations, supported by sponsors and media partnerships. Cultural Action, a civic organization, brought together individuals, leading to the first meeting of the selection committee in late September. During this meeting, a 17-member selection committee was formed, including Kim Chang-nam as chair, alongside critics, journalists, and radio producers. The committee reached a consensus on establishing a new award for popular music. At the time, discussions included Munhwa Ilbo's role in securing sponsorships and Cultural Action's participation. At this time, the name of the awards ceremony had not been finalized, and they temporarily used the title 'Korean Good Music Awards' (Korean Good Music Awards, KGMA).
During the second meeting, the general award categories and selection principles were discussed. However, due to difficulties in securing sponsorship, financial challenges arose. In January 2004, some members of the organizing committee suggested that only the results chosen by the judges should be disclosed to the public. Despite this, KT's sponsorship was ultimately secured, and additional support was provided by the National Sports Promotion Corporation and KT Freetel. Following this, on February 23, 2004, the organization held a press conference and announced that the inaugural Korean Popular Music Awards would take place on March 17, 2004, at Sungkyunkwan University's 600th Anniversary Hall. The event was intended to be modeled after the Grammy Awards.
The selection committee chair, Kim Chang-nam, explained the purpose of the event as creating a ceremony that would "guarantee the quality of music and ensure objective authority," moving away from the tokenistic music awards typically held by broadcasting companies. Regarding the selection of candidates, the awards would be centered around albums and songs rather than individual artists, focusing on the quality of the work rather than sales figures. Im Jin-mo, a member of the selection committee, remarked during the press conference that unlike the 1980s, when there was consensus on award winners among both experts and fans, the current state of the music industry, where artists like Lee Hyori dominate, creates a sense of emptiness for both experts and fans. Lee Dong-yeon, another member of the selection committee and a member of the Culture and Social Research Institute at the Culture Solidarity, expressed that one of the goals of the event was to overcome the formal dichotomy of mainstream vs. alternative and popular vs. specialized music.

## Ceremony

The nominees for the ceremony were announced on February 28, 2004. While five nominees were standard for each category, six albums were nominated for Album of the Year due to a tie, and Blue Dawn was additionally nominated for Rookie of the Year based on unanimous agreement following a committee member's suggestion. Online voting began after the nominees were announced and continued until the day before the ceremony, March 16. Results from the selection committee and online voting were weighted 80% and 20%, respectively. According to Lee Dong-yeon, many first-round nominees were artists recommended by netizens.
The ceremony took place on March 17, 2004, at Sungkyunkwan University's 600th Anniversary Hall. Kim Kwang-jin served as the male host, while Lee Sang-eun was selected as the female host after considering candidates such as Lee So-ra and Kim Yoon-ah. The event, which lasted two and a half hours, was divided into two parts and included 14 award categories. A total of 12 performances were held, including Cocore's opening act and Lee Jung-sun's closing act, all without performance fees. Presenters included Han Dae-soo, Kang San-ae, Ahn Heung-chan, Joo Sang-kyun, Jeon Yu-seong, and Jung Hye-won of Coloring Baby 7 Princesses. The selection committee established a principle of conducting a revote when the score difference between the top and remaining candidates was within one point. As a result, revotes occurred in categories such as Album of the Year (《The The Band》, 《Florist》, 《Like The Bible》), Female Artist of the Year (Lee Sang-eun, BoA, Lee Soo-young), Male Artist of the Year (Cho Yong-pil, Wheesung), and Best Rock Music (Cocore, Nell). The Special Jury Award, originally intended for one recipient, was given to two: Asoto Union and Jeon Kyung-ok, following committee discussions.
The ceremony emphasized its non-commercial nature, distributing approximately 400 invitations to the public on a first-come, first-served basis via the official website. The event was broadcast live on OhmyNews and Music City, and a recorded version aired on Mnet.

## Nominees and Winners

Winners are highlighted in bold in the first row.
| Album of the Year | Song of the Year |
| The The – The The Band Loveholics – Florist Big Mama – Like The Bible Asoto Union – Sound Renovates A Structure Yi Sung Yol – This Day, At This Time.... Cocore – Super Stars | Loveholics – "Loveholic" The The – "YOU" Delispice – "Confession" Yoon Gun – "By Chance" Jung Jae-il – "Tear Flower" |
| Male Artist of the Year | Female Artist of the Year |
| Wheesung Yoon Gun Yi Sung Yol Lee Juck Cho Yong-pil | Lee Tzsche BoA Lee Soo-young Han Young Ae BMK |
| Group of the Year | New Artist of the Year |
| Big Mama The The Delispice Loveholics Asoto Union | Jung Jae-il Big Mama Asoto Union Jeju Sonyeon bluedawn Tim |
| Best Rock Album | Best Hip-Hop & Dance Album |
| Cocore – Super Stars Nell – Let It Rain Delispice – Espresso Loveholics – Florist Sweater – Humming Street | Defconn – Lesson 4 The People Drunken Tiger – Foundation Leessang – Jae, Gyebal Epik High – Map of the Human Soul Joosuc – Superior Vol.1: This Iz My Life MC Sniper – Intro |
| Best R&B & Ballad Album | Best Crossover Album |
| Yoon Gun – Yoon Gun Big Mama – Like The Bible Asoto Union – Sound Renovates A Structure Jo Kyu-chan – Single Note Wheesung – It's Real | Na Yoon-sun – Down By Love Lee Byung-woo – Absorption Jeon Gyeong-ok – Love Sick DJ Soulscape – Lovers JS Culture – Missing |
| Best Film & Drama Music | Best Label |
| Lee Byung-woo – Untold Scandal Kim Jun-seok – Singles Jo Yeong-wook – Oldboy Bang Jun-seok – ...ing Won Il – Sky Blue | Fluxus Music Cabaret Sound M-Boat |
| Special Jury Award | Lifetime Achievement Award |
| Asoto Union Jeon Gyeong-ok | Lee Jung-seon |

## Nominees in multiple categories

4th Year
* Loveholics
* Big Mama
* Asoto Union
3rd Year
* The The
* Delispice
* Yoon Gun
2nd Year
* Jung Jaeil
* Lee Seung Yeol
* Cocore
* Wheesung

## Reactions and aftermath

Before the ceremony, Ohmynews's Ju Cheol-hwan expressed full understanding of the award's establishment purpose but raised concerns about "how the authenticity of popular music would be judged". Kim Chang-nam wrote in the *Munhwa Ilbo* that although there were many challenges in organizing the ceremony, "at least we have clearly and successfully made our first step". Jo Seong-jin, the editor-in-chief of *Hot Music*, pointed out issues with the small and unrepresentative selection committee compared to global awards like the Grammys and criticized the involvement of the Cultural Solidarity and the *Munhwa Ilbo* as the event's organizers. Kim Chang-nam acknowledged the criticism regarding the number of judges and the involvement of a media company, stating, "Who would sponsor an award ceremony run by civic groups?" He also mentioned that more genre categories, especially for heavy metal, would be considered in the future.
After the ceremony, on April 2, the Cultural Solidarity hosted a public debate. Ju Cheol-hwan, who participated, argued that discussions with the PD Association and other stakeholders were necessary, while Lee Jong-hyun, the former representative of *Master Plan*, criticized the serious tone of the ceremony, likening it to a "movement-based award ceremony". *Seoul Newspaper*'s Park Sang-sook noted that the Korean Music Awards "brought a fresh wind" and served as a signal for the abolition of traditional music awards. Articles from Yonhap and Herald Economy also highlighted the positive reception of the Korean Music Awards in articles reviewing Korean music in 2004.