# Becket (1964 film)

Becket is a 1964 British historical drama film about the historic, tumultuous relationship between Henry II of England and his friend-turned-bishop Thomas Becket. It is a dramatic film adaptation of the 1959 play Becket or the Honour of God by Jean Anouilh made by Hal Wallis Productions and released by Paramount Pictures. It was directed by Peter Glenville and produced by Hal B. Wallis with Joseph H. Hazen as executive producer. The screenplay was written by Edward Anhalt based on Anouilh's play. The music score was by Laurence Rosenthal, the cinematography by Geoffrey Unsworth and the editing by Anne V. Coates.
The film stars Richard Burton as Thomas Becket and Peter O'Toole as King Henry II, with John Gielgud as King Louis VII, Donald Wolfit as Gilbert Foliot, Paolo Stoppa as Pope Alexander III, Martita Hunt as Empress Matilda, Pamela Brown as Queen Eleanor, Siân Phillips, Felix Aylmer, Gino Cervi, David Weston and Wilfrid Lawson.
Restored prints of Becket were re-released in 30 cinemas in the US in early 2007, following an extensive restoration from the film's YCM separation protection masters. The film was released on DVD by MPI Home Video in May 2007 and on Blu-ray Disc in November 2008. The new film prints carry a Dolby Digital soundtrack, although the soundtrack of the original film, which originally opened as a roadshow theatrical release, was also in stereo.
Becket won the Academy Award for Best Adapted Screenplay, and was nominated for eleven other awards, including for Best Picture, Best Director, Best Supporting Actor, and twice for Best Actor.

## Plot

Thomas Becket is an advisor and companion of the carousing King Henry II. Henry appoints Becket as Lord Chancellor to have a close confidant in this position whom he can completely control. Henry is less interested in his royal duties than drunken forays in the royal hunting grounds and pursuing peasant women. He becomes increasingly dependent on Becket, a Saxon commoner, who arranges these debaucheries when he is not busy running Henry's court. This foments great resentment on the part of Henry's Norman noblemen, who distrust and envy this Saxon upstart, as well as Henry's wife Queen Eleanor and Henry's mother Empress Matilda, who see Becket as an unnatural and unseemly influence upon the King.
Henry finds himself in continuous conflict with the elderly Archbishop of Canterbury, who opposes the taxation of Church property to support Henry's military campaigns in France. During one of his campaigns in coastal France, he receives news that the archbishop has died. In a burst of inspiration, Henry exercises his prerogative to pick the next Archbishop, and informs an astonished Becket that he is the royal choice.
Shortly thereafter, Becket sides with the Church, throwing Henry into a fury. One of the main bones of contention is Thomas' excommunication of Lord Gilbert, one of Henry's most loyal stalwarts, for seizing and ordering the killing of a priest who had been accused of sexual indiscretions with a young girl, before the priest can even be handed over for ecclesiastical trial. Gilbert then refused to acknowledge his transgressions and seek absolution.
The King has a dramatic secret meeting with the Bishop of London in his cathedral. He lays out his plan to remove Becket through scandal and innuendo, which the envious Bishop of London quickly agrees to. These attempts fall flat when Becket, in full ecclesiastic garb, confronts his accusers and announces that as Archbishop he will petition the Pope for an ecclesiastical trial, causing Henry to laugh and bitterly note the irony of having his friend turn into his enemy.
Becket escapes to France where he encounters the conniving yet sympathetic King Louis. King Louis sees in Becket a means by which he can further his favourite pastime, tormenting the English. Louis provides refuge for Becket at the Abbey of Saint Martin while the English send emissaries to retrieve Becket.
Becket then travels to the Vatican, where he begs the Pope to allow him to renounce his position and retire to a monastery as an ordinary priest. The Pope reminds Becket that he has an obligation as a matter of principle to return to England and take a stand against civil interference in Church matters. Becket yields to this decision and asks Louis to arrange a meeting with Henry on the beaches at Normandy. Henry asks Becket whether or not he loved him and Becket replied that he loved Henry to the best of his ability. A shaky truce is declared and Becket is allowed to return to England.
Henry then rapidly sinks into drunken fixation over Becket and his perceived betrayal. The barons worsen his mood by pointing out that Becket has become a folk hero among the vanquished Saxons, who are ever restive and resentful of their Norman conquerors. During a drunken rage, Henry asks "Will no one rid me of this meddlesome priest?" His faithful barons hear this and proceed quickly to Canterbury, where they put Thomas and his Saxon deputy, Brother John, to the sword. A badly shaken Henry then undergoes a penance by whipping at the hands of Saxon monks.
Henry, fresh from his whipping, informs the barons that the ones who killed Becket will be found and justly punished. He then publicly proclaims to the crowd outside the church his arrangement for Thomas Becket to be canonised as a saint.

## Cast

* Richard Burton – Thomas Becket, Archbishop of Canterbury
* Peter O'Toole – King Henry II of England
* John Gielgud – King Louis VII of France
* Paolo Stoppa (voice: Robert Rietti) – Pope Alexander III
* Donald Wolfit – Gilbert Foliot, Bishop of London
* David Weston – Brother John
* Martita Hunt – Empress Matilda, Henry II's mother
* Pamela Brown – Eleanor of Aquitaine, wife of Henry II
* Siân Phillips – Gwendolen – Becket's lover & a Welsh noblewoman who is a captive of Henry II
* Felix Aylmer – Theobald of Bec, Archbishop of Canterbury
* Gino Cervi – Cardinal Zambelli
* Percy Herbert – Baron
* Niall MacGinnis – Baron
* Christopher Rhodes – Baron
* Peter Jeffrey – Baron
* Inigo Jackson – Robert de Beaumont
* John Phillips – Bishop of Winchester
* Frank Pettingell – Bishop of York
* Hamilton Dyce – Bishop of Chichester
* Jennifer Hilary – Peasant's daughter
* Véronique Vendell – Marie, a French peasant girl that Henry has a tryst with
* Graham Stark – The Pope's Secretary
* Jack Taylor – a villager
* Victor Spinetti – French tailor
* Edward Woodward – Clement

## Background and production

The film was made at Shepperton Studios, England, and on location at Alnwick Castle, Bamburgh Castle and Bamburgh Beach in Northumberland.
Peter O'Toole went on to play King Henry II once more in The Lion in Winter (1968).
Siân Phillips, who plays Gwendolen, was Peter O'Toole's wife at the time of filming.

## Historicity

Most of the historical inaccuracies in the film are from the play, as Anouilh was writing drama rather than a history, and he took dramatic licence.
The major inaccuracy is the depiction of Becket as a Saxon who has risen to a perceived Norman social standing, when in fact the historical Thomas Becket was a Norman (while Henry was an Angevin). Anouilh did this because he had based the play on a 19th-century account that described Becket as a Saxon. He had been informed of this error before his play was produced, but decided against correcting it because it would undermine a key point of conflict, and because "history might eventually rediscover that Becket was a Saxon, after all."
Becket is depicted as Henry's loyal "drinking pal", who assists him with illicit romantic entanglements and drunken hunting exercises, but who becomes saintly and responsible after his appointment as Archbishop. Passing mention is made in the film of the Constitutions of Clarendon (simply as the "Sixteen Articles"); the struggle between Becket and Henry is boiled down to their conflict over Lord Gilbert's murder of the captive priest. In no way is Becket depicted as a man who desired special legal privileges (defrocking rather than prison) for his clergy, as some believe.
Henry's mother, Empress Matilda, died in 1167, three years before the treaty of Fréteval allowed Becket to return in England. Henry appears to not have any respect for his mother and treats her as something of an annoyance, a rather drastic departure from what is generally held as historical fact. Empress Matilda was Henry's sole parent for much of his childhood, and she was instrumental in shaping Henry into the fierce warrior and skilled administrator he was. Far from seeing his mother as a burden, Henry seems to have adored Matilda and relied heavily on her advice and guidance until her death. Finally, at one point in the movie, Matilda complains that her gender was a major limiting factor in her life when in fact when she was an active military leader against Stephen of Blois during The Anarchy.
Henry's wife, Eleanor of Aquitaine, was in fact beautiful, and highly educated. She was known to have an amicable marriage with Henry despite his mistresses and frequent absences. She is shown publicly rebuking Henry in a scene near the end of the film, when in fact Eleanor, whatever private reservations she may have had, is not known to have ever behaved in such a manner in public. During the same scene, she says she will go to her father to complain of Henry's treatment of her; however, her father William X, Duke of Aquitaine had died decades before, when Eleanor was just 15 years old.
Also, the film only shows four sons of Henry and Eleanor. In actuality, Henry and Eleanor had eight children, five sons and three daughters. While the eldest son, William, had died before the events of the film, the three daughters are neglected.

## Production financing

The film grossed $9,164,370 at the box office, earning $3 million in rentals.

## Reception

On review aggregator Rotten Tomatoes, 76% of 29 critics gave the film a positive review, with an average rating of 7.2/10.

## Awards and nominations

| Award | Category | Nominee(s) | Result |
| Academy Awards | Best Picture | Hal B. Wallis | Nominated |
| Academy Awards | Best Director | Peter Glenville | Nominated |
| Academy Awards | Best Actor | Richard Burton | Nominated |
| Academy Awards | Best Actor | Peter O'Toole | Nominated |
| Academy Awards | Best Supporting Actor | John Gielgud | Nominated |
| Academy Awards | Best Screenplay – Based on Material from Another Medium | Edward Anhalt | Won |
| Academy Awards | Best Art Direction – Color | Art Direction: John Bryan and Maurice Carter; Set Decoration: Patrick McLoughlin and Robert Cartwright | Nominated |
| Academy Awards | Best Cinematography – Color | Geoffrey Unsworth | Nominated |
| Academy Awards | Best Costume Design – Color | Margaret Furse | Nominated |
| Academy Awards | Best Film Editing | Anne V. Coates | Nominated |
| Academy Awards | Best Scoring of Music – Substantially Original | Laurence Rosenthal | Nominated |
| Academy Awards | Best Sound | John Cox | Nominated |
| American Cinema Editors Awards | Best Edited Feature Film | Anne V. Coates | Nominated |
| British Academy Film Awards | Best Film from any Source | Peter Glenville | Nominated |
| British Academy Film Awards | Best British Film | Peter Glenville | Nominated |
| British Academy Film Awards | Best British Actor | Peter O'Toole | Nominated |
| British Academy Film Awards | Best British Screenplay | Edward Anhalt | Nominated |
| British Academy Film Awards | Best British Art Direction – Colour | John Bryan | Won |
| British Academy Film Awards | Best British Cinematography – Colour | Geoffrey Unsworth | Won |
| British Academy Film Awards | Best British Costume Design – Colour | Margaret Furse | Won |
| British Society of Cinematographers Awards | Best Cinematography in a Theatrical Feature Film | Geoffrey Unsworth | Won |
| Cinema Writers Circle Awards | Best Foreign Film | Best Foreign Film | Won |
| Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Peter Glenville | Nominated |
| Fotogramas de Plata | Best Foreign Performer | Richard Burton | Won |
| Golden Globe Awards | Best Motion Picture – Drama | Best Motion Picture – Drama | Won |
| Golden Globe Awards | Best Actor in a Motion Picture – Drama | Richard Burton | Nominated |
| Golden Globe Awards | Best Actor in a Motion Picture – Drama | Peter O'Toole | Won |
| Golden Globe Awards | Best Director – Motion Picture | Peter Glenville | Nominated |
| Golden Globe Awards | Best Original Score – Motion Picture | Laurence Rosenthal | Nominated |
| Laurel Awards | Top Drama | Top Drama | 4th Place |
| Laurel Awards | Top Male Dramatic Performance | Richard Burton | Won |
| Laurel Awards | Top Male Dramatic Performance | Peter O'Toole | 4th Place |
| National Board of Review Awards | Best Film | Best Film | Won |
| National Board of Review Awards | Top Ten Films | Top Ten Films | 2nd Place |
| New York Film Critics Circle Awards | Best Screenplay | Edward Anhalt | Nominated |
| Sant Jordi Awards | Best Performance in a Foreign Film | Peter O'Toole | Won |
| Writers Guild of America Awards | Best Written American Drama | Edward Anhalt | Won |

## Legacy

Becket and its spiritual sequel The Lion in Winter were both nominated for Best Picture in their respective years 1964 and 1968. Both lost in years which were considered by many to be musical film showdowns, where two high-profile musical films were in contention to win Best Picture: Mary Poppins and winner My Fair Lady against Becket in 1964, Funny Girl and winner Oliver! against The Lion in Winter in 1968.

## Preservation

The Academy Film Archive preserved Becket in 2003.