OpenLLM-France/wikimedia huggingface dataset:
# Nya Kirby

Nya Jerome Kirby (born 31 January 2000) is an English professional footballer who plays as a midfielder for AFC Croydon Athletic.

## Club career

Kirby played youth football for Tottenham Hotspur and Crystal Palace, before moving on loan to Blackpool in January 2019.
He made his debut for Blackpool on 29 January 2019, coming off the bench in a 2–2 draw with Wycombe Wanderers and winning the 85th minute penalty which Harry Pritchard scored to earn a point.
Kirby made his senior debut for Crystal Palace on 15 September 2020 against AFC Bournemouth in the second round of the EFL Cup.
On 22 January 2021, Kirby joined League Two club Tranmere Rovers on loan for the remainder of the 2020–21 season.
Kirby was released by Crystal Palace at the end of the 2021–22 season.
In August 2023, he signed for Oxford City. He scored his first goal for the club on 28 August 2023, opening the scoring in a 4-0 win over Boreham Wood. He left after one season, joining AFC Croydon Athletic shortly after and making his league debut against Ramsgate on 10 August 2024.

## International career

He has represented England at under-17, under-18 and under-19 international youth levels.
He was a member of the team that won the 2017 FIFA U-17 World Cup, scoring the decisive penalty in the round of 16 against Japan and was a second-half substitute against Spain in the final. Kirby also represented England under-19 at the 2018 UEFA European Under-19 Championship.

## Career statistics

    As of 27 March 2021
Appearances and goals by club, season and competition :
| Club | Season | League | League | League | FA Cup | FA Cup | League Cup | League Cup | Other | Other | Total | Total |
| Club | Season | Division | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| Crystal Palace | 2018–19 | Premier League | 0 | 0 | 0 | 0 | 0 | 0 | — | — | 0 | 0 |
| Crystal Palace | 2019–20 | Premier League | 0 | 0 | 0 | 0 | 0 | 0 | — | — | 0 | 0 |
| Crystal Palace | 2020–21 | Premier League | 0 | 0 | 0 | 0 | 1 | 0 | — | — | 1 | 0 |
| Crystal Palace | Total | Total | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
| Blackpool (loan) | 2018–19 | League One | 11 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 11 | 1 |
| Tranmere Rovers (loan) | 2020–21 | League Two | 6 | 0 | — | — | — | — | 2 | 0 | 8 | 0 |
| Career total | Career total | Career total | 17 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 20 | 1 |
* ↑ Appearances in EFL Trophy

## Honours

Tranmere Rovers
* EFL Trophy runner-up: 2020–21
England U17
* FIFA U-17 World Cup: 2017
# 1983 Georgia Bulldogs football team

The 1983 Georgia Bulldogs football team represented the University of Georgia as a member of the Southeastern Conference (SEC) during the 1983 NCAA Division I-A football season. Led by 20th-year head coach Vince Dooley, the Bulldogs compiled an overall record of 10–1–1, with a mark of 5–1 in conference play, and finished second in the SEC.

## Schedule

| Date | Opponent | Rank | Site | TV | Result | Attendance |
| September 3 | No. 20 UCLA* | No. 15 | Sanford StadiumAthens, GA | ABC | W 19–8 | 82,122 |
| September 17 | at Clemson* | No. 11 | Memorial StadiumClemson, SC (rivalry) | | T 16–16 | 79,815 |
| September 24 | South Carolina* | No. 14 | Sanford StadiumAthens, GA (rivalry) | | W 31–13 | 82,122 |
| October 1 | Mississippi State | No. 11 | Sanford StadiumAthens, GA | | W 20–7 | 82,122 |
| October 8 | at Ole Miss | No. 11 | Vaught–Hemingway StadiumOxford, MS | | W 36–11 | 29,362 |
| October 15 | at Vanderbilt | No. 8 | Vanderbilt StadiumNashville, TN (rivalry) | | W 20–13 | 41,223 |
| October 22 | Kentucky | No. 7 | Sanford StadiumAthens, GA | | W 47–21 | 82,122 |
| October 29 | Temple* | No. 6 | Sanford StadiumAthens, GA | | W 31–14 | 81,822 |
| November 5 | vs. No. 9 Florida | No. 4 | Gator Bowl StadiumJacksonville, FL (rivalry) | CBS | W 10–9 | 82,166 |
| November 12 | No. 3 Auburn | No. 4 | Sanford StadiumAthens, GA (rivalry) | ABC | L 7–13 | 82,122 |
| November 26 | at Georgia Tech* | No. 7 | Grant FieldAtlanta, GA (rivalry) | | W 27–24 | 59,113 |
| January 2, 1984 | vs. No. 2 Texas* | No. 7 | Cotton BowlDallas, TX (Cotton Bowl Classic) | CBS | W 10–9 | 67,891 |
| *Non-conference gameHomecomingRankings from AP Poll released prior to the game ||||||||

## Rankings

Ranking movements Legend: ██ Increase in ranking ██ Decrease in ranking ( ) = First-place votes :
| | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week | Week |
| Poll | Pre | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | Final |
| AP | 15 | 10 | 11 | 14 | 11 | 11 | 8 | 7 | 6 | 4 | 4 | 7 | 7 | 7 | 7 | 4 |
| Coaches | 13 (1) | 7 | 7 | 11 | 8 | 8 | 6 | 7 | 6 | 4 | 4 | 7 | 7 | 7 | 7 | 4 |
# 1983 Howard Bison football team

The 1983 Howard Bison football team represented Howard University as a member of the Mid-Eastern Athletic Conference (MEAC) during the 1983 NCAA Division I-AA football season. Led by first-year head coach Joe Taylor, the Bison compiled an overall record of 1–9, with a mark of 1–3 in conference play, and finished tied for third in the MEAC.

## Schedule

| Date | Opponent | Site | Result | Attendance |
| September 3 | at Liberty Baptist* | City StadiumLynchburg, VA | L 10–15 | 5,321 |
| September 10 | at Bucknell* | Memorial StadiumLewisburg, PA | L 0–12 | 3,000 |
| September 17 | vs. Bethune–Cookman | Gator Bowl StadiumJacksonville, FL (Gateway Classic) | W 20–17 | |
| September 24 | No. 1 South Carolina State | Howard StadiumWashington, D.C. | L 7–28 | 10,000 |
| October 1 | Florida A&M | Howard StadiumWashington, DC | L 17–21 | |
| October 15 | Virginia State* | Howard StadiumWashington, DC | L 14–30 | |
| October 22 | at North Carolina A&T | Aggie StadiumGreensboro, NC | L 0–22 | |
| October 29 | Norfolk State* | Howard StadiumWashington, DC | L 12–19 | |
| November 12 | at Morgan State | Hughes StadiumBaltimore, MD (rivalry) | L 14–15 | |
| November 19 | at Delaware State | Alumni StadiumDover, DE | L 20–62 | 6,001 |
| *Non-conference gameRankings from NCAA Division I-AA Football Committee Poll released prior to the game ||||||
# Derek Possee

Derek James Possee (born 14 February 1946) is an English former professional footballer who played as a winger. In a professional career which lasted from 1963 to 1979, Possee made over 400 league appearances, scoring over 100 league goals. He is Millwall's third all-time leading scorer, with 87 goals in all competitions.

## Career

Born in Southwark, Possee began his career as an apprentice at Tottenham Hotspur, before becoming a professional there. In January 1964 he scored on his debut in a 3–1 victory over Aston Villa at White Hart Lane.
Possee also played in the Football League for Millwall, Crystal Palace and Leyton Orient.
He signed for St Patrick's Athletic in October 1977 under Barry Bridges and scored twice on his debut on the 16th.
Possee then spent three seasons in the North American Soccer League with the Vancouver Whitecaps, helping them to win the Soccer Bowl in 1979.
Possee suffered tragedy in his post playing career life. His son Danny, aged 22, was shot and killed by police in 1992 whilst they were executing a warrant for a narcotics arrest.

## Honours

* Soccer Bowl
** Vancouver Whitecaps 1979
# Théâtre D'opéra Spatial

Théâtre D'opéra Spatial (pronounced; French for 'Space Opera Theater') is a digital image created by Jason Michael Allen with the generative artificial intelligence platform Midjourney. The image won the 2022 Colorado State Fair's annual fine art competition in the digital art category on August 29, becoming one of the first images made using artificial intelligence (AI) to win such a prize.
Allen said he used at least 624 text prompts and revisions as inputs for Midjourney to create the initial image. He then edited it with Adobe Photoshop, and upscaled the image using a tool called Gigapixel AI.
The digital art category had 11 participants, with 18 images in total. Allen submitted three images and disclosed that he used Midjourney to create them. The two judges for the category later said they did not know that Midjourney used AI to generate images, but that they would have awarded Allen the top prize anyway. One judge, art historian Dagny McKinley, said the image reminded her of Renaissance art while Sebastian Smee, an art critic, said the image reminded him of work by Gustave Moreau. Allen had printed his three submissions on canvas for display at the fair, two of which were later sold for $750.
Though there was little contention about the image at the fair, some artists on Twitter were upset. They wrote that Allen did not deserve to win, comparing it to robots participating at the Olympics and calling the artwork a digital version of Comedian. He responded: "I'm not going to apologize for it. I won, and I didn't break any rules." The next year, the 2023 Colorado State Fair required participants to disclose if they used AI for their submission.

## Copyright

On September 21, 2022, Allen submitted an application to the US Copyright Office for registration of the image. Prior to the first formal refusal, the Copyright Office Examiner requested that the request would exclude any features of the image generated by Midjourney. Allen declined the request and requested copyright for the whole image.
In December 2022, the Copyright Office issued a first formal refusal, noting that the image included "inextricably merged, inseparable contribution" from Allen and Midjourney. In January 2023, Allen filed a first request for reconsideration. In June 2023, the Copyright Office continued the refusal, writing that the edits made using Photoshop could be registered but that the portion of the image created using Midjourney and Gigapixel AI had to be excluded. Allen filed a second request for reconsideration on July 12, 2023, arguing that case law as well as public policy reasons supported registration of the image.
On September 5, 2023, the Copyright Office Review Board made a final determination and found that Théâtre D'Opéra Spatial was not eligible for copyright protection as the human creative input was de minimis, with the AI-generated elements dominating. The rules "exclude works produced by non-humans". This decision continued the Copyright Office's previous guidance given in respect to AI. Allen insists he will continue to try to gain copyright registration.
# You Can't Bring Me Down

"You Can't Bring Me Down" is a song by Suicidal Tendencies, released in 1990 on the Lights...Camera...Revolution! album. It delivered moderate commercial success, and aided in the band's transition from punk rock to thrash metal. Although the song never reached any of the major music charts, it was a successful single.

## Content

The song begins with a hypnotic whammy bar solo, then goes into a clean, almost acoustic sounding rhythm guitar part, and then a guitar solo is added over it. The solo continues for a while, featuring 8-finger tapping and shredding, then the tempo speeds up and the song breaks into the main riff, and the first verse of lyrics, and finally the chorus.
This continues until around 3:40, when suddenly the rhythm guitar is clean again, the tempo slows down, and another solo comes in. Then finally towards the end of the song it goes back to the main riff, only this time with lead vocalist Mike Muir ranting and almost talking instead of singing. Then the song goes back to the chorus, the chorus extends (with yet another guitar solo), and finally ends (Muir's last lyrics being "Suicidal!" and then cackling).
The song was written by Muir and lead guitarist Rocky George.

## Music video

A music video was made for "You Can't Bring Me Down", which was a major hit on MTV's Headbangers Ball. The video seemed mostly to be about the band's ban from appearances in Los Angeles; in the beginning of the video a newspaper pops up with the head line "Suicidal Tendencies Banned In L.A." It showed Mike Muir being taken prisoner by a few unnamed authorities, who eventually executed him on the electric chair, despite heavy revolt from Muir's "gang" (perhaps representative of S.T.'s fans), who try to help him escape.
When Muir is executed in the video you can see the United States Constitution flashing in the background, which is perhaps taking another stab at the PMRC, which the band believed limited the American constitutional right to freedom of speech.
The song was also used in Danny Way's part in the skate video, The DC Video.
# Mario Almario

Mario Almario (born 18 July 1934) is a sailor from the Philippines. Almario represented his country at the 1972 Summer Olympics in Kiel. Almario took 26th place in the Soling with Alfonso Qua and Ambrosio Santos as fellow crew members. Almario also represented his country at the 1976 Summer Olympics in Kingston, Ontario where he took 28th place in the Finn. His last Olympic appearance was during the 1992 Summer Olympics in Barcelona in the Soling with Juan Miguel Torres and Teodorico Asejo as fellow crew members. The team took the 24th place.
# Otto Adler

Otto Adler (4 May 1929 – 6 May 2014) was a Romanian Holocaust survivor, the president of the Jewish Association of Romania, and a polyglot. He spoke fluently in Romanian, Hebrew, English, French, German, Hungarian, and Russian.

## Early life

Otto Adler was born on 4 May 1929, into a large Jewish family from Cluj. In 1953 he graduated at the Mechanical Faculty from the Politehnica University of Bucharest where he taught until 1994. From 1961 to 1991 he worked at the Metallurgic Research Institute in Bucharest.

## World War II

During World War II, Adler was a prisoner at the Auschwitz-Birkenau camp. He was 15 years old when he arrived at the camp but despite a frail appearance managed to avoid certain death by answering that his real age was 17 when asked by the guards. This advice was received from the other inmates because everyone under the age of 13 was sent to the gas chamber along with those under 17 years which weren't considered physically fit. He weighed 70 kg (150 lb) when he arrived, but only 29 kg (64 lb) when he left the camp.

## After the war

Adler was awarded the Order of the Star of Romania in 2007. When talking about antisemitism in Romania Mr Adler declared:
   I can honestly say that there is still anti-Semitism in Romania. And this in the condition that there are about 8,000 Jews in the country!
Adler died on 6 May 2014, at the age of 85.
# Kris Knochelmann

Kris Knochelmann is an American politician from Kentucky who has served as the Judge/Executive of Kenton County since 2015. He previously served as a county commissioner from 2007 to 2015.

## Professional career

After graduating college, Knochelmann became general manager of Covington-based Knochelmann Plumbing, Heating & Air Conditioning, which was started by his father, John Knochelmann Sr. in 1968. Knochelmann and three other family members bought the business in 1991. And in 1997, the business merged with national HVAC contractor Service Experts, then was purchased by Lennox International in 2001.
In April 2011, he purchased Cincinnati-based Schneller Heating, Air Conditioning and Plumbing, alongside his wife, Lisa, for an undisclosed amount. Now named Schneller & Knochelmann Plumbing Heating Air, the business dates back to 1928 and employs more than 100 team members throughout its offices in Covington and Cincinnati.

## Political career

Knochelmann was first elected to the Fiscal Court in 2006, taking office in January 2007.
He ran for Judge/Executive in 2014, defeating incumbent Steve Arlinghaus.

## Electoral history
### 2010

2010 Kenton County Commission 3rd district election :
| Party | Party | Candidate | Votes | % |
| | Republican | Kris Knochelmann (incumbent) | Unopposed | Unopposed |
| Total votes | Total votes | Total votes | 31,448 | 100.0 |
| | Republican hold | Republican hold | Republican hold | Republican hold |

### 2014

Republican primary results :
| Party | Party | Candidate | Votes | % |
| | Republican | Kris Knochelmann | 7,113 | 53.9 |
| | Republican | Steve Arlinghaus (incumbent) | 6,078 | 46.1 |
| Total votes | Total votes | Total votes | 13,191 | 100.0 |
2014 Kenton County Judge/Executive election :
| Party | Party | Candidate | Votes | % |
| | Republican | Kris Knochelmann | Unopposed | Unopposed |
| Total votes | Total votes | Total votes | 34,552 | 100.0 |
| | Republican hold | Republican hold | Republican hold | Republican hold |

### 2018

2018 Kenton County Judge/Executive election :
| Party | Party | Candidate | Votes | % |
| | Republican | Kris Knochelmann (incumbent) | Unopposed | Unopposed |
| Total votes | Total votes | Total votes | 39,206 | 100.0 |
| | Republican hold | Republican hold | Republican hold | Republican hold |

### 2022

2022 Kenton County Judge/Executive election :
| Party | Party | Candidate | Votes | % |
| | Republican | Kris Knochelmann (incumbent) | Unopposed | Unopposed |
| Total votes | Total votes | Total votes | 36,424 | 100.0 |
| | Republican hold | Republican hold | Republican hold | Republican hold |

## Personal life

Knochelmann is a lifelong resident of Kenton County, growing up in Taylor Mill and Covington as the youngest of nine children. He graduated from Covington Latin School, then Xavier University with a degree in accounting.
# Issak

Issak (Japanese: イサック, Hepburn: Isakku) is a Japanese manga series written by Shinji Makari and illustrated by Double-S. It has been serialized in Kodansha's seinen manga magazine Monthly Afternoon since January 2017.

## Publication

Written by Shinji Makari and illustrated by Double-S, Issak started in Kodansha's seinen manga magazine Monthly Afternoon on January 25, 2017. Kodansha has collected its chapters into individual tankōbon volumes. The first volume was released on July 21, 2017. As of November 21, 2024, 18 volumes have been released. The series is set to end with the release of its 19th volume.
At San Diego Comic-Con 2023, Kodansha USA announced that they licensed the series for English digital publication. At San Diego Comic-Con 2024, Kodansha USA announced that they would begin releasing 2-in-1 print omnibus versions in Q2 2025.

### Volumes

| No. | Original release date | Original ISBN | English release date | English ISBN |
| 1 | July 21, 2017 | 978-4-06-388281-0 | August 15, 2023 (digital) June 10, 2025 (omnibus) | 978-1-68-491753-2 (digital) 979-8-88877-495-3 (omnibus) |
| 2 | November 22, 2017 | 978-4-06-510346-3 | September 19, 2023 (digital) June 10, 2025 (omnibus) | 978-1-68-491754-9 (digital) 979-8-88877-495-3 (omnibus) |
| 3 | March 23, 2018 | 978-4-06-511054-6 | October 17, 2023 (digital) August 19, 2025 (omnibus) | 978-1-68-491755-6 (digital) 979-8-88877-496-0 (omnibus) |
| 4 | July 23, 2018 | 978-4-06-511980-8 | November 21, 2023 (digital) August 19, 2025 (omnibus) | 978-1-68-491756-3 (digital) 979-8-88877-496-0 (omnibus) |
| 5 | November 22, 2018 | 978-4-06-513448-1 | December 26, 2023 (digital) October 7, 2025 (omnibus) | 978-1-68-491757-0 (digital) 979-8-88877-497-7 (omnibus) |
| 6 | April 23, 2019 | 978-4-06-515192-1 | February 20, 2024 (digital) October 7, 2025 (omnibus) | 978-1-68-491758-7 (digital) 979-8-88877-497-7 (omnibus) |
| 7 | September 20, 2019 | 978-4-06-516942-1 | April 30, 2024 (digital) | 978-1-68-491759-4 |
| 8 | February 21, 2020 | 978-4-06-518449-3 | June 18, 2024 (digital) | 978-1-68-491760-0 |
| 9 | July 20, 2020 | 978-4-06-520129-9 | August 20, 2024 (digital) | 978-1-68-491761-7 |
| 10 | January 21, 2021 | 978-4-06-521987-4 | October 22, 2024 (digital) | 978-1-68-491762-4 |
| 11 | July 21, 2021 | 978-4-06-523897-4 | December 31, 2024 (digital) | 978-1-68-491763-1 |
| 12 | January 21, 2022 | 978-4-06-526463-8 | March 18, 2025 (digital) | 978-1-68-491764-8 |
| 13 | July 22, 2022 | 978-4-06-528301-1 | — | — |
| 14 | December 22, 2022 | 978-4-06-529787-2 | — | — |
| 15 | May 23, 2023 | 978-4-06-531432-6 | — | — |
| 16 | November 22, 2023 | 978-4-06-533623-6 | — | — |
| 17 | May 22, 2024 | 978-4-06-535398-1 | — | — |
| 18 | November 21, 2024 | 978-4-06-537504-4 | — | — |

## Reception

Issak was one of the Jury Recommended Works at the 21st Japan Media Arts Festival in 2018. It won the Saito Takao Award 2019, established by manga artist Takao Saito and the Saito Takao Gekiga Cultural Foundation. The English translation by Kevin Steinbach was nominated for the Japan Society and Anime NYC's first American Manga Awards in the Best Translation category in 2024.
# Alicella

Alicella gigantea is the largest species of amphipod ever observed, with some individuals reaching up to 34 centimetres (13 in) long, though more typically just 72.5 to 141 millimetres (2.85 to 5.55 in) and 4.2 to 45 grams (0.15 to 1.59 oz). Formerly included in the family Lysianassidae, a new family, Alicellidae, was erected in 2008 for Alicella and five related genera. The species lives only at great depths; the first specimens were collected at the end of the 19th century from the Madeira Abyssal Plain, and subsequent specimens have been found in other abyssal plains of both the Atlantic and Pacific Oceans, as well as from the Kermadec Trench in the southwest Pacific. One specimen was found in the stomach of a black-footed albatross, but is thought to have been scavenged.
Compared to other amphipods, A. gigantea grows at a much faster rate. The size of this species of amphipod is hypothesized to be connected to oxygen availability. A. gigantea have gills on coxa 7 and tubiliform accessory lobes. These additional structures allow for A. gigantea to absorb more oxygen, which is a known contributor to gigantism. The size of A. gigantea also allows them to avoid being preyed on by predators such as Notoliparis kermadecensis, a liparid snailfish that preys on smaller amphipods.
# Marwa and al-Majnun al-Faransi

Marwah wa al-Majūn al-Faransi (Arabic: مروة و المجنون الفرنسي) is a classical Middle Eastern love story. It is based on the legend of a young man named Shams al Faransy (Arabic: شمس الفرنسي بن الصحارى) from Central Asia, born during the 14th century. There were many Arabic versions of the story at the time.

## Story

Shams al-Faransi (or al-Faransawi) ibn Fattuta ibn Rumi was a poet, sailor, explorer, translator, writer, and linguist (born May 2, 1373; year of death uncertain, possibly 1458 or 1467), most probably one of the sons of famous explorer Ibn Battuta. He became famous for his poetry and adventurous life. He was most probably born in Afghanistan, but lived in Spain, in Andalucia as a disciple of famous Arab philosophers in the tradition of Averroes, in Morocco, Egypt and parts of Africa. He traveled to Venice, where he became close to French poet Christine de Pizan and became known as Al-Faransi ("the Frenchman").
He continued his travels and fell in love with Marwa bint Ahmad on his trip back to Spain, while he was in Cairo. They fled together to Europe and he wrote songs about his love for her. When they arrived in Europe he asked for her hand in marriage, but was sent by the Caliph to Africa, promising he would return soon after he accomplished his mission. She gave him a silver medallion with a poem by Mansour al-Hallaj. She also gave him a piece of wood that she carved with his name, and he never parted with this piece of wood, wherever he traveled. The medallion and the carving were found in his tomb in 1937 and kept at the Kabul Museum, but were stolen during the war in 2002.
While he was in the desert, he was held prisoner by a tribe of the ruthless Zaghawa warriors. In the meantime, Marwa was introduced to another man, who was more suitable according to Arab traditions.
This type of love is known in Arabic culture as “Virgin Love” (Arabic: حب عذري), because the lovers never married or made love. Other famous Virgin Love stories are the stories of Qays and Lubna, Kuthair and Azza, Layla and Majnun and Antarah ibn Shaddad. His observations on the flight of his dove and of a desert Eagle led him to write poems on flying and dreams of taking Marwa in the air with him. In the late 19th Century, it inspired a Frenchman, Pierre-Louis Maillard, to closely observe the birds in Cairo. Maillard became known as "Majnoun al Faransy" (lit. "The Mad Man of France").