# Jean Grey

Jean Elaine Grey-Summers is a character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist/co-plotter Jack Kirby, the character first appeared in The X-Men #1 (September 1963). Jean Grey is a member of a subspecies of humans known as mutants, born with superhuman abilities. She was born with psionic powers. The character has also been known as Marvel Girl, Phoenix and Dark Phoenix at various points in her history.
Her powers first manifested when she saw her childhood friend being hit by a car. She is a caring, nurturing figure, but she also has to deal with being an Omega-level mutant and the physical manifestation of the cosmic Phoenix Force. Jean first experienced a transformation into Phoenix in the X-Men storyline "The Dark Phoenix Saga". Due to Mastermind's manipulations, Jean became Dark Phoenix during "The Dark Phoenix Saga" and sacrificed herself.
Jean is an important figure in the lives of other Marvel Universe characters, mainly the X-Men, including her husband Cyclops, her mentor and father figure Charles Xavier, her best friend and sister figure Storm, and her genetic children Rachel Summers, Cable, Stryfe and X-Man. Jean's connection to the Phoenix Force has often resulted in clashes with the Shi'ar Empire, responsible for the massacre of most of her family members.
Jean's exact relationship to the Phoenix Force has often been changed throughout the character's history, as has her involvement in the events of "The Dark Phoenix Saga". Usually depicted as the Phoenix Force's favorite and most compatible host, storylines in 2024 revealed that Jean is actually the human manifestation of the Phoenix Force and its mother.
Often listed as one of the most notable and powerful female characters in Marvel Comics, the character has been featured in various Marvel-licensed products, including video games, animated television series, and merchandise. Famke Janssen portrayed the character as an adult in the 20th Century Fox X-Men films, while Sophie Turner portrayed her as a teenager and young adult.

## Publication history

Jean Grey debuted under the codename Marvel Girl in The X-Men #1 (September 1963), created by writer Stan Lee and artist/co-writer Jack Kirby. The original team's sole female member, Marvel Girl was a regular part of the team through the series' publication. Initially possessing the ability of telekinesis, the character was later granted the power of telepathy, which would be retconned years later as a suppressed mutant ability.
Under the authorship of Chris Claremont and the artwork of first Dave Cockrum and then John Byrne in the late 1970s, Jean Grey underwent a significant transformation from the X-Men's weakest member, to its most powerful.
The first comic Claremont saw at Marvel after coming there in 1969 was the first X-Men issue penciled by Neal Adams (issue 56), after which he became enamored of Jean Grey. But when he started to write X-Men in issue 94, the first issue after the creation of the new team in Giant-Size X-Men 1, Len Wein had already established that she was leaving the team. The artwork was already done, and it was too late to change. But he promised himself he would bring her back as soon as possible, which he did in issue 97 when he became the sole writer of the title. Claremont also decided to upgrade her powers significantly.
The storyline in which Jean Grey died as Marvel Girl and was reborn as Phoenix (The Uncanny X-Men #101–108, 1976–1977) has been retroactively dubbed by fans "The Phoenix Saga", and the storyline of her eventual corruption and death as Dark Phoenix (The Uncanny X-Men #129–138, 1980) has been termed "The Dark Phoenix Saga". This storyline is one of the most well-known and heavily referenced in mainstream American superhero comics, and is widely considered a classic, including Jean Grey's suicidal sacrifice.
When the first trade paperback of "The Dark Phoenix Saga" was published in 1984, Marvel also published a 48-page special issue titled Phoenix: The Untold Story. It contained the original version of The Uncanny X-Men #137, the original splash page for The Uncanny X-Men #138 and transcripts of a roundtable discussion between Shooter, Claremont, Byrne, editors Jim Salicrup and Louise Jones, and inker Terry Austin. The discussion was about the creation of the new Phoenix persona, the development of the story, and what led to its eventual change, and Claremont and Byrne's plans for Jean Grey, had she survived.
Chris Claremont, the longest-running writer of the X-Men comics, revealed that his and Cockrum's motivation for Jean Grey's transformation into Phoenix was to create "the first female cosmic hero". The two hoped that, like Thor had been integrated into The Avengers lineup, Phoenix would also become an effective and immensely powerful member of the X-Men. However, both Salicrup and Byrne had strong feelings against how powerful Phoenix had become, feeling that she drew too much focus in the book. Byrne worked with Claremont to effectively remove Phoenix from the storyline, initially by removing her powers. However, Byrne's decision to have Dark Phoenix destroy an inhabited planetary system in The Uncanny X-Men #135, coupled with the planned ending to the story arc, worried then-Editor-in-Chief Jim Shooter, who felt that allowing Jean to live at the conclusion of the story was both morally unacceptable (given that she was now a "mass murderer") and also an unsatisfying ending from a storytelling point of view. Shooter publicly laid out his reasoning in the 1984 roundtable:
   I personally think, and I've said this many times, that having a character destroy an inhabited world with billions of people, wipe out a starship and then—well, you know, having the powers removed and being let go on Earth. It seems to me that that's the same as capturing Hitler alive and letting him go live on Long Island. Now, I don't think the story would end there. I think a lot of people would come to his door with machine guns...
One of the creative team's questions that affected the story's conclusion was whether the Phoenix's personality and later descent into madness and evil were inherent to Jean Grey or if the Phoenix was itself an entity merely possessing her. The relationship between Jean Grey and the Phoenix would continue to be subject to different interpretations and explanations by writers and editors at Marvel Comics following the story's retcon in 1986. At the time of the Dark Phoenix's creation, Byrne felt that, "If someone could be seen to corrupt Jean, rather than her just turning bad, this could make for an interesting story." Salicrup and Byrne stated later that they viewed Phoenix as an entity that entirely possessed Jean Grey, therefore absolving her of its crimes once it was driven out. However, the creative and editorial team ultimately agreed that Phoenix had been depicted as an inherent and inseparable aspect of Jean Grey, meaning that the character was fully responsible for her actions as Phoenix. As a result, Shooter ordered that Claremont and Byrne rewrite issue #137 to explicitly place in the story both a consequence and an ending commensurate with the enormity of Phoenix's actions. In a 2012 public signing, Claremont spoke about the context of the late 1970s and the end of the Vietnam War during the story's writing, stating that the history of these events also made Jean Grey's genocidal actions difficult to redeem.
In the original ending, Jean does not revert to Dark Phoenix, and the Shi'ar subject her to a "psychic lobotomy", permanently removing all her telepathic or telekinetic powers. Claremont and Byrne planned to later have Magneto offer Jean the chance to restore her abilities, but Jean choosing to remain depowered and eliminate the threat of Dark Phoenix returning to power.
After several years, Marvel decided to revive the character, but only after an editorial decree that the character be absolved of her actions during The Dark Phoenix Saga. Writer Kurt Busiek is credited with devising the plot to revive Jean Grey. Busiek, a fan of the original five X-Men, was displeased with the character's death and formulated various storylines that would have met Shooter's rule and allowed the character to return to the X-Men franchise. He eventually shared his storyline idea with fellow writer Roger Stern who mentioned it to Byrne, who was both writing and illustrating the Fantastic Four at the time. Both series writer Bob Layton and artist Jackson Guice, who were developing the series X-Factor—a team of former X-Men—had yet to settle on their fifth team member, initially considering Dazzler. Layton opted to fill the open spot with Jean instead, and both he and Byrne submitted the idea to Shooter, who approved it. Jean Grey's revival became a crossover plotline between the Avengers under Stern, Fantastic Four under Byrne, and X-Factor under Layton.
Busiek later found out that his idea had been used thanks to Layton, and he was credited in Fantastic Four #286 and paid for his contributions. The decision to revive Jean Grey was controversial among fans, with some appreciating the return of the character and others feeling it weakened the impact of the Dark Phoenix Saga's ending. Busiek maintained that the idea that led to Jean Grey's official return to Marvel Comics was merely a case of sharing his ideas with friends as a fan, and that he neither formally pitched the idea to anyone nor gave it the final go ahead. Claremont expressed dissatisfaction with the retcon, stating in 2012: "We'd just gone to all the effort of saying, 'Jean is dead, get over it,' and they said, 'Haha, we fibbed.' So why should anyone trust us again? But that's the difference between being the writer and being the boss." In a 2008 interview Byrne said he still felt Busiek's method of reviving Jean Grey was "brilliant", but agreed that in retrospect the character should have remained dead.
In the comics, having been fully established as separate from the "Jean Grey" copy created and taken over by the Phoenix Force, Jean is "absolved" of involvement in the atrocities of "The Dark Phoenix" storyline, and she returned in the first issue of X-Factor (1st Series).
Claremont later commented on how Jean's revival affected his original plans for Madelyne Pryor, stating that the relationship between the two women was intended to be entirely coincidental. He intended Madelyne only to look like Jean by complete coincidence and exist as a means for Cyclops to move on with his life and be written out of the X-Men franchise, part of what he believed to be a natural progression for any member of the team. Claremont expressed dismay that Jean's resurrection ultimately resulted in Cyclops abandoning his wife and child, tarnishing his written persona as a hero and "decent human being", and the "untenable situation" with Madelyne was dealt with by transforming her into a prolicidal demonic villain and killing her off.
Soon after the beginning publication of X-Factor, Marvel also reprinted and released the original X-Men series under the title Classic X-Men. These reissues paired the original stories with new vignettes, elaborating on plot points. One such issue, Classic X-Men #8 (April 1987), paired the original The X-Men #100 (Aug. 1976) story of Jean Grey's disastrous return flight from space immediately preceding her transformation into Phoenix ("Greater Love Hath No X-Man...") with the new story "Phoenix". The story further supported the retcon establishing Jean Grey and the Phoenix Force as two separate entities.
Following the conclusion of Inferno, Jean continued to be a mainstay character throughout the rest of X-Factor X-Factor (1st Series) ended its run featuring the original X-Men with X-Factor #70 (Sept. 1991), with the characters transitioning over to The Uncanny X-Men, explained in continuity as the two teams deciding to merge. The fourteen X-Men divide into two teams—"Blue" and "Gold"—led by Cyclops and Storm, respectively. Jean was added to the Gold Team beginning in The Uncanny X-Men #281 (Oct. 1991). Following Cyclops's possession by the mutant villain Apocalypse and disappearance in the conclusion of the crossover storyline "Apocalypse: The Twelve", Jean lost her telekinetic abilities and was left with increased psychic powers, the result of the "six-month gap" in plot across the X-Men franchise created by the Revolution revamp. During the Revolution event, all X-Men titles began six months after the events of Apocalypse: The Twelve, allowing writers to create fresh situations and stories and gradually fill in the missing events of the previous six months of continuity. Due to editing decisions following the success of the 2000 X-Men film, which depicted the character of Jean Grey with both telepathy and telekinesis, an explanation for Jean's altered powers in the comics was never explicitly made, though writer Chris Claremont revealed in interviews that it was intended to be an accidental power switch between fellow X-Man Psylocke, explaining Psylocke's new telekinetic powers as well.
Jean was next featured in the six-issue miniseries X-Men Forever written by Fabian Nicieza, which was designed to tie up the remaining plot lines. During the series, Jean revisited many of the events involving the Phoenix Force and the series introduced the concept of "Omega level mutants", a category for mutants with unlimited potential, which included Jean herself. In June 2001, X-Men was retitled as New X-Men under writer Grant Morrison. The title consisted of a smaller team featuring Jean, Cyclops, Beast, Wolverine, Emma Frost, and Charles Xavier. The overarching plot focused on the team assuming the roles of teachers to a new generation of mutants at the Xavier Institute while navigating their personal relationships and dealing with newly emerging pro- and anti-mutant political sentiments. Jean also made minor appearances in other titles during the New X-Men run, such as Chris Claremont's X-Treme X-Men, occasionally lending support to the characters.
Jean and her connection with the Phoenix Force was examined again one year after the conclusion of Morrison's run on New X-Men in X-Men: Phoenix – Endsong written by Greg Pak in 2005. At the 2010 San Diego Comic-Con X-Men panel, when asked whether or not Jean would return, editor Nick Lowe responded by saying, "She's dead."
Regarding Jean's actual return to the X-Men franchise, Marvel indicated that Jean's eventual return is being discussed but stated that the return of Jean Grey was "a story Marvel does not want to rush". Marvel loosely tied questions regarding Jean Grey's eventual return to the events in 2007's X-Men: Messiah Complex in which a mutant girl named Hope—who has red hair, green eyes, and immense mutant powers—is born, and 2010's X-Men: Second Coming which sees both Hope's return as a teenager and the return of the Phoenix Force. Following the conclusion of Avengers vs. X-Men as part of the Marvel NOW! event, a teenage Jean Grey and the four other founding members of X-Men are transported across time to the present day by Beast in the series All-New X-Men by Brian Michael Bendis.
The original adult Jean Grey returned to the Marvel Universe in a new series titled Phoenix Resurrection: The Return of Jean Grey, released on December 27, 2017. The series was written by Matthew Rosenberg with art by Leinil Francis Yu.
Following the events of Extermination story, the time-displaced Jean Grey and the other original X-Men were returned to their original time, as part of Jonathan Hickman's plan to reboot the entire X-Men franchise.

## Fictional character biography
### Youth

Jean Elaine Grey was born the second daughter of John and Elaine Grey. She had an older sister, Sara Grey-Bailey. John Grey was a professor at Bard College in upstate New York. Depictions of Jean's childhood and her relations with her family have shown a stable, loving family life growing up.

### Emergence of powers and joining the X-Men

Jean's mutant powers of telepathy and telekinesis first manifested when her best friend was hit by a car and killed. Jean mentally linked with her friend and nearly died as well. The event left her comatose, and she was brought back to consciousness when her parents sought the help of powerful mutant telepath, Charles Xavier. Xavier blocked her telepathy until she was old enough to be able to control it, leaving her with access only to her telekinetic powers. Xavier later recruited her as a teenager to be part of his X-Men team as "Marvel Girl", the team's sole female member. After several missions with the X-Men, Xavier removed Jean's mental blocks and she was able to use and control her telepathic powers. She began a relationship with teammate Cyclops, which persisted as her main romantic relationship.

### Phoenix Force and first death

During an emergency mission in space, the X-Men find their shuttle damaged. Jean pilots the shuttle back to Earth, but is exposed to fatal levels of radiation. Dying, but determined to save Cyclops and her friends, Jean calls out for help and is answered by the cosmic entity the Phoenix Force. The Phoenix Force, the sum of all life in the universe, is moved by Jean's wish to save herself and her friends. It takes the form of a duplicate body to house Jean's psyche. The duplication is so exact that the Phoenix Force believes itself to be Jean Grey, and places Jean's dying body in a healing cocoon. This cocoon is later described as a Phoenix Egg. The ship crashes in Jamaica Bay, with the other X-Men unharmed.
The Phoenix Force, assuming Jean's identity, emerges wearing a new costume and adopts the codename "Phoenix"; meanwhile, the cocoon containing the real Jean Grey sinks to the bottom of the bay, unnoticed. Phoenix continues her life as Jean Grey with the other X-Men, joining them on missions and even helping to save the universe. During "The Dark Phoenix Saga", Phoenix becomes overwhelmed and corrupted by her first taste of evil and transforms into a force of total destruction called "Dark Phoenix", inadvertently killing the inhabitants of a planetary system after consuming its star, and jeopardizing the entire universe. However, Jean's personality manages to take control and Phoenix commits suicide to ensure the safety of the universe.

### Revival

Upon its suicide by way of a disintegration ray, the Phoenix Force disperses into its original form and a fragment locates the still-healing Jean at the bottom of Jamaica Bay. In trying to bond with her, Jean senses its memories of death and destruction as Dark Phoenix and rejects it, causing it to bond with and animate a lifeless clone of Jean Grey created by the villain Mister Sinister. Sinister created the clone to mate with Cyclops to create genetically superior mutants. Named "Madelyne Pryor", the unaware clone meets Cyclops in a situation engineered by Sinister and the two fall in love, marry, and have a child, Nathan Christopher Summers. Meanwhile, the cocoon is discovered and retrieved by the Avengers and the Fantastic Four. Jean emerges with no memory of the actions of the Phoenix/Dark Phoenix. The Avengers and Fantastic Four tell her of what happened and that she was believed dead until now. She is reunited with the original X-Men and convinces them to form the new superhero team X-Factor, reusing her "Marvel Girl" codename. Madelyne is angered over Cyclops's decision to lead X-Factor and neglect his family. Though Jean encourages Cyclops to return to Madelyne, he finds their house abandoned and assumes that Madelyne has left him and taken their infant son. Cyclops returns to X-Factor and he and Jean continue their relationship, but the Phoenix Force's impersonation, and his marrying Madelyne, damaged their mutual trust. The team's adventures continue throughout the series, culminating in the line-wide "Inferno" crossover. Madelyne reappears, now nearly insane and with powers awakened by a demonic pact, calling herself the Goblyn Queen.
Learning of her true identity and purpose as a clone created by Mister Sinister drove her completely insane and she plans to sacrifice Nathan Christopher to achieve greater power and unleash literal Hell on Earth. While attempting to stop her, Jean is reunited with the other X-Men, who are happy to learn that she is alive. Jean and Madelyne confront each other, and Madelyne attempts to kill them both. Jean manages to survive only by absorbing the remnant of the Phoenix Force housed within Madelyne, giving her both Madelyne's memories and the Phoenix's memories from "The Dark Phoenix Saga".

### Return to the X-Men and marriage to Cyclops

Unsure of herself since returning to life, Jean finds possessing the Phoenix Force and Madelyne's memories to be difficult. Cyclops proposes to her and she meets her alternate future daughter Rachel Summers (who goes by the codename "Phoenix" as well and is also able to tap into the Phoenix Force), but Jean rejects them both out of the feeling that they indicate that her life is predetermined. Jean had learned during the Inferno event that her rejecting the Phoenix Force caused Madelyne to wake; Cyclops admits to Susan Storm Richards that Jean sometimes wishes that the Fantastic Four had not found her, and that he does not know how to communicate with her. When X-Factor unites with the X-Men, Jean joins the Gold Team, led by Storm. She deliberately chooses not to use a codename, so the team simply uses her civilian name. After some time, she makes up with Rachel, welcoming her into her life, and proposes to Cyclops and the two marry. On their honeymoon, the couple is immediately psychically transported 2000 years into the future to raise Cyclops's son Nathan, who had been transported to the future as an infant in hopes of curing him of a deadly virus. Jean adopts the identity of "Redd" along with Cyclops ("Slym") and they raise Nathan Christopher for twelve years before they are sent back into their bodies on their wedding honeymoon. Jean learns that a time-displaced Rachel had used her powers to transport them to the future to protect Nathan; per Rachel's request, Jean adopts the codename "Phoenix" once again to establish it as a symbol of good after all the bad it had caused. As her powers increase, Jean also decides to wear the original Phoenix's gold-and-green costume. Jean also met another alternate future child of hers and Scott's: the immensely powerful Nathan Grey, who accidentally revived the psionic ghost of Madelyne Pryor, leading to another confrontation between the two women.

### Onslaught

In Bishop's original timeline before he ends up in the present he finds the X-Men's war room and finds a garbled distress signal from Jean about a traitor destroying the X-Men from within. Meanwhile, in the present, the X-Men begin to hear increasing news about a malevolent entity called Onslaught. Jean first sees Onslaught as a psionic image with the rest of the X-Men after Onslaught coerces Gateway to kidnap Cyclops, Wolverine, Storm, and Iceman. He later appears to her again in a similar way after rescuing her and Gambit from Bastion and offers her a chance to join him. Onslaught makes his first full appearance to Jean on the astral plane and shows her how humanity is closing in on mutants as well as revealing that Xavier was in love with her while she was a student to convince her to join him. He then telepathically brands his name to her mind when she refuses and asks him his name. When Juggernaut comes to the mansion with information about Onslaught's true identity but has a mental block preventing him from divulging it, Jean enters his mind and helps him to remember who Onslaught really is and to her horror she discovers that Onslaught is really Professor X, having gone insane ever since wiping Magneto's mind.
Professor Xavier calls the X-Men together for a meeting and Jean tries unsuccessfully to rally the X-Men against him before he manifests Onslaught. While Onslaught easily overtakes the rest of the X-Men, Jean escapes to the war room and sends out the distress signal that Bishop found in the future. After a massive battle against Jean and the rest of the X-Men, Onslaught escapes to carry out his plans. After Onslaught nearly kills the X-Men they team up with the Avengers to make a plan to stop him, knowing full well that it may come down to them killing Xavier if the world is to survive. Jean accompanies Cyclops, Archangel, and Psylocke to Muir Island where they and Moira McTaggert discover the Xavier Protocols, secret plans that Xavier made to kill any of the individual X-Men should anyone become a threat against the world. Meanwhile, Jean's earlier distress signal makes it to X-Factor, Excalibur, and X-Force. After returning to New York, Jean works closely with Reed Richards to help build up defenses against Onslaught as well as to help create the psionic armor that could block Xavier's telepathic powers as seen in the Xavier Protocols. When Jean senses that Xavier has been freed from Onslaught and is going to confront him on his own, she and Cyclops bring together the rest of the X-Men to back him up. The rest of the Avengers and Fantastic Four join them in a final stand against Onslaught before he completely destroys the world. In a final act of desperation Jean finds Hulk and locks away Bruce Banner's mind, leaving only the Hulk in control so he can fight Onslaught unencumbered. With the vast majority of earth's heroes missing and assumed dead after Onslaught is finally defeated, Jean and Cyclops open their home to Quicksilver and his daughter and try to help the X-Men to get their lives back together.

### New X-Men

Following Cyclops's possession by the mutant villain Apocalypse and apparent death, Jean continues with the X-Men, but is distraught by the loss of her husband. She later learns that she is an "Omega-level" mutant with unlimited potential. Jean begins to suspect that Cyclops may still be alive and with the help of Nathan Summers (now the aged superhero "Cable"), is able to locate and free Cyclops of his possession by Apocalypse. The couple return to the X-Men as part of the Xavier Institute's teaching staff to a new generation of mutants. While Jean finds she is slowly able to tap into the powers of the Phoenix Force once again, her marriage to Scott begins to fail. Jean and Wolverine meet in the woods where Jean confides her feelings of distance towards Scott while Wolverine also shuts down any interest in a relationship he himself had with Jean by telling her that he knew a relationship between the two would never work and walks away from her; Cyclops grows further alienated from Jean due to her growing powers and institute responsibilities and seeks consolation from the telepathic Emma Frost to address his disillusionment and his experiences while possessed by Apocalypse. Emma psychically manipulates Scott and tries to psychically seduce him, which Jean interrupts and discovers, though she would later learn Emma was in love with Scott. Jean also realizes that Scott and Emma never had a physical affair and that Emma had, to an extent, taken advantage of Scott to telepathically seduce him.

### Second death

In a final confrontation with a traitor at the institute (the X-Men's teammate Xorn, posing as Magneto) Jean fully realizes and assumes complete control of the powers of the Phoenix Force, but is killed in a last-ditch lethal attack by Xorn. Jean dies, telling Scott "to live". However, after her funeral, Scott rejects Emma and her offer to run the school together. This creates a dystopian future where all life and natural evolution is under assault by the infectious, villainous, sentient bacteria "Sublime". Jean is resurrected in this future timeline and becomes the fully realized White Phoenix of the Crown, using the abilities of the Phoenix Force to defeat Sublime and eliminate the dystopic future by reaching back in time and telling Cyclops to move on. This leads him to accept Emma's love and her offer to run the school together. Jean then reconciles with Cyclops and fully bonds with the Phoenix Force and ascends to a higher plane of existence called the "White Hot Room".

### Endsong

A weakened Phoenix Force returns to reanimate Jean. Jean tries to convince the Phoenix Force to let her go so they can return to the White Hot Room together, but once again the Phoenix Force takes over. Jean lets Wolverine find her and tries to convince him to kill her again before the Phoenix does more damage. The Shi'ar track the Phoenix Force and make an alliance with Storm to find her and defeat her. Jean takes Wolverine to the North Pole before the Shi'ar can kill her and convinces him to kill her. He stabs her numerous times but Phoenix keeps reanimating her, prompting Jean to dive deep into the ice and freeze herself. The Phoenix Force leaves her body and once again assumes Jean's form to tempt Cyclops to attack her so she can absorb his optic blasts and become strong again. When the Phoenix Force merges with and overwhelms Emma Frost, Cyclops frees Jean from the ice. Once freed Jean ejects the Phoenix from Emma and accepts that she is one with the Phoenix Force. After feeling the love from the X-Men, the Phoenix relents and returns with Jean back to the White Hot Room. Before she departs, Jean and Cyclops share a telepathic emotional farewell.

### Postmortem manifestations

Though she had yet to fully return, the Phoenix Force and Jean continued to manifest themselves, particularly the Phoenix through the red-haired, green-eyed "mutant messiah" who slightly resembles Jean named Hope Summers, and Jean briefly appears in a vision to Emma Frost from the White Hot Room, warning the X-Men to "prepare". She again appears in a vision to Cyclops when he is overwhelmed by the power of Dark Phoenix, helping him abandon the power so that it can pass on to its true host. After Nightcrawler is fatally wounded by the Crimson Pirates, Jean appears to him along with Amanda Sefton and the recently deceased Wolverine to help coax him back to life. Jean's spirit begins to manifest in a more straightforward and aggressive manner to the time-displaced Jean from an alternate timeline, seemingly training her for the arrival of the Phoenix. However, after the younger Jean begins to ignore her, she possesses the time displaced Jean and uses her as a means to ambush Emma Frost.

### Return

Strange psych occurrences around the world, which include a large bird flaring out from the sun and an explosion on the moon, raise red flags for the X-Men, who quickly launch an investigation of these events. After a string of bizarre encounters with familiar enemies, many of them considered deceased, the X-Men come to one conclusion: the Phoenix Force is back on Earth. The X-Men also discover that psychs are going missing or falling ill, which prompts the team to investigate the grave of Jean Grey. As they find the coffin of their long-dead teammate empty, they race to locate the Phoenix before it can find a suitable host. As it turns out, with the time-displaced teen Jean Grey out of the Phoenix Force's way, the cosmic entity has already resurrected the present adult Jean Grey. However, she does not recall her life as a mutant and an X-Man, and terrible visions from her previous life have left Jean unsure of the difference between reality and fiction. As she lies inside of what appears to be a Phoenix Egg, the X-Men theorize that the strange psych occurrences are subconscious cries for help made by Jean Grey and that they must try to stop the Phoenix from merging with their old friend. Old Man Logan is able to make Jean Grey remember her true life and she learns about the fate of her family and several of her friends, among them Cyclops. As Jean faces the Phoenix Force, she is finally able to convince the cosmic entity to stop bringing her back and let her go. Alive once again, Jean is reunited with her friends as the Phoenix Force journeys back to space.
Restored to life, Jean gathers some of the greatest minds on Earth together so that she can read their minds to plan her next move. Recognizing that there has been a sudden surge in anti-mutant sentiment, to the point where there are plans to abort pregnancies if the mutant gene is detected, Jean announces her plans to establish a more official mutant nation, making it clear that she will not establish a geographic location for said nation as past examples make it clear that doing so just makes mutants a target. To support her in this goal, she assembles a team including Nightcrawler, X-23 and Namor, but is unaware that her actions are being observed by Cassandra Nova.

### House of X / Dawn of X

The adult Jean returns to using her original Marvel Girl codename and wears her second green-and-yellow Marvel Girl costume. She is sent as part of a strike team to outer space to stop a satellite near the sun from being used as a Sentinel factory. Sentinels crush Jean's escape pod and she dies, but is resurrected into a cloned body. She is also a member of the Quiet Council, Krakoa's provisional government. Following the events of House of X, Jean briefly joins the Krakoan incarnation of X-Force, before resigning in protest of Beast's actions in Terra Verde.
The Phoenix Force soon hosts a tournament to determine its new host, ultimately selecting Maya Lopez, also known as Echo. With the new host revealed, Jean Grey telepathically asks Wolverine to let Maya be and return to their home on the moon. Wolverine had been awaiting the new host and had vowed to kill anyone who took on the Phoenix Force. Jean also reaches out to Maya, advising her not to undertake this journey alone. She explains that the Phoenix favors isolated individuals, and to remain whole and avoid being consumed by its god-like power, Maya should rely on others to help ground her and keep her connected to her humanity.

## Powers and abilities

Jean Grey is an Omega-level mutant, and at her highest and strongest potential was fully merged with the Phoenix Force and with it was able to defeat even Galactus.

### Empathy

Jean is a powerful empath, as she can feel and manipulate emotions of other people, as shown when her power first emerged and she felt her friend Annie Richardson slowly dying. Jean can also connect people's minds to the feelings of others and make them feel the pain they inflicted.

### Telepathy

When her powers first manifested, Jean was unable to cope with her telepathic abilities, forcing Professor Charles Xavier to suppress her access to them altogether. Instead, he chose to train her in the use of her psychokinetic abilities while allowing her telepathy to grow at its natural rate before reintroducing it. When the Professor hid to prepare for the Z'Nox, he reopened Jean's telepathic abilities, which was initially explained by writers as Xavier 'sharing' some of his telepathy with her.
   The Women of Marvel: Celebrating Seven Decades Handbook detailed Jean's telepathic abilities:
       As [an alpha-level telepath], Jean Grey can detect and read the thoughts of others, project her own thoughts into other's minds, form psychic links with other beings, control others' minds so as to manipulate their physical functions, mentally stun opponents with bolts of pure psionic force, cast near-flawless mental illusions, and project her mind and the minds of others onto the astral plane. At close range, she can manipulate almost any number of minds; however, she can only take full possession of another's mind one at a time and can only do so if she is within that being's physical presence.
Jean is also one of the few telepaths skilled enough to communicate with animals (animals with high intelligence, such as dolphins, dogs, and ravens). As a side effect of her telepathy, she has an eidetic memory. Jean was able, through telepathic therapy with the comatose Jessica Jones, to grant Jessica immunity to the Purple Man's mind control abilities, despite his powers being chemical in nature rather than psychic. When Jean absorbed Psylocke's specialized telepathic powers, her own telepathy was increased to the point that she could physically manifest her telepathy as a psionic firebird whose claws could inflict both physical and mental damage. She briefly developed a psychic shadow form like Psylocke's, with a gold Phoenix emblem over her eye instead of the Crimson Dawn mark possessed by Psylocke. Jean briefly lost her telekinesis to Psylocke during this exchange, but her telekinetic abilities later came back in full and at a far stronger level than before. It was later stated that Jean has been an omega-level telepath.

### Telekinesis

Jean possesses a high level of telekinetic ability that enables her to psionically levitate and rapidly move about all manner of animate and inanimate matter. She can use her telekinetic abilities on herself or others to simulate the power of flight or levitation, stimulate molecules to increase friction, create protective force fields out of psychokinetic energy, or project her telekinetic energy as purely concussive force. The outer limits of her telekinetic power have never been clearly established, though she was capable of lifting approximately fifty tons of rubble with some strain. Jean was later stated to have become an Omega Level Telekinetic.

### Psychic Energy Synthesis

Jean's younger self, who had been brought from the past into the present by an older Hank McCoy, eventually found an entirely new way to use her powers separate from the Phoenix Force. The teenage Marvel Girl learned she has the ability to harness ambient psychic energy and channel it into powerful blasts of force, which are a combination of both her telepathy and telekinesis. Its potency is such that she can match and overpower the likes of Gladiator, magistrate of the Shi'ar, with relative ease. When using this ability, Jean's whole body glows with pink psychic energy, obscuring her human form.

#### Telekinetic weapons

Under the tutelage of Psylocke, teenage Marvel Girl learned the ability to create psionic weapons that damage a target either physically or mentally. She showed skill in constructing multiple types of psionic weapons that differ in size, length and power which she uses in combat.

### Phoenix Force

The relationship between Jean Grey and the Phoenix Force (and the nature of the powers she has) is portrayed in a variety of ways throughout the character's history. In the initial plotline of the Phoenix being a manifestation of Jean's true potential, these powers are considered her own, as part of Claremont and Byrne's desire to create "the first cosmic superheroine". However, since the retcon of the Phoenix as a separate entity from Jean Grey, depictions of these powers vary; these include Jean being one of many hosts to the Phoenix and "borrowing" its "Phoenix powers" during this time, being a unique host to the Phoenix, and being one with the Phoenix. She is later described as the only one currently able to hold the title of "White Phoenix of the Crown" among the many past, present, and future hosts of the Phoenix. Jean — both young and adult versions — is also the only character ever to force the Phoenix against its own cosmic will to do anything while not presently a host. In one instance Jean forcibly ripped the Phoenix out of Emma Frost and imposed its status upon herself. Young Jean was able to keep her psyche anchored in the Phoenix's mind postmortem despite the Phoenix's own efforts to forcibly remove her after it murdered her. Jean then subsequently forced the Phoenix to resurrect her after manipulating the Phoenix's mental landscape against it.
Over the years, Jean's abilities while bonded to the Phoenix Force have fluctuated, but the Women of Marvel: Celebrating Seven Decades Handbook has detailed what Jean is capable of as Phoenix:
   While empowered by the Phoenix Force, Grey has total telekinetic control of matter at the molecular level, allowing her to manipulate atomic structures on a universal scale. She can generate any form of energy in seemingly unlimited amounts, as well as absorb energy from sources as great as a supernova or even convert her physical form to pure energy and back again. She can also exist in virtually any environment without harm and create space/time warps to travel through hyperspace or traverse the timestream, and her telepathic abilities are also vastly enhanced. When using her power, the Phoenix Force will manifest itself around Grey in the form of a bird of cosmic flames, the size of the bird varying with the amount of energy she is using. These flames can even manifest in seemingly impossible situations, such as the vacuum of space or underwater. This fire apparently does not require oxygen to burn, and burns so intensely that matter is consumed without by-products such as ash. The cosmic fire is a literal punctuation to the Phoenix's purpose to "burn away what doesn't work", as well as being described as "burning through lies and deception". The Phoenix Force can also resurrect the dead under some conditions, and absorb the life force from other sentient beings to bolster its own.
The Phoenix Force also seems to render its host unaging and, at least in some adaptations, enhances the physical strength of its avatar to superhuman levels; in certain incarnations, Jean, namely while acting as Dark Phoenix, seemed to possess some level of superhuman strength.

#### Resurrection

For one reason or another, Jean Grey (both young and old) has, on more than one occasion, been repeatedly resurrected by either the Phoenix or apparently her sheer force of will. In some depictions, these resurrections are immediately after she or whoever she is reviving is killed, while other depictions indicate that a resurrection must occur at a "correct" time, sometimes taking a century. During the height of the Psych Wars, Young Jean was able to forcibly make the Phoenix Force restore her to life, despite the Phoenix's adamant resolve not to do so, completely recreating her body after it had been vaporized. After her body was taken over and completely devoured by a Poison, a small part of Jean's mind survived and, despite itself, was able to infect the whole Poison Hive and destroy it from the inside out, subsequently using nothing but her mind to reconstruct her body. This leaves Jean believing that she may not even be human anymore. This is not the first time Jean was resurrected without the Phoenix; in one instance, she was even able to fully resurrect herself after being clinically dead completely independent of the Phoenix Force.
In their most recent meeting, Jean tells the Phoenix Force that she should have died on the shuttle, and asks it to not resurrect her again.

### Miscellaneous abilities

Jean Grey is a trained pilot and proficient unarmed combatant. She also has some degree of teaching ability, experience as a fashion model, and training in psychology.

## Cultural impact and legacy
### Critical response

Maite Molina of ComicsVerse called Jean Grey one of the most "powerful, recognizable, and admirable heroes in Marvel Comics history," writing, "Jean Grey is undoubtedly one of the most iconic characters in comic book history. Her telekinetic abilities prove her to be an incredibly formidable superhero. She has battled some of the most notorious villains in Marvel Comics while fearlessly leading her own team of heroes. With this, she has also explored her own dark side. Epic sagas such as the notable Dark Phoenix Saga depict Jean as an exemplification of evil itself. However, during this trying period, Jean still overcame the corruption within. She showed readers that even heroes can fall into the clutches of darkness and rise above. Most importantly though, Jean Grey is and always has been an incredibly multi-faceted character. She has been a student and a teacher as well as the tether between good and evil." Nigel Mitchell of Comic Book Resources said, "Jean Grey was always a really popular character for readers. Partly, it was because she was one of the most sensitive and intelligent members of the X-Men, the heart of the team. The fact that she was the team's first woman also made her unique, and her beauty was a major source of crushes for the fans. She was also involved in a love triangle between herself, Cyclops, and Wolverine, which drove a lot of emotional storylines. When she became Phoenix, she became the most high-profile female superhero in comics, but the other X-Men creative team Jim Salicrup and John Byrne felt her powers overshadowed the other members and stories. That's why Marvel decided to do something that hadn't really been done before: take one of its greatest superheroes and turn her into one of its greatest supervillains. It was a journey unlike any we'd seen before "The Phoenix Saga" and is compelling to watch." David Caballero of Screen Rant stated, "Jean Grey served no important purpose in the team before The Dark Phoenix Saga, especially during the X-Men's early days. The character existed as a love interest for the group-- every member of the X-Men's original roster had feelings for her at one point-- and a mother figure to provide support and encouragement. As more and more female characters arrived--Storm, Scarlet Witch, and Mystique all debuted throughout the 60s and 70s--it became increasingly complicated to use Jean in any meaningful way. The Dark Phoenix Saga was not only a showcase but, as it turns out, a victory lap for the X-Men's first lady. The storyline took a nearly irrelevant character and elevated it to the apex of importance, turning her into one of Marvel's most overpowered figures in the process."
Elle Collins of ComicsAlliance referred to Jean Grey as one of the "first ladies of Marvel Comics as well as one of the most powerful," saying, "In both the movies and the comics, we have a young Jean who's still learning her full potential as a mutant and a hero, and who's written as a real person with a real personality. That's not to say Jean hasn't accumulated fans over the preceding years; she absolutely has. Whether your first Jean was the Marvel Girl in her green Go Go dress, the Phoenix (who we were later told wasn't Jean, but let's be real it was basically Jean), the hyper competent blue-headsock-wearing Jean of the '90s comic and cartoon, or the cool black leather Jean of the turn of the Century (whether drawn by Frank Quitely or played by Famke Janssen) --- it's hard not to be excited about this next era of the character." Tamara Jude of Sideshow asserted, "As the only female superhero of the X-Men, Jean Grey (initially introduced as Marvel Girl) lacked an impactful role in the comic series. Her biggest storyline involved her love triangle with Cyclops and Wolverine. Claremont wanted to expand her powers with the Phoenix Force and re-brand her as an influential teammate with cosmic abilities. Much like Thor’s significant addition to the Avengers, Claremont wanted Jean to hold a similar importance with the X-Men. However, as they wrote the Phoenix Saga, her powers proved too dominant, and the character’s presence took over the focus of the comic. Their cosmic hero proved too much for everyone involved." Sara Century of Syfy stated, "When Jean Grey is introduced in X-Men #1 all the way back in late 1963, she asks herself what kind of person she is going to be. The answer to that question doesn't come to her immediately, yet it is true that from her relatively one-dimensional origins eventually sprang a complex personality full of nuance and empathy that has only grown more interesting as time has gone on. From the Phoenix Saga to X-Factor to Inferno to the X-Cutioner’s to Onslaught to New X-Men to Phoenix: Resurrection and countless alternate realities in between, Jean Grey has truly been beyond and back. Still, many writers have struggled to define her. The complicated, fiercely compassionate Jean Grey has not always translated well to other mediums, and even in comics Jean has been known to experience long dormant periods in which her persona is secondary to other characters. Yet her fanship has remained ever vigilant, because while she is not often cited as people’s favorite X-Man, a whole lot of folks relate to her in very specific and incredibly personal ways. Also, it turns out that there’s a pretty solid queer allegory in Jean’s story. Though a parable about a straight character is not to be mistaken for actual queer representation, it is still worth noting that a lot of Jean Grey’s most avid advocates are LGBTQIA people."
Deirdre Kaye of Scary Mommy called Jean Grey a "role model" and a "truly heroic" female character. Chris Arrant of Newsarama ranked Jean Grey's Dark Phoenix persona 1st in their "Marvel's Best Phoenix Force Hosts" list, calling her one of the "X-Men's core characters," while George Marston ranked her 5th in their "Best X-Men Members Of All Time" list. IGN ranked Jean Grey 6th in their "Top 25 X-Men" list, her Dark Phoenix persona 9th in their "Top 100 Comic Book Villains of All Time" list, and 13th in their "Top 100 Comic Book Heroes" list, while Hilary Goldstein and Richard George of IGN said, "Jean Grey is host to the most powerful entity in the universe. One of the original X-Men, Jean has become the symbol (and cruel joke) of death and rebirth among the mutant population. Partnered with the Phoenix Force, Jean has returned to the X-Men on several occasions. However, it's her first death that remains both memorable and significant to X-Men lore. Jean sacrificed herself, choosing to die as a human than live as a God. In a universe where self-worth is almost exclusive judged on power level, Jean held her humanity so dear she was willing to give up everything she loved. The strong-willed redhead is an integral part of the X-Men's legacy."
Gavia Baker-Whitelaw of The Daily Dot ranked Jean Grey 7th in their "Top 33 Female Superheroes Of All Time" list. Jordan St James of Collider ranked Jean Grey 8th in their "10 Most Powerful Marvel Mutants" list, saying, "Jean Grey has gone from sweet-natured powerhouse to planet-destroying villainess to perpetual Lazarus figure." Lance Cartelli of GameSpot ranked Jean Grey 10th in their "50 Most Important Superheroes" list, writing, "She is super important to the X-Men and to all of us." Matthew Aguilar of ComicBook.com wrote, "While Charles Xavier put the X-Men together, there is one of his students who simply dwarfs all others when it comes to power and their effect on mutant history. That honor falls to one of his first students, Jean Grey, a powerful telepath in her own right who became part of the original five X-Men. She would later grow even more powerful though, setting up some of the X-Men's most epic moments into motion. Over the years she's undergone transformations not only in her skills and abilities but also regarding her costumes. She started out in the early days like everyone else, eventually adopting the Marvel Girl suit and persona. It fit her quieter nature at the time, but she would then adopt several looks over the years that changed according to her ever-evolving personality," while Lance Cartelli ranked her 16th in their "50 Most Important Superheroes Ever" list. Darren Franich of Entertainment Weekly ranked Jean Grey 30th in their "Let's Rank Every X-Man Ever" list. The A.V. Club ranked Jean Grey 60th in their "100 Best Marvel Characters" list.
Joe Garza of Slashfilm ranked Jean Grey 1st in their "Most Powerful X-Men Characters" list. Rachel Ulatowski of The Mary Sue ranked Jean Grey 1st in their "10 Most Powerful X-Men of All Time" list. Comics Buyer's Guide ranked Jean Grey 3rd in their "100 Sexiest Women in Comics" list. Joshua Corvington of Sportskeeda ranked Jean Grey 6th in their "10 Most Overpowered Superheroes In The Marvel Universe" list.
Screen Rant included Jean Grey in their "10 Female Marvel Heroes That Should Come To The MCU" list, and ranked her 1st in their "X-Men: The 10 Most Powerful Members Of The Summers Family" list, 5th in their "25 Most Powerful Mutants" list. Comic Book Resources ranked Jean Grey 1st in their "X-Men: The Strongest Members Of The Summers Family" list, 1st in their "X-Men: All Of Marvel's Omega-Level Mutants, Ranked By Power" list, 2nd in their "10 Best Female X-Men Characters" list, 2nd in their "10 Most Attractive Marvel Heroes" list, 3rd in their "10 Strongest Female Villains" list, and 5th in their "10 Bravest Mutants in Marvel Comics" list.

### Impact
## Literary reception
### Volumes
#### X-Men: The Dark Phoenix Saga (1980)

David Caballero of Screen Rant stated, "During the Silver and Bronze Ages of comic books, many Marvel teams had their obligatory female figure. The X-Men had Jean as Marvel Girl, the Fantastic Four had the Invisible Girl, and the Avengers had the Wasp. They provided considerable support to their men-dominated teams but never excelled in the same way their teammates did. By the 70s, more female characters were a part of the conversation, but they never took control of it. The Dark Phoenix Saga changed the discourse by having a woman take the microphone, then blowing the roof and making the entire world her stage. The mightiest being in Marvel comics was a woman, a normally obedient female character who was finally letting loose. The Dark Phoenix Saga did more for female heroes and villains with just a few numbers than an entire decade of comic book continuity." Tyler Huckabee of IGN included X-Men: The Dark Phoenix Saga in their "7 Best Jean Grey Comics" list, stating, "We begin at the end — one of the many that Jean Grey has endured during her time as an X-Man. It’s The Dark Phoenix Sagae how influential John Byrne and Chris Claremont’s 1980 epic is. It was, perhaps, the first superhero stoDark Phoenix Sagatalize on just how sweeping the medium could be, while never losing sight of the tender heart that beat at the center of all Claremont’s finest work. Every superhero story that came after The Dark Phoenix Saga is indebted to it in some way. Like any X-Man worth her salt, Jean’s story is a bit convoluted, and the Dark Phoenix Saga is a trippier ride than most, but Claremont keeps things clipping at an even pace that helps even the wildest plot twist go down easily. And more importantly, he centers the all-important romance between Cyclops and Jean Grey, leading to some profoundly moving moments. These moments are all captured exquisitely by legendary superhero artist John Byrne, who was as deft as crafting crackling fight scenes as he was with intimate confessions of love. Nearly forty years after its publication, it’s hardly a spoiler to say the Dark Phoenix ended with Jeans’ (first) (temporary) death, but what rose from the ashes was a whole new era for how grand comic books could be."

#### X-Men Origins: Jean Grey (2008)

According to Diamond Comic Distributors, X-Men Origins: Jean Grey #1 was the 85th best selling comic book in August 2008.
Michael Austin of Comic Book Resources asserted, "This 2008 one-shot written by Sean McKeever was a true standout for the character. While the photorealism of the outwork is truly outstanding, it is the story that makes this comic great. As Jean's childhood best friend, Annie, is hit by a car, her telepathic abilities manifest for the first time. Jean is forced to experience the final thoughts of her dying friend and is traumatized as a result. With Professor Xavier's help, she works past her trauma and goes on to become a hero. The tragic, lifelike beauty of this story and illustration makes X-Men Origins: Jean Grey a stand-out among her many stories. It is a must-read for the character, as it helps inform both how she became such a powerful entity and what monsters she has lurking in the back of her mind." Jesse Schedeen of IGN gave X-Men Origins: Jean Grey #1 a grade of 7.5 out of 10, writing, "Mostly, this issue is meant to appeal to fans of Mayhew's art (of which I'm sure there are plenty) and those who really want Jean back in the X-books (no clue on that one). Those two groups will be satisfied, so I suppose that means mission accomplished."

#### Jean Grey (2017)

According to Diamond Comic Distributors, Jean Grey #1 was the 13th best selling comic book in May 2017. Jean Grey #2 was the 84th best selling comic book in May 2017.
Mya Nunnally of ComicsVerse gave Jean Grey #1 a score of 95%, stating, "In a world where teenage girls get insulted endlessly for their music choice, their taste in movies, and their hobbies, we need Jean Grey. Specifically, we need Jean Grey #1, her new solo run written by Dennis Hopeless. In this comic, Jean is an unapologetic teenage girl. A silly, pretty, emotional, selfie-taking teenage girl. And that’s what makes her wonderful. Too often we see female superheroes stripping themselves of their identity to fit the mold of what a superhero should be. Maybe they wear completely ineffective armor. Or perhaps they’re essentially a male character with boobs. Maybe they try to be cold and distant and masculine so that they’re really just another testosterone bump to the already male team. [...] Jean Grey #1 ends in a crazy cliff-hanger, which I believe is how all first episodes should end. However, it’ll definitely be divisive. Some might see it as weak storytelling relying on previous Jean-related drama. But I thought it was a natural way to go and a good way to make sure readers want to continue reading. I’ll definitely keep up with this, even if it’s just to keep a character I love close to my heart. Jean Grey deserved better, and now here she is, getting it." Jesse Schedeen of IGN gave Jean Grey#1 a grade of 7 out of 10, asserting, "Jean Grey seems like it'll develop into a worthwhile addition to the growing ResurrXion lineup. The art is strong, and Dennis Hopeless shows a decent handle on the title character. Unfortunately, the series gets off to a needlessly slow start in this first issue, dwelling on an overlong battle with the Wrecking Crew rather than diving into the heart of Jean's struggle."

#### Phoenix Resurrection: The Return of Jean Grey (2017)

According to Diamond Comic Distributors, Phoenix Resurrection: The Return of Jean Grey #1 was the 3rd best selling comic book in December 2017.
Joe Glass of Bleeding Cool wrote, "Nothing with the Phoenix is ever easy and straightforward, but it is dramatic and fun, and Rosenberg has managed that tight rope expertly in this first issue. Yu's artwork is great for the issue, too. There are some really creepy moments, which Yu draws well and manages to make it creepy to look at. We get to see a fairly big number of X-Men, and he gives each their own identity clearly and the story flows well. Phoenix Resurrection: The Return of Jean Grey #1 is a really great, intriguing and bizarre start for this series, and it certainly has me hooked to see how this series will evolve." Jesse Schedeen of IGN gave Phoenix Resurrection: The Return of Jean Grey #1 a grade of 6.3 out of 10, writing, "The prospect of having Jean Grey back as an active player in the X-Men franchise is plenty appealing, but Phoenix Resurrection only partly realizes that potential. When this issue focuses on the enigmatic status quo of this all-powerful mutant heroine, it makes for fascinating reading. But when the rest of the X-Men enter the picture, the book begins to drag. It doesn't help that artist Leinil Yu struggles to make the most of the material. Hopefully this series can find its groove as it gets deeper into Jean's latest return to life."

#### Giant-Size X-Men: Jean Grey and Emma Frost (2020)

According to Diamond Comic Distributors, Giant Size X-Men: Jean Grey and Emma Frost #1 was the 5th best selling comic book in February 2020. Giant Size X-Men: Jean Grey and Emma Frost #1 was the 26th best selling comic book in 2020.
Matthew Aguilar of ComicBook.com stated, "This story is a joy from beginning to end, but it also subtly hints at larger ramifications for not only Storm but every other mutant on the planet. Macro-level ideas regarding the soul, mutant resurrection, and the state of the mind are all explored in one way or another—anchored by the imminent danger to one of the X-Men's most iconic faces, and it makes for one very compelling mix. Whether you're looking for an entertaining adventure between two of your X-Men favorites, a thoughtful and action-packed journey through the mind, or another step forward in the evolution fo [sic] the X-Men, you'll find all of it in Giant Size X-Men: Jean Grey and Emma Frost #1. It is one of the most stunning one-shots on the market today. In short, don't miss out on this issue; you'll regret it." Mike Fugere of Comic Book Resources wrote, "Giant-Size X-Men: Jean Grey and Emma Frost #1 is an obvious tribute to an issue of Grant Morrison and Frank Quitely's iconic run on New X-Men, but its tone is far less psychedelic and far more ethereal. There is a sense of peace throughout Storm's mind, despite the horrific revelation that's discovered by the end of the issue. How the various emotional avatars within our Omega-Level mutant's mind interact with Jean and Emma are probably the most compelling part of this issue from a storytelling standpoint. It does a wonderful job at expressing emotions that are not always openly expressed between characters with conflicting ideologies with humor and a wonderful sense of whimsy."

## Collected editions
### Phoenix

| Title | Material Collected | Publication Date | ISBN |
| X-Men Epic Collection: The Fate Of The Phoenix | Phoenix: The Untold Story and X-Men (vol. 1) #129-143, Annual #4, Marvel Treasury Edition #26-27, material from Marvel Team-Up #100 | March 2021 | 978-1302922535 |
| X-Men: The Adventures of Cyclops and Phoenix | The Adventures of Cyclops & Phoenix #1-4, The Further Adventures of Cyclops & Phoenix #1-4, material from Marvel Valentine Special #1 | October 2018 | 978-1302913793 |
| X-Men: Phoenix – Endsong | X-Men: Phoenix – Endsong #1–5 | May 2006 | 978-0785119241 |
| X-Men: Phoenix – Warsong | X-Men: Phoenix – Warsong #1–5 | January 2008 | 978-0785119319 |
| Phoenix Resurrection: The Return of Jean Grey | Phoenix Resurrection #1–5 | May 2018 | 978-1302911638 |

### Jean Grey

| Title | Material Collected | Publication Date | ISBN |
| X-Men Origins: The Complete Collection | X-Men Origins: Jean Grey and Colossus, Beast, Wolverine, Sabretooth, Gambit, Cyclops, Nightcrawler, Iceman, Emma Frost, Deadpool | August 2018 | 978-1302912208 |
| X-Men: First Class - Class Portraits | Marvel Girl #1 and Ice Man and Angel #1, Cyclops #1, Magneto #1, material from Spider-Man Family #8-9 and Marvel Comics Presents (vol. 2) #3 | April 2011 | 978-0785155591 |
| Jean Grey Vol. 1: Nightmare Fuel | Jean Grey #1–6 | October 2017 | 978-1302908775 |
| Jean Grey Vol. 2: Final Fight | Jean Grey #7–11 | April 2018 | 978-1302908782 |
| Giant-Size X-Men by Jonathan Hickman | Giant-Size X-Men: Jean Grey and Emma Frost and Nightcrawler, Magneto, Fantomex, Storm | January 2021 | 978-1302925833 |