OpenLLM-France/wikimedia huggingface dataset:
# Madelon Hooykaas

Else Madelon Hooykaas (born 28 September 1942, in Maartensdijk) is a Dutch video artist, photographer and film maker. She makes films, sculptures, audio-video installations and has published several books.

## Biography

Madelon Hooykaas grew up in Rotterdam, the Netherlands. Before leaving for Paris in 1964, she studied under various Dutch photographers.
In 1970 she left for Japan to interview a number of photographers and with the aim of experiencing life in a Zen cloister. She was the first European woman to get permission to stay in a traditional monastery to take photographs. In 1971 her photo book Zazen, was published, for which she and the Dutch poet Bert Schierbeek compiled the texts. The publication of this book greatly enhanced her reputation and English and German editions followed. Five years later another book appeared, Death Shadow, for which Hooykaas made the photos and Schierbeek wrote the poem.
In 1972 Hooykaas held solo exhibitions of her Polaroid experiments in Il Diaframma in Milan, and The Photographer’s Gallery in London. Her work plays with space and time. Photo works by Hooykaas form part of the permanent collection of the Stedelijk Museum Amsterdam, the Museum of Modern Art (MoMA) in New York, the Centre Georges Pompidou/Musée National d’Art Moderne in Paris, the Bibliothèque Nationale de France (Paris) and the University of Leiden.
In 1972 Hooykaas started an intensive collaboration in the field of film with the British photographer and filmmaker Elsa Stansfield in London and Amsterdam. Their first movie, ‘Een van die dagen’ (One of Those Days) was broadcast by Dutch public TV in 1973. It was also shown at festivals in London, Toronto and New York. After that followed ‘Overbruggen’ (About Bridges) (1975), which was shown in several festivals including Cork, Rotterdam, and Grenoble.
Under the name Stansfield/Hooykaas they made their first video installations from 1975 onwards including ‘What’s It to You?’ (1975), Journeys (1976), Just Like That (1977) and ‘Split Seconds’ (1979).
Their work deals with the relation between nature and spirituality and explores scientific principles and natural forces such as radio waves and magnetic fields. Hooykaas and Stansfield make use of contemporary technology such as film, audio and video in combination with organic materials such as sand, glass and copper.
A comprehensive monograph The Artist as Explorer was published by Jap Sam Books in 2023.
# 5 Minutes Alone

"5 Minutes Alone" is a song by American heavy metal band Pantera from their 1994 album Far Beyond Driven. The song also appears on the band's live album. The song was released as downloadable content for Rock Revolution and Rock Band 3 and can be heard during a cut-scene in Tom Clancy's Ghost Recon: Future Soldier.

## Meaning

Speaking about what the song is about, Pantera's drummer Vinnie Paul said:
    "The story behind this song is we were opening for Megadeth, and there was a guy that was flipping us off the whole show and so we stopped the show. And I was like, 'Listen, in case you haven't noticed there's 18,000 people who really dig what we're doing. You're the only one doing that stupid shit without even having to egg the crowd on.' Ten guys just jumped the guy and beat the shit out of him. His dad called the manager after all the lawsuits and this and that, and basically said, 'Give me five minutes with that Phil Anselmo guy. I want to whup his ass.' "
Pantera's vocalist Phil Anselmo spoke about what the song is about saying:
    "There are always gold-diggers out there. The way I remember it was there was this kid that swore that I jumped off the stage and beat him up. Well, that was bullshit. That did not happen at all. When the father asked for five minutes alone with me, our manager responded aptly and perfectly: 'No, you don't.' [Laughs] 'I really doubt that,' and basically hung up on the guy. But once that story was conveyed to me, it actually made me angry because it wasn't fucking true. I basically plucked out those words from my agitator's mouth and yeah, man, 'five minutes alone,' fucking bring it."

## Reception

Upon release, the song had an immediate impact on the band's fanbase, quickly becoming one of Pantera's most popular songs.
Metal Hammer ranked "5 Minutes Alone" number six on their list of the 50 best Pantera songs.

## Covers

"5 Minutes Alone" was covered by the bands Lamb of God, Ill Nino, DevilDriver, Soilwork, and Killswitch Engage in Dallas, Texas on December 8, 2007, on the 3rd anniversary of Dimebag Darrell's death. It featured 3 vocalists, 5 guitarists, and 3 drummers.
The song was covered by Nonpoint for the Metal Hammer tribute album Getcha Pull! A Tribute to Dimebag Darrell as a downloadable bonus track. Nonpoint then released the song on their 2010 studio album Miracle.
Texas deathcore band Upon a Burning Body recorded the song as well. It can be said as another bonus track for Getcha Pull! A Tribute to Dimebag Darrell.
Florida deathcore band Traitors covered the song as well, and is posted on their Bandcamp.

## Charts

Chart performance for "5 Minutes Alone" :
| Chart (1994) | Peak position |
| Australia (ARIA) | 76 |
# AN/APG-83

The AN/APG-83 Scalable Agile Beam Radar (SABR) is a full-performance active electronically scanned array (AESA) fire control radar for the General Dynamics F-16 Fighting Falcon and other aircraft developed by Northrop Grumman. In a 2013 competition, Lockheed Martin selected SABR as the AESA radar for the F-16 modernization and update programs of the United States Air Force and Republic of China Air Force.
The capabilities of this advanced AESA are derived from the F-22's AN/APG-77 and the F-35's AN/APG-81. It is designed to fit F-16 aircraft with no structural, power or cooling modifications. The SABR is scalable to fit other aircraft platforms and mission areas.
In 2010, a SABR was installed on a USAF F-16 at Edwards AFB and flew 17 consecutive demonstration sorties without cooling or stability issues.
In addition to equipping F-16V for Taiwan and other US allies, US Air Force also selected APG-83 SABR to upgrade 72 of its Air National Guard F-16s.
In January 2014, Singapore ordered 70 AN/APG-83 SABR for its 60 F-16C/D/G+ Block 52 upgrade, in a $2.43 billion deal.
At August 2018, Northrop Grumman conducted an APG-83 fit test on an F-18.
A derivative of the AN/APG-83, the SABR-GS (Global Strike), will be fitted to the Rockwell B-1 Lancer beginning in 2016.
In February 2019, Northrop Grumman offered SABR for retrofitting Boeing B-52H Stratofortress, which currently uses mechanically scanning AN/APQ-166 attack radar. In July 2019, Boeing selected AN/APG-82(V)1/(AN/APG-79) from Raytheon for its B-52H radar modernization program.
Northrop Grumman to offer SABR radar for Seoul's FA-50 Block 20 fighter.
The US Air Force is installing the AN/APG-83 SABR on 608 of its F-16C/D Block 40/42 and F-16C/D 50/52 fighters.
# Amelia Holman Gilfert

Catherine Amelia Holman Gilfert (1789–1833) was an American actress and theater manager. She was referred to by contemporary critics as the first star of the American theater. She was the manager of the Charleston Theatre in 1823–24 and 1824–25.

## Career

A native of England, she was born to actor and manager Joseph George Holman (1764–1817) and debuted as an actress at the Theatre-Royal, Covent Garden, London in 1812. She and her father performed in April 1812 at the Georgian Theatre, Wisbech (now the Angles Theatre), managed by Thomas Shaftoe Robertson, as Cora and Rolla in Pizzarro on 8th, Desdemona and Othello in Othello on 10th, Lady Macbeth and Macbeth in Macbeth on 11th, and she played Lady Contest in the Farce of The Wedding Day the same night (this also being their benefit and last night). The handbills for these performances are among the hundreds of those in the collection of the Wisbech & Fenland Museum. Afterwards they left for the United States, where she spent her remaining career.
In 1812, she appeared with her father at the Park Theatre in New York City. Three years later she married German born composer and theatre manager Charles Gilfert (1787-1829). In 1822, Charles sold his managerial interest in the Charleston Theatre to his wife's trustee, Dr. John Dyott. Gilfert succeeded her husband as manager for 1823-24 and 1824-25.
# Martin Castle

38°02′48″N 84°39′11″W﻿ / ﻿38.0467123°N 84.6529872°W﻿ / 38.0467123; -84.6529872
The Kentucky Castle, also known as Castle Post, Martin Castle and Versailles Castle, is a castle in Kentucky, located in Versailles, Kentucky, near Lexington, Kentucky, 201 Pisgah Pike near the Woodford County line, part of a 50 acres (20 ha) estate.
Visually situated off Lexington (Versailles) road, it overlooks the Elkhorn Creek watershed on the Woodford/ Fayette county line. Thirteen years after it was sold and received a major renovation, a new owner focused on revitalizing and remodeling the castle in 2017.
Currently operating as a bed and breakfast and special functions facility, it hosts special events, weddings, and has an operational farm-to-table restaurant inside. In August 2023, TKC Hospitality Group purchased the castle for $19 million.

## History

Construction on the castle was started by real estate developer Rex Martin and his wife Caroline Bogaert Martin in 1969, after they had returned from a trip to Germany and were inspired by the architecture and many famous buildings they had seen in Europe. The finished project was to have seven bedrooms, fifteen bathrooms, a fountain in the driveway, and a tennis court. In 1975, the Martins divorced and left the castle unfinished. Over the years, it became a popular oddity and roadside photo-op for tourists. Rex Martin listed it for sale in 1988, but died in 2003 without selling it. In 2003 the so-called "Martin Castle" was sold for 1.8 million dollars to Thomas R. Post, a lawyer from Miami who graduated from University of Kentucky, and the name was changed to "The Castle Post". It had been for sale for many years at a price rumored to be more than 3 million dollars, and there had been talks that it would be turned into a medieval-themed restaurant or a museum.
On May 10, 2004, after months of renovations, an ugly mishap caused newly installed woodwork and wiring to catch fire in the main building. Post, who was at his home in Miami at the time, had already spent months renovating it but vowed to rebuild. Approximately twice the castle's original cost went towards the reconstruction project.
Reconstruction was completed in Fall 2008. New additions include twelve luxury suites, a library, game room, music room, dining hall, ball room, swimming pool, formal garden, basketball court, bar, and tennis court. It is used as a tourist inn, fund raisers, weddings, special events, and corporate functions. It has sixteen bedrooms, four of which are in the outside turrets.
In November 2010, the property was listed for sale at $30,000,000. Post said he would continue to operate it as an inn while it was listed. It was sold in 2017.
# Uzbekistan national under-23 football team results

This page represents all time results of Uzbekistan U-23, U-22 and U-21 national football teams.

## Results
### U-23
#### 2012

2012 Summer Olympics Qualification

#### 2014

2014 Asian Games

#### 2023
### U-22
#### 2014

2013 AFC U-22 Championship

#### 2017

2012 Summer Olympics Qualification

### U-21
#### 2012

2013 AFC U-22 Asian Cup qualification
# Wendy Nanan

Wendy Nanan (born 1955) is an artist from Trinidad and Tobago. Much of her work focuses on the multi-racial aspects of Trinidadian society, often featuring images of religious figures and post-colonial symbolism. Nanan has exhibited in Paris, London, Washington DC, Kentucky, Prince Edward Island, British Columbia, Johannesburg and the Dominican Republic.

## Biography

Born in Port of Spain, Trinidad, she took classes at Manchester Polytechnic, before obtaining her BFA in Painting from Wolverhampton Polytechnic in 1979. She has been exhibiting regularly worldwide since 1985, and is currently based in the town of her birth. She attended cricket matches with her parents in childhood, an experience reflected in some of her work. She works in various media, including painting, printmaking, and sculpture.
Nanan's work is included in the National Museum and Art Gallery collection in Port of Spain. Her images are featured in a limited edition first-day cover for Royal Mail's "World of Invention" stamp issue, celebrating the London Cricket Conference 1–3 March 2007, first international workshop of its kind, hosted by the Institute of Commonwealth Studies, University of London. In a 2012 exhibition entitled Independence, at Medulla Art Gallery, Port of Spain, she applied her art to interrogate Trinidad and Tobago's 50th anniversary of independence from Great Britain: several life-sized multi-ethnic queenly heads layered with postage stamps from former British colonies now forming the Commonwealth of Nations, revealed how the image of England’s queen was projected into all corners of the world, reflected today in lingering colonial mentalities.
Wendy Nanan is represented in two art history publications: Caribbean Art by Veerle Poupeye, and Art in the Caribbean by Anne Walmsley and Stanley Greaves.
# Wendy Shaia

Wendy Shaia is a British–Jamaican author, clinical associate professor at the University of Maryland school of Social work and executive director of the Social Work Community Outreach Service (SWCOS).

## Education

Shaia graduated from the University of Maryland School of Social Work. She earned a Doctor of Education in Human and Organizational Learning from The George Washington University.

## SHARP framework

The SHARP framework is a tool used to assess and understand the psychological sufferings resulting from oppressive factors, creating awareness and motivating anti-oppressive shifts. Shaia developed the framework while researching ways to address the context of poverty and oppression during service provision in the United States. She anchored the framework tool on 5 components; Structural oppression, Historical context, Analysis of role, Reciprocity and mutuality and Power.

## Books published

* The Black Cell. The book was a finalist in the urban fiction category of the 2022 American book fiction awards.
* Linking Health and Education for African American Students' Success – Chapter 6. Schools as Re-Traumatizing Environments

## Short stories published

* Waiting for Something
* The Red Summer

## Journal articles published

| Title | Year of publication, journal |
| Socially-Engineered Trauma and a New Social Work Pedagogy: Socioeducation as a Critical Foundation of Social Work Practice | 2019, Smith College Studies in Social Work |
| SHARP: A framework for addressing the contexts of poverty and oppression during service provision in the US. | 2019, Journal of Social Work Values and Ethics |
| We had to keep pushing: Black caregivers’ perspectives on autism screening and referral practices in primary care. | 2018, Intellectual and Developmental Disabilities |
| Moving from survival to fulfillment: A planning framework for community schools | 2018, Phi Delta Kappan |
| School social workers as partners in the school mission. | 2018, Phi Delta Kappan |
| Book review: Why Are They Angry With Us? Essays on Race, by Larry E Davis. | 2016, Qualitative Social Work |
| Macro MI: Using Motivational Interviewing to Address Socially-engineered Trauma | 2022, Journal of Progressive Human Services |
| Experiences of Personal and Vicarious Victimization for Black Adults with Serious Mental Illnesses: Implications for Treating Socially-engineered Trauma | 2022, Smith College Studies in Social Work |
| Participation of Black and African-American Families in Autism Research | 2020, Journal of Autism and Developmental Disorders |
| ‘I am so fearful for him’: a mixed-methods exploration of stress among caregivers of Black children with autism | 2022, Journal of Developmental Disabilities |
# Woodford, County Galway

Woodford (Irish: An Ghráig, meaning 'the hamlet') is a village in the south-east of County Galway, Ireland. It is situated between the River Shannon and the Slieve Aughty mountains.

## History

The village's industrial history is indicated by a variant of its Irish name, Gráig na Muilte Iarainn, meaning 'village of the iron mills'. It is possible that the village started as a place to house and provide services for the iron workers of the 17th century. The surrounding hills have iron ore deposits; the abundant oak woods were used as a fuel for smelting. These had a lasting effect on the landscape; as the furnaces needed up to one hectare of mature woodland per day. The iron foundry had ceased operation by the late 18th or early 19th century.
The village also had a watermill in the valley and, in order for this to operate, the river was dammed. This is what now appears as a small lake below the village.

## Woodford Bay

The Woodford River is a tributary of the Shannon River. The river is dammed and broadens out into a small artificial lake called Woodford Bay. In the 17th century, this reservoir was used to power the blast furnace. Later, it was used as a source power for the corn mill and electric light energy for the town. While the bay is no longer used for these reasons, repairs were undertaken in 1980 to restore its aesthetic rather than commercial value.

## Tourism

There are three nature reserves within 5 km of the village at Pollnaknockaun, Derrycrag and Rosturra. Two of these are in Special Areas of Conservation. Derrygill Millennium Oaks Forest is also within walking distance of the village and is one of only fourteen Millennium Oak Forests established in the Republic of Ireland in the year 2000 when the government gifted an oak tree to every family in Ireland at the turn of the millennium. Cycle routes in the surrounding hinterland have views of Lough Derg and the River Shannon.
There is also fishing and boating on the Shannon. In the vicinity of the town are the ruins of a ringfort.
Every year, in late August, a "Furnace Festival" is held in Woodford to celebrate its ironworking history.
The Woodford Heritage Centre houses the East Galway Family History Society, an organisation that seeks to connect people with local historians, researchers, and genealogists who specialise in the surrounding areas.
# Idriss I Dam

The Idriss I Dam, also known as the Idriss the First Dam, is a gravity dam on the Inaouen River, a tributary of the Sebou River. The dam is situated in the Gharb Basin and is located 27 kilometres (17 mi) northeast of Fes in Taza and Taounate Province, Morocco. The dam serves to provide irrigation water for 72,300 hectares (179,000 acres) of land and its power plant generates 66 GWh of electricity annually. It is named after Idriss I. It has faced criticism since it failed to deliver irrigation to the projected number of acres and it has also denied water use to historical downstream agricultural and residential users.

## Environmental issues

A number of water pollutants enter the Sebou River and its tributaries, notably including pesticides and fertilisers from agricultural runoff and untreated sewage from towns along the river. In the upper parts of the watershed within the Middle Atlas is the prehistoric range of the endangered primate Barbary macaque, which animal prehistorically had a much larger range in North Africa.
# Wrestling at the 2014 Asian Games – Men's freestyle 61 kg

The men's freestyle 61 kilograms wrestling competition at the 2014 Asian Games in Incheon was held on 29 September 2014 at the Dowon Gymnasium.

## Schedule

All times are Korea Standard Time (UTC+09:00)
| Date | Time | Event |
| Monday, 29 September 2014 | 13:00 | 1/8 finals |
| Monday, 29 September 2014 | 13:00 | Quarterfinals |
| Monday, 29 September 2014 | 13:00 | Semifinals |
| Monday, 29 September 2014 | 13:00 | Repechages |
| Monday, 29 September 2014 | 19:00 | Finals |

## Results
### Legend

* F — Won by fall

### Main bracket

| 1/8 finals | 1/8 finals | Quarterfinals | Quarterfinals | Semifinals | Semifinals | Gold medal | Gold medal |
| | | Ulan Nadyrbek Uulu (KGZ) | 0 | | | | |
| Batyr Borjakow (TKM) | 1 | Daulet Niyazbekov (KAZ) | 3 | | | | |
| Daulet Niyazbekov (KAZ) | 9 | | | Daulet Niyazbekov (KAZ) | 3 | | |
| Hussain Gowdooei (QAT) | 2 | | | Masoud Esmaeilpour (IRI) | 8 | | |
| Lee Seung-chul (KOR) | 12 | Lee Seung-chul (KOR) | 2 | | | | |
| Jamshid Kenjaev (UZB) | 1 | Masoud Esmaeilpour (IRI) | 7 | | | | |
| Masoud Esmaeilpour (IRI) | 11 | | | | | Masoud Esmaeilpour (IRI) | 6 |
| Zakaria Abdulhadi (KSA) | 1 | | | | | Bajrang Punia (IND) | 4 |
| Nguon Makara (CAM) | 12 | Nguon Makara (CAM) | 0 | | | | |
| Hwang Ryong-hak (PRK) | 1 | Noriyuki Takatsuka (JPN) | 3$^F$ | | | | |
| Noriyuki Takatsuka (JPN) | 3 | | | Noriyuki Takatsuka (JPN) | 2 | | |
| Farkhodi Usmonzoda (TJK) | 10 | | | Bajrang Punia (IND) | 2 | | |
| Esmail Ali Saleh (YEM) | 0 | Farkhodi Usmonzoda (TJK) | 7 | | | | |
| Tümenbilegiin Tüvshintulga (MGL) | 5 | Bajrang Punia (IND) | 17 | | | | |
| Bajrang Punia (IND) | 5 | | | | | | |

### Repechage

| Repechage | Repechage | Bronze medals | Bronze medals |
| Jamshid Kenjaev (UZB) | 7 | Lee Seung-chul (KOR) | 12 |
| Lee Seung-chul (KOR) | 9 | Daulet Niyazbekov (KAZ) | 1 |
| Tümenbilegiin Tüvshintulga (MGL) | 8 | Tümenbilegiin Tüvshintulga (MGL) | 2 |
| Farkhodi Usmonzoda (TJK) | 0 | Noriyuki Takatsuka (JPN) | 2 |

## Final standing

| Rank | Athlete |
| | Masoud Esmaeilpour (IRI) |
| | Bajrang Punia (IND) |
| | Lee Seung-chul (KOR) |
| | Noriyuki Takatsuka (JPN) |
| 5 | Daulet Niyazbekov (KAZ) |
| 5 | Tümenbilegiin Tüvshintulga (MGL) |
| 7 | Farkhodi Usmonzoda (TJK) |
| 8 | Nguon Makara (CAM) |
| 9 | Jamshid Kenjaev (UZB) |
| 10 | Hussain Gowdooei (QAT) |
| 11 | Hwang Ryong-hak (PRK) |
| 12 | Batyr Borjakow (TKM) |
| 13 | Zakaria Abdulhadi (KSA) |
| 14 | Ulan Nadyrbek Uulu (KGZ) |
| 15 | Esmail Ali Saleh (YEM) |