# Dhoti

The dhoti is an ankle-length breechcloth, wrapped around the waist and the legs, in resemblance to the shape of trousers. The dhoti is a garment of ethnic wear for men in the Indian subcontinent. The dhoti is fashioned out of a rectangular piece of unstitched cloth, of usually around 4 yards (3.7 m) in length.
The dhoti is considered to be the male counterpart of the sari, worn by females to religious & secular ceremonies (functions). A pitambar is a yellow silk dhoti worn on auspicious occasions. Dhotis must not be confused with "readymade panchakachams" or "dhoti pants", which are a new ready to wear trend, popular among women and typical of children. Although the terms mundu or veshti are used interchangeably with "dhoti", they are different from the dhoti, which is "looped" or wrapped around the legs, in the form of trousers or pants. The dhoti is better known as panchakacham in South India, which may even be worn while doing dances such as moonwalks. While the sari is still draped by many women as daily wear, only a few men know how to wrap the dhoti & use it every day. The dhoti has been displaced by the "English clothes" of the British, in urban areas like Bombay (Mumbai). Men in dhotis are looked down upon, because they are perceived as poor, at some places such as shopping malls. Also, with the addition of kurta-pyjama sets from Central Asia during the Moghal empire, pyjamas are worn instead of dhotis as ethnic menswear.

## Etymology and history

The unstitched dhoti is also referred to as "dhautra" (IPA: /dʱɑwtɽɐ/) in Sanskrit, which means rope or cord. It evolved from the ancient antriya, which was passed in between the legs, tucked at the back and covered the legs loosely, then flowed into long pleats at front of the legs, the same way it is worn today as formal dhoti.$^{:130}$ While a casual and short dhoti wraps around both legs firmly, in this style the back side of the dhoti is pulled to the front and tucked at the waist, before tucking the two loose ends at back, creating firmly fitted trouser-like dhoti that wraps around both legs. This style is more commonly worn by farmers and martial artists. Stitched garments became popular in the Indian subcontinent, with the coming of Persians, Greeks & "barbarians"; nonetheless the dhoti prevailed in sakaccha as well as vikaccha forms. In the Sunga period, there were two broad modes of wearing the dhoti, the sakaccha & the vikaccha. In the sakaccha way, the cloth passed between the legs & was tucked at the back; vikaccha meant wearing the dhoti in the form of a lungi. In the past, there were variations in the styles of wrapping the dhoti based on castes, as in the case of Bombay's Sonars & the Peshwa Brahmins; for this reason English attire has been described as "caste neutral".
During British rule in colonial India, the dhoti remained a national symbol of resistance and cultural identity, when worn without a shirt. At the height of the Indian Independence Movement, weaving khadi was a symbol of the swadeshi movement. In 1921, the famed M K Gandhi himself championed only the dhoti often topless (without a kurta or shirt), to promote and identify with the handicrafts produced by the rural & the poor of his homeland.

## Names and styles

The garment is known by various names based on language, such as:
| Native script | Transliteration | Language or region |
| চুৰিয়া, ধুতি | Suriya, Dhuti | Assamese |
| ধুতি | Dhuti | Bengali |
| ધૉતિયુ | Dhotiyu | Gujarati |
| धोती | Dhotī | Hindi, Maithili, Nepali and Pali |
| मर्दानी | Mardānī | Hindi |
| ಧೋತ್ರ ಕಚ್ಚೆ ಪಂಚೆ | Dhotra Kachche Panche | Kannada |
| धोंतर, आंगोस्तर, आड नेसचे, पुडवे | Dhontara, Āṅgostara, Āḍa nesace Puḍave | Konkani |
| മുണ്ട് | Muṇṭ‌ | Malayalam |
| धोतर | Dhotara $^a$ | Marathi |
| ଧୋତି | Dhotī | Odia |
| ਚਾਦਰਾ | Chaadra | Punjabi |
| வேட்டி | Vaetti | Tamil |
| పంచె, ధోవతి | Pañce | Telugu |
| دھوتی | Dhoti | Urdu |
| $^a$ In Marathi, a dhotar is not the same as a pancha (plural panche). While the former is worn around the waist, the latter is normally a towel used after bathing (compare below). |||

## Custom and usage

The pancha is worn by many conservative Jain men when they visit derasars or basadis for puja; unstitched clothing is believed by some Jains to be "less permeable to pollution" and therefore more appropriate for religious rituals than other garments. They also wear a loose and unstitched cloth, shorter than the pancha on top.
International Society for Krishna Consciousness (ISKCON), known for its distinctive dress code, prompts Western adherents to wear pancha, usually of saffron or white cloth folded in ethnic Bengali style. Maharishi Mahesh Yogi was known for wearing a white silk dhoti. Traditionally, men wear the dhoti topless (without upper garments), while entering certain mandirs (Hindu temples) in South India, because stitched garments supposedly counter the energy of the idol. The dhoti is often worn with a shirt in other places.
The dhoti has been ethnically worn by farmers, pehlwano (wrestlers) & shepherds (grazers) of Sikhs in the Punjab region; it was discouraged during the Punjab Subah Movement, owing it to the inter-communal tensions prevalent at the time. The dhothi was also worn by South Canarese Christian men to their pre-nuptial ceremonies, church weddings & receptions until the 1960s when they fell out of favour; since then grooms have been styling the black suit and tie instead.
There's a distinction between the lungi, a similar garment often worn by people at their homes, lungi is more casual and comfortable, the dhoti however is considered formal, it is sometimes worn by politicians.