# List of paintings by Albrecht Dürer

The following is an incomplete list of paintings by the German painter and engraver Albrecht Dürer.

## Legend for the table

The reproductions are coming for the most part from the online catalogues of the institution the work is held (or at least the best reproductions available on Wikimedia Commons). Articles at the beginning of some titles are dropped for better sortability. Paintings that belong together are not always joined, except for the occasional back sides of paintings. Secondary specifications are in small font. The original medium is mentioned first and stated as just "color", if there is no specific statement that the medium was actually proven to be oil; modifications that represent the current state are stated subsequently. In the case of Dürer the time spans are not likely to represent the duration spent working on the picture, instead usually signifies the (ideally most recent) estimated date by scholars for a work, that has no year stated by Dürer's own hand (usually with his monogram "AD") and/or decisive source. The small types under the date indicate at least some identification and are to be read as follows:
* d : original date by Dürer's hand on the panel at the time of the work's completion
* m : original monogram "AD" by Dürer's hand on the panel
* + : dated and signed with full name (with or without monogram), and additional text in German or Latin. Text and translation are quoted as reference.
* i : date and monogram with occasionally additional text veristically integrated into the picture (e. g. in form of a painted piece of written paper or a plate, often held by Dürer himself)
* p : preparatory drawings have survived
* w : sourced by Dürer's own writing or other trusted written testimony, like communal archives, letters by contemporaries or collection inventories, that scholars universally agree upon
* $^l$ : later dated, monogrammed or inscribed by Dürer's hand ("m$^l$w" would mean no date, later monogram, documented by written sources)
* $^f$ : anything of a different hand than Dürer's of a (most probably always) later date (e. g. "d$^f$w$^f$" means later date and text by a foreign hand)
* $^c$ : authenticity challenged by several scholars and not yet invalided (e. g. "m$^c$w" would mean the work is well sourced but the monogram seemed to be for some students not by Dürer's hand)
* — : not signed or referenced anywhere, still the attribution to Dürer solely on stylistical grounds is universally accepted ("—$^c$" if challenged)
* c : not signed or referenced anywhere, however known through copies
For the current location the city is mentioned first, it is most unambiguous and allows to combine multiple galleries of that city. The gallery where the work is displayed is mentioned second, followed by the name of the actual superordinate collection owning the work (on first appearance in the list only). The inventory number of the object in brackets is (ideally) linked to the entry in the online catalogue of the collection if available. The last column gives the number of the catalogue raisonné of Dürer's paintings, which Fedja Anzelewsky, lifelong affiliated with the Kupferstichkabinett Berlin, compiled and published in 1971, and revised 20 years later. The legend for the four different capitals following the chronological numbering is as follows:
* K ("Kopie") only survived as copy
* V ("verschollen") for lost but known through writings
* Z ("Zeichnung") painting that only survived in drawings
* W ("Werkstatt") workshop painting
| Title | Year | Medium | Dimensions h × w in cm | Location, Gallery, Collection (Inv. nr.) | CR nr. |
| Portrait of Dürer's Father diptych, right wing back side: Combined Coat of Arms of the Dürer and Holper Families | 1490 dm$^l$w$^c$ | Oil on panel | 47.5 × 39.5 47 × 39 | Florence, Uffizi (1086 (1890 post), 00286561) | 2–3 |
| Portrait of Barbara Dürer diptych, left wing back side: "Rocky Landscape with Dragon", or "Hell resp. Purgatory scene" | 1490 —w | Oil on panel | 47.2 × 35.7 | Nuremberg, Germanisches Nationalmuseum, Bayerische Staatsgemäldesammlungen (Gm1160) | 4 4.1 |
| The Miraculous Salvation of a Drowned Boy in Bregenz | 1497/98 —$^c$ | Color on panel (spruce) | 41.5 × 50 | Kreuzlingen (Switzerland), Heinz Kisters Collection (no website) | 5 |
| Christ as the Man of Sorrows back side: "Agate cut or Lightvision" | c. 1493 — | Oil, tempera and gilding on panel (pinewood) | 30 × 19 | Karlsruhe, Staatliche Kunsthalle (2183) | 9 ∅ |
| Self-Portrait (Portrait of the Artist Holding a Thistle) | 1493 d+c | Oil on parchment transferred to canvas | 56.5 × 44.5 | Paris, Musée du Louvre (RF 2382) | 10 |
| Jesus Child as Redeemer | 1493 dm | Bodycolor and gold on parchment | 11.8 × 9.3 | Vienna, Albertina | 11 |
| Lion | 1494 dm | Bodycolor, watercolor on parchment | 12.6 × 17.2 | Hamburg, Kunsthalle (23005) | 12 |
| Virgin and Child before an Archway (Bagnacavallo Madonna) | c. 1495 — | Oil on panel | 47.8 × 36.5 | Mamiano di Traversetolo near Parma, Magnani-Rocca Foundation (?) | 16 |
| Virgin and Child Before a Landscape | c. 1494/97 — | Oil on panel | 89 × 74 | Schweinfurt, private collection Georg Schäfer | 17 |
| Seven Sorrows Polyptych | c. 1495/96 —wc | Oil on panel (pinewood) | 63 × 44.5–46.5 each side panel 110 × 43.6 central panel | Dresden, Gemäldegalerie Alte Meister (1875–1881) (seven surrounding panels) Munich, Alte Pinakothek, Bayerische Staatsgemäldesammlungen (709) (central panel) | 21–27 20 |
| Saint Jerome in the Wilderness back side: Heavenly Scene | c. 1496 — | Oil on panel (pearwood) | 23.1 × 17.4 | London, National Gallery (NG6563) | 14–15 |
| Portrait of Elector Frederick the Wise of Saxony | 1496 m$^{lf}$ | Tempera on canvas | 76 × 57 | Berlin, Gemäldegalerie, Berlin State Museums (557C) | 19 |
| Dresden Altarpiece | 1496 | Tempera on canvas | 114 × 45 each wing 114 × 96.5 central panel | Dresden, Gemäldegalerie Alte Meister (1869) | 39–40 [c] |
| Haller Madonna back side: Lot and His Daughters | c. 1496/99 + | Oil on panel | 52.4 × 42.2 | Washington, National Gallery of Art, Samuel H. Kress Collection (1952.2.16.a, b) | 43–44 |
| Portrait of a Young Woman with Her Hair Down (formerly believed to be a Fürleger) | 1497 —c | Watercolor on canvas (Tüchlein) | 56.3 × 43.2 | Frankfurt, Städel (937) | 45K |
| Portrait of a Young Woman with Her Hair Done Up (formerly believed to be a Fürleger) | 1497 —c | Watercolor on canvas (Tüchlein) | 56.5 × 43.1 | Berlin, Gemäldegalerie (77.1) | 46 |
| Portrait of a Man | 1497/98 — | Color on parchment on panel (oakwood) | 25.7 × 20.5 | Kreuzlingen (Switzerland), Heinz Kisters Collection (no website) | 47 |
| Portrait of Dürer's Father at 70 copy | 1497 dm+c | Oil on panel (limewood) | 51 × 40.3 | London, National Gallery (NG1938) | 48 |
| Self-Portrait at 26 | 1498 dm+wc | Oil on panel | 52 × 41 | Madrid, Museo del Prado (P021791) | 49 |
| Lamentation (Holzschuher Lamentation) | 1499/1500 | Color on panel | 150 × 120.6 | Nuremberg, Germanisches Nationalmuseum (Gm165) | 55 |
| Portrait of Oswolt Krell | 1499 di | Color on panel (limewood) | 49.7 × 38.9 central panel 49.4 × 15.7 (l) 49.8 × 15.6 (r) | Munich, Alte Pinakothek (WAF 230, 230 A, 230 B) | 56–58 |
| Portrait of an Unknown Man in a Red Gown ("St Sebastian") | c. 1499 — | Oil on panel | 52 × 40 | Bergamo, Accademia Carrara (469 not found) | 59 |
| Portrait of Hans Tucher diptych, left wing back side: Combined Coat-of-Arms of the Tucher and Rieter Families | 1499 | Oil on panel | 28 × 24 | Weimar, Schlossmuseum, Klassik Stiftung Weimar (G 31) | 60–61 |
| Portrait of Felicitas Tucher (née Rieter) diptych, right wing | 1499 | Oil on panel | 28 × 24 | Weimar, Schlossmuseum (G 32) | 62 |
| Portrait of Elsbeth Tucher (née Pusch) diptych, left wing with the Portrait of Nikolaus Tucher lost | 1499 dm$^f$+ | Color on panel (limewood) | 29.1 × 23.3 | Kassel, Gemäldegalerie Alte Meister, Wilhelmshöhe Palace, Hessen Kassel Heritage (GK 6) | 63; 64/65V |
| Self-Portrait with Fur-Trimmed Robe | 1500 dm+wc | Color on panel (limewood) | 67.1 × 48.9 | Munich, Alte Pinakothek (537) | 66 |
| Hercules Killing the Stymphalian Birds | 1500 $^{f?}$ | Watercolor on canvas | 84.5 × 107.5 cropped | Nuremberg, Germanisches Nationalmuseum (Gm 166) | 67 |
| Paumgartner Altarpiece Nativity Georg Paumgartner as St George (inner left wing) Lukas Paumgartner as St Eustacius (inner right wing) | c. 1500 | Oil on panel (firwood) | 155 × 126.1 central panel, 157 × 60.4 each wing | Munich, Alte Pinakothek (702) | 50–52 53W, 54K |
| Lamentation of Christ (Glim Lamentation) | 1500/03 —w | Color on panel (spruce) | 151.9 × 121.6 | Munich, Alte Pinakothek (704) | 70 |
| Madonna and Child at the Breast (Madonna lactans) | 1503 dm | Oil on panel (limewood) | 24.1 × 18.3 | Vienna, Kunsthistorisches Museum (GG 846) | 71 |
| Jabach Altarpiece outer panels: Job on the Dungheap or Job Taunted by His Wife Piper and Drummer | c. 1503/04 — | Oil on panel (limewood) | 94 × 51 (l) 94 x 57 (r) both truncated at top | Frankfurt, Städel (890) (left) Cologne, Wallraf-Richartz Museum (WRM 0369) (right) | 72–73 |
| Jabach Altarpiece triptych wings (central panel lost) Saints Joseph and Joachim (l) Saints Simeon and Lazarus (r) | c. 1503/05 m | Color on panel | 96.6 × 54.5 (l) 97 × 55.1 (r) both truncated at top | Munich, Alte Pinakothek (WAF 228 and WAF 229) | 74–75 |
| Studies of a Boy's Head Inclined to the Right Boy's Head Inclined to the Left | 1506 — | Distemper over ink or charcoal on cloth doubled by paper | 22.5 × 19.2 23.1 × 17.9 | Paris, Bibliothèque nationale de France (6, 7 (B-13 rés.)) | 78–79 |
| Adoration of the Magi | 1504 | Oil on panel | 99 × 113.5 | Florence, Uffizi | |
| Portrait of a Man (Endres Dürer) | c. 1504 — | Oil on panel | 43 × 29 | Budapest, Museum of Fine Arts (142) | excuded$^c$ |
| Portrait of a Venetian Woman | 1505 dmc | Oil on panel (spruce) | 33 × 24.5 | Vienna, Kunsthistorisches Museum (GG 6440) | 92 |
| Salvator Mundi unfinished | 1505 | Oil on panel | 58.1 × 47 | New York, Metropolitan Museum of Art | |
| Feast of the Rosary | 1506 dmw | Oil on panel | 162 × 192 | Prague, Národní galerie (O 1552) | 93 |
| Madonna with the Siskin | 1506 dm+i | Oil on panel (poplar) | 93.5 × 78.9 | Berlin, Gemäldegalerie (557F) | 94 |
| Portrait of a Young Venetian Woman | 1506/07 m | Oil on panel (poplar) | 28.5 × 21.5 | Berlin, Gemäldegalerie (557G) | 95 |
| Portrait of a Young Man | 1506 dm+ | Oil on panel | 46 × 35 | Genoa, Palazzo Rosso (PR 47) | 96 |
| Portrait of Burkard von Speyer | 1506 dm | Oil on panel | 31.7 × 26 | Berkshire, Windsor Castle, Royal Collection (RCIN 404418) | 97 |
| Christ Among the Doctors | 1506 dmi | Oil on panel (poplar) | 64.3 × 80.3 | Madrid, Museo Nacional Thyssen-Bornemisza (134 (1934.38)) | 98 |
| Portrait of a Young Man back side: Allegory of Avarice | 1507 dm | Oil on panel (limewood) | 35 × 29 | Vienna, Kunsthistorisches Museum (GG 849) | 99 |
| Portrait of a Young Girl (with a Red Beret) | 1507 dmw | Color on parchment transferred to panel | 32.5 × 22.3 | Berlin, Gemäldegalerie, (557l) | 102 |
| Adam and Eve | 1507 m$^i$ dmi | Oil on panel (pinewood) | 209 × 81 209 × 80 | Madrid, Museo del Prado (P02177, P02178) | 103–104 |
| Martyrdom of the Ten Thousand | 1508 dmiwc | Oil on panel transferred to canvas | 99 × 87.5 | Vienna, Kunsthistorisches Museum (GG 835) | 105 |
| Heller Altarpiece copy | 1508/09 | Oil and tempera on panel | 189 × 138 central element | Frankfurt, Historical Museum | |
| Holy Family | 1509 | Oil on panel | 30.9 × 38.6 | Rotterdam, Museum Boijmans Van Beuningen (2447 (OK)) | 116 |
| Adoration of the Trinity (Landauer Altar) with frame designed by Dürer | 1511 dmi | Oil on panel (limewood) | 135 × 123.4 (limewood) 147,7 × 135.4 (frame) | Vienna, Kunsthistorisches Museum (838) | 118 |
| Madonna of the Pear | 1512 dm | Oil on panel (limewood) | 49.3 × 37.4 | Vienna, Kunsthistorisches Museum (848) | 120 |
| Emperor Charlemagne and Emperor Sigismund | c. 1512 — | Oil and tempera on panel | 215 × 115 each, including frame | Nuremberg, Germanisches Nationalmuseum (Gm167 and Gm168) | 123–124 |
| Virgin and Child | 1516 | Oil on panel (spruce) | 27.9 × 18.7 (w/border 22.2) | New York, Metropolitan Museum of Art (17.190.5) | 127 |
| Madonna of the Carnation | 1516 | Color on parchment mounted on pine wood (doubled with spruce) | 39.7 × 29.3 | Munich, Alte Pinakothek (4772) | 130 |
| Portrait of Michael Wolgemut | 1516 dm+c | Oil and tempera on panel (limewood) | 29.8 × 28.1 | Nuremberg, Germanisches Nationalmuseum (Gm885) | 132 |
| Portrait of a Clergyman (Johann Dorsch?) | 1516 dm | Oil on parchment transferred to fabric | 41.7 × 32.7 | Washington, National Gallery of Art, Samuel H. Kress Collection (1952.2.17) | 133 |
| Apostles Philip and James | 1516 | Tempera on panel | 45 × 38 46 × 37 | Florence, Uffizi (1089, 1890, 1099) | 128–129 |
| Lucretia (The Suicide of Lucretia) | 1518 dmpw | Color on panel (limewood) | 168 × 74 | Munich, Alte Pinakothek (705) | 137 |
| Virgin Mary in Prayer | 1518 dm | Oil on panel (limewood) | 54.9 × 45.3 | Berlin, Gemäldegalerie (557H) | 138 |
| Virgin and Child with St Anne | 1519 | Oil on panel (limewood) | 60 × 49.8 | New York, Metropolitan Museum of Art (14.40.633) | 147 |
| Portrait of Jakob Fugger the Wealthy | c. 1520 —p | Tempera on canvas (Tüchlein) | 69.4 × 53 | Augsburg, Staatsgalerie Altdeutsche Meister, Bavarian State Painting Collections (717) | 143 |
| Portrait of Emperor Maximilian I of Habsburg | 1519 — | Tempera on canvas | 83 × 65 | Nuremberg, Germanisches Nationalmuseum (Gm169) | 145 |
| Portrait of Emperor Maximilian I | 1519 dm | Oil on panel (limewood) | 74 × 62 | Vienna, Kunsthistorisches Museum (825) | 146 |
| Portrait of a Man | 1520 dm | Distemper on canvas mounted on paper | 40 × 30.3 | Paris, Musée du Louvre (INV 18598, Recto) | 148 |
| Study for a Virgin Mary | c. 1520 | Tempera on canvas | 25.5 × 21.5 | Paris, Bibliothèque nationale de France (B-13 rés.) | 77 |
| Portrait of Bernhart von Reesen | 1521 | Oil on panel (oak wood) | 45.5 × 31.5 | Dresden, Gemäldegalerie Alte Meister (1871) | |
| Portrait of a Man in a Fur Coat (Rodrigo de Almada?) | 1521 | Oil on panel | 50.6 × 32.9 | Boston, Isabella Stewart Gardner Museum (P21n10) | |
| St. Jerome in His Study | 1521 | Oil on panel (oak wood) | 59.5 × 48.5 | Lisbon, Museum Nacional de Arte Antiga (828 Pint) | |
| Portrait of a Man with Beret and Scroll | 1521 dm | Oil on panel (oakwood) | 50 × 36 | Madrid, Museo del Prado (P002180) | 165 |
| Virgin and Child with Saint Anne | 1523 | Oil on panel | 75 x 64.5 | Warsaw, Muzeum Kolekcji im. Jana Pawła II (Porczyński Gallery) (no website) | |
| Madonna and Child with the Pear | 1526 | Oil on panel | 43 × 31 | Florence, Uffizi (1890, 1171) | |
| Portrait of Jakob Muffel | 1526 dm+ | Oil on panel transferred to canvas | 49.7 × 37.2 | Berlin, Gemäldegalerie (557D) | 178 |
| Portrait of Hieronymus Holzschuher with cover | 1526 dm+ | Oil on panel (limewood) | 51 × 37.1 | Berlin, Gemäldegalerie (557E, 557E/1) | 179–180 |
| Portrait of Johann Kleberger | 1526 dmi | Oil on panel (limewood) | 36.5 × 36.5 | Vienna, Kunsthistorisches Museum (850) | 182 |
| The Four Apostles Saints John and Peter Saints Mark and Paul | 1526 | Color on panel | 212.8 × 76.2 (l) 212.4 × 76.3 (r) | Munich, Alte Pinakothek (545, 540) | 183–184 |
| Way to Calvary | 1527 | Oil on panel | 32 × 47 | Bergamo, Accademia Carrara | |