# Ptah

Part of a series on :
Ancient Egyptian religion :
Beliefs
Afterlife
Creation myths
Isfet
Maat
Maa Kheru
Mythology
Numerology
Osiris myth
Philosophy
Soul :
Practices
Canopic jars
Embalming ritual
Funerals
Mortuary temples
Offering formula
Opening of the mouth
Pyramids
Temples
Veneration of the dead :
Deities (list)Ogdoad
Amun and Amunet
Heh and Hauhet
Kek and Kauket
Nu and Naunet
Ennead
Atum
Geb
Isis
Nephthys
Nut
Osiris
Set
Shu
Tefnut
Triads
Theban Triad
Elephantine Triad
A
Aani
Aati
Abaset
Abtu
Ahmose-Nefertari
Aker
Akhty
Amenhotep I
Amenhotep, son of Hapu
Amesemi
Am-heh
Ammit
Amu-Aa
Anat
Andjety
Anhur
Anput
Anubis
Anuket
Apedemak
Apep
Apesh
Apis
Aqen
Arensnuphis
Ash
Assessors of Maat
Astarte
Aten
B
Baal
Baalat Gebal
Babi
Banebdjedet
Ba-Pef
Bastet
Bat
Bata
Bennu
Bes
Beset
Buchis
C
Cavern deities of the underworld
D
Dedun
Dionysus-Osiris
Djed
Djedefhor
Duamutef
Duau
G
Gate deities of the underworld
Gengen-Wer
H
Ha
Hapi
Hapy
Harmachis
Harpocrates
Harsomtus
Hathor
Hatmehit
Hauron
Hedetet
Hedjhotep
Heka
Hemen
Hemsut
Henet
Heqaib
Heqet
Hermanubis
Hermes Trismegistus
Heru-ur
Heryshaf
Hesat
Horus
Hu
I
Iabet
Iah
Iat
Igai
Ihy
Ikhemu-sek
Imentet
Imhotep
Imsety
Ipy
Irer
Ishtar
Iunit
Iusaaset
J
Jupiter Ammon
K
Kagemni I
Kebechet
Khensit
Khenti-Amentiu
Khenti-kheti
Khepri
Khereduankh
Kherty
Khnum
Khonsu
Kneph
Kolanthes
Kothar-wa-Khasis
M
Maahes
Maat
Mafdet
Mandulis
Medjed
Mehen
Mehet-Weret
Mehit
Menhit
Meret
Meretseger
Meskhenet
Min
Mnevis
Montu
Mut
N
Nebethetepet
Nebtuwi
Nefertem
Nehebkau
Nehmetawy
Neith
Nekhbet
Nemty
Neper
Nepit
P
Pakhet
Perit
Petbe
Ptah
Ptahhotep
Q
Qebehsenuef
Qebui
Qed-her
Qetesh
R
Ra
Raet-Tawy
Rekhyt
Rem
Renenutet
Renpet
Renpetneferet
Repyt
Resheph
S
Sah
Satis
Sebiumeker
Sedjem
Seker
Sekhmet
Serapis
Serket
Seshat
Shai
Shed
Shesmetet
Shezmu
Sia
Sobek
Sopdet
Sopdu
Souls of Pe and Nekhen
T
Ta-Bitjet
Tatenen
Taweret
Tayt
Teka-her
Thoth
Tjenenyet
Tutu
U
Unut
W
Wadjet
Wadj-wer
Weneg
Wepset
Wepwawet
Werethekau
Wosret
Y
Yam :
Creatures
Akhekh
Criosphinx
Griffin
Hieracosphinx
Medjed
Serpopard
Set animal
Sphinx
Uraeus :
Characters
Dedi
Djadjaemankh
Rededjet
Ubaoner :
Locations
Aaru
Akhet
Benben
Duat
Land of Manu
The Indestructibles :
Symbols and objects
Ankh
Anra scarab
Atef
Cartouche
Cowroid
Corn mummy
Crook and flail
Crown of justification
Deshret
Djed
Egyptian obelisk
Egyptian pool
Eye of Horus
Eye of Ra
Hedjet
Hemhem crown
Hennu
Horus on the Crocodiles
Hypocephalus
Imiut fetish
Khepresh
Kneph
Menat
Modius
Nebu
Nemes
Neshmet
Ouroboros
Pschent
Scarab
Seqtet boat
Serekh
Shen ring
Solar barque
Tyet
Ushabti
Vulture crown
Was-sceptre
Winged sun :
Writings
Amduat
Books of Breathing
Book of Caverns
Book of the Dead
Book of the Earth
Book of Gates
Book of the Heavenly Cow
Book of Traversing Eternity
Coffin Texts
The Contendings of Horus and Seth
Enigmatic Book of the Netherworld
Festival Songs of Isis and Nephthys
Great Hymn to the Aten
Litany of the Eye of Horus
Litany of Re
Pyramid Texts
Spell of the Twelve Caves :
Festivals
Beautiful Festival of the Valley
Cattle count
Coronation of the pharaoh
Min festival
Mysteries of Osiris
Opet Festival
Sed festival :
Related religions
Atenism
Church of the Most High Goddess
Gnosticism
Hermeticism
Kemetic Orthodoxy
Kemetism
Kushite religion
Mysteries of Isis
Temple of Set
Thelema :
Ancient Egypt portal :
vte :
Ptah (/tɑː/ TAH; Ancient Egyptian: ptḥ, reconstructed; Ancient Greek: Φθά, romanized: Phthá; Coptic: ⲡⲧⲁϩ, romanized: Ptah; Phoenician: 𐤐𐤕𐤇, romanized: ptḥ) is an ancient Egyptian deity, a creator god, and a patron deity of craftsmen and architects. In the triad of Memphis, he is the husband of Sekhmet and the father of Nefertem. He was also regarded as the father of the sage Imhotep.

## Origin and symbolism

Ptah is an Egyptian creator god who conceived the world and brought it into being through the creative power of speech. A hymn to Ptah dating to the Twenty-second Dynasty of Egypt says Ptah "crafted the world in the design of his heart," and the Shabaka Stone, from the Twenty-Fifth Dynasty, says Ptah "gave life to all the gods and their kas as well, through this heart and this tongue."

### Epithets

He bears many epithets that describe his role in ancient Egyptian religion and its importance in society at the time:
* Ptah the begetter of the first beginning
* Ptah lord of truth
* Ptah lord of eternity
* Ptah who listens to prayers
* Ptah master of ceremonies
* Ptah master of justice
* Ptah the God who made himself to be God
* Ptah the double being
* Ptah the beautiful face

## Representations and hypostases

Like many deities of ancient Egypt he takes many forms, through one of his particular aspects or through syncretism of ancient deities of the Memphite region. Sometimes represented as a dwarf, naked and deformed, his popularity would continue to grow during the Late Period. Frequently associated with the god Bes, his worship then moved beyond the borders of Egypt and was exported throughout the Eastern Mediterranean. Through dissemination by the Phoenicians, we find figures of Ptah in Carthage.
Ptah is generally represented in the guise of a man with green skin, contained in a shroud sticking to the skin, wearing the divine beard, and holding a sceptre combining three powerful symbols of ancient Egyptian religion:
* The Was sceptre
* The sign of life, Ankh
* The Djed pillar
These three combined symbols indicate the three creative powers of the god: power (was), life (ankh) and stability (djed).
From the Old Kingdom, he quickly absorbs the appearance of Sokar and Tatenen, ancient deities of the Memphite region. His form of Sokar is found contained in its white shroud wearing the Atef crown, an attribute of Osiris. In this capacity, he represents the patron deity of the necropolis of Saqqara and other famous sites where the royal pyramids were built. Gradually he formed with Osiris a new deity called Ptah-Sokar-Osiris. Statuettes representing the human form, the half-human, half-hawk form, or simply the pure falcon form of the new deity began to be systematically placed in tombs to accompany and protect the dead on their journey to the West.
His Tatenen form is represented by a young and vigorous man wearing a crown with two tall plumes that surround the solar disk. He thus embodies the underground fire that rumbles and raises the earth. As such, he was particularly revered by metalworkers and blacksmiths, but he was equally feared because it was he who caused earthquakes and tremors of the Earth's crust. In this form also, Ptah is the master of ceremonies for Heb Sed, a ceremony traditionally attesting to the first thirty years of a pharaoh's reign.
The god Ptah could correspond with the sun deities Re or Aten during the Amarna period, where he embodied the divine essence with which the sun god was fed to come into existence, that is to say to be born, according to the Memphite mythological/theological texts. In the holy of holies of his temple in Memphis, as well as in his great sacred boat, he drove in procession to regularly visit the region during major holidays. Ptah was also symbolized by two birds with human heads adorned with solar disks, symbols of the souls of the god Re: the Ba. The two Ba are identified as the twin gods Shu and Tefnut and are associated with the djed pillar of Memphis.
Finally, Ptah is embodied in the sacred bull, Apis. Frequently referred to as a herald of Re, the sacred animal is the link with the god Re from the New Kingdom. He even received worship in Memphis, probably at the heart of the great temple of Ptah, and upon the death of the animal, was buried with all the honours due to a living deity in the Serapeum of Saqqara.
Scholars have also associated Ptah with the Mandaean angel Ptahil outside of Egypt, due to their somewhat similar features and closely related names.

## Development of the cult

The cult of the god Ptah quickly spread throughout Egypt. With the major royal projects of the Old Kingdom, the high priests of Ptah were particularly sought after and worked in concert with the vizier, filling the role of chief architects and master craftsmen, responsible for the decoration of the royal funerary complexes.
In the New Kingdom, the cult of the god would develop in different ways, especially in Memphis, his homeland, but also in Thebes, where the workers of the royal tombs honoured him as patron of craftsmen. For this reason, the oratory of Ptah who listens to prayers was built near the site of Deir el-Medina, the village where the workers and craftsmen were housed. At Memphis, the role of intercessor with humans was particularly visible in the appearance of the enclosure that protected the sanctuary of the god. Large ears were carved on the walls, symbolizing his role as god who listens to prayers.
With the Nineteenth Dynasty, his cult grew and he became one of the four great deities of the empire of Ramesses. He was worshipped at Pi-Ramesses as master of ceremonies and coronations.
With the Third Intermediate Period, Ptah returned to the centre of the monarchy where the coronation of the pharaoh was held again in his temple. The Ptolemies continued this tradition, and the high priests of Ptah were then increasingly associated with the royal family, with some even marrying princesses of royal blood, clearly indicating the prominent role they played in the Ptolemaic court.

## Main places of worship

| Temple dedicated to | Location |
| Ptah | Pi-Ramses |
| Ptah | Memphis |
| Ptah | Karnak (Thebes) |
| Ptah | Gerf Hussein (Nubia) |
| Ptah who is south of his Wall | Memphis |
| Ptah who listens to prayers | Memphis |
| Ptah who listens to prayers | Deir el-Medina (Thebes) |
| Ptah lord of truth | Abu Simbel (Nubia) |
| Ptah-Sokar | Abydos |
| Ptah-Sokar | Kom el-Hettan (Thebes) |

## Gallery

* Relief fragment depicting Imenet, Ptah and Amenhotep I; 1569–1081 BC; limestone; 21 × 17.5 cm; Los Angeles County Museum of Art (US)
* The Memphite Triad on a Solar barque including Ptah, Sekhmet, and Nefertem.
* Damaged statue of Ramses II with Ptah; 1292–1189 BC; granite; Memphis open-air museum (Egypt)
* Ptah statue; 1070–712 BC; bronze, gold leaf and glass; height: 29.5 cm; Metropolitan Museum of Art
* Ancient Egyptian cult image of Ptah; 945–600 BC; lapis lazuli; height of the figure: 5.2 cm, height of the dais: 0.4 cm; Metropolitan Museum of Art
* Head of Ptah; late 8th–mid 7th century BC; limestone; height: 1.58 cm; Metropolitan Museum of Art
* Head of Ptah; 664–525 BC; faience with blue-green and black glaze; height: 3.5 cm, width: 2.1 cm, depth: 3 cm; Walters Art Museum (Baltimore, US
* Standing figure of Ptah; 664–332 BC; faience; height: 9.7 cm; Metropolitan Museum of Art
* Ptah-Patek; 4th–3rd century BC; faience; height: 8.5 cm, width: 7.3 cm, thickness: 3.1 cm; Louvre

## Legacy

Memphis was believed to be under the protection of the god Ptah, the patron of craftsmen. Its great temple, Hut-ka-Ptah (meaning "Enclosure of the ka of Ptah"), was one of the most prominent structures in the city. This word entered Ancient Greek as Αἴγυπτος (Aiguptos), which entered Latin as Aegyptus, which developed into Middle French Egypte and was finally borrowed into English first as Egipte in Middle English and ultimately as Egypt.
Ptah is one of the deities mentioned in Giuseppe Verdi's opera Aida. He is invoked in a chorus, "Possente Fthà" ("O Mighty Ptah"), in Act 1, scene 2; this chorus is reprised as "Immenso Fthà" ("Immense Ptah"), at the end of the opera as the protagonists Aida and Radamès die.
5011 Ptah is an asteroid named after the Egyptian god.