# Roggenburg Abbey

Roggenburg Abbey (Kloster Roggenburg or Reichsstift Roggenburg) is a Premonstratensian canonry in Roggenburg near Neu-Ulm, Bavaria, in operation between 1126 and 1802, and again from its re-foundation in 1986. Since 1992 it has been a dependent priory of Windberg Abbey in Lower Bavaria (Roggenburg Priory). The monastery manages a training centre and a museum, and is widely known for its almost unchanged Baroque building and the organ concerts that are held in the church.
For over three centuries Roggenburg was one of the 40-odd self-ruling imperial abbeys of the Holy Roman Empire and, as such, was a virtually independent state. Its abbot had seat and voice at the Imperial Diet where he sat on the Bench of the Prelates of Swabia. At the time of the abbey's dissolution in 1802, its territory covered 112 square kilometers and it had 3,300-5,000 subjects.

## History
### First foundation

In 1126 Count Bertold of Bibereck, together with his wife and his two brothers, Konrad, Bishop of Chur, and Siegfried, a canon in the diocese of Augsburg, founded the monastery. The first Premonstratensian canons came from Ursberg Abbey nearby and built the first monastery church.
In 1444 the foundation was raised to the status of an abbey. The first description of Roggenburg Abbey as reichsunmittelbar dates from 1482/5; the legal consolidation of this status took place in tiny stages over the first half of the 16th century.
In the 18th century the abbey and its dependent churches were rebuilt in the Baroque style, as they are today. The conventual buildings were rebuilt in 1732. Construction of a new church began in 1752, and lasted six years.
In 1802 the monastery was occupied by Bavarian troops during the secularisation of Bavaria, dissolved, and the last abbot, Thaddäus Aigler, stripped of his office.

#### After dissolution

The abbey church became a parish church. The rest of the abbey's property passed into private ownership, except for the buildings, which were taken over by the Bavarian government. Until 1862 a district court and rent office were accommodated here. Later the buildings were used for a variety of functions, including as a school, a forestry office and a parochial office.

### Second foundation

In 1986 Premonstratensians again occupied the premises. On 8 November 1992 the new community was raised to the status of an independent priory of Windberg Abbey. In the interval there had arisen a training centre for family, environment and culture, a museum and a centre for art and culture, as well as gastronomical facilities. In addition, the monastery shop sells devotional items, the monastery's own wine and various other products of their own manufacture.

## Abbey church

The Baroque abbey church was built between 1752 and 1758 to plans by Simpert Kraemer in the shape of a cross. The hall church, with extended transept and double towers, is 70 metres long, 35 metres across and has an inside height, to the highest point, of 28 metres. It is used as the Roman Catholic parish church of the Ascension of the Virgin Mary.

### Organ

The great Baroque organ by the Ulm organ builder Georg Friedrich Schmahl of 1761 was completely replaced in 1905 by a Late Romantic construction by the Gebrüder Hindelang of Ebenhofen. This was replaced in its turn in 1955–56, with the reuse of some registers, by an instrument by the Familie Nenninger. In 1984–86 it was extensively rebuilt by Gerhard Schmid of Kaufbeuren. The appearance of the organ by Schmahl was preserved throughout all rebuildings.
I Rückpositiv C–g$^3$ :
| Copel | 8’ |
| Quintatön | 8’ |
| Praestant | 4’ |
| Flauto amabile | 4’ |
| Spitzquinte | 2$^2$/$_3$’ |
| Schwiegel | 2’ |
| Terz | 1$^3$/$_5$’ |
| Sifflöte | 1$^1$/$_3$’ |
| Scharff III | 1’ |
| Dulcian | 8’ |
| Tremulant |
II Hauptwerk C–g$^3$ :
| Praestant | 16’ |
| Principal | 8’ |
| Gedackt | 8’ |
| Gamba | 8’ |
| Großquinte | 5$^1$/$_3$’ |
| Octav | 4’ |
| Rohrflöte | 4’ |
| Großterz | 3$^1$/$_5$’ |
| Quinte | 2$^2$/$_3$’ |
| Octave | 2’ |
| Mixtur IV | 1$^1$/$_3$’ |
| Trompete | 8’ |
III Schwellwerk C–g$^3$ :
| Bourdon | 16’ |
| Principal | 8’ |
| Holzflöte | 8’ |
| Salicional | 8’ |
| Schwebung | 8’ |
| Octav | 4’ |
| Flöte | 4’ |
| Nasat | 2$^2$/$_3$’ |
| Blockflöte | 2’ |
| Terz | 1$^3$/$_5$’ |
| Piccolo | 1’ |
| Plein jeu IV | 2’ |
| Fagott | 16’ |
| Oboe | 8’ |
| Tremulant |
IV Oberwerk C–g$^3$ :
| Flûte harmonique | 8’ |
| Geigenprincipal | 4’ |
| Traversflöte | 4’ |
| Nachthorn | 2’ |
| Kornett III | 2$^2$/$_3$’ |
| Solotrompete | 8’ |
| Tremulant |
| Trumpets |
| Tuba magna | 16’ |
| Tuba imperialis | 8’ |
| Clairon prémontre | 4’ |
IV Fernwerk C–g$^3$ (Choir Organ) :
| Gedackt | 8’ |
| Quintade | 8’ |
| Flöte | 4’ |
| Ital. Principal | 2’ |
V Unterwerk C–g$^3$ :
| Bourdon | 8’ |
| Principal | 4’ |
| Mixtur IV | 2$^2$/$_3$’ |
| Tromba | 8’ |
| Clarine | 4’ |
Pedal C–f$^1$ :
| Principal | 16’ |
| Subbass | 16’ |
| Quintbass | 10$^2$/$_3$’ |
| Octavbass | 8’ |
| Cello | 8’ |
| Flötbass | 4’ |
| Bombarde | 32’ |
| Posaune | 16’ |
| Trompetbass | 8’ |
Pedal C–f$^1$ (Choir Organ) :
| Rankett | 16’ |
| Untersatz II | 16' + 8’ |
| Choraloktav | 4’ |
* Couplers: I/Ped. II/Ped., III/Ped., III/Ped. 4’, IV/Ped., V/Ped., III/I, I/II, III/II, III/II 16’, IV/II, V/II, V/III, IV/III, III / III 16’