OpenLLM-France/wikimedia huggingface dataset:
# The Artist's Garden at Giverny

The Artist's Garden at Giverny (French: Le Jardin de l'artiste à Giverny) is an oil on canvas painting by Claude Monet done in 1900, now in the Musée d'Orsay, Paris.
It is one of many works by the artist of his garden at Giverny over the last thirty years of his life. The painting shows rows of irises in various shades of purple and pink set diagonally across the picture plane. The flowers are under trees that in allowing dappled light through change the tone of their colours. Beyond the trees is a glimpse of Monet's house.

## In the context of Monet's oeuvre

Monet was 60 years old the year he completed this painting, and had produced an immense body of work. He had become extraordinarily successful as well as famous. By this time, he was analysing what he saw more and more until, according to William Seitz, "subject, sensation and pictorial object have all but become identical".
In 1900, the year of this painting, he embarked on two major projects—a series of the River Thames in London and another series of his water gardens in Giverny, including some of his famous paintings of waterlilies, such as The Waterlily Pond (now in the Museum of Fine Arts Boston).
His dealer Durand-Ruel exhibited recent works, including a dozen Waterlilies and he bought his friend Renoir's painting Mosque (Arabian Festival).

## The garden

Monet worked on and developed the garden that is the subject of the painting from the end of 1883 until the end of his life.
   It was essentially a garden of perennials, highlighted by annuals. Monet established a number of basic principles to which he always adhered: bare earth was anathema to him; he avoided dark flowers; conversely, he could never get enough of blue ... he abhored single flowers, permitting double blooms only in roses and herbaceous peonies; and he loathed variegated foliage.
* A tree peony (Paeonia suffruticosa)
* Iris Germanica
* One variety of Rosa alba

## Comparable paintings

* Peony Garden (1887)
* The Artist's Garden at Giverny (1900)
* The Garden in Flower (1900)

## Exhibitions

As well as in France, Le Jardin de l'artiste à Giverny has been exhibited in Australia, Belgium, Korea, Italy, Japan, Switzerland and the United States. In 2023, climate activists smeared red paint on the work while exhibited in Stockholm to put pressure on the Swedish government to reduce greenhouse gas emissions.
# Electoral district of Yaralla

Yaralla was an electoral district of the Legislative Assembly in the Australian state of New South Wales. It was created in 1968, named after Yaralla Estate and largely replaced Concord, extending west to the districts of Parramatta and Granville. It also extended to the north of the Parramatta River, absorbing parts of Eastwood, Parramatta and Ryde It was abolished in 1981 with the area south of the river being absorbed by Electoral district of Burwood and the area north of the river by the re-created district of Ryde. The first member was Lerryn Mutton (Liberal) who had previously unsuccessfully contested Concord. The sitting member Garry McIlwaine (Labor) successfully contested Ryde.

## Members for Yaralla

| Member | Member | Party | Period |
| | Lerryn Mutton | Liberal | 1968–1978 |
| | Garry McIlwaine | Labor | 1978–1981 |

## Election results

1978 New South Wales state election: Yaralla :
| Party | Party | Candidate | Votes | % | ±% |
| | Labor | Garry McIlwaine | 16,219 | 56.5 | +10.9 |
| | Liberal | Lerryn Mutton | 11,533 | 40.1 | −14.3 |
| | Democrats | Christopher Dunkerley | 973 | 3.4 | +3.4 |
| Total formal votes | Total formal votes | Total formal votes | 28,725 | 97.6 | −0.2 |
| Informal votes | Informal votes | Informal votes | 697 | 2.4 | +0.2 |
| Turnout | Turnout | Turnout | 29,422 | 92.5 | +1.1 |
| Two-party-preferred result ||||||
| | Labor | Garry McIlwaine | 16,706 | 58.2 | +12.6 |
| | Liberal | Lerryn Mutton | 12,019 | 41.8 | −12.6 |
| | Labor gain from Liberal | Labor gain from Liberal | Swing | +12.6 | |
# Delmar station (Chicago, Milwaukee, St. Paul and Pacific Railroad)

Delmar station is a former railroad station located in Delmar, Iowa, United States. It is listed on the National Register of Historic Places.

## History

The original station was built in Delmar in the 1870s and the present structure was built for the Chicago, Milwaukee, St. Paul & Pacific Railroad (Milwaukee Road) in 1905. The depot is a rectangular, single story, wood-frame building built of a standard design for rural stations. There were waiting rooms (one for men and the other for women) at one end of the depot and a freight room at the other end. While this was not unusual in the Eastern United States, it was a unique design for the Midwest. In between the waiting rooms and the freight room was the station agent's office.
Delmar owes its existence to railroads. Three railroads converged there in the late 1870s and it was named Delmar Junction. Eventually, only the Milwaukee Road remained and was a strong influence on the development of the town. The depot was located on the Milwaukee Road's mainline from Chicago to Omaha.
The depot remained in use until 1977. After that, it remained vacant until it was purchased by the City of Delmar. The last freight train used the station in 1982. Restoration of the building began in 1995, and it was listed on the National Register of Historic Places in 1997. It now houses the Delmar Depot Museum, which contains a collection of over 1,500 historical items. The site also includes an old caboose named "Elizabeth" and a mural on the old viaduct wall that commemorates the Orphan Train.
# Evansville station (Louisville and Nashville Railroad)

Louisville and Nashville Railroad Station, also known as L & N Station, was a historic train station located in downtown Evansville, Indiana. It was built in 1902 for the Louisville and Nashville Railroad, and was a Richardsonian Romanesque style rock-faced limestone building. It consisted of a three-story central block with two-story flanking wings, and a one-story baggage wing. It had projecting gabled pavilions and a slate hipped roof.$^{:2}$
The station was host to tenant railroads, in addition to the L&N. In 1935 the Chicago and Eastern Illinois Railroad closed its depot and ran its trains to the L&N's station. The Big Four (by this point, fully integrated into the New York Central Railroad) also ran its trains to the station. With the end of Illinois Central passenger trains into its Evansville station in 1941, the L&N station that year became the sole passenger train station in the city that year.
Temporarily, immediately after the Ohio River flood of 1937, the trains serving the station were diverted to the Chicago & Eastern Illinois' deactivated depot.

## Named trains

In its heyday it served as a significant hub for Chicago & Eastern Illinois Railroad and Louisville and Nashville trains, notably:
* the Dixie Flagler (Chicago-Miami)
* the Dixie Flyer (Chicago-Miami)
* the Georgian (Chicago-Atlanta).
Each of these trains had sections originating from St. Louis. Those sections would link at Evansville with their counterpart train sections from Chicago's Dearborn Station and would continue south. Furthermore, a St. Louis-Nashville section of the New Orleans-bound Humming Bird made a stop at the station. Additionally, the station was a mid-point for overnight and day trains on an east-west St. Louis-Evansville-Owensboro-Louisville (Union Station) trains.

## Final years

Unnamed remnants of the Georgian last served the station in 1971. It was demolished February 27, 1985
It was listed on the National Register of Historic Places in 1979 and delisted in 1985.
# Lazaro Fundora

Lázaro Raydel Fundora Travieso (born (1994-02-13)13 February 1994) is a Cuban male volleyball player who plays for Serbian team Vojvodina. He is part of the Cuba men's national volleyball team.
# Enlightenment Guaranteed

Erleuchtung garantiert (Enlightenment Guaranteed) is a 1999 German film directed by Doris Dörrie about two brothers, Uwe (Uwe Ochsenknecht) and Gustav (Gustav-Peter Wöhler), who travel to Japan in order to find themselves. The two plan to retreat for a while at the Sōji-ji Monastery in Monzen, Ishikawa in the Noto Peninsula, well away from Tokyo. On their way there, in a rather literal Buddhist moment, the brothers lose all of their belongings. When they finally make it to the monastery, they find that even there, enlightenment can be elusive.

## Plot

The film begins by detailing the troubled lives of the two brothers; each is experiencing a mid life crisis. With four young children, Uwe and his wife Petra find their obligations overburdening, having little compassion for the other's problems and constantly bickering. Uwe leaves for work after a particularly stressful morning, during which he once again argues with his wife; while at work as a real estate agent, his wife packs up most of their belongings and moves out. Uwe finds a note when he comes home and is immediately distressed to tears.
Meanwhile, his brother Gustav faces his own problems; though an enthusiast for Zen Buddhism, and outwardly more composed than his brother, Gustav's burdens are internal; he is afraid of making mistakes and also afraid of fear itself. Gustav plans a trip to a monastery in Monzen (far away from Tokyo) in order to find himself. Uwe, both greatly distressed and drunk, asks his brother to take him along. After much hesitation, Gustav agrees to buy his brother a ticket.

## Production

Enlightment Guaranteed, though not a direct sequel to Dörrie's previous landmark 1985 film Men..., starred both the same actors (albeit as different characters) and a similarly existential storyline, and was occasionally billed as a sequel to the film.

## Reception

After three weeks of release in Germany, the film had grossed $827,000.
# Raden Mattaher

Raden Mattaher, born Raden Mohammad Tahir, (born in Sekamis, Jambi Sultanate, 1871 - Muaro Jambi, Jambi Residency, 10 September 1907) was a freedom fighter Indonesia from Jambi, and an Indonesian National Hero.

## Early life

Mattaher was born in 1871 in Sekamis, Kasau Melintang Pauh, Air Hitam, Batin VI, Jambi and died in Muaro Jambi, 10 September 1907. His father was Prince Kusin who died in Makkah, while his mother was Ratumas Esa (Ratumas Tija) birth Mentawak Air Hitam Pauh, the district where the Temenggung Merah Mato came to power.
Mattaher's genealogy is Raden Mattaher bin Raden Kusin with the title of Prince Jayoningrat bin Prince Adi bin Raden Mochamad title Sultan Mochammad Fachruddin. He was the grandson of Sultan Thaha Syaifuddin another National Hero. Raden Mattaher's grandfather, Prince Adi, was the brother of Sultan Thaha Syaifuddin.

## Struggle

Sultan Thaha Syaifuddin a warlord who owned Sultan Thaha at that time. Using guerrilla tactics, Mattaher crushed the Dutch soldiers. He earned the title Singo Kumpeh. The nickname was given because of his ferocity.
Raden Mattaher served as a warlord. He formed pockets and lines of defense and resistance that moved in territory of Muara Tembesi up to Muaro Kumpeh. Mattaher focused on attacking Dutch warships that entered Jambi through the river. The Dutch warships were carrying personnel, medical drugs and ammunition.
Thanks to his tactics that focused on attacking ships loaded with army personnel and ammunition, Mattaher was feared by the Dutch army. In 1885 Thaha and Mattaher managed to sink a Dutch warship in the Kumpeh River Muaro Jambi which became a milestone known as Singo Kumpeh.
On September 10, 1907 Mattaher was shot dead in his home during a Dutch military operation. He was buried in the cemetery of the Kings of Jambi on the shores of Lake Sipin Jambi City. In addition, Mattaher's little finger was buried in a village in Muaro Jambi.

## Recognition

Mattaher's name adorns the Regional General Hospital (RSUD) Jambi Province alond with streets, a shooting range and a foundation in Jambi City.
On November 10, 2020, Mattaher was awarded the title of national hero of President Of The Republic Of Indonesia.
# The Strange Boarder

The Strange Boarder is a lost 1920 American silent drama film directed by Clarence G. Badger and written by Edfrid A. Bingham. The film stars Will Rogers, Irene Rich, Jimmy Rogers, James Mason, Doris Pawn, and Lionel Belmore. The film was released in April 1920, by Goldwyn Pictures.

## Cast

* Will Rogers as Sam Gardner
* Irene Rich as Jane Ingraham
* Jimmy Rogers as Billy Gardner
* James Mason as Kittie Hinch
* Doris Pawn as Florry Hinch
* Lionel Belmore as Jake Bloom
* Jack Richardson as Westmark
* Sydney Deane as Dawson
* Louis Durham as Sergeant Worrill
# 38 Baby 2

38 Baby 2 is the fourteenth solo mixtape by American rapper YoungBoy Never Broke Again. It was released on April 24, 2020, by Never Broke Again and Atlantic Records. It features YoungBoy's mother Sherhonda Gaulden and American rapper DaBaby.
The mixtape debuted at number one on the US Billboard 200 chart, earning 67,000 album-equivalent units in its first week.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| HipHopDX | |
| Pitchfork | 7.0/10 |
38 Baby 2 received generally favorable reviews from contemporary music critics. Kenan Draughorne from HipHopDX stated that "[YoungBoy Never Broke Again] brings all this pain and so much more to 38 Baby 2, but to middling effect." He continues by noting "Raw emotion leaps forth on just about every song," and "YoungBoy sounds tormented from the jump, and it’s apparent in each melody, inflection, and lyric on the album." The review was concluded as Draughorne stated, "He’s still churning out new music at a ferocious pace." Alphonse Pierre from Pitchfork began his review by stating that "[YoungBoy] follows in the footsteps of Louisiana legends like Boosie and Kevin Gates," as he "makes autobiographical rap that touches on pain, paranoia, and trauma." He notes that "the 20-year-old sings and raps in a choked voice that sounds like he wants to cry, but doesn’t know how," and that "Typically he’s hostile and unpredictable; it’s made his relationships the source of endless social media debate and it’s reflected in his purest love songs." Pierre concludes his review as he states "And now he’s not just another rapper who sings about pain, but the rapper who sings about pain."

## Commercial performance

38 Baby 2 debuted at number one on the US Billboard 200 chart, earning 67,000 album-equivalent units (including 4,000 pure album sales) in its first week, according to Nielsen Music/MRC Data. This became Youngboy's second US number one debut and his fourth top-ten album. This mixtape also accumulated a total of 96.9 million on-demand streams of the set's songs during the tracking week.

## Track listing

Track listing and credits adapted from Apple Music and Tidal.

## Certifications

| Region | Certification | Certified units/sales |
| United States (RIAA) | Gold | 500,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||
# Jan Collaert II

Jan Collaert II or Hans Collaert II (c. 1561 in Antwerp – in or after 1620 in Antwerp) was a Flemish engraver and printmaker working in Antwerp around the turn of the 17th century. Collaert also published under the name Jan Baptist Collaert.

## Life

Jan Collaert was the son of Anna van der Heijde and Jan Collart I and the brother of Adriaen Collaert. He trained under his brother Adriaen as well as with leading Antwerp engravers Philip Galle and Gerard de Jode. He became member of the Antwerp Guild of Saint Luke in 1585 and was the Guild's dean in 1612.
From 1580 through his death c. 1620, Collaert and his brother were both employed by Philip Galle, one of the most prolific print publishers in Europe during the late sixteenth century. The brothers both married a daughter of Galle. Jan married in the late 1590s with Elisabeth Galle, after he became a widower of Elisabeth Firens, whom he had married in 1595. The last entry on Jan Collaert II in the Guild's records dates from the yearbook 1620/21.
His pupils included Barbara van den Broeck and Antony van der Does.

## Work

Engravers of the period often worked from drawings done by a different artist and many of both the
Collaert brothers' etchings are recorded as being "after Phillip Gale". Another contemporary draughtsman who provided source material was Maerten de Vos, a Flemish painter in the Mannerist tradition. De Vos was the author of approximately 1600 drawings that later were made into prints. Collaert also made a series of prints after de Vos' drawings.
The series of twenty illustrations- plus a title page- depicting Biblical characters engaged in heroic acts were completed between 1590 and 1595 in association with Cornelis van Kiel, a Dutch lexicographer and writer, for his Latin text Icones Illustrium Feminarum Veteris Testamenti (The Celebrated Women of the Old Testament). The engravings, "clearly Mannerist in inspiration" are reminiscent of Sandro Botticelli's work, detailed portrayals of Rubenesque figures with tiny heads and expressive hands.
He also produced book illustrations for Antwerp publishing house Plantin Moretus.
# Theodoor Galle

Dirck or Theodoor Galle (16 July 1571 – 18 December 1633) was a Flemish Baroque engraver.

## Biography

He learned the art of engraving from his father Philip Galle. He married Catharina Moerentorff (Moretus), daughter of the prominent printer Jan Moretus and Maertine Plantijn. Maertine was the daughter of the founder of the Plantin Moretus printing house in Antwerp Christophe Plantin. Galle was one of the engravers linked to the Plantin Moretus press.
He became a member of the Guild of St. Luke in 1595, and became deacon in 1609.
He was the teacher of his son Joannes Galle, and the engravers Adriaen Millaert, and Gilles van Schoor. Joannes Galle later became a member of the Guild of St. Luke in 1627, and became deacon in 1638.
# John Eugene Cay Jr.

John Eugene Cay Jr. (October 10, 1914 – October 3, 1989) was an American author. His most notable work was the 1958 publication Ward Allen: Savannah River Market Hunter, which was the basis for the 2013 movie Savannah. He was also an insurance executive and civic leader.

## Life and career

Cay was born in Savannah, Georgia, in 1914, to John Sr. and Caroline Elizabeth Palmer. He had one sibling, sister Armin, who was eight years his junior and named for their maternal grandfather, Armin B. Palmer.
He attended Episcopal High School in Alexandria, Virginia.
After graduating from the University of North Carolina at Chapel Hill, in 1937 Cay began working for Palmer & Cay, a real-estate and insurance company formed by his father and grandfather in 1915. In 1947, he became its chairman of the board and president. It was also known as Cay/Carswell Inc. during its existence. He was also a president of Savannah's Board of Education and the city's Chamber of Commerce, as well as being a member of the Historic Savannah Foundation and Christ Church. He was also a founder and the first chairman of the Savannah Country Day School.
In 1938, he married Barbara Alexander Hilton, daughter of Thomas and Elizabeth Ficklen Hilton, at Christ Church. The two families were neighbors on Atlantic Avenue in Savannah's Ardsley Park. They had four children: Caroline Hilton (born 1940), Barbara Lachlison (1941), John Eugene III (1945) and Elizabeth Mason (1949).
He was awarded, in 1954, the Lucas Trophy, which is the "oldest and most honored award given by the city of Savannah."
He released his book Ward Allen: Savannah River Market Hunter in 1958, and the same year won the Dunlap Award. It recognized him as Georgia's outstanding insurance underwriter.

## Death

Cay died in 1989 in Hilton Head Island, South Carolina, from a brain tumor. He was 74. He is interred in Savannah's Bonaventure Cemetery. His wife survived him by six years, and was buried beside him.
In 2005, John III, along with his sons Christopher and Jack, established the Barbara and Jack Cay Fund at the Georgia Historical Society.
# Isleham Priory Church

Isleham Priory Church, located in Isleham, Cambridgeshire, England, is a Benedictine alien priory built around 1100 AD. It is an important example of an early 12th-century Norman church. Despite being converted into a barn after the Reformation, the building remains mostly in its original state. The church is designated a Grade I listed building. The structure and surrounding area are also designated a scheduled Ancient Monument.

## Description

The Priory is located north of the village of Isleham in Cambridgeshire, England. The Chapel of St Margaret of Antioch, converted to a barn at a later date, is the only surviving building in the priory complex. The site also includes the buried foundations of other priory buildings, as well as the earthwork remains of a medieval agricultural complex to the north of the church.
The church was built with local clunch rubble and limestone. The building is mostly unaltered since 1100 AD, except for minor repairs done in the 13th and early 14th centuries and after the barn conversion in the 16th or 17th centuries. The area north of the chapel is enclosed by a clunch and brick wall, which was built later than the priory but represents the same boundary that previously enclosed the priory buildings. This enclosed area may also contain the monks' cemetery. The chapel was converted to a barn after the Reformation. In the 16th or early 17th century, a large barn door with a brick round-headed arch replaced an earlier chapel door in the same location. The roofline is believed to have been raised a century later.
The chapel is 30 m (98 ft) in length and consists of a nave and chancel with an apsidal sanctuary at the east end. The nave with two bays measures about 8 m (26 ft) by 14 m (46 ft) and is 6 m (20 ft) in height. The north wall contains two original narrow slit windows, each with rounded heads. The south and west walls also contain the original narrow slit windows. The nave is separated from the chancel by a semicircular arch of two columns. The sanctuary is approximately 6 m (20 ft) in length and is similar in width as the chancel. The apse contains three windows, of which the only original window is on the east wall.

## History

The Church of St Margaret of Antioch, the main surviving part of the Priory, was given to the Benedictine Abbey of Saint-Jacut-de-la-Mer in Brittany, France around 1100 by Count Alan of Brittany or his successors, and the Benedictines founded the alien priory on the site. In 1254 the monks moved to the sister cell at Linton in southern Cambridgeshire, although the site seems to have been used as a priory after that time.
Due to the tensions of a French-owned monastery in England during the Hundred Years' War, the lands were seized by King Henry V in 1414 and granted to the Master and Fellows of Pembroke College, Cambridge in 1440. In 1944 Pembroke College placed the Priory in the guardianship of the Ministry of Works. It is a Grade I listed building, and now in the care of English Heritage. The foundations of the conventual buildings and the earthworks in the surrounding land were designated a scheduled monument in 1996.
# Casey Adam Schouten

Casey Adam Schouten (born 29 March 1994) is a Canadian male volleyball player. He is part of the Canada men's national volleyball team. On club level he plays for Narbonne Volley
# The Colosseum from the Campo Vaccino

The Colosseum from the Campo Vaccino is an 1822 landscape painting by the English artist Charles Lock Eastlake.

## History and description

It depicts a view of the Colosseum in Rome viewed from the Palatine Hill which along with the Roman Forum was known at the time as the Campo Vaccino, due to its use as an enclosure for cattle brought for the city's markets. The rural surroundings of the Ancient Roman landscape are emphasised in Eastlake's painting. The same year Eastlake also produced another work entitled The Colosseum from the Esquiline.
Since the success of his 1815 painting Napoleon on the Bellerophon, Eastlake had been living in Italy producing a mixture of landscapes and genre paintings of local life. He was known for working outdoors in the heat of high summer. Eastlake sent the painting back to appear at the Royal Academy of Art's Summer Exhibition at Somerset House. Today is in the collection of the Tate Britain in Pimlico, having been acquired in 1964.