# List of artworks in the Frick Collection

This is an incomplete list of artworks in the Frick Collection in New York City, United States, which mainly holds European artworks from before the 20th century.

## Paintings

| Artist | Span | Work | Date | Medium |
| Andrea di Bartolo | active 1389–1428 | Madonna and Child | date unknown | tempera on panel |
| Barna da Siena | active c. 1330–1350 | Christ Bearing the Cross, with a Dominican Friar | c. 1350–1360 | tempera on panel, cradled |
| Lazzaro Bastiani | active c. 1425–1512 | Adoration of the Magi | 1470–1479 | tempera on poplar panel |
| Gentile Bellini | c. 1429–1507 | Doge Giovanni Mocenigo | 1478–1485 | tempera on poplar panel |
| Giovanni Bellini | c. 1430–1516 | St. Francis in the Desert | c. 1476–1478 | tempera on poplar panel |
| Francesco Botticini | 15th century | The Resurrection | 1465–1470 | tempera on poplar panel, cradled |
| François Boucher | 1703–1770 | A Lady on Her Day Bed | 1743 | oil on canvas |
| François Boucher | 1703–1770 | The Four Seasons: Spring | 1755 | oil on canvas |
| François Boucher | 1703–1770 | The Four Seasons: Summer | 1755 | oil on canvas |
| François Boucher | 1703–1770 | The Four Seasons: Autumn | 1755 | oil on canvas |
| François Boucher | 1703–1770 | The Four Seasons: Winter | 1755 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Astronomy and Hydraulics | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Poetry and Music | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Fowling and Horticulture | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Fishing and Hunting | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Architecture and Chemistry | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Painting and Sculpture | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Comedy and Tragedy | 1750–1753 | oil on canvas |
| François Boucher and workshop | 1703–1770 | The Arts and Sciences: Singing and Dancing | 1750–1753 | oil on canvas |
| François Boucher, workshop of | 1703–1770 | Girl with Roses | 1760s | oil on canvas |
| Agnolo Bronzino | 1503–1572 | Lodovico Capponi | 1550–1555 | oil on poplar panel |
| Pieter Bruegel the Elder | active 1551–1569 | The Three Soldiers | 1568 | oil on oak panel |
| Willem Buytewech, attributed | c. 1591−1624 | The Jovial Company | c. 1622–1624 | oil on canvas |
| Eugène Carrière | 1849–1906 | Motherhood | 1880s | oil on canvas |
| Jean-Baptiste-Siméon Chardin | 1699−1779 | Lady with a Bird-Organ | 1753 | oil on canvas |
| Jean-Baptiste-Siméon Chardin | 1699−1779 | Still Life with Plums | 1728 | oil on canvas |
| Cimabue | c. 1240 – c. 1302 | The Flagellation of Christ | c. 1280 | tempera on poplar panel |
| Claude Lorrain | 1604–1682 | The Sermon on the Mount | c. 1656 | oil on canvas |
| John Constable | 1776–1837 | Salisbury Cathedral from the Bishop's Garden | 1826 | oil on canvas |
| John Constable | 1776–1837 | The White Horse | 1819 | oil on canvas |
| Jean-Baptiste-Camille Corot | 1796–1875 | The Arch of Constantine and the Forum, Rome | 1843 | oil on paper mounted on canvas |
| Jean-Baptiste-Camille Corot | 1796–1875 | The Boatman of Mortefontaine | c. 1865–1870 | oil on canvas |
| Jean-Baptiste-Camille Corot | 1796–1875 | The Lake | 1861 | oil on canvas |
| Jean-Baptiste-Camille Corot | 1796–1875 | The Pond | c. 1868–1870 | oil on canvas |
| Jean-Baptiste-Camille Corot | 1796–1875 | Ville-d'Avray | c. 1860 | oil on canvas |
| Francis Cotes | 1726–1770 | Francis Vernon | 1757 | pastel on paper affixed to canvas |
| Francis Cotes | 1726–1770 | The Hon. Booth Grey | 1764 | oil on canvas |
| Aelbert Cuyp | 1620–1691 | Cows and Herdsman by a River | After 1650 | oil on oak panel |
| Aelbert Cuyp | 1620–1691 | Dordrecht: Sunrise | c. 1650 | oil on canvas |
| Aelbert Cuyp | 1620–1691 | River Scene | date unknown | oil on oak panel |
| Charles-François Daubigny | 1817–1878 | Dieppe | 1877 | oil on canvas |
| Charles-François Daubigny | 1817–1878 | The Washerwomen | 1870–1874 | oil on canvas |
| Gerard David | active 1484–1523 | The Deposition | c. 1495–1500 | oil on linen |
| Jacques-Louis David | 1748−1825 | Comtesse Daru | 1810 | oil on canvas |
| Césarine-Henriette-Flore Davin-Mirvault | 1773–1844 | Antonio Bartolomeo Bruni | c. 1804 | oil on canvas |
| Edgar Degas | 1834–1917 | The Rehearsal | 1878–1879 | oil on canvas |
| François-Hubert Drouais | 1727–1775 | The Comte and Chevalier de Choiseul as Savoyards | 1758 | oil on canvas |
| Duccio di Buoninsegna | c. 1255 – c. 1319 | The Temptation of Christ on the Mountain | 1308–1311 | tempera on poplar panel |
| Jules Dupré | 1811–1889 | The River | date unknown | oil on canvas |
| James Whitney Fosburgh | 1910–1978 | View of Montauk | date unknown | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: The Pursuit | 1771–1772 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: The Meeting | 1771–1772 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: The Lover Crowned | 1771–1772 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love Letters | 1771–1772 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Reverie | 1790–1791 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love Triumphant | 1790–1791 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love the Avenger | 1790–1791 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love Pursuing a Dove | 1790–1791 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love the Jester | 1790–1791 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Love the Sentinel | 1790–1791 | oil on canvas |
| Jean-Honoré Fragonard | 1732–1806 | The Progress of Love: Hollyhocks (4 panels) | 1790–1791 | oil on canvas |
| French, Probably Burgundian | 14th century | Virgin and Child | c. 1390–1400 | oil and tempera on panel |
| French, Probably South of France | 15th century | Pietà with Donor | 15th century | tempera or mixed technique on panel |
| Thomas Gainsborough | 1727–1788 | Grace Dalrymple Elliott | c. 1782 | oil on canvas |
| Thomas Gainsborough, attributed | 1727–1788 | Mrs. Charles Hatchett | c. 1786 | oil on canvas |
| Thomas Gainsborough | 1727–1788 | Mrs. Peter William Baker | 1781 | oil on canvas |
| Thomas Gainsborough | 1727–1788 | Richard Paul Jodrell | c. 1774 | oil on canvas |
| Thomas Gainsborough | 1727–1788 | Sarah, Lady Innes | c. 1757 | oil on canvas |
| Thomas Gainsborough | 1727–1788 | The Hon. Frances Duncombe | c. 1777 | oil on canvas |
| Thomas Gainsborough | 1727–1788 | The Mall in St. James's Park | c. 1783 | oil on canvas |
| Gentile da Fabriano | c. 1385 – before 1427 | Madonna and Child, with Saints Lawrence and Julian | 1423–1425 | tempera on panel, cradled |
| Baron François Gérard | 1770–1837 | Portrait of Camillo Borghese | c. 1810 | oil on canvas |
| Francisco de Goya | 1746–1828 | An Officer (Conde de Teba?) | c. 1804 (?) | oil on canvas |
| Francisco de Goya | 1746–1828 | Don Pedro, Duque de Osuna | c. 1790s | oil on canvas |
| Francisco de Goya | 1746–1828 | Portrait of a Lady (María Martínez de Puga?) | 1824 | oil on canvas |
| Francisco de Goya | 1746–1828 | The Forge | c. 1815–1820 | oil on canvas |
| El Greco | 1541–1614 | Purification of the Temple | c. 1600 | oil on canvas |
| El Greco | 1541–1614 | St. Jerome | 1590–1600 | oil on canvas |
| El Greco | 1541–1614 | Vincenzo Anastagi | 1571–1576 | oil on canvas |
| Jean-Baptiste Greuze | 1725−1805 | Madame Baptiste Aîné | c. 1799 | pastel on cream paper |
| Jean-Baptiste Greuze | 1725−1805 | Baptiste Aîné | c. 1799 | pastel on cream paper |
| Jean-Baptiste Greuze | 1725−1805 | The Wool Winder | c. 1759 | oil on canvas |
| Francesco Guardi | 1712–1793 | Regatta in Venice | c. 1770 | oil on canvas |
| Francesco Guardi | 1712–1793 | View of the Cannaregio Canal in Venice | c. 1770 | oil on canvas |
| Frans Hals | 1581/1585–1666 | Portrait of a Man | c. 1660 | oil on canvas |
| Frans Hals | 1581/1585–1666 | Portrait of a Painter | early 1650s | oil on canvas |
| Frans Hals | 1581/1585–1666 | Portrait of a Woman | 1635 | oil on canvas |
| Frans Hals | 1581/1585–1666 | Portrait of an Elderly Man | 1627–1630 | oil on canvas |
| Meyndert Hobbema | 1638–1709 | Village among Trees | 1665 | oil on oak panel |
| Meyndert Hobbema | 1638–1709 | Village with Water Mill among Trees | c. 1665 | oil on canvas |
| William Hogarth | 1697–1764 | Miss Mary Edwards | 1742 | oil on canvas |
| Hans Holbein the Younger | 1497/1498–1543 | Sir Thomas More | 1527 | oil on oak panel |
| Hans Holbein the Younger | 1497/1498–1543 | Thomas Cromwell | 1532–1533 | oil on oak panel |
| John Hoppner | 1758–1810 | The Hon. Lucy Byng | c. 1790 | oil on canvas |
| John Hoppner | 1758–1810 | The Ladies Sarah and Catherine Bligh | c. 1790 | oil on canvas |
| Jean-Auguste-Dominique Ingres | 1780–1867 | Comtesse d'Haussonville | 1845 | oil on canvas |
| John C. Johansen | 1876–1964 | Henry Clay Frick | 1943 | oil on canvas |
| Gerald Kelly | 1879–1972 | Portrait of Henry Clay Frick | 1924 | oil on canvas |
| Jacques de Lajoue, attributed | 1687–1761 | Seven Decorative Panels | c. 1730–1740 | oil on canvas |
| Georges de La Tour, studio of | 1593–1652 | The Education of the Virgin | c. 1650 | oil on canvas |
| Thomas Lawrence | 1769–1830 | Julia, Lady Peel | 1827 | oil on canvas |
| Thomas Lawrence | 1769–1830 | Miss Louisa Murray | after 1827 | oil on canvas |
| Jean-Étienne Liotard | 1702–1789 | Trompe l'Oeil | 1771 | oil on silk transferred to canvas |
| Fra Filippo Lippi | c. 1406–1469 | The Annunciation | c. 1440 | tempera on poplar panels |
| Nicholas Lochoff | 1872–1948 | Madonna and Child with Saint Francis and Saint John | 1928–1930 | |
| Édouard Manet | 1832–1883 | The Bullfight | 1864 | oil on canvas |
| Jacobus Hendrikus Maris | 1837–1899 | The Bridge | 1885 | oil on canvas |
| Anton Mauve | 1838–1888 | Early Morning Ploughing | c. 1875 | oil on canvas |
| Hans Memling | c. 1430–1494 | Portrait of a Man | c. 1470–1475 | oil on oak panel |
| Gabriel Metsu | 1629–1667 | A Lady at Her Toilet | c. 1660 | oil on canvas |
| Jean-François Millet | 1814–1875 | Woman Sewing by Lamplight | 1870–1872 | oil on canvas |
| Claude-Oscar Monet | 1840–1926 | Vétheuil in Winter | 1878–1879 | oil on canvas |
| Giovanni Battista Moroni | c. 1520/1524–1579/1580 | Portrait of a Woman | c. 1575 | oil on canvas |
| Bartolomé Esteban Murillo | 1617–1682 | Self-Portrait | c. 1650–1655 | oil on canvas |
| Jean-Marc Nattier | 1685–1766 | Elizabeth, Countess of Warwick | 1754 | oil on canvas |
| William Orpen | 1878–1931 | Portrait of Andrew W. Mellon | 1924 | oil on canvas |
| Isack van Ostade | 1621–1649 | Travelers Halting at an Inn | date unknown | oil on oak panel |
| Jean-Baptiste Pater | 1695–1736 | Procession of Italian Comedians | date unknown | oil on canvas |
| Jean-Baptiste Pater | 1695–1736 | The Village Orchestra | date unknown | oil on canvas |
| Piero della Francesca | c. 1415–1492 | Augustinian Friar | date unknown | tempera on poplar panel |
| Piero della Francesca | c. 1415–1492 | Augustinian Nun | date unknown | tempera on poplar panel |
| Piero della Francesca | c. 1415–1492 | St. John the Evangelist | c. 1454–1469 | tempera on poplar panel |
| Piero della Francesca | c. 1415–1492 | The Crucifixion | date unknown | tempera on poplar panel |
| Carel van der Pluym | 1625–1672 | Old Woman with a Book | date unknown | oil on canvas |
| Henry Raeburn | 1756–1823 | Alexander Allan | c. 1815 | oil on canvas |
| Henry Raeburn | 1756–1823 | James Cruikshank | 1805–1808 | oil on canvas |
| Henry Raeburn | 1756–1823 | Mrs. James Cruikshank | 1805–1808 | oil on canvas |
| Rembrandt van Rijn | 1606–1669 | Nicolaes Ruts | 1631 | oil on mahogany panel |
| Rembrandt van Rijn | 1606–1669 | Self-Portrait | 1658 | oil on canvas |
| Rembrandt van Rijn | 1606–1669 | The Polish Rider | c. 1655 | oil on canvas |
| Rembrandt van Rijn, follower of | 1606–1669 | Portrait of a Young Artist | date unknown | oil on canvas |
| Pierre-Auguste Renoir | 1841–1919 | La Promenade | 1875–1876 | oil on canvas |
| Joshua Reynolds | 1723–1792 | Elizabeth, Lady Taylor | c. 1780 | oil on canvas |
| Joshua Reynolds | 1723–1792 | General John Burgoyne | c. 1766 | oil on canvas |
| Joshua Reynolds | 1723–1792 | Lady Cecil Rice | 1762 | oil on canvas |
| Joshua Reynolds | 1723–1792 | Selina, Lady Skipwith | 1787 | oil on canvas |
| George Romney | 1734–1802 | Charlotte, Lady Milnes | 1788–1792 | oil on canvas |
| George Romney | 1734–1802 | Henrietta, Countess of Warwick, and Her Children | 1787–1789 | oil on canvas |
| George Romney | 1734–1802 | Lady Hamilton as 'Nature' | 1782 | oil on canvas |
| George Romney | 1734–1802 | Miss Frances Mary Harford | 1780–1783 | oil on canvas |
| George Romney | 1734–1802 | Miss Mary Finch-Hatton | 1788 | oil on canvas |
| Théodore Rousseau | 1812–1867 | The Village of Becquigny | c. 1857 | oil on mahogany panel |
| Peter Paul Rubens, follower of | 1577–1640 | A Knight of the Order of the Golden Fleece | date unknown | oil on canvas |
| Jacob van Ruisdael | c. 1629–1682 | Landscape with a Footbridge | 1652 | oil on canvas |
| Jacob van Ruisdael | c. 1629–1682 | Quay at Amsterdam | c. 1670 | oil on canvas |
| Salomon van Ruysdael | c. 1602–1670 | Landscape with Farmhouse | 1628 | oil on panel |
| Salomon van Ruysdael | c. 1602–1670 | River Scene: Men Dragging a Net | c. 1667 | oil on canvas |
| Gabriel de Saint-Aubin | 1724–1780 | The Private Academy | c. 1755 | oil on panel |
| Gerard van Spaendonck | 1746–1822 | Grapes with Insects on a Marble Top | 1791–1795 | oil on marble |
| Gilbert Stuart | 1755–1828 | George Washington | 1795–1796 | oil on canvas |
| Gerard ter Borch | 1617–1681 | Portrait of a Young Lady | c. 1665–1670 | oil on canvas |
| Frits Thaulow | 1847−1906 | Winter in Norway | c. 1895 | oil on canvas |
| Giovanni Battista Tiepolo | 1696–1770 | Perseus and Andromeda | c. 1730–1731 | oil on paper affixed to canvas |
| Jacopo Tintoretto, circle of | 1518–1594 | Portrait of a Venetian Procurator | date unknown | oil on canvas |
| Titian | c. 1488–1576 | Pietro Aretino | c. 1537 | oil on canvas |
| Titian | c. 1488–1576 | Portrait of a Man in a Red Cap | c. 1510 | oil on canvas |
| Constant Troyon | 1810–1865 | A Pasture in Normandy | 1850s | oil on panel |
| Joseph Mallord William Turner | 1775–1851 | Antwerp: Van Goyen Looking Out for a Subject | 1833 | oil on canvas |
| Joseph Mallord William Turner | 1775–1851 | Cologne, the Arrival of a Packet-Boat: Evening | 1826 | oil on canvas |
| Joseph Mallord William Turner | 1775–1851 | Fishing Boats Entering Calais Harbor | c. 1803 | oil on canvas |
| Joseph Mallord William Turner | 1775–1851 | Mortlake Terrace: Early Summer Morning | 1826 | oil on canvas |
| Joseph Mallord William Turner | 1775–1851 | The Harbor of Dieppe: Changement de Domicile | 1825–1826 | oil on canvas |
| Jan van de Cappelle, follower of | c. 1624 – c. 1679 | A View of the River Maas before Rotterdam | c. 1645–1665 | oil on oak panel, cradled |
| Hendrick van der Burgh, attributed | active 1649 – after 1669 | Drinkers before the Fireplace | c. 1660 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Frans Snyders | c. 1620 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Genoese Noblewoman | 1625–1627 | oil on canvas |
| Anthony van Dyck | 1599–1641 | James Stanley, Lord Strange, Later Seventh Earl of Derby, with His Wife, Charlotte, and Their Daughter | c. 1636 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Lady Anne Carey, Later Viscountess Claneboye and Countess of Clanbrassil | c. 1636 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Marchesa Giovanna Cattaneo | 1622–1627 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Margareta de Vos | c. 1620 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Ottaviano Canevari | 1627 | oil on canvas |
| Anthony van Dyck | 1599–1641 | Sir John Suckling | c. 1638 | oil on canvas |
| Jan van Eyck and workshop | active 1422–1441 | Virgin and Child, with Saints and Donor | c. 1441–1443 | oil on panel |
| Diego Velázquez | 1599–1660 | King Philip IV of Spain | 1644 | oil on canvas |
| Paolo Veneziano and his son Giovanni Veneziano | active 1321–1358 | The Coronation of the Virgin | 1358 | tempera on poplar panel |
| Johannes Vermeer | 1632–1675 | Girl Interrupted at Her Music | c. 1658–1659 | oil on canvas |
| Johannes Vermeer | 1632–1675 | Mistress and Maid | 1666−1667 | oil on canvas |
| Johannes Vermeer | 1632–1675 | Officer and Laughing Girl | c. 1657 | oil on canvas |
| Paolo Veronese | 1528–1588 | The Choice Between Virtue and Vice | c. 1565 | oil on canvas |
| Paolo Veronese | 1528–1588 | Wisdom and Strength | c. 1565 | oil on canvas |
| Jean-Antoine Watteau | 1684–1721 | The Portal of Valenciennes | c. 1710–1711 | oil on canvas |
| James McNeill Whistler | 1834–1903 | Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac | 1891–1892 | oil on canvas |
| James McNeill Whistler | 1834–1903 | Arrangement in Brown and Black: Portrait of Miss Rosa Corder | 1876–1878 | oil on canvas |
| James McNeill Whistler | 1834–1903 | Harmony in Pink and Gray: Portrait of Lady Meux | 1881–1882 | oil on canvas |
| James McNeill Whistler | 1834–1903 | Symphony in Flesh Colour and Pink: Portrait of Mrs. Frances Leyland | 1871–1874 | oil on canvas |
| James McNeill Whistler | 1834–1903 | The Ocean | 1866 | oil on canvas |
| Konrad Witz, circle of | c. 1400 – c. 1447 | Pietà | c. 1440 | tempera and oil on panel |
| Philips Wouwerman | 1619–1668 | The Cavalry Camp | date unknown | oil on oak panel |

## Sculpture

| Artist | Span | Work | Date | Medium |
| Jean-Louis Lemoyne | 1665–1755 | Garden Vase | 1727–1728 | marble |
| Étienne-Maurice Falconet | 1716–1791 | Fidelity Crowning Love | c. 1760 | marble |
| John Lochee | 1751 – c. 1791 | Bust of a Lady, Perhaps Mrs. Mary Robinson | 1775–1790 | marble |
| Francesco Laurana | c. 1430 – c. 1502 | Bust of a Lady | c. 1430–1502 | marble |
| Jean-Antoine Houdon | active 1741–1828 | The Comtesse du Cayla | 1777 | marble |
| French | 19th century | Louis XIV (?) | 19th century | marble |
| French | 18th century | Friendship | c. 1770 | marble |
| Jean-Antoine Houdon | active 1741–1828 | Armand-Thomas Hue, Marquis de Miromesnil | 1777 | marble |
| Malvina Hoffman | 1887–1966 Primary | Bust of Henry Clay Frick | 1922 | white marble |
| Francesco Laurana | c. 1430 – c. 1502 | Beatrice of Aragon | 1471–1474 | white marble |
| Northern Italian | early 16th century | She-Wolf | early 16th century | bronze |
| Riccio, known as Andrea Briosco, workshop of | 1470–1532 | Warrior on Horseback | early 16th century | bronze |
| Roman | late 16th century | Virtue Overcoming Vice | 1550–1600 | bronze |
| Northern Italian | early 16th century | Horse | early 16th century | bronze |
| Riccio, known as Andrea Briosco, workshop of | 1470–1532 | Goat | 16th century | bronze |
| Venetian | late 18th or early 19th century | Firedog with a Figure of Venus | 1775–1825 | bronze |
| Venetian | late 18th or early 19th century | Firedog with a Figure of Jupiter | 1775–1825 | bronze |
| Northern Italian | 16th century | Naked Youth with Raised Arms | 16th century | bronze |
| Italian | 16th century | She-Wolf | 1st half 16th century | bronze |
| Bertoldo di Giovanni | 1420/1430–1491 | Heraldic Wild Man | 15th century | bronze with extensive traces of gilding on base |
| Caspar Gras | c. 1590–1674 | Infant Faun | early 17th century | bronze |
| Nuremberg | 16th century | Satyr Mother and Child | last quarter 16th century | bronze |
| Hubert Gerhard, attributed | c. 1550–1622/23 | Triton and Nereid | c. 1620 | bronze |
| Hans Multscher, attributed | c. 1400–1467 | Reliquary Bust of a Female Saint | c. 1460 | bronze |
| Italian | 19th century | Reclining Antelope (?) | 19th century | bronze |
| François Girardon | 1628–1715 | The Grand Dauphin | 18th century | bronze |
| French | probably 18th century | Head of a Girl | 18th century(?) | bronze |
| French | probably 18th century | Head of a Boy | 18th century(?) | bronze |
| French | 17th century | Hercules and the Hydra | mid 17th century | bronze |
| Jean Barbet | active 1475 – d.1514 | Angel | 1475 | bronze |
| Antoine Coysevox | 1640–1720 | Henri de la Tour d'Auvergne, Maréchal Turenne | early 18th century | bronze |
| Antoine Coysevox | 1640–1720 | Robert de Cotte | early 18th century | bronze |
| François Girardon | 1628–1715 | Marie-Thérèse, Queen of France | 18th century | bronze |
| Netherlandish | 17th century | Venus | 17th century | bronze |
| Jacques Jonghelinck | 1530–1606 | The Duke of Alba | 1571 | bronze |
| Frederic Remington | 1861–1909 | The Bronco Buster | 1919 | bronze |
| Carl Augustus Heber | 1875–1956 | Medal | 1st half 20th century | bronze |
| Katherine Ward Lane Weems | 1899–1989 | Whippet | 1925 | bronze |
| Louis-Simon Boizot | 1743–1809 | Peter Adolf Hall | 1775 | terracotta |
| Augustin Pajou | 1730–1809 | Marie-Adelaide Hall | 1775 | terracotta |
| Claude Michel Clodion | 1738–1814 | Zephyrus and Flora | 1799 | terracotta |
| Claude Michel Clodion | 1738–1814 | Satyr with Two Bacchantes | 1799 | terracotta |
| French | 18th century (?) | Bust of a Young Girl | 18th century ? | terracotta |
| Jean-Antoine Houdon | active 1741–1828 | Diana the Huntress | 1776–1795 | terracotta |
| Gian Lorenzo Bernini | 1598–1680 | Head of an Angel | 17th century | terracotta |
| Joseph Chinard | 1756–1813 | Portrait of Etienne-Vincent Marniola | 1809 | terracotta |