OpenLLM-France/wikimedia huggingface dataset:
# Jacques d'Armagnac

Jacques d'Armagnac (c. 1433 – 4 August 1477), duke of Nemours, was a 15th-century French nobleman and military leader. He served under King Charles VII of France in Normandy and Guienne, and was awarded honours by Louis XI. He also held the title of Count of Castres. He was the son of Count Bernard d’Armagnac and Éléonore de Bourbon-La Marche.
As the Count of Castres, Jacques served under Charles VII of France in Normandy in 1449 and 1450, and afterwards in Guienne. Louis XI awarded him with honours. In 1462, Jacques succeeded his father, and Louis XI married him to his god-daughter, Louise of Anjou, daughter of Charles of Le Maine. Louis XI also recognized his title to the Duchy of Nemours, which he had disputed with the King of Navarre.
Sent by Louis to pacify Roussillon, Nemours felt that he had been insufficiently rewarded for the rapid success of this expedition, and joined the League of the Public Weal in 1465. Subsequently, he reconciled with Louis, but soon resumed his intrigues. After twice pardoning him, the king's patience became exhausted, and he besieged the duke's chateau at Carlat and imprisoned him. Nemours was treated with the utmost rigour, being shut up in a cage. He was finally condemned to death and beheaded, 4 Aug 1477.
Jacques and Louise had:
* Jacques (d. young)
* Jean d'Armagnac, Duke of Nemours (1467–1500)
* Louis d'Armagnac, Duke of Nemours (1500–1503)
* Marguerite d'Armagnac, Duchess of Nemours (d. 1503), married Peter de Rohan (d.1514)
* Catherine d'Armagnac (d. 1487), married John II, Duke of Bourbon in 1484
* Charlotte d'Armagnac, Duchess of Nemours (d. 1504), married Charles de Rohan (d.1504)
# Wang Shishen

Wang Shishen (1686–1759) was a Chinese painter and calligrapher during the Qing Dynasty.
Wang was native of Xiuning in the Anhui province during the Qing dynasty. His style name was 'Jinren' and his sobriquets were 'Chaolin' and 'Xidong waishi'. He was born poor, but later made a good living as a painter and one of the Eight Eccentrics of Yangzhou. Despite that he still tended to be poor, but relatively happy, and devoted to painting research. Wang would become noted as one of the greatest Chinese painters of plum blossoms. He was also talented in painting human figures, calligraphy, and seal cutting.
# Kiên Hải district

Kiên Hải is a rural district (huyện) of Kiên Giang province in the Mekong Delta region of Vietnam. The district consists of 23 islands, of which 11 are inhabited, the main economy is fishing, aquaculture and tourism.
According to 2009 census, the district has a population of 20,807. The district covers an area of 28 km². The district capital lies at Hon Tre island. The district contains parts of the archipelago of the Bà Lụa Islands and Nam Du Islands.
The district includes four communes - Hòn Tre, Lại Sơn, An Sơn and Nam Du.
# Lenox School District

Lenox School District may refer to:
* Lenox Public Schools in Lenox, Massachusetts
* Lenox Community School District in Iowa
* Lennox School District (with two "n"s) in California
* New Lenox School District 122 in Illinois
* Lennox School District 41-4 in South Dakota
# Aisthorpe

Aisthorpe is a small village and civil parish in the West Lindsey district of Lincolnshire, England. Aisthorpe is recorded as Æstorp in 1086, probably meaning "the secondary settlement to the east" from the Old English east and Old Danish thorp.
It is situated between Scampton and Brattleby on the B1398, a small back road to the west of, and parallel to, the A15 northern section of Ermine Street out of Lincoln.
Aisthorpe, or East Thorpe, is listed in the 1086 Domesday Book as consisting of 12 households.
The parish church is a Grade II listed building dedicated to Saint Peter and was built in 1867 by T. C. Hine of Nottingham.
Aisthorpe Hall is a Grade II listed country house dating from the 17th century, with later additions. The Hall also has an 18th-century Grade II listed stable block.

## Population

| Year | Population |
| 1801 | 71 |
| 1811 | 53 |
| 1821 | 70 |
| 1831 | 89 |
| 1841 | 82 |
| 1851 | 95 |
| 1881 | 112 |
| 1891 | 108 |
| 1901 | 104 |
| 1911 | 76 |
| 1921 | 66 |
| 1931 | 78 |
| 1941 | N/A (World War II) |
| 1951 | 89 |
| 1961 | 94 |
| 2001 | 96 |
| 2011 | 123 |
vteDestinations from Aisthorpe :
Willingham by Stow, Kexby, Gainsborough
Brattleby, Cammeringham, Ingham
Hackthorn, Toft Newton, Market Rasen
Thorpe in the Fallows, Sturton by Stow, Torksey
Aisthorpe
Welton, Dunholme, Snelland
Broxholme, Saxilby, Newton-on-Trent
Scampton, North Carlton, Lincoln
Nettleham, Sudbrooke, Reepham :
# Acropora millepora

Acropora millepora is a species of branching stony coral native to the western Indo-Pacific where it is found in shallow water from the east coast of Africa to the coasts of Japan and Australia. It was first described in 1834 by Christian Gottfried Ehrenberg as Heteropora millepora.

## Description

Acropora millepora is a small colonial coral that grows in clumps. The short branches are cylindrical. The radial corallites are all the same size and have projecting lower rims, giving them a scale-like appearance. The colour is variable and may be green with orange tipped branches, or pale pink, orange, plain green or blue.

## Distribution and habitat

Acropora millepora is a common species and is found in the western and central Indo-Pacific. Its range extends from the Red Sea, Kenya and South Africa to India, Malaysia, Japan, Indonesia and Australia. This coral grows in shallow water, between two and twelve metres (six and forty feet) deep, mostly on reef flats, but also on upper reef slopes and in lagoons.

## Ecology

Acropora millepora is a zooxanthellate species of coral and harbours symbiotic dinoflagellates in its tissues. The larvae of Acropora millepora preferentially settle on vertical surfaces and on encrusting coralline algae. It has been found that at lower temperatures (22.5 °C (72.5 °F)) the larvae were less specific as to their choice of settlement sites and that their survival rates were lower. Surprisingly, the choice of substrate for settlement was modified by the strain of symbiont present in the locality even though it had not yet infected the tissues.

## Status

The main threat affecting Acropora millepora is the destruction of the coral reefs where it lives. Although relatively common it is a shallow water species and susceptible to bleaching and coral diseases. It is also collected for the reef aquarium trade. Corals in general are expected to be impacted by rising sea temperatures and ocean acidification. For these reasons, the IUCN has listed Acropora millepora as being "Near Threatened".
# State Road 104 (Serbia)

State Road 104, is an IIA-class road in northern Serbia, connecting Novi Kneževac with Romania at Međa. It is located in Vojvodina.
Before the new road categorization regulation given in 2013, the route wore the following names: P 111, P 123, P 112, M 3, and O 6 (before 2012) / 100, 123 and 109 (after 2012).
The existing route is a regional road with two traffic lanes. By the valid Space Plan of Republic of Serbia the road is not planned for upgrading to main road, and is expected to be conditioned in its current state.

## Sections

| Section number | Length | Distance | Section name |
| 10401 | 12.373 km (7.688 mi) | 12.373 km (7.688 mi) | Novi Kneževac (Banatsko Aranđelovo) – Banatsko Aranđelovo |
| 10402 | 17.100 km (10.625 mi) | 29.473 km (18.314 mi) | Banatsko Aranđelovo – Crna Bara |
| 10403 | 2.216 km (1.377 mi) | 31.689 km (19.691 mi) | Crna Bara – Crna Bara (Mokrin) (overlap with ) |
| 10404 | 20.104 km (12.492 mi) | 51.793 km (32.183 mi) | Crna Bara (Mokrin) – Kikinda (Mokrin) |
| 01517 | 2.068 km (1.285 mi) | 53.861 km (33.468 mi) | Kikinda (Mokrin) – Kikinda (Vojvoda Stepa) (overlap with ) |
| 10405 | 23.349 km (14.508 mi) | 77.210 km (47.976 mi) | Kikinda (Vojvoda Stepa) – Vojvoda Stepa |
| 10406 | 22.018 km (13.681 mi) | 99.228 km (61.657 mi) | Vojvoda Stepa – Srpski Itebej |
| 10407 | 11.468 km (7.126 mi) | 110.696 km (68.783 mi) | Srpski Itebej – Serbia – Romania border at Međa |
# Jacques d'Amboise (bishop)

Jacques d'Amboise (between 1440 and 1450 – 27 December 1516) was a French religious dignitary and patron of medieval France. He was abbot of Jumièges then of Cluny, and bishop of Clermont. He was a member of the House of Amboise, an old noble family.

## Life

He was the son of Anne de Bueil and Pierre d'Amboise, lord of Chaumont, as their seventh of eighteen children. Entering the Benedictine order he was elected abbot of Jumièges in January 1474, replacing his brother Louis on his appointment as bishop of Albi. Jacques took his oath of loyalty as abbot on 20 February 1474 and took possession of the abbey on 28 May.
In 1485 he succeeded a Bourbon as abbot of Cluny, rebuilding the Cluny abbots' hôtel in Paris as well as its now-lost chapel and collège. Located beside the Gallo-Roman ruins, the hôtel de Cluny hosted several royal visits and would be inhabited by cardinal Mazarin in 1634. He also built the abbatial palace of Paray-le-Monial.
The bishopric of Clermont had been left vacant at the end of 1504, and Louis XII appointed Jacques d'Amboise to it – he held the post from 1505 until his death. He completed the diocese's cathedral and replaced its tiles with a lead roof, as well as richly adding to its library and creating a tapestry in the choir of which four pieces are now in St Petersburg. In 1515 he built the fountain that bears his arms and name in Clermont.
Like his brothers Louis and Georges, he had a great sense of family : he appointed several of his nephews to church posts, adorned all his works with his family arms in or palé de gules and even inserted prayers for his family name in the eucharistic prayer, when this was actually only allowed to sites of the apostolic college.
# Ah Cheng

Zhong Acheng (simplified Chinese: 钟阿城; traditional Chinese: 鍾阿城; pinyin: Zhōng Āchéng; born 1949), often known by his pseudonym Ah Cheng, is a Chinese author and screenwriter.

## Life

Ah Cheng's father, Zhong Dianfei, was in charge of the Chinese Communist Party's Propaganda Bureau. In 1956, as part of the Hundred Flowers campaign, he wrote an article criticizing political interference in films and was sent to the countryside. Ah Cheng had to sell his father's books to support the family, and read these Chinese and western classics before doing so. During the Cultural Revolution, Ah Cheng was also sent to the countryside, working in Shanxi, Inner Mongolia, and Yunnan, where he became a popular storyteller.
In 1976, he returned to Beijing on leave and witnessed the Tiananmen Square protests triggered by Zhou Enlai's death. His sketch of Zhou was published in the first issue of Jintian, an unofficial literary magazine founded by Bei Dao and others.
In 1979, Ah Cheng and his wife moved to Beijing. Together with He Dong, Ma Desheng, Wang Keping, Huang Rui, Li Shuang, Qu Leilei and Ai Weiwei, Ah Cheng founded the Stars Group (XingXing), an assembly of untrained, experimental artists who challenged the strict tenets of Chinese politics. As a political and artistic group, they staged exhibitions around Beijing, making way for avant-garde art in China.
Ah Cheng also began writing stories about his life in Yunnan. One of these, "The Chess Master", was published in Shanghai Literature in July 1984. It was praised in Wen yi bao, the journal of the China Writers Association, that October, and won an award in December. "The King of Trees" was published in Chinese Writers in January 1985, and "The King of Children" later that year in People's Literature. Collections of his work were published in Hong Kong and Beijing that year, and in Taipei in 1986.
Chen Kaige, another contributor to Jintian, adapted "The King of Children" into his third film, King of the Children (1988), and Ah Cheng began working as a screenwriter.
Ah Cheng won the 1992 International Nonino Prize in Italy.

## Works
### Screenplays

* Yue Yue (1986)
* Hibiscus Town (1986)
* Painted Skin (1992)
* Springtime in a Small Town (2002)
* The Go Master (2006)
* The Assassin (2015)

### Novels and novellas

* "The Chess Master", also translated as "The King of Chess" (1984)
* "The King of Children" (Chinese: 孩子王; pinyin: Háizi wáng)) (1985)
* "The King of Trees" (simplified Chinese: 树王; traditional Chinese: 樹王; pinyin: Shù wáng)) (1985)
* Unfilled Graves (simplified Chinese: 空坟; traditional Chinese: 空墳; pinyin: Kōng fén))

### Collections

* Three Kings: Three Stories from Today's China (trans. by Bonnie McDougall), published 1990 by Collins-Harvill (London).
* The King of Trees (omnibus of "King of Trees", "The King of Chess", and "The King of Children") (trans. by Bonnie McDougall), published by New Directions Publishing in 2010.
# The Case of Private Hamp

The Case of Private Hamp is a 1962 Australian television film which aired on the ABC. Despite the wiping of the era, a copy of the presentation exists as a kinescope recording.
It was based on a 1955 novel by James Lansdale Hodson which was turned into the 1964 film King and Country. The novel had been adapted for radio in Melbourne in 1957.

## Plot

The court martial of Private Arthur Hamp who was accused of desertion in Passchendaele, France, 1917. He is defended by Hargreaves.

## Cast

* Edward Hepple as Private Hamp
* John Llewellyn as Lt Webb
* Ric Hutton as Captain Hargreaves
* John Armstrong as Cpl Haslem
* Donald Philps as Col Eckersley
* Rhod Walker as court martial president
* Richard Howe as Lt Midgeley
* James Scullin as Cpl Barnes
* Richard Parry as Captain O'Sullivan
* Ron Haddrick as padre
* John O'Sullivan as Johnson
* Don Pascoe as sergeant major

## Production

Designer Jack Montgomery created trenches by mixing bran with black earth. The cast was all male. Ric Hutton had just appeared in a TV production of Madam Butterfly.
Hepple called it "a marvelous play about what I consider to be legalised murder. It should bring tears to the eyes of anyone who watches it."

## Reception

The TV critic for the Sydney Morning Herald said it featured "capable acting"
The Sunday Sydney Morning Herald critic called it "a first rate piece of drama, with a case and a quality of acting that was well-nigh flawless."
The Woman's Weekly called it "one of the strongest and most moving plays yet presented on TV."
# Warren Historic District

Warren Historic District or Warren Commercial Historic District may refer to:
in the United States (by state)
* Warren Commercial Historic District (Warren, Illinois), listed on the NRHP in Jo Daviess County, Illinois
* Warren-Prentis Historic District, Detroit, Michigan, listed on the NRHP
* Warren Commercial Historic District (Warren, Ohio), listed on the NRHP in Trumbull County, Ohio
* Warren Historic District (Warren, Pennsylvania), listed on the NRHP in Pennsylvania
* Warren Waterfront Historic District, Warren, Rhode Island, listed on the NRHP in Rhode Island
* Warren Village Historic District, Warren, Vermont, listed on the NRHP in Washington County, Vermont
* Andrew Warren Historic District, Wausau, Wisconsin, listed on the NRHP in Wisconsin
# Little White Lies (album)

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
Little White Lies is the fifth studio album by American rock band Fastball. It was released on April 14, 2009, and was recorded through the year 2008. It was originally to be released on March. It was produced by Miles Zuniga and CJ Eiriksson, mixed by Bob Clearmountain. It is their first album since 2004. The album is distributed by MRI/RED Distribution.

## Track listing

* "All I Was Looking For Was You" (Miles Zuniga, Tony Scalzo) - 3:41
* "Always Never" (Miles Zuniga, Tony Scalzo) - 3:08
* "The Malcontent (The Modern World)" (Miles Zuniga, Tony Scalzo) - 3:10
* "Little White Lies" (Miles Zuniga, Tony Scalzo, Ben Margulies) - 3:23
* "Mono to Stereo" (Miles Zuniga, Tony Scalzo) - 3:34
* "How Did I Get Here?" (Tony Scalzo, Kevin Brown)- 2:59
* "We'll Always Have Paris" (Miles Zuniga) - 3:38
* "Angelie" (Miles Zuniga, Athena Andreadis)- 3:55
* "She's Got the Rain" (Miles Zuniga, Tony Scalzo, Ben Margulies) - 3:27
* "Rampart Street" (Miles Zuniga, Tony Scalzo, Bruce Hughes) - 2:09
* "White Noise" (Miles Zuniga, Tony Scalzo, Jeff Groves) - 2:44
* "Soul Radio" (Miles Zuniga, Tony Scalzo) - 4:06

## Personnel

* Tony Scalzo - vocals, bass guitar, keyboards, guitar
* Miles Zuniga - vocals, guitar
* Joey Shuffield - drums, percussion
* Bruce Hughes - bass guitar, additional vocals
* Joseph Shuffield - violin (Tracks: 2, 12)
* Claude Bernard - accordion (Track: 8)
# Georg Gerster

George Gerster (30 April 1928 – 8 February 2019) was a Swiss journalist and a pioneer aerial photographer.

## Early life

Born in Winterthur, in 1950 Gerster earned a doctorate at the University of Zurich in Germanistik. Through 1956 he worked as an editor for the inhabitants of Zurich's "World Week". Since then he was active as a freelance journalist with an emphasis on science reporting and flight photography.
In this photographic field of activity, he did substantial pioneer work in the 1950s and 1960s, respected not only for the technology and quality of his flight pictures, but above all for the universality and internationality of the topics.
Gerster's early photographic reportage and picture volumes detailed landscapes of North Africa. In the sixties, he documented places of archaeological interest in over 100 countries on all continents. In addition, he took breathtaking pictures of mountains and deserts, coasts and lakes, and agrarian and industrial landscapes.
George Gerster was honoured in 1976 with the Prix Nadar. His photos have been shown in single and group exhibitions in Europe, Japan and the USA. He was represented by the Rapho photo agency.
Gerster emphasized, on the one hand, the beauty of the landscape; on the other hand, he points out the endangerment to nature caused by excessive use, erosion, technology and mechanization. The fact that he did not only want to make "beautiful pictures" shows in his expert and precisely investigated captions and book texts.

## Publications

* L'art éthiopien, églises rupestres, éditions Zodiaque (1968)
* Der Mensch auf seiner Erde, Zürich: Atlantis Verlag (1975)
* Flights of discovery: The Earth from Above, Paddington Press Ltd. (1978)
* The Past from Above: Aerial Photographs of Archaeological Sites. Los Angeles: Getty Publications, 2005. Pp. 416; ills. 516. ISBN 0-89236-817-9
* The Art of the Maze, with Adrian Fisher, Weidenfeld & Nicolson (1990), ISBN 0-297-83027-9
* Paradise Lost: Persia from Above, Phaidon, 2009 (photos made between 1976 and 1978)
# Kièka Fulbé

Kièka Fulbé is a village in the Bourzanga Department of Bam Province in northern Burkina Faso. It has a population of 125.
# Stecker Bros.

Stecker Brothers Agency was an American booking and management agency for territory bands that performed in the states of Wisconsin, Minnesota, Michigan, and Ohio. Stecker also owned ballrooms in Wisconsin and Michigan. Stecker's territory also included Wisconsin. Stecker's presence as a booking agent dates back to 1912. Frank Fred Stecker (1889–1978) was one of the brothers.
The Stecker Brothers, initially, had a dance orchestra (circa 1912) called the Stecker Bros. Peerless Orchestra, based in Appleton, Wisconsin.

## Notable bands under management

* Grant Moore and his Original New Orleans Black Devils
* Sylvester H. Rice (1905–1984)
# Luisa-Maria Linares

Luisa-María Linares (born 1915 in Madrid, Spain – d. 12 September 1986 in Estoril, Portugal), was a popular Spanish writer of 32 romantic novels from 1939 to 1983. Her novels have been translated into several languages and adapted to film 22 times. Her sister Concha Linares-Becerra also was a romance novelist, and her father was Luis Linares-Becerra, a playwright.

## Biography

Luisa María Linares-Becerra y Martín de Eugenio was born on 1915 in Madrid, Spain, daughter of Luis Linares-Becerra, a playwright, journalist and teather, and his wife, María Concepción Martín de Eugenio. She had two sisters: María Concepción and María del Carmen. After their father death, her sister started to write romance novels as Concha Linares-Becerra.
At 15, she fell in love with Antonio Carbó y Ortiz-Repiso, and they married in September 1933, when she was 18. They had two daughters: María Luisa and María Concepción. Her husband was executed on 14 August 1936 on the destroyer "Almirante Valdés". Back at the mother's home, she began writing for magazines. In 1939, coinciding with the end of the Spanish Civil War, she published her first novels. The following year her novel En poder de Barba Azul was adapted to film, the first of 22 adaptations.
Linares died on 12 September 1986 in Estoril, Portugal and she was buried in her native Madrid.
# Judah ben Joseph ibn Bulat

Judah ben Joseph ibn Bulat was a Spanish Talmudist and rabbi; born at the end of the 15th century in Estella, Navarre; died probably in Istanbul about 1550.
He was the author of Kelal Ḳaẓer mi-Kol ha-Rashum Beketab (Short Abstract of All That Has Been Published), containing a short compendium of rabbinic theology, Halakah, morals, ethics, jurisprudence, and political science. The book appeared in manuscript in Istanbul in 1530, and could be obtained from the author only for a limited time, on the payment of one florin as a fee for perusal. Besides, Bulat published the Talmud methodology Halikot 'Olam of Joshua ben Joseph (Constantinople, 1510). Tam ibn Yaḥyah, in his work "Tummat Yesharim," and Elijah Mizraḥi, in his responsa, both colleagues of Bulat in Istanbul, cite some of his responsa.
Bulat, possessing a thorough knowledge of the Talmud, opened up new methods in Talmudic study. He decided that the method of Talmud interpretation practiced by some of his contemporaries was contradictory to the real meaning of the Talmud. It was their custom to regard every opinion, even every sentence, in the Talmud as a binding rule; and they went so far as to look upon every "poseḳ" (post-Talmudic Halakah) in the same way. Consequently, a vast number of new "ḥumrot" (intensifications of the Law) continued to be introduced; and it was considered a duty of the pious to refrain from acts tabooed by their predecessors, though only by a few of them.
Similarly, the theoretical opinions of earlier Talmud commentators were studied in a receptive, uncritical spirit. Bulat, however, returned to the Talmud itself. He distinguished between the decisions arrived at in the Talmud, that should be regarded as standard, and the opinions of individuals, which might be disregarded. He sought for the true meaning, the motives and aims of the Talmudic controversies and Halakot; and he considered needless intensifications of the Law, especially in marital and juridical questions, as criminal. He maintained that whoever was unable to find in the Talmud a true solution of new circumstances, by means of logic and analogy, was not worthy to work in the province of Halakah; and that investigations into the meaning of "posḳim" as a rule lead to nothing. "Many times," said Bulat, "the reader is perplexed because of the disagreement between the various writers; and often the different parts of a poseḳ contradict one another, thus perplexing and completely bewildering the reader. For this reason the true rendering of the text must be sought in the original source" ("Tummat Yesharim," No. 34).
It was natural that in his endeavor to carry his views into practise he should meet with the opposition of his colleagues at Constantinople (ib. No. 39). Nevertheless, it is reported that even his opponents respected him; and one of them, Tam ibn Yaḥyah, used to address him with the most flattering epithets (ib. Nos. 35, 38).

## Sources

* This article incorporates text from a publication now in the public domain: Singer, Isidore; et al., eds. (1901–1906). "Judah ben Joseph ibn Bulat". The Jewish Encyclopedia. New York: Funk & Wagnalls.