OpenLLM-France/wikimedia huggingface dataset:
# Yngvild Fagerheim

Yngvild Fagerheim (born 1942) is a Norwegian ceramist. Inspired by American and European experiments with ceramics, she was one of the first in Norway to break away from practical applications and adapt her skills to artistic expression. Her work has frequently reflected her political views, for example in connection with the Vietnam War or the feminist movement. In 1977 she was offered but refused the Jacob Prize, Norway's annual award for craftsmanship. Several of Fagerheim's works are in the permanent collection of Norway's National Museum.

## Early life and family

Born on 16 September 1942 in Dale, Vestland, in western Norway, Yngvild Fagerheim is the daughter of the politician Oddleif Fagerheim and his wife Thora née Nitter. She was married to the painter Olav Starheim (1939–2022). From 1964 to 1967, she studied ceramics at the Bergen Academy of Art and Design.

## Career

On graduating, Fagerheim moved to Trondheim where together with the ceramist Terje Westfoss (born 1943), she established the craft business Maja og Trompeten, where they produced both artistic and utility ceramics. They remained in Trondheim until 1971 when they moved to Frederikstad, opening a new workshop a PLUS, an establishment created to support craftsmen working in a variety of areas, including jewellery, glass, textiles and furniture.
Some of the innovative relief and free ceramic works Fagerheim produced from the late 1960s reflect her political views. In God We Trust (1968) depicting a dove, a gravestone and a bomb expresses her opposition to the Vietnam War. Her almost abstract white porcelain series "Without Title": Utan tittel I and Utan tittel II (1977 and 1982) express her feelings about torture and war. Her Al Quds combining porcelain and stoneware with mirrors, glass, steel and coloured powder exhibited at the Oslo International Ceramics Symposium in 2003 is inspired by the works of the murdered Palestinian writer Ghassan Kanafani. Several of her works can be seen in Norway's National Museum.
In 1977, Fagerheim had been selected as the winner of Norway's annual award for artisans, the Jacob Prize. She refused the prize, explaining that the policy of the prize giver, Landsforbundet Norsk Brukskunst, was in opposition to her own views on how to ensure satisfactory conditions for craft professionals and the status of crafts in Norwegian culture.
# Nora Gulbrandsen

Nora Gulbrandsen (29 November 1894 – 14 February 1978) was a Norwegian porcelain designer and ceramic artist.

## Biography

She was born in Kristiania (now Oslo), Norway to Aksel Julius Hanssen and Anna Sofie Lund. She was married to wholesaler Carl Ziegler Gulbrandsen (1892–1976) from 1917 to 1922. In 1943 she married engineer and genealogist Otto Delphin Amundsen.
She was educated at the Norwegian National Academy of Craft and Art Industry from 1923 to 1927. After graduating, she came to Porsgrunds Porselænsfabrik as a designer. Gulbrandsen was artistical leader at the Porsgrund Porcelain Factory from 1928 to 1946. Between 1928 and 1940 she designed several porcelain collections for the factory which were well received. From 1946 she was running a ceramics workshop in Oslo.
Gulbrandsen designed approximately 300 different designs and models during her time at Porsgrund. She was inspired by Art Deco with cubistic forms and unorthodox color choices often contrasting bright to dark. The Porsgrunn City Museum (Porselensmuseet) maintains a display of selected pieces of her work.
# William Knutzen

William Knutzen (4 July 1913 – 11 February 1983) was a Norwegian ceramist. He was born in Christiania. He established his own workshop in Oslo in 1933, and had his exhibition debut in 1935. From 1946 to 1949 he was artistical leader at Graverens Teglverk in Sandnes. He is represented in various museums, including the National Museum of Art, Architecture and Design, the Victoria and Albert Museum in London, and museums in Vienna and in Faenza. After he established his own ceramics workshop in Oslo in 1933, he joined the company with Andreas Thiele Schneider in 1937. The established Schneider & Knutzen der Knutzen became the artistic driving force. That same year, William Knutzen participated in the Norwegian Pavilion at the World Exhibition in Paris. From around 1940 he often worked with chamotte ceramics with coarse, elegantly sharpened patterns and bold colors on creamy tin glass. During the period 1946–49, Knutzen was artistic director of the ceramics department at Graveren. At the same time as he established a new workshop in 1949, he also became an artistic director of Arnold Wiig's Fabrikker in Halden. Knutzens works from the early 1950s are characterized by an experimental abstract form in partially glazed red-colored.

## Education

* 1930-1931 Workshop at Eilif Whist
* 1932-33 Workshop at Andreas Thiele Schneider
* 1933-35 State Crafts and Art Industry School
# 1927 Oregon State Beavers football team

The 1927 Oregon State Beavers football team, also known as the "Aggies" in this era, represented Oregon State Agricultural College in the Pacific Coast Conference (PCC) during the 1927 college football season. In their fourth season under head coach Paul J. Schissler, the Beavers compiled a 3–3–1 record (2–3 in PCC, fifth) and outscored their opponents 98 to 78. Under coach Schissler, from 1925 to 1932, no team captains were elected. The team played its home games on campus at Bell Field in Corvallis, Oregon.

## Schedule

| Date | Opponent | Site | Result | Attendance |
| October 1 | Cal Aggies* | Bell FieldCorvallis, OR | W 25–6 | "a fair crowd" |
| October 8 | at USC | Los Angeles Memorial ColiseumLos Angeles, CA | L 12–13 | 35,000 |
| October 22 | Stanford | Multnomah StadiumPortland, OR | L 6–20 | 20,000 |
| October 29 | Washington State | Bell FieldCorvallis, OR | W 13–6 | 10,000 |
| November 11 | at Oregon | Hayward FieldEugene, OR (rivalry) | W 21–7 | 18,000 |
| November 19 | Idaho | Multnomah StadiumPortland, OR | L 7–12 | 12,000 |
| November 26 | Carnegie Tech* | Multnomah StadiumPortland, OR | T 14–14 | 8,000 |
| *Non-conference game ||||||
# Zlatyu Boyadzhiev

Zlatyu Georgiev Boyadzhiev (Bulgarian: Златю Бояджиев; 22 October 1903 – 2 February 1976) was a Bulgarian painter. He is known for his portraits and landscapes, depicting mainly the Old Town of Plovdiv, Bulgaria's second largest city, and village life in the region.

## Life

Born in the village of Brezovo, Boyadzhiev graduated in painting from the Academy of Fine Arts in Sofia in 1932. His work is generally divided into two main periods: until 1951, when he suffered a stroke and temporarily gave up painting, and from his partial recovery a few years later until his death in 1976. After the stroke, he worked with his left hand and in a completely different manner.
The first period is characterized by neoclassical style in composing scenes with scenes of rural life. In the second period of the artist's style changed radically in the direction of grotesque imagery, the inclusion of dozens of shapes in compositions and expressive color.
He was awarded the Hero of Socialist Labor, Winner of the Union of Bulgarian Artists "Vladimir Dimitrov - the Master." Among his most famous works are "Village of Brezovo," "On the table" and "Two weddings." Many of his paintings are displayed in a house museum in Plovdiv.
# Georgi Janakiev

George Stoyanov Yanakiev (May 6, 1941 – March 1, 2018) was a Bulgarian artist, one of the main representatives of the Bulgarian graphics, illustration and painting.

## Biography

Born on May 6, 1941, in Veselie, Bourgas District. His childhood and youth were bygoned in the Burgas region. In 1964 he was admitted to the National Academy of Sofia with graphics. In 1970 he graduated with honors and was awarded the honor by the then first secretary of the BCP Todor Zhivkov.
In 1971 he was assigned to work in Sliven, where he works in Municipality of Sliven. There are as many solo exhibitions and participated in general, regional, district and group exhibitions. For many years he was professor of painting at the National Art School "Dimitar Dobrovich" in Sliven. He was a member of the Union of Bulgarian Artists.
In 2014 he received a severe ischemic stroke.
He dies on March 1, 2018, from cancer.

## individual exhibitions

* 2011 – Solo Exhibition, Gallery "May", Sliven
* 2012 – Exhibition pastel, Gallery "Bogoridi" Burgas
* 2013 – Solo Exhibition, Gallery "May", Sliven
# Sender Dovchin

Sender Dovchin is a professor and Australian Research Council Fellow at Curtin University's School of Education in Perth, Western Australia. Her research focuses on sociolinguistics, applied linguistics, and language education, with a particular emphasis on translingualism and linguistic diversity.

## Career

Dovchin earned her Ph.D. and M.A. in language education from the University of Technology Sydney.
Prior to her current role, she served as an Associate Professor at the Centre for Language Research, University of Aizu, Japan, where she received the Young Scientist award from the Japan Society for the Promotion of Science. Dovchin's research explores how language users employ translingualism playfully, while negotiating precarious situations such as breaking social norms and subverting sociolinguistic boundaries. She has authored numerous publications in scientific journals and has published six books.
She serves as the Editor-in-Chief of the Australian Review of Applied Linguistics and has secured multiple research grants as both lead and co-investigator. Dovchin's Australian Research Council DECRA project focuses on empowering vulnerable youth in Australia by combating linguistic racism, exploring how culturally diverse young Australians face discrimination due to their speech.
Dovchin has also undertaken research into language diversity and education in multicultural contexts, including research into the impact of using non-English names on job applications.

## Publications

* Dovchin, Sender; Pennycook, Alastair; Sultana, Shaila (2017-11-08). Popular Culture, Voice and Linguistic Diversity. New York, NY: Palgrave Macmillan. ISBN 978-3-319-61954-5.
* Dovchin, Sender (2018). Language, Media and Globalization in the Periphery. New York: Routledge. ISBN 978-1-138-05167-6.
* Dovchin, Sender (2019-10-05). Language, Social Media and Ideologies. Cham, Switzerland: Springer. ISBN 978-3-030-26138-2.
* Translingual Discrimination (November 2022)
* Translingual Practices: Playfulness and Precariousness (May 2024)

## Awards and recognitions

* Young Scientist Award
* Top Researcher in Language & Linguistics
* Top 250 Researchers in Australia
# National Register of Historic Places listings in Armstrong County, Texas

This is a list of the National Register of Historic Places listings in Armstrong County, Texas.
This is intended to be a complete list of properties and districts listed on the National Register of Historic Places in Armstrong County, Texas. The locations of National Register properties and districts (at least for all showing latitude and longitude coordinates below) may be seen in a map by clicking on "Map of all coordinates".
There are 4 properties and districts listed on the National Register in the county, including 1 National Historic Landmark
Download coordinates as:
* KML
* GPX (all coordinates)
* GPX (primary coordinates)
* GPX (secondary coordinates)
This National Park Service list is complete through NPS recent listings posted February 28, 2025.

## Current listings

| | Name on the Register | Image | Date listed | Location | City or town | Description |
| 1 | Charles and Mary Ann (Molly) Goodnight Ranch House | Charles and Mary Ann (Molly) Goodnight Ranch House More images | September 20, 2007 (#07000988) | US 287 and 5000 Block County Road 25 35°01′50″N 101°10′59″W﻿ / ﻿35.030516°N 101.183067°W﻿ / 35.030516; -101.183067﻿ (Charles and Mary Ann (Molly) Goodnight Ranch House) | Goodnight | Now houses the Charles Goodnight Historical Center |
| 2 | J A Ranch | J A Ranch More images | October 15, 1966 (#66000807) | Palo Duro Canyon 34°49′00″N 101°11′17″W﻿ / ﻿34.816667°N 101.188056°W﻿ / 34.816667; -101.188056﻿ (J A Ranch) | Palo Duro | aka Goodnight Ranch |
| 3 | Palo Duro Pen | Upload image | July 12, 1984 (#84001568) | Address restricted | Claude | Smithsonian trinomial 41AM5 |
| 4 | Palo Duro Shelter | Palo Duro Shelter | July 12, 1984 (#84001569) | Address restricted | Claude | Smithsonian trinomial 41AM6 |
# Big Shamus, Little Shamus

Big Shamus, Little Shamus is an American detective drama series that aired on CBS on Saturday nights at 9:00 p.m Eastern Time for two weeks from September 29, 1979 to October 6, 1979. The show performed so poorly in the ratings, it was canceled after only two episodes were broadcast.

## Premise

The series focuses on Arnie Sutter, the veteran house detective at The Ansonia Hotel in Atlantic City, New Jersey, and his thirteen-year-old son Max, who solved crimes at the hotel casino relating to legalized gambling.

## Cast

* Brian Dennehy as Arnie Sutter
* Doug McKeon as Max Sutter
* George Wyner as George Korman
* Kathryn Leigh Scott as Stephanie Marsh
* Ty Henderson as Jerry Wilson
* Cynthia Sikes Yorkin as Jingels Lodestar

## Episodes

| Nº | Title | Directed by | Written by | Original air date |
| 1 | "The Canary" | Unknown | Dick Robbins & Don Heckman | September 29, 1979 (1979-09-29) |
| 2 | "The Abduction" | Unknown | Norman Katkov | October 6, 1979 (1979-10-06) |
| 3 | "The Loser" | TBD | Norman Katkov | N/A |
| 4 | "The Ledge" | TBD | Fred Freiberger | N/A |
| 5 | "The Rubens" | TBD | Story by : Jackson Gillis Teleplay by : Meyer Dolinsky | N/A |
| 6 | "The Bar Mitzvah" | TBD | David P. Harmon | N/A |
| 7 | "The Cover" | TBD | Eric Kaldor & D.K. Krzemien | N/A |
| 8 | "The Assassin" | TBD | Story by : Ray Brenner Teleplay by : Leo Rifkin | N/A |
| 9 | "The Fanatics" | TBD | Fred Freiberger | N/A |
# Cedarcliff Gatehouse

Cedarcliff Gatehouse is a historic gatehouse located in Poughkeepsie, in Dutchess County, New York. It was likely designed by architect George E. Woodward and built about 1862 for Lindley M. Ferris. It is a 2+1⁄2-story, cruciform plan brick cottage in the Gothic Revival style. It features deep eaves with extended rafters and bargeboards with scroll-sawn overlay. The property includes a period cast iron gateway and fence.
It was added to the National Register of Historic Places in 1982.
# A.M. Weather

A.M. Weather was an American weather news program that ran from October 30, 1978 to February 3, 1995. and was broadcast on PBS member stations throughout the United States. The 15-minute daily program, which aired fifteen minutes before or after the hour (depending on the station's scheduling of the program) and was produced by Maryland Public Television (MPT, or before 1984 the Maryland Center for Public Broadcasting), featured detailed forecasts presented by meteorologists from the National Oceanic and Atmospheric Administration (NOAA).
While many other media outlets embraced computer weather maps and graphics in the 1980s for weather forecasting use, A.M. Weather held back on fully embracing computer graphics until 1991, although the program did adapt to such graphics for satellite and radar maps in the late 1980s. The show's trademark yellow pointer was a mainstay of the program entire run.

## Overview

The show's progression usually started with a satellite and radar segment, followed by the current conditions around the U.S. (vice versa in the program's early years), then the forecast (especially in terms of temperatures and precipitation), followed by an aviation forecast (locations of MVFR and IFR, aircraft icing, turbulence and winds aloft) and ended (when necessary) with an inclement weather report, called "WeatherWatch" (the only time that the yellow pointer was not used).
The program aired its final edition on February 3, 1995; one of the reasons behind A.M. Weather's cancellation was that MPT wanted to expand on its morning business news enterprise with Bloomberg L.P., the syndicated Bloomberg Business News, a repackaged half-hour daily simulcast of fledgling financial news channel Bloomberg Information TV. (Some A.M. Weather carrier stations alternatively replaced it with the American Public Television-distributed Morning Business Report, a 15-minute companion program to the Nightly Business Report that debuted in 1994.)
Hosts included NOAA meteorologists Carl Weiss, Joan von Ahn, Ray Suarez and Wayne Winston, as well as H. Michael Mogil, Rich Warren, Dale Bryan and Barry Richwein. Other notable substitute hosts included: Regis Walter, Steve Zubrick (now the president of the National Weather Association), Gary Petti (a meteorologist with National Weather Service and National Environmental Satellite, Data, and Information Service (NESDIS), now retired), and George Lessens (now the chief meteorologist at WZZM in Grand Rapids, Michigan).
Funding was provided by various aviation-related companies and government agencies, including the Federal Aviation Administration, the Aircraft Owners and Pilots Association (and its Air Safety Foundation arm), Phillips Petroleum Company, Gorman-Rupp pumps, Hilton Hotels Corporation, the National Business Aviation Association, Inc. (known at the time during the show's run as the National Business Aircraft Association), the Lawyer-Pilots Bar Association, Showalter Flying Services (a fixed-base operator in Orlando, Florida), Republic Airlines, and Beech Aircraft Corporation, Combs Gates, among others.
# Ramón Escobar (footballer)

Ramón Escobar (born 3 October 1964) is a Paraguayan footballer. He played in 17 matches for the Paraguay national football team from 1988 to 1989. He was also part of Paraguay's squad for the 1989 Copa América tournament.
# Binangonan Church

Santa Ursula Parish Church, also known as Binangonan Church, is a 225-year-old church located in Binangonan, Rizal, in the Philippines. It is under the jurisdiction of the Diocese of Antipolo and is among the diocese's seven Jubilee churches.

## History

By the year 1571–1602, the municipality of Binangonan was founded by Spanish missionaries. It was only a part of Morong at that time, but on 1621, it was separated. The Spanish missionaries then decided to create an independent parish and chose St. Ursula as the parish's patron.
The parish of Binangonan was founded in 1621. In 1679, its administration was handed over to the Jesuits, who in 1697 transferred administration to the Augustinians. In 1737, Binangonan returned to the administration of the Franciscans, who had founded it in the first place. The church was built from 1792 to 1800, renovated in 1853. At the same time, the adjacent convento was rebuilt, under Fr. Francisco de Paula Gomez.
In 2025, the church was officially declared a national cultural treasure by the National Commission for Culture and the Arts.

## Schedule of services

Masses:
* Monday to Saturday: 6:00 am, 12:00 nn, 3:00 pm and 6:00 pm
* Sunday: 5:00 am, 6:30 am, 8:00 am, 9:30 am, 4:30 pm, 6:00 pm and 7:30 pm
Baptism:
* Sunday: 10:30 am
Weddings:
* Tuesday - Saturday: 7:30 am, 9:00 am, 10:30 am, 2:00 pm and 3:30 pm
Funeral Mass:
* Tuesday - Friday: 1:30 pm
* Sunday: 1:30 pm
Every 1st Sunday of the month - Parish Pastoral Council Meeting

## Gallery

* Church interior in 2021
* Patron St. Ursula in the sanctuary
* Main facade with a group of fiesta dancers in front
* Church altar and reredos
* Santo Entierro
# Back Seung Woo

Back Seung Woo (born 1973) is a Seoul-based contemporary artist and recipient of the 2016 Korea Artist Prize. He has shown internationally and is represented by the Misa Shin Gallery.

## Early life and education

Back was born in 1973 in Daejeon.
Back graduated from Chung Ang University with a Master's of Fine Arts in photography in 2002, having previously completed a Bachelor's of Fine Arts in 2000. He completed a Master's of Arts in Fine Art and Theory at Middlesex University in 2005.

## Career

Back, who is based in Seoul, refers to himself as a "picturegrapher" rather than a photographer, as he considers photography in the digital age as meaningless because of the proliferation of images. He also sees himself as a "collector of images". His work, Wholeness, has been shown at the National Museum of Modern and Contemporary Art Seoul.

## Collections

Back's work is included in the collections of the Museum of Fine Arts, Houston, the Getty Museum, the Museum of Contemporary Photography in Chicago, and the Art Gallery of New South Wales. Back's series in the latter's collection consists of five pieces from the artist's Blow up series, which is part of the Getty's larger holdings. Back created the series as a follow up to his cultural exchange trip to North Korea.
His work from the Utopia series is held in the collection of the Museum of Contemporary Photography, Chicago. The series deals with the architectural propaganda of Pyongyang. These photographs have been called "dystopian landscapes."
# The VIIth Coming

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| CMJ New Music Report | Mixed |
| Collector's Guide to Heavy Metal | 8/10 |
The VIIth Coming is the seventh studio album by British doom metal band Cathedral, released on 5 November 2002 through Spitfire Records (the band's first release with the label).

## Personnel

Cathedral
* Lee Dorrian – vocals
* Garry Jennings – guitars
* Leo Smee – bass
* Brian Dixon – drums
Additional musicians
* Munch – keyboard, mellotron
# Burdette Building

The Burdette Building, also known as Burdette Hardware Building or B.W. Burdette Building, in Simpsonville, South Carolina, was listed on the U.S. National Register of Historic Places in 2003. It is a two-story building with brick walls laid in running bond, interrupted by pilasters. It was built in 1921 to replace the wood frame and brick building on the same site which had been destroyed by a fire. It was the largest building in Simpsonville and it stimulated the commercial economy which otherwise was waning. It is located across the street from 101 East Curtis Street and the Simpsonville Clock Tower.