# New York Film Festival

The New York Film Festival (NYFF) is a film festival held every fall in New York City, presented by Film at Lincoln Center. Founded in 1963 by Richard Roud and Amos Vogel with the support of Lincoln Center president William Schuman, NYFF is one of the longest-running and most prestigious film festivals in the United States. It is a non-competitive festival centered on a "Main Slate" of typically 20–30 feature films, with additional sections for experimental cinema and new restorations.
Dennis Lim is the Artistic Director for NYFF. Kent Jones was the festival director from 2013 to 2019.

## Sections

As of 2020, the festival program is divided into the following sections:

### Main Slate

The Main Slate is the Festival's primary section, a program typically featuring 25–30 feature-length films, intending to reflect the current state of cinema. The program is a mix of major international art house films from the festival circuit, new discoveries, and studio releases targeting awards season. The studio films are often selected as Opening Night, Centerpiece, and Closing Night presentations.

### Currents

Currents complements the Main Slate, tracing a more complete picture of contemporary cinema with an emphasis on new and innovative forms and voices. This section is the only one at the festival which presents short films.
The selection team of Currents section consists of Dennis Lim (Chair), Aily Nash (is also Head of shorts programming), Rachael Rakes, and Tyler Wilson (is also Head of shorts programming).

### Spotlight

Spotlight is showcase of the season's most anticipated and significant films.

### Revivals

The Revivals section showcases important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners.

### Talks

Talks features in-depth conversations with filmmakers, critics, curators, and more.

## History
### Founding the Festival

The NYFF's first programmer, Richard Roud, was recruited by Lincoln Center President William Schuman in 1962. Boston-born Roud was 33 years old at the time and based in London where he worked as a film critic for The Guardian and programmed the London Film Festival. Though Roud maintained his home base in London, he recruited Amos Vogel of the legendary Cinema 16 film club as his New York–based co-programmer. The first edition of the festival opened on September 10, 1963, with Luis Buñuel's The Exterminating Angel and closed on September 19. It was a success and almost all screenings nearly sold out. The festival also included films screened at the Museum of Modern Art that had not been shown in the United States previously, including Akira Kurosawa's I Live in Fear and Point of Order. In 1966, Roud and Vogel formed the festival's first selection committee, consisting of Arthur Knight and Andrew Sarris; Susan Sontag was added the next year. Vogel resigned from his position as Festival Director in 1968. Though Roud was previously designated Program Director, he presided over the festival from 1969 to 1987.
Roud's 25 years at the festival were characterized by a focus on the European art cinema of the postwar years and the rise of auteurism.

### The Richard Peña era

Richard Peña, then 34, took over as lead programmer in 1988. The Queens native was already an accomplished film historian, academic, and programmer. Prior to his work with NYFF, he worked at the Film Center of the School of the Art Institute of Chicago. Peña came to NYFF as a seasoned festival-goer who held Roud in high esteem. During his stint as programmer (which also listed 25 years), Peña honored the festival's traditions and unique character – retaining the selection committee process, the non-competitive format, the post-screening director Q&As, and the festival's strict selectivity – while also working to expand NYFF's somewhat Eurocentric focus. Filmmakers like Hou Hsiao-hsien, Manoel de Oliveira, Leos Carax, Raúl Ruiz, and Krzysztof Kieślowski were introduced to NYFF audiences during the Roud era, and became regulars under Peña. After 25 years as Program Director and head of the NYFF selection committee, Peña led his final year at NYFF in 2012, during the festival's 50th presentation.

### NYFF today

After Richard Peña's departure, Robert Koehler briefly took over year-round programming duties, while Kent Jones, who left The Film Society of Lincoln Center in 2009 to serve as Executive Director of the World Cinema Foundation, returned to lead NYFF. Jones began his programming career at Film Forum and the Rotterdam Film Festival, before joining The Film Society of Lincoln Center in 1998 as Associate Director of Programming and a member of the NYFF programming committee.
As of 2022, Dennis Lim is the Artistic Director of NYFF.

## Opening Night films

| Year | Title | Director(s) | Production Country |
| 1963 | The Exterminating Angel | Luis Buñuel | Mexico |
| 1964 | Hamlet | Grigori Kozintsev | Soviet Union |
| 1965 | Alphaville | Jean-Luc Goddard | France |
| 1966 | Loves of a Blonde | Milos Forman | Czechoslovakia |
| 1967 | The Battle of Algiers | Gillo Pontecorvo | Italy, Algeria |
| 1968 | Capricious Summer | Jiří Menzel | Czechoslovakia |
| 1969 | Bob & Carol & Ted & Alice | Paul Mazursky | United States |
| 1970 | The Wild Child | François Truffaut | France |
| 1971 | The Beginning | Gleb Panfilov | Soviet Union |
| 1972 | Chloe in the Afternoon | Éric Rohmer | France |
| 1973 | Day for Night | François Truffaut | France |
| 1974 | Don't Cry With Your Mouth Full | Pascal Thomas | France |
| 1975 | Conversation Piece | Luchino Visconti | Italy |
| 1976 | Small Change | François Truffaut | France |
| 1977 | One Sings, the Other Doesn't | Agnès Varda | France |
| 1978 | A Wedding | Robert Altman | United States |
| 1979 | Luna | Bernardo Bertolucci | Italy, United States |
| 1980 | Melvin and Howard | Jonathan Demme | United States |
| 1981 | Chariots of Fire | Hugh Hudson | United Kingdom |
| 1982 | Veronika Voss | Rainer Werner Fassbinder | West Germany |
| 1983 | The Big Chill | Lawrence Kasdan | United States |
| 1984 | Country | Richard Pearce | United States |
| 1985 | Ran | Akira Kurosawa | Japan |
| 1986 | Down by Law | Jim Jarmusch | United States |
| 1987 | Dark Eyes | Nikita Mikhalkov | Italy |
| 1988 | Women on the Verge of a Nervous Breakdown | Pedro Almodóvar | Spain |
| 1989 | Too Beautiful for You | Bertrand Blier | France |
| 1990 | Miller's Crossing | Joel Coen | United States |
| 1991 | The Double Life of Veronique | Krzysztof Kieślowski | France |
| 1992 | Olivier, Olivier | Agnieszka Holland | France |
| 1993 | Short Cuts | Robert Altman | United States |
| 1994 | Pulp Fiction | Quentin Tarantino | United States |
| 1995 | Shanghai Triad | Zhang Yimou | China |
| 1996 | Secrets & Lies | Mike Leigh | United Kingdom |
| 1997 | The Ice Storm | Ang Lee | United States |
| 1998 | Celebrity | Woody Allen | United States |
| 1999 | All About My Mother | Pedro Almodóvar | Spain |
| 2000 | Dancer in the Dark | Lars von Trier | Denmark, Sweden, France |
| 2001 | Va savoir | Jacques Rivette | France |
| 2002 | About Schmidt | Alexander Payne | United States |
| 2003 | Mystic River | Clint Eastwood | United States |
| 2004 | Look at Me | Agnès Jaoui | France |
| 2005 | Good Night, and Good Luck | George Clooney | United States |
| 2006 | The Queen | Stephen Frears | United Kingdom |
| 2007 | The Darjeeling Limited | Wes Anderson | United States |
| 2008 | The Class | Laurent Cantet | France |
| 2009 | Wild Grass | Alain Resnais | France |
| 2010 | The Social Network | David Fincher | United States |
| 2011 | Carnage | Roman Polanski | France, Poland |
| 2012 | Life of Pi | Ang Lee | United States |
| 2013 | Captain Phillips | Paul Greengrass | United States |
| 2014 | Gone Girl | David Fincher | United States |
| 2015 | The Walk | Robert Zemeckis | United States |
| 2016 | 13th | Ava DuVernay | United States |
| 2017 | Last Flag Flying | Richard Linklater | United States |
| 2018 | The Favourite | Yorgos Lanthimos | Ireland, United Kingdom, United States |
| 2019 | The Irishman | Martin Scorsese | United States |
| 2020 | Lovers Rock | Steve McQueen | United Kingdom |
| 2021 | The Tragedy of Macbeth | Joel Coen | United States |
| 2022 | White Noise | Noah Baumbach | United States |
| 2023 | May December | Todd Haynes | United States |
| 2024 | Nickel Boys | RaMell Ross | United States |