# East Los Streetscapers

Part of a series on :
Chicanos and Mexican Americans :
Terms
Identity
Chola/o
La Raza
Pachuca
Pachuco
Pinta/o
Xicanx
Concepts
Anti-Mexican sentiment :
History
Early-American Period
Josefa Segovia
Las Gorras Blancas
Mexican–American War
Mutualista
San Elizario Salt War
Sonoratown
Treaty of Guadalupe Hidalgo
Pre-Chicano Movement
1917 Bath riots
Bisbee Deportation
Bloody Christmas
Bracero program
California agricultural strikes
Cantaloupe strike of 1928
Citrus Strike of 1936
La Matanza
Mexican Repatriation
Operation Wetback
Plan de San Diego
Porvenir Massacre
Sleepy Lagoon trial
Zoot Suit Riots
Chicano Movement
Aztlán
Black-brown unity
Brown Berets
Católicos por La Raza
Tulare labor camps rent strike
Delano grape strike
Centro Cultural
Chicanismo
Chicano Moratorium
Colegio César Chávez
CFMN
Conferencia de Mujeres
CRP
East L.A. walkouts
Hijas de Cuauhtémoc
Huelga schools
Land grant struggle
Las Adelitas de Aztlán
Los Siete de la Raza
Los Seis de Boulder
MANA
MAYO
MEChA
Occupation of Catalina Island
PCUN
Plan Espiritual de Aztlán
Plan de Santa Bárbara
Quinto Sol
Raza Unida Party
United Farm Workers
Post-Chicano Period
1985–1987 cannery strike
1992 Drywall Strike
2019 El Paso shooting
Abolish ICE
Arizona SB 1070
Castro 2020
Chicano Art Exhibit
DACA
Great American Boycott
IRCA
Farah strike
Justice for Janitors
Murder of Selena
Proposition 187
South Central Farm :
Culture
Language
Abrazos, no balazos
Caló
Chicano English
Chicano names
Órale
Food
New Mexican cuisine
Tex-Mex cuisine
Mexican-American cuisine
Music
Chicano rap
Chicano rock
Chicano soul
Tejano music
Symbols
Cal-Style VW
Homies
Lowrider
Lowrider bicycle
Mexican-American folklore
Pancho Claus
Zoot suit :
Literature
Literature
Chicana literature
Chicano literature
Chicano poetry
Autobiographical
Always Running
Living Up the Street
Who Would Have Thought It?
Novels
Bless Me, Ultima
Caballero
Desert Blood
From This Wicked Patch of Dust
Mexican WhiteBoy
The Dirty Girls Social Club
The House on Mango Street
The Rain God
The Revolt of the Cockroach People
So Far from God
Under the Feet of Jesus
...y no se lo tragó la tierra
Poetry and Short Stories
Emplumada
I Am Joaquin
Moment of Silence
Pensamiento Serpentino
The Moths :
Chicano studies
Fields
Chicana feminism
Chicanafuturism
Organizations
MAS Programs, Tucson
NACCS
UCLA Chicano Studies Research Center
Texts
Borderlands/La Frontera: The New Mestiza
Brown, Not White
The Church in the Barrio
This Bridge Called My Back
Theory
Barrioization
Coyolxauhqui imperative
Gringo justice
Nahui Ollin
Nepantla
New tribalism
Rasquachismo
Spiritual activism
Vergüenza
Youth control complex :
Visual art
Visual Art
Chicana art
Chicano art
Chicano cinema
Paño
Tortilla art
Art Collectives
Asco
Culture Clash
East Los Streetscapers
Los Four
Mujeres Muralistas
Teatro Campesino
Royal Chicano Air Force
Art organizations
Centro de Arte Público
Galería de la Raza
Mission Cultural Center for Latino Arts
Precita Eyes
Self Help Graphics & Art
Locations
Balmy Alley
Chicano Park
Estrada Courts
Great Wall of Los Angeles :
Law
Supreme Court cases
Botiller v. Dominguez
Hernandez v. Texas
San Antonio I.S.D. v. Rodriguez
Espinoza v. Farah Manufacturing Co.
U.S. v. Brignoni-Ponce
Plyler v. Doe
Medellín v. Texas
Flores-Figueroa v. U.S.
Leal Garcia v. Texas
Mendez v. Westminster
Bernal v. Fainter
Perez v. Brownell
DHS v. Regents of the Univ. of Cal.
Federal Court cases
Madrigal v. Quilligan :
Population
Population by City
Arizona (Tucson)
California (Los Angeles)
Illinois (Chicago)
Michigan (Detroit)
Nebraska (Omaha)
Texas
Dallas–Fort Worth
Houston
Multiethnic
Blaxicans
Californios
Nuevomexicanos
Tejanos
Indigenous Mexican Americans
Punjabi Mexican Americans :
Lists
Chicano films
Chicano poets
Chicano rappers
Mexican Americans
Writers
Bibliography :
United States portal
Category
Index :
vte :
East Los Streetscapers Public Art Studios is a muralist art collective and fine art studio based in East Los Angeles, California. Its members have executed over twenty murals and large-scale public artworks, primarily in the Los Angeles area.

## History

East Los Streetscapers grew out of the Chicano Mural Movement of the 1960s and 1970s, a strand of muralism that "began as an arm of struggle of claiming urban space" for Chicanos. It was founded by Wayne Alaniz Healy and David Rivas Botello in 1975. Alaniz and Botello met in elementary school, and when in the third grade, collaborated on a mural. However, they lost touch when Botello's family moved to nearby City Terrace.
In 1969, Botello co-founded Goez Art Studio, "the first" Chicano art studio, with Jose Luis Gonzalez and Juan Gonzalez. In 1973, he painted Dreams of Flight, one of the early murals at Estrada Courts.
In 1968, Healy earned bachelor's degrees in aerospace engineering and mathematics from Cal Poly Pomona. He went on to earn a Master's in mechanical engineering from the University of Cincinnati in 1973. He began working with Mechicano Art Center in East Los Angeles, and in 1974, painted the mural Ghosts of the Barrio at the Los Angeles housing project Ramona Gardens. He has since earned a Master's of Fine Arts from California State University, Northridge and created numerous screen prints with Self-Help Graphics & Art.
In 1975 Healy and Botello teamed to form Los Dos Streetscapers. They were soon joined by other artists such as George Yepes, Paul Botello, Rudy Calderon, Rich Raya, Ricardo Duffy, Charles Solares and Fabian Debora, which occasioned the renaming of the group to “East Los Streetscapers.” While collaborating artists have come and gone, Healy and Botello have remained the core of the group.
In 1990, Healy and Botello founded the Palmetto Gallery to provide exposure for younger artists, and East Los Streetscapers has also sponsored projects for barrio youth.

## Artworks

The collective used acrylic paint as the primary medium for their early murals. Later in the 1990s and 2000s they incorporated other media such as hand-painted tiles, cast bronze, and porcelain-enameled steel. Murals outside of Los Angeles include projects in San Jose, California, Santa Maria, California, Houston, Texas, St. Louis, Missouri, and Bellingham, Washington. Their work is characterized as "multicultural, strong, dynamic, colorful, site specific, and compositionally dramatic in line and texture."
In a departure from acrylic and tile murals in 2002, Wayne Healy and East Los Streetscapers installed the 12-foot tall oxidized steel and dichroic glass public art sculpture Read, Reach, and Realize at the courtyard entrance to the Buena Vista Branch Library in Burbank, California.

### Murals

| Title | Year | Location |
| Chicano Time Trip | 1975 | 2601 North Broadway, [[Lincoln Heights, Los Angeles, California|Lincoln Heights] & Daly St], exterior |
| Corrido de Boyle Heights | 1984 | 5 puntos corner, 1301 Brooklyn Place, Los Angeles, CA & N Indiana St, exterior |
| Education Suite: Arte, Ciencia y Filosofia | 1981 | Helen Bailey Library at East Los Angeles College, 1301 Avenida Cesar Chavez, Monterey Park, CA 91754, interior stairway |
| Filling Up on Ancient Energies | 1979 | Shell Gas Station, Soto St. and 4th St., Boyle Heights, exterior |
| Gateway to Manifest Destiny | 1982 | Victor Clothing Company, 240 South Broadway, Los Angeles, first floor interior |
| Hacia Date Al Norte | 1991 | Outdoor Products, 3800 Mission Road, Lincoln Heights, interior of employees' cafeteria |
| La Sombra del Arroyo | 1996 | Gateway Transit Center, exterior |
| Life Flows at Aliso-Pico | 1983 | Aliso-Pico Multipurpose Center, 1505 East 1st Street, Boyle Heights, exterior |
| Moonscapes I-V | 1979, 1987 | Department of Motor Vehicles, 11400 West Washington Blvd., Culver City, exterior |
| El Nuevo Fuego | 1985 | public art mural, Victor Clothing Company, 240 South Broadway, Los Angeles, exterior |
| Bellingham Centennial Mural | 1990 | Bellingham Cider Company, 205 Prospect St, Bellingham, exterior facing Whatcom History Museum |
| On the Pivot Point of Life | 1994 | Los Angeles County Central Probation Department Juvenile Hall, 1605 Eastlake Avenue, Los Angeles, interior of chapel |
| Pride of Mar Vista | 1988 | Mar Vista Gardens Recreation Center, 11965 Allin Street, exterior |
| Stairway to Global Health | 1991 | Francisco Bravo Medical Magnet Senior High School, 1200 Cornwell Street, exterior |
| South Central Suite: Slauson Serenade, South Central Codex | 1995 | station art, station platform and street-level entrance, Slauson Metro Transit Station, 5585 Randolph St., Los Angeles; exterior |
| Take the Future in Your Hands | 1992 | Haddon Avenue School, 10115 Haddon Avenue, Pacoima, exterior |
| Trucha! Vital Decisions Ahead | 1988 | Lincoln Heights Recreation Center, 2303 Workman Street, exterior |
| The Claremont Stelae | 2001 | public art ceramic tile mural on three free-standing walls, Hughes Community Center, 1700 Danbury Rd., Claremont, exterior |
| Our Pico Neighborhood | 2005 | Virginia Avenue Park, Santa Monica, California |