# List of works by Titian

This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source.

## List of works by year

| Title | Date | Dimensions | Collection |
| Detroit Trio (The Appeal) | c. 1500 | 84.5 x 69.2 cm | Detroit Institute of Arts (Detroit). Also attributed to Giorgione and Sebastiano del Piombo |
| Christ Carrying the Cross | 1505 | 68.2 × 88.3 cm | Scuola Grande di San Rocco (Venice). Also attributed to Giorgione. |
| Madonna and Child (Bache Madonna) | c. 1508 | 45 × 55 cm | Metropolitan Museum of Art (New York) |
| Flight into Egypt | c. 1508 | 206 × 336 cm | Hermitage Museum (Saint Petersburg) |
| Christ and the Adulteress | c. 1508–1510 | 139.3 × 181.7 cm | Kelvingrove Art Gallery and Museum (Glasgow) |
| Portrait of a Man (A Man with a Quilted Sleeve) | c. 1508–1510 | 81.2 × 66.3 cm | National Gallery (London) |
| Portrait of a Lady (La Schiavona) | c. 1509–1510 | 117 × 97 cm | National Gallery (London) |
| Pastoral Concert | c. 1510 | 118 × 138 cm | Louvre (Paris) |
| Portrait of a Man in a Red Cap | c. 1510 | 82 × 71 cm | Frick Collection (New York) |
| The Lovers | c. 1510 | 74.5 x 65.2 cm | Royal Collection (Windsor). Attributed to Titian |
| St. Mark Enthroned | 1510/11 | 218 × 149 cm | Santa Maria della Salute (Venice) |
| The Jealous Husband | 1511 | 340 × 207 cm | Scuola di Sant'Antonio, Padua |
| Miracle of the Irascible Son | 1511 | 340 × 207 cm | Scuola di Sant'Antonio, Padua |
| Miracle of the Newborn Infant | 1511 | 340 × 355 cm | Scuola di Sant'Antonio, Padua |
| Noli me tangere | c. 1511–1515 | 109 × 91 cm | National Gallery (London) |
| Woman with a Mirror | c. 1511–1515 | 96 × 76 cm | Louvre (Paris) |
| The Three Ages of Man | c. 1512 | 106 × 182 cm | National Gallery of Scotland (Edinburgh) |
| Madonna and Child ("The Gypsy Madonna") | c. 1512 | 65.8 × 83.8 cm | Kunsthistorisches Museum (Vienna) |
| Baptism of Christ | c. 1512 | 115 × 89 cm | Capitoline Museums (Rome) |
| Balbi Holy Conversation (Madonna and Child with Sts. Catherine and Dominic and a Donor) | c. 1512-1514 | 130 × 185 cm | Fondazione Magnani-Rocca, Traversetolo |
| The Archangel Raphael and Tobias | c. 1512-1514 | 170 × 146 cm | Gallerie dell'Accademia (Venice) |
| Portrait of Jacopo Sannazaro | c. 1514–1518 | 85.7 × 72.7 cm | Royal Collection, United Kingdom |
| Flora | c. 1515 | 79 × 63 cm | Uffizi (Florence) |
| Portrait of the Physician Gian Giacomo Bartolotti da Parma | c. 1515 | 88 × 75 cm | Kunsthistorisches Museum (Vienna) |
| Portrait of a Man | c. 1515 | 50 × 45 cm | Metropolitan Museum of Art (New York) |
| Salome | c. 1515 | 90 × 72 cm | Doria Pamphilj Gallery (Rome) |
| Kirschenmadonna (Madonna of the Cherries) | c. 1515 | 81 × 99.5 cm | Kunsthistorisches Museum (Vienna) |
| Vanity | c. 1515 | 97 × 81 cm | Alte Pinakothek (Munich) |
| Violante | c. 1515–1516 | 64.5 × 51 cm | Kunsthistorisches Museum (Vienna) |
| Lucretia and her Husband (or Tarquin and Lucretia, and possibly by Palma Vecchio) | c. 1515–1520 | 82 × 68 cm | Kunsthistorisches Museum (Vienna) |
| An Unknown Man in a Black Plumed Hat | c. 1515–1520 | 70.5 × 63 cm | Petworth House, National Trust (Petworth) |
| Sacred and Profane Love | c. 1515–1516 | 118 × 279 cm | Galleria Borghese (Rome) |
| The Tribute Money | c. 1516 | 75 × 56 cm | Gemäldegalerie Alte Meister, Dresden |
| Assumption of the Virgin | c. 1516–1518 | 690 × 360 cm | Basilica di Santa Maria Gloriosa dei Frari (Venice) |
| The Virgin and Child with Saint George and Saint Dorothy | c. 1516 | 86 × 130 cm | Prado Museum (Madrid) |
| Virgin and Child with Saint John the Baptist and an Unidentified Saint | c. 1515–1520 | 62.7 x 93 cm | Bridgewater House (Westminster), on loan to the Scottish National Gallery |
| The Bacchanal of the Andrians | c. 1518–1519 | 175 × 193 cm | Museo del Prado (Madrid) |
| The Worship of Venus | 1518–1520 | 172 × 175 cm | Museo del Prado (Madrid) |
| Malchiostro Annunciation | c. 1520 | 210 × 176 cm | Duomo, Treviso |
| Christ and the Adulteress | c. 1520 | 82.5 × 136.5 cm | Kunsthistorisches Museum (Vienna) |
| Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice | c. 1510–1525 | 112.5 × 143.2 cm | Louvre (Paris) |
| Mary with Child and Saints Stephen, Jerome and Mauritius | c. 1520 | 93.3 × 138.2 cm | Kunsthistorisches Museum (Vienna) |
| Portrait of Vincenzo Mosti | c. 1520 | 85 × 67 cm | Galleria Palatina, Florence |
| Gozzi Altarpiece | 1520 | 312 × 215 cm | Pinacoteca civica Francesco Podesti, Ancona |
| Averoldi Polyptych | c. 1520–1522 | 278 × 292 cm | Church of Santi Nazaro e Celso (Brescia) |
| Venus Anadyomene | c. 1520 | 73.6 × 58.4 cm | National Gallery of Scotland (Edinburgh) |
| Center panel of the Altarpiece of the Resurrection (the Averoldi Polyptych) | c. 1520–1522 | 278 × 122 cm | Santi Nazaro e Celso (Brescia) |
| Bacchus and Ariadne | c. 1522–1523 | 175 × 190 cm | National Gallery (London) |
| Man with a Glove | c. 1520–1523 | 100 × 89 cm | Louvre (Paris) |
| The Entombment | c. 1523–1525 | 148 × 225 cm | Louvre (Paris) |
| Pesaro Madonna | c. 1519–1526 | 478 × 268 cm | Basilica di Santa Maria Gloriosa dei Frari (Venice) |
| Portrait of Federico II Gonzaga | c. 1525–1528 | 125 × 99 cm | Museo del Prado (Madrid) |
| Madonna and Child with Saint Catherine and a Rabbit | 1530 | 71 × 85 cm | Louvre (Paris) |
| Portrait of Giacomo di Andrea Dolfin | c. 1531–1532 | 101 × 88 cm | Los Angeles County Museum of Art (LACMA) |
| Portrait of a Venetian Nobleman | after 1530 | 108.0 cm × 91.4 cm | Norton Simon Museum (Pasadena) |
| Portrait of Ippolito de' Medici | 1532–1533 | 139 x 107 cm | Palazzo Pitti (Florence) |
| Madonna and Child with Saint John the Baptist and Saint Catherine (The Aldobrandini Madonna) | c. 1532 | 100.6 × 142.2 cm | National Gallery (London) |
| Portrait of Charles V with a Dog | c. 1532–1533 | 192 × 111 cm | Museo del Prado (Madrid) |
| The Penitent Magdalene | c. 1531–1533 | 85 × 68 cm | Palazzo Pitti (Florence) |
| The Presentation of the Virgin at the Temple | c. 1534–1538 | 345 x 775 cm | Gallerie dell'Accademia (Venice) |
| Portrait of a Lady | c. 1525–1565 | 63.5 x 51.8 cm | Art Institute of Chicago (Chicago) |
| Portrait of Giulia Gonzaga | c. 1530–1539 | 92 x 81 cm | Private collection (Italy) |
| Portrait of Isabella d'Este | c. 1534–1536 | 102 × 64 cm | Kunsthistorisches Museum (Vienna) |
| Girl in a Fur | c. 1535 | 95 × 63 cm | Kunsthistorisches Museum (Vienna) |
| Pilgrims at Emmaus | c. 1533–1534 | 169 × 244 cm | Louvre (Paris) |
| Supper at Emmaus | c. 1534 | 169 × 211 cm | Walker Art Gallery (Liverpool) |
| Supper at Emmaus | c. 1545 | 163 × 200 cm | National Gallery of Ireland (Dublin) |
| La Bella | 1536 | 100 × 75 cm | Palazzo Pitti (Florence) |
| Portrait of a Young Woman with Feather Hat | c. 1536 | 97 × 75 cm | Hermitage Museum (Saint Petersburg) |
| Allegory of Marriage | c. 1530–1535 | 123 × 107 cm | Louvre (Paris) |
| Portrait of Francesco Maria I della Rovere, Duke of Urbino | c. 1536–1538 | 114.3 × 100 cm | Uffizi (Florence) |
| Portrait of Pietro Aretino | c. 1537 | 102 × 86 cm | Frick Collection (New York City) |
| Portrait of a Man with a Falcon | c. 1537 | 109 × 94 cm | Joslyn Art Museum (Omaha) |
| Portrait of Eleonora Gonzaga della Rovere | 1538 | 114 × 102.2 cm | Uffizi (Florence) |
| Venus of Urbino | 1538 | 119 × 165 cm | Uffizi (Florence) |
| Portrait of Count Antonio Porcia and Brugnera | c. 1535–1540 | 115 × 93 cm | Pinacoteca di Brera (Milan) |
| Portrait of Benedetto Varchi | c. 1536–1540 | 119.3 × 92.7 cm | Kunsthistorisches Museum (Vienna) |
| Portrait of Cardinal Pietro Bembo | 1540 | 94.3 × 76.5 cm | National Gallery of Art (Washington, D.C.) |
| Portrait of Doge Andrea Gritti | c. 1546–1550 | 133.3 × 103.2 cm | National Gallery of Art (Washington, D.C.) |
| Portrait of Pope Sixtus IV | c. 1540 | 109.5 × 87 cm | Uffizi (Florence) |
| Sciarra Madonna | c. 1540 | | Museu Nacional d'Art de Catalunya |
| Alfonso d'Avalos Addressing His Troops | c. 1540–1541 | 223 × 165 cm | Museo del Prado (Madrid) |
| Tobias and the Angel | c. 1540–1545 | 200 × 140 cm | Madonna dell'Orto, Venice |
| Portrait of Clarissa Strozzi | 1542 | 115 × 98 cm | Gemäldegalerie, Berlin |
| The Crowning with Thorns | c. 1542–1544 | 303 × 180 cm | Louvre (Paris) |
| Last Supper | c. 1542–1544 | 163 × 104 cm | Urbino |
| Portrait of a Young Englishman | c. 1540–1545 | 111 × 93 cm | Palazzo Pitti (Florence) |
| Portrait of Ranuccio Farnese | 1542 | 89.7 × 73.6 cm | National Gallery of Art (Washington, D.C.) |
| Portrait of Pope Paul III | 1543 | 108 × 80 cm | Museo di Capodimonte (Naples) |
| Ecce Homo | 1543 | 242 × 361 cm | Kunsthistorisches Museum (Vienna) |
| Cain Slaying Abel | 1543–44 | 292.1 × 280.0 cm | Santa Maria della Salute (Venice) |
| David and Goliath | 1543–44 | 292.1 × 281.9 cm | Santa Maria della Salute (Venice) |
| Abraham and Isaac | 1542–44 | 328 cm × 285 cm | Santa Maria della Salute (Venice) |
| Portrait of Pietro Aretino | c. 1545 | 98 × 78 cm | Palazzo Pitti (Florence) |
| Portrait of Cardinal Alessandro Farnese | c.1545-1546 | | Museo di Capodimonte (Naples) |
| Pope Paul III and His Grandsons | 1546 | 210 × 174 cm | Museo di Capodimonte (Naples) |
| Danaë (one of at least four versions) | 1546 | 120 × 172 cm | Museo di Capodimonte (Naples) |
| Portrait of the Vendramin Family | 1547 | 206 × 301 cm | National Gallery (London) |
| Equestrian Portrait of Charles V | 1548 | 332 × 279 cm | Museo del Prado (Madrid) |
| Portrait of Charles V Seated | 1548 | 205 × 122 cm | Alte Pinakothek (Munich) |
| Portrait of Isabella of Portugal | 1548 | 117 × 93 cm | Museo del Prado (Madrid) |
| Venus and Musician | 1548 | 148 × 217 cm | Museo del Prado (Madrid) |
| John Frederick I, Elector of Saxony in Armour | 1548 | 129 × 93 cm | Museo del Prado (Madrid) |
| Tityus | 1549 | 253 × 217 cm | Museo del Prado (Madrid) |
| Sisyphus | 1549 | 237 × 216 cm | Museo del Prado (Madrid) |
| Saint John the Almoner | c. 1549 | 229 × 156 cm | San Giovanni Elemosinario (Venice) |
| The Fall of Man | c. 1550 | 240 × 186 cm | Museo del Prado (Madrid) |
| Mater Dolorosa | 1550 | 68 × 61 cm | Museo del Prado (Madrid) |
| Portrait of John Frederick I, Elector of Saxony | 1550–51 | 103.5 × 83 cm | Kunsthistorisches Museum (Vienna) |
| Portrait of a Lady and Her Daughter | c.1550 | 88 × 80,7 cm | Rubenshuis (Antwerp) |
| Venus with an Organist | c. 1550 | 115 × 280 cm | Gemäldegalerie, Berlin |
| Mars, Venus and Amor | c. 1550 | 97 x 109 cm | Kunsthistorisches Museum (Vienna) |
| Knight of Malta with a Watch | c. 1550 | 122 × 101 cm | Museo del Prado (Madrid) |
| Penitent Magdalene | c. 1550 | | Museo di Capodimonte (Naples) |
| Saint Jerome in Penitence | 1550–1560 | 255 × 125 cm | Pinacoteca di Brera (Milan) |
| Portrait of Philip II in Armour | 1551 | 193 × 111 cm | Museo del Prado (Madrid) |
| Portrait of Cardinal Cristoforo Madruzzo | 1552 | 230 x 131 cm | São Paulo Museum of Art (São Paulo) |
| The Holy Trinity (La Gloria) | 1551–1554 | 346 × 240 cm | Museo del Prado (Madrid) |
| Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in New York and Rome below. | 1553–1554 | 186 × 207 cm | Museo del Prado (Madrid) |
| Mater Dolorosa with Open Hands | 1554 | 68 × 53 cm | Museo del Prado (Madrid) |
| Christ Appearing to His Mother After His Resurrection | 1554 | | |
| Woman Holding an Apple | c. 1550–1555 | 97.8 × 73.8 cm | National Gallery of Art (Washington, D.C.) |
| Danaë and the Shower of Gold | 1554 | 128 × 178 cm | Museo del Prado (Madrid) |
| Perseus and Andromeda | c. 1554–1556 | 175 × 189.5 cm | The Wallace Collection (London) |
| Portrait of Philip II | c. 1554 | | Museo di Capodimonte (Naples) |
| Portrait of Queen Christina of Denmark | c. 1555–1556 | 112 × 83 cm | National Museum of Serbia (Belgrade) |
| Venus with a Mirror | c. 1555 | 124.5 × 105.5 cm | National Gallery of Art (Washington, D.C.) |
| Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. | c. 1555 | 106 × 133 cm | Metropolitan Museum of Art (New York) |
| Filippo Archinto, Archbishop of Milan | c. 1555 | 118 × 94 cm | Metropolitan Museum of Art (New York) |
| Venus and the Lute Player | c. 1555–1565 | 150 × 196 cm | Fitzwilliam Museum (Cambridge) |
| Diana and Actaeon | 1556–1559 | 190.3 × 207 cm | National Gallery (London)/ National Gallery of Scotland (Edinburgh) |
| Portrait of Fabrizio Salvaresio | 1558 | 112 × 88 cm | Kunsthistorisches Museum (Vienna) |
| Crucifixion | 1558 | 371 × 197 cm | Church of San Domenico, Ancona |
| The Martyrdom of Saint Lawrence | 1559 | 500 × 280 cm | I Gesuiti (Venice) |
| Diana and Callisto | 1559 | 187 × 205 cm | National Gallery (London) / National Gallery of Scotland (Edinburgh) |
| The Entombment | 1559 | 137 × 175 cm | Museo del Prado (Madrid) |
| The Rape of Europa | 1559–1562 | 185 × 205 cm | Isabella Stewart Gardner Museum (Boston) |
| Annunciation | 1559–1564 | 410 × 240 cm | San Salvador (Venice) |
| The Death of Actaeon | c. 1559–1575 | 178.4 × 198.1 cm | National Gallery (London) |
| Salome | c. 1560 | 87 × 80 cm | Museo del Prado (Madrid) |
| Girl with a Platter of Fruit | c. 1558 | 102 x 82 cm | Gemäldegalerie (Berlin) |
| Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in the Prado and New York above. | c. 1560 | 187 × 184 cm | Galleria Nazionale d'Arte Antica (Rome) |
| Madonna and Child with Saints Luke and Catherine of Alexandria | c. 1560 | 127.8 × 169.7 cm | (Bought by a private bidder on 28 January 2011) |
| Self-portrait | c. 1560–1562 | 96 × 72 cm | Gemäldegalerie, Berlin |
| The Tribute Money | c. 1560–1568 | 112.2 x 103.2 cm | National Gallery (London) |
| The Penitent Magdalene | c. 1565 | 118 × 97 cm | Hermitage Museum (Saint Petersburg) |
| Saint Dominic | c. 1565 | 97 × 80 cm | Galleria Borghese, Rome |
| Allegory of Prudence | c. 1565–1570 | 76.2 × 68.6 cm | National Gallery (London) |
| Venus and a Lute Player | c. 1565-1570 | 165 × 209 cm | Metropolitan Museum of Art (New York) |
| The Entombment | 1566 | 130 × 168 cm | Museo del Prado (Madrid) |
| Self-portrait | c. 1567 | 86 × 65 cm | Museo del Prado (Madrid) |
| Portrait of Jacopo Strada | c. 1567–1568 | 125 × 95 cm | Kunsthistorisches Museum (Vienna) |
| Judith with the Head of Holofernes | c. 1570 | 113 × 95.3 cm | Detroit Institute of Arts |
| Salome | c. 1570 | 114 × 96 cm | Private collection |
| Salome | c. 1560–1570 | 90 × 83.3 cm | National Museum of Western Art (Tokyo). Attributed to Titian and workshop |
| Tarquin and Lucretia | 1571 | 189 × 145 cm | Fitzwilliam Museum (Cambridge) |
| Punishment of Marsyas | c. 1570-1576 | 212 × 207 cm | National Museum, Kroměříž, Czech Republic |
| Nymph and Shepherd | c. 1570–1576 | 149.7 × 187 cm | Kunsthistorisches Museum (Vienna) |
| Pietà | c. 1570–1576 | 351 × 389 cm | Accademia (Venice) |
| The Crowning with Thorns | c. 1570–1576 | 280 × 181 cm | Alte Pinakothek (Munich) |