OpenLLM-France/wikimedia huggingface dataset:
# Francis Guinan

Francis V. Guinan Jr. (born November 17, 1951) is an American film, television and stage actor who is perhaps best known for his role as Edgar Teller the patriarch in the short-lived series Eerie, Indiana.
The Council Bluffs, Iowa-born actor has made guest appearances in many notable television series including Grey's Anatomy, CSI: Miami, Law & Order, CSI: NY, Without a Trace, The Practice, Crossing Jordan, Star Trek: Enterprise, Star Trek: Voyager, That '70s Show, Nash Bridges, Sliders, Murder, She Wrote, Frasier, Mike & Molly and other series.
He has been a member of the Steppenwolf Theatre Company ensemble since 1979. In December 2007, Guinan co-starred in the Tracy Letts' play August: Osage County which opened on Broadway to critical acclaim. He played Master Pakku in the 2010 film, The Last Airbender as well as appeared in the films Hannibal (2001), Constantine (2005) and Abundant Acreage Available (2017).

## Selected filmography

* 1988: The Serpent and the Rainbow as American Doctor
* 1988: Miles from Home as Tommy Malin
* 1992: Rock Hudson as Carl
* 1992: Shining Through as Andrew Berringer
* 1997: Speed 2: Cruise Control as Rupert
* 1999: Guinevere as Alan Sloane
* 2001: Hannibal as FBI Assistant Director Noonan
* 2005: Constantine as Father Garret
* 2010: The Last Airbender as Master Pakku
* 2010: All Good Things as Daniel Patrick Moynihan
* 2013: Killing Kennedy as Lyndon B. Johnson
* 2015: Henry Gamble's Birthday Party as Larry Montgomery
* 2017: The Evil Within as Dr. Preston
* 2017: Abundant Acreage Available as Tom
* 2019: Saint Frances as Dennis
* 2022: Relative as David Frank
* 2024: Ghostlight as Janitor Fran

## Awards and nominations
### Theatre

| Year | Award | Category | Work | Result |
| 1986 | Joseph Jefferson Awards | Actor in a Principal Role - Play | A Lesson from Aloes (Steppenwolf Theatre Company) | Nominated |
| 1988 | Joseph Jefferson Awards | Actor in a Principal Role - Play | Little Egypt (Steppenwolf Theatre Company) | Nominated |
| 2010 | Joseph Jefferson Awards | Actor in a Principal Role - Play | A Guide for the Perplexed (Victory Gardens Theater) | Won |
| 2011 | Joseph Jefferson Awards | Actor in a Principal Role - Play | Rantoul and Die (American Blues Theater) | Nominated |
| 2015 | Joseph Jefferson Awards | Actor in a Principal Role - Play | White Guy on the Bus (Northlight Theatre) | Nominated |
| 2015 | Joseph Jefferson Awards | Actor in a Principal Role - Play | The Night Alive (Steppenwolf Theatre Company) | Nominated |
| 2019 | Evening Standard Theatre Award | Best Actor | Downstate | Nominated |

### Film

| Year | Award | Category | Work | Result |
| 2022 | Festival of Cinema NYC Jury Award | Best Ensemble Cast | Relative | Won |
| 2022 | Midwest Film Festival | Best Actor | Relative | Won |
# Francesc Fontanella

Francesc Fontanella (Catalan pronunciation:; 1622 – c. 1680/1685) was a Catalan poet, dramatist, and priest.
Fontanella was born in Barcelona. He studied law and was granted a degree in Civil and Canon law in 1641. Until 1652 he lived a courtesan life in Barcelona and began writing love poetry and wrote his two dramatic works: Tragicomèdia d'Amor, Firmesa i Porfia (1642) and Lo desengany (1651). Both pieces are allegorical with some pastoral elements. His poetry was more mature: he changed the pseudonym Gilet for the more pastoral Fontano and achieved great poetic heights in the sonnets dedicated to the death of his first wife. "A la mort de Nise" is worth mentioning.
In 1652, around the time of the defeat of the Catalan Revolt, he fled to Perpignan where he began a completely different life: the death of his second wife led to his entry in the Dominican order and he was ordained as a priest. His poetry thus changed from amorous themes to religious ones and from euphoria to pessimism, a contrast completely personal yet simultaneously typical of the baroque. He died in Perpignan.
He is considered to be one of the most important figures in the Catalan baroque along with Francesc Vicenç Garcia and Josep Romaguera.

## Notable works

* 1642: Tragicomèdia pastoral d'Amor, Firmesa i Porfia
* 1651: Lo desengany
# Carl Gustaf Nordin

Carl Gustaf Nordin (born 2 January 1749 in Stockholm, died 14 March 1812 in Härnösand) was a Swedish statesman, historian and ecclesiastic.

## Early life

In 1774, he was made docent of Gothic antiquities at Uppsala University in consequence of his treatise, "Monumenta svia-gothica vetustioris aevi falso meritoque suspecta".
When he was summoned to Stockholm in 1782 by Gustav III of Sweden to edit a Swedish Corpus diplomaticum, half an hour's private conversation with the young priest convinced Gustav that Nordin's proper place was in the political arena. But he employed Nordin quite differently from his episcopal colleague Olof Wallqvist. While the bishop publicly defended the royal measures, Nordin became the king's private adviser. In politics Nordin was a royalist. To him, a parliament seemed little better than a mob. He was one of the king's secret managers during the troublesome and dangerous Riksdag of 1789, but advised caution and compared the estate of clergy, which at one time held the balance between the jarring orders, to ice which might be walked upon but could not be driven over.
Nordin was appointed a member of an ecclesiastical commission for reforming the church in 1787, in which capacity he was virtually minister of public worship. Between 1791 and 1792 he became a leading member of the financial and general committees of the Riksdag.

## Bishop

After the king's death Nordin shared in the general disgrace of the Gustavians and lived in retirement at the little town of Härnösand, where he held the post of lector at the gymnasium. But he reappeared prominently on the political scene during the Riksdag of 1800, and in 1805 was consecrated bishop of Härnösand.

## Scholar

Though he lacked the brilliant qualities of his rival Wallqvist, Nordin had the same alertness and penetration, and was more stable and disinterested. One of the most learned men of his day, he devoted his spare time to history, and discovered that many of the oldest and most cherished Scandinavian manuscripts were clever forgeries. Like Jean Hardouin he got to believe that a great deal of what is called classical literature was compiled by anonymous authors at a much later date, and he used frequently to startle his colleagues, the Gustavian academicians, by his audacious paradoxes.
Nordin left behind him a colossal collection of manuscripts, the so-called Nordinska Samlingarna, which were purchased and presented to Upsala University by Charles XIV John and form the groundwork of the Scriptores rerum Suecicarum medii aevi.
Nordin published during his lifetime Handlingar till uplysning af svenska krigshistorien (Stockholm, 1787–1788). His academical addresses came out at Stockholm in 1818 under the title Minnen öfver namnkunniga svenska män, His Dagbok or Diary did not appear until 1868.
Nordin was one of the original members of the Swedish Academy.
# Francesc Antoni de la Dueña y Cisneros

Francisco Antonio de la Dueña y Cisneros (referred to in Catalan as Francesc Antoni de la Dueña y Cisneros) (1753–1821), was a Spanish clergyman. He was born in Villanueva de la Fuente, Ciudad Real. He studied philosophy at the university of Almagro, Ciudad Real, followed by law at the University of Toledo, and completed his studies at the University of Salamanca from 1778 to 1796. He was installed as Bishop of Urgell (and ex officio Co-Prince of Andorra) from 29 October 1797 to 23 September 1816.
# Carlo Poerio

Carlo Poerio (13 October 1803 - 28 April – 27 April 1867) was an Italian poet, Risorgimento and 1848 Revolution activist, politician, and brother of Alessandro Poerio.

## Early life

Descended from an old Calabrian family, Carlo Poerio was born on 13 October 1803 in Naples. He was the son of Baron Giuseppe Poerio, a lawyer of Naples who had attached himself to the cause of the King of Naples Joachim Murat. Consequently, the Baron was obliged to flee in 1815, taking his sons Alessandro and Carlo with him. They settled for a time in Florence, but in 1818 were allowed to return to Naples.

## 1848 revolution

He returned to Naples and practised as a lawyer, and from 1837 to 1848 was frequently arrested and imprisoned, helping among others to prepare the insurrection of 1847; but, when Ferdinand II, moved by the demonstration on 27 January of the latter year, promulgated a constitution, he was made minister of education. Discovering that the monarch maintained a will to collaborate with the Austrian Empire, he resigned office in April 1849, and returned to Naples to take his seat in parliament, where he led the constitutional opposition.

## Imprisonment, refuge, and return

After the battle of Novara, the king was free to dissolve parliament and renounce the constitution; in the month of July 1849 Poerio was arrested, tried, and sentenced to nineteen years in prison. Chained in pairs, he and other political prisoners were confined in one small room in the labor camp on Nisida (the Phlegraean Islands).
William Ewart Gladstone's report on the inhumane conditions in Neapolitan detention facilities (1851), emphasizing the case of Poerio, provoked an international uproar; nonetheless, Poerio was set free only in 1858. He and other exiles were then placed on board a ship bound for the Argentina, but the son of Luigi Settembrini (both of them on board the ship) compelled the crew to land them at Cork, in the United Kingdom, after which Poerio made his way to London.
In the following year he returned to Italy, and, in 1860 he was elected deputy to the parliament of Piedmont-Sardinia in Turin (the original seat of the House of Savoy government), and was chosen the body's vice-president in 1861, when the Kingdom of Italy was proclaimed.
# Francis Jones (Lord Mayor)

Sir Francis Jones (1559–1622) was an English merchant who was Lord Mayor of London in 1620.

## Career

Jones was a city of London merchant and a member of the Worshipful Company of Haberdashers. On 18 July 1610, he was elected an alderman of the City of London for Aldgate ward. He was Sheriff of London for the period 1610 to 1611, and also Master of the Haberdashers Company from 1610 to 1611. He was Master of the Haberdashers again for 1613 to 1614 and for 1616 to 1617. He was knighted on 12 March 1617. In 1620 he was elected Lord Mayor of London and was Master of the Haberdashers Company again for 1620 to 1621.

## Family

Sir Francis was the son of John Jones of Cleverley in Shropshire. He married twice and had three sons and a daughter by his first wife. They lived in London and at his country estate at Welford Park in Berkshire, which he bought in 1618 from the Parry family.
# Francis Joseph Bayldon

Francis Joseph Bayldon MBE (1872–1948) was an Australian master mariner and nautical instructor. Born in England, he was apprenticed to Devitt & Moore, and was an officer on their passenger ships, on a route that circled the globe, around the Cape of Good Hope and Cape Horn. He was later with the Canadian-Australian Line, sailing between Vancouver and Sydney, Australia. He was on the Burns Philp ship the Moresby in 1901–1902.
He helped correct nautical charts for Pacific navigation. Bayldon Shoals, near Tulagi in the Solomon Islands, is named for him.
He was a fellow of the Royal Australian Historical Society, and in 1925, published an article on the journeys of Luis Váez de Torres from the New Hebrides to the Moluccas. He was also a fellow of the Royal Geographical Society. He was president of the local League of Ancient Mariners and vice-president of the Shiplovers' Society in Sydney.
# Francis E. Faragoh

Francis Edward Faragoh (born Ferenc Eduárd Faragó; October 16, 1898 – July 25, 1966), also known as Francis Edwards Faragoh, was a Hungarian-American screenwriter. He wrote for 20 films between 1929 and 1947. He was nominated for an Academy Award in 1931 for Best Writing, Adaptation for Little Caesar. He was born in Budapest, Hungary and died at Kaiser Hospital in Oakland, California from a heart attack.

## Selected filmography

* Little Caesar (1931)
* Iron Man (1931)
* Frankenstein (1931)
* The Last Man (1932)
* Hat, Coat and Glove (1934)
* Becky Sharp (1935)
* Lady from Louisiana (1941)
# Francesc Berenguer i Mestres

Francesc Berenguer i Mestres (21 July 1866 – 8 February 1914) was a Spanish Modernista architect from Catalonia, and an assistant and friend of Antoni Gaudí.
He was born in Reus. He worked with several architectural workshops. First, he worked for August Font i Carreras, former teacher at the School, and later was with Miguel Pascual i Tintorer, municipal architect of Gràcia and Josep Graner i Prat. He died in Barcelona.
# Carmenza Cardona Londoño

Carmenza Cardona Londoño aka La Chiqui (1953 – March/April, 1981) was a Colombian guerrilla fighter with the M-19.

## Siege of the Dominican Embassy

She participated in the 1980 Dominican Republic Embassy siege in Bogotá, as second in command, under the alias 'Norma'. She took part in early discussions with the Colombian Government along with one of the hostages, Mexican Ambassador Ricardo Galan.

## Death

There are conflicting reports about Londoño's death. Some newspapers at the time list her as a POW handed over to the Colombian Army by Ecuadorian authorities in March 1981, after clashes near the town of Mocoa, in which case she would have died as a prisoner of the Colombian Army. Other news sources say she was killed in combat against the Army in Colombia's pacific coast region of Chocó in April of 1981.
# Carmentina perculta

Carmentina perculta is a species of sedge moth in the genus Carmentina. It was described by Alexey Diakonoff in 1979. It is found in Taiwan.
# Carlsberg Cup

Carlsberg Cup may refer to:
* Carlsberg Cup (Danish football tournament), the Danish association football tournament, using the sponsor name Carlsberg Cup between 1983 and 1986; see Spillerforeningen
* Carlsberg Cup (Northern Ireland), a defunct football tournament in Northern Ireland
* Lunar New Year Cup, the Hong Kong association football tournament previously known as Carlsberg Cup
* Taça da Liga, the Portuguese association football tournament, using the sponsor name Carlsberg Cup from 2007 until 2010
# Francesco Camilliani

Francesco Camilliani (1530 Florence – 1586) was a Tuscan sculptor of the Renaissance period. He studied in Florence under Baccio Bandinelli. His son Camillo Camilliani (died 1603) was later a sculptor too, working in Palermo, where he also worked as an architect and held the post as well of ingegniere del Regno, "engineer to the Kingdom of Sicily".
Camilliani was praised in one of Cosimo Bartoli's Ragionamenti Accademici; in the course of a stroll through Florence the interlocutors in Bartoli's dialogue say of one of Camilliani's statues, that, had it been buried and rediscovered, it would have been praised heartily.
Francesco Camilliani's most notable work by far is the Renaissance fountain in the Piazza Pretoria in Palermo, the Fontana Pretoria. This piece was originally commissioned for the garden of the villa outside Florence of Luigi Alvarez de Toledo, son of the viceroy Don Pedro Álvarez de Toledo and brother-in-law of Cosimo I de' Medici; it was completed in 1555. Camilliani was aided in the grand project by the garzoni of his studio, including the Florentine Michelangelo Naccherino (1550–1622), or Vagherino Fiorentino. In its original site, Giorgio Vasari called it a "most stupendous fountain that has not its peer in Florence or perhaps in Italy." Under pressure to make economies in his style of living, and perhaps with reservations about the completed fountain's crowd of ignudi, in January 1573 Don Luigi permitted it to be bought by the Senate of Palermo, through the intervention of his brother Don Garçia, the former viceroy and Governor of Palermo. It was dismantled into six hundred and forty-four pieces and transported to Palermo, and set up there by Camillo Camilliani, who had to concentrate its elements in the more constricted urban space, and to oversee some additions to render it more suitable for Sicily, which included a Venus by Antonio Gagini. Re-erection at Palermo was complete in 1584. The sculpture of the fountain depicts fables, monsters, and nymphs all spraying jets of water, which also falls and cascades between them. Once locally known as the Fontana della Vergogna, the "fountain of shame”, because of the nude statues that stand around the base of each tier, it is one of the few true pieces of High Renaissance art in Palermo.
# Francisco Venegas (painter)

Francisco Venegas (c. 1525 – 1594), was a Spanish painter active in Portugal in the last quarter of the sixteenth century. He was one of the most notable mannerist painters active in the country during that period.

## Early life

Venegas was born in Seville around the year 1525, having practiced the art of jewelry before becoming a painter. He was a student of Luis de Vargas, and spent a period in Rome, where he could observe the Italian Mannerist art of the time, as the works of Bartholomeus Spranger and Hans Speckaert.

## Career

In 1578 Venegas was already in Lisbon, and in 1583 he was appointed royal painter of Philip I of Portugal. In 1582, he directed the decoration of the ceiling of the church of the Hospital Real de Todos os Santos (Royal Hospital of All Saints), but unfortunately this work was lost in a fire in 1601. Around 1590, Venegas was to produce an altarpiece for the church of the Monastery of São Vicente de Fora, but this work was never carried out due to slow construction of the church. All that survives of this endeavor is one preparatory drawing, which is stored in the Office of the National Museum of Ancient Art.

## Works

An important work of Venegas still remaining in the original location is the altarpiece of the Igreja de Nossa Senhora da Luz (Church of Our Lady of Light) in Lisbon. The paintings are placed in a large wooden altarpiece in Mannerist style, in the chancel of the church built by Jérôme de Rouen between 1575 and 1590. Of the eight screens of the altarpiece, made around 1590, four are signed by the artist, including the central screen, dedicated to Apparition of Our Lady of Light. The other four paintings are by Diogo Teixeira, the usual partner of Venegas. The fact that he signed his works is a sign of his statement as a solo artist, something typical of Mannerism but relatively uncommon in Portugal at the time.
Another important work of Venegas is the illusionist painting the wooden ceiling of the Igreja de São Roque in Lisbon, a large composition that combines classic architecture with many sham medallions with religious images. The work, carried out between 1584 and 1590, was completed by the painter Amaro do Vale, author of medallions. Other works include a work for the St. Mary Magdalene Church of Grace in Lisbon.
Venegas died in Lisbon, in 1594, showered with honors.
# Francis 'Frank' and Eunice Smith House

The Francis 'Frank' and Eunice Smith House, at 1847 N 3000 W in Vernal, Utah was built in 1913–14. It was listed on the National Register of Historic Places in 2001.
It was deemed significant "for its unique architecture and the craftsmanship of the builder and original owner, Frank Smith. The Smith House is architecturally significant as a good representation of Frank Smith's carpentry and woodworking skills, particularly in the carved wood details and extant wood finish work in the interior. Smith was a local builder and woodworker who assisted in the construction of a large number of buildings in Vernal, Utah, and surrounding communities. His works include more than thirty residences as well as several various civic and religious buildings. The house is one of only two, two-story foursquare-type residences in the area and one of the larger houses in the settled area surrounding the city of Vernal. The foursquare house type is not as common in Utah as in other areas, especially in rural areas such as Vernal, and the Smith House is a unique variation of the type."
# Casa Fenoglio-Lafleur

Casa Fenoglio-Lafleur (or Fenoglio-Lafleur house) is a historical building in the Liberty style located in Turin, Italy.
It is situated in the San Donato borough, a central area with significant Stile Liberty buildings and New Gothic architecture in Turin. The building was designed in 1902 by building engineer Pietro Fenoglio who made it his private residence. Casa Fenoglio-Lafleur.

## History

Fenoglio designed the building as his home, according to the French Art Nouveau style. It was a "home-studio" which favored freedom of expression for creative talent. The building was designed to be an aesthetic model of the new Liberty style in Turin.
After it was built in the 1900s, Pietro Fenoglio and his family left the house. They sold it to a French businessman named Lafleur, who lived there until his death. After Lafleur, the heirs left the whole house to La Benefica, an important orphanage and charity association in Turin. It was saved from bombing in the Second World War. The building suffered years of decline but in the 1990s was sold to private clients who restored it carefully, giving back the original splendor. At the moment the building is partially appointed to private residence and offices.

## Description

The building is located on the edge of the old town, close to other famed residential landmarks such as the Casa della Vittoria and the Villino Raby. It is spread over three floors above ground, plus the attic floor. A privileged location is characterized by angular momentum along the axis of the corso Francia and via Principi d'Acaja where will find the main entrance and driveway access to the inner garden.
Although the structure is characterized by a rather traditional urban setting typical of a bourgeois villa, the building is an excellent and balanced example of combined use of materials. The decoration is very rich, abundant and references Art Nouveau with frequently phytomorphic shapes. The latter constitutes the elements between the two wings of the building and is embellished with a pronounced oriel window with polychrome glazing which exhibits a mixture of wrought iron.
The motifs of twisting lines are also evident in an elegant glass aedicule overlooking the garden terrace, which seems to reference the Parisian sinuosity of Hector Guimard's architecture. The work of Fenoglio, however, seems refreshingly unaffected by the schools of French and Belgian Art Nouveau, not only for the careful stylistic coherence but also the ambition to give the building an international connotation. This prompted Pietro Fenoglio to devote himself personally to designing every detail: from the drawing of the frame chassis, sought relief in shaped-cement, without neglecting the splendid inner door that gives access to the main entrance, the wooden frames of doors, rather than the singular design of cast iron radiators.
The house was carefully restored in the 1990s, returning the building to its original splendor. It now again functions as a private residence and offices.