OpenLLM-France/wikimedia huggingface dataset:
# Giovanna Negro

Giovanna Negro (San Bonifacio, 18 August 1976) is a Venetist politician from Veneto, Italy.
A member of Liga Veneta–Lega Nord, Negro was thrice mayor of Altivole and a member of the Chamber of Deputies from 2008 to 2013, when she was not re-elected.
In March 2015 Negro followed her mentor Flavio Tosi out of the party and in the following regional election she was elected to the Regional Council of Veneto for Il Veneto del Fare, a list linked to the Tosi List for Veneto, in the province of Verona. In 2019 she re-joined the LV, but was not re-elected in 2020.
# Clermont County Courthouse

The Clermont County Courthouse is located at 270 East Main Street in Batavia, Ohio. It was built by the Works Progress Administration and opened in 1936.

## Previous buildings

Clermont County was established in 1804 under an enabling act passed by the Ohio General Assembly. The county seat was located at Williamsburg and construction of a courthouse began soon after. The cost of the courthouse was $1,499 and was designed by Nicholas Sinks. The two-story stone structure was rectangular and was located in the public square. The courthouse remained in use until 1823.
When Brown County was established in 1817, a large chunk of Clermont County went with it. During this time the General Assembly moved the county seat to New Richmond despite protests from Williamsburg. A site was planned and set aside for the courthouse in New Richmond but nothing was ever built. The General Assembly convened again and changed the county seat to Batavia on February 24, 1824.
The Commissioners held a contest for the design of the courthouse and chose the plans from Ezekiel Dimmit for $3,484. The courthouse was designed in a combination of the Federal and Greek Revival styles. The building was rectangular in shape and contained a central projection containing a clock and capped by a cupola. The courthouse remained in service for nearly 108 years, until the county decided a larger courthouse was needed. Unfortunately for the county, an elaborate replacement was not feasible, due to the Great Depression.

## Current building

The current courthouse was designed by the architectural firm of Hunt & Allan in the Neoclassical style for $100,000. The building has a rectangular footprint and is three stories high. The facade of the building is lined with red brick and limestone trimwork. The building's main entrance is accessed by a flight of stairs and is framed by four large Tuscan piers supporting an entablature above. A window is located to each side of the central door with a window directly in line on the second floor. The wings to either side of the entrance projection contains three windows on each floor. The flat roof is hidden behind a solid balustrade.
An addition behind the old courthouse was finished in 1998. The design was approved by the commissioners and was submitted by Steinkamp, Steinkamp & Hampton. The building was designed in Greek Revival style and contains a central pediment supported by Tuscan columns with brick bases. The pediment contains an elliptical window. A drum rises from the roofline and is topped by a clock tower capped by a dome.
# Giovanni Lugari

Giovanni Battista Lugari (18 February 1846—31 July 1914) was an Italian Cardinal of the Roman Catholic Church who from the time he became a priest at nearly fifty years of age, worked in the Roman Curia.

## Biography

Giovanni Lugari was born in Rome, and there studied at the Royal University and Pontifical Gregorian University. He was ordained to the priesthood on 15 January 1896, when nearly fifty years old.
He then entered the service of the Roman Curia, being named Assessor and Sub-Promoter of the Faith of the Sacred Congregation of Rites on the following 3 February. After being appointed Privy Chamberlain supernumerario three days later, on 6 February, Lugari was made full Promotor of the Faith on 4 June 1897. On 4 June 1897 he became a Domestic Prelate of His Holiness.
In 1900, he was made a canon of the Liberian Basilica on 28 March, and of the Lateran Basilica on 10 June. Lugari was named Papal Auditor on 22 April 1901 and served as the Promotor of the Faith in the canonization process of Joan of Arc during that same year. He became Assessor of the Supreme Sacred Congregation of the Holy Office on 11 January 1902, and a canon of St. Peter's Basilica on the following 1 February.
Lugari was made a protonotary apostolic supernumerarium on 2 February 1902, and later consultor of the Sacred Congregation of Rites on 18 April that same year. His long years of work in the Curia were recognized by Pope Pius X, who created him Cardinal Deacon of S. Maria in Portico in the consistory of 27 November 1911.
The Cardinal died in his native Rome, at age 68. He is buried in the Campo Verano cemetery.
# Giovanni Luigi Marescotti

Giovanni Luigi Marescotti (died 1587) was a Roman Catholic prelate who served as Bishop of Strongoli (1585–1587).
On 14 January 1585, Giovanni Luigi Marescotti was appointed by Pope Gregory XIII as Bishop of Strongoli. He served as Bishop of Strongoli until his death in 1587.
# Giovanni Stanchi

Giovanni Stanchi (1608–1672) was an Italian still life painter.
# Girolamo Farnese

Girolamo Farnese (1599–1668) was a Roman Catholic cardinal.

## Biography

On 26 Apr 1639, was consecrated bishop by Giovanni Battista Scanaroli, titular Bishop of Sidon, with Tommaso Carafa, Bishop Emeritus of Vulturara e Montecorvino, and Giovanni Battista Altieri (seniore), Bishop Emeritus of Camerino, serving as co-consecrators.

## Episcopal succession

While bishop, he was the principal consecrator of:
* Giannicolò Conti, Bishop of Ancona e Numana (1666);
the principal co-consecrator of
* Luca Torreggiani, Archbishop of Ravenna (1645);
* Cristofor Segni, Titular Archbishop of Thessalonica (1646);
* Maffeo Vitale, Bishop of Mantova (1646);
* Francesco Angelo Rapaccioli, Bishop of Terni (1646);
* Pietro Vito Ottoboni, Bishop of Brescia (1654); and
* Giovanni Battista Brescia, Bishop of Vicenza (1655).
# Giovanni Sulpizio da Veroli

Giovanni Sulpizio da Veroli or Johannes Sulpitius Verulanus or Verolensis (fl. c. 1470 – 1490) was an Italian Renaissance humanist and rhetorician. Known to Erasmus, he was the author of a work on epistolary art, the proper composition and ornamentation of letters, De componendis et ornandis epistoli (c. 1475).

## Biography

He originated from the small commune of Veroli in Lazio, south of Rome.
Occupying the chair of grammar at the University of Rome, the Studium urbis, he joined with his master Pomponio Leto in studying the remains of Roman antiquity that lay in ruins all about them, and made impassioned pleas for the purification of Latin. In 1486 Sulpizio prepared the first printed edition of Vitruvius' De Architectura for the press; the work had long circulated in manuscripts, some of them corrupt. The volume, which also includes the text of Frontinus' De aquaeductu describing the aqueducts of Rome, was dedicated to Cardinal Riario, an enthusiastic supporter of the ideals of the Pomponian sodalitas; the dedicatory epistle urges Riario to complete the recovery of classical Roman buildings with a theatre. In his preface Sulpizio urges readers to send him emendations of the notoriously crabbed and difficult text. With Vitruvius' text in hand, Sulpizio directed the erection of a reproduction open-air Roman theater in front of Palazzo Riario in Campo dei Fiori, Rome; there, in 1486 or 1488 his students mounted the first production of a Roman tragedy that had been seen since Antiquity, in the presence of Pope Innocent VIII. The play they chose was Seneca's Phaedra, which they knew as Hippolytus.
In his concern to purify the Latin that was still being spoken as a lingua franca in educated circles, he wrote a commentary on Quintilian. The abruptness of the ending of Lucan's Pharsalia prompted him to add eleven verses, which were included in most early printed editions of Lucan's epic poem.
His Latin didactic poem, concerning the proper hygiene and table manners suited to the young student, and the pursuit of literary virtues, which lead to the other virtues, De moribus puerorum in mensa praecipue servandis, has been edited by M. Martini.
# Cleanskin

Cleanskin may refer to:
* Cleanskin (animal) or maverick, an unbranded range animal
* Cleanskin (film), a 2012 British terrorist thriller starring Sean Bean and Charlotte Rampling
* Cleanskin (security), an undercover operative unknown to his or her targets, or a terrorist unknown to national security services
* Cleanskin (wine), unbranded wine
* Cleanskin, an album by Brian Cadd
* "Clean Skin", an episode of the television drama Homeland
# Giovanni Battista Scapitta

Giovanni Battista Scapitta (1653-1715) was an Italian architect and engineer of the late Baroque period in Northern Italy. He was born in Moncalvo. He helped design the church of Santa Caterina, Casale Monferrato.
One of his most influential designs would turn out to be his spa design for what is now known as the Antiche Terme of Acqui Terme in the Piedmont. In 1679, a landslide damaged the medieval bath facilities in the town. The ill-fated Duke Carlo Ferdinando of Mantua commissioned Scapitta and the Regia Fabbrica to build new public baths for the thermal waters. The design resembled that of a monastery, with two cloisters around open air pools. The male cloisters had bedrooms: the first floor was reserved for military men. The cloister for women had a chapel dedicated to San Guido, patron of the town.
# Giovanni Battista Sighicelli

Giovanni Battista Sighicelli (died 1575) was a Roman Catholic prelate who served as Bishop of Faenza (1562–1575).
On 18 March 1562, Giovanni Battista Sighicelli was appointed during the papacy of Pope Pius IV as Bishop of Faenza. Native of San Giovanni in Persiceto, he served as Bishop of Faenza until his death on 12 July 1575.
# Gimialcón

Gimialcón (Spanish pronunciation:) is a municipality located in the province of Ávila, Castile and León, Spain. According to the 2006 census (INE), the municipality had a population of 102 inhabitants.

## Notable people

* Luis Gabriel Portillo, professor, writer and former politician
# Cleonaria cingalensis

Cleonaria cingalensis is a species of beetle in the family Cerambycidae. It was described by Gahan in 1901. It is known from Sri Lanka.
# Clogwyn railway station

Clogwyn is an intermediate station on the Snowdon Mountain Railway. It is located on an exposed ridge overlooking the Llanberis Pass and Clogwyn Du'r Arddu cliffs, a popular climbing spot.
The line starts in the valley bottom at Llanberis at an altitude of 353 ft (108 m), Clogwyn station stands at 2,556 ft (779 m).The summit station stands at 3,493 feet (1,065 m), 68 feet (21 metres) below the summit of the mountain.
The station opened with the railway on 6 April 1896, but both closed the same day following an accident. They reopened on 9 April 1897 without mishap and have operated since except during wartime.
The station has one platform.
| Preceding station | Heritage railways | Heritage railways | Heritage railways | Following station |
| Rocky Valley Halt | | Snowdon Mountain Railway | | Summit |
# Cloherty

Cloherty is a surname. Notable people with the surname include:
* Colin Cloherty (born 1987), American football player
* Patricia Cloherty, American businesswoman
# Cleomenes, the Spartan Hero

Cleomenes, the Spartan Hero or Cleomenes, The Spartan Heroe: A Tragedy is a 1692 tragedy by the English writer John Dryden. It was first staged at the Theatre Royal, Drury Lane by the United Company. It portrays the reign of Cleomenes, the King of Sparta, inspired by Plutarch's history of the period. Dryden's version is strongly Jacobite in drawing parallels from his overthrow to the recent Glorious Revolution in England. Because of this it was temporarily banned by the authority of Queen Mary.
The original Drury Lane cast included Thomas Betterton as Cleomenes, Anthony Leigh as Cleonidas, John Verbruggen as Ptolomy, Samuel Sandford as Sosybius, William Mountfort as Cleanthes, Edward Kynaston as Pantheus, John Hodgson as Coenus, Mary Betterton as Cratisiclea, Anne Bracegirdle as Cleora and Elizabeth Barry as Cassandra.
It was published by Jacob Tonson who had by this time secured exclusive rights to Dryden's work past and present. The published version was dedicated to the Tory politician, the Earl of Rochester.
# Gina Catalino

Gina Catalino (born 1984) is a New York-based folk-pop singer/songwriter. Two songs from her debut album Swept In Sound, "11:32 PM" and "Here & There", were featured in Showtime's television series The L Word. Gina has performed live on WNBC's Weekend Today In New York and has packed some New York City's most popular music venues including The Bitter End and Rockwood Music Hall. Her second record The Morning Shows Up Again was released on March 19, 2012.

## Biography

Gina Catalino (born in 1984) is a New Hampshire native singer-songwriter best known for her song, 11:32 PM. Music from Gina's debut record, Swept In Sound, has been featured in both film and television, most notably the placement of her song 11:32 PM in Showtime's hit series, The L Word. Gina has packed the house at some of New York City's most popular music venues, including The Bitter End and The Rockwood Music Hall. In March 2008, she performed two songs Live on WNBC's Weekend Today Show In New York.
Gina has spent the last few years in New York City writing and recording new material. After creating nearly forty songs, Gina chose ten for her second record entitled, The Morning Shows Up Again. For Catalino, The Morning Shows Up Again is a collection of songs that are honest, pure and optimistic. "Many of the songs have a longing for something but there is a sense that it will all somehow be ok," she explains.
The recording of The Morning Shows Up Again offered new experiences for Gina, including working with Grammy nominated singer Penny Nichols and Staten Island legend Karlus Trapp, both of whom provided backing vocals throughout the record. The core musicianship of the album is performed by Jordan Perlson on drums, Emilie Cardinaux and Brian Charette on piano, Solomon Dorsey and Jamie Bishop on bass, and Steve Elliot on electric guitar.
Gina's new record, The Morning Shows Up Again, was released on March 19, 2012.
"From song to song, you label her everything from the next Norah Jones, to the newest soul sister, to Ani DiFranco meets Jewel, until you finally settle on somewhere between Fiona Apple and Erykah Badu. It's all pointless because with each new listen, one comes to terms with the fact that they're listening to Gina Catalino. A woman whose music spiritually embodies an organically delicious sound juxtaposed with soul-baring lyrics and a commanding voice". - Robert Aguiar of Toastermag.com

## Television

* "Here & There", featured in The L Word, Season 5, Episode 2: "Look Out, Here They Come"
* "11:32 PM", featured in The L Word, Season 5, Episode 3: "Lady Of The Lake"
* On March 29, 2008 Gina was featured on WNBC's Weekend Today In New York television show where she was interviewed and performed two songs live.

## Discography

* 2007 - Swept In Sound
* 2012 - The Morning Shows Up Again
# Clifford Flanigan

Clifford Flanigan (August 2, 1941 – October 27, 1993) was an American professor of English, medievalist, and theatre historian.

## Life and career

Charles Clifford Flanigan grew up as an only child in Baltimore, Maryland, in a family descended from German and Irish immigrants. He graduated from Baltimore City College a year early, at the age of 16. Seeking to become a Lutheran pastor, he began theological studies at Concordia College in Bronxville, New York and then continued them at Concordia Senior College in Fort Wayne, Indiana. His master's degree was granted by Concordia Seminary near St. Louis, Missouri, in 1967. Although a Protestant, Flanigan followed the Catholic liturgical year with interest and observed many saints' days and feasts in a private manner and also by visiting Catholic churches.
He began studying Comparative Literature and Medieval history at Washington University in St. Louis while still at seminary. After deciding against entering the ministry, he enrolled full-time in doctoral studies at Washington University. When, in 1973, he completed his dissertation on the origins of liturgical drama, he was already employed as a junior professor at Indiana University Bloomington's program in Comparative Literature. An article, excerpted from his dissertation, received a prize from the Medieval Academy of America in 1976.
Flanigan was a gifted teacher. After his unexpected and early death, his students and colleagues organized two symposia in his honor, 1994 in Bloomington and 1995 in Kalamazoo. Flanigan's research was considered by many medievalist colleagues of the time to be unconventional and progressive, because he applied ideas from recent Critical Theory to medieval topics.
As a dramaturg, director, and actor, Flanigan was devoted to staging medieval dramas, for instance the Passion Play from the Carmina Burana, which was performed in Bloomington and New York City. He collaborated on a total of nine such performances.

## Selected books written or edited by Flanigan

* The Fleury "Playbook". Essays and Studies, ed. C. Clifford Flanigan, Thomas P. Campbell, Clifford Davidson (Kalamazoo 1985).
* Liturgical Drama and Dramatic Liturgy. A Study of the Quem queritis Easter Dialogue and its Cultic Context (Ann Arbor [Michigan] 1981).

## Literature about Flanigan

* Claus Clüver, In Memoriam C. Clifford Flanigan, 2 August 1941 – 27 October 1993, in: Papers by and for C. Clifford Flanigan: The Ritual Life of Medieval Europe, ed. Robert L.A. Clark. Romard 52–53 (2014), p. 23–26, esp. p. 23–25.
* Liturgy and the Arts in the Middle Ages. Studies in Honour of C. Clifford Flanigan, ed. Eva Louise Lillie–Nils Holger Petersen (Copenhagen 1996).
# Clifford Ford

Clifford Robert Ford (born 30 May 1947) is a Canadian composer, editor, music educator, and author. An associate of the Canadian Music Centre, he is a founding member of ARRAYMUSIC and a former member of the music faculties of McMaster University and Dalhousie University. He co-founded the Canadian Musical Heritage Society for which he is executive secretary and technical editor.

## Education

Born in Toronto, Ford studied piano, organ, and voice privately in his native city with Eric Lewis from 1957 to 1962. In 1960 he entered The Royal Conservatory of Music where he studied music theory and music composition with John Beckwith through 1964. He later pursued further studies with Beckwith and John Weinzweig at the University of Toronto where he earned a Bachelor of Music in 1970. That same year he won the Composers, Authors and Publishers Association of Canada's Ernest MacMillan Award which provided him with funds to pursue studies with István Anhalt at McGill University in 1970–1971. He later returned to that school for graduate studies in composition, earning a Master of Music in 1981. He also spent a year studying at the Institute for Sonology at Utrecht University with Gottfried Michael Koenig in 1973.

## Career

Ford joined the faculty of McMaster University in 1974 and taught there until 1976. He then taught at Dalhousie University until 1980. In 1981 he co-founded the Canadian Musical Heritage Society, and served as its executive secretary and technical editor.
In the 1980s Ford published several works about music in Canada, and later contributed articles to music publications, including several entries in The Canadian Encyclopedia.
Since 1989 he has worked as a consultant on electronic publishing.

## Selected compositions

* Mass 1976
* "Little Fantasy"
* "Forbidden Colours"

## Selected publications

* Canada's music: an historical survey, 1982.
* Sacred choral music - Volume 1, Canadian Musical Heritage Society, 1984.
* Sacred choral music - Volume I1, Canadian Musical Heritage Society, 1988.
* Variations on Alexander Davidson's "Toronto": for solo organ, 1993
# Giuseppe Piromalli

Giuseppe Piromalli may refer to:
* Giuseppe Piromalli (born 1921) (1921–2005), Calabrian 'Ndrangheta crime boss
* Giuseppe Piromalli (born 1945), Calabrian 'Ndrangheta crime boss, nephew and successor of the above
# Cnemaspis nimbus

Cnemaspis nimbus is a species of diurnal, rock-dwelling, insectivorous gecko endemic to India.
# Giuseppe Barison

Giuseppe Barison (September 5, 1853 – January 7, 1931) was a Triestiner painter and engraver, active in Venice.

## Life and career

He was born in Trieste, Austrian Empire to a family of modest means. His father was a tailor. Barison found a patron in the aristocratic Anna De Rin, who placed him in apprenticeship with the painter Carl Haase (1820-1876) in Trieste, and then enrolled him in the Academy of Fine Arts in Vienna. In 1872, Barison began to take lessons from the Nazarene painters Karl von Blaas and Eduard von Engerth, and also took courses in art history from August Eisenmenger.
Returning to Trieste in 1876, the next year he participated at the Esposizione di Belle Arti, with a canvas depicting Isabella Orsini and her Page, which gains him a two-year stipend from the city to study in Rome. After Rome, he spent some years in Venice, where he was influenced by Giacomo Favretto, and exhibited with the Società Veneta Promotrice di Belle Arti from 1880 onward. In 1886, his painting Pescheria a Rialto won the Prince Umberto Prize, but because of his non-Italian nationality, the award was rescinded.
His wife Giulia, originally from Trieste, and not happily settled in Venice, successfully urged her husband to relocate to Trieste, now with his family of three children (Arnaldo, Cesare and Ester). He experienced a chilly reception there, in part due to his personality, and in part due to his Venetian style of painting.
At the national exhibition of 1887, Barison was influenced by two paintings, Neapolitan Michele Cammarano's The Brawl (La Rissa), and Genoese Nicolò Barabino's Quasi oliva speciosa. Barison was to echo these paintings in his works After the Brawl (Dopo una rissa) (painted a few months later) and Quasi oliva speciosa in campis in 1899. The latter has a fluid loose brushwork that is characteristic of his later years (demonstrated also by his self-portrait). In Trieste, he gained commissions for the panels for the Savings Bank of Trieste in 1912 depicting The Builders (which includes a self-portrait in a flowing red robe) and The Merchants.
Subjects of his paintings in the early century include horses rendered with extreme care and precision in the painting Old Song (Municipality of Trieste). The First World War exiled Barison to the house of his son-in-law, the artist Roberto Amadi, in Pegli, Liguria where he stayed from 1915 to 1918, and continued painting land- and sea-scapes. After the war, he returned to Trieste, and along with contemporaries Guido Grimani (1871-1933) and Ugo Flumiani (1876-1938), continued to paint such themes. He often painted outdoors.
In his last years Barison took on new influences, including that of Umberto Veruda. He continued to paint for the first two decades of the twentieth century, but by then his paintings still evoked the past century. He died in Trieste on January 7, 1931.

## Selected paintings

* Venetian Salesgirl
* After the Fight
* Cavalryman in Battle
* Venetian Fishmonger