# Notre-Dame-des-Otages, Paris

Notre-Dame-des-Otages (French for 'Our Lady of the Hostages') is a Roman Catholic parish church in the 20th arrondissement of Paris. It was built between 1936 and 1938 to commemorate forty-nine priests and policemen who were taken hostage and executed by the Paris Commune during its final days.

## History

In 1932, the Jesuit Father Henri Deffin arrived at the Chapel of the Sacred Heart and began a project to build a new church to remember the hostages who died during the Paris Commune. He began raising funds in 1933, and commissioned the architect Julien Barbier (1869–1940) to design the new church. Work began in 1936. The work was slowed by the unstable soil of the site, which required the construction of thirty-three concrete pilings linked by arches. The was church dedicated 23 October 1938 by Cardinal Jean Verdier, Archbishop of Paris from 1929 until 1940. The Jesuits departed the church in the 1970s, and it became the parish church. In 2009, substantial modifications were made to the interior, including a new altar.

### Name

The church was named "Our Lady of the Hostages" to commemorate a tragic event during the Semaine Sanglante, the "Bloody Week", (21–28 May 1871) the final days of the Paris Commune. On 26 May, as the French army advanced to recapture the city, the Commune took forty-nine hostages: ten priests and clerics, including three Jesuits; thirty-five policemen and four civilians, whom they proposed to trade for captured Communards. The French army continued its offensive to retake the city. The Commune retaliated; in the presence of the Commune leaders and a large angry crowd, the Communards executed all forty-nine hostages. In the days that followed, the French army recaptured the city and recovered the bodies of the hostages. Ten to fifteen thousand Communards are recorded to have been killed and buried in mass graves in the city and suburban cemeteries.
A reminder of the hostages can be seen in the Courtyard of the church today; the door of a cell from La Roquette Prison, where some of the hostages were held before their summary execution.

## Exterior

The facade is in Neo-Romanesque style with rounded arches. It is built of reinforced concrete covered with dressed stone. Since the church was designed for the Society of Jesus or Jesuits, the architecture is full of groups of three elements, representing the Holy Trinity. There are groups of three lancet windows in each section of the nave wall. Over the portal is a sculpture representing The Sacred Heart of Jesus, flanked by angels. The sculptor was Roger de Villiers (1887–1957).
On the courtyard at the rear of the church is a reminder of the hostages for which the church is named; the door of a cell at La Roquette prison where three of the Jesuit priest hostages were held. The courtyard also has a plaque with the names of all of the hostages.
* Sculpture of The Sacred Heart of Christ and Angels over the portal
* The chevet of the church and courtyard

## Interior

The interior of the church is in the Neo-Byzantine style, with Art Deco decoration. The nave and choir have very spare decoration. The ceiling has rounded vaults with no ornament. The pulpit and the confessionals are integrated into the choir walls.
* The nave facing the choir
* The choir and altar
* The pulpit, integrated into the wall

## Art and decoration
### Stained glass

Since there is very little color in the interior, the stained glass plays a very prominent role. The windows were made from designs by Louis Barrilet (1889–1948) that were crafted by Jacques Le Chevalier (1896–1987) and Theodore-Gerard Hanssen (1885–1957). The windows are grouped into sets of three, following the Jesuit tradition, representing the Holy Trinity.
* Left transept windows: "The Nativity", "The Annunciation", "The Presentation at the Temple"
* Right transept windows:"Flight in Egypt", "Jesus among the Doctors of Law", "The Holy Family"

## Sculpture and mosaic

* Saint Joseph carrying the infant Jesus, by Yvonne Parvillee (20th c.)
* Altar sculpture, "Christ at Calvary" by Jules Dechin (1869-1947)
* Saint Mary and the Christ Child
* Station of the cross; Christ consoling the women in Jerusalem
A series of Art Deco mosaics along the side aisles depict the Stations of the Cross. They were made by Félix Gaudin based on designs by Louis Mazetier. Mazetier was also the creator of the sculptures on the altar and around the choir.

## Organ

* The organ in the tribune
The organ was built in 1956 by Edmond-Alexandre Roethinger, using elements recuperated from an older instrument, the former organ of Saint-Séverin, Paris, in the 5th arrondissement.