OpenLLM-France/wikimedia huggingface dataset:
# Intentional Software

Intentional Software was a software company that designed tools and platforms that followed the principles of intentional programming in which programmers focus on capturing the intent of users and designers, and spend as little time as possible interacting with machines and compilers. Its tools included language workbenches, tools that separated software function from implementation, and allowed 'language-focused' development. This allowed automatic rewriting of code as expert knowledge of implementation options changed. The company later began developing a platform for improving productivity of software groups.

## History

Charles Simonyi led a team in Microsoft Research in the 1990s and developed the concept of Intentional Programming, in which programmers focus on capturing the intent of users and designers, and spend as little time as possible interacting with machines and compilers. Simonyi developed the paradigm and by March 1995 had built an integrated development environment demonstrating it. In September 1995, he published a technical report entitled "The Death Of Computer Languages, The Birth of Intentional Programming", and in 1996, he presented a talk. The project was moved from Microsoft Research to the development group in 1999. In 2000, Microsoft Research released an educational video introducing their Intentional Programming system.
Around spring 2001, Microsoft was rolling out C# and .NET to counter Java adoption, and decided not to productize the Intentional Programming paradigm. Simonyi obtained Microsoft's approval to take his idea out from Microsoft and commercialize it himself. Microsoft cross-licensed Simonyi's patents to Intentional Software, but he could not take any of the code. The company was co-founded by Simonyi and Gregor Kiczales in 2002, and later headed by CEO Eric Anderson. However, Kiczales left the company in 2003. After rewriting the code from scratch, in 2006, another major rewrite was performed.
In 2017, the company had almost 100 staff. On April 18, 2017, it was acquired by Microsoft, with many of its employees joining the Microsoft Office team.

## Products and services

Intentional Software developed the Domain Workbench, a language workbench for building and working with domain-specific languages, and designed custom languages for clients for their particular uses. They also built the Intentional Platform, a platform for group productivity software.
Intentional Software's ideas and capabilities were not particularly novel, and had all been around for a while. However, their language workbench was more mature than comparable tools of the time. Programs were written in a general purpose language with the working name of CL1, which was represented as a tree or database rather than text. This information could be projected or viewed in several ways, such as circuit diagrams or a C#-like language. The workbench featured integrated specification of test cases, integrated version control, and a runtime deployment option to release standalone products. The system was primarily integrated into the .NET ecosystem, but Java deployment was also supported.
# Kees Bregman

Kees Bregman (born 8 August 1947 in the Netherlands) is a Dutch retired footballer.
# Renewal (Billy Strings album)

Renewal is the fifth studio album by American bluegrass musician Billy Strings, following Home. Released on September 24, 2021, the album peaked at number one on the Billboard Bluegrass Albums chart, making Renewal the second consecutive studio album by Billy Strings to do so.
The song "Red Daisy", one of the tracks on the album, was performed on Jimmy Kimmel Live! on 25 October 2021.

## Overview and meaning

The last track on the album, "Leaders", tackles the subject of human rights. Other tracks on the album, such as "In the Morning Light" and "Love and Regret", focus on the subject of love and relationships.
The lengthiest track on the album, "Hide and Seek", features a chorus with the last text messages one of Billy Strings’ friends sent to him before committing suicide.

## Reception

Matt Ruppert of No Depression stated "Though the musicality is the most automatically familiar part of Renewal, the songs themselves, built around Strings’ yearning vocals, stand up to and even match the exploratory music."
It was nominated for the Grammy Award for Best Bluegrass Album.

## Personnel
### The Band

* Billy Strings – guitar, vocals, mandolin, piano, synth, guitjo (guitar banjo), bass drum, bells, chimes
* Billy Failing – banjo, vocals, piano
* Jarrod Walker – mandolin, vocals, guitar
* Royal Masat – bass, vocals

### Additional musicians

* John Mailander – violin
* Spencer Cullum Jr. – pedal steel
* Grant Milliken – synth
* Jonathan Wilson – celesta, percussion, harpsichord, group vocals
* Ally Dale, Nate Flores, Steve York, Bill Orner – group vocals

### Technical

* Jonathan Wilson – producer
* Gary Paczosa – engineer (Sound Emporium), mixing
* Skyler Chuckry – assistant engineer (Sound Emporium)
* Grant Milliken – engineer (FiveStarStudios)
* Paul Blakemore – mastering
* Tyler Franz – cover photo
* Bill Orner – design concept and layout
* Jesse Faatz – photography
# Altmünster

Altmünster (German pronunciation:; In the local dialect: Oidmünsta), also known as Altmünster am Traunsee, is a market town located about 3 kilometres south of Gmunden in the Austrian state of Upper Austria, on the west shore of the Traunsee. Its economic base consists primarily of tourism, light industry, and as a bedroom community for people working in larger communities such as Gmunden and Vöcklabruck.

## International relations
### Twin towns — Sister cities

Altmünster is twinned with:
* Düren, Germany
* Hoegaarden, Belgium

## Notable residents

* Franz Stangl (1908-1971), Austrian-born Nazi SS concentration camp commandant

### Aristocracy

* Archduke Ferdinand Karl Joseph of Austria-Este (1781–1850), commanded the Austrian army during the Napoleonic Wars, died locally
* Archduke Franz Salvator of Austria (1866–1939), member of the House of Habsburg
* Archduchess Karoline Marie of Austria (1869–1945), member of the House of Habsburg-Tuscany and Archduchess of Austria
# 2020 FINA Marathon Swim World Series

The 2020 FINA Marathon Swim World Series was scheduled to consist of 10 stops between 15 February to 24 October 2020. Due to the COVID-19 pandemic, only the first stop in Doha took place, and on 20 July, FINA confirmed that the remainder of the 2020 series had been cancelled.

## Calendar

The calendar for the 2020 series was announced by FINA on 10 December 2019.
The Seychelles leg was scheduled to take place on 3 May, but was initially postponed until 18 August due to the COVID-19 pandemic.
On 20 July, it was confirmed that the remainder of the 2020 series had been cancelled.
| Date | Location |
| February 15 | Doha |
| June 6 | Lupa Lake |
| June 13 | Setúbal |
| July 19 | Lac Saint-Jean, Quebec |
| August 1 | Lac Mégantic, Quebec |
| August 18 | Beau Vallon Beach, Seychelles |
| August 30 | Ohrid |
| September 19 | Nantou |
| October 15 | Chun'an |
| October 24 | Hong Kong |

## Medal summary
### Men

| Event | Gold | Silver | Bronze |
| Doha | Marc-Antoine Olivier (FRA) | Rob Muffels (GER) | Florian Wellbrock (GER) |

### Women

| Event | Gold | Silver | Bronze |
| Doha | Leonie Beck (GER) | Ana Marcela Cunha (BRA) | Sharon van Rouwendaal (NED) |

### Medal table

| Rank | Nation | Gold | Silver | Bronze | Total |
| 1 | Germany (GER) | 1 | 1 | 1 | 3 |
| 2 | France (FRA) | 1 | 0 | 0 | 1 |
| 3 | Brazil (BRA) | 0 | 1 | 0 | 1 |
| 4 | Netherlands (NED) | 0 | 0 | 1 | 1 |
| Totals (4 entries) | Totals (4 entries) | 2 | 2 | 2 | 6 |
# Bread and Jam for Frances

Bread and Jam for Frances is the second studio album by Switchblade Symphony. It was recorded at Brilliant Studios in San Francisco and Private Island Trax in Hollywood and mastered at Private Island Trax. The original CD artwork erroneously listed 15 tracks, with "Harpsichord" at track 7, though that song was not on the CD and later pressings corrected the error. The positions of "Dirty Dog" and "roller Coaster" are also switched. The album peaked at #119 on the CMJ Radio Top 200.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
Dean Carlson for AllMusic praised the album for taking the "darkwave pretensions of Switchblade Symphony's previous material and pushed it through an even more stylized electronic filter."
Mark Jenkins for the Washington Post said the album sounded similar to Siouxie and the Banshees but praised the instrumentals of Susan Wallace, nothing that "She incorporates hip-hop scratching, industrial rhythms and found sound into the band's music, giving tracks like "Roller Coaster" and "Harpsichord" a clattering vitality that belies their voice-from-the-grave ambience."
# Encanto/Central Avenue station

Encanto/Central Avenue (also known as Heard Museum) is a light rail station on Valley Metro Rail in uptown Phoenix, Arizona, United States. It is the ninth stop southbound and the twenty-first stop northbound on the initial 20 mile starter line. The station is located on Central Avenue north of Encanto Boulevard directly in front of the Tapestry on Central condominium complex. The Heard Museum is located across the street from this station.

## Station art

The Central/Encanto station features art by Jamex & Einar de la Torre from San Diego, California.

## Ridership

Weekday Rail Passengers :
| Year | In | Out | Average Daily In | Average Daily Out |
| 2009 | 122,26 | 116,284 | 481 | 458 |
| 2010 | 123,68 | 122,184 | 489 | 483 |

## Notable places nearby

* Heard Museum
* U.S. Federal Building
* St. Mary's High School
* Monterey Park
* Willo Historic District
# Ironton station

The Ironton Norfolk and Western Depot is a former train station in downtown Ironton, Ohio, United States. Constructed at the beginning of the twentieth century, it served the transportation needs of its community for more than half a century, and it has been named a historic site because of its place in local history.

## History

Ironton and the surrounding Hanging Rock region were once among Ohio's most prominent industrial regions, due to extensive deposits of iron ore that were worked in the region's numerous charcoal-fired blast furnaces. For part of this period, land transportation in the region was served by the Scioto Valley Railroad, which enabled the Norfolk and Western Railway to gain access to the area in 1881 by purchasing the smaller railroad. By this time, industry was transitioning away from traditional iron smelting toward more modern methods of steel manufacturing, requiring the construction of improved trackside facilities in Ironton. As a result, the N&W erected the present station, beginning in 1906 and finishing construction in the following year. While it was built to furnish transportation for industrial purposes, the station also served the city's ordinary freight and passenger traffic needs. Trains ceased using the station when it closed in 1969. Since that time, the depot has been purchased by Ironton's city government, which leases it for commercial purposes; a series of restaurants has operated out of the building since its closure. In preparation for one such occupant, extensive renovations were performed in 2007, including refinishing of the hardwood floors, repairs to the roof, and replacement of older windows.

## Architecture

Built of brick on a brick foundation, the depot is a single-story building with a simple plan: shorter wings radiate out from both sides of the taller central structure. Separate hip roofs cover the central and side sections, except for the section above the main entrance, at which the roofline deviates to provide shelter as far as the edge of the street. Covered with a gabled roof, this extension features a four-pillar facade topped with a pediment and entablature. Smaller and simpler entrances are located to the sides of the building, which has a total area of approximately 5,000 square feet (460 m$^2$). Elements such as the main entrance combine to make the building a clear example of the Neoclassical style of architecture.

## Preservation

In 1978, the Ironton Norfolk and Western Depot was listed on the National Register of Historic Places, qualifying both because of its place in the area's history and because of its historic architecture. Thirty-one years later, much of downtown Ironton was designated a historic district and listed on the National Register; this zone, the Downtown Ironton Historic District, includes several blocks around the depot's location at the junction of Park Avenue and Bobby Bare Boulevard.
| Preceding station | Norfolk and Western Railway | Norfolk and Western Railway | Norfolk and Western Railway | Following station |
| Sciotovilletoward Cincinnati | | Main Line | | Kenovatoward Norfolk |
# João Afonso de Albuquerque (bishop)

João Afonso de Albuquerque, O.F.M. was a Roman Catholic prelate who served as the first Bishop of Goa (1537–1553).

## Biography

João de Albuquerque was ordained a priest in the Order of Friars Minor. On 11 Apr 1537, he was appointed during the papacy of Pope Paul III as Bishop of Goa. On 13 Jan 1538, he was consecrated bishop in Lisbon by Diego de Ortiz de Vilhegas, Bishop of São Tomé e Príncipe, with Martinho de Portugal, Archbishop of Funchal, and Fernando de Menezes Coutinho e Vasconcellos, Bishop of Lamego, serving as co-consecrators. He served as Bishop of Goa until his death on 28 Feb 1553.
# Pseudonocardia autotrophica

Pseudonocardia autotrophica is a bacterium from the genus Pseudonocardia. Pseudonocardia autotrophica produces antifungal compounds.
# Thomas Nozkowski

Thomas Nozkowski (March 23, 1944 – May 9, 2019) was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language.

## Early life and education

Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculptures. He graduated in 1967. He later transitioned to painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery.

## Career

In the early 1970s, after several years of making large scale paintings Nozkowski reacted to the macho scale of both Abstract Expressionism and Minimalism, and decided to work small, and on the easel — initially painting on 16-by-22-inch pieces of art-store canvas board.
By 1979, he had found an audience for his work in New York. Through a number of solo exhibitions at 55 Mercer Gallery and Rosa Esman Gallery in the 1980s, along with The Museum of Modern Art acquiring his work in 1982, his reputation for creating evocative drawings, prints, and paintings was solidified.
For more than four decades, Nozkowski painted almost every day, often in his studio in upstate New York. He had over 80 one-person shows of his work, most recently at the Pace Gallery which has represented him since 2008. Among his significant exhibitions were surveys at the Corcoran Gallery of Art in 1987, Ludwig Museum in 2007 and Fisher Landau Center in 2008. Nozkowski appeared in the main exhibition at the 2007 Venice Biennale curated by Rob Storr. He was the subject of a retrospective of works on paper at the New York Studio School in 2003 and a career retrospective at the National Gallery of Canada in 2009. Other exhibitions include, 70 Years of Abstract Painting - Excerpts, 2011, curated by Stephanie Buhmann at Jason McCoy Gallery, New York.
His work was written about and admired by art critics including Peter Schjeldahl, Marjorie Welish, John Yau and Robert Storr.

## Achievements

Nozkowski's long career includes achievements such as a 1993 Guggenheim Fellowship for Creative Arts, a 1999 award for painting from The American Academy of Arts and Letters and in 2008, the President's Citation of Cooper Union. In 2010, Nozkowski was elected to The American Academy of Arts and Letters.

## Collections

* Metropolitan Museum of Art, New York
* Museum of Fine Arts Boston,
* Brooklyn Museum New York,
* Morgan Library and Museum, New York
* Museum of Modern Art, New York
* Phillips Collection, Washington, DC
* San Francisco Museum of Modern Art.
# Alexander II Mircea

Alexandru II Mircea (3 March 1529 – 11 September 1577) was a Voivode or Prince of Wallachia from 1568 to 1574 and 1574 to 1577. He was the father of Mihnea II Turcitul. His parents were Mircea III Dracul and Maria Despina. Raised by the Turks in Istanbul, he hardly knew his country of origin before gaining the throne of Wallachia.

## Rule

Alexandru and his wife Catherine Salvaresso came to Bucharest in June 1574. Like his great-grandfather Vlad III Dracula, he was known for cruelty, by slaughtering dissident boyars. Eventually, Alexandru was poisoned by noblemen claiming to be loyal to him. In 1574 he helped his brother in taking the throne of Moldavia.
# Retrospective (Monkey House album)

Retrospective is an anthology album by the music group Monkey House, which was released in 2013 on the Green Dolphin Music label. Monkey House is a rock/pop/jazz group led by Don Breithaupt. This release has a total of 44 tracks: 38 songs, plus six interviews. It includes almost every tune from their first two albums, Welcome to the Club (1992), and True Winter (1998), and also has four newer songs that were on the 2005 release entitled Big Money: Singles Remasters Rarities 1992-2005. Additionally, six tunes not previously released are on this anthology album, five of them being instrumentals, as well as the tune "I'm Not That Guy" from the Headquarters (2012 album) sessions, but had not been included on that album. Special guests include Little Feat drummer Richie Hayward and former Pat Metheny Group member David Blamires.

## Track listing

All songs written by Don Breithaupt

## Personnel

* Don Breithaupt - lead and backup vocals, keyboards, percussion, arranger, producer
* Rich Dodson - producer, guitar
* Mark Kelso – drums on track 1, brushes, hi-hat
* Richie Hayward - drums
* Rick Gratton - drums
* Pat Kilbride - bass on track 1
* Mike Francis - guitar, electric sitar
* John David (Dave) Dunlop - guitar
* Kenny Vehkavaara - guitar
* Asher Horowitz - guitar
* Peter Smith - guitar
* Carlos Lopes - guitar
* Anthony Vanderburgh - guitar
* Kevin Breit - guitar, mandolin, backup vocals
* Burke Carroll - pedal steel guitar
* Perry White – saxophone
* John Johnson – saxophones, EWI
* Tony Carlucci - trumpet
* Dave Dunlop - cornet, trumpet
* Gord Myers - trombone
* Terry Promane - trombone
* Rikki Rumball - backup vocals, lead vocal on tracks 20 & 33
* David Blamires - backup vocals
* Lorraine Lawson - backup vocals
* Debbie Johnson - backup vocals
* Suzanne Zrinscak - backup vocals
* Densil Pinnock - backup vocals, scat & octave vocals on track 24
* Jeff Breithaupt - character voice on track 13
* Aashna - voices
* MC Squared - rap lines on track 13
* Ross Breithaupt - congas
# Sullivan's Castle Island

Sullivan's Castle Island is a restaurant in Boston, Massachusetts, United States. It was named one of "America's Classics" by the James Beard Foundation in 2025.
# American Museum of Asmat Art

The American Museum of Asmat Art is a gallery exhibiting the art and culture of the Asmat people of southwestern Papua, Indonesia, housed at the University of St. Thomas in St. Paul, Minnesota. Featuring more than 2,200 objects, it is one of the largest of its kind in the United States. Asmat art is widely collected in major Western museums despite the difficulty in visiting the remote region to collect work; the "exceptionally expressive" art "caused a sensation in art-collecting circles" which led to large-scale collecting expeditions in the post-WWII era, according to art scholar and ethnology Dirk A.M. Smidt. The gallery includes a permanent display of Asmat works such as ancestor poles (bis) and canoes, and a rotating exhibition highlighting aspects of Asmat art and culture. Much of the collection is accessible through the museum's online database.
The museum was founded by Bishop Alphonse Sowada, a Minnesota native who worked with the Asmat people in Agats, Indonesia, for decades starting in 1958. Sowada, who had earned a master's degree in cultural anthropology from Catholic University of America, wrote books on Asmat art and culture and collected hundreds of artifacts, which later formed the core of the museum's collection. Sowada was also instrumental in founding the Asmat Museum of Culture and Progress in Agats in 1973, described by the artist Tobias Schneebaum as "a museum designed for the local people, not the nonexistent tourist," as well as an annual woodcarving competition and auction to recognize outstanding carvers in Agats, held in October since 1981.
After Sowada's retirement and return to the United States, he housed the collection in Hastings, Nebraska, and Shoreview, Minnesota, before donating it to St. Thomas in 2007. The current museum was opened in 2012.
# Kameido incident

The Kameido incident (亀戸事件) took place in 1923 in the aftermath of the Great Kantō earthquake. The Kameido police in Tokyo arrested labor activists, in fear that they would spread disorder. Troops of the 13th Cavalry Regiment proceeded to execute the prisoners and to dispose of the bodies. Koreans were also targeted, as it was thought they were planning to overthrow the government. Across Tokyo and Yokohama it is estimated that 6,000 Koreans were murdered. Joshua Hammer, writing in the Smithsonian magazine, noted that the Kanto earthquake "accelerated Japan's drift toward militarism and war."

## Background

On September 1, 1923, the Great Kantō earthquake struck Tokyo and Yokohama and martial law was imposed in the aftermath of the earthquake. On the evening of September 3, the Kameido police in Tokyo began arresting known social activists, suspecting that they would "spread disorder or forment revolution amid the confusion". During the mass arrests, police arrested union leader Hirasawa Keishichi, and Nakatsuji Uhachi, a member of the Pure Laborers' Union. The Special Higher Police arrested seven members of the Nankatsu Labor Association. Army troops detained an eighth member of the association, Sato Kinji.
Between late at night on September 3 and September 5, troops of the 13th Cavalry Regiment on emergency duty in Kameido shot and decapitated Hirasawa and nine others. They disposed of the bodies, together with those of Korean and Chinese massacre victims, along the banks of the Arakawa drainage canal. As many as 6000 Koreans were murdered due to the suspicion, founded or not, that they would use the civil unrest of the earthquake to overthrow the Japanese government.
The police issued an official notice on October 14, claiming that troops had shot the men because they were agitating prisoners. The following year, the Liberal Lawyers' Association and union leaders worked to bring the facts to light and establish responsibility, with partial success. Police claimed to have cremated the remains of the victims. With no remains to bury, a memorial service was held in February 1924.

## Victims of the Kameido Incident

* Hirasawa Keishichi [ja]
* Kawai Yoshitora
* Kato Koju
* Kitashima Kichizo
* Kondo Kozo
* Nakatsuji Uhachi
* Sato Kinji
* Suzuki Naoichi
* Yamagishi Jitsuji
* Yoshimura Koji