# Jane Murfin

Jane Murfin, née Macklem (October 27, 1884 – August 10, 1955) was an American playwright and screenwriter. The author of several successful plays, she wrote some of them with actress Jane Cowl—most notably Smilin' Through (1919), which was adapted three times for motion pictures. In Hollywood Murfin became a popular screenwriter whose credits include What Price Hollywood? (1932), for which she received an Academy Award nomination. In the 1920s she lived with Laurence Trimble, writing and producing films for their dog Strongheart, the first major canine star.

## Life and career

Jane Macklem was born October 27, 1884, in Quincy, Michigan. In 1907 she married attorney James Murfin, and retained his surname when the marriage ended fewer than five years later.
Murfin began her career with the play Lilac Time, which she co-wrote with actress Jane Cowl. The Broadway production opened February 6, 1917, and ran for 176 performances. Later that year the two women began collaborating, often under pseudonym Allan Langdon Martin, on a series of revivals of World War I melodramas. The pair later collaborated on Daybreak, followed by Information Please (1918) and Smilin' Through (1919).
In Hollywood, Murfin became a leading screenwriter, writing many romantic comedies and dramas by herself or in collaboration.
In 1920, director Laurence Trimble persuaded Murfin to purchase a German Shepherd dog—Strongheart—that became the first major canine film star. Strongheart starred in four films that Trimble directed from Murfin's screenplays: The Silent Call (1921), Brawn of the North (1922), The Love Master (1924) and White Fang (1925).
Murfin is credited with directing one film, Flapper Wives (1924), before the dissolution of her partnership with Trimble. Film historian Kevin Brownlow described this partnership as both professional and personal; although some sources describe Trimble and Murfin as a husband-and-wife filmmaking team, no marriage has been substantiated.
Murfin's later screenwriting credits include Way Back Home (1931), Our Betters (1933), The Little Minister (1934), Spitfire (1934), Roberta (1935), Alice Adams (1935), The Women (1939), Pride and Prejudice (1940), and Dragon Seed (1944).
Murfin was married to director and actor Donald Crisp from 1932 until 1944.

## Personal life

Murfin was married first to lawyer James Murfin from 1907 to 1912. Her second marriage was to actor Donald Crisp, for whom she would write parts in her scripts; the marriage lasted from 1932 to 1944.

## Accolades

Murfin and Adela Rogers St. Johns were nominated for the Academy Award for Best Story for What Price Hollywood? (1932). Frances Marion received the award, for The Champ.

## Theatre credits

| Date | Title | Notes |
| February 6 – July 1917 | Lilac Time | Theatre Republic, New York City; written with Jane Cowl Basis for the 1928 film |
| August 14 – October 1917 | Daybreak | Harris Theatre, New York City; written with Jane Cowl Basis for the 1918 film |
| October 2 – November 1918 | Information Please | Selwyn Theatre, New York City Basis for the film A Temperamental Wife (1919) |
| December 30, 1919 – May 1920 | Smilin' Through | Broadhurst Theatre, New York City; written with Jane Cowl, as Allan Langdon Martin Basis for film adaptations in 1922, 1932 and 1941 |
| October 21 – November 1929 | Stripped | Ambassador Theatre, New York City |

## Select filmography

Murfin is credited as a writer; additional production credits are noted.
| Year | Title | Notes |
| 1919 | Marie, Ltd. | |
| 1919 | The Right to Lie | |
| 1920 | The Amateur Wife | |
| 1921 | The Silent Call | |
| 1922 | Brawn of the North | Also producer |
| 1924 | The Love Master | Also producer |
| 1924 | Flapper Wives | Also producer, director |
| 1925 | White Fang | |
| 1925 | A Slave of Fashion | |
| 1926 | The Savage | |
| 1926 | Meet the Prince | |
| 1927 | The Notorious Lady | |
| 1927 | The Prince of Headwaiters | |
| 1929 | Street Girl | |
| 1929 | Half Marriage | |
| 1929 | Dance Hall | |
| 1929 | Seven Keys to Baldpate | |
| 1930 | The Runaway Bride | |
| 1930 | Lawful Larceny | |
| 1930 | Leathernecking | |
| 1930 | The Pay-Off | |
| 1931 | Too Many Cooks | |
| 1931 | Friends and Lovers | |
| 1931 | Way Back Home | |
| 1932 | Young Bride | |
| 1932 | What Price Hollywood? | |
| 1932 | Rockabye | |
| 1933 | Our Betters | |
| 1933 | The Silver Cord | |
| 1933 | Double Harness | |
| 1933 | Ann Vickers | |
| 1933 | After Tonight | |
| 1933 | Little Women | |
| 1934 | Spitfire | |
| 1934 | This Man Is Mine | |
| 1934 | The Crime Doctor | |
| 1934 | The Life of Vergie Winters | |
| 1934 | The Fountain | |
| 1934 | The Little Minister | |
| 1935 | Romance in Manhattan | |
| 1935 | Roberta | |
| 1935 | Break of Hearts | |
| 1935 | Alice Adams | |
| 1936 | Come and Get It | |
| 1937 | That Girl from Paris | |
| 1937 | I'll Take Romance | |
| 1938 | The Shining Hour | |
| 1939 | Stand Up and Fight | |
| 1939 | The Women | |
| 1940 | Northwest Passage | |
| 1940 | Pride and Prejudice | |
| 1941 | Andy Hardy's Private Secretary | |
| 1943 | Flight for Freedom | |
| 1944 | Cry "Havoc" | |
| 1944 | Dragon Seed | |