# Chris Menges

Chris Menges BSC, ASC (born 15 September 1940) is a British cinematographer and film director.
He is a member of both the American and British Societies of Cinematographers.

## Life and career

Menges was born in Kington, Herefordshire, the son of the composer and conductor Herbert Menges. He began his career in the 1960s as camera operator for documentaries by Adrian Cowell, and for films including Poor Cow by Ken Loach and If.... by Lindsay Anderson. Kes, directed by Ken Loach, was his first film as cinematographer. Menges was also behind the camera on Stephen Frears' first feature film Gumshoe in 1971.
After several documentaries and feature films, such as Black Beauty (1971), Bloody Kids (1978), The Game Keeper (1980), Babylon (1980) and Angel (1982), Menges became notable for more ambitious works, for which he was critically acclaimed.
In 1983, Menges received his first BAFTA nomination for the Bill Forsyth film Local Hero, and only a year later won his first Academy Award for the film The Killing Fields about the genocide in Cambodia. He continued his work with helmer Roland Joffe, and Menges won his second Oscar in 1986 with the historical drama The Mission. He also shot a television play titled Made in Britain, starring Tim Roth, in 1983.
In 1988, Menges made his directorial debut with A World Apart. This film was celebrated at the 1988 Cannes Film Festival and won three major awards.
His second film as director, CrissCross with Goldie Hawn, received critical acclaim, but was a box-office flop. In 1996 he moved back behind the camera to shoot the award-winning films The Boxer (directed by Jim Sheridan) and Michael Collins. For the latter, he received his third Academy Award nomination in 1997.
Menges also made documentaries. In the early 1970s, he went to Burma with British film maker Adrian Cowell to shoot The Opium Warlords, a film about the drug trade. After the release of the documentary in 1974, the Burmese government was said to have put a price on their heads. Menges is mentioned in the book Conversations with Cinematographers by David A. Ellis, published by Scarecrow Press.

## Filmography
### Cinematographer

Short film
| Year | Title | Director | Notes |
| 1963 | The War Game | Mai Zetterling | With Brian Probyn |
| 1966 | Raid into Tibet | Adrian Cowell | Documentary short |
| 1968 | Solo | Misha Donat | |
| 1969 | Assignment Vietnam | Richard Taylor | Documentary short |
| 1971 | Talk About Work | Ken Loach | Documentary short |
| 1981 | Couples and Robbers | Clare Peploe | |
Documentary film
| Year | Title | Director | Notes |
| 1968 | Abel Gance: The Charm of Dynamite | Kevin Brownlow | |
| 1969 | Wild and Free Twice Daily | Himself | |
| 1971 | The Save the Children Fund Film | Ken Loach | |
| 1981 | East 103rd Street | Himself | |
| 1984 | Which Side Are You On? | Ken Loach | With Jimmy Dibling |
| 1987 | Jin San Jiao ya pian jun fa jie mi | Adrian Cowell Wai-Chuen Yung | |
| 2003 | Concert for George | David Leland | |
| 2019 | Voice of Land | Henrique Bouduard | |
Feature film
| Year | Title | Director | Notes |
| 1968 | Last of the Long-haired Boys | Peter Everett | Uncredited |
| 1969 | Kes | Ken Loach | |
| 1970 | Loving Memory | Tony Scott | With Tony Scott and John Metcalfe |
| 1971 | Black Beauty | James Hill | |
| 1971 | Gumshoe | Stephen Frears | |
| 1979 | Black Jack | Ken Loach | |
| 1980 | Babylon | Franco Rosso | |
| 1980 | The Gamekeeper | Ken Loach | With Charles Stewart |
| 1981 | A Sense of Freedom | John Mackenzie | Lighting cameraman |
| 1981 | Looks and Smiles | Ken Loach | |
| 1982 | Battletruck | Harley Cokeliss | |
| 1982 | Angel | Neil Jordan | |
| 1983 | Local Hero | Bill Forsyth | Lighting cameraman |
| 1984 | Comfort and Joy | Bill Forsyth | |
| 1984 | The Killing Fields | Roland Joffé | |
| 1984 | Winter Flight | Roy Battersby | |
| 1985 | Marie | Roger Donaldson | |
| 1986 | The Mission | Roland Joffé | |
| 1986 | Fatherland | Ken Loach | |
| 1987 | Shy People | Andrei Konchalovsky | |
| 1987 | High Season | Clare Peploe | |
| 1996 | Michael Collins | Neil Jordan | |
| 1997 | The Boxer | Jim Sheridan | |
| 2001 | The Pledge | Sean Penn | |
| 2002 | Dirty Pretty Things | Stephen Frears | |
| 2002 | The Good Thief | Neil Jordan | |
| 2004 | Criminal | Gregory Jacobs | |
| 2005 | Tickets | Ken Loach | |
| 2005 | The Three Burials of Melquiades Estrada | Tommy Lee Jones | |
| 2005 | North Country | Niki Caro | |
| 2006 | Notes on a Scandal | Richard Eyre | |
| 2008 | The Yellow Handkerchief | Udayan Prasad | |
| 2008 | Stop-Loss | Kimberly Peirce | |
| 2008 | The Reader | Stephen Daldry | With Roger Deakins |
| 2010 | Route Irish | Ken Loach | |
| 2010 | London Boulevard | William Monahan | |
| 2011 | Extremely Loud & Incredibly Close | Stephen Daldry | |
| 2013 | Hummingbird | Steven Knight | |
| 2019 | Waiting for the Barbarians | Ciro Guerra | |

### Director

Documentary film
* Wild and Free Twice Daily (1969)
* East 103rd Street (1981) (Also producer)
Feature film
* A World Apart (1988)
* CrissCross (1992)
* Second Best (1993)
* The Lost Son (1999)

## Awards and nominations

Academy Awards
| Year | Title | Category | Result |
| 1984 | The Killing Fields | Best Cinematography | Won |
| 1986 | The Mission | Best Cinematography | Won |
| 1996 | Michael Collins | Best Cinematography | Nominated |
| 2008 | The Reader | Best Cinematography | Nominated |
BAFTA Awards
| Year | Title | Category | Result |
| 1983 | Local Hero | Best Cinematography | Nominated |
| 1984 | The Killing Fields | Best Cinematography | Won |
| 1986 | The Mission | Best Cinematography | Nominated |
| 1996 | Michael Collins | Best Cinematography | Nominated |
| 2008 | The Reader | Best Cinematography | Nominated |
American Society of Cinematographers
| Year | Title | Category | Result |
| 1986 | The Mission | Outstanding Achievement in Cinematography | Nominated |
| 1996 | Michael Collins | Outstanding Achievement in Cinematography | Nominated |
| 1997 | The Boxer | Outstanding Achievement in Cinematography | Nominated |
| 2008 | The Reader | Outstanding Achievement in Cinematography | Nominated |
Los Angeles Film Critics Association
| Year | Title | Category | Result |
| 1984 | The Killing Fields | Best Cinematography | Won |
| 1986 | The Mission | Best Cinematography | Won |
| 1996 | Michael Collins | Best Cinematography | Won |
National Society of Film Critics
| Year | Title | Category | Result |
| 1984 | Comfort and Joy | Best Cinematography | Won |
| 1984 | The Killing Fields | Best Cinematography | Won |
| 1996 | Michael Collins | Best Cinematography | Nominated |
New York Film Critics Circle
| Year | Title | Category | Result |
| 1984 | The Killing Fields | Best Cinematography | Won |
| 1986 | The Mission | Best Cinematography | Nominated |
Other awards
| Year | Title | Award/Nomination |
| 1984 | The Killing Fields | Boston Society of Film Critics Award for Best Cinematography |
| 1996 | Michael Collins | Nominated – Chicago Film Critics Association Award for Best Cinematography |