# Forest City Film Festival

The Forest City Film Festival (often abbreviated as FCFF) is a film festival located in London, Ontario, Canada. Founded in 2016, the Forest City Film Festival centres on exhibiting the work of filmmakers from Southwestern Ontario in juried competition for features, shorts, documentaries, short animations and other categories, although it also screens a selection of other Canadian and International films out of competition.
The event is typically held in October each year, principally at the London Public Library's Wolf Performance Hall.

## History
### 2016

The Forest City Film Festival was founded in 2016 by Dorothy Downs. The first festival was a collection of twenty-five films, screened over three days in November to an audience of 1200.

### 2017

In 2017, the festival added an animation category and an out-of-competition International Screening, totaling 48 films. The festival’s duration was expanded from three days to five in October, with 1800 audience members in attendance.

### 2018

In 2018, FCFF added a special Flashback Friday screening, a celebration of older films with a connection to the region. The Breakfast Club was screened, followed by a Q&A with special guest and London-native John Kapelos, who played Carl, the janitor in the film. The festival also held their first pitch competition for short films. FCFF 2018 offered 48 films once again, met by a 33% increase in attendees, totaling 2400 audience members in attendance that year.

### 2019

In 2019, the Forest City Youth Film Festival was introduced, offering a separate competition for high school student filmmakers in Southwestern Ontario. This year, the number of films increased to 64 films which were screened over a five day period. Attendance increased from 2400 to 3200.

### 2020

In 2020, the COVID-19 pandemic forced the Forest City Film Festival to offer their festival digitally. For an eight day period, 75 films were available for online on-demand viewing from anywhere in Canada, resulting in 4000 audience members in attendance. Additionally, a new Music Video category was added to the competition.

### 2021

In 2021, the film festival took on a hybrid model, returning to in-person screenings in downtown London while also continuing to offer nationwide online viewing. FCFF 2021 offered 92 films, viewed by 6100 in-person attendees and 4500 virtual views. 2021 also saw the festival’s Industry Sessions take on the name Ontario Screen Creators Conference, alongside expanding their offerings to a full weekend of events dedicated to education and networking for film industry professionals. Additionally, the pitch competition was rebranded to Project Pitch, a national competition to pitch a feature film for the opportunity to win a prize package with a value $60,000 in products, services, and cash grants. The Forest City Youth Film Festival also grew dramatically, screening 29 short films across seven categories.

### 2022

The 2022 edition ran from October 15 to 23, screening 70 films in competition. The festival included Indigenous films in two programs, as well as a new category, Best of the World Fests showcasing 14 films from around the world that had premiered and won awards at international festivals such as Cannes, Sundance, Berlinale, and TIFF.

### 2023

The 2023 edition ran from October 14 to 22. The films that this edition screened is currently unknown.

## Film Categories

The Forest City Film Festival offers the following categories of competition for submitted films:
* Narrative Feature, a feature-length film that tells a fictional or fictionalized story, event or narrative.
* Short Narrative, a film under 25 minutes that tells a fictional or fictionalized story, event or narrative.
* Feature Documentary, a feature-length non-fictional film.
* Short Documentary, a non-fictional film under 40 minutes.
* Short Animation, an animated film under 25 minutes.
* Music Video, a film of any length integrating a song or musical album.
* Screenplay, a screenplay between 75 and 120 pages.
In 2021, an Experimental category was also available.

## Southwestern Ontario Connection

In order to be eligible for the Forest City Film Festival competition, there must be a substantial connection to Southwestern Ontario. This connection may be:
* At least one member of the key artistic team must be from or resided in Southwestern Ontario for a portion of their life.
* The film is about a person, location, or event in Southwestern Ontario.
* The film was produced, in part or in full, in Southwestern Ontario.

## Awards

The Forest City Film Festival designates one film from each competition category as the best of the year. The film is selected by a viewing committee made up of filmmakers and community members. Each award winner receives a trophy and a cash prize. The exception to this is the Old Oak Audience Choice Award. This award is not selected by a committee, instead selected by audience rankings.

### 2016

| Award | Title | Director |
| Best Narrative Feature | Liminality | Darryl Callcott |
| Best Short Narrative | My Brother Charlie | Evan Hamza |
| Best Feature Documentary | Missing Mom | Robert McCallum, Jordan Christopher Morris |
| Best Short Documentary | Revealing Marie Saint Pierre | Janice Zolf |
| Old Oak Audience Choice Award | Revealing Marie Saint Pierre | Janice Zolf |

### 2017

| Award | Title | Director |
| Best Narrative Feature | Go Fish | Brett Heard, Kate Drummond |
| Best Short Narrative | Martin's Hagge | Penny Eizenga |
| Best Feature Documentary | Sea of Life | Julia Barnes |
| Best Short Documentary | Babe, I Hate to Go | Andrew Moir |
| Best Animation | It Happened During Recess | Cherry Zong, Jani Balakumar, Devin Emery, Olivia Zhao, Patt Jewanarom, Jade Armstrong, Michelle Oh, Yi Peng, Yiwei Zhou, Cong Nie, Andy Zhou, Angela Liao |
| Best Screenplay | Lost Slaves of Sand Island | Lisa Hagan |
| Old Oak Audience Choice Award | Clearing the Way | Paul Culliton |

### 2018

| Award | Title | Director |
| Best Narrative Feature | Firecrackers | Jasmin Mozaffari |
| Best Short Narrative | Little Black Dress | Mackenzie Donaldson |
| Best Feature Documentary | What Walaa Wants | Christy Garland |
| Best Short Documentary | Nests of Gold | Alan Poon |
| Best Animation | Gamble | Chayadol Lomtong |
| Best Screenplay | The Infected | |
| Old Oak Audience Choice Award | The Drawer Boy | Arturo Pérez Torres, Aviva Armour-Ostroff |

### 2019

| Award | Title | Director |
| Best Narrative Feature | Open for Submissions | Bryan Skinner, Ana de Lara |
| Best Short Narrative | Christmas Green | Allan Magee, Melanie McCaig, Ali Mashayekhi, Neil Huber, Clara Altimas |
| Best Feature Documentary | Prey | Matt Gallagher |
| Best Short Documentary | Take Me to Prom | Andrew Moir |
| Best Animation | "Little Star" | iskwē |
| Best Screenplay | My Canadian Son | Theodore Bezair |
| Old Oak Audience Choice Award | Prey | Matt Gallagher |

### 2020

| Award | Title | Director |
| Best Narrative Feature | The Cuban | Sergio Navarretta |
| Best Short Narrative | Break Up for the Modern Girl | Sydney Herauf |
| Best Feature Documentary | The Walrus and the Whistleblower | Nathalie Bibeau |
| Best Short Documentary | Hollie's Dress | Annie Sakkab |
| Best Animation | Scribblings | Tori Richards |
| Best Screenplay | Sluts | Mary Cross |
| Best Music Video | "Gerry" — WHOOP-Szo | Travis Welowsky |
| Old Oak Audience Choice Award | Into the Light | Janice Zolf |
| Pitch Competition | My Regularly Scheduled Chemo Appointment | Tyson Breuer |

### 2021

| Award | Title | Director |
| Best Narrative Feature | Marlene | Wendy Hill-Tout |
| Best Short Narrative | Paris, Ontario | Arnaud Weissenburger |
| Best Feature Documentary | Dead Man's Switch: A Crypto Mystery | Sheona McDonald |
| Best Short Documentary | Stitched Glass | Ian Daffern, Omar Majeed |
| Best Animation | The Lost Seahorse | Benjamin Fieschi-Rose |
| Best Screenplay | Both Sides Now | Tyler Dowey |
| Best Music Video | "Eso Que Tu Haces" — Lido Pimienta | Lido Pimienta |
| Old Oak Audience Choice Award | The Gig Is Up | Shannon Walsh |
| Project Pitch | Audit | Geordie Sabbagh |

### 2022

| Award | Title | Director |
| Best Narrative Feature | Ashgrove | Jeremy LaLonde |
| Best Short Narrative | Tenth Generation | Matthew Downs |
| Best Feature Documentary | The Long Rider | Sean Cisterna |
| Best Short Documentary | Cod Story | Noa Roginski |
| Best Animation | The Star Mill | Daniel Blake |
| Best Screenplay | Chameleon | Pat Brown |
| Best Music Video | "Hurt So Bad" — Bella Rosa | Paula Vergara |
| Old Oak Audience Choice Award | Burden | Ethan Hickey |
| Pitch Competition | Cry Wolf | Faran Moradi |

### 2023

| Award | Title | Director |
| Best Narrative Feature | The Boy in the Woods | Rebecca Snow |
| Best Short Narrative | Adore | Beth Warrian |
| Best Feature Documentary | July Talk: Love Lives Here | Brittany Farhat |
| Best Short Documentary | Uproot | Queena Liu |
| Best Animation | Afterimage | All Ears Productions |
| Best Screenplay | Legs | Jen Romnes |
| Audience Choice Award, Narrative | The Boy in the Woods | Rebecca Snow |
| Old Oak Audience Choice Award, Documentary | Mr. Dressup: The Magic of Make-Believe | Robert McCallum |
| Old Oak Audience Choice Award, Experimental | Zoon-Manitou | Trevor Blumas |
| Pitch Competition, Narrative | Turn It Up | Jesse Thomas Cook |
| Pitch Competition, Short | Lake’niha’ (My Father) | Judith Schuyler |
| Pitch Competition, Web Series | 18 to 35 | Rahul Chaturvedi |

### 2024

| Award | Title | Director |
| Best Narrative Feature | All the Lost Ones | Mackenzie Donaldson |
| Best Short Narrative | Desync | Minerva Marie Navasca |
| Best Feature Documentary | Curl Power | Josephine Anderson |
| Best Short Documentary | Bad at This | Jessie Posthumus |
| Best Animation | Detours Ahead | Esther Cheung |
| Best Performance | Matt and Mara | Deragh Campbell |
| Best Music Video | OMBIIGIZI, "Connecting" | OMBIIGIZI |
| Music Video Technical Merit | Donovan Woods, "How Good" | Brittany Farhat |
| Best Technical Narrative Feature | A Thousand Cuts | Jake Horowitz |
| Best Technical Documentary Feature | 999: The Forgotten Girls | Heather Dune Macadam, Beatriz Calleja |
| Impact Award | Atrocity | Nigel Stuckey |
| Old Oak Fan Favourite Award | The Count of Monte Cristo | Matthieu Delaporte, Alexandre de La Patellière |
| Screenwriting Competition | Slowly Fleeting | Darryl Callcott |
| Pitch Competition, Feature Film | Broken Bones | Rebecca Herron |
| Pitch Competition, Short Film | Writ Or | Natalie Davey, Rebecca Davey |

## Special Screenings and Events

Each year since 2017, the Forest City Film Festival has offered special screenings and events within the duration of the festival.

### Lerners Opening Night

Lerners Opening Night is the official launch of the festival, though it is not always the first day of screenings. The film is typically out of competition. Traditionally, the screening is preceded by a gala event at a local restaurant.
Previous Lerners Opening Night films include:
* Trigger Point (screened at FCFF 2021)

### Flashback Friday

Flashback Friday, traditionally held on a Friday evening during the festival, presents a screening of an older film with a connection to the region of Southwestern Ontario. A member of the cast or crew typically attends for a post-screen question and answer session.
Previous Flashback Friday films include:
* The Breakfast Club (screened at FCFF 2018)

### Music Video Night

Music Video Night is an event screening all of the selected films in the Music Video category. Additional to the screening, there are live performances by featured musical artists.

### Indigenous Film Programs

The Forest City Film Festival works with Indigenous filmmakers within the region to curate programs of Indigenous films.
Previous Indigenous films screened include:
* Beans (screened at FCFF 2021)
These curated films are not a part of the film festival competition, though films by Indigenous filmmakers that are submitted and selected are in contention.

### School-friendly Screenings

Each year, the Forest City Film Festival invites classes from across Southwestern Ontario to attend weekday matinee screenings. A Teacher's Guide is developed and distributed to ensure the screened films are age-appropriate.

### Forest City Youth Film Festival

The Forest City Youth Film Festival (often abbreviated as FCYFF) is a separate filmmaking competition under the umbrella of the Forest City Film Festival. Entrants to the FCYFF must be high school students in Southwestern Ontario. The competition is judged by a jury of industry professionals. Selected films are screened at a special event during the Forest City Film Festival.
Historically, the categories of competition are:
* Animation
* Narrative
* Documentary
* Pitch
* Experimental
* Music Video
* Promotional Video
Live online seminars are offered year-round to member school boards. These seminars give high schoolers and aspiring filmmakers the opportunity to learn more about the various aspects of filmmaking from industry experts, student filmmakers, and post-secondary educators, with an additional focus on career opportunities.

### Ontario Screen Creators Conference

Previously known as FCFF Industry Sessions, the Ontario Screen Creators Conference (often abbreviated as OSCC) is a three-day conference that takes place on one weekend of the Forest City Film Festival. The conference invites filmmakers and industry professionals of all experience levels to learn and connect at seminars, panels, networking parties, and other events held both in London, Ontario and online. Previous sessions have included:
* Behind the Scenes with Colm Feore, a longform interview with Canadian stage and screen actor Colm Feore.
* Documentary Design, a panel of documentarians discussing the process of defining visual design in documentary films.
* Authentic Voices Through a Diverse Lens, a panel of LGBTQIA+ and BIPOC filmmakers discussing representation in film.
* Forest City Feature Film Pitch, an annual pitch competition for emerging filmmakers to present unproduced screenplays; the winner of the competition receives $60,000 in grants and in-kind services from various organizations and companies. The festival previously offered a smaller-scale pitch competition for local emerging filmmakers working on their first short films; it was expanded to feature films in 2021, and was open to filmmakers from anywhere in Canada as long as they agreed to shoot and produce at least 50 per cent of their film in and around London. The winner of the first feature pitch competition was Geordie Sabbagh for his film Audit; the 2022 competition was won by Faran Moradi for Cry Wolf.