# A Monster Calls (film)

A Monster Calls is a 2016 dark fantasy drama film directed by J. A. Bayona and starring Lewis MacDougall, Sigourney Weaver, Felicity Jones, Toby Kebbell, and Liam Neeson. Featuring a screenplay adapted by Patrick Ness from his own 2011 novel of the same name, the film follows a boy grappling with his mother's terminal illness who is visited and told stories by a giant anthropomorphic yew tree.
The film rights to Ness' novel were acquired by Focus Features in March 2014, after which he was hired as screenwriter and Bayona signed on as director. Jones was cast that April, Fanny joined the film in May, and the rest of the main roles were cast by September. Principal photography began on 30 September, with filming taking place primarily in West Yorkshire, Derbyshire, and Lancashire in England, as well as in Bayona's native Spain.
After premiering on 10 September 2016 at the Toronto International Film Festival, the film was theatrically released on 7 October in Spain by Universal Pictures, on 1 January 2017 in the United Kingdom by Entertainment One, and five days later in the United States by Focus Features. It received positive reviews from critics, with praise for Bayona's direction, the acting, the visual effects, and the thematic content, but underperformed at the box office, grossing $47 million worldwide.

## Plot

In rural England, 12-year-old Conor O'Malley has a close bond with his seriously ill mother. He asks her mother for help following her regular chemotherapy treatments, but Conor does not like his strict grandmother and is troubled by the plan for him to go live with her in the event of his mother's death, as his father lives in the United States and has a new wife and daughter.
At school, Conor is regularly tormented by his classmate Harry. He is also plagued by a nightmare in which the old church near his house collapses into a hole, and he tries desperately to hold on to his mother to prevent her from plummeting to her death. Conor vents his emotions by drawing, a skill he learned from his mother.
One night, at exactly seven minutes past midnight, Conor sees the large yew tree next to the church transform into a gnarled Monster and approach his home. The Monster says it will tell Conor three stories during their next meetings, after which Conor must tell the Monster the truth of his nightmare.
In the Monster's first story, a prince flees from his step-grandmother, the supposedly-evil queen. He then kills his sleeping beloved and scapegoats the queen so the people turn against her and make him king. The Monster, knowing the truth, takes the queen and hides her far away.
As Conor's mother worsens, he moves in with his grandmother. His father comes for a visit and takes Conor to an amusement park. He invites Conor to come spend Christmas with him, but Conor is disappointed, as he had hoped his father would ask him to move to America.
That evening, Conor summons the Monster by making the hands of his grandmother's prized grandfather clock display 12:07. In the Monster's second story, a hard-hearted parson forbids an apothecary from extracting medicine from an old yew tree, only to change his mind when his own children become ill. The apothecary refuses to help him, and the Monster begins to destroy the parson's house as punishment. Conor enthusiastically joins in on the destruction, and really destroys his grandmother's sitting room in a fit of frustration. When she returns, his grandmother, while shocked and upset, does not punish Conor.
The doctors try a final treatment. As it is derived from the yew, Conor implores the Monster to heal his mother, but the Monster dismisses the matter as outside of his responsibility. At school, after Harry tells Conor he will no longer bother him because he "no longer sees [him]", the Monster tells his third story, a brief tale about a man no one sees who cannot stand it anymore, and calls a monster. Conor angrily attacks Harry, hospitalizing him. To his disappointment, the head teacher, aware of his current home situation, refrains from punishing Conor.
When it becomes clear his mother will die, Conor runs to the yew tree, and the Monster forces him to relive his recurring nightmare. His mother dangles from Conor's hand over the edge of the enormous sinkhole and then falls, disappearing into the void. The Monster repeatedly demands that Conor tell his story, saying it is the only way for him to be set free, but Conor steadfastly refuses, fearing the truth will kill him.
Eventually, Conor admits that in his nightmare he lets go of his mother's hand. He says he has long suspected his mother will not survive, and secretly hoped she would die to end their suffering, although, at the same time, he did not want her to die. The Monster commends Conor for his bravery in telling the truth and tells him that it is human to feel as he does.
Conor's grandmother finds him asleep under the tree and takes him to the hospital. Conor embraces his mother, and she glances at the Monster and dies at exactly seven minutes past midnight. Back at his grandmother's house, Conor learns his grandmother has refurbished his mother's old room for him. He finds his mother's childhood art book, which includes pictures of characters from the stories the Monster told him, as well as a drawing of his mother as a child on the Monster's shoulder.

## Cast

* Lewis MacDougall as Conor O'Malley
* Sigourney Weaver as Grandma, Conor's strict grandmother
* Felicity Jones as Mom, who is undergoing treatment for an unspecified terminal illness
* Toby Kebbell as Dad, who is divorced from Conor's mother and now lives in the United States with his new wife and daughter
* James Melville as Harry, a school bully who frequently targets Conor
* Geraldine Chaplin as the head teacher at Conor's school
* Liam Neeson as the Monster, a giant humanoid yew tree. Neeson provided the Monster's voice and motion capture performance, while Tom Holland served as the stand-in for the Monster on set. Additionally, Neeson appears in the film in a photograph as Conor's grandfather.

## Production

Focus Features bought the rights to Patrick Ness' book in March 2014. Ness served as the film's screenwriter, with J. A. Bayona hired as director. Felicity Jones was cast on 23 April 2014, Liam Neeson was cast on 8 May, Sigourney Weaver was cast on 18 August, and Toby Kebbell was cast on 19 August. On 3 September, Ness tweeted that Lewis MacDougall had been cast in the lead role. Geraldine Chaplin joined the cast of the film on 30 September.

### Filming

Principal photography began on 30 September 2014, and took place in Spain and Britain. On 9 October, filming began on location in Glossop, Preston, Lancashire (Ramsbottom), Rivington Pike (Chorley/Horwich), Blackpool Pleasure Beach, and Marsden, West Yorkshire.
Liam Neeson, who voices the film's titular tree creature, was not on set throughout the shooting process, having completed his motion-capture performance, with MacDougall in the room, during a two-week period beforehand. Actor Tom Holland, who had previously worked with Bayona on The Impossible (2012), worked on set as the stand-in for the Monster.

## Release

In the United States, the film was originally scheduled for an October 2016 release, before being rescheduled for a limited rollout on 23 December 2016, followed by a wide release on 6 January 2017. It was released in the United Kingdom on 1 January 2017 by Entertainment One and Lionsgate, and in India on 6 January 2017 by Relativity B4U.

## Reception
### Box office

A Monster Calls grossed $3.7 million in the United States and Canada and $43.5 million in other territories for a worldwide total of $47.2 million, against a production budget of $43 million.
In North America, the film had its wide release alongside the opening of Underworld: Blood Wars and the wide expansions of Hidden Figures and Lion, and was initially expected to gross around $10 million from 1,523 theaters over the weekend. However, after making just $659,000 on its first day, weekend projections were lowered to $2 million, which it ended up grossing, finishing 13th at the box office. In its second weekend of wide release, the film grossed $537,262 (a drop of 74.2%), and in its third week, it made just $19,080 (a drop of 96.4%) after being pulled from all but 42 theaters, one of the biggest third week theater drops in history.

### Critical response

On the review aggregator website Rotten Tomatoes, 86% of 266 critics' reviews of the film are positive, with an average rating of 7.6/10; the site's "critics consensus" reads: "A Monster Calls deftly balances dark themes and fantastical elements to deliver an engrossing and uncommonly moving entry in the crowded coming-of-age genre." On Metacritic, the film has a weighted average score of 76 out of 100 based on reviews from 40 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

### Accolades

List of awards and nominations :
| Award | Date of ceremony | Category | Recipient(s) | Result |
| AARP Annual Movies for Grownups Awards | 6 February 2017 | Best Supporting Actress | Sigourney Weaver | Nominated |
| AARP Annual Movies for Grownups Awards | 6 February 2017 | Best Intergenerational Film | A Monster Calls | Nominated |
| Camerimage | 19 November 2016 | Golden Frog Award for Best Cinematography | Óscar Faura | Nominated |
| Critics' Choice Awards | 11 December 2016 | Best Young Performer | Lewis MacDougall | Nominated |
| Critics' Choice Awards | 11 December 2016 | Best Visual Effects | A Monster Calls | Nominated |
| Detroit Film Critics Society | 19 December 2016 | Best Supporting Actress | Felicity Jones | Nominated |
| Empire Awards | 19 March 2017 | Best Sci-Fi/Fantasy | A Monster Calls | Won |
| Empire Awards | 19 March 2017 | Best Male Newcomer | Lewis MacDougall | Nominated |
| Evening Standard British Film Awards | 8 December 2016 | Breakthrough of the Year | Lewis MacDougall | Nominated |
| Gaudí Awards | 29 January 2017 | Best Non-Catalan Language Film | A Monster Calls | Won |
| Gaudí Awards | 29 January 2017 | Best Director | J. A. Bayona | Won |
| Gaudí Awards | 29 January 2017 | Best Production Supervision | Sandra Hermida | Won |
| Gaudí Awards | 29 January 2017 | Best Art Direction | Eugenio Caballero | Won |
| Gaudí Awards | 29 January 2017 | Best Editing | Jaume Martí and Bernat Vilaplana | Won |
| Gaudí Awards | 29 January 2017 | Best Original Music | Fernando Velázquez | Nominated |
| Gaudí Awards | 29 January 2017 | Best Cinematography | Oscar Faura | Won |
| Gaudí Awards | 29 January 2017 | Best Costume Design | Steven Noble | Nominated |
| Gaudí Awards | 29 January 2017 | Best Sound | Oriol Tarragó, Peter Glossop, Marc Orts | Won |
| Gaudí Awards | 29 January 2017 | Best Visual Effects | Félix Bergés, Pau Costa, David Martí, Montse Ribé | Won |
| Golden Tomato Awards | 12 January 2017 | Best British Movie 2016 | A Monster Calls | 2nd Place |
| Golden Tomato Awards | 12 January 2017 | Best Kids/Family Movie 2016 | A Monster Calls | 3rd Place |
| Goya Awards | 4 February 2017 | Best Film | A Monster Calls | Nominated |
| Goya Awards | 4 February 2017 | Best Director | J. A. Bayona | Won |
| Goya Awards | 4 February 2017 | Best Supporting Actress | Sigourney Weaver | Nominated |
| Goya Awards | 4 February 2017 | Best Adapted Screenplay | Patrick Ness | Nominated |
| Goya Awards | 4 February 2017 | Best Original Score | Fernando Velázquez | Won |
| Goya Awards | 4 February 2017 | Best Cinematography | Óscar Faura | Won |
| Goya Awards | 4 February 2017 | Best Editing | Jaume Martí and Bernat Vilaplana | Won |
| Goya Awards | 4 February 2017 | Best Production Supervision | Sandra Hermida Muniz | Won |
| Goya Awards | 4 February 2017 | Best Art Direction | Eugenio Caballero | Won |
| Goya Awards | 4 February 2017 | Best Makeup and Hairstyles | Marese Langan and David Martí | Won |
| Goya Awards | 4 February 2017 | Best Sound | Peter Glossop, Marc Orts and Oriol Tarragó | Won |
| Goya Awards | 4 February 2017 | Best Special Effects | Felix Bergés and Pau Costa | Won |
| London Film Critics' Circle | 22 January 2017 | Young British/Irish Performer of the Year | Lewis MacDougall | Won |
| Premios Feroz | 23 January 2017 | Best Drama Film | A Monster Calls | Nominated |
| Premios Feroz | 23 January 2017 | Best Director | J. A. Bayona | Nominated |
| Premios Feroz | 23 January 2017 | Best Screenplay | Patrick Ness | Nominated |
| Premios Feroz | 23 January 2017 | Best Main Actor | Lewis MacDougall | Nominated |
| Premios Feroz | 23 January 2017 | Best Original Soundtrack | Fernando Velázquez | Won |
| Premios Feroz | 23 January 2017 | Best Trailer | A Monster Calls | Nominated |
| Premios Feroz | 23 January 2017 | Best Film Poster | A Monster Calls | Nominated |
| San Diego Film Critics Society | 12 December 2016 | Best Visual Effects | A Monster Calls | Nominated |
| Saturn Awards | 28 June 2017 | Best Fantasy Film | A Monster Calls | Nominated |
| Saturn Awards | 28 June 2017 | Best Performance by a Younger Actor | Lewis MacDougall | Nominated |
| St. Louis Gateway Film Critics Association | 18 December 2016 | Best Visual Effects | A Monster Calls | Nominated |
| Washington D.C. Area Film Critics Association | 5 December 2016 | Best Youth Performance | Lewis MacDougall | Nominated |
| Washington D.C. Area Film Critics Association | 5 December 2016 | Best Adapted Screenplay | Patrick Ness | Nominated |
| Washington D.C. Area Film Critics Association | 5 December 2016 | Best Voice Performance | Liam Neeson | Won |
| Washington D.C. Area Film Critics Association | 5 December 2016 | Best Motion Capture Performance | Liam Neeson | Nominated |