# Eda Warren

Eda Warren (October 17, 1903 – July 15, 1980) was an American film editor. She began her Hollywood career as a secretary and started editing films in the late 1920s. Her editing career continued through 1968.

## Biography

Eda was born in Denver, Colorado in 1903, the daughter of Thomas Warren and Henrietta Weber. She and her older sister, Thelma, were raised in Colorado and Nebraska before the family moved west and settled in Beverly Hills, California. Eda got a job as a film editor, while Thelma worked as a stenographer at a film studio. She later became secretary of the American Cinema Editors group.

## Partial filmography

Eda Warren began his career as an editor. Based on Warren's filmography at the Internet Movie Database.
With more than 60 film credits dating from 1927, the following were among the films with which Warren was associated:
Editor :
| Year | Film | Director | Notes | Other notes |
| 1927 | Evening Clothes | Luther Reed | | |
| 1927 | Hula | Victor Fleming | Second collaboration with Victor Fleming | |
| 1928 | Abie's Irish Rose | Victor Fleming | Third collaboration with Victor Fleming | |
| 1929 | Wolf Song | Victor Fleming | Fourth collaboration with Victor Fleming | Uncredited |
| 1929 | Dangerous Curves | Lothar Mendes | First collaboration with Lothar Mendes | |
| 1930 | The Kibitzer | Edward Sloman | | Uncredited |
| 1930 | Slightly Scarlet | Louis J. GasnierEdwin H. Knopf | | Uncredited |
| 1930 | Ladies Love Brutes | Rowland V. Lee | | |
| 1930 | The Right to Love | Richard Wallace | | |
| 1933 | Luxury Liner | Lothar Mendes | Second collaboration with Lothar Mendes | Uncredited |
| 1933 | Terror Aboard | Paul Sloane | | Uncredited |
| 1933 | Midnight Club | Alexander HallGeorge Somnes | First collaboration with Alexander Hall and George Somnes | Uncredited |
| 1933 | Torch Singer | Alexander HallGeorge Somnes | Second collaboration with Alexander Hall and George Somnes | Uncredited |
| 1934 | Ready for Love | Marion Gering | | |
| 1935 | Car 99 | Charles Barton | | Uncredited |
| 1935 | Paris in Spring | Lewis Milestone | First collaboration with Lewis Milestone | Uncredited |
| 1935 | So Red the Rose | King Vidor | | |
| 1936 | Anything Goes | Lewis Milestone | Second collaboration with Lewis Milestone | |
| 1936 | Forgotten Faces | E. A. Dupont | | |
| 1936 | The General Died at Dawn | Lewis Milestone | Third collaboration with Lewis Milestone | |
| 1937 | Swing High, Swing Low | Mitchell Leisen | First collaboration with Mitchell Leisen | |
| 1937 | Mountain Music | Robert Florey | First collaboration with Robert Florey | |
| 1937 | Partners in Crime | Ralph Murphy | | |
| 1938 | The Big Broadcast of 1938 | Mitchell Leisen | Second collaboration with Mitchell Leisen | |
| 1938 | Booloo | Clyde E. Elliott | | |
| 1938 | King of Alcatraz | Robert Florey | Second collaboration with Robert Florey | |
| 1939 | King of Chinatown | Nick Grinde | | |
| 1939 | Honeymoon in Bali | Edward H. Griffith | First collaboration with Edward H. Griffith | |
| 1940 | Safari | Edward H. Griffith | Second collaboration with Edward H. Griffith | |
| 1940 | Rangers of Fortune | Sam Wood | | |
| 1941 | Virginia | Edward H. Griffith | Third collaboration with Edward H. Griffith | |
| 1941 | One Night in Lisbon | Edward H. Griffith | Fourth collaboration with Edward H. Griffith | |
| 1941 | Bahama Passage | Edward H. Griffith | Fifth collaboration with Edward H. Griffith | |
| 1942 | The Lady Is Willing | Mitchell Leisen | Third collaboration with Mitchell Leisen | |
| 1942 | I Married a Witch | René Clair | | |
| 1943 | Young and Willing | Edward H. Griffith | Sixth collaboration with Edward H. Griffith | |
| 1943 | China | John Farrow | First collaboration with John Farrow | |
| 1944 | And the Angels Sing | George Marshall | | |
| 1944 | The Hitler Gang | John Farrow | Second collaboration with John Farrow | |
| 1945 | The Affairs of Susan | William A. Seiter | Second collaboration with William A. Seiter | |
| 1945 | You Came Along | John Farrow | Third collaboration with John Farrow | |
| 1946 | Two Years Before the Mast | John Farrow | Fourth collaboration with John Farrow | |
| 1947 | Easy Come, Easy Go | John Farrow | Sixth collaboration with John Farrow | |
| 1950 | Copper Canyon | John Farrow | Thirteenth collaboration with John Farrow | |
| 1950 | Where Danger Lives | John Farrow | Fourteenth collaboration with John Farrow | |
| 1951 | Darling, How Could You! | Mitchell Leisen | Fourth collaboration with Mitchell Leisen | |
| 1951 | His Kind of Woman | John Farrow | Fifteenth collaboration with John Farrow | |
| 1951 | Submarine Command | John Farrow | Sixteenth collaboration with John Farrow | |
| 1952 | Son of Paleface | Frank Tashlin | First collaboration with Frank Tashlin | |
| 1953 | Pony Express | Jerry Hopper | First collaboration with Jerry Hopper | |
| 1954 | Secret of the Incas | Jerry Hopper | Second collaboration with Jerry Hopper | |
| 1955 | Strategic Air Command | Anthony Mann | | |
| 1955 | At Gunpoint | Alfred L. Werker | | |
| 1956 | World Without End | Edward Bernds | | |
| 1956 | Johnny Concho | Don McGuire | | |
| 1956 | Back from Eternity | John Farrow | Seventeenth collaboration with John Farrow | |
| 1957 | The Unholy Wife | John Farrow | Eighteenth collaboration with John Farrow | |
| 1958 | St. Louis Blues | Allen Reisner | | |
| 1959 | John Paul Jones | John Farrow | Nineteenth collaboration with John Farrow | |
| 1959 | The Wreck of the Mary Deare | Michael Anderson | | |
| 1960 | One Foot in Hell | James B. Clark | | |
| 1961 | The Young Savages | John Frankenheimer | | |
| 1962 | Escape from Zahrain | Ronald Neame | | |
| 1962 | Taras Bulba | J. Lee Thompson | | |
| 1964 | The New Interns | John Rich | | |
| 1964 | Ride the Wild Surf | Don Taylor | | |
| 1968 | The Private Navy of Sgt. O'Farrell | Frank Tashlin | Second collaboration with Frank Tashlin | |
Editorial department :
| Year | Film | Director | Role | Notes | Other notes |
| 1927 | The Rough Riders | Victor Fleming | Assistant editor | First collaboration with Victor Fleming | |
| 1938 | Three Blind Mice | William A. Seiter | Assistant cutter | First collaboration with William A. Seiter | Uncredited |
| 1947 | California | John Farrow | Editorial supervisor | Fifth collaboration with John Farrow | |
| 1947 | Blaze of Noon | John Farrow | Editorial supervisor | Seventh collaboration with John Farrow | |
| 1948 | The Big Clock | John Farrow | Editorial supervision | Eighth collaboration with John Farrow | |
| 1948 | Beyond Glory | John Farrow | Editorial supervisor | Ninth collaboration with John Farrow | |
| 1948 | Night Has a Thousand Eyes | John Farrow | Editorial supervisor | Tenth collaboration with John Farrow | |
| 1949 | Alias Nick Beal | John Farrow | Editorial supervisor | Eleventh collaboration with John Farrow | |
| 1949 | Red, Hot and Blue | John Farrow | Supervising editor | Twelfth collaboration with John Farrow | |
| 1958 | The Hot Angel | Joe Parker | Supervising film editor | | |

### Shorts

Editor :
| Year | Film | Director |
| 1948 | Big Sister Blues | Alvin Ganzer |
| 1948 | Catalina Interlude | Alvin Ganzer |

### TV pilots

Editor :
| Year | Film | Director |
| 1965 | Barney | Hy Averback |

### TV series

Editor :
| Year | Title | Notes |
| 1957 | Richard Diamond, Private Detective | 2 episodes |
| 1960 | Adventures in Paradise | 1 episode |
| 1963 | The Twilight Zone | 4 episodes |
| 1965 | Hazel | 1 episode |
| 1965−66 | The Wackiest Ship in the Army | 6 episodes |
| 1966−67 | Love on a Rooftop | 14 episodes |