# Devaki Nandana Vasudeva

Devaki Nandana Vasudeva is a 2024 Indian Telugu-language action drama film co-written and directed by Arjun Jandyala, from a story written by Prasanth Varma. The film features Ashok Galla, Manasa Varanasi and Devdatta Nage in lead roles.
The dialogues are written by Sai Madhav Burra and the music is composed by Bheems Ceciroleo. The film was released on 22 November 2024.

## Plot

Once upon a time, in a land fraught with turmoil and conflict, a gangland drama unfolded centered around a powerful gangster named Kansa Raju. The tale opens with a rival gangster, Devendra, boasting about having filed a police complaint against Kansa Raju, confident that this move would ensure his dominance over a valuable piece of land, declaring, "Now he can't even set foot on our ground; this land will always belong to us."
Simultaneously, at Kansa Raju’s house, a Havan ritual was underway. Women gathered to pray, and one curious woman asked about the purpose of the Havan. The other explained that Kansa Raju had arranged this sacred ceremony for his sister, who was about to give birth. Out of love, he had even invited his brother-in-law to stay close and support his sister during this important time. However, just as the ceremony reached its peak, the police arrived with an intention to arrest Kansa Raju. They learned he was not home but would return shortly, prompting the police to wait patiently.
The narrative swiftly shifts back to Devendra, where the tension escalates. As Kansa Raju arrives, Devendra's men face a fatal encounter. Kansa Raju, retaliating fiercely, begins to eliminate them one by one. Devendra, witnessing the carnage, pleads for mercy, promising to withdraw his complaint. But Kansa Raju coldly replies, "How dare you file a complaint against me? You will be punished!" He ends Devendra’s life mercilessly.
Upon returning home, Kansa Raju finds the police waiting. He confidently asserts that a complaint against a dead man cannot hold weight, and they require evidence to proceed, which leaves the officers frustrated and forces them to leave empty-handed. Following this, he completes the Havan, and the priest instructs him to visit Kashi and bathe in the holy Ganges, marking a new phase in his life.
In Kashi, destiny takes a turn when Kansa Raju witnesses a man suddenly collapse and die on the stairs. An Aghori, a mystic of sorts, appears and tells him that God wishes him to live a little longer, as this is part of a divine plan. However, Kansa Raju’s arrogance blinds him to the truth as he declares, "I cannot die; I am the end of all." The Aghori, unfazed, prophesizes that his sister's third child will be the cause of his demise, a prediction that sends shivers down Kansa Raju’s spine.
When Kansa Raju returns home, just as he fears, his sister is ready to give birth, but the police arrive again. In a shocking twist, he learns that it was none other than Devendra's younger brother, Bhupati, who testified against him, leading to his imprisonment for 14 years. The story then shifts forward several years, showcasing the festive spirit of Janmashtami in the village. Here, we are introduced to a vibrant competition to break the Dahi Handi—a symbol of Lord Krishna’s mischief—where a young hero named Krishna is determined to earn glory for himself.
As Ranga, Kansa Raju’s man, competes against Krishna, a clash breaks out that turns chaotic. In the thick of it, Krishna stands tall, breaking the Dahi Handi and thus winning admiration from the villagers. However, his triumph is short-lived when his mother, anxious after consulting a priest, learns of a dire prediction regarding Krishna’s fate—either he will face imminent danger or bring doom upon another. This news weighs heavily on her heart, as Krishna is her third son, with the previous two having died shortly after birth.
Krishna's mother, desperate to protect her son, gives him a protective amulet. Meanwhile, Krishna spots a beautiful girl named Satya at the temple and is captivated by her. However, she is swiftly escorted away by Ranga, her protective bodyguard. Krishna, intrigued and determined, begins to seek more information about Satya and learns about her constant company. The following day, he takes matters into his own hands, chasing Ranga’s car and effectively gaining Satya’s attention by giving her his number.
As fate would have it, Satya begins to respond to Krishna's affections, and their relationship blossoms. During another temple visit, Krishna’s mother praises Satya's saree while introducing her son. Seeking to speak with her privately, Krishna cleverly distracts his mother under the guise of performing rituals. Moments later, he witnesses an attack on a pregnant woman. Anger boiling inside him, Krishna fights off the assailants only to discover that the attacker is the woman's cruel husband. His act of bravery earns him admiration from none other than Satya.
Meanwhile, the storyline reminds us of Kansa Raju, who is brooding in prison. Flashbacks reveal that, consumed by rage, he killed a police officer while serving his term, resulting in a 21-year sentence. Presently, rumors swirl around that he will soon be released, prompting concern among his enemies. When Krishna proposes to Satya, their joyous moment is shattered by Ranga’s men, who abduct her.
Disheartened, Krishna seeks counsel from his friends and drowns his sorrows in drink. Compelled by a newfound determination, he resolves to find Satya. Upon reaching her house, he discovers an unexpected twist—three girls, all identical to Satya: Satyabhama, Satya Leela, and Satyavati. Shocked yet intrigued, Krishna learns from Anupriya, their mother, of the struggles she faced in raising her daughters alone while keeping their identities a secret from their uncle, Kansa Raju, who had once killed her husband to prevent her from giving birth to a third child.
As the story unfolds, Kansa Raju arranges a Havan for his niece, but Ranga grows suspicious when he notices differences among the girls. Sensing danger, he becomes increasingly wary as the days pass. When Kansa Raju finds out, his fury ignites. Meanwhile, Krishna and the sisters devise a plan to confuse Ranga further, utilizing a grand feast of biryani that sees all three sisters take turns to maintain their cover.
Conflict ensues, leading to a showdown. Kansa Raju learns of Bhupati's plans for revenge, leading to a climactic confrontation in his home. In the midst of chaos, Krishna intervenes, rescuing Satya but suffering injuries in the process. The intensity of the battle leads to an unexpected revelation—a doctor arrives to attend to Satya but ends up being one of the sisters in disguise.
Understanding their plight, Krishna vows to help them escape. He confronts Kansa Raju at the temple, provoking him to emerge with a deadly intent. The final showdown culminates in fierce fighting, where Krishna's determination to protect his newfound family clashes with Kansa Raju's vicious intents. Just when hope seems lost, divine intervention emerges as the Sudarshan Chakra from Lord Krishna’s statue miraculously appears and decapitates Kansa Raju, bringing an end to his tyranny.
As the villagers witness this miraculous event, they proclaim it as the divine play of Lord Murli. With the evil vanquished and peace restored, Krishna becomes a hero in the eyes of the villagers, and Anupriya and her daughters finally rejoice in freedom.

## Cast

* Ashok Galla as Krishna
* Manasa Varanasi as Satya, Radha, Rukmini
* Devayani as Devaki
* Devdatta Nage as Kamsa Raju
* Jhansi
* Shatru
* Naga Mahesh
* Sravan Raghavendra
* Sanjay Swaroop

## Music

The background score and soundtrack is composed by Bheems Ceciroleo. The audio rights were acquired by Aditya Music.
All music is composed by Bheems Ceciroleo

## Release

Devaki Nandana Vasudeva was initially scheduled to release on 14 November 2024. But, it was later released on 22 November 2024.

## Reception

Avad Mohammad of OTTPlay gave a rating of 2 out of 5 and stated that "The film's twists may have sounded good on paper, but their on-screen execution is underwhelming", while also mentioning that narration, editing, and screenplay are dull and uninspiring. Giving the same rating, Sashidhar Adivi of Times Now stated, "Devaki Nandana Vasudeva features a plot that has potential, but the opportunity goes begging due to poor execution".