OpenLLM-France/wikimedia huggingface dataset:
# R. A. Torrey

Reuben Archer Torrey (28 January 1856 – 26 October 1928) was an American evangelist, Congregational pastor, educator, and writer. He aligned with Keswick theology.

## Biography

Torrey was born in Hoboken, New Jersey, the son of a banker. He was graduated from Yale University in 1875 and from Yale Divinity School in 1878, following which he became a Congregational minister in Garrettsville, Ohio. In 1879, he married Clara Smith, and they subsequently had five children.
After further studies in theology at Leipzig University and Erlangen University in 1882–1883, Torrey joined Dwight L. Moody in his evangelistic work in Chicago in 1889, and became superintendent of the Bible Institute of the Chicago Evangelization Society (now Moody Bible Institute). In 1894, he became pastor of the Chicago Avenue Church (now the Moody Church).
In 1898, Torrey served as a chaplain with the YMCA at Camp Chickamauga during the Spanish–American War. During World War I, he performed similar service at Camp Bowie (a POW camp in Texas) and at Camp Kearny.
In 1902–1903, he preached in nearly every part of the English-speaking world and with song leader Charles McCallon Alexander conducted revival services in Great Britain from 1903 to 1905. During this period, he also visited China, Japan, Australia, and India. Torrey conducted a similar campaign in American and Canadian cities in 1906–1907. Throughout these campaigns, Torrey used a meeting style that he borrowed from Moody's campaigns of the 1870s.
In 1912, Torrey was persuaded to build another institution like Moody Bible Institute, and from 1912 to 1924, he served as Dean of the Bible Institute of Los Angeles (now Biola University) and contributed to the BIOLA publication, The King's Business. Beginning in 1915, he served as the first pastor of the Church of the Open Door, Los Angeles. Torrey was one of the three editors of The Fundamentals, a 12-volume series that gave its name to what came to be called "fundamentalism".
Torrey held his last evangelistic meeting in Florida in 1927, additional meetings being canceled because of his failing health. He died at home in Asheville, North Carolina, on October 26, 1928, having preached throughout the world and written more than 40 books. He was 72 years old. He was buried on the grounds of Montrose Bible Conference in Montrose, Pennsylvania, which he founded in 1908.

### Honors

In 1907, he accepted an honorary doctorate from Wheaton College. Torrey-Gray Auditorium, the main auditorium at Moody, was named for Torrey and his successor, James M. Gray. At Biola, the Torrey Honors Institute honors him, as does the university's annual Bible conference.
# 2025 Scottsdale Airport collision

On February 10, 2025, two aircraft (Gulfstream G200/Learjet 35) (35A) collided at Scottsdale Airport. The airport closed for approximately six hours after the crash. One person has been confirmed dead and at least three others are injured.
# Measures for a Funeral

Measures for a Funeral is a 2024 Canadian drama film directed by Sofia Bohdanowicz. An expansion of her 2018 short film Veslemøy's Song, the film stars Deragh Campbell as Audrey Benac, a graduate student researching the life and career of classical violinist Kathleen Parlow.
The cast also includes María Dueñas, Melanie Scheiner, Mary Margaret O'Hara, Yannick Nézet-Séguin, Maxim Gaudette, Eve Duranceau, Eileen Davies, Rosa Johan-Uddoh, Grace Glowicki, Kieran Adams, Anni Spadafora, Fan Wu, Heidi Galvez, Julia Beyer, Darrah Teitel and Aaron Danby in supporting roles.
In addition to Veslemøy's Song, Campbell previously played Audrey Benac in Bohdanowicz's films Never Eat Alone (2016), MS Slavic 7 (2019), Point and Line to Plane (2020) and A Woman Escapes (2022).
The film premiered in the Centrepiece program at the 2024 Toronto International Film Festival.

## Release

Paris-based Totem Films acquired world sales rights, excluding Canada, to the film in advance of its world premiere in the Toronto International Film Festival’s Centrepiece program.

## Critical Response

For Collider, Taylor Gates wrote: "Measures for a Funeral is predictably strong in the music department, the score infusing the film with a moody, ominous tone from the get-go. Extensive repetitive notes heighten the sense of tension and bring out the horror vibe lurking under the surface of the drama that’s constantly threatening to break free. Visually, the film is stunning, too. The cinematography is crisp and consistent, defined by clean lines and symmetry that feels fitting for the formal and often stuffy setting it’s capturing. The color palette — somehow simultaneously cozy and disconcerting, vivid but dreary — enhances things as well. Some of the most intriguing shots give us insight into Audrey’s unwell state of mind, like when she mistakes a coffee spill for a pool of blood. On a craft level, Measures for a Funeral is remarkable. The entire film is a concert of sorts, and each shot is like looking at a breathtaking painting."
At Drink In The Movies, Michael Clawson wrote: "This is a highly cerebral film. Exchanges of dialogue have the feel of academic discourse, like when Audrey and a friend sip beer in a London pub and discuss how sound and material objects persist differently through time. There’s a separate impulse towards eerier, more ominous terrain, much of which is grounded in Audrey’s grief."
# WOOW

WOOW (1340 AM) was a radio station broadcasting a Gospel music format. Licensed to Greenville, North Carolina, the station was last owned by The Minority Voice.
On July 31, 2019, WOOW's license was deleted by the FCC due to being silent over a one-year period.
# 1907 U.S. Open (golf)

The 1907 U.S. Open was the thirteenth U.S. Open, held June 20–21 at Philadelphia Cricket Club in Chestnut Hill, Pennsylvania, a neighborhood of northwest Philadelphia. Alec Ross posted four sub-80 rounds to win his only major title, two strokes ahead of runner-up Gilbert Nicholls.
After the first 36 holes on Thursday, Ross owned a one-shot lead over Jack Hobens, who recorded the first hole-in-one in U.S. Open history in the second round.
Hobens led Nicholls by one after the third round on Friday morning, but an 85 in the afternoon dropped him to fourth place. Ross began the round two behind Hobens and shot a 76 to prevail by two over Nicholls, who shot 79. Ross' older brother Donald, the famed golf course architect, finished tenth.
Defending champion Alex Smith opted to play in the Open Championship in England, held on the same two days at Hoylake.

## Round summaries
### First round

Thursday, June 20, 1907 (morning)
| Place | Player | Score |
| 1 | David Brown | 75 |
| T2 | Mike Brady | 76 |
| T2 | James Campbell | 76 |
| T2 | Jack Hobens | 76 |
| T2 | Bernard Nicholls | 76 |
| T2 | Alec Ross | 76 |
| T7 | Laurie Auchterlonie | 77 |
| T7 | David Hunter | 77 |
| T9 | Alex Campbell | 78 |
| T9 | John Campbell | 78 |
| T9 | George Low | 78 |
Source:

### Second round

Thursday, June 20, 1907 (afternoon)
| Place | Player | Score |
| 1 | Alec Ross | 76-74=150 |
| 2 | Jack Hobens | 76-75=151 |
| T3 | Alex Campbell | 78-74=152 |
| T3 | Bernard Nicholls | 76-76=152 |
| T3 | David Hunter | 77-75=152 |
| T6 | Mike Brady | 76-77=153 |
| T6 | Gilbert Nicholls | 80-73=153 |
| T6 | David Robertson | 81-77=153 |
| T9 | Laurie Auchterlonie | 77-77=154 |
| T9 | George Low | 78-76=154 |
Source:

### Third round

Friday, June 21, 1907 (morning)
| Place | Player | Score |
| 1 | Jack Hobens | 76-75-73=224 |
| 2 | Gilbert Nicholls | 80-73-72=225 |
| 3 | Alec Ross | 76-74-76=226 |
| 4 | Alex Campbell | 78-74-78=230 |
| 5 | Fred Brand | 78-80-73=231 |
| T6 | David Brown | 75-80-78=233 |
| T6 | George Low | 78-76-79=233 |
| T6 | Bernard Nicholls | 76-76-81=233 |
| T6 | David Robertson | 81-77-78=233 |
| 10 | Donald Ross | 78-80-76=234 |
Source:

### Final round

Friday, June 21, 1907 (afternoon)
| Place | Player | Score | Money ($) |
| 1 | Alec Ross | 76-74-76-76=302 | 300 |
| 2 | Gilbert Nicholls | 80-73-72-79=304 | 150 |
| 3 | Alex Campbell | 78-74-78-75=305 | 100 |
| 4 | Jack Hobens | 76-75-73-85=309 | 80 |
| T5 | George Low | 78-76-79-77=310 | 60 |
| T5 | Fred McLeod | 79-77-79-75=310 | 60 |
| T5 | Peter Robertson | 81-77-78-74=310 | 60 |
| T8 | David Brown | 75-80-78-78=311 | 35 |
| T8 | Bernard Nicholls | 76-76-81-78=311 | 35 |
| 10 | Donald Ross | 78-80-76-78=312 | 20 |
Source:
Amateurs: Travers (324), Smith (328), Carr (334), West (335), Forrest (338), Cocharan (346).
# Brown note

The brown note (sometimes brown tone or frequency) is a hypothetical infrasonic frequency capable of causing fecal incontinence by creating acoustic resonance in the human bowel. Considered an urban myth, the name is a metonym for the common color of human faeces. Attempts to demonstrate the existence of a "brown note" using sound waves transmitted through the air have failed.
Frequencies supposedly involved are between 5 and 9 Hz, which are below the lower frequency limit of human hearing. High-power sound waves below 20 Hz are felt in the body.

## Physiological effects of low frequency vibration

Air is a very inefficient medium for transferring low frequency vibration from a transducer to the human body. Mechanical connection of the vibration source to the human body, however, provides a potentially dangerous combination. The U.S. space program, worried about the harmful effects of rocket flight on astronauts, ordered vibration tests that used cockpit seats mounted on vibration tables to transfer "brown note" and other frequencies directly to the human subjects. Very high power levels of 160 dB were achieved at frequencies of 2–3 Hz. Test frequencies ranged from 0.5 Hz to 40 Hz. Test subjects suffered motor ataxia, nausea, visual disturbance, degraded task performance and difficulties in communication. These tests are assumed by researchers to be the nucleus of the current urban myth.

## Testing by Mythbusters

In February 2005 the television show MythBusters attempted to verify whether the "brown note" was a reality.
They used twelve Meyer Sound 700-HP subwoofers—a model and quantity that has been employed for major rock concerts. Normal operating frequency range of the selected subwoofer model was 28 Hz to 150 Hz but the 12 enclosures at MythBusters had been specially modified for deeper bass extension. Roger Schwenke and John Meyer directed the Meyer Sound team in devising a special test rig that would produce very high sound levels at infrasonic frequencies. The subwoofers' tuning ports were blocked and their input cards were altered. The modified cabinets were positioned in an open ring configuration, in four stacks, with each stack containing three subwoofers. Test signals were generated by a SIM 3 audio analyzer, with its software modified to produce infrasonic tones. A Brüel & Kjær sound level analyzer, fed with an attenuated signal from a model 4189 measurement microphone, displayed and recorded sound pressure levels.
The hosts on the show tried a series of frequencies as low as 5 Hz, attaining a level of 120 decibels of sound pressure at 9 Hz and up to 153 dB at frequencies above 20 Hz, but the rumored physiological effects did not materialize. The test subjects all reported some physical anxiety and shortness of breath, even a small amount of nausea, but this was dismissed by the hosts, noting that sound at that frequency and intensity moves air rapidly in and out of one's lungs. The show declared the brown note myth "busted".
# State Theatre (Cleveland)

The KeyBank State Theatre is a theater located at 1519 Euclid Avenue in downtown Cleveland, Ohio. It is one of the theaters that make up Playhouse Square. It was designed by the noted theater architect Thomas W. Lamb and was built in 1921 by Marcus Loew to be the flagship of the Ohio branch of the Loew's Theatres company.
Loew's State Theatre, as it was known then, was built in an Italian Renaissance style and was intended to show vaudeville shows and movies. It opened on February 5, 1921, seating 3,400. Because of the desirability of having the theater's marquee on Euclid Avenue, the State Theatre was built at the back of the lot it shares with the Ohio Theatre, but with a 320-foot-long (98 m) series of three lobbies. This was the world's longest lobby serving a single theater, and it contained four huge murals by James Daugherty, entitled The Spirit of Pageantry—Africa, The Spirit of Drama—Europe, The Spirit of Cinema—America, and The Spirit of Fantasy—Asia. The theater was converted for the exhibition of Cinerama in 1967, but, due to financial trouble, closed in early February 1969, along with the rest of the Playhouse Square theaters.
The cover of the February 27, 1970 issue of Life was a two-page pull-out featuring The Spirit of Cinema America, which inspired the creation of the Playhouse Square Association. Two years later in 1972, and again in 1977, both the State and Ohio Theatres were threatened with demolition to build a parking lot, but were saved through public outcry.
In 1973, the newly formed Playhouse Square Foundation obtained a long-term lease for the Palace and State, and Ohio Theatres, and by 1977, the Loew's Building was purchased by Cuyahoga County. Also in 1973, the musical revue Jacques Brel is Alive and Well and Living in Paris opened in the State Theatre's lobby. The revue was expected to run for three weeks, but instead played for two years, making it the "longest-running show in Cleveland history." In 1978, the State was added to the National Register of Historic Places as part of Playhouse Square.
Restoration of the theater began in 1979, and was completed in the summer of 1984, after the addition of a $7 million stagehouse. The State Theatre reopened on June 4 of that year, becoming the home of the Cleveland Ballet and Cleveland Opera. With the restoration, seating capacity was reduced to the present 3,200.
The State Theatre was renamed KeyBank State Theatre in 2017 in honor of a $10 million gift to the Playhouse Square Advancing the Legacy Campaign.
# Ocean Gateway Pier II

Ocean Gateway Pier II is a floating deepwater cruise ship pier located at the Ocean Gateway International Marine Passenger Terminal in Portland, Maine.
Construction of the pier began on 1 November 2010 with a groundbreaking ceremony attended by Maine governor John Baldacci and city officials. It was opened on 10 September 2011, when Enchantment of the Seas became the first vessel to dock at the pier.
The total cost of building the pier was about $6 million, paid for by a state transportation bond. It was built by the Reed & Reed construction company, which submitted a bid about $1.5 million less than had been budgeted for, allowing an extension of the pier by about 100 feet (30 m) over the original plan and the addition of water and electrical services.
The pier is composed of a 124-foot (38 m) floating barge, anchored to the seabed, at the center of the structure for embarking passengers onto ships, with the remainder a gangway wide enough to accommodate vehicles the size of a golf cart. The gangway is supported by individual pilings and clusters of three pilings. The pier is able to accommodate ships as large as 1,200 feet (370 m) long.
# Lola Olufemi

Lola Olufemi (/ɒluˈfɛmi/; born 1996) is a British writer. She is an organiser with the London Feminist Library, and her writing has been published in many national and international magazines and newspapers. She is the author of Experiments in Imagining Otherwise and Feminism, Interrupted: Disrupting Power, and the co-editor of A FLY Girl's Guide to University: Being a Woman of Colour at Cambridge and Other Institutions of Power and Elitism.

## Early life and education

Olufemi was born and grew up in London, their family home being in Edmonton. She attended Enfield County School and studied English at Selwyn College, Cambridge. She was the Women's Officer for Cambridge University Students' Union, and one of the facilitator's of FLY, the university's network for women and non-binary people of colour.
She completed her PhD in 2024, entitled But... The Luminous Tree: The Uses of the Imagination in Resistant Cultural Production. Her research was funded by the TECHNE AHRC Collaborative Doctoral Studentship with the University of Westminster and Stuart Hall Foundation.

## Work
### Writing and speaking

Olufemi has written and spoken on a range of topics including: art and culture; feminism, gender and sexism (including the Women's Strike and Time's Up movements); food equality; climate justice and race; race and racism, including archives of radical Black British activism; and higher education issues, including institutional justice and sexual harassment in universities, and decolonising practices in higher education (for which she was targeted with a "vicious and misleading" sexist and racist harassment by British right-wing press).
Poet Jay Bernard interviewed Olufemi for Housmans Bookshop, and the pair discussed the "internationalist ethos of black feminist movements in the 70s and 80s", connecting feminist struggles such as protests against sexual violence with opposition to settler colonialism.
Olufemi with Che Gossett and Sarah Shin organised a month-long programme of talks and events under the title "Revolution is not a one-time event" in summer 2020. The launch event, hosted by Silver Press on 9 June 2020, took the form of a fundraiser for Black liberation. The fundraiser was hosted by Akwugo Emejulu and featured Che Gossett, Helena Rubinstein, Ru Kaur, Olufemi and Amrit Wilson in conversation.

### Art

Olufemi is a member of "bare minimum", an interdisciplinary, anti-work arts collective. She has been commissioned by Tate Modern to run a feminist workshop as part of a Feminist Library event.

### Influences

Olufemi cites several key feminist, trans-inclusive, and Black feminist thinkers and collectives that have influenced her, in interviews and her writing, including: Angela Davis, Ann Oakley, Assata Shakur, Audre Lorde, the Brixton Black Women's Group, the British Black Panthers, Claudia Jones, the Combahee River Collective, Gail Lewis, the Grunwick Strikers, Judith Butler, Kate Millett, Liz Obi, Olive Morris, OWAAD, Saidya Hartman, Stella Dadzie, Shulamith Firestone, Silvia Federici, Selma James, the Young Lords, and Sylvia Wynter.
# Lombardi Software

Lombardi Software was an enterprise software company based in Austin, Texas. Lombardi Software created business process management (BPM) software and was founded in 1998. It was acquired by IBM in 2010 when it had 220 employees.

## Significance in BPM

Lombardi Software was founded in 1998 by Brian Cooper and Eric Hanich in Austin, Texas. It was the first "Pure Play" BPM software vendor to market. It specialized in business process management from its founding. Unlike other "stack vendors", Lombardi did not sell products or services outside the BPM industry. Lombardi lodged a number of Patents for the innovation created in TeamWorks, but with a change of management were not followed through with. Phil Gilbert, President, was, for a period, Chairperson of the Object Management Group's (OMG) BPM Steering Committee which manages process management standards such as BPMN. At IBM, as of 2015, he was general manager of design leading a project to make design central to IBM's program of developing new products based on consumers'needs.Phil Gilbert has played a key role in IBM's efforts to focus product development on design.
Lombardi was the first BPM vendor to create a tool, Lombardi Blueprint, based on Web 2.0 practices. Compared to traditional business process modeling tools, Blueprint is a web-based application with wiki, shared whiteboard, and chat capabilities. It was one of the first "Business applications" based on Web 2.0 technologies and methodology.

## Products

There were two products created by Lombardi:
Lombardi Teamworks – Lombardi's primary product – a business process management suite (BPMS). This tool was designed to create, optimize, and manage executable workflow diagrams.
Lombardi Blueprint – This tool is described as a process documentation and discovery tool.
# Oranim Academic College

Oranim (Hebrew: אֳרָנִים or אורנים, lit. 'Pines') is a college of education in northern Israel. The college was founded in 1951 by the United Kibbutz Movement. It was named after the small forest of pine trees in the area. It offers BA degrees in a variety of fields in the humanities and social sciences, BSc degrees in a variety of sciences, BEd degrees in kindergarten, elementary and upper school studies, and MEd and MTeach degrees.

## Notable alumni

* Ruth Calderon, Talmud scholar and politician
* Joshua Sobol (born 1939), playwright, writer, and director

## Notable faculty

* Ya'acov Dorchin (born 1946), Israeli sculptor and painter
* Miriam Roth (1910–2005), Israeli writer and scholar of children's books, kindergarten teacher, and educator
# Edmund Groag

Edmund Groag (2 February 1873, in Prerau – 19 August 1945, in Vienna) was an Austrian classical scholar, who specialized in Roman history.
From 1892 he studied history and philology at the University of Vienna, receiving his doctorate in 1895 with the dissertation on Tacitus, Zur Kritik von Tacitus’ Quellen in den Historien. By way of a study grant he visited Rome in 1898/99, then in 1901 began work at the Vienna National Library, an institution that he would be associated with for most of his career. In 1918 he obtained his habilitation at the university, where in 1925 he was named an associate professor of Roman history. In 1933 he became a member of the German Archaeological Institute.
He was born into a Jewish family and converted to Catholicism in 1901. Despite this, he was removed from his position at the university for racial reasons following the Anschluss. During the Nazi takeover of Austria, he lived in a precarious state in Vienna. He died from an illness a few months after liberation of the city.
With Arthur Stein (1871–1950), he published an unfinished second edition of the Prosopographia Imperii Romani (3 volumes, 1933–43). He was also the author of many articles in the Realencyclopädie der classischen Altertumswissenschaft.

## Selected works

* Die Adoption Hadrians, 1899 – The adoption of Hadrian.
* Die römischen Inschriftsteine der Hofbibliothek, 1913 – The Roman inscription stones of the court library.
* Geschichte des Altertums bis zur Begründung des römischen Kaiserreiches (with Heinrich Montzka, 1914) – Ancient history up to the establishment of the Roman Empire.
* Beiträge zur Geschichte des zweiten Triumvirats, 1915 – Contributions to the history of the Second Triumvirate.
* Studien zur römischen Kaisergeschichte (2 parts 1918–19) – Studies of Roman Emperor history.
* Römische Cäsaren, 1926 – Roman Caesars.
* Neue Literatur über Caesar und Augustus, 1926 – New literature on Caesar and Augustus.
* Der Dichter Porfyrius in einer stadtrömischen Inschrift 1926/27 – The poet Porfyrius from an urban Roman inscription.
* Hannibal als Politiker, 1929 – Hannibal as a politician.
* Prosopographische Bemerkungen, 1931 – Prosopographical remarks.
* Die römischen Reichsbeamten von Achaia bis auf Diokletian, 1939 – Roman Empire officials of Achaia up until Diocletian.
* Die Reichsbeamten von Achaia in spätrömischer Zeit, 1946 – The Imperial officials of Achaia in the late Roman era.