# Danford B. Greene

Danford B. "Danny" Greene (June 26, 1928 – August 13, 2015) was an American film and television editor with about twenty five feature film credits. He was nominated for the Academy Award for Best Film Editing for MASH (1970-directed by Robert Altman) and, with John C. Howard, for Blazing Saddles (1974-directed by Mel Brooks).
Greene graduated from the University of Southern California in 1952. After assisting at Metro Goldwyn Mayer, he became the head of sound editing at Universal Studios, where he worked on Psycho (1960). In the 1960s Greene worked mostly as an editor for episodes of television series such as Thriller and Judd, for the Defense. He broke into feature films with That Cold Day in the Park (1969), which was directed by Robert Altman. The following year he edited MASH (1970) with Altman, which was an anti-war comedy that became a phenomenal success while the U.S. was still fighting the Vietnam War. The film was the third highest-grossing film in the U.S. in 1970, making more than $36 million in the U.S. on a budget of $3 million. Editing was an important aspect of the film's success. The film spawned a long-running television series, and in 1996 was listed on the National Film Registry.
Following MASH Greene worked regularly editing feature films through 1994, although he did not work with Robert Altman again. He directed one feature film The Secret Diary of Sigmund Freud (1984). Other films edited by Greene include Blazing Saddles (1974), Fun with Dick and Jane (1977), American Hot Wax (1978), and Rocky II (1979). Greene's last feature credit was for There Goes My Baby (1994), which was his fourth collaboration with director Floyd Mutrux. He then taught editing at the American Film Institute and the Los Angeles Film School.
Very early in his editing career, Greene was nominated for the American Cinema Editors Eddie award for a 1962 episode of the television series It's a Man's World. Greene's editing of MASH (1970) was widely recognized, and he was nominated for the Academy Award, the BAFTA Award and the Eddie award for the film. He was again nominated for the Academy Award for Blazing Saddles (1974).

## Selected filmography

Editor :
| Year | Film | Director | Notes |
| 1956 | Man in the Vault | Andrew V. McLaglen | |
| 1969 | That Cold Day in the Park | Robert Altman | First collaboration with Robert Altman |
| 1970 | M*A*S*H | Robert Altman | Second collaboration with Robert Altman |
| 1970 | Myra Breckinridge | Michael Sarne | |
| 1971 | Clay Pigeon | Lane SlateTom Stern | |
| 1972 | Deadhead Miles | Vernon Zimmerman | Uncredited |
| 1973 | Hex | Leo Garen | Uncredited |
| 1974 | Blazing Saddles | Mel Brooks | First collaboration with Mel Brooks |
| 1975 | Aloha, Bobby and Rose | Floyd Mutrux | First collaboration with Floyd Mutrux |
| 1975 | The Master Gunfighter | Tom Laughlin | |
| 1976 | The Killer Inside Me | Burt Kennedy | |
| 1977 | Fun with Dick and Jane | Ted Kotcheff | |
| 1977 | Outlaw Blues | Richard T. Heffron | |
| 1977 | Which Way Is Up? | Michael Schultz | |
| 1979 | Voices | Robert Markowitz | |
| 1982 | Partners | James Burrows | |
| 1985 | Head Office | Ken Finkleman | |
| 1987 | Love at Stake | John Moffitt | |
| 1988 | 18 Again! | Paul Flaherty | First collaboration with Paul Flaherty |
| 1988 | Wildfire | Zalman King | |
| 1989 | Who's Harry Crumb? | Paul Flaherty | Second collaboration with Paul Flaherty |
| 1990 | Vital Signs | Marisa Silver | |
| 1994 | There Goes My Baby | Floyd Mutrux | Fourth collaboration with Floyd Mutrux |
Editorial department :
| Year | Film | Director | Role | Notes |
| 1972 | Wild in the Sky | William T. Naud | Supervising editor | |
| 1978 | American Hot Wax | Floyd Mutrux | Supervising film editor | Second collaboration with Floyd Mutrux |
| 1978 | Loose Shoes | Ira Miller | Editorial supervisor | |
| 1979 | Rocky II | Sylvester Stallone | Supervising film editor | |
| 1980 | The Hollywood Knights | Floyd Mutrux | Supervising editor | Third collaboration with Floyd Mutrux |
| 1981 | History of the World, Part I | Mel Brooks | Additional editor | Second collaboration with Mel Brooks |
| 1981 | Surfacing | Claude Jutra | Editorial consultant | |
| 1986 | Never Too Young to Die | Gil Bettman | Additional editor | |
Director :
| Year | Film |
| 1984 | The Secret Diary of Sigmund Freud |

### Shorts

Editorial department :
| Year | Film | Director | Role |
| 2011 | To Beauty | Jess Zakira Wise | Supervising editor |
Thanks :
| Year | Film | Director | Role |
| 2003 | Frame of Mind | Simon Joecker | Special thanks |
| 2008 | Started by a Mouse | Michael Gaddie | Special thanks |
| 2008 | Ismeria | Karen A. Thompson | Very special thanks |
| 2010 | Montana | Nina CoppolaJacob Stuart | Special thanks |
| 2010 | These Four Walls | Cédric Chabloz | Special thanks |
| 2011 | Frontman | Caleb C. Werntz | Special thanks |
| 2011 | Family First | Isaac Cherem | Special thanks |
| 2013 | Relevé | Vishal Solanki | Special thanks |

### TV movies

Editor :
| Year | Film | Director |
| 1964 | Nightmare in Chicago | Robert Altman |

### TV series

Editor :
| Year | Title | Notes |
| 1960 | Shotgun Slade | 2 episodes |
| 1961−62 | Thriller | 6 episodes |
| 1962 | It's a Man's World | 8 episodes |
| 1963−64 | Alfred Hitchcock Presents | 2 episodes |
| 1963−64 | Kraft Suspense Theatre | 5 episodes |
| 1964 | McHale's Navy | 2 episodes |
| 1964 | Bob Hope Presents the Chrysler Theatre | 1 episode |
| 1964−65 | Broadside | 29 episodes |
| 1966 | The Munsters | 1 episode |
| 1966 | The Virginian | 1 episode |
| 1967 | Mr. Terrific | 4 episodes |
| 1967−69 | Judd, for the Defense | 13 episodes |
Thanks :
| Year | Title | Role | Notes |
| 2011 | Makin' It LA | Special thanks | 6 episodes |

### TV specials

Editor :
| Year | Film | Director |
| 1966 | A Bob Hope Comedy Special | Jack Shea |