OpenLLM-France/wikimedia huggingface dataset:
# Art release

An art release is the premiere of an artistic production and its presentation and marketing to the public.

## Film

A film release is the authorization by the owner of a completed film to a public exhibition of the film. The exhibition may be in theaters or for home viewing. A film's release date and the method of release is part of the marketing of the film. It may be a wide or limited release. A roadshow theatrical release is the practice of opening a film in a limited number of theaters in major cities for a specific period of time before the wide release of the film.
The process may involve finding a film distributor. A film's marketing may involve the film being shown at a film festival or trade show to attract distributor attention and, if successful, may then be released through a chosen distributor.

### Delayed release

A delayed release or late release in the film industry refers to the relatively late release of a film to the public. A release can be postponed due to the sometimes difficult transition of the production or post-production to the sales and distribution phase of the film production cycle. Due to several factors a film release can be delayed:
* Problems during post-production of an artistic nature.
* Political problems regarding the film.
* Economic problems relating to limitations in the film budget.
These problems can be resolved by overcoming artistic problems, making politically correct or commercially successful changes to the film/or relieving budgetary problems.

## Music

In the music industry, a release usually is a creative output from an artist, available for sale or distribution; a broad term covering the many different formats music can be released in, and different forms of pieces (singles, albums, extended plays, etc.).
The word can also refer to the event at which an album or single is first offered for sale in record stores. Also an album launch, or single launch.
Musical performers often self-release (self-publish) their recordings without the involvement of an established record label. While some acts who enjoy local or small scale popularity have started their own labels in order to release their music through stores, others simply sell the music directly to customers, for example, making it available to those at their live concerts. With the growth of the Internet as a medium for publicizing and distributing music, many musical acts have sold their recordings over the Internet without a label. Unlike self-publishing a novel, which is usually done only when no other options exist, even well-established musicians will choose to self-release recordings. Music managers are increasingly getting involved in such releases and with the advent of artist management labels which have stepped in to save the situation. In Kenya, for example, most record labels only handle production, thus leading to a situation where records are marketed less. This has prompted music companies like Grosspool Music to sign independent artists and manage their branding, releases, and marketing.
# Twilight in the Forbidden City

Twilight in the Forbidden City (Chinese: 紫禁城的黄昏; pinyin: Zǐjìnchéng de Huánghūn) is Reginald Johnston's 486-page memoir of the Xuantong Emperor of the Qing dynasty.
Johnston was tutor to the Emperor and an eyewitness to events in China in the 1920s and 1930s. Johnston was also a professor of Chinese at the University of London as well as the British Commissioner of Weihaiwei.

## Overview

Twilight in the Forbidden City was prefaced by Puyi himself in the year 1931.
Johnston provides a good deal of anecdotal material for the last days of the Qing court before the 1911 Revolution. He knew many of the active players in those events, and his observations on the Qing court's political structure, and in particular the Imperial Household Department, are of historical significance.
Twilight in the Forbidden City is a history of an entire period and not an exclusive portrait of the last emperor of China. The film The Last Emperor features the book.
In the fourth impression, published in December 1934 by Victor Gollancz Ltd., additional information such as the fully spread fan (pp. 448–9) was developed and some important parts of the history, such as the confinement of Cao Kun (p. 381) and Kang Youwei's escape from the country (p. 17), were reviewed for modification with "preface to the fourth impression" (p. 6) (Japanese translation; ISBN 4-939154-04-1).

## Publication history

* Reginald F. Johnston, Twilight in the Forbidden City, Victor Gollancz Ltd., 1934, 486 pp.
* Reginald F. Johnston, Twilight in the Forbidden City, Oxford University Press, 1985, 486 pp.
* Reginald F. Johnston, Twilight in the Forbidden City, Soul Care Publishing, 2008, 488 pp. with bonus previously unpublished chapter.
* This article about a non-fiction book on Chinese history is a stub. You can help Wikipedia by expanding it.
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* This article about a memoir is a stub. You can help Wikipedia by expanding it.
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# Grabik, Lower Silesian Voivodeship

Grabik is a village in the administrative district of Gmina Gaworzyce, within Polkowice County, Lower Silesian Voivodeship, in south-western Poland. It lies approximately 3 km (2 mi) east of Gaworzyce, 19 km (12 mi) north-west of Polkowice, and 97 km (60 mi) north-west of the regional capital Wrocław.
# KANS

KANS (96.1 FM) is a radio station broadcasting an adult hits format, licensed to Emporia, Kansas. The station is currently owned by Bill Wachter, through licensee My Town Media Inc.

## History

The station went on the air as KGZF on February 21, 1990. On May 1, 1997, it changed its call sign to KRWV; on August 18, 2003 to KANS-FM; and on September 9, 2003 to the current KANS.
On July 1, 2023, KANS dropped its longtime adult contemporary format (as "96 one The Wave") and flipped to adult hits, airing the "Bob FM" format from G Networks.
# Forkbeard Fantasy

Forkbeard Fantasy is a British multimedia arts company, based in Devon. It began as an experimental performance art group in 1974, founded by brothers Chris and Tim Britton.
Between 1974 and 2010 it made touring theatre productions, largely performed by Chris and Tim. In 1979, they were joined by Penny Saunders, a designer and maker, who went on to create most of Forkbeard's extravagant costumes and props. In the late 1980s they were also joined by Ed Jobling who became a core cast member and the company's technical wizard. Forkbeard continued to create interactive exhibitions, specially commissioned exhibits, short animation films as well performing one-off 'Brittonioni' shows and getting involved in a wide range of community based events until finally dissolving the company in 2024. Lyn Gardner, reviewing The Colour of Nonsense (2010) in The Guardian, described the company as long having had a "mixture of madness and creativity".

## Touring theatre productions

* The Rubber God Show, 1975
* The Government Warning Show, 1976
* Men Only, 1977
* The Cranium Show, 1978
* On An Uncertain Insect, 1979
* The Clone Show, 1980
* Springtime, 1982
* The Brontosaurus Show, 1983
* Plants, Vampires and Crazy Kings 1985
* Myth, 1986
* Hypochondria, 1987
* A Serious Leak, 1989
* Invasion of the Bloopies, 1991
* The Little Match Girl, 1994
* The Fall of the House of Usherettes, 1995,
* The Barbers of Surreal, 1998
* The Brain, 1999
* Yallery Brown, 2000 – with Sean Aita
* Frankenstein: a Truly Monstrous Experiment, 2001
* Shooting Shakespeare, 2004
* Rough Magyck, 2006
* Invisible Bonfires, 2007
* The Colour of Nonsense, 2010
# Eveline Shen

Eveline Shen is the executive director and board president of West Coast-based reproductive justice nonprofit, Forward Together.
She started in the organization in 1999 and is credited for making the organization more widely known. Under her leadership, for example, the organization changed its name from "Asian Communities for Reproductive Justice," evolved its programs, geographic scope, and role in the reproductive justice movement.
In 2006, she wrote for the Center for American Progress.
# Oak eggar

The oak eggar (Lasiocampa quercus) is a common moth of the family Lasiocampidae found in Europe and northern and western parts of Asia. It feeds on a variety of plant species (mainly heather and bilberry), and may develop over two years in higher latitudes, where it may be known as the northern eggar. Its specific name quercus refers to the fact that its cocoon generally resembles an acorn, not that its primary food source is oak.

## Habitat

The oak eggar's habitat is wide-ranging, including scrub, heath, moor, downland, hedges and sea cliffs, reflecting the larva's very varied range of food plants.

## Lifecycle
### Adult

The moth's wingspan is about 45 mm (male) to 75 mm (female), the female being larger and paler than the male. It is Britain's largest day-flying moth.
The oak eggar is on the wing for about two months between May and September, depending on the latitude. In more northerly latitudes, development can span two years, with larvae overwintering the first year, and the pupae in the second year. In northern areas it is known as the northern eggar; this was formerly thought to be a separate species, but is generally assumed to be a subspecies Lasiocampa quercus callunae, there is no clear geographical separation of the two types, but the northern eggar tends to be the larger of the two. There are morphological differences and different food preferences. Males tend to be day fliers, while females tend to fly from dusk.
Unpaired females may attract a large number of males, and eggs are laid loosely in undergrowth.

### Larva

Larvae feed on a wide variety of plant species, low down, including blackthorn, hawthorn, viburnum, dogwood, ivy and ling, bilberry, broom, larch, birch, willow, hazel, sea buckthorn and Rubus species, including bramble. It is not known to feed on oak; however, one entomologist (Brues, 1924) is quoted as saying:
   The Oak Eggar caterpillar (Lasiocampa quercus), a pest particularly of oak forests, is known to be capable of adapting itself to a variety of trees in default of oak
Larvae can be infected by a baculovirus, a virus that changes their behaviour, causing them to climb out of the protection of low scrub and leave them open to predation, facilitating the spread of the infection.
The caterpillar hairs of some species of moth, such as the oak processionary moth (Thaumetopoea processionea), can cause skin irritation, but there is no evidence that the oak eggar is one of these, despite the similar name.

### Pupa

The caterpillar pupates on the ground inside a silken cocoon, the exterior of which is hard and yellowish, and resembles an acorn, hence the moth's name. Eggar is an obsolete word relating to the shape of the cocoon.
* Female, dorsal left
* Male, dorsal left
# Brandon Chebby

Brandon Taylor Anscombe Chebby is a footballer who plays as a forward for Millbrook. He has represented Burundi at senior international level.

## Club career

Chebby played for National League side Eastleigh at youth level. In December 2019, it was announced he would be joining Burundi Premier League side Aigle Noir Makamba. Ahead of the 2020–21 season, he had returned to England to play for Wessex League side Hamble Club, making his league debut as a substitute in a 2–1 loss to Tadley Calleva. In April 2021, he joined AFC Portchester to play for the club's under-23 side. In November 2021, he was playing for Wessex League Division One side Folland Sports.

## International career

Chebby three appearances for Burundi in the 2020 Bangabandhu Cup. In May 2021, he was called up to the Burundi U23 side for their 2021 CECAFA U-23 Challenge Cup campaign.
# Francis Scott Key Monument

The Francis Scott Key Monument is a monument to the author of the text of the American national anthem "The Star-Spangled Banner", in the Bolton Hill neighborhood of Baltimore, Maryland, United States. The monument features a gilded statue of Lady Columbia waving a flag on a pedestal of four stone columns, surrounded on two sides by gilded reliefs depicting the Battle of Baltimore. At the pedestal's base is a bronze statue of Francis Scott Key standing in a rowboat carved from stone.

## History

Charles Marburg gave $25,000 to his brother Theodore Marburg to hire a sculptor to create a monument to Francis Scott Key. The French sculptor Antonin Mercié was selected. Mercié had previously created a bronze equestrian statue of Robert E. Lee in 1890 in Richmond, Virginia. The Francis Scott Key Monument was dedicated on Eutaw Place in 1911.
It was restored and rededicated on September 11, 1999.
The monument was defaced with the words "Racist Anthem" and splashed with red paint in September 2017. The city quickly restored the monument.

## Gallery

* Monument circa 1910
* Monument circa 1920
* Figure of Columbia with the American Flag
* Monument defaced in 2017
# Nikoletta Papp

Nikoletta Papp (née: Kiss; born 23 July 1996) is a Hungarian handballer for Minaur Baia Mare and the Hungarian national team.
She debuted in the national team on 28 September 2018 against Montenegro.
Her husband is Máté Papp, a Hungarian football player.
# Marianna Waterworks

The Marianna Waterworks are located at 252 United States Route 79 in Marianna, Arkansas. The facilities at this location include an office building, two clear wells, one wellhouse, an aeration chamber, a water wheel, and a c. 1980 brick outbuilding and steel watertower. The main office building was built in 1936–37 with funding from the Public Works Administration, a Depression-era jobs program, while many of the other facilities were built c. 1930. The office building is a rambling T-shaped structure, with sections that are either one or two stories in height. It is built of red brick in the then-popular Spanish Revival style.
The facility was listed on the National Register of Historic Places in 2007.
# Tungane Broadbent

Tungane Broadbent (born 1940, Mangaia, Cook Islands) is a Cook Islands artist, notable for her tivaevae/tivaivai, with her career making tivaivai spanning five decades. Broadbent founded the O’oa Fabric & Fibre Arts group in 2007, Rarotonga, to teach women to sew tivaivai.
In 2006, Queensland Art Gallery commissioned her to produce a Mangaian tivaivai for the 5th Asia Pacific Triennial which is a feature of the Modern Art Gallery, hosted by Premier of Queensland Peter Beattie on behalf of the Queensland Government.
In 2015, Creative New Zealand brought Tungane Broadbent, along with five other senior artists from the Cook Islands to New Zealand to help celebrate the 50th anniversary of the Cooks Islands self-governance. In the same year, Tungane had an exhibition with Vereara Maeva-Taripo in Queensland Art Gallery named Tivaevae. Kaute (Hibiscus) made by Tungane and Vereara Maeva-Taripo was acquired by Christchurch Art Gallery.
Tungane collaborated with renowned New Zealand artist Reuben Paterson three times, firstly Today, Tomorrow & Yesterday in Bergman Gallery, Rarotonga in 2017, second time Nga Meka Tui Kura in Aotearoa Art Fair, Auckland, New Zealand in 2022, and third time Nga Meka Tui Kura (Epilogue), Bergman Gallery in Rarotonga in 2023.
In 2023, Tungane designed 'Chandelier and Chalice - Mori Tautau e te Kapu Oro’a' and the tivaivai was made by the women of Atiu/Enuamanu with support from the New Zealand High Commission funds, and displayed in Cook Islands National Museum.
Tungane's work is held in many public and private collections internationally such as Cook Islands National Museum, Queensland Art Gallery, Christchurch Art Gallery, and The Arts House Trust.

## Selected solo and collaborative exhibitions

* 2023: Nga Meka Tui Kura (Epilogue) (with Reuben Paterson), Bergman Gallery, Rarotonga, Cook Islands
* 2022: Nga Meka Tui Kura (with Reuben Paterson), Aotearoa Art Fair, Auckland, New Zealand
* 2017: Today, Tomorrow & Yesterday (with Reuben Paterson), Bergman Gallery, Rarotonga, Cook Islands
* 2015: Tivaevae (with Vereara Maeva-Taripo), Queensland Art Gallery, Australia
* 2014: Grandmothers Legacy, BCA Gallery, Rarotonga, Cook Islands

## Selected group exhibitions

* 2023: Te Vaerua O Te Va'ine - Our Mother's Hands, Bergman Gallery, Auckland, New Zealand
* 2020: Tatou 2, The Story of Us, Bergman Gallery, Rarotonga, Cook Islands
* 2019: Kia Maeva Tatou, Bergman Gallery, Rarotonga, Cook Islands
* 2016: Festival of Pacific Arts & Culture, Guam
* 2006: 5th Asia Pacific Triennial, Queensland Art Gallery, Australia
# Edith Mærsk

Edith Maersk is a container ship and the sister ship of Emma Maersk. She has capacity for 13,500 containers; calculations from Maersk Line company say that it has only 11,000 TEUs capacity. She can reach up to 15,200 TEUs according to specialists.

## Design

The ship has a length of 397.00 m (1,302.49 ft) and a beam of 56.00 m (183.73 ft). The depth of the Edith Maersk is 30.00 m (98.43 ft) and while fully loaded she can reach a draft of 17.5 m (57 ft). The deadweight of the container ship is 156,907 metric tons, while the gross tonnage is 170,794 gross tons. The ship is powered by a 14-cylinder Wärtsilä RT-flex diesel engine with a power of 80,000 kW. Designers decided that this power is not enough for the ship and added a waste heat recovery system, which increased the power to 90,000 kW. The ship is registered in the port of Roskilde, Denmark in spite of higher taxes. The company is investing in home country taxes and prefers to use the home flags, despite lower restrictions of convenient flags' countries.

## History

Edith Maersk was built by the Odense Steel Shipyard, Denmark and was handed over to the A.P. Moller – Maersk Group on Saturday 3 November 2007.
# Jennie E. Brand

Jennie E. Brand is an American sociologist and social statistician. She studies stratification, social inequality, education, social demography, disruptive events, and quantitative methods, including causal inference. Brand is currently Professor of Sociology and Statistics at the University of California, Los Angeles (UCLA), where she directs the California Center for Population Research and co-directs the Center for Social Statistics.

## Education and career

Brand received a B.A. in sociology and philosophy from the University of California, San Diego in 1997 and a Ph.D. in sociology from the University of Wisconsin–Madison in 2004.
Brand was a postdoctoral fellow at the University of Michigan from 2004 to 2006 and Carolina Population Center Fellow and assistant professor of Public Policy at the University of North Carolina at Chapel Hill from 2006 to 2007.
Brand moved to UCLA in 2007 as assistant professor of sociology. She was promoted to associate professor in 2010 and Professor in 2016.
Brand was elected to the Sociological Research Association in 2019. She was the first woman to receive the Leo A. Goodman Award for "an outstanding researcher within 10 years of their Ph.D." from the American Sociological Association (ASA). Until 2021, she chaired the Methodology Section of the ASA, currently chairs the Inequality, Poverty, and Mobility Section of the ASA, and sits on the boards of the International Sociological Association's Research Committee on Social Stratification and Mobility, the Bureau of Labor Statistics National Longitudinal Surveys Program Technical Review Committee, and the General Social Survey.

## Research

Brand has made notable empirical contributions in the subfields of social stratification and the sociology of education. In an influential 2010 study of returns to higher education, Brand and Yu Xie challenge the conventional economistic view that comparative advantage would make the individuals with the most to gain from a college degree more likely to seek one out. They argue instead that the individuals least likely to attend college benefit the most from it.
Brand has also made significant methodological contributions to quantitative sociology. She has published extensively on treatment effect heterogeneity and propensity score matching. She serves on the editorial board of Sociological Methods & Research.

### Publications

Brand's most cited publications are:
* Brand, Jennie E. and Yu Xie. 2010. “Who Benefits Most from College? Evidence for Negative Selection in Heterogeneous Economic Returns to Higher Education.” American Sociological Review 75(2):273-302.
* Burgard, Sarah A., Jennie E. Brand, and James S. House. 2009. “Perceived Job Insecurity and Worker Health in the United States.” Social Science & Medicine 69(5):777-785.
* Brand, Jennie E. 2015. “The Far-Reaching Impact of Job Loss and Unemployment.” Annual Review of Sociology 41:359-375.
* Burgard, Sarah A., Jennie E. Brand, and James S. House. 2007. “Toward a Better Estimation of the Effect of Job Loss on Health.” Journal of Health and Social Behavior 48(4):369-384.
# Utaban

Utaban (うたばん) was a Japanese music variety show, broadcast weekly from October 15, 1996 until March 23, 2010 on TBS. The name of the show is an abbreviation of "uta bangumi" (歌番組), meaning "music program". A special version of the show, running for two hours, was occasionally aired under the name Tokuban (とくばん), an abbreviation of "tokubetsu bangumi" (特別番組), meaning "special program".
The show's theme song, played during the opening sequence and closing credits, was "These Boots Are Made for Walkin'" by Nancy Sinatra.

## History

The show was first broadcast on October 16, 1996. Originally supposed to be called "J-Pop Hour", it was hosted by Takaaki Ishibashi, of comedy duo Tunnels, and Masahiro Nakai, leader of boy band SMAP. Hello! Project idol group Morning Musume were frequent guests on the show, at one point appearing almost weekly.
Nakai was briefly replaced by TBS announcer Shin'ichirō Azumi in late June 2006, due to conjunctivitis.
After 13 and a half years on air, the show made its final broadcast on March 23, 2010. It was reformatted into a new show called The Music Hour (ザ・ミュージックアワー), also hosted by Ishibashi and Nakai, which aired on TBS from April 20 to September 14, 2010.

## Performers
### Moderators (MC)

* Takaaki Ishibashi
* Masahiro Nakai

### Others

* Shinji Suzuki (鈴木 慎治, Kagaku-kun (化学くん))
* Kō Chūbachi (中鉢 功, Bachikō (鉢功), Chū-chan (中ちゃん))
* Ayu Yamanouchi (山内 あゆ, a TBS announcer)
# Divna Pešić

Divna Pešić (Macedonian: Дивна Пешиќ; born 22 September 1979 in Kavadarci) is a Macedonian sport shooter. She has been selected to compete for the Republic of Macedonia in two editions of the Olympic Games (2000 and 2004), finishing outside the top 30 in both air and small-bore rifle shooting. Pesic trains at a shooting club in Kavadarci under her father and longtime coach Blagoj Pešić.
Pešić's Olympic debut came as a 20-year-old at the 2000 Summer Olympics in Sydney. There, she finished in a two-way tie with Philippine shooter Rasheya Jasmin Luis for forty-fourth place in the 10 m air rifle, posting a qualifying score of 384. In the 50 m rifle 3 positions, Pešić came up with a much sufficient aim to obtain a total of 561 points (190 each in prone and standing and 181 in the kneeling series) in the qualifying round, vaulting her up to thirty-sixth.
At the 2004 Summer Olympics in Athens, Pešić qualified as a lone markswoman for her second Macedonian team in rifle shooting. She had been granted an Olympic invitation for her country by ISSF and IOC, having registered a minimum qualifying standard of 382 in air rifle at the ISSF World Cup meet in Zagreb, Croatia a year earlier. In the 10 m air rifle, held on the first day of the Games, Pešić fired an ill-fated 368 out of a possible 400 to round off the 44-shooter field in last place. Nearly a week later, in the 50 m rifle 3 positions, Pešić marked 188 in prone, a substandard 182 in standing, and 185 in the kneeling series to accumulate a total score of 555 points in the qualifying round, closing her out of the final to a two-way tie with Australia's Kim Frazer for thirty-second place.