# The Sympathizer

The Sympathizer is the 2015 debut novel by Vietnamese-American professor and writer Viet Thanh Nguyen. It is a best-selling novel, and recipient of the 2016 Pulitzer Prize for Fiction. The novel received generally positive reviews from critics. It was named on more than 30 best book of the year lists and a New York Times Editor's Choice.
The novel incorporates elements from a number of different novel genres: mystery, political, metafiction, dark comedic, historical, spy, and war. The story depicts the anonymous narrator, a North Vietnamese mole in the South Vietnamese army, who stays embedded in a South Vietnamese community in exile in the United States. While in the United States, the narrator describes being an expatriate and a cultural advisor on the filming of an American film, closely resembling Platoon and Apocalypse Now, before returning to Vietnam as part of a guerrilla raid against the communists.
The dual identity of the narrator, as a mole and immigrant, and the Americanization of the Vietnam War in international literature are central themes in the novel. The novel was published 40 years to the month after the fall of Saigon, which is the initial scene of the book.
The novel was adapted as a television series of the same name, which premiered in April 2024, produced by A24 for HBO Max.
A sequel, titled The Committed, was published on March 2, 2021.

## Plot

Set as the flashback in a coerced confession of a political prisoner, the book tells the story of the South Vietnamese Government in 1975 and subsequent events in American exile in Los Angeles, through the eyes of a half-Vietnamese, half-French undercover communist agent. The spy remains unnamed throughout the novel from the fall of Saigon, to refugee camps and relocation in Los Angeles, to his time as a film consultant in the Philippines, and finally to his return and subsequent imprisonment in Vietnam.
The narrator lives in a series of dualities, at times contradictions: he is of mixed blood descent (Vietnamese mother, and French Catholic priest father), raised in Vietnam but attended college in the U.S., and a North Vietnamese mole yet a friend to South Vietnamese military officials and soldiers and a United States CIA agent. During the imminent fall of Saigon, he, as an aide-de-camp, arranges for a last minute flight as part of Operation Frequent Wind, to secure the safety of himself, his best friend Bon, and the General he advises. While they are being evacuated, the group is fired upon while boarding; during the escape, Bon's wife and child are killed along with many others.
In Los Angeles, the General and his former officers weaken quickly, disillusioned by a foreign culture and their rapid decline in status. The General attempts to reclaim some semblance of honor by opening his own business, a liquor store. The continuous emasculation and dehumanization within American society prompts the General to draft plans for assembling an army of South Vietnamese expatriates to return as rebels to Vietnam. While participating in the expatriate unit, the narrator takes a clerical position at Occidental College, begins having an affair with Ms. Mori, his Japanese-American colleague, and then the General's eldest daughter, Lana. While living in the United States, the narrator sends letters in invisible ink to Man, a North Vietnamese revolutionary and handler, providing intelligence about the General's attempts at raising a commando army.
When he receives an offer to consult for a Hollywood film on the Vietnam War called The Hamlet, he sees it as an opportunity to show multiple sides of the War and to give the Vietnamese a voice in its historical portrayal. However, working on set in the Philippines, he not only fails to complicate the misleading, romantically American representation of the war, but almost dies when explosives detonate long before they should. There is skepticism as to whether the explosion was a mistake since the director greatly dislikes the narrator.
After he recovers, against Man's insistence that he stay in the U.S. and continue his work as a mole, the narrator decides to accompany the exiled troops back into Vietnam. Before he returns, he executes a left-leaning Vietnamese newspaper editor, "Sonny", who he learns had an affair with Ms. Mori while the narrator was in the Philippines. During his mission in Vietnam, he manages to barely save Bon's life. However, it is to no heroic avail as they are captured and imprisoned.
The encampment is where the protagonist writes his confession, a plea for absolution addressed to the commandant who is directed by the commissar. However, rather than writing what his communist comrades wish to hear, the protagonist writes a complex and nuanced reflection of the events that have led him to his imprisonment. He refuses to show only one side, he leaves nothing out (even his painful memories of a childhood without a father or of his first experience masturbating), and he sympathizes with the many perspectives of a complicated conflict that has divided a nation. While he still considers himself a communist and revolutionary, he acknowledges his friendships with those who are supposedly his enemy and he understands all soldiers as honorably fighting for their home. When his confession drafts are rejected, he is finally brought before the commissar.
The commissar, the man with no face, turns out to be his direct superior Man. Yet, this does not stop Man from subjecting him to torture as part of his reeducation. First, he must admit his crime of being complicit in the torturing and raping of a female communist agent. Then he must realize that he took part, albeit unconsciously, in the murder of his father. Lastly, he must learn Man's final lesson that a revolution fought for independence and freedom could make those things worth less than nothing, that nothingness itself was more precious than independence and freedom. The novel ends with the narrator on crowded boat of refugees at sea as part of the massive maritime exodus from Vietnam that began in 1975.

## Style

Almost every review comments on the most distinctive stylistic feature: the anonymous narrator who provides continuous commentary. The narrator has an "acrobatic ability" that guides the reader through the contradictions of the war and American identity. The first person narration derives from the frame context for the book: a confession by the narrator to communist captors trying to make him account for his exile. The communist captors force him to write and rewrite the narrative, in an attempt to correct his ideological lens on America and the South Vietnamese enemies.
Many critiques compare the narrator's style to other authors, typically American authors. Randy Boyagoda, writing for The Guardian, describes the initial passage of the novel as a "showy riff on Ralph Ellison's Invisible Man". For Boyagoda, the anonymity and doubled life reflection of the narrator closely parallel the African American narrator of Invisible Man's commentary from the perspective of concealment. Ron Charles describes the narrative voice as close to both "Roth-inspired comic scene[s] of self-abuse" and "gorgeous Whitmanian catalogue of suffering".

## Themes

Most reviews of the novel describe it as a literary response to the typically American-centric worldview of the Vietnam War in works like Apocalypse Now and Platoon. In particular, the section of the novel where the narrator advises on The Hamlet helps critically examine this worldview. Ron Charles describes this section as "As funny as it is tragic", able to "carry the whole novel". The New York Times' book review describes the war as a "literary war", and says that Nguyen's The Sympathizer is "giving voice to the previously voiceless [Vietnamese perspective] while it compels the rest of us to look at the events of 40 years ago in a new light". In part, the novel is a response to Nguyen's own admiration of, but difficult relationship with, works like Platoon, Apocalypse Now, and Rambo and the slaughter of Vietnamese in the films.
The narrator's duality of race, caste, education, and loyalties drive much of the novels' activities. At first this duality is the strength of the novel's narrator, providing deft critique and investigation into the contradictions of social situations, but eventually, in the last, this duality "becomes an absurdist tour de force that might have been written by a Kafka or Genet".

## Reception
### Critical response

According to Book Marks, the book received a "rave" consensus, based on twelve critics: seven "rave" and five "positive". In the July/August 2015 issue of Bookmarks, the book was scored four out of five. The magazine's critical summary reads: "It is also the best kind of novel: the kind that, at the end, leaves its reader a different person than the one who turned the first page".
The New York Times Book Review praised the novel for its place in the broader Vietnam War literature, and for its treatment of dualities in a way that "compares favorably with masters like Conrad, Greene and le Carré". Writing for The Washington Post, Ron Charles called the novel "surely a new classic of war fiction" which is "startlingly insightful and perilously candid". For Charles, it is less the particulars of the thematic explosion of the response to the Vietnam war that makes the novel relevant, but rather how "Nguyen plumbs the loneliness of human life, the costs of fraternity and the tragic limits of our sympathy". Randy Boyagoda, writing for The Guardian, describes it as a "bold, artful and globally minded reimagining of the Vietnam war and its interwoven private and public legacies". Many critics said the book offered a new perspective on the Vietnam War, one that is in contrast to the one provided by Hollywood filmmakers.
The main critique from reviewers is, at times, the overwritten description in the novel. Though generally supportive of the novel, Boyagoda describes this overwriting: "the Captain's grandstanding against east/west stereotypes and against the putative ills of the US and Catholicism clogs his monologue because it does little more than advance an equally hackneyed set of complaints and rebuttals. Nguyen's own academic background also seeps in, inspiring didactic language."

### Accolades

| Organizations | Year | Category | Result |
| American Booksellers Association | 2016 | Indies Choice Book Awards | Honored |
| American Library Association | 2016 | Andrew Carnegie Medals | Won |
| Asian Pacific American Librarians Association | 2016 | Adult Fiction | Won |
| Association for Asian American Studies | 2017 | Book Awards for Creative Writing: Prose | Won |
| California Book Awards | 2016 | Gold Medal in First Fiction | Won |
| Dayton Literary Peace Prize | 2016 | Fiction | Won |
| Deutscher Krimi Preis | 2017 | International | Runner-up |
| Dublin City Libraries | 2017 | International Dublin Literary Award | Finalist |
| Edgar Awards | 2016 | Best First Novel | Won |
| Los Angeles Times Book Prize | 2016 | Mystery/Thriller | Finalist |
| PEN America | 2016 | PEN/Robert W. Bingham Prize | Finalist |
| PEN/Faulkner Foundation | 2016 | PEN/Faulkner Award for Fiction | Finalist |
| Prix du Meilleur Livre Étranger | 2017 | Novel | Won |
| Pulitzer Prize | 2016 | Fiction | Won |
| The Center for Fiction | 2015 | First Novel Prize | Won |

## Listicles

The Sympathizer was selected for more than 30 best-of-the-year lists, including The New York Times, The Wall Street Journal, The Washington Post, The Guardian, and The Globe and Mail. It was on Time magazine's list of "The 100 Best Mystery and Thriller Books of All Time", Vulture's list of "A Premature Attempt at the 21st Century Canon" and was named one of the best books of the 2010s decade by Esquire, Insider, Literary Hub, and Paste. Pasadena Public Library featured the book in its "One City, One Story" program in 2017. Additionally, Los Angeles Times also selected The Sympathizer as one of the most essential L.A. literary novels.

### Year-End Lists

| Publisher | Year | Category |
| Amazon | 2015 | Best Books of the Year – Top 20 |
| Amazon | 2015 | 2015 Best Books of the Year: Literature & Fiction |
| American Library Association | 2016 | 2016 Notable Books List |
| Berkeleyside | 2016 | Best Books of 2016 |
| Bloomberg | 2016 | The Best Books of 2016 |
| Booklist | 2015 | Editors' Choice: Adult Books, 2015 |
| BuzzFeed | 2015 | The 24 Best Fiction Books Of 2015 |
| BuzzFeed | 2015 | The 24 Best Literary Debuts Of 2015 |
| Chicago Public Library | 2015 | Best Books of 2015: Fiction |
| City Club of Cleveland | 2015 | Best Books of 2015 |
| East Bay Express | 2015 | Best Fiction of 2015 |
| Entropy | 2015 | Best Fiction Books of 2015 |
| Flavorwire | 2015 | The 50 Best Independent Press Books of 2015 |
| Gates Notes | 2017 | 5 Amazing Books I Read This Year |
| Kirkus Reviews | 2015 | Best Debut Fiction of 2015 |
| Kirkus Reviews | 2015 | Best Fiction Books of 2015 |
| Kirkus Reviews | 2015 | Best Historical Fiction of 2015 |
| Le Point | 2017 | 25 Books of the Year |
| Library Journal | 2015 | Best Books 2015: Top Ten |
| Literary Hub | 2015 | The 25 Best Books of the Year |
| Los Angeles Public Library | 2015 | Best of 2015: Fiction |
| Minnesota Public Radio | 2015 | Top Fiction Picks of 2015 |
| National Post | 2015 | The NP99: The Best Books of 2015 |
| Orlando Weekly | 2015 | Top 10 Books of 2015 |
| Politics and Prose | 2015 | 2015 Holiday Newsletter – Fiction Favorites |
| PopMatters | 2015 | A Short List of Great 2015 Books |
| Powell's Books | 2016 | Staff Top Fives 2016 |
| Publishers Weekly | 2015 | Best Books of 2015 – Fiction |
| Quartz | 2015 | Best Books of 2015 |
| Slate | 2015 | Laura Miller’s 10 Favorite Books of 2015 |
| Smithsonian Asian Pacific American Center | 2015 | Top 25 APA Book Picks for 2015 |
| The Daily Beast | 2015 | The Best Fiction of 2015 |
| The Georgia Straight | 2015 | This Year's Outstanding Books |
| The Globe and Mail | 2015 | Globe 100: Best Books of 2015 |
| The Guardian | 2015 | Best Books of 2015 |
| The Guardian | 2016 | The Best Fiction of 2016 |
| The Irish Times | 2016 | The Best Crime Fiction of 2016 |
| The Kansas City Star | 2015 | Best Fiction of 2015 |
| The New York Times | 2015 | 100 Notable Books of 2015 |
| The Seattle Times | 2015 | Best Books of 2015 |
| The Wall Street Journal | 2015 | Best Books of 2015 |
| The Washington Post | 2015 | Notable Fiction Books of 2015 |

### Decade/Century Book Lists

| Publisher | Year | Category |
| Esquire | 2019 | The Best Books of the 2010s |
| Insider | 2019 | 101 Books From the 2010s That You Need to Read |
| Literary Hub | 2019 | Best of the Decade |
| Literary Hub | 2019 | The 20 Best Novels of the Decade |
| Literary Hub | 2019 | The 10 Best Debut Novels of the Decade |
| Literary Hub | 2019 | 100 Books That Defined the Decade |
| Parade | 2022 | 222 Best Books of All Time |
| Paste | 2019 | The 40 Best Novels of the 2010s |
| Penguin Books | 2020 | The Greatest Spy Thrillers in Literature |
| Powell's Books | 2018 | 25 Books to Read Before You Die: 21st Century |
| Rising Kashmir | 2022 | Ten Best Spy Novels of All Time |
| Southern Living | 2023 | 50 Books From The Past 50 Years |
| The New York Times | 2024 | 100 Best Books of the 21st Century |
| Time | 2023 | The 100 Best Mystery and Thriller Books of All Time |
| Vulture | 2018 | A Premature Attempt at the 21st Century Canon |

### Miscellaneous

| Publisher | Year | Category | Ref. |
| Los Angeles Times | 2023 | The Ultimate L.A. Bookshelf: Fiction | |
| Pasadena Public Library | 2017 | One City, One Story | |

## Adaptation

In April 2021, A24 and Rhombus Media acquired the rights to the novel to adapt it as a television series. In July 2021, it was announced that HBO had given the production a series order. The series would be produced by A24 with Robert Downey Jr. as co-star and executive producer, Park Chan-wook as director and Don McKellar as co-showrunner. In November 2022, Hoa Xuande, Fred Nguyen Khan, Toan Le, Vy Le, Alan Trong, Sandra Oh, Kiều Chinh, Nguyễn Cao Kỳ Duyên joined the cast. In January 2023, it was announced that Marc Munden and Fernando Meirelles would direct several episodes of the series and also that Duy Nguyen, Kayli Tran and VyVy Nguyen were added to the cast.
The series premiered on HBO's streaming service Max on April 14, 2024.