# Chris Bacon (composer)

Christian Paul Bacon (born March 17, 1977) is an American composer of film and television scores. He is a four-time Primetime Emmy Award nominee – Outstanding Music Composition for a Series (Original Dramatic Score) for Smash (2012–13), Bates Motel (2013–17) and Wednesday (2022–present); Outstanding Original Main Title Theme Music for The Tick (2016–19).

## Early life and education

Bacon was born in Provo, Utah. His parents are members of the Church of Jesus Christ of Latter-day Saints.
As a youth, Bacon learned to play piano and saxophone, and from an early age he knew he wanted to be a film composer. He has said, "From the point that I could start thinking about what I wanted to do when I grew up... it was always to write movie music."
Bacon received a Bachelor's Degree in music composition from Brigham Young University and completed the Scoring For Motion Pictures and Television program at University of Southern California. He interned under film composer James Newton Howard. Bacon cites his internship with Howard as his most valuable musical training,
"While I learned a ton from school, my real-world education came under James. It felt like I was on scholarship because I was being paid to learn what it means to be a film composer at the pinnacle of the industry. James gave me my first opportunities on projects that he couldn't fully take on for a variety of reasons, and his endorsement was very comforting to producers who appreciated the work still being performed under his 'umbrella'."

## Career

Bacon worked under Howard on several of his scores between 2005 and 2011. His solo debut as a film composer came with the 2007 Lifetime film Angels Fall, for which he composed the main theme. Bacon's first solo feature film score was the thriller Source Code.
Bacon has also contributed music to many film and TV productions, including American Hustle, Avengers: Age of Ultron, and Goosebumps. Bacon's next project was the Amazon Prime Video reboot of The Tick, directed by Wally Pfister.
Bacon has been nominated for four Emmy Awards: one for his work on the NBC series Smash:, two for this work on the A&E series Bates Motel, three for Amazon Prime series The Tick and four for Netflix series Wednesday.
Bacon frequently collaborates with Danny Elfman.

## Filmography
### Film

| Year | Title | Director | Notes |
| 2008 | Space Chimps | Kirk DeMicco | Composed with Blue Man Group |
| 2009 | Waking Sleeping Beauty | Don Hahn | Documentary |
| 2010 | Love Ranch | Taylor Hackford | |
| 2010 | Alpha and Omega | Anthony Bell Benjamin Gluck | |
| 2011 | Gnomeo & Juliet | Andy Riley | Composed with James Newton Howard |
| 2011 | Source Code | Duncan Jones | |
| 2011 | Beethoven's Christmas Adventure | John Putch | |
| 2012 | High Ground | Michael Brown | Documentary |
| 2012 | Atlas Shrugged: Part II | John Putch | |
| 2013 | Alpha and Omega 2: A Howl-iday Adventure | Richard Rich | |
| 2015 | Being Charlie | Rob Reiner | |
| 2016 | Patient Seven | Danny Draven | |
| 2017 | Snatched | Jonathan Levine | Composed with Theodore Shapiro |
| 2018 | Sherlock Gnomes | John Stevenson | |
| 2018 | The Weight of Water | Michael Brown | Documentary |
| 2019 | Men in Black: International | F. Gary Gray | Composed with Danny Elfman |
| 2022 | Immanence | Kerry Bellessa | |
| 2022 | Strong Enough | John Foss | |
| 2023 | 65 | Scott Beck Bryan Woods | |
| 2024 | Heretic | Scott Beck Bryan Woods | |

#### Composer of additional music

| Year | Title | Director | Composer | Notes |
| 2005 | King Kong | Peter Jackson | James Newton Howard | Also score producer |
| 2006 | RV | Barry Sonnenfeld | James Newton Howard | |
| 2007 | Earth | Alastair Fothergill Mark Linfield | George Fenton | |
| 2010 | Nanny McPhee and the Big Bang | Susanna White | James Newton Howard | |
| 2010 | Inhale | Baltasar Kormákur | James Newton Howard | |
| 2011 | Water for Elephants | Francis Lawrence | James Newton Howard | |
| 2011 | Larry Crowne | Tom Hanks | James Newton Howard | |
| 2011 | Arthur Christmas | Sarah Smith | Harry Gregson-Williams | |
| 2013 | American Hustle | David O. Russell | Danny Elfman | |
| 2014 | Mr. Peabody & Sherman | Rob Minkoff | Danny Elfman | |
| 2014 | Paddington | Paul King | Nick Urata | |
| 2015 | Avengers: Age of Ultron | Joss Whedon | Danny Elfman Brian Tyler | |
| 2015 | Goosebumps | Rob Letterman | Danny Elfman | |
| 2016 | Alice Through the Looking Glass | James Bobin | Danny Elfman | |
| 2017 | Tulip Fever | Justin Chadwick | Danny Elfman | |
| 2018 | The Grinch | Scott Mosier Yarrow Cheney | Danny Elfman | |
| 2019 | Dumbo | Tim Burton | Danny Elfman | |
| 2020 | Dolittle | Stephen Gaghan | Danny Elfman | |
| 2022 | Doctor Strange in the Multiverse of Madness | Sam Raimi | Danny Elfman | |
| 2022 | Disenchanted | Adam Shankman | Alan Menken | |
| 2024 | Beetlejuice Beetlejuice | Tim Burton | Danny Elfman | |

### Television

| Year | Title | Notes |
| 2007 | Angels Fall | TV film; composed with Stuart Michael Thomas |
| 2007 | Blue Smoke | TV film; composed with Stuart Michael Thomas |
| 2009 | Northern Lights | TV film; composed with Stuart Michael Thomas |
| 2009 | Midnight Bayou | TV film; composed with Stuart Michael Thomas |
| 2011 | Ricochet | TV film |
| 2011 | Wonder Woman | TV film |
| 2012 | Hornet's Nest | TV film |
| 2012–13 | Smash | 26 episodes; composed with Marc Shaiman & Scott Wittman |
| 2013 | An Amish Murder | TV film |
| 2013 | Reckless | TV film |
| 2013–17 | Bates Motel | 50 episodes |
| 2015 | Living with Lincoln | TV film |
| 2016 | Finding Fortune | TV film |
| 2016–19 | The Tick | 22 episodes |
| 2017 | A Series of Unfortunate Events | 2 episodes |
| 2017 | When We Rise | Miniseries; composed with Danny Elfman |
| 2022–present | Wednesday | 7 episodes; composed with Danny Elfman |

## Awards and nominations

| Award | Year | Category | Work | Result |
| Grammy Award | 2024 | Best Arrangement, Instrumental or A Cappella | "Paint It Black" (from Wednesday) | Nominated |
| Primetime Emmy Award | 2012 | Outstanding Music Composition for a Series (Original Dramatic Score) | Smash ("Publicity") | Nominated |
| Primetime Emmy Award | 2016 | Outstanding Music Composition for a Series (Original Dramatic Score) | Bates Motel ("Forever") | Nominated |
| Primetime Emmy Award | 2018 | Outstanding Original Main Title Theme Music | The Tick | Nominated |
| Primetime Emmy Award | 2013 | Outstanding Music Composition for a Series (Original Dramatic Score) | Wednesday ("Woe is the Loneliest Number") | Nominated |
| World Soundtrack Award | 2023 | Television Composer of the Year | Wednesday | Nominated |