OpenLLM-France/wikimedia huggingface dataset:
# Bobbi-Jo Slusar

Bobbi-Jo Slusar (born June 6, 1985) is a Canadian ice hockey player.
Born in Swift Current, Saskatchewan, Slusar was a member of the Canada women's national ice hockey team from 2006 to 2008. Currently, she played for the Brampton Thunder in the Canadian Women's Hockey League (CWHL) and competed in the 2010 Clarkson Cup. During the 2010–11 season, she competed for the Strathmore Rockies of the WWHL. She was drafted 9th overall by the Team Alberta CWHL in the 2011 CWHL Draft.

## Playing career

Slusar played for Team Western in 2000. The following year, Slusar claimed a bronze medal with Team West at the 2001 National Women's Under 18 challenge. In 2002, she helped Notre Dame win the provincial Midget AAA championship. During the same year, Slusar participated with Saskatchewan at the 2002 Esso Women's Nationals finishing fifth. In addition, Slusar was the captain of the Saskatchewan Provincial Team in 2003. She captained Saskatchewan to a bronze medal at the 2003 Canada Winter Games. In high school, she played for Athol Murray College of Notre Dame. The team won the Western Shield Championship in 2002, and Slusar was captain of the team in 2003.

### Hockey Canada

Slusar played for Team Canada on numerous occasions. She was a member of the Canadian National Under 22 team and played in the Air Canada Cup every year from 2003 to 2007. In November 2006, she played with Team Canada in the 4 Nations Cup. It was her international debut with the Canadian National Women's Team. She was selected to play for Canada at the 2010 Four Nations Cup.

### Wisconsin Badgers

Slusar won 2 NCAA championships with the Wisconsin Badgers women's ice hockey program in 2006 and 2007. She was the Badgers team captain for the 2006–07 season.

## Career stats

Note: GP= Games played; G= Goals; A= Assists; PTS = Points; PIM = Penalties in minutes; PPL = Power-play goals; SHG = Short-handed goals
| Year | GP | G | A | Pts | PPL | SHG |
| 2003–04 Wisconsin | 27 | 3 | 7 | 10 | 1 | 0 |
| 2004–05 Wisconsin | 35 | 1 | 8 | 9 | 1 | 0 |
| 2005–06 Wisconsin | 39 | 12 | 28 | 40 | 6 | 0 |
| 2006–07 Wisconsin | 39 | 11 | 22 | 33 | 6 | 0 |
| Year | GP | G | A | Pts | PIM |
| 2007 Four Nations Cup | 4 | 0 | 2 | 2 | 0 |
| 2008 Esso Women's Nationals | 3 | 0 | 2 | 2 | 4 |

## Awards and honours

* Notre Dame Hounds MVP in 2002–03
* 2005–06 NCAA All-Tournament Team
* 2005–06 NCAA First Team All-American
* 2005–06 WCHA First All-Star Team
* 2005–06 WCHA Defensive Player of the year
* Top Ten Finalist, 2006 Patty Kazmaier Award
* 2006–07 NCAA Second Team All-American
* 2006–07 WCHA Second All-Star Team
* 2007 European Air Canada Cup, Tournament All-Star team
* CWHL Second All-Star Team, 2008–09 and 2009–10
* CWHL All-Rookie Team, 2007–08
# Badger Mountain (Douglas County, Washington)

Badger Mountain is a mountain in Douglas County in the U.S. state of Washington. It is the highest point in Douglas County, and is located east of the Columbia River and northeast of Wenatchee. Badger Mountain is part of the Columbia Plateau.
The Badger Mountain Ski Area is located on the mountain's northeastern flank.
According to Edmond S. Meany, a Mt. St. Pierre named by Lt. Johnson of the United States Exploring Expedition in 1841 was probably Badger Mountain. Its present name goes back to settlers and refers to the native animal, the badger.
# Punishment (poem)

"Punishment" is a poem by Irish poet Seamus Heaney first published in his 1975 collection North. It, along with "Bog Queen", "The Grauballe Man", "Strange Fruit" and "The Tollund Man", is inspired by P.V. Glob's book, The Bog People. "Punishment" highlights similarities between Europe's ancient past and The Troubles in Northern Ireland.

## Inspiration

The inspiration for the bog-body poems came after Heaney read the book The Bog People by P.V. Glob, a 1965 archeological study of bodies that were preserved in the bogs of Northern Europe. He published the first such poem, "The Tollund Man", in his 1972 collection Wintering Out. Heaney elaborated on this inspiration in his essay "Feeling Into Words", stating that "the unforgettable photographs of these victims blended in my mind with photographs of atrocities, past and present, in the long rites of Irish political and religious struggles".

## Analysis

The poem is made up of eleven stanzas with four lines each. The first two stanzas consist of Heaney describing how he imagines the woman might have looked just prior to her execution for adultery. He then describes what the body looks like now, after preservation in the bog. The final six stanzas explore the speaker's voyeuristic relationship with the condemned and laments that, although they "would connive/ in civilized outrage", they would "understand the exact/ and tribal, intimate revenge."
Mary P. Brown, a lecturer at the New University of Ulster, found Heaney's conflicted emotions to represent an indictment of art itself, writing that, "Heaney's self accusation in the last four stanzas of the poem is directed at both the man and the poet. The poem has been bought at the expense of action: art stands accused." Stephanie Alexander recognizes a theme of violence and complicity that remains constant across time, writing that, "the bog has become an uncanny reflection of contemporary life, an archive that houses both the past and present, and the narrator seems helpless but to do anything but reenact the violence again". Some critics responded negatively to this association between past and present violence. Ciaran Carson accused Heaney of becoming "the laureate of violence--a mythmaker, an anthropologist of ritual killing, an apologist for 'the situation,' in the last resort, a mystifier".

## The Troubles

The lines, "I who have stood dumb/ when your betraying sisters,/ cauled in tar,/ wept by the railings," draw a connection between the past and the conflict in Northern Ireland contemporary to when the poem was written. During the Troubles, the Irish Republican Army (IRA) was known to have used tarring and feathering as a way to punish Irish women who were involved with British soldiers.
# 1986 in Irish television

"none" is preferred when the title is sufficiently descriptive; see [[WP:SDNONE]]
The following is a list of events relating to television in Ireland from 1986.

## Events

* January – RTE begins a six-week test of its teletext service Aertel, operating on RTE 1 between 2pm and closedown with a sample in-vision service broadcast on RTE2 between 2pm and 5,45pm.
* 29 September – Long running Irish afternoon chat show Live at 3 begins on RTÉ 1.
* 29 September – RTÉ Television airs the first edition of Dempsey's Den, a series presented by Ian Dempsey with puppets Zig and Zag. Dempsey's Den presented children's afternoon programmes.
* 1 October – Welsh children's animation SuperTed begins its screening debut on RTÉ 1 as part of Dempsey's Den. The series is translated and dubbed into an Irish language.
* 9 November – The current affairs series Questions and Answers first goes on air. It is presented by Olivia O'Leary.

## Debuts
### RTÉ 1

* 14 January – Alvin and the Chipmunks (Ruby Spears version) (1983–1987)
* 10 April – Butterfly Island (1985–1987)
* 13 August – / The Campbells (1986–1990)
* 11 September – Pajo's Junkbox (1986–1988)
* 29 September – Dempsey's Den (1986–2010)
* 29 September – Live at 3 (1986–1997)
* 30 September – Rapid Roulette (1986–1990)
* 30 September – The Prisoner of Zenda (1984)
* 1 October – SuperTed (1983–1986)
* 13 October - Evening Extra (1986-1988)
* 25 October – Saturday Live (1986–1999)
* 9 November – Questions and Answers (1986–2009)
* Undated – Muppet Babies (1984–1991)

### RTÉ 2

* 30 September – Spaceflight (1985)
* 8 October – Chocky (1984)
* 9 October – Disney's Adventures of the Gummi Bears (1985–1991)
* 2 December – Starman (1986–1987)
* 25 December – Fox Tales (1986–1988)

## Changes of network affiliation

| Shows | Moved from | Moved to |
| Disney's Adventures of the Gummi Bears | RTÉ 2 | RTÉ 1 |
| / Maya the Honey Bee | RTÉ 1 | RTÉ 2 |

## Ongoing television programmes
### 1960s

* RTÉ News: Nine O'Clock (1961–present)
* RTÉ News: Six One (1962–present)
* The Late Late Show (1962–present)

### 1970s

* Sports Stadium (1973–1997)
* The Late Late Toy Show (1975–present)
* RTÉ News on Two (1978–2014)
* Bosco (1979–1996)
* The Sunday Game (1979–present)

### 1980s

* Today Tonight (1982–1992)
* Mailbag (1982–1996)
* Glenroe (1983–2001)
* MT-USA (1984–1987)

## Ending this year

* 23 February – Davis at Large (1984–1986)
* 23 April – Leave It To Mrs O'Brien (1984–1986)
# Monument to Alexander Pushkin (Rostov-on-Don)

Monument to Alexander Pushkin in Rostov-on-Don is a statue in the center of Rostov-on-Don. It is situated at the intersection of Pushkinskaya Street and Voroshilov Avenue. The author of the monument is Gavriil Schultz (and the architect is Mihail Minkus). The monument was erected in 1959. Later, the square where it stands was decorated with lanterns of 19th century style. Pushkin monument is an object of cultural heritage of regional importance. It is also the first monument in Rostov-on-Don which is dedicated to literary topic.
The sculpture of the poet, designed in classical style, is made of bronze and stands on a high pedestal of red colour, which is made of granite.
In 1992, the Pushkin monument was listed to the register of architectural objects under state protection.
In 1999 the monument was renovated.
Every year on the day of his birth, which is on the six of June, residents of Rostov-on-Don and city guests lay flowers to the monument. Fans of his work gather around, and literary and poetry readings are arranged. The festivities are usually attended by representatives of associations of writers, members of public institutions in the field of culture, and high school students.
Monument to the renowned poet and writer appeared in the city for a reason. Pushkin visited Rostov-on-Don in 1820. During this time he was making a trip to the Caucasus, accompanied by General of the cavalry Nikolay Raevsky, who also was a hero of the Patriotic War of 1812 and a friend of the poet. During this journey the writer developed an interest in the history of the reign of Peter I and Catherine II, and uprisings led by Stepan Razin and Emelyan Pugachev. About these topics he wrote his most important works. The image of Rostov, the manners of its inhabitants made an impression on young Pushkin, who before had only been common to metropolitan community, and it also left a certain mark on his works.
# Assumption Cathedral, Koper

The Cathedral of the Assumption of the Blessed Virgin Mary (Slovene: Stolna cerkev Marijinega vnebovzetja) also called Koper Cathedral is the Catholic cathedral of the Diocese of Koper, in the city of Koper, Slovenia.
The church was built in the second half of the twelfth century in Romanesque style, with three naves, each ending with an apse. Until 1392 the church underwent changes and additions, which also led to a change of style: the western facade is clearly Gothic. After an earthquake in 1460, the facade was redesigned in 1488, with the addition of Renaissance elements. The tower, which offers views of the city and the bay, is four stories, follows the style of an Italian bell tower and houses one of the oldest bells in Slovenia, dating back to 1333. Early 18th century, Koper was under Venetian influence, and was again an architectural transformation in the Baroque style. Under the direction of Giorgio Massari, additional landscaping elements were added to the church, including valuable paintings of Venetian painters Pietro Liberi, Celesti Andrea, Antonio Zanchi and Vittore Carpaccio. The most important painting is the Holy Conversation of Vittore Carpaccio, dating from 1516.
# Mansion of Handrin

The Mansion of Handrin (Russian: Особняк Хандрина) is a mansion in Taganrog located at 56 Aleksandrovskaya Street, a monument of architecture of the 1870s.

## History and description

Handren's mansion was built by request of the honorary citizen of the city of Taganrog, the businessman A. E. Handrin in 1870 on the project architect Tenishev. According to "The inventory and a real estate appraisal of property" from 1873 for 1916 only family representatives Handrinykh is registered as owners of the house: since 1898 — the titular counselor A. Z. Handrin. Before the October Revolution, the family Handrinykh went to Kharkiv.
After the revolution in the building was used as a city military commandant's office. In 1920 the building was transferred to a gorkomkhoz. The noble coat of arms and a sculpture was removed from a facade. In the building, the children's receiver for homeless children, music school settled down. After carrying out restoration works in 1976 in the former mansion of Handrin was opened as an art gallery.
Polutoraetazhny building. The facade is sated with an expressive decor. At the general art composition, there are elements of classicism, baroque and the Renaissance. Capitals of the Corinthian warrant, a column with flutes, a pediment crowned sculptural groups (are lost). Over the main entrance, there was a noble coat of arms of the sort Handrick. The internal interior of the building differed in a rich decorative molding. It was supplemented by chandeliers, tile fireplaces, parquet floors, oak doors. To the yard, there was a wooden verandah with carved columns. There was an orchard. Even the building of the coach maker which remained up to now differed in original architecture.
# Fatma Bucak

Fatma Bucak (born 1984) is an artist and photographer who lives and works in London and Istanbul.

## Biography

She was born in Turkey, to a Kurdish family. She works in a variety of media, including photography, performance, sound, multimedia, and video installation, and focuses on themes of political identity, historical memory, and gender. In 2019, she was named one of the Royal Photographic Society's ‘Hundred Heroines’, recognizing the achievements of women in photography.
Bucak has exhibited at Venice Biennale, the Jewish Museum New York, and the Museum of Contemporary Art Toronto. Her work is held in the permanent collections of Fondazione Mario Merz, Arter, MAMbo, the Civic Gallery of Modena, and the Unicredit Art Collection. In 2024, she was a fellow at the American Academy in Rome. Bucak has also been artist-in-resident at the Italian Academy for Advanced Studies in America at Columbia University, and at ISCP in Brooklyn, New York. Bucak directed the 2011 documentary film Almost Married, which premiered at the International Documentary Film Festival in Amsterdam.

## Solo exhibitions

* While the Dust Quickly Falls at Kunsthaus Dresden, Germany (2022).
* In Prestissimo at Peola Simondi Contemporary Art, Turin, Italy (2022)
* Acts of Erasure at Museum of Contemporary Art Toronto Canada, Canada (2020)
* A Colossus on Clay Feet at the Italian Cultural Institute, New York (2019)
* So as to Find the Strength to See at Fondazione Mario Merz, Turin, Italy (2018)
* So as to Find the Strength to See at Galleria d'Arte Moderna Palermo, Italy (2018)
* Damascus Rose at Harpe 45, Lausanne, Switzerland (2017)
* Scouring the Press at Pi Artworks, London, United Kingdom (2017)
* And Men Turned Their Faces Form There at David Winton Bell Gallery, Providence, United States (2016)
* Suggested Place for You to See it at Pori Art Museum, Finland (2016)
* Over a Line Darkly at Artpace, San Antonio, United States (2015)
* I must say a word about fear at Castello di Rivoli, Turin, Italy (2014)
* Yet Another Story about the Fall at Arter Contemporary Art Museum, Istanbul, Turkey (2013)

## Group Exhibitions and Biennials

* MAMAC, Nice 2022
* Art Basel - Hong Kong, 2020
* Gothenburg International Biennial for Contemporary Art, 2017
* The Jewish Museum, New York, 2015
* The Ryder Projects, London, 2015
* The Institute of Contemporary Arts, London, 2013
* 54th Venice Biennale, 2011
* The International Festival of Non-Fiction Film, Museum of Modern Art, New York, 2011

## Awards

Bucak won the illy Present Future Award at Artissima 2013, and the Tosseti Value Prize for Photography in 2021. In 2024, she was awarded the Novo Nordisk Foundation Artistic Research Grant.

## Books

* So as to Find the Strength to See (published by Hopeful Monster, Turin, April 2018) ISBN 978-88-7757-270-7
* I Must Say a Word about Fear (published by Castello di Rivoli, 2017)
# Forest City Community School District

43°15′45″N 93°38′17″W﻿ / ﻿43.262605°N 93.638118°W﻿ / 43.262605; -93.638118
Forest City Community School District is a rural public school district headquartered in Forest City, Iowa.
The district is located in sections of Hancock, Winnebago, Worth and Cerro Gordo counties. It serves Forest City, Crystal Lake, Fertile, Leland, Woden, and the surrounding rural areas.
On July 1, 2013, the Woden–Crystal Lake Community School District consolidated into the Forest City district.

## Schools

The district operates three schools, all in Forest City:
* Forest City Elementary School
* Forest City Middle School
* Forest City High School

### Forest City High School
#### Athletics

The Indians participate in the Top of Iowa Conference in the following sports:
* Football
* Cross Country
* Volleyball
* Basketball
** Boys' 1976 Class 2A State Champions
* Bowling
* Wrestling
* Golf
* Track and Field
* Baseball
** 1984 Class 3A State Champions
* Softball
# Lord Anson's Victory off Cape Finisterre

Lord Anson's Victory off Cape Finisterre is an oil on canvas history painting by the English artist Samuel Scott, from 1749.

## History and description

A seascape, it depicts the First Battle of Cape Finisterre on 14 May 1747 where the British Royal Navy under George Anson, 1st Baron Anson intercepted a French convoy of merchantmen and its French Navy escort. A major British success during the latter stages of the War of the Austrian Succession, it saw Anson raised to the peerage as Baron Anson.
During the early stages of his career Scott was influenced by Willem van de Velde the Younger and the composition resembles the latter's 1687 painting The Battle of Texel. Anson's flagship Prince George is in the centre of the painting. Scott condensed the events of the battle into a composite view. Several versions were produced by Scott including one commissioned by Anson's wife for the family's country house at Shugborough Hall in Staffordshire, which is now in the Yale Center for British Art. Another version exists in the National Maritime Museum in Greenwich.
# Addisonia excentrica

Addisonia excentrica is a species of sea snail, a marine gastropod mollusk in the family Addisoniidae.

## Distribution

This species can be found in European waters and in the Mediterranean Sea.

## Description

The maximum recorded shell length is 20.3 mm. The size of the ovate shell varies between 8 mm and 20 mm. It is thin and whitish. The apex presents an appearance as if an embryonic tip (perhaps spiral) had fallen and been replaced by a peculiarly blunt ovate apex, which in the young shell is nearly marginal, posterior and to the left of the middle line, but in the adult is considerably within the margin, curved downward and backward and much more asymmetrical. The sculpture of the shell shows faint grooves radiating from the (smooth) apex and reticulated by the stronger concentric lines of growth, beside which the extremely inflated arch of the back is somewhat obscurely concentrically waved. The shell has a polished appearance over the sculpture. The thin margins are sharp. The interior of the shell is smooth and somewhat polished. The scar of the pedal muscle is narrow and at a considerable distance within the margin. The anterior ends of the scar are enlarged and hooked backward on their inner edges. These ends are connected by a line broadly arched forward and marking the attachments of the mantle to the shell over the head.

## Habitat

Minimum recorded depth is 91 m. Maximum recorded depth is 1170 m.
# Harano Sur

Harano Sur (transl. The Lost Tune) is a 1957 Indian Bengali-language romantic drama film by Ajoy Kar, starring Suchitra Sen and Uttam Kumar, with music by Hemanta Mukherjee, sung by Geeta Dutt. This is the first film that Uttam produced along with Ajoy Kar. The film is regarded as one of the finest examples of Bengali cinema of this early period. The film is based on the 1942 American film Random Harvest. The film became the highest grossing Bengali film of 1957.

## Synopsis

An amnesiac after a train accident, Alok Mukherjee (Uttam Kumar) is rescued after escaping from the asylum where he was admitted by Doctor Roma Banerjee (Suchitra Sen) who takes him to her father's (Pahadi Sanyal) country house in a village called Palaspur. There, while treating him, she falls for him and he for her. They marry but a second accident makes him recall his life as a rich businessman in Calcutta and forget the memories spent with Roma. Roma follows him to Calcutta and meets him there, but he doesn't recognise her. He hires her as governess to his niece instead. Roma keeps trying to simulate Alok's memory but is looked at suspiciously by Lata, Alok's fiancée in Calcutta who thinks Roma is snatching Alok away from her and who complains to Alok's mother. The latter has Roma kicked out. Alok, realizing she is from Palaspur and that is where he got back his memory goes there and regains his memory of times spent with Roma there.

## Cast

* Uttam Kumar as Alok Mukherjee
* Suchitra Sen as Dr Roma Banerjee
* Pahadi Sanyal as Roma's father
* Chandrabati Devi as Alok mother
* Utpal Dutta as Dr Majumder
* Khagen Pathak as Station Master
* Shailen Mukherjee as Manager
* Haren Mukherjee as Dr. Haren Mukherjee
* Dipak Mukherjee as Mihir Bhattacharya
* Kajori Guha as Lata

## Soundtrack

Hemanta Mukherjee composed the music of the film. All the lyrics were penned by Gauriprasanna Mazumder.

## Production

Harano Sur was the first film produced by Uttam Kumar along with Ajoy Kar. Uttam decided to keep Bengali cinema to national level, so he came into film production under their banner Alochaya Production Pvt Ltd. The film was based on 1942 Oscar nominated film Random Harvest which itself based on the novel of same name written by James Hilton.

## Release & Reception

It was released in India on 6 September 1957 under the banner of Alochaya Production and distributed by Chayabani Private Limited.

### Reviews

The Times of India wrote The legendary Suchitra Sen and Uttam Kumar – that’s what this movie is all about. It’s simply their charisma, their chemistry, their presence which will captivate you throughout.

### Box office

The film became highest grossing Bengali film in 1957.

## Themes

Random Harvest had already been adapted before in Tamil in 1956 as Amara Deepam and starred Sivaji Ganeshan and Savitri, which was later remade in Hindi as Amar Deep starring Dev Anand and Vyjainthimala.

## Awards

* 1957 – Certificate of Merit for Third Best Feature Film in Bengali
# 1966–67 Algerian Championnat National

The 1966–67 Algerian Championnat National was the fifth season of the Algerian Championnat National since its establishment in 1962. A total of 16 teams contested the league, with CR Belcourt as the defending champions.

## Team summaries
### Promotion and relegation

Teams promoted from Algerian Division 2 1966-1967
* USM Bel-Abbès
* JSM Skikda
Teams relegated to Algerian Division 2 1967-1968
* USM Blida
* SCM Oran

## League table

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts |
| 1 | NA Hussein Dey | 22 | 12 | 5 | 5 | 34 | 21 | +13 | 51 |
| 2 | RC Kouba | 22 | 10 | 7 | 5 | 39 | 31 | +8 | 49 |
| 3 | CR Belcourt | 22 | 12 | 3 | 7 | 43 | 36 | +7 | 48 |
| 4 | USM Annaba | 22 | 9 | 8 | 5 | 38 | 27 | +11 | 48 |
| 5 | ES Sétif | 22 | 8 | 8 | 6 | 26 | 14 | +12 | 46 |
| 6 | MC Oran | 22 | 8 | 8 | 6 | 24 | 23 | +1 | 46 |
| 7 | MO Constantine | 22 | 7 | 8 | 7 | 37 | 30 | +7 | 44 |
| 8 | ASM Oran | 22 | 8 | 6 | 8 | 26 | 25 | +1 | 44 |
| 9 | MC Saïda | 22 | 6 | 8 | 8 | 22 | 35 | −13 | 42 |
| 10 | ES Guelma | 22 | 7 | 5 | 10 | 40 | 41 | −1 | 41 |
| 11 | USM Blida | 22 | 3 | 7 | 12 | 23 | 36 | −13 | 35 |
| 12 | SCM Oran | 22 | 3 | 5 | 14 | 20 | 51 | −31 | 33 |
* ↑ 1 point deducted?