# List of compositions by Carl Maria von Weber

The following is a complete list of compositions by Carl Maria von Weber in order of both opus number and catalogue number. A complete chronological catalogue of Weber's works was compiled by Friedrich Wilhelm Jähns and published in 1871. Catalogue numbers are indicated by a preceding "J."

## By opus number

| Op. | Description |
| 1 | 6 Fughettas, J. 1-6 (1798) |
| 2 | 6 Variations in C on an Original Theme, J. 7 (1800) |
| 3 | 6 petites pièces faciles, J. 9-14 (1801) |
| 4 | 12 allemandes, J. 15-26 (1801) |
| 5 | 8 Variations on a theme from Vogler's Castor and Pollux, J. 40 (1801) |
| 6 | 6 Variations in C on a theme from Vogler's Samori, J. 43 (1804) |
| 7 | 7 Variations on "Vien quà, Dorina bella," J. 53 (1807) |
| 8 | Opera, Peter Schmoll und seine Nachbarn, J. 8 (1801–02) |
| 9 | Thème original varié, J. 55 (1808) |
| 10a | 6 pieces for Piano 4-hands, J. 81-6 (1809) |
| 10b | 6 Violin Sonatas, J. 99-104 (1801) |
| 11 | Piano Concerto No. 1 in C major, J. 98 (1810) |
| 12 | Momento capriccioso in B flat major, J. 56 (1808) |
| 13 | 5 Songs & a Canon, J. 91, 96, 52, 72, 97, 35 |
| 14 | Cantata, "Der erste Ton," J. 58 (1808, revised 1810) |
| 15 | 6 Songs, J. 73, 63, 74, 68, 67, 57 |
| 16 | Aria, "Il momento s'avvicina," J. 93 (1810) |
| 17 | Overture in E-flat major |
| 18 | Piano Quartet in B flat major, J. 76 (1811) |
| 19 | Symphony No. 1 in C major, J. 50 (1806–07) |
| 20 | Concerto (Fantasie) for cello and orchestra (Grand pot-pourri), J. 64 (1808) |
| 21 | Grande polonaise in E flat major, J. 59 (1808) |
| 22 | Nine Variations on a Norwegian Air for violin and piano, J. 61 (1808) |
| 23 | 4 Songs & 2 Choruses, J. 62, 70, 117, 130, 136, 133 |
| 24 | Piano Sonata No. 1 in C major, J. 138 (1812) |
| 25 | 5 Songs for voice & guitar, J. 140, 110, 112, 137, 113 |
| 26 | Clarinet Concertino in E flat major, J. 109 (1811) |
| 27 | Overture, "Der Beherrscher der Geister" ("Ruler of the Spirits"), J. 122 (1811) |
| 28 | 7 Variations on "A peine au sortir de l'enfance," J. 141 (1812) |
| 29 | 3 Songs, J. 108, 124, 120 |
| 30 | 6 Songs, J. 42, 161, 157, 160, 159, 156 |
| 31 | 3 Duets, J. 107, 123, 125 |
| 32 | Piano Concerto No. 2 in E flat major, J. 155 (1812) |
| 33 | 7 Variations on a theme from Silvana, J. 128 (1811) |
| 34 | Clarinet Quintet in B flat major, J. 182 (1815) |
| 35 | Andante e Rondo ungarese in C minor, for bassoon & orchestra, J. 79 (1809) |
| 36 | Cantata, "In seiner Ordnung schafft der Herr," J. 154 (1812) |
| 37 | Incidental music for Turandot (Schiller, after Gozzi), J. 75 (1809) |
| 38 | Divertimento assai facile, for guitar & piano, J.207 (1816) |
| 39 | Piano Sonata No. 2 in A flat major, J. 199 (1816) |
| 40 | 9 Variations, J. 179 (1815) |
| 41 | "Leyer und Schwert" (cycle of 4 songs), J. 174-7 (1814) |
| 42 | "Leyer und Schwert" (6 male choruses), J. 168-73 (1814) |
| 43 | Songs, "Bei der Musik des Prinzen Louis Ferdinand von Preussen," J. 205 (1816) |
| 44 | Cantata, "Kampf und Sieg," J. 190 (1815) |
| 45 | Horn Concertino in E minor, J. 188 (1806 version lost, revised 1815) |
| 46 | Song cycle, "Die Temperamente beim Verluste der Geliebten," J. 200–3 |
| 47 | 6 Songs, J. 197, 198, 189, 192, 196, 166 |
| 48 | Grand duo concertant, J. 204 (1815–16) |
| 49 | Piano Sonata No. 3 in D minor, J. 206 (1816) |
| 50 | Aria, "Misera me!" J. 121 (1811) |
| 51 | Aria, "Non paventar mia vita," J. 181 (1815) |
| 52 | Scena, "Ah, se Edmondo," J. 178 (1815) |
| 53a | Aria, "Signor, se padre sei," J. 142 (1812) |
| 53b | Chorus, "Zwei Kränze zum Annen-Tage," J. 218 (1817) |
| 54 | 5 Songs & 2 Duets, J. 232, 209, 212, 208, 211, 233, 231 |
| 55 | 7 Variations in C on a Gypsy Song, J.219 (1817) |
| 56 | Scena & aria, "Was sag ich?" J. 239 (1818) |
| 57 | Scena, "Ah, se Edmondo," (for Méhul's opera, Héléna), J.178 (1815) |
| 58 | Jubel-Kantate, J. 244 (1818) |
| 59 | Jubel-Ouverture in E major, J. 245 (1818) |
| 60 | 8 pieces for Piano 4-hands, J. 236, 242, 248, 253–4, 264–6 |
| 61 | Chorus, "Natur und Liebe," J. 241 |
| 62 | Rondo brillante, J. 252 (1819) |
| 63 | Trio in G minor for Piano, vc, fl, J. 259 (1819) |
| 64 | 6 Songs, a Duet, & a Chorus, J. 234, 210, 235, 230, 255, 247, 249, 258 |
| 65 | Invitation to the Dance, J. 260 (1819) |
| 66 | 6 Songs, J. 217, 238, 48, 134, 65, 213 |
| 67 | ? |
| 68 | 6 Partsongs, J. 132, 263, 262, 285, 261, 284 |
| 69 | ? |
| 70 | Piano Sonata No. 4 in E minor, J. 287 (1819–22) |
| 71 | 6 Songs, J. 256, 243, 267, 28, 229, 105 |
| 72 | Polacca brillante, J. 268 (1819) |
| 73 | Clarinet Concerto No. 1 in F minor, J. 114 (1811) |
| 74 | Clarinet Concerto No. 2 in E flat major, J. 118 (1811) |
| 75 | Bassoon Concerto in F, J. 127 (1811, revised 22) |
| 75a | Missa sancta No. 1 in E flat major, J. 224 (1817–18) |
| 76 | Missa sancta No. 2 in G, J. 251 (1818–19) |
| 77 | Opera, Der Freischütz, J. 277 (1817–21) |
| 78 | Incidental music for Preciosa (P. A. Wolff, after Miguel de Cervantes), J. 279 (1820) |
| 79 | Konzertstück in F minor for Piano and Orchestra, J. 282 (1821) |
| 80 | 6 Songs, J. 281, 269, 270, 274, 275, 278 |
| 81 | Opera, Euryanthe, J. 291 (1822–23) |

## By Jähns catalogue number

| J. (Jähns) | Description |
| 1–6 | 6 Fughettas, Op. 1 (Piano) [1798] |
| 7 | 6 Variations in C on an Original Theme, Op. 2 (Piano) [1800] |
| 8 | Opera, Peter Schmoll und seine Nachbarn, Op. 8 [1801-2] |
| 9–14 | 6 petites pièces faciles, Op. 3 (Piano 4-hands) [1801] |
| 15–26 | 12 allemandes, Op. 4 (pf; No. 11 & 12 for Piano 4-hands) [1801] |
| 27 | Song, "Die Kerze" [1802] |
| 28 | Song, "Umsonst ensagt ich," Op. 71/4 [1802] |
| 29–34 | 6 Ecossaises (Piano) [1802] |
| 35 | Canon, "Mädchen, ach meide Männerschmeichelei'n," Op. 13/6 (3v) [1802] (used by Mahler in J.Anh. 5) |
| 36 | "Ein Gärtchen und ein Häuchen drin" (chorus [STB]) [1803] |
| 37 | Grablied (TTB, 9 wind) [1803] |
| 38 | Song, "Entfliehet schnell von mir" [1803] |
| 39 | Arrangement of vocal score of GJ Vogler's opera Samori [1803] |
| 40 | 8 Variations sur l'air de ballet de Castor and Pollux, Op. 5 (Piano) [1804] |
| 41 | Song, "Ich sah die hingesunken" [1804] |
| 42 | Song, "Wiedersehen," Op. 30/1 [1804] |
| 43 | 6 Variations in C on a theme from Vogler's Samori, Op. 6 (Piano [vn, vc ad lib]) [1804] |
| 44–46 | Opera, Rübezahl (3 nos. only) [1804-5] |
| 47 | Romanza siciliana in G minor (fl, orch) [1805] |
| 47a | Tusch (20 tpt) [1806] |
| 48 | Song, "Ich denke dein," Op. 66/3 [1806] |
| 49 | 6 Variations in C on "A Schüsserl und a Rein'dl'" (viola, orch) [1806] |
| 50 | Symphony No. 1 in C major, Op. 19 [1806-7] |
| 51 | Symphony No. 2 in C [1807] |
| 52 | Song (with gui. acc.), "Liebeszauber," Op. 13/3 [1807] |
| 53 | 7 Variations sur l'air "Vien quà, Dorina bella" [by Bianchi], Op. 7 (Piano) [1807] |
| 54 | Grande ouverture à plusieurs instruments, Op. 8 (revision of ov. to J. 8) [1807] |
| 55 | Thème original varié, Op. 9 (7 variations for Piano) [1808] |
| 56 | Momento capriccioso in B flat major, Op. 12 (Piano) [1808] |
| 57 | Song, "Er an Sie," Op. 15/6 [1808] |
| 58 | Cantata, "Der erste Ton," Op. 14 (reciter, SATB, orch) [1808, rev. 1810] |
| 59 | Grande polonaise in E flat major, Op. 21 (Piano) [1808] |
| 60 | Song (with bc acc.), "Komisches musikalisches Sendschreiben" [1808] |
| 61 | 9 Variations on a Norwegian air (vn, Piano) [1808] |
| 62 | Song, "Meine Farben," Op. 23/1 [1808] |
| 63 | Song, "Klage," Op. 15/2 [1808] |
| 64 | Grand pot-pourri, Op. 20 (vc, orch) [1808] |
| 65 | Song, "Serenade" ("Die Lethe des Lebens"), Op. 66/5 [1809] |
| 66 | "Die Lethe des Lebens" (B, chorus, Piano) [1809] |
| 67 | Song, "Das Röschen," Op. 15/5 [1809] |
| 68 | Song, "Was zieht zu deinem Zauberkreise," Op. 15/4 [1809] |
| 69 | "Chorlied" (chorus) [1809] |
| 70 | Song, "Rhapsodie" ("Die Blume"), Op. 23/2 [1809] |
| 71 | Song, "Romanze" ("Die Ruinen") [1809] |
| 72 | Song (with gui. acc.), "Sanftes Licht, weiche nicht," Op. 13/4 [1809] |
| 73 | Song, "Meine Lieder, meine Sange," Op. 15/1 [1809] |
| 74 | Song, "Der kleine Fritz," Op. 15/3 [1809] |
| 75 | Incidental music for Turandot (Schiller, after Gozzi), Op. 37 (ov. & 6 inst. nos.) [1809] |
| 76 | Piano Quartet in B flat major, Op. 18 [1811] |
| 77–78 | 2 nos. for Haydn pasticcio, Der Freibrief [1809] (77 used by Mahler in J.Anh. 5) |
| 79 | Andante e Rondo ungarese in C minor, Op. 35 (viola, orch) (see also J. 158) [1809] |
| 80 | Song, "Trinklied" [1809] |
| 81–6 | 6 pieces, Op. 10a (Piano 4-hands) [1809] |
| 87 | Opera, Silvana [1808-10] |
| 88 | Canzonetta, "Sicchè t'inganni" (voice, Piano/harp) [1810] |
| 89 | Canon, "Die Sonate soll ich spielen" (3v) [1810] |
| 90 | Canon, "Canons zu zwei sinc nicht drei" (3v) [1810] |
| 91 | Song (with gui. acc.), "Die Schäferstunde" ("Damon und Chloé"), Op. 13/1 [1810] |
| 92 | Song, "Das neue Lied" [1810] |
| 93 | Recit & Rondo, "Il momento s'avvicina," Op. 16 (S, orch) [1810] |
| 94 | Variations in F (vc, orch) [1810] |
| 95 | Canon, "Leck mich im Angesicht" (3v) [1810] |
| 96 | Song (with gui. acc.), "Wiegenlied," Op. 13/2 [1810] |
| 97 | Song (with gui. acc.), "Die Zeit," Op. 13/5 [1810] |
| 98 | Piano Concerto No. 1 in C major, Op. 11 [1810] |
| 99–104 | 6 sonates progressives in F, G, d, E flat, A, C, Op. 10b (vn, Piano) [1810] |
| 105 | Song, "Des Künstlers Abshied," Op. 71/6 (v, gui/pf) [1810] |
| 106 | Singspiel, Abu Hassan [1810-11] |
| 107 | Duet, "Se il mio ben," Op. 31/1 (AA, Clarinet, 2 hn, str) [1811] |
| 108 | Canzonetta, "Ah, dove siete," Op. 29/1 (v, gui/pf) [1811] |
| 109 | Clarinet Concertino in E flat, Op. 26 [1811] |
| 110–13 | 4 songs for Der arme Minnesinger (voice, gui) (see Op. 25) [1811] |
| 114 | Clarinet Concerto No. 1 in F minor, Op. 73 [1811] |
| 115 | Adagio & Rondo in F (harmonium, orch) [1811] |
| 116 | Trauer-Musik (Bar, chorus, 10 wind) [1811] |
| 117 | Song, "Maienblümlein, so schön," Op. 23/3 [1811] |
| 118 | Clarinet Concerto No. 2 in E flat major, Op. 74 [1811] |
| 119 | Melody in F (Clarinet, with Piano accom by FW Jähns) [1811] |
| 120 | Canzonetta, "Ch'io mai vi possa," Op. 29/3 (v, gui/pf) [1811] |
| 121 | Scena & aria, "Misera me!" Op. 50 (S, orch) [1811] |
| 122 | Overture, "Der Beherrscher der Geister" ("Ruler of the Spirits"), Op. 27 [1811] |
| 123 | Duet, "Mille volte," Op. 31/2 (SS, Piano) [1811] |
| 124 | Canzonetta, "Ninfa se liete," Op. 29/2 (v, gui/pf) [1811] |
| 125 | Duet, "Va, ti consola," Op. 31/3 (SS, Piano) [1811] |
| 126 | Scena & aria, "Qual altro attendi" (T, chorus, orch) [1812] |
| 127 | Bassoon Concerto in F, Op. 75 [1811, rev. 1822] |
| 128 | 7 Variations on a theme from Silvana, Op. 33 (Clarinet, Piano) [1811] |
| 129 | Song, "Romanze" ("Wiedersehen") [1812] |
| 130 | Song, "Sonett," Op. 23/4 [1812] |
| 131 | "Lenz erwacht, und Nachtigallen" (STB, chorus [STB], Piano) [1812] |
| 132 | "Das Turnierbankett," Op. 68/1 (TTB, male chorus) [1812] (used by Mahler in J.Anh. 5) |
| 133 | "An eine Freundin," Op. 23/6 (chorus [STTB], Piano) [1812] |
| 134 | Song, "Lebensansicht," Op. 66/4 [1812] |
| 135 | "Schwäbisches Tanzlied" (chorus [STTBB], Piano) [1812] |
| 136 | "Heisse, stille Liebe schwebet," Op.23/5 (chorus [STTB], Piano) [1812] |
| 137 | Song, "Bettlerlied," Op. 25/4 (v, gui/pf) [1812] |
| 138 | Piano Sonata No. 1 in C major, Op. 24 [1812] |
| 139 | "Kriegs-Eid" (unison male vv, 2 tpt, 3 hn, bsn, trombone) [1812] |
| 140 | Song, "Liebeglühen," Op. 25/1 (v, gui/pf) [1812] |
| 141 | 7 Variations on "A peine au sortir de l'enfance" from Méhul's opera Joseph, Op. 28 (Piano) [1812] |
| 142 | Scena & aria, "Signor, se padre sei," Op. 53a (T, 2 choruses, orch) [1812] |
| 143–8 | 6 Favorite Waltzes of the Queen of France, Marie Louise (Piano) [1812] |
| 149 | Waltz (fl, 2 Clarinet, 2 hn, tpt,2 bsn) [1812] |
| 150–53 | 4 songs by Duke Leopold August of Gotha, accompaniments arr. for winds [1812] |
| 154 | Hymn, "In seiner Ordnung schafft der Herr," Op. 36 (SATB, chorus, orch) [1812] |
| 155 | Piano Concerto No. 2 in E flat major, Op. 32 [1812] |
| 156 | Song, "Sind es Schmerzen," Op. 30/6 [1813] |
| 157 | Song, "Unbefangenheit," Op. 30/3 [1813] |
| 158 | Andante e Rondo ungarese in c (bsn, orch) (rev. of J. 79) [1813] |
| 159 | Song, "Reigen," Op. 30/5 [1813] |
| 160 | Song, "Minnelied," Op. 30/4 [1813] |
| 161 | Song, "Es stürmt auf der Flur," Op. 30/2 [1814] |
| 162–3 | 2 pieces arr. & orch'd for use in Fischer's Singspiel Die Verwandlungen [1814]: |
| 162 | J. Weigl's duet, "Ein jeder Geck" |
| 163 | anon. arietta, "Ihr holden Blumen" |
| 164 | Canon, "Zu dem Reich der Töne schweben" (4v) [1814] |
| 165 | "Lebenslied am Geburtstage" (4 male vv, Piano) [1814] |
| 166 | Song, "Gebet um die Geliebte," Op. 47/6 [1814] |
| 167 | Canon, "Scheiden und leiden uist einerlei" (4v) [1814] |
| 168–73 | "Leyer und Schwert," Op. 42 (6 male choruses) [1814]: |
| 168 | No. 2, "Lützows wilde Jagd" |
| 169 | No. 6, "[[Schwertlied]]" |
| 170 | No. 4, "Männer und Buben" |
| 171 | No. 5, "Trinklied vor der Schlacht" |
| 172 | No. 1, "Reiterlied" |
| 173 | No. 3, "Gebet vor der Schlacht" |
| 174–7 | Song cycle, "Leyer und Schwert," Op. 41 [1814] |
| 178 | Scena, "Ah, se Edmondo," Op. 57 (for Méhul's opera, Héléna) [1815] |
| 179 | Air russe (Schöne Minka), 9 Variations, Op. 40 (Piano) [1815] |
| 180 | "Drei Knäbchen lieblich austaffiret" (burlesque on Mozart's Magic Flute) (male vv) [1815] |
| 181 | Scena & aria, "Non paventar mia vita," Op. 51 (S, orch) [1815] |
| 182 | Clarinet Quintet in B flat major, Op. 34 [1815] |
| 183–4 | 2 songs for A. Fischer's Singspiel, Der travestierte Aeneas [1815] (183 used by Mahler in J.Anh. 5; 184 revised as J. 185) |
| 185 | Deutscher (Original-Walzer) in D (orch) (rev. of J. 184) [1815] |
| 186–7 | 2 songs in "Lieb und Versöhnen" [1815] |
| 188 | Horn Concertino in E minor, Op. 45 (1st version lost) [1806, rev. 1815] |
| 189 | Ballad, "Was stürmet," Op. 47/3 (Bar, harp) [1815] |
| 190 | Cantata, "KamPiano und Sieg," Op. 44 (SATB, chorus, orch) [1815] |
| 191 | Tedesco in D (orch) [1816] |
| 192 | Song, "Der Jüngling und die Spröde," Op. 47/4 [1816] |
| 193 | Canon, "Weil Maria Töne hext" (3v) [1816] |
| 194 | Arietta for Das Sternenmädchen in Maidlinger Walde (text lost) [1816] |
| 195 | Romance, "Ein König einst gefangen sass" (voice, gui) [1816] |
| 196 | Song, "Mein Verlangen," Op. 47/5 [1816] |
| 197 | Song, "Die gefangenen Sänger," Op. 47/1 [1816] |
| 198 | Song, "Die freien Sänger," Op. 47/2 [1816] |
| 199 | Piano Sonata No. 2 in A flat major, Op. 39 [1816] |
| 200–03 | Song cycle, "Die Temperamente beim Verluste der Geliebten," Op. 46 [1816] |
| 204 | Grand duo concertant in E flat major, Op. 48 (Clarinet, Piano) [1815-16] |
| 205 | Songs, "Bei der Musik des Prinzen Louis Ferdinand von Preussen," Op. 43 [1816] |
| 206 | Piano Sonata No. 3 in D minor, Op. 49 [1816] |
| 207 | Divertimento assai facile (gui, Piano) [1816] |
| 208 | Duet, "Abschied: O Berlin, ich muss dich lassen," Op. 54/4 (2v, Piano) [1817] |
| 209 | Duet, "Quodlibet: So geht es in Schnützelputz-Häusel," Op. 54/2 (2v, Piano) [1817] |
| 210 | Duet, "Mailied: Tra, ri, ro!" Op. 64/2 (2v, Piano) [1817] |
| 211 | Song, "Alte Weiber," Op. 54/3 [1817] |
| 212 | Song, "Liebeslied," Op. 54/2 [1817] |
| 213 | Song, "Wunsch und Entsagung," Op. 66/6 [1817] |
| 214 | Incidental music for König Yngurd (A. Müllner; 10 inst. nos., 1 song) [1817] |
| 215–16 | Orchestrations of 2 pieces for inclusion in Méhul's opera Héléna [1817]: |
| 215 | F. Paer's recit & cavatina, "Von dir entfernt" |
| 216 | S. Nasolini's recit & duet, "Ja, Liebe" |
| 217 | Song, "Das Veilchen im Tale," Op./ 66/1 [1817] |
| 218 | "Zwei Kränze zum Annen-Tage," Op. 53b (4 male vv, Piano) [1817] |
| 219 | 7 Variationen [in C] über ein Zigeunerlied, Op. 40 (Piano) [1817] |
| 220 | Incidental music for Donna Diana (C. A. West [J. Schreyvogel], after A. Moretto; 6 nos.) [1817] |
| 221 | Cantata, "L'accoglienza" (SSSTBB, chorus, orch) [1817] |
| 222 | Song, "Hold ist der Zyanenkranz" (solo vv, chorus) [1817] |
| 223 | Romance, "Leise weht es" (used by Mahler in J.Anh. 5) [1818] |
| 224 | Missa sancta No. 1 in E flat major, Op. 75a (SATB, chorus, orch) [1817-18] |
| 225 | Song, "Sei gegrüsst, Frau Sonne, mir" [1818] |
| 226 | Offertory, "Gloria et honore" (S, chorus, orch) (for J. 224) [1818] |
| 227 | Dance & Song, "In Provence" (T, chorus) (spurious?) [1818] |
| 228 | "Schöne Ahnung ist erglommen" (4 male vv, Piano) [1818] |
| 229 | Song, "Lied der Hirtin," Op. 71/5 [1818] |
| 230 | Song, "Gelahrtheit," Op. 64/4 [1818] |
| 231 | Song, "Weine, weine," Op. 54/7 [1818] |
| 232 | Song, "Die fromme Magd," Op. 54/1 [1818] |
| 233 | Song, "Wenn ich ein Vöglein wár," Op. 54/6 [1818] |
| 234 | Song, "Mein Schatzerl ist hübsch," Op. 64/1 [1818] |
| 235 | Song, "Heimlicher Liebe Pein," Op. 64/3 [1818] |
| 236 | Moderato, Op. 60/1 (Piano 4-hands) [1818] |
| 237 | Incidental music for Heinrich IV, König von Frankenreich (E. Gehe; 8 inst. nos.) [1818] |
| 238 | Song, "Rosen im Haare," Op. 66/2 [1818] |
| 239 | Scena & aria for Cherubini's Lodoiska, "Was sag ich?" Op. 56 [1818] |
| 240 | Chorus, "Heil dir, Sappho" (SSB, wind, perc) [1818] |
| 241 | "Natur und Liebe," Op. 61 (chorus [SSTTBB], Piano) [1818] |
| 242 | Allegro, Op. 60/2 (Piano 4-hands) [1818] |
| 243 | Song, "Ein Mädchen ging," Op. 71/2 (voice, Piano/gui) [1818] |
| 244 | Jubel-Kantate, Op. 58 (SATB, chorus, orch) [1818] |
| 245 | Jubel-Ouverture in E major, Op. 59 [1818] |
| 246 | Incidental music for Lieb' um Liebe (Rublack; 6 nos.) [1818] |
| 247 | "God Save the King," arr. male chorus [?1818] |
| 248 | Adagio, Op. 60/3 (Piano 4-hands) [1818] |
| 249 | "Ei, ei, ei, wie scheint der Mond so hell," Op. 64/7 (male vv) [1818] |
| 250 | Offertory, "In die solemnitatis" (S, chorus, orch) (for J. 251) [1818] |
| 251 | Missa sancta No. 2 in G, "Jubelmesse", Op. 76 (SATB, chorus, orch) [1818-19] |
| 252 | Rondo brillante in E flat major, "La gaîté," Op. 62 (Piano) [1819] |
| 253 | Allegro – tutto ben marcato, Op. 60/4 (Piano 4-hands) [1819] |
| 254 | Alla siciliana, Op. 60/5 (Piano 4-hands) [1819] |
| 255 | Song, "Abendsegen," Op. 64/5 [1819] |
| 256 | Song, "Triolett," Op. 71/1 (used by Mahler in J.Anh. 5) [1819] |
| 257 | Song, "Liebesgruss aus der Ferne," Op. 64/6 [1819] |
| 258 | Song, "Herzchen, mein Schätzchen," Op. 64/8 [1819] |
| 259 | Trio in G minor for fl, vc, Piano, Op. 63 [1819] |
| 260 | Aufforderung zum Tanz (Invitation to the Dance): Rondo brilliant in D flat, Op. 65 (Piano) [1819] |
| 261 | Partsong, "Gute Nacht," Op. 68/5 (4 male vv) [1819] |
| 262 | Partsong, "Freiheitslied," Op., 68/3 (4 male vv) [1819] |
| 263 | Partsong, "Ermunterung," Op. 68/2 (4 male vv) [1819] |
| 264 | Tema variato ("Ich hab' mir Eins erwählet"), Op. 60/6 (Piano 4-hands) [1819] |
| 265 | Marcia, Op. 60/7 (Piano 4-hands) [1819] |
| 266 | Rondo, Op. 60/8 (Piano 4-hands) [1819] |
| 267 | Song, "Das Mädchen an das erste Schneeglöckchen," Op. 71/3 [1819] |
| 268 | Polacca brillante in E major, "L'hilarité," Op. 72 (Piano) [1819] |
| 269 | Song, "Sehnsucht" ("Weihnachtslied"), Op. 80/2 [1818] |
| 270 | Song, "Elfenlied," Op. 80/3 [1819] |
| 271 | Music for ceremonial prologue (including song, "Du hohe Rautenzeig," to melody of "God Save the King") (chorus, 6 wind) [1819] |
| 272 | Double canon (4v) [1819] |
| 273 | Agnus Dei (SSA, wind) [1820] |
| 274 | Song, "Schmerz," Op. 80/4 [1820] |
| 275 | Song, "An sie," Op. 80/5 [1820] |
| 276 | Incidental music for Der Leuchtturm (E. von Houwald; 4 harp nos.) [1820] |
| 277 | Opera, Der Freischütz, Op. 77 [1817-21] |
| 278 | Song, "Der Sänger und der Maler," Op. 80/6 [1820] |
| 279 | Incidental music for Preciosa (P. A. Wolff, after Miguel de Cervantes), Op. 78 (ov., 11 nos.) [1820] |
| 280 | Song for The Merchant of Venice, "Sagt, woher" (women's vv, gui) [1821] |
| 281 | Song, "Lied von Clotilde," Op. 80/1 [1821] |
| 282 | Konzertstück in F minor, Op. 79 (pf, orch) [1821] |
| 283 | Cantata, "Du, bekränzt unsre Laren" (SSTB, chorus, fl, Piano) [1821] |
| 284 | Partsong, "Husarenlied," Op. 68/6 (4 male vv) [1821] |
| 285 | Partsong, "Schlummerlied," Op. 68/4 (4 male vv) [1822] |
| 286 | Song, "Das Licht im Tale" [1822] |
| 287 | Piano Sonata No. 4 in E minor, Op. 70 [1819-22] |
| 288 | Marcia vivace (10 tpt) [1822] |
| 289 | Incidental music for "Den Sachsensohn vermählet heute" (ov., 5 choral nos.) (one used by Mahler in J.Anh. 5) [1822] |
| 290 | Cantata, "Wo nehm ich Blumen her" (chorus [STB], Piano) [1823] |
| 291 | Opera, Euryanthe, Op. 81 [1822-3] |
| 292 | Song (Romance), "Elle était simple et gentilette" (used by Mahler in J.Anh. 5) [1824] |
| 293 | "Reiterlied" (4 male vv, Piano ad lib) [1825] |
| 294 | "Schützenweihe" (4 male vv, Piano ad lib) [1825] |
| 295ff | 10 schottische Nationalgesänge (10 Scottish Folksongs), acc. arr. fl, vn, vc, Piano [1825]: |
| 295 | "The soothing shades of gloaming" |
| 296 | "The Troubadour" |
| 297 | "O poortith cauld" |
| 298 | "Bonny Dundee" |
| 299 | "Yes, thou may'st walk" |
| 300 | "A soldier am I" |
| 301 | "John Anderson, my jo'" |
| 302 | "O my love's like the red, red rose" |
| 303 | "Robin is my joy" |
| 304 | "Whar' hae ye been a' day" |
| 305 | Arioso & recit for Spontini's Olympie, "Doch welche Töne" [1825] |
| 306 | Opera, Oberon [1825-6] |
| 307 | March (wind) (rev. of J. 13 with new trio; also arr. chorus, orch as "Zu den Fluren des heimischen Herdes") [1826] |
| 308 | Song, "Gesang der Nurmahal: From Chindara's warbling fount I come" (Piano part reconstructed by Moscheles) [1826] |
| Anh. 1 | Opera, Das Waldmädchen [1800] |
| Anh. 3 | "Deo rosa" (incomplete) (4 male vv, Piano) [1821] |
| Anh. 5 | Opera, Die drei Pintos (unfinished; completed by Mahler, 1888) [1820-4] |
| Anh. 6 | Singspiel, Die Macht der Liebe und des Weins (lost) [1798] |
| Anh. 8 | Mass in E flat major, "Grosse Jugendmesse" (SATB, chorus, orchestra, organ) [1802] |
| Anh. 67–70 | 4 solfèges [1818] |
| – | Miscellaneous: Song, "Strafpredigt über die französische Musik" [1801] Canon, "An die Hoffnung" (3v, Piano ad lib) [1802] Canon, "Wenn du in Armen der Liebe" [1802] Canon, "Prost Neujahr!" (34 vv, 74 tpt!!) [1811] Introduction, theme & variations (Clarinet, Piano) (rediscovered 1943) [?1811] Song, "Vatergruss" [1823] |