OpenLLM-France/wikimedia huggingface dataset:
# Debian configuration system

debconf is a software utility for performing system-wide configuration tasks on Unix-like operating systems. It is developed for the Debian Linux distribution, and is closely integrated with Debian's package management system, dpkg.
When packages are being installed, debconf asks the user questions which determine the contents of the system-wide configuration files associated with that package. After package installation, it is possible to go back and change the configuration of a package by using the dpkg-reconfigure program, or another program such as Synaptic.
The design of debconf allows for front-ends for answering configuration questions to be added in a modular way, and there exist several, such as one for dialog, one for readline, one that uses a text editor, one for KDE, one for GNOME, a Python front-end API, etc.
The original implementation of debconf is in Perl. During the development of Debian-Installer, a new implementation in C was developed, which is named cdebconf. The new implementation is currently only used in the installer, but is intended to eventually replace the original entirely. Both implementations make use of the same protocol for communication between the debconf front-end and the client code ("confmodule"); this is a simple line-based protocol similar to common Internet protocols.
Debconf does not physically configure any packages, but asks the user certain configuration questions stored in the .templates file, under the direction of the package's maintainer scripts (.config, .postinst, etc.). Typically, the .config script uses debconf to ask questions, while .postinst applies configuration changes to the unpacked package in reaction to the answers; however, this can vary due to technical requirements. The user's answers to the configuration questions asked by debconf are cached in debconf's database.
# Greene County Community School District

42°00′45″N 94°22′36″W﻿ / ﻿42.012586°N 94.376796°W﻿ / 42.012586; -94.376796
Greene County Community School District (GCCSD) is a rural public school district headquartered in Jefferson, Iowa.
The district is almost entirely in Greene County while small portions are in Boone County. Communities served are Jefferson, Dana, Grand Junction, Rippey and Scranton.
It formed on July 1, 2014, as the consolidation of the East Greene and Jefferson–Scranton school districts. They began "grade sharing" (in which students from one district attended school in another district for certain grade levels) the previous school year.
As of 2018, it has about 1,100 students and 200 employees.

## Schools

All schools are in Jefferson.
* Greene County High School
* Greene County Middle School
* Greene County Elementary School
The Greene County district continued operating the Grand Junction school until 2017. In 2017, the Grand Junction city government decided to demolish the former Grand Junction school.
The district acquired the Rippey School, which was already closed. The Rippey School was demolished in 2014.

### Greene County High School
#### Athletics

The Rams compete in the Heart of Iowa Conference in the following sports:
* Esports
** Rainbow Six Siege, Smash Bros Ultimate, etc
* Cross Country
* Volleyball
* Football
* Basketball
* Wrestling
* Track and Field
** Girls' 1994 Class 2A State Champions
* Soccer
* Golf
* Baseball
* Softball

## Notable alumni

* Randy Weaver
# Earl N. Franklin

Colonel Earl Newlan Franklin (January 26, 1917 – November 11, 2003) was born in Joliet, Illinois. He is one of the original Tuskegee Airmen, along with his brother George.
Franklin was a graduate of the second Tuskegee class and stayed on the base as a flight instructor and pilot. He saw active service in Germany, France and Greece.
In the early 1970s Franklin acted as the Regional Exchange Commander in Vietnam. He also served as Chief of the Air Force Services Office in Philadelphia. A role from which he retired after 35 years of service.
Franklin was married to Marion T. Franklin (née Hall). They had a son, James M. Franklin and grandson, James E. Franklin. He was step-grandfather to Shaney. His siblings were Bertha McDonald, Odis Franklin, Donzanella Spivie and Donald Franklin.
Franklin resided in Cherry Hill, New Jersey from 1968 until his death on Veterans Day 2003. He is buried in Arlington National Cemetery.
# Exodus (2007 British film)

Exodus is a contemporary retelling of the Biblical story of Exodus, that was released in 2007. It was directed by Penny Woolcock and was shot on location in Margate, Kent, England. The film, which had a working title 'The Margate Exodus' features the burning of a large sculpture of a man made out of waste by Antony Gormley. The film was shown on Channel 4 on 19 November 2007.

## Synopsis

The leader of the country, called Pharaoh (who is plagued by voices), declares war upon society's 'undesirables'. Drug abusers, refugees, criminals and the homeless are all considered equally worthless and entered into a restricted ghetto, called 'Dreamland' (set in a then dilapidated fun fair of that name, since restored), where they cannot leave.
When Moses learns he was adopted by Pharaoh and is actually the son of an asylum seeker, he shuns his life of privilege to lead the ghetto's inhabitants in a revolt against his father.
A series of 'plagues' echoing the biblical story attack the inhabitants of the 'promised land' including algal blooms which turn the sea red (like the first plague of turning the River Nile to blood) and a computer virus (possibly a modern reworking of the sickness in live stock plague).
The plagues are treated as acts of terrorism by those in the promised land and violent reprisals are sought against those in Dreamland.
# List of Janata Dal breakaway parties

Janata Dal was formed through the merger of Janata Party factions, the Lok Dal, Indian National Congress (Jagjivan) and the Jan Morcha under the leadership of V. P. Singh on 11 October 1988 on the birth anniversary of Jayaprakash Narayan.
By 1996 Indian general election Janata Dal gradually disintegrated into various smaller factions, largely regional parties Biju Janata Dal, Rashtriya Janata Dal, Janata Dal (Secular) and Janata Dal (United).
Some of the breakaway organisations have thrived as independent parties, some have become defunct, while others have merged with the parent party or other political parties.

## List of breakaway parties

| Year | Party | Founder | Region | Status |
| 1990 | Samajwadi Janata Party (Rashtriya) | Chandra Shekhar | Uttar Pradesh | Abolished |
| 1990 | Janata Dal (Gujarat) | Chimanbhai Patel, Chhabildas Mehta | Gujarat | Abolished |
| 1990 | Janata Dal (Ajit) | Ajit Singh | Uttar Pradesh | Merged with the Indian National Congress in the early 1990s |
| 1992 | Samajwadi Party | Mulayam Singh Yadav | Uttar Pradesh | Active |
| 1994 | Samta Party | George Fernandes, Nitish Kumar | Bihar | Active now led by Uday Mandal. |
| 1997 | Indian National Lok Dal | Chaudhary Devi Lal | Haryana | Active |
| 1997 | Biju Janata Dal | Naveen Patnaik | Odisha | Active |
| 1997 | Rashtriya Janata Dal | Lalu Prasad Yadav, Raghuvansh Prasad Singh, Kanti Singh | Bihar | Active |
| 1998 | Lok Shakti | Ramakrishna Hegde | Karnataka | Merged with Janata Dal (United) |
| 1998 | Rashtriya Lok Dal | Ajit Singh | Uttar Pradesh | Active |
| 1999 | Janata Dal (Secular) | H. D. Deve Gowda | Karnataka | Active |
| 2000 | Lok Janshakti Party | Ram Vilas Paswan | Bihar | Split into two Factions |
| 2003 | Janata Dal (United) | George Fernandes, Nitish Kumar, Sharad Yadav, Ramakrishna Hegde | Nagaland, Bihar and Arunachal Pradesh | Active |
| 2009 | National Jan Morcha | Ajeya Pratap Singh | Uttar Pradesh | Merged with the Indian National Congress |
| 2010 | Socialist Janata (Democratic) | M. P. Veerendra Kumar | Kerala | Merged with Janata Dal (United) on 29 December 2014 |
| 2013 | Rashtriya Lok Samta Party | Upendra Kushwaha | Bihar | Merged with Janata Dal (United) on 14 March 2021 |
| 2014 | Socialist Janata Dal | V. V. Rajendran | Kerala | Active |
| 2015 | Hindustani Awam Morcha (Secular) | Jitan Ram Manjhi | Bihar | Active |
| 2015 | Jan Adhikar Party Loktantrik | Pappu Yadav | Bihar | Merged with Indian National Congress |
| 2018 | Pragatisheel Samajwadi Party (Lohiya) | Pragatisheel Samajwadi Party (Lohiya) | Uttar Pradesh | Merged with Samajwadi Party |
| 2018 | Jannayak Janta Party | Ajay Singh Chautala, Dushyant Chautala | Haryana | Active |
| 2018 | Loktantrik Janata Dal | Sharad Yadav | Bihar Kerala | Merged with Rashtriya Janata Dal |
| 2021 | Rashtriya Lok Janshakti Party | Pashupati Kumar Paras | Bihar | Active |
| 2021 | Lok Janshakti Party (Ram Vilas) | Chirag Paswan | Bihar | Active |
| 2023 | Rashtriya Lok Janata Dal | Upendra Kushwaha | Bihar | Active party renamed as Rashtriya Lok Morcha in 2024 |
# Mini Paceman

The Mini Paceman is a three-door subcompact crossover SUV sold and manufactured by BMW under the Mini brand. It is the three-door counterpart of the R60 Mini Countryman. It was introduced as the Paceman Concept at the 2011 North American International Auto Show. The production model debuted in September 2012.
Like the Countryman, the Paceman was offered with a choice of two or four-wheel drive (known as ALL4), and with 1.6-litre petrol or diesel and 2.0-litre diesel inline four engines in various states of tune. Unlike most of the Mini range, the Paceman was not manufactured in the UK but in Graz, Austria, by Magna Steyr, along with the Countryman.
BMW ended production of the Paceman in late 2016 as BMW executives felt it was positioned too close to the Countryman in Mini’s line-up.

## Models

The model derivatives followed a similar pattern to the Mini Hatch, with a choice of Cooper/Cooper D, Cooper S/Cooper SD and John Cooper Works derivatives.
The Cooper Petrol 122 PS (90 kW; 120 bhp) and the Cooper D 112 PS (82 kW; 110 bhp), the Cooper S Petrol 184 PS (135 kW; 181 bhp), the John Cooper Works 221 PS (163 kW; 218 bhp) and the Cooper SD Diesel producing 143 PS (105 kW; 141 bhp). The availability of models varied between markets.
The All4 all-wheel drive option was available on variable models depending on the market.
# Nylonkong

Nylonkong, a contraction of New York–London–Hong Kong, is a neologism coined to link New York City, London, and Hong Kong as the ecumenopolis of the Americas, Euro-Africa, and Asia-Pacific that first appeared in the magazine Time in 2008. The article suggests that the cities share similarities, especially in being globalised financial and cultural centres, and are the most remarkable cities in the 21st century.

## History

Nylonkong, from NY (New York City), Lon (London), and Kong (Hong Kong) first appeared in Time article A Tale of Three Cities in 2008.
According to Time, these cities share similarities in cultural and economic establishments. They are influential in cultural industries, including art auctions, movies, and pop songs. In addition, the cities are top international financial centres located in different time zones. Time further described the cities as the three most remarkable international cities in the 21st century, and one could better understand the world through understanding Nylonkong. Financial Development Index ranks Hong Kong, USA, and UK as the first to third places of the table, accordingly.

## Influence

An extended range of responses was observed in media and academia after the term was coined, such as in the Mingpao Daily. The term was first quoted in academia by Yin Pak Andrew Lau in the Liberal Studies Youth Summit on Basic Law, and Sing Tao Daily suggested that the term is a profound sign of globalization. The influence is substantial and long-lasting, and has imposed a constant check on the achievement of the three financial hubs. In 2016, Lam Hang-chi, an economist, for example, suggested that Nylonkong would fade out if the financial hubs were not constantly competitive. In late 2016, Tai Kung Pao suggested that Hong Kong should not compare itself with New York and London, as the Asian financial center is politically and socially autonomous when compared to the other two, which were only cities; the passage further argues that the autonomous entity of Hong Kong requires more diversified economic development like other Four Asian Tigers economies.
# 8. November 1939 (memorial)

8. November 1939 is the name of the Johann Georg Elser Memorial in Munich to commemorate the resistance fighters fighting against the Nazis. The monument is located in the Maxvorstadt district.

## History

On 8 November 1939, the carpenter Johann Georg Elser perpetrated in Munich's Bürgerbräukeller with a time bomb with the intention to assassinate Adolf Hitler. The attack failed; Elser was arrested and shortly before the end of the Second World War, was killed in the Dachau concentration camp.

## Site and monument

To prepare for the assassination Elser moved to Munich in the summer of 1939. The monument is located close to the former site of the room he had rented.
The monument was designed by artist Silke Wagner. The monument is made of aluminium and glass forming the lettering "8 November 1939". The elements are arranged in a circle in a way that represents an explosion. Every night at 21:20 (the exact time of the detonation of the bomb) the numbers are illuminated one by one until the entire script is glowing. The lights remain on for a minute before turning off again.
48°09′03″N 11°34′36″E﻿ / ﻿48.15083°N 11.57667°E﻿ / 48.15083; 11.57667
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* v
* t
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# Peter and the Wolf (1975 rock album)

Peter and the Wolf is an album adapting Sergei Prokofiev's Peter and the Wolf by Jack Lancaster and Robin Lumley released in 1975. It features a rock arrangement of Prokofiev's music. Performers on the album include Jack Lancaster, Robin Lumley, Gary Brooker, Bill Bruford, Phil Collins, Julie Tippett, Stephane Grappelli, Jon Hiseman, Brian Eno, Alvin Lee, Gary Moore, Cozy Powell, Manfred Mann, Keith Tippett, Viv Stanshall, and the English Chorale. This album is notable for featuring several musicians from Brand X, who would release their debut album the following year.

## Track listing
### Side One

* "Introduction" – 1:05
* "Peter's Theme" – 2:10
* "Bird and Peter" – 0:38
* "Duck Theme"" – 1:00
* "Pond" – 0:46
* "Duck and Bird" – 2:11
* "Cat Dance" – 2:37
* "Cat and Duck" – 1:32
* "Grandfather" – 3:04
* "Cat" – 0:34
* "Wolf" – 0:46
* "Wolf and Duck" – 3:46

### Side Two

* "Threnody For A Duck" – 1:51
* "Wolf Stalks" – 0:57
* "Cat In Tree" – 2:13
* "Peter's Chase" – 1:45
* "Capture of Wolf" – 1:27
* "Hunters" – 0:58
* "Rock and Roll Celebration" – 2:38
* "Duck Escape" – 1:11
* "Final Theme" – 5:07

## Credits

* Jack Lancaster — Lyricon, saxophones, clarinet, flute, violin
* Stéphane Grappelli — Violin
* Henry Lowther — Violin
* Robin Lumley — Electric piano, acoustic piano, clavinet, string synthesizer, synthesizer
* Brian Eno — Synthesizer
* Manfred Mann — Synthesizer
* Gary Brooker — Synthesizer
* Keith Tippett — Piano
* Gary Moore — Acoustic & electric guitars
* John Goodsall — Guitar
* Alvin Lee — Guitar
* Chris Spedding — Guitar
* Pete Haywood — Steel Guitar
* Percy Jones — Bass
* Andy Pyle — Bass
* Dave Marquee — bass
* Bill Bruford — Drums, snare
* Phil Collins — Drums, vibraphone, percussions
* Cozy Powell — Drums, cymbal
* Jon Hiseman — Snare drum
* Erika Michaelenko — Chimes, choir
* Julie Tippett — Vocal
* Bernie Frost — Vocal, choir
* Bob Sargeant — Choir
* The English Chorale — Choir
* Viv Stanshall — Narrator
# The Weatherboard Cathedral

The Weatherboard Cathedral (1969) is a poetry collection by Australian poet Les Murray. It is the first collection of poems by Murray as the sole author; he had previously published The Ilex Tree in 1965 in collaboration with Geoffrey Lehmann.
The collection consists of 47 poems, some of which were published in various Australian poetry publications, though most appear in print here for the first time. It contains the poet's well-known work "An Absolutely Ordinary Rainbow", which has been reprinted in a number of Australian poetry anthologies since its original publication in 1967.

## Contents

| "Evening Alone at Bunyah" "Recourse to the Wilderness" "Farewelling Contemporaries" "Shorelines" "Platypus" "The Princes' Land" "Ill Music" "Windy Hill" "Troop Train Returning" "Tableau with Academic Figures" "Blood" "East Sydney" "Shelduck Lagoon" "Bagman O'Reilly's Curse" "Existential Beasts" "The Abomination" "The Borgia Pope Relates a Painful Incident (for Geoffrey Lehmann)" "The Wilderness" "Once in a Lifetime, Snow" "The Garden Path" "The Commercial Hotel" "The Merchants' Wheel" "The Abortion Scene" "Prosper the Commonwealth" | "Susan the Serpent : A Colonial Fiction" "An Absolutely Ordinary Rainbow" "The Last Continent" "The Count of the Simple Shore" "The Incendiary Method" "When I Was Alive" "The Rock Shelters, Botany Bay" "Treeroots and Earth" Three Tries at Englynion sequence "The Patristics of Fashion" "Between Two Wars" "A Poet of 1914" "One Who Asked, Thinking He Knew" "A Walk with O'Connor" "If a Pebble Fall" "The Barranong Angel Case" "The House of Four-X" "Senryu" "The Canberra Remnant" "Working Men" "The Ballad Trap" "Hayfork Point" "The Spheres" "The Fire Autumn" |

## Critical reception

While reviewing the book as a part of a survey of Australian poetry of the time, Ronald Dunlop noted that Murray "is what would have been termed in an age less self-conscious about its literary terminology a poet of the outback. The poetry in his new book, The Weatherboard Cathedral comes directly from his knowledge of and affection for the land and its people. These positive values give his work warmth that could not be achieved by the simple desire to herald the triumph of the good earth over city sin. In his most characteristic poems, ‘Troop Train Returning’, ‘Recourse to the Wilderness’ or ‘The Wilderness’, for example, journeys inland ‘beyond the Divide’ or to ‘the waterless kingdom’ become pilgrimages in search of self and old values."
In his 2010 essay "Art with It's Largesse and Its Own Restraint : The Sacramental Poetics of Elizabeth Jennings and Les Murray", included in the critical anthology Between Human and Divine : The Catholic Vision in Contemporary Literature, edited by Mary R. Reichardt, Stephen McInerney opined that "The Weatherboard Cathedral reveals the many-sidedness of Murray's sacramental poetic. As well as depicting a world saturated with God's presence (a dimension of Murray's work that reached its apotheosis in the 1992 collection Translations from the Natural World), it also shows how the sacramental enlarges to embrace the sacrificial aspects of the human and animal kingdoms."
# Toreutics

The term toreutics, relatively rarely used in English, refers to artistic metalworking – hammering gold or silver (or other materials), engraving, or using repoussé and chasing to form minute detailed reliefs or small engraved patterns. Toreutics can include metal-engraving – forward-pressure linear metal removal with a burin.
Toreutics is extremely ancient, and depending on the metal used will survive burial for periods of centuries better than art in many other materials. Conversely if above ground it was likely to be melted down and the metal reused. Until the Middle Ages it was also among the art forms with the highest prestige.

## Archeological background

It was practised in the Bronze Age and was well established centuries before the shaft graves. Toureutic items of special quality from the Iron Age are the Certosa situla from Italy and from Slovenia the Vače situla and the Vače belt-plate. Toreutics flourished to an unusual degree among the peoples of Asia Minor, Assyria, Babylon, and passed from thence to ancient Persia. One spectacular example of the direct influence of Persia in toreutics is believed to be the Treasure of Nagyszentmiklós found in Transylvania in 1799, and considered to be work of Old Bulgarian gold smiths. It consists of 23 vessels and has been attributed to Attila's Huns, the Avars and Pechenegs. The majority of scholars however, consider it Bulgarian (Proto-Bulgarians, Bulgars), because of its runic inscriptions.

## Etymology

Toreutics comes from Greek "τορεύς" which means "borer, pierceror". As is so commonplace in Greek, there is also an associated abverb, i.e. "τορευτικός" which means "of or for metal work". In both cases the root is the verb "τορεύω" which means "to work in relief"; to work in relief. As Ancient Greek extends back to the Proto-Indo-Germanic language in which the root is*terə- which describes the art of working metal or other materials by the use of embossing and chasing to form minute detailed reliefs. The origin of the use of toreutics in the English language goes back to 1830–40; < Gk toreutikós, equiv. to toreú(ein) 'to bore, chase, emboss' (v. deriv. of toreús graving tool) -tikos.

## Applications

* Greek style, Inscriptions on toreutics
* Achaemenid–Persian–Sassanid style, Christian toreutics, Folk craftsmanship, Bulgaria
* Beaten copper (Tibet)
* Tsuba gold toreutics (1860) Mito school.
* Toreutics on the roof of Potala Palace (dragon head corner).
* Dhvaja on the roof of Sanga Monastery.
* Gold crafts from the Philippines prior to Western contact.
* Praying weels in Tsozong Gongba Monastery.
# Sentetsu Mogai-class locomotive

The Mogai class (モガイ) was a class of steam tank locomotives of the Chosen Government Railway (Sentetsu) with 2-6-0 wheel arrangement. The "Moga" name came from the American naming system for steam locomotives, under which locomotives with 2-6-0 wheel arrangement were called "Mogul". The Moga class was the first type of steam locomotive in Korea, introduced by the Gyeongin Railway in 1899 for use on the Incheon—Noryangjin line.

## Description

The Mogai-class locomotives were tank locomotives with one leading axle and three powered axles, carrying water and coal without a tender. The axle load is estimated to have been around 5 tons per axle. It was quickly found insufficient, and no further locomotives of the same wheel arrangement were introduced.
Four 2-6-0T tank locomotives were built for the Seoul & Chemulpo Railway - the English name of the Gyeongin Railway - by the Brooks Locomotive Works in the United States, and were shipped to Korea disassembled and assembled at Incheon on 17 June 1899. Numbered 1–4, they were originally built with buffers-and-chain couplers, but these were replaced with Janney couplers around 1904–1905. The Gyeongin Railway was acquired by the Gyeongbu Railway in 1903, which renumbered them 101–104; they were later transferred to Sentetsu after the nationalisation of the Gyeongbu Railway in 1906, and were used as general purpose locomotives until eventually being replaced by the Sentetsu Pure class locomotives. In 1918 they were designated モガ (Moga) class by Sentetsu, retaining their Gyeongbu Railway numbers as モガ101 – モガ194, and Sentetsu's 1938 reclassification became モガイ (Mogai) class モガイ1 through モガイ4.
Although said to have been retired in the 1930s, they were nevertheless accounted for in the 1947 division of Sentetsu assets between North and South Korea, with three going to the Korean National Railroad in the South and one to the Korean State Railway in the North.

## Gallery

* Blueprint of the Mogai class locomotive
* Gyeongin Railway number 2 (better quality)
* Mogai class locomotive in Korea in 1906. Note the buffers-and-chain coupler.
* The picture shows the modernized old Korea. King 'Kojong' believed that the new western technology such as electricity, streetcars, gold mining, and railroads could made the nation wealthy and strong. The location is probably at the outskirts of Seoul, where the new tramcar was installed in 1899.
* Moga class locomotive number 104 of the Chosen Government Railway around 1906.