# Moondru Pillaigal

Moondru Pillaigal (transl. Three Sons) is a 1952 Indian Tamil-language drama film produced by S. S. Vasan. Based on Victor Fleming's 1927 American film The Way of All Flesh, it is about a couple and their three sons. The film was directed by Nagendra Rao and stars himself alongside Kannamba, with M. K. Radha, Gemini Ganesan and Sriram in supporting roles. It was simultaneously produced and released in Telugu under the title Mugguru Kodukulu. The film failed at the box office, which led to Vasan destroying all copies of it, thus making it a lost film.

## Plot

Gunavathi and Somasekhar, a couple, have three sons. The youngest one takes responsibility for a theft allegedly committed by them and goes to jail. The dejected Somasekhar commits suicide and Gunavathi is abandoned by the other two sons. Later, when the youngest son is released from jail, he takes care of his mother despite being jobless. However, he receives an offer from a film company to act as the main character in a film produced by them based on the Ramayana. He succeeds in his job and manages to unite the family.

## Cast

Cast from the song book

## Production

The film was based on the 1927 American silent film The Way of All Flesh, directed by Victor Fleming. The family drama was successful in India, and was adapted into a film in Hindi titled Khazanchi (1941). The Hindi film was highly successful in Madras and ran for more than 25 weeks. Nagendra Rao, an established producer and director in Kannada cinema, was impressed by the film and decided to direct the Tamil adaptation. He approached the Tamil film producer S. S. Vasan of Gemini Studios who had earlier produced Apoorva Sagodharargal, in which Rao played a role. Although Vasan was initially reluctant he agreed to finance the film. It was simultaneously produced and released in Telugu under the title Mugguru Kodukulu. According to writer Ashokamitran, who was then associated with Gemini, novelist R. K. Narayan wrote a treatment for this film.
J. P. Chandrababu, who would later go on to become an established comedian in Tamil cinema, played a small role lasting a single sequence in the film. Savitri, who would later become an established actress in the Telugu and Tamil film industries, was to make her acting debut with this film. Ganesh (later known as Gemini Ganesan), who played a supporting role as one among the three sons in the film was also as a casting assistant with Gemini, the production company. He recommended her for a small role in the film; however, she was not selected for the role.

## Table of Moondru Pillaigal and Mugguru Kodukulu Casts

| Moondru Pillaigal (Tamil) | Mugguru Kodukulu (Telugu) |
| Gunavathi (Kannamba) | Gouri (Kannamba) |
| Somasekhar (Nagendra Rao) | Somasekhar (Nagendra Rao) |
| Muthu (Adult) (M. K. Radha) | Prakasam (Adult) (M. K. Radha) |
| Kannan (Adult) (Sriram) | Ram (Adult) (Sriram) |
| Sekhar (Adult) (Ganesh) | Gopal (Adult) (Ganesh) |
| Kamala (Adult) (Kumari Vanaja) | Kamala (Adult) (Janaki) |
| Pankajam (Sundari Bai) | Kantham (Sundari Bai) |
| Kamini (Suryaprabha) | Chaya (Suryaprabha) |
| Ramadas (G. Pattu Iyer) | Ramadas (Pandit Rao) |
| Film Proprietor (Narayana Rao) | Film Producer (Narayana Rao) |
| Music Director (Chandra Babu) | Music Director (Chandrababu) |
| Film Dealer (Vikatam Krishnamoorthi) | Deaf Man (Maddala Krishnamoorthi) |
| Film Production Assistants (S. Krishnamoorthy, Seetharaman) | Assistants (H. Krishnamoorthy, Seetharaman) |
| Muthu (Child) (Sethumadhavan) | Prakasam (Child) (Sethumadhavan) |
| Kannan (Child) (Sudhakar) | Ram (Child) (Sudhakar) |
| Sekhar (Child) (Sudhindra) | Gopal (Child) (Sudhindra) |
| Kamala's Friend (Seetha) | Kamala's Friend (P. Seetha) |
| Pedagogue (K. Ramaswami) | Master (Ramachandra Shastri) |
| Bar-at-Law (Venkat) | Bar-at-Law (Venkat) |
| Marwari (Ramakrishna Rao) | Marwadi (B. Ramakrishna Rao) |
| Amina (G. V. Sharma) | Amina (Krishnappa) |
| Race Broker (V. T. Kalyanam) | Racing Tout (V. T. Kalyanam) |
| Susheela (Adult) (Saraswathi) | Susheela (Adult) (Saraswathi) |
| Muthu's Girl (Rathna Papa) | Prakasam's Daughter (Rathnapapa) |
| Muthu's Boy (Mohan) | Prakasam's Son (Mohan) |
| Kamala (Child) (Premakumari) | Kamala (Child) (Premakumari) |
| Doctor (Vijaya Rao) | Doctor (B. H. Vijaya Rao) |
| Sub Inspector (Balan) | Police-Sub-Inspector (Balan) |
| Old Metal Merchant (Velayutham) | Old Metal Merchant (Velayutham) |
| Office Proprietor (P. M. Devan) | Office Proprietor (Indrasen) |
| Film Director (Bindu Madhavan) | Film Director (Bindu Madhavan) |
| Production Manager (Rama Narasu) | Production Manager (Ramanarasu) |
| Naughty Student (B. S. P. Rao) | Rowdy Student (Padmanabha Rao) |
| Jatka Man (T. S. B. Rao) | Jatka Driver (T. S. B. Rao) |
| Suresh (Sampath Kumar) | Suresh (Sampath Kumar) |
| Milkman (Muthukrishna Reddy) | Milkman (Muthukrishna Reddy) |
| | Police Constable (V. P. Balaraman) |

## Soundtrack

Music was composed by P. S. Anantharaman and supervised by M. D. Parthasarathy. The song "Antha Rama Sowndharyam" is set in the Carnatic raga known as Kedaragaula.
| Song | Singer/s | Lyricist | Duration |
| "Vaazhvadhum Thaazhvadhum Panathale" | A. M. Rajah | Kothamangalam Subbu | 02:39 |
| "Unnarul Maraven Aiya" | N. L. Ganasaraswathi | Kothamangalam Subbu | |
| "Inbam Enna Solluven" | Jikki | Kothamangalam Subbu | 02:40 |
| "Maalai Tharitha Maharaasi" | (Radha) Jayalakshmi & P. Leela | Kothamangalam Subbu | 02:43 |
| "Kaalamenbadhu Anuhoolamaahil" | A. M. Rajah | Kothamangalam Subbu | 02:22 |
| "Indu Desa Pugazh Paaduvom" | T. A. Mothi | Kothamangalam Subbu | 01:54 |
| "Poorana Chandirane, Paripoorana Chandirane" | P. Leela | Kothamangalam Subbu | 03:22 |
| "Naan Konda Karuvinai" | M. S. Anuradha | Kothamangalam Subbu | 03:22 |
| "Antha Rama Sowndharyam" | M. L. Vasanthakumari & A. P. Komala | Arunasala Kavirayar (Rama Nadaga Keerthanai) | 03:25 |
| "Yaaridam Solluven" | P. Leela | V. Seetharaman | 02:45 |

## Reception

Moondru Pillaigal failed at the box-office, which led to Vasan destroying all copies of it, thus making it a lost film. Ashokamitran said there was nothing "seriously wrong" with the film, but felt that "the audience just couldn't take another film about a family torn asunder in the fourth reel and reunited in the last."