OpenLLM-France/wikimedia huggingface dataset:
# Frankie and Annette: The Second Time Around

Frankie & Annette: The Second Time Around is a 1978 American television movie starring Frankie Avalon and Annette Funicello. It was a pilot for a potential series. The series was not picked up but the pilot still screened as a standalone special.
It was produced by Dick Clark. Funicello said "I thought the show was very funny and had great potential."

## Premise

A Vietnam war widow working as a housemother at a girl's college dorm reunites with her old flame, now a failed pop singer.

## Cast

* Frankie Avalon
* Annette Funicello
* Markie Post
# CART Precision Racing

CART Precision Racing is a racing video game developed by Terminal Reality and published by Microsoft Studios for Windows.

## Development

The game was showcased at E3 1997.

## Reception

GameSpot said for the PC, "CART Precision Racing raises the bar for serious racing simulations" and rated the game 8.5. GamePro contradicted that "while Microsoft has done an admirable job with its new CART Precision Racing, it falls short of becoming the new benchmark in racing games." They elaborated that the "quirky controls", confusing array of menu screens, long loading times, and sound card compatibility issues keep the player from feeling fully comfortable while playing the game. They cited the detailed graphics and inclusion of real tracks, drivers, teams, and sponsors as strong points of the game.
Next Generation rated it four stars out of five, and stated that "it's a very fun game and an impressive first effort".
CART Precision Racing tied with Baseball Mogul to win Computer Gaming World's 1997 "Sports Game of the Year" award. The editors wrote: "With state-of-the-art graphics, Internet play, and incredibly deep options that scale the game from novice play through hard-core realism, CART offers the spiffiest high-tech sports thrills of the year".
# Union of Poles in Belarus

The Union of Poles in Belarus (Polish: Związek Polaków na Białorusi, Belarusian: Саюз палякаў Беларусі, Sajuz paliakaŭ Bielarusi) is an organisation located in Belarus. The group, which has a membership of 20,000 people, represents the Polish minority in Belarus, numbering about 300,000 it forms the second largest ethnic minority in the country after the Russians, at 3.1% of the total population. An estimated 180,905 Belarusian Poles live in large agglomerations and 113,644 in smaller settlements, with the number of women exceeding the number of men by about 33,000., as per official data (and much higher according to unofficial estimates).
Lately, the group has received international attention due to the Belarusian Government cracking down on the group and their activities. The leader of Belarus, Alexander Lukashenko, has accused Poland and the European Union of trying to use the group to create an uprising similar to what took place in Ukraine, Georgia and Kyrgyzstan.
Since 2005, there are two groups using the above name. The first, is that led by Andżelika Borys which is prohibited by Belarusian government. The second, has the support of the Belarusian government, and is led by Stanisław Siemaszko.
In March 2021, Andżelika Borys, Andrzej Poczobut and other members of the first group were detained and indicted for allegedly inciting hatred. In March 2022, Borys was released from custody; in April 2023, the criminal case against her was closed. In February 2023, Andrzej Poczobut was sentenced in February 2023 to 8 years of penal colony.
On December 30, 2021, the Leninsky District Court of Grodno recognized the website of the Union of Poles as an extremist material. In the spring of 2024, the KGB labeled the site, which by then had ceased to be the portal of the Union of Poles of Belarus, as an "extremist group".
# Need to Feel Loved

"Need to Feel Loved" is the debut single of English electronic music duo Reflekt featuring English singer Delline Bass on vocals. It was released in February 2005 and reached number 14 on the UK Singles Chart and number one on the UK Dance Singles Chart in March 2005.

## Background

The song samples "Ghosts", part of the soundtrack to the 2002 film Road to Perdition and was featured in the 2005 British-Canadian film It's All Gone Pete Tong.

## Track listings

UK CD single
* "Need to Feel Loved" (radio edit) – 3:15
* "Need to Feel Loved" (12-inch club mix) – 7:25
* "Need to Feel Loved" (Seb Fontaine and Jay P's Type remix) – 8:30
* "Need to Feel Loved" (Thrillseekers remix) – 8:11
* "Need to Feel Loved" (Fuzzy Hair vocal mix) – 6:26
* "Need to Feel Loved" (Horizontal mix) – 5:30

## Charts

| Chart (2005) | Peak position |
| Belgium (Ultratip Bubbling Under Flanders) | 3 |
| Netherlands (Dutch Top 40) | 20 |
| Netherlands (Single Top 100) | 30 |
| Scotland (OCC) | 14 |
| UK Singles (OCC) | 14 |
| UK Dance (OCC) | 1 |

## Certifications

| Region | Certification | Certified units/sales |
| United Kingdom (BPI) | Silver | 200,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||
# Sab Club

The Sab Club is a gender neutral final club at Harvard University. It was founded in 2002 as a women's club and went coed in 2017.

## History

The Sab Club was founded as the Sablière Society in 2002 at Harvard University in Cambridge, Massachusetts. It founders were six juniors:
* Brooke L. Chavez
* Caroline L. Donchess
* Brittany J. Garza
* Maria S. Pedroza
* Eugenia B. Schraa
* Angie J. Thebaud
Originally all-female, the society was founded to provide a space for social gatherings that were more inclusive space than the all-male clubs that dominated the campus at the time. The society was a final club that focused more on parties and exclusivity, rather than community service and charitable activities associated with sororities.
In 2015 and 2016, there was a push for final clubs and Greek letter organizations to become more diverse and coed, with the university threatening sanctions for members of single-sex clubs. At the time, the Sablière Society publicly stated, "female clubs have tried to work with Harvard's administration to ensure that both men's and women's clubs transition safely and that women do not become collateral damage in the transition. Harvard has given us no indication it understands these concerns."
The Sablière Society was the second of two final clubs at Harvard that decided to become gender neutral, following the Spee Club. Its first class of fourteen men joined the society in March 2017. As part of this change, the society adopted the name Sab Club and changed its colors, symbol, and logo.
The Sab Club's house is located at 1130 Massachusetts Avenue in Cambridge.

## Symbols

The Sablière Society was named for Madame Marguerite de la Sablière, a 17th-century woman whose house was a meeting place for intellectuals from Louis XIV's court. The society's symbol was the swan and its color was light blue. These were changed as part of the rebranding as the Sab Club in the spring of 2017.

## Membership

Members are recruited during a highly selective process with Harvard's fifteen final clubs called "punching". The Sab Club has around thirty active members at a time.
# Alpine A108

The Alpine A108 is a light-weight glass-fibre bodied, rear-engined two-door coupé produced for a young competition-oriented Dieppe based Renault dealer called Jean Rédélé. The car replaced the Alpine A106 and was based on mechanical components from the Renault Dauphine.

## History

The 108 was launched at the Paris Motor Show in autumn 1957, but production volumes were low and the company’s principal offering continued to be the older 106 model until 1960.
The Alpine 106 had taken its name from the first three digits of the four-digit homologation number of the old Renault 4CV on which the car was based. Applying the same logic, the new car should have been called 109 because it used mechanical components from the newer Renault Dauphine which was registered under the French homologation number 1090, but instead the new car, which inherited many of its non-mechanical components from the 106, was given the name Alpine 108. In this form, where the 106 had used an engine from the Renault 4CV, the new model, as launched in 1957, used the Gordini version of the 845 cc engine fitted in the Dauphine.
1960 saw the introduction of an Alpine 108 cabriolet and a 2+2 coupé. These versions were slightly longer than the original and featured a newly developed “beams and backbone” chassis with the beams at each end supporting cradles which carried respectively the engine at the rear and the steering mechanism at the front. This basic architecture would be used for Alpine sports cars until the Alpine A110 was phased out in 1977. These models, like the original coupé, were assembled by Chappe et Gessalin, but with a wheelbase lengthened by 7 cm (2.8 in). The mechanical elements were as before, with the Renault Dauphine engine offered in 845 cc or 904 cc form. The lesser engine offered 37 hp (27 kW), while the bigger one claimed 53 hp (39 kW). By the time production of the 108 came to an end in 1965, fewer than 100 of these lengthened versions had been produced.
The 108 played an important part in the transformation of Alpine into a mainstream (though always low volume) car producer. In 1960, an upgraded version of the model known as the Berlinette Tour de France replaced the original “coach” version of the car. The obvious visual difference was at the front, where the headlights were now integrated into the front wing behind a windcheating perspex cover. This was the model offered in the showrooms from autumn 1960 and which continued in production until 1965, preparing the way for the commercially more successful A110.

## Brazilian production

The A108 was also produced in Brazil, thanks to an agreement with Willys-Overland. Renamed as Willys Interlagos, the model was built in three versions: berlinette, coupé, and convertible. The car also had a successful racing career. From 1962 to 1966, a total of 822 Interlagos were made in São Bernardo do Campo, São Paulo.
# From the Bottom to the Top

From the Bottom to the Top is the debut studio album by American singer Sammie. It was released by Capitol Records on March 14, 2000, in the United States. Primarily produced by Dallas Austin, with additional production from Colin Wolfe, Ricco Lumpkins, and Tricky Stewart, it peaked at number twenty-seven on the US Billboard 200 and number twenty on the US Billboard Top R&B/Hip-Hop Albums, selling over 744,000 copies to date. It spawned the singles "I Like It" and "Crazy Things I Do".

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
AllMusic senior editor Stephen Thomas Erlewine found that, "at times, [Sammie's] voice does sound a little thin, but for the most part, it's surprisingly soulful and convincing – not as stunning and assured as the young Michael Jackson, but certainly a lot better than most child singers. If he's not yet skillful enough to disguise the sometimes uneven material, that's still forgivable, because the tracks that do work, work really well [...] The end result is the same: From the Bottom to the Top is entertaining, but not always engaging. Still, we have to remember that this is a debut album from a child singer. Judged on that basis, it's charming and, at times, impressive. Sammie does well this time out, and he'll probably do better next time around." Stephanie Smith from Vibe wrote: "Sammie is able to show that despite his lack of facial hair – due to the encumbrance of preadolescence – he can sing. Although this CD is mainly bubble gum pop, it's still fun to listen to and reminisce about that crush in sixth grade or playing kickball after school."

## Personnel

Credits for From the Bottom to the Top adapted from Allmusic.

## Charts

| Chart (2000) | Peak position |
| US Billboard 200 | 46 |
| US Top R&B/Hip-Hop Albums (Billboard) | 21 |

## Certifications

| Region | Certification | Certified units/sales |
| United States (RIAA) | Gold | 500,000$^^$ |
| $^^$ Shipments figures based on certification alone. |||
# HMS Schiedam

HMS Schiedam was a Dutch East India fluyt. Captured twice, once by pirates, the ship wrecked off Gunwalloe Cove in 1684. The wreck is a Protected Wreck managed by Historic England.

## Career

Schiedam was captured by Moroccan pirates in 1683 off Gibraltar. She was then recaptured by the British ship HMS Royal James on 10 August 1683 and used as a water carrier within ships of the line, renamed as the Schiedam Prize. She was then used as a transport ship to assist in the clearance of the Tangier Settlement.

## Wreck

While carrying naval workmen and their families, horses and cannon, she was lost off Gunwalloe Cove on her return to England on 4 April 1684.
The wreck was discovered on 10 July 1971 by Anthony Randall who, as the original licensee, undertook archaeological work on the site between 1971 and 1995. Over 150 artifacts have been recovered from the site, some of which are on display at the Charlestown Shipwreck & Heritage Centre.
In 2013, Historic England (then called English Heritage) commissioned a desk-based assessment of the wreck site's significance, its history, any existing evidence, finds and research work, concluding a discussion of potential threats.
A similar wreck was filmed at the same location for an episode of the BBC TV series Poldark in 2014.
# SC-497-class submarine chaser

The SC-497-class submarine chasers were a class of 438 submarine chasers built primarily for the United States Navy from 1941–1944. The SC-497s were based on the experimental submarine chaser, USS SC-453. Submarine chasers of this variety were collectively nicknamed "the splinter fleet" due to their wooden hulls.

## History

The SC-497s were off-shore patrol and anti-submarine warfare vessels. Seventy of the SC-497s were converted into patrol control crafts (SCC), 18 were converted into coastal minesweepers (AMC), and 8 were converted into patrol gunboats, motor (PGM).
Sixteen SC-497s were lost and another one was lost after her conversion into a PGM-1-class motor gunboat.
Despite the large number of SC-497s, none are credited with destroying an enemy ship. USS SC-669 is sometimes incorrectly credited with sinking the Japanese submarine RO-107 on 29 May 1943, but that submarine was still active on 6 July 1943.)
During World War II, 142 SC-497-class submarine chasers were lent to allies of the United States as part of the Lend-Lease program. Seventy-eight were sent to the Soviet Union, 50 to France, 8 to Brazil, 3 to Norway, and 3 to Mexico. The three Norwegian examples served with distinction on the Shetland bus service, running agents, refugees and weapons past the German blockade between occupied Norway and Britain.

## Survivors

HNoMS Hitra (ex-USS SC-718) is preserved at the Royal Norwegian Navy Museum. Some remains of HNoMS Hessa (ex-USS SC-683) and HNoMS Vigra (ex-USS SC-1061) can be seen near the coast of Sweden.
# Doon Arbus

Doon Arbus (born April 3, 1945) is an American writer and journalist. Her debut novel is The Caretaker (New Directions, 2020). Her play, Third Floor, Second Door on the Right, was produced at the Cherry Lane Theatre by the 2003 New York International Fringe Festival.
Doon Arbus is the elder daughter of actor Allan Arbus and photographer Diane Arbus, and the great-granddaughter of Russeks co-founder Frank Russek. She was 26 when her mother committed suicide, at which time she became responsible for the management of her mother's estate. She has authored or contributed to five books on Diane Arbus's work, including An Aperture Monograph (Aperture, 1972) and Revelations (Random House, 2003). She has also organized numerous photographic exhibitions in collaboration with The Metropolitan Museum of Art, the San Francisco Museum of Modern Art, and the Jeu de Paume, among other institutions.
As a freelance journalist in the mid-1960s, alongside other writers like Tom Wolfe, Jimmy Breslin, and Robert Benton, she contributed to the New York Herald Tribune's Sunday supplement, New York, one of the earliest proponents of New Journalism. Her articles also appeared in Rolling Stone, The Nation, and Cheetah. Her 1966 New York Herald article "James Brown Is Out of Sight" was among the first profiles of the R&B legend and is included in The James Brown Reader (Plume, 2008). Arbus was a longtime collaborator of Richard Avedon, with whom she coauthored the books Alice in Wonderland: The Forming of a Company, the Making of a Play (E. P. Dutton, 1973) and Avedon: The Sixties (Random House, 1999).

## Published work
### Selected articles and criticism

* "James Brown Is Out of Sight", New York/The Sunday Herald Tribune Magazine, 1966
* "The Man in the Paper Suit: James Rosenquist", New York/The Sunday World Journal Tribune Magazine, (1966)
* "In Person: The Mothers of Invention", Cheetah, 1967
* "The Autobiography of Michael J. Pollard", Cheetah, 1968
* "Dustin Hoffman: I'm Sorry I Couldn't Be Here Tonight", Cheetah, 1968
* "How Fat Alice Lost 12 Stone (Yes 12 Stone—the Weight of An Average Man!) and Found Happiness, God, and the Chance of a Husband", The London Sunday Times Magazine, 1969
* "Diane Arbus Photographer", Ms. Magazine, 1972
* "Walker Evans: Allusions to a Presence", The Nation, 1978
* "The Collector: Photographer Peter Beard's Wild Life and Times", Rolling Stone, 1978

### Books

* Diane Arbus: An Aperture Monograph (editor and co-designer). New York: Aperture, 1972
* Alice in Wonderland: The Forming of a Company, the Making of a Play (coauthor). New York: E. P. Dutton, 1973
* Magazine Work (editor). New York: Aperture, 1984
* Untitled: Diane Arbus (editor, contributor, and co-designer). New York: Aperture, 1995
* Avedon: The Sixties (coauthor). New York: Random House, 1999
* Diane Arbus Revelations (author), New York: Random House, 2003
* Diane Arbus: A Chronology, 1923–1971 (author). New York: Aperture, 2011
* The Caretaker: A Novel (author). New York: New Directions, 2020
# Counts and dukes of Étampes

This is a list of the Counts and Dukes of Étampes, a French fief.

## Counts of Étampes

* Charles d'Évreux 1327–1336
* Louis I d'Évreux 1336–1400
* John, Duke of Berry 1400–1416
* royal domain
* Richard de Dreux 1421–1438
* royal domain
* John II, Count of Nevers 1442–1465
* Francis II, Duke of Brittany 1465–1478
* John of Foix 1478–1500
* Gaston de Foix 1500–1512
* Anna, Duchess of Brittany 1512–1514
* Claude of France 1514–1515
* Artus Gouffier 1515–1519
* Claude of France 1519–1524
* royal domain
* Jean de La Barre 1526–1534
* Jean IV de Brosse 1534–1536

## Dukes of Étampes

* Jean IV de Brosse 1536–1553
* Diane de Poitiers 1553–1562
* Jean IV de Brosse 1562–1564
* royal domain
* John Casimir, Count of the Rhenish Palatinate 1576–1577
* royal domain

### Bourbon-Vendôme

* Gabrielle d'Estrées 1598–1599
* César, duc de Vendôme 1599–1665
* Louis, duc de Vendôme 1665–1669
* Louis Joseph, duc de Vendôme 1669–1712

### House of Condé and Conti

* Marie Anne de Bourbon 1712–1718 - duchesse of vendôme - wife of above
* Louise Élisabeth de Bourbon 1718–1752 - princesse de Conti - niece of the above
* Louise Henriette de Bourbon 1752–1759 - duchesse d'Orléans - daughter of the above

### House of Orléans

* Louis Philippe II, Duke of Orléans 1759–1792 - son of the above
# Platform magic

Platform magic (also known as parlor magic, stand-up magic or cabaret magic) is magic that is done for larger audiences than close-up magic and for smaller audiences than stage magic. It is more intimate than stage magic because it does not require expensive, large-scale stage equipment and can thus be performed closer to the audience and without a stage. Many of the tricks performed by platform magicians are sufficiently angle-sensitive as to make them impossible to perform as micromagic. Most working magicians are parlor/platform magicians.
Many magicians consider the term "parlor" to be old-fashioned and limiting, since this type of magic is often done in rooms much larger than the traditional parlor, or even outdoors. According to the Encyclopedia of Magic and Magicians by T.A. Waters, "The phrase [parlor magic] is often used as a pejorative to imply that an effect under discussion is not suitable for professional performance."
Parlor, or stand-up, magicians generally work without assistants (unlike stage magicians, who may have several in their crew – both backstage and on stage – and may travel thousands of miles between jobs). Performances of this category of magic include civic and fraternal organizations, business groups, private parties, youth groups, church societies, public dinners, and similar venues.

## Common types

Common platform magic tricks include:
* The "Miser's Dream" – a seemingly endless supply of coins is produced from thin air
* Sucker tricks, like the "die box", where a giant die is put in a two-compartment box. The magician makes it vanish but the audience believe he simply shifts it to the other compartment. Eventually the magician opens both sides of the box and the die is gone. It has appeared in a previously-empty hat.
* Audience participation tricks, like the breakaway wand, where a wand remains rigid for the magician but falls apart every time the volunteer touches it
* Production effects, like the square circle, in which a bottomless, topless box with a screened front encloses a bottomless, topless cylinder. Both are shown empty and put together again. The magician then produces large quantities of silk scarves, fruit, bottles, and so on from the "empty" cylinder, inside the square box
Many other effects could be considered to fit into this classification.

## Platform magicians

Platform magicians are not as well known to the general public as stage magicians such as David Copperfield and Penn & Teller. Some better-known ones include:
* David Abbott
* Steve Cohen
* Black Herman
* Fred Kaps
* Jeff McBride
* John Mulholland
* Channing Pollock
* Alan Shaxon
# Shahar Gordon

Shahar Gordon (Hebrew: שחר גורדון; born June 7, 1980) is an Israeli former basketball player. He played the forward and center positions. He played in the Israeli Basketball Premier League, and for the Israeli national basketball team.

## Biography

Gordon was born in Ramat Gan, Israel, and is Jewish. His parents are Zeev (an attorney) and Claire Gordon (an educational researcher at the Open University of Israel). He is 6' 10" (208 cm) tall.
He attended St. Thomas More School in Oakdale, Connecticut. As a senior Gordon averaged 13 points and eight rebounds per game, and received the school's Scholar-Athlete Award.
Gordon attended the University of California, Berkeley ('00). He played for the California Golden Bears from 1998-2000. He left to return to Israel to serve in the Israel Defense Forces.
He played in the Israeli Basketball Premier League. He played in Israel for Ironi Ramat Gan, Hapoel Jerusalem, Maccabi Rishon LeZion, Givat Shmuel-Petach Tikva, and Ramat Hasharon.
Gordon played for the Israeli national basketball team in the 1995 FIBA European Championship for Cadets, 1998 FIBA U18 Euro Championship (and was the team captain), 2000 European Championship for Young Men, 2001 World Championship for Young Men, 2001 European Championship for Men, 2003 European Championship for Men, and 2006 EuroCup.