OpenLLM-France/wikimedia huggingface dataset:
# Amos Abbott

Amos Abbott (September 10, 1786, Andover, Massachusetts – November 2, 1868, Andover, Massachusetts) was a United States Congressman from Massachusetts.
Son of Jeduthan Abbott (1749–1810) and Hannah Poor (1754–1823), he was born in Andover, Massachusetts. He Married Ester West (1796-?) on December 6, 1812. They had two children Alfred Amos Abbott, and Elizabeth Amos Abbott.
He worked as a merchant, a highway surveyor, a market clerk, town clerk, town treasurer, a member of the school committee, a business executive. In 1833, he was one of the founders of the Boston & Portland railway, which later changed its name to the Boston & Maine Railroad, and served as its director from 1834 to 1841. He was a member of the Massachusetts House of Representatives from 1835 to 1837 and in 1843. He was a member of the Massachusetts Senate from 1840 to 1842.
Abbott was elected as a Whig to the United States Congress, serving from March 4, 1843, to March 3, 1849.
Following his term in Congress, he returned to his earlier mercantile activities and served as the postmaster in Andover, where he died, aged 82.
# Vanderbilt University Graduate School

The Graduate School manages many of the advanced degree programs of Vanderbilt University, a major research university located in Nashville, Tennessee. While the Graduate School exists as a standalone institution within Vanderbilt, it awards degrees in conjunction with Vanderbilt's other constituent colleges (e.g., the College of Arts and Science or the School of Engineering).

## History

Since its founding in 1873, Vanderbilt has offered "work in the liberal arts and sciences beyond the baccalaureate degree", and the university awarded its first graduate degrees (master's degrees in Greek, Latin, and English and a doctorate in chemistry) in 1879. The Graduate School now claims some 19,000 alumni.
# Crossover (figure skating)

Crossovers are a basic stroking technique in figure skating for gaining speed while skating along a curve or circle. They may be performed while skating either forwards or backwards.

## Description

To perform forward crossovers in a counterclockwise direction, the skater begins with a stroke onto the left forward outside edge. The right foot is next placed on the ice towards the toe of the left foot and positioned on an inner edge, slightly inside the running curve. The right foot gradually becomes the new skating foot as the left foot leaves the curve to the outside and thrusts away. As the transfer of weight takes place, the skater pushes off the outside edge of the left foot. The next stroke is performed by placing the left foot next to the right, inside the circle, and pushing off the inside edge of the right foot. The upper body is generally turned to face into the circle with the arms extended.
To perform counterclockwise backward crossovers, the skater begins by gliding backwards on two feet. The upper body is turned to face into the circle, and the head is turned to look over the right shoulder in the direction of travel. Keeping the left foot on the ice, the skater shifts his or her weight to the right foot, on a back outside edge, and then draws the left foot across the right. At this point, the skater shifts weight to the left foot, on a back inside edge, and executes a wide step inside the circle with the right foot; then the sequence is repeated by again drawing the left foot across. The left foot remains on the ice throughout, and the power derives from the scissoring motion of the legs.
For crossovers on a clockwise curve, left and right are reversed.
Crossovers are not considered difficult connecting movements in competitive skating; a program in which the skater predominantly performs crossovers from one element to the next rather than more complex steps and turns will be judged to be lacking in difficulty and choreographic interest.

## Gallery

* Clockwise forward crossover, at the point where the skater is pushing off the right foot. (Yuna Kim)
* Counterclockwise forward crossover, at the point where the skater is pushing off the left foot. (Kiira Korpi)
* Pair forward crossover (Eva Romanova & Pavel Roman)
* Clockwise back crossover, during the scissoring motion after the wide step. (Johnny Weir)
# Washington County Courthouse (Georgia)

Washington County Courthouse is a historic county courthouse in Sandersville, Georgia, county seat of Washington County, Georgia. It was built in 1869 and renovated in 1899 under the supervision of L.F. Goodrich. It was added to the National Register of Historic Places on September 18, 1980 and is located on Courthouse Square.
# Gabriel Janoušek

Gabriel Janoušek (born 29 November 1940 in Turnov) is a Czechoslovak retired slalom canoeist who competed in the 1960s and 1970s.
Janoušek won three medals at the ICF Canoe Slalom World Championships with two silvers (C2: 1967, C2 team: 1967) and a bronze (C2 team: 1971). He also finished 11th in the C2 event at the 1972 Summer Olympics in Munich.
# Not Fourteen Again

Not Fourteen Again is a 1996 documentary film written, directed and co-produced by Gillian Armstrong. It is the fourth in a series of films looking at the changing lives of three women. It follows on from Smokes & Lollies (1976), Fourteen's Good, Eighteen's Better (1981) and Bingo, Bridesmaids & Braces (1988) and is followed by Love, Lust & Lies (2010).

## Reception

Writing in Variety David Stratton says "Result is a passionate, intriguing series of character studies that should find a theatrical niche in Oz, and will have no difficulty obtaining slots on TV stations elsewhere." Matthew Gilbert of the Boston Globe says The results are fascinating. Armstrong consistently finds drama and heroism in the unremarkable lives of the three original women, as they've learned lessons about family and society the hard way." In the Age Barbara Creed reviews it positively saying "Engaging and accessible, Not Fourteen Again is one of the best Australian documentaries in years." Sandra Hall in the Sydney Morning Herald says "Perhaps the greatest strength of Not Fourteen Again is its success in giving due weight and importance to the so-called ordinary rituals of family life."

## Awards

* 1996 Australian Film Institute Awards
** Best Documentary - Gillian Armstrong - won
** Best Achievement in Cinematography in a Non-Feature Film - Steve Arnold - nominated
# Aoniraptor

Aoniraptor is a genus of possibly megaraptoran or bahariasaurid theropod dinosaur from the Late Cretaceous of Argentina (Huincul Formation).

## Discovery and naming

The holotype, MPCA-Pv 804/1 to 804/25, which consists of the last sacral vertebra, six proximal caudal vertebrae, four mid-caudal vertebrae, and five haemal arches, was recovered by Matias Motta from the Violante Farm, part of the Huincul Formation. It was discovered in 2010, but only formally described in 2016.
Aoniraptor comes from the Tehuelche language word "Aoni", which means south, and the Latin word "raptor", meaning thief. The specific name, libertatem, comes from the Latin word for freedom, as it was discovered on the bicentennial of Argentina's independence from Spain in 1810.

## Description

Aoniraptor grew up to 6 metres (20 ft) long.
Aoniraptor has been considered as synonymous with the theropod Gualicho, described from the same formation, due to the similarities of their caudal vertebrae. If found to be true, the name Gualicho would have precedent. Aranciaga Rolando et al. in 2020 performed a comparative analysis between Aoniraptor and Gualicho, and found many differences between the two.

## Classification

The majority of studies recover Aoniraptor as a megaraptoran. However, Cau (2024) recovered Aoniraptor as a bahariasaurid, along with Bahariasaurus, Deltadromeus, and Gualicho, with this clade as the sister taxon to Elaphrosaurus.
# Everybody Eats PDX

Everybody Eats PDX (sometimes simply Everybody Eats) was a soul food restaurant in Portland, Oregon. The business closed in 2022.

## Description

Everybody Eats PDX was a Black-owned, soul food restaurant that served Cajun and Creole cuisine in northwest Portland's Pearl District. Portland Monthly's Katherine Chew Hamilton described the menu as "Southern-meets-Pacific-Northwest cooking".
The brunch menu included chicken and waffles (including a peach cobbler variety) and shrimp and grits. The dinner menu included lamb chops with Cajun pasta, mashed potatoes, and asparagus as sides. The "ultimate" seafood macaroni and cheese had crab, lobster, and shrimp mixed with Tillamook cheese sauce, topped with lobster tail, king crab meat, prawns, and a Mexican cheese blend.
The interior featured a graffiti mural painted by Ray Baxter, also known as Hand of Dogg.

## History

Owners Johnny Huff Jr. and Marcell Goss started Everybody Eats as a catering service in 2016. In May 2020, during the COVID-19 pandemic, the business moved into a brick and mortar in southeast Portland, operating via catering, counter service and takeout. The menu included cheesesteaks, macaroni and cheese, and po'boys.
The restaurant relocated to the Pearl District in May 2021, offering brunch, lunch, dinner, and a full bar. In September 2021, three people were injured after a gunfight broke out amongst a group of diners. The restaurant was vandalized in May 2022.
The restaurant's owners supported community organizations including Black Lives Matter and Don't Shoot PDX. Everybody Eats PDX closed in 2022.

## Reception

Kara Stokes and Maya MacEvoy included Everybody Eats PDX in Eater Portland's 2022 overview of "Where to Eat and Drink in Portland’s Pearl District". The website's Ron Scott and Nathan Williams included the restaurant in a 2022 list of "13 Spots for Serious Soul Food in Portland and Beyond".
# Here to Stay (Schon & Hammer album)

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
Here to Stay is the second album by the duo of composer Jan Hammer and guitarist Neal Schon. This album also featured contributions from Schon's bandmates in Journey including songwriting and background vocals from Steve Perry, notable as the only time Schon and Perry collaborated outside of Journey. The song "Self Defense" can be considered an unofficial Journey song as all members of Journey appear (though Jonathan Cain only contributed as a songwriter, instead of contributing keys).
The lead single "No More Lies" featured Schon on vocals and had a music video that was played on MTV.
The album cover is a play on the well known Arm & Hammer brand baking soda.
"Self Defense" would later be re-recorded for Journey's 2005 album Generations (under the title "In Self Defense"), with Schon taking lead vocal duties once again.

## Track listing
### Side one

* "No More Lies" (Neal Schon, Glen Burtnik, Jan Hammer) – 3:29
* "Don't Stay Away" (Schon, Hammer) – 3:35
* "(You Think You're) So Hot" (Hammer, Colin Hodgkinson) – 3:54
* "Turnaround" (Hammer, Hodgkinson) – 4:48
* "Self Defense" (Schon, Steve Perry, Jonathan Cain) – 3:13

### Side two

* "Long Time" (Hammer, Burtnik) – 3:50
* "Time Again" (Hammer) – 4:55
* "Sticks and Stones" (Schon, Hammer, Hodgkinson) – 3:15
* "Peace of Mind" (Schon) – 2:10 (instrumental)
* "Covered by Midnight" (Schon, Perry, Hammer, Hodgkinson) – 5:27

### Bonus track on 2013 reissue

* "Weekend Heaven" – 3:45

## Personnel
### Musicians

* Neal Schon – guitars, guitar synthesizer, lead vocals
* Jan Hammer – drums, percussion, keyboards

#### Additional Personnel

* Glen Burtnik – backing vocals (tracks 1, 2, 7), harmony vocals (track 6), bass (track 1)
* Colin Hodgkinson – bass (tracks 3, 4, 6, 8-10)
* Steve Perry – backing vocals (track 5)
* Ross Valory – bass (track 5)
* Steve Smith – drums (track 5)

## Production

* Arranged and produced by Neal Schon and Jan Hammer
* Track 5 produced by Mike "Clay" Stone and Kevin Elson
* Recorded by Jan Hammer
* Mixed by Jan Hammer and Kevin Elson (at Fantasy Studios, Berkeley)
* Bob Ludwig – mastering at Masterdisk, New York
# Washington County Courthouse (Iowa)

The Washington County Courthouse in Washington, Iowa, United States, was built in 1887. It was individually listed on the National Register of Historic Places in 1981 as a part of the County Courthouses in Iowa Thematic Resource. In 2013 it was included as a contributing property in the Washington Downtown Historic District. The courthouse is the third building the county has used for court functions and county administration.

## History

Washington County's first courthouse was an 28-by-18-foot (8.5 by 5.5 m) frame building built in the 1840s. It was used as a school house and church as well as a courthouse. The second courthouse was built in 1847. The county was not satisfied with the carpentry work performed so they deducted $50 from the cupola alone and $110 on the balance of the building. The present courthouse was built for $75,000 in 1887. It was designed by the Des Moines architectural firm of Foster & Liebbe, and built by Thomas Colwell and Hugh Colwell.

## Architecture

The courthouse for Washington County is considered an excellent example of Victorian Romanesque courthouses in Iowa. It features a variety of arch forms, and a three-stage clock tower. It was constructed of locally made bricks and was trimmed in stone. The bell in the clock tower is made of bronze, tin and brass. Statues representing Justice and Liberty are located on the lower level of the tower. The present main entrance was added at a later date. The south and west elevations both have projecting pavilions that terminate in gable ends. The significance of the courthouse is derived from its association with county government, and the political power and prestige of Washington as the county seat.
# Iodine heptafluoride

Iodine heptafluoride is an interhalogen compound with the chemical formula IF$_7$. It has an unusual pentagonal bipyramidal structure, with D$_{5h}$ symmetry, as predicted by VSEPR theory. The molecule can undergo a pseudorotational rearrangement called the Bartell mechanism, which is like the Berry mechanism but for a heptacoordinated system.
Below 4.5 °C, IF$_7$ forms a snow-white powder of colorless crystals, melting at 5-6 °C. However, this melting is difficult to observe, as the liquid form is thermodynamically unstable at 760 mmHg: instead, the compound begins to sublime at 4.77 °C. The dense vapor has a mouldy, acrid odour.

## Preparation

IF$_7$ is prepared by passing F$_2$ through liquid IF$_5$ at 90 °C, then heating the vapours to 270 °C. Alternatively, this compound can be prepared from fluorine and dried palladium or potassium iodide to minimize the formation of IOF$_5$, an impurity arising by hydrolysis. Iodine heptafluoride is also produced as a by-product when dioxygenyl hexafluoroplatinate is used to prepare other platinum(V) compounds such as potassium hexafluoroplatinate(V), using potassium fluoride in iodine pentafluoride solution:
    2 O$_2$PtF$_6$ + 2 KF + IF$_5$ → 2 KPtF$_6$ + 2 O$_2$ + IF$_7$

## Reactions

Iodine heptafluoride decomposes at 200 °C to fluorine gas and iodine pentafluoride.

## Safety considerations

IF$_7$ is highly irritating to both the skin and the mucous membranes. It also is a strong oxidizer and can cause fire on contact with organic material.
# DeSoto, Indiana

Desoto is an unincorporated community in Delaware Township, Delaware County, Indiana.

## History

DeSoto, Indiana, was originally platted as the village of Woodlawn on January 15, 1881, by landowner Luther L. Perdieu. The settlement developed around the new Lake Erie & Western Railroad depot in southeastern Delaware Township. Perdieu laid out sixteen lots along the tracks, and the village quickly grew, with sawmills and businesses emerging to support the local economy. However, when Perdieu applied for a post office, the name "Woodlawn" was rejected due to its similarity to another Indiana post office. He then resubmitted the application under the name "DeSoto," likely in homage to the Spanish explorer Hernando de Soto.
DeSoto expanded in 1883 when Isaac Worley platted additional lots to the west. By the end of that year, it had developed into a small but thriving community with multiple stores, mills, and a blacksmith shop. In 1893, an adjacent development called East Muncie was planned to attract industry, but the project collapsed following the Panic of 1893. East Muncie was eventually absorbed into DeSoto, which remained an informal village without legal incorporation.
DeSoto's early economic growth was fueled by rail and interurban transportation. In 1905, the Muncie and Portland Traction Company established an interurban route through the village, later absorbed into the Union Traction system. Many residents found employment at Indiana Steel and Wire in Muncie, commuting via interurban trains. In 1908, a new school was built, consolidating several smaller township schools.
The rise of DeSoto coincided with the decline of the nearby hamlet of Clifton, a small agricultural settlement that had thrived before the Civil War but was ultimately bypassed by the railroad. With frequent flooding and the shift to rail transport, Clifton gradually disappeared, while DeSoto continued to develop as its successor.
# KaPPA-View4

KaPPA-View4 is a metabolic pathway database containing data about metabolic regulation from 'omics' data.
# 2RE

2RE is a commercial radio station that broadcasts to the Mid North Coast of New South Wales, Australia from its studios at Taree.
2RE broadcasts on 88.9FM in Taree, Wingham and surrounds, 100.3FM in Forster and the Great Lakes and 100.1FM in Gloucester, Barrington and surrounds.
Local shows include the Breakfast Show with Anthony Zanos, afternoons and drive with Kevin Rayment and Diane Ward. 2RE features a 'Gold/AC' format mixed with local news from Peter Denton, sport and talk. The overnight shows are relayed from 2SM and 2HD.
2RE began broadcasting on 21 February 1953 from a small studio attached to the Taree RSL on the riverbank. Today 2RE has a modern studio complex in Taree and is part of the Super Radio Network, which has its head office at 2SM in Sydney.
To mark the 50th anniversary of the first broadcast a reunion of former staff was organised for 21–22 February 2003. Many former employees returned and reminisced about their days at 2RE. As part of the celebrations there was also an open day where listeners were invited to tour the radio station. A time capsule was placed in the front of the building, a special commemorative book written by Jenny Summerville and the major prize of the year—a 1953 FJ Holden—was unveiled in its 'ready for restoration state'. Ivan Scott won most popular station manager (Country Stations) at the ACRA awards Murray Nelson is the current General Manager.
2RE is most well known for playing music from the 1970s to recent hits both in breakfast as well as afternoon and drive shifts, along with networked talkback radio.
# The Rainy Season

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Music Week | |
The Rainy Season is the second studio album by American singer-songwriter Marc Cohn, released in 1993. The album peaked at number 63 on the Billboard 200 chart and at number 24 on the UK charts.

## Track listing

All tracks written by Marc Cohn, except where noted.

## Personnel

Adapted from the album's liner notes.
* Marc Cohn – vocals, acoustic piano (1, 3, 7, 10), acoustic guitar (2, 4-6, 8), melodica (7), electric piano (11), keyboards (11)
* Benmont Tench – Hammond organ (1, 2, 8), acoustic piano (2, 6), Wurlitzer electric piano (8)
* John Leventhal – guitars (1, 5, 10), electric guitar (2, 3, 6, 8), bouzouki (2, 5), mandolin (2, 4), Hammond organ (3, 6, 7, 11), keyboards (4, 5, 8, 11), slide guitar (4), bass (5, 7), percussion (5, 7, 8), harmonica (6), acoustic guitar (7), Wurlitzer electric piano (9), nylon string guitar (11)
* Bonnie Raitt – slide guitar (3), vocals (3)
* Larry Campbell – pedal steel guitar (7), violin (7)
* James "Hutch" Hutchinson – bass (1-3, 6, 8)
* Zev Katz – upright bass (10)
* Jim Keltner – drums (1-3, 6, 8, 9)
* Dennis McDermott – drums (5)
* Mike Mainieri – marimbas (4), vibraphone (4)
* Mino Cinélu – udu (4), percussion (8)
* Arto Tuncboyaciyan – percussion (10)
* Glen Velez – percussion (10)
* Jack Bashkow – baritone saxophone (1, 3)
* Adam Kolker – baritone saxophone (2, 10)
* Rick Depofi – tenor saxophone (1-3, 10), horn arrangements (1)
* Aaron Heick – tenor saxophone (1)
* Bob Malach – tenor saxophone (3)
* Larry Farrell – trombone (1, 3)
* Chris Botti – trumpet (3)
* Wardell Quezergue – horn arrangements (3)
* Catherine Russell – backing vocals (1, 3)
* Ada Dyer – backing vocals (3)
* Diva Gray – backing vocals (3)
* Sweet Pea Atkinson – backing vocals (6, 9)
* Harry Bowens – backing vocals (6, 9)
* Terry Evans – backing vocals (6, 9)
* Arnold McCuller – backing vocals (6, 9)
* David Crosby – harmony vocals (7, 10)
* Graham Nash – harmony vocals (7, 10)
* David Hidalgo – harmony vocals (8)
* Willie Greene, Jr. – backing vocals (9)

## Production

* Marc Cohn – producer
* John Leventhal – producer
* Ben Wisch – producer, recording, mixing
* Dave Hecht – assistant engineer
* Matt Knobel – assistant engineer
* Ted Jensen – mastering at Sterling Sound (New York, NY)
* Jill Dell'Abate – production coordinator
* Richard Bates – art direction, design
* Melodie McDaniel – photography
* David Spagnolo – photography
# Leave Me Lonely (Hilltop Hoods song)

"Leave Me Lonely" is a song by Australian hip hop group Hilltop Hoods from their eighth studio album The Great Expanse. It was released as the second single from the album on 23 November 2018.
At the ARIA Music Awards of 2019, the album was nominated for Song of the Year.
At the APRA Music Awards of 2020, the song won Most Performed Urban Work of the Year.

## Chart performance

The song peaked at No. 11 on the ARIA Singles Chart, making it Hilltop Hoods' ninth top 40 single. The song was certified 6× Platinum by ARIA in 2024.

## Charts
### Weekly charts

| Chart (2018–19) | Peak position |
| Australia (ARIA) | 11 |

### Year-end charts

| Chart (2019) | Position |
| Australia (ARIA) | 43 |

## Certifications

| Region | Certification | Certified units/sales |
| Australia (ARIA) | 6× Platinum | 420,000$^‡$ |
| New Zealand (RMNZ) | Gold | 15,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||
# Super-exploitation

Super-exploitation is one of the key Marxist concepts, developed by Marxist dependency theorists, of the impact of imperialism on nations and regions of 'the periphery', also widely categorised as the 'Global South' in contrast to the Imperialist 'core' or metropolitan countries in which Capital historically accumulates. Unequal exchange between countries and regions is another concept to which is attributed the actualising of the continuing wealth transfer from periphery to core, and is frequently linked in the associated theoretical discussions.
Super-exploitation is the systemic condition where labour power is employed at rates, and under conditions, below the general levels of remuneration, or value, such that ordinary expectations of quality of life, life expectancy are systemically limited or threatened.
These have in the past been contentious topics among Marxists - partly because in Karl Marx's Das Kapital, for analytic purposes, he explicitly assumed for the development of his initial abstractions that Labour was remunerated at its general social average value, sufficient for the worker's necessary means of social reproduction. Marx himself however frequently commented on exceptions to this, and documented many recorded instances when this was not the case, particularly in the employment of Women and Children, exploitation of Slaves, and the indigenous in Colonial situations.
Marx indicated the importance of these effects without fully integrating their consideration in his published work, and the consequent observation and debate around these questions has its own history