# Read My Lips (Sophie Ellis-Bextor album)

Read My Lips is the debut studio album by English singer Sophie Ellis-Bextor, released on 3 September 2001 by Polydor Records. After the disbandment of the Britpop group Theaudience, for which Ellis-Bextor served as lead vocalist, she was signed to Polydor. Prior to the LP's completion, the singer collaborated with several musicians, including band Blur's bassist Alex James, Moby and New Radicals frontman Gregg Alexander. The record was described as a collection of 1980s electronica and 1970s disco music.
Critical response to Read My Lips was polarised, with music critics denouncing its content that was, according to one magazine, Q, of lesser quality than "Groovejet (If This Ain't Love)"—the singer's collaboration with Italian DJ Spiller and according to others, inherently malign simply on account of being chart pop. The album reached number two on the UK Albums Chart, and has since been certified double platinum by the British Phonographic Industry (BPI). It spawned four singles: "Take Me Home", "Murder on the Dancefloor", double A-side single "Get Over You"/"Move This Mountain" and "Music Gets the Best of Me".

## Background

Following the disbandment of Britpop group Theaudience, Ellis-Bextor provided vocals for the song "Groovejet (If This Ain't Love)" by Italian DJ Spiller. The song was a commercial success, and Ellis-Bextor signed to Polydor. She was contacted by director Baz Luhrmann, who offered her a role in the 2001 film Moulin Rouge!, but the singer refused in order to focus on her career as a recording artist. The success of "Groovejet" also prompted American musician Moby to notice Ellis-Bextor, and revealed interest in working with her due to her "amazing" voice, as he described it. He instructed his record company to "track" Ellis-Bextor "down" so they could start working as soon as Moby finished his tour. The two ultimately wrote five songs in New York City, which did not make the final cut of Read My Lips. Furthermore, she also recorded with Blur bassist Alex James, as well as former frontman of the New Radicals, Gregg Alexander, while Damian LeGassick was recruited for his programming and keyboard work.
The album's title was chosen due to the strong lipstick Ellis-Bextor used for the album artwork, the "Take Me Home" music video and "Read My Lips" is sung in the opening verse of the album track "The Universe Is You". The album photography was shot by Mert Alaş and Marcus Piggot.

## Composition

An "eclectic" album, Read My Lips, is a collection of 1980s electronica and 1970s disco. The album opener and first single is a cover version of Cher's 1979 song "Take Me Home", described as a "disco groove". Betty Clarke from The Guardian observed that her voice in the song is reminiscent of Audrey Hepburn's Eliza Doolittle (in the film My Fair Lady). "Move This Mountain", co-written by Alex James, is a "vibrant" ballad with a trip hop-influenced sound. Following track and second single, "Murder on the Dancefloor", is a dance-pop and disco record, that utilises bass guitar and piano in its instrumental. "Sparkle" has "speeding beats and equally speeding keyboards", while "Final Move" contains "tinny beats" and "electro swirls". The latter was deemed a "subdued version" of "Murder on the Dancefloor" with "similar kaleidoscope synth". "I Believe" was described as "funky" and "live-sounding", while "Leave the Others Alone" involves "cold beats" and "big, full-throttle keyboards". "By Chance" was particularly noted for showcasing Ellis-Bextor's accent. Re-release new song "Get Over You" is a "polite" Euro disco take on "I Will Survive".

## Singles and promotion

Promotion for Read My Lips launched with the release of "Take Me Home", a cover of the song by singer Cher, which was released on 13 August 2001. Although its production and Ellis-Bextor's vocal performance in the song were heavily criticised, the single reached number two on the UK Singles Chart. After the release of the album, "Murder on the Dancefloor" was serviced as its second single on 3 December 2001. It peaked in the top 10 of the charts in Australia, Austria, Belgium, Canada, Denmark, France, Hungary, Ireland, Italy, Netherlands, New Zealand, Norway, Sweden, Switzerland and the UK. A double A-side single including new re-release song "Get Over You" and original album track "Move This Mountain" was released on 10 June 2002, in a set of two CD singles.
Ellis-Bextor, who had previously felt uncomfortable with the idea of touring, confirmed a UK-only tour in January 2002, which took place from April to May. Later, in July 2002, other dates of the tour were revealed for 2003.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Blue Coupe | Positive |
| Entertainment.ie | |
| The Guardian | Negative |
| The Independent | Mixed |
| Q | |
| Yahoo! Music | |
Toby Manning from Q cited "Take Me Home" and "Move This Mountain" as the album's highlights, but, overall, he thought that the record failed to live up to the standard set by the previous collaboration with Spiller. He also found that the album's music and the distinctive pronunciation of Ellis-Bextor's vocal delivery did not work to complimentary effect. Betty Clarke from The Guardian described the album as a "sophisticated package" but said "there's little to love and even less fun to be had". Kelvin Hayes from AllMusic dubbed it "a disappointing debut from Ellis-Bextor, fusing Human League synth with beats and cinematic strings", but described "Murder on the Dancefloor" as the "shimmering highlight" from the album. A critic from entertainment.ie said "the material on her debut solo album only rarely does justice to her distinctive upper-crust voice", and said that "most of the songs sound laboured and plod where they should swing".
In contrast to the previous reviews, Andrew Arora from Blue Coupe had a more positive response to the record. Arora said "it lands somewhere between Pet Shop Boys' synth-pop faculty and Blondie's Parallel Lines album", although he claimed that fans of "Groovejet (If This Ain't Love)" "should not expect much from this album, but it does deliver a dynamic electro disco sound that is sometimes analogous to her breakthrough-hit single".

## Commercial performance

Read My Lips debuted at number four on the UK Albums Chart, selling 23,023 copies in its first week. Although the original ten-track edition dropped down and out of the charts over the next few weeks, a twelve-track UK edition, released in December 2001, peaked at number three in January 2002 following the chart success of "Murder on the Dancefloor". Finally, a fifteen-track edition with a considerably revised running order was released in summer 2002 and peaked at number two—41 weeks after the original edition first charted. The album was certified double platinum by the British Phonographic Industry (BPI) on 21 June 2002. As of December 2020, it had sold 842,000 copies in the United Kingdom.

## Track listing

Notes
* signifies an additional producer

## Personnel

Credits adapted from the liner notes of the 2002 UK reissue of Read My Lips.

### Musicians

* Sophie Ellis-Bextor – vocals
* Yoad Nevo – programming, percussion (track 1); guitars (tracks 1–3); keyboards, drum programming (tracks 2, 3)
* Guy Pratt – bass guitar (tracks 1, 2)
* John Themis – guitars (track 1)
* Nick Franglen – programming (track 1)
* Wired Strings – strings (tracks 1, 12)
* Rosie Wetters – string leader (tracks 1, 12)
* Damian LeGassick – programming, keyboards, guitar (track 2)
* Jake Davies – additional programming (track 2)
* Marco Rakascan – programming (tracks 3, 7, 10, 12–14); guitars (track 12)
* Ross Newell – lead guitar (track 3); guitars (tracks 6, 7, 12, 13); keyboards (tracks 6, 7, 13, 14); bass (track 7)
* Juliet Roberts – backing vocals (tracks 3, 7)
* Sylvia Mason-James – backing vocals (tracks 3, 7)
* Ben Hillier – all instruments, programming, piano (track 4); drums (track 8)
* Alex James – bass guitar (track 4), guitars, bass (track 8)
* Stefan Skarbek – programming (track 5)
* Aidan Love – original programming, original arrangement (track 6)
* Saphena Aziz – backing vocals (track 8)
* Jennifer John – backing vocals (track 8)
* Korpi & Blackcell – arrangement (track 9)
* Nina Woodford – background vocals (track 9)
* Emma Holmgren – background vocals (track 9)
* Mathias Johansson – guitar, bass, all keyboards, programming (track 9)
* Henrik Korpi – all keyboards, programming (track 9)

### Technical

* Matt Rowe – production (tracks 1, 5)
* Gregg Alexander – production (tracks 1, 5)
* James Loughrey – engineering (track 1)
* Laurence Brazil – engineering assistance (track 1)
* Jeremy Wheatley – additional production (tracks 1, 2, 5, 6, 8, 10, 15); mixing (tracks 1, 3–5, 7, 12, 15); remix (tracks 2, 6, 8, 10)
* Marco Rakascan – vocal recording (track 1); additional production (tracks 3, 11); production (tracks 6, 7, 10, 12–14); engineering (tracks 7, 12, 14); remix (track 11); mixing (track 13)
* Damian LeGassick – production (track 2)
* Jake Davies – mix engineering, sound design (track 2)
* Bacon & Quarmby – lead vocals recording (track 2)
* Gary Wilkinson – production (track 3)
* Ben Hillier – production (tracks 4, 8)
* Alex James – production (tracks 4, 8)
* Darren Nash – recording assistance (track 4)
* Steve Osborne – production (track 5)
* Rik Simpson – engineering (track 5)
* Andrea Wright – remix assistance, additional production assistance (track 8)
* Korpi & Blackcell – production, recording (track 9)
* Niklas Flyckt – mixing (track 9)
* Göran Elmquist – mix assistance (track 9)
* Richard Hall – production, recording (track 11)
* Ben Thacker – engineering (track 13)
* John Davis – mastering at Sony Music Studios

### Artwork

* Mert Alaş and Marcus Piggot – photography
* Michael Nash Associates – design

## Certifications

Certifications for Read My Lips :
| Region | Certification | Certified units/sales |
| Australia (ARIA) | Platinum | 70,000$^^$ |
| France (SNEP) | Gold | 100,000$^*$ |
| New Zealand (RMNZ) | Platinum | 15,000$^^$ |
| Switzerland (IFPI Switzerland) | Gold | 20,000 |
| United Kingdom (BPI) | 2× Platinum | 842,000 |
| Summaries |||
| Europe (IFPI) | Platinum | 1,000,000$^*$ |
| $^*$ Sales figures based on certification alone. $^^$ Shipments figures based on certification alone. |||

## Tour

The Read My Lips Tour was the debut concert tour by Sophie Ellis-Bextor, in support of her debut studio album. Beginning January 2003, the tour visited the European continent. As of 2013, it is the biggest tour Ellis-Bextor has ever headlined.

### Background

The Read My Lips Tour is the biggest tour Ellis-Bextor has ever gone on, having 38 dates and two legs. The Shepherd's Bush Empire gig was recorded, later being released in Ellis-Bextor's first video album, Watch My Lips.

### Setlist

This setlist was obtained from the concert held 3 May 2002 at the Shepherd's Bush Empire in London, England. It does not represent all concerts for the duration of the tour.
* "Sparkle"
* "The Universe Is You"
* "Lover"
* "A Pessimist Is Never Disappointed"
* "By Chance"
* "Final Move"
* "Is It Any Wonder"
* "Groovejet (If This Ain't Love)"
* "Everything Falls into Place"
* "Murder on the Dancefloor"
* "Move This Mountain"

#### Encore

* "Get Over You"
* "Take Me Home (A Girl Like Me)"

### Tour dates

| Date | City | Country | Venue |
| Europe—Leg 1 ||||
| 17 April 2002 | Middlesbrough | England | Middlesbrough Town Hall |
| 18 April 2002 | Carlisle | England | Sands Centre |
| 19 April 2002 | Northampton | England | Derngate |
| 21 April 2002 | York | England | Barbican |
| 22 April 2002 | Edinburgh | Scotland | Queen's Hall |
| 23 April 2002 | Warrington | England | Parr Hall |
| 25 April 2002 | Ipswich | England | Regent Theatre |
| 26 April 2002 | Norwich | England | The Waterfront |
| 27 April 2002 | Folkestone | England | Leas Cliff Hall |
| 29 April 2002 | Basingstoke | England | The Anvil |
| 30 April 2002 | Leicester | England | Richard Attenborough Centre |
| 1 May 2002 | Bristol | England | Colston Hall |
| 3 May 2002 | London | England | Shepherd's Bush Empire |
| 4 May 2002 | London | England | Shepherd's Bush Empire |
| Europe—Leg 2 ||||
| 16 January 2003 | Grimsby | England | Grimsby Auditorium |
| 17 January 2003 | Preston | England | Preston Guild Hall |
| 19 January 2003 | Glasgow | Scotland | Clyde Auditorium |
| 23 January 2003 | Newcastle | England | Newcastle City Hall |
| 24 January 2003 | Nottingham | England | Theatre Royal |
| 25 January 2003 | Sheffield | England | Sheffield City Hall |
| 27 January 2003 | Liverpool | England | Royal Court Theatre |
| 28 January 2003 | Wolverhampton | England | Wolverhampton Civic Hall |
| 29 January 2003 | Cambridge | England | Cambridge Corn Exchange |
| 31 January 2003 | Cardiff | Wales | Cardiff International Arena |
| 1 February 2003 | Manchester | England | Manchester Apollo |
| 2 February 2003 | Plymouth | England | Plymouth Pavilions |
| 4 February 2003 | Brighton | England | Brighton Centre |
| 5 February 2003 | London | England | Hammersmith Apollo |
| 9 February 2003 | Amsterdam | Netherlands | Melkweg |
| 11 February 2003 | Stockholm | Sweden | Nalen |
| 12 February 2003 | Oslo | Norway | Rockefeller Music Hall |
| 13 February 2003 | Gdynia | Poland | Klub Muzyczny „Ucho" |
| 14 February 2003 | Aarhus | Denmark | Train |
| 15 February 2003 | Copenhagen | Denmark | Amager Bio |
| 17 February 2003 | Brussels | Belgium | Ancienne Belgique |
| 18 February 2003 | Cologne | Germany | Live Music Hall |
| 21 February 2003 | Hamburg | Germany | Große Freiheit 36 |
| 22 February 2003 | Berlin | Germany | Universal Hall |
| 24 February 2003 | Darmstadt | Germany | Centralstation |
| 25 February 2003 | Munich | Germany | Kleine Elserhalle |
| 26 February 2003 | Zürich | Switzerland | Volkshaus |
| 28 February 2003 | Milan | Italy | Propaganda |
| 1 March 2003 | Marseille | France | Théâtre du Moulin |
| 2 March 2003 | Lyon | France | Le Transbordeur |
| 3 March 2003 | Paris | France | Élysée Montmartre |