OpenLLM-France/wikimedia huggingface dataset:
# Diego Martelli

Diego Martelli (October 29, 1839 – November 20, 1896) was an Italian art critic who was one of the first supporters of Impressionism in Italy. He was a defender and associate of the Tuscan artists the Macchiaioli, whom he often hosted at his estate in Castiglioncello.

## Biography

Martelli was born in Florence, the son of a road engineer. He studied natural sciences at the University of Pisa. In 1855, while still in his teens, he became acquainted with the group of artists who frequented the Caffè Michelangiolo in Florence who would become known as the Macchiaioli. In 1859 Martelli fought in the Second Italian War of Independence.
In 1861 he inherited a large estate around Castiglioncello on a hill overlooking a cliff. Castiglioncello at the time was a small village of fishermen and farmers, as evidenced in the numerous paintings of the movement. Martelli's home there became a haven where his artist friends could work from nature, and he became an advocate and theoretician of the Macchiaioli.
His writing on art in the 1860s championed the realism of artists such as Courbet and the Barbizon School. In 1862–63 he made his first visit to Paris, where he attended the Salon des Refuses. He encountered the work of Manet, which he disparaged as "ugly" and "ostentatious". He traveled to Paris again in 1869. During his third trip to the French capital in 1870 he attended lectures on organic chemistry by Michel Eugène Chevreul, whose color theories were of great interest to Martelli.
With Adriano Cecioni and Telemaco Signorini he founded the journal Gazzettino delle arti del disegno in 1867, and in 1873 he initiated the art journal Giornale artistico.
In the mid-1870s, letters he received from his friend Federico Zandomeneghi, who had relocated to Paris in 1874, stimulated Martelli's curiosity about the Impressionists. His fourth and longest sojourn in Paris was from April 1878 to April 1879. The articles he wrote for various Italian journals during his stay reveal his developing interest in the formal and optical qualities of Impressionism, which supplanted his earlier enthusiasm for art that emphasized rural values and social concerns as exemplified by Millet.
He spent time with Manet, and with Degas who painted two portraits of him in 1879. Martelli's closest friendship among the Impressionists was with Pissarro who, at Martelli's urging, exhibited two of his paintings in the Florence Promotrice of 1879. That they were poorly received, even by the Macchiaioli, was a disappointment to Martelli.
Martelli continued to champion new art. In a lecture he delivered in Venice in 1895, he praised the Neo-Impressionists, who "on the basis of the theories of light and color combinations, scientifically explained by the chemist Chevreul, ... carry out experiments that today are ridiculed but that will probably be the triumphs of tomorrow."
Martelli died in Florence on November 20, 1896. He left a collection of art to the city of Florence.
# June Barrow-Green

June Barrow-Green (born 1953) is a professor of History of Mathematics at the Open University and a visiting professor at the London School of Economics.

## Education

Barrow-Green obtained a BSc Hons in Mathematics in 1986 and an MSc in Mathematical Physics in 1989, both from King's College London. In 1993 she gained a PhD in mathematics from the Open University, under supervision of Jeremy Gray, on Poincaré and the Three Body Problem.

## Career

From 1993 to the present Barrow-Green has worked at the Open University, receiving a professorship in 2015.
From 2003 to 2005 she was president of the British Society for the History of Mathematics. From 2007 to 2018 she was an elected member of the Council of the London Mathematical Society and during that period she served as the Librarian for the society.
In 2014 Barrow-Green was awarded the first Chandler Davis Prize for Expository Excellence for her article An American Goes to Europe: Three Letters from Oswald Veblen to George Birkhoff in 1913/1914 in The Mathematical Intelligencer.
In 2018 she took part in a discussion panel on The Gender Gap in Mathematical and Natural Sciences from a Historical Perspective at the International Congress of Mathematicians 2018, Rio de Janeiro, which was chaired by the English mathematician Caroline Series and also featured the French mathematician Marie-Françoise Roy and the Argentine physicist Silvina Ponce Dawson.
She chairs the executive committee of the International Commission on the History of Mathematics.
In August 2021 The Royal Society awarded her its Wilkins-Bernal-Medawar medal "for her research in 19th & 20th century mathematics, with emphasis on the underrepresentation of women in historical narratives & contemporary mathematics".

## Selected publications

* Barrow-Green, June; Gray, Jeremy; Wilson, Robin (2019), The History of Mathematics: A Source-Based Approach: Volume 1, American Mathematical Society & Mathematical Association of America
* Gowers, Timothy; Barrow-Green, June; Leader, Imre, eds. (2008), The Princeton Companion to Mathematics, Princeton University Press
* Barrow-Green, June (2002), Poincaré and the discovery of chaos, Icon, ISBN 9781840462883
* Barrow-Green, June (1997), Poincaré and the three body problem, History of mathematics, v. 11., American Mathematical Society, ISBN 9780821803677
# Lefty George

Thomas Edward "Lefty" George (August 13, 1886 – May 13, 1955) was a Major League Baseball pitcher who played for four seasons. He played for the St. Louis Browns in 1911, the Cleveland Naps in 1912, the Cincinnati Reds in 1915, and the Boston Braves in 1918.
# Baitudasht IV

The ancient town of Baitudasht IV was located in the Pyange Region of Tajikistan.

## World Heritage Status

This site was added to the UNESCO World Heritage Tentative List on November 9, 1999 in the Cultural category.
# Fortwilliam Park

Fortwilliam Park is a football ground in Tobermore, County Londonderry, Northern Ireland. It is the home ground of Tobermore United F.C.
In 1984, the ground hosted George Best's only competitive club match in Northern Ireland, when he played for Tobermore United in an Irish Cup tie against Ballymena United.
# Lord Lieutenant of Montgomeryshire

The following is a list of people who have held the title of Lord Lieutenant of Montgomeryshire. After 1761, all Lord Lieutenants were also Custos Rotulorum of Montgomeryshire. The office was abolished on 31 March 1974 and replaced by the Lord Lieutenant of Powys, with Deputy Lieutenants for Montgomeryshire.

## Lord Lieutenants of Montgomeryshire to 1974

See Lord Lieutenant of Wales for before 1694
* Robert Devereux, 3rd Earl of Essex (appointed by Parliament) 1642 – 14 September 1646
* Charles Talbot, 1st Duke of Shrewsbury 31 May 1694 – 10 March 1696
* Charles Gerard, 2nd Earl of Macclesfield 10 March 1696 – 5 November 1701
* William Stanley, 9th Earl of Derby 18 June 1702 – 5 November 1702
* Hugh Cholmondeley, 1st Earl of Cholmondeley 2 December 1702 – 4 September 1713
* Other Windsor, 2nd Earl of Plymouth 4 September 1713 – 21 October 1714
* Hugh Cholmondeley, 1st Earl of Cholmondeley 21 October 1714 – 18 January 1725
* George Cholmondeley, 2nd Earl of Cholmondeley 7 April 1725 – 7 May 1733
* George Cholmondeley, 3rd Earl of Cholmondeley 14 June 1733 – 25 October 1760
* Henry Herbert, 1st Earl of Powis 4 July 1761 – 10 September 1772
* Robert Clive 17 June 1773 – 2 November 1774
* Francis Seymour-Conway, 1st Earl of Hertford 20 April 1775 – 21 November 1776
* George Herbert, 2nd Earl of Powis 21 November 1776 – 16 January 1801
* vacant
* Edward Clive, 1st Earl of Powis 18 May 1804 – 20 November 1830
* Edward Herbert, 2nd Earl of Powis 20 November 1830 – 17 January 1848
* Charles Hanbury-Tracy, 1st Baron Sudeley 26 February 1848 – 10 February 1858
* Thomas Hanbury-Tracy, 2nd Baron Sudeley 4 March 1858 – 19 February 1863
* Sudeley Hanbury-Tracy, 3rd Baron Sudeley 21 April 1863 – 28 April 1877
* Edward James Herbert, 3rd Earl of Powis 25 May 1877 – 7 May 1891
* Sir Herbert Williams-Wynn, 7th Baronet 10 June 1891 – 24 May 1944
* Sir George Frederick Hamer 26 June 1950 – 4 April 1960
* Col. John Lyon Corbett-Winder, † 4 April 1960 – 31 March 1974
† Became the first Lord Lieutenant of Powys on 1 April 1974.
# Remington Model 1890

The Remington Model 1890 New Model Army was a revolver by Remington Arms. It was based on the successful Remington Model 1875 and the lesser known Model 1888 with both revolvers having the same size, appearance, and the removable cylinder. The 1890 Remington single-actions kept the solid frame and similar styling of the 1875 model, but lacking the large web under the ejector rod housing and equipped with checkered rubber grips. Like the 1875 model, the 1890 was suitably made for metallic cartridges, but only issued in .44-40 caliber.

## Overview

Remington entered the cartridge revolver market in 1875 when it introduced a big-frame, army-style revolver, a six-shooter to compete with the Colt Peacemaker. Ordinary citizens and Old West lawmen alike recognized the sturdy quality of the new Remington revolvers. Changes made to the 1890 were an attempt to make it more similar to the competing Colt single-action pistols of the era.
After the production of a few Model 1888 transition revolvers with 5+3⁄4-inch barrel, called the "New Model Pocket Army", Remington began production of the Model 1890 Single Action Army revolver. It was manufactured between 1890 and 1896 in very small numbers. It is one of the most sought-after of Remington handguns. Standard barrel length was 7+1⁄2 inches or 5+3⁄4 inches. Of the 2,020 produced, a handful of Remington 1890s saw service as side arms by Indian police on Western reservations.

## Remington Model 1888 (transitional) single-action Army revolver

An intermediate (transitional) model of cartridge revolver was introduced in 1888 called the "New Model Pocket Army". Made in 1888 and 1889 only, total production was less than 1,000 units, made primarily with parts from 1875s and duplicate "batch/serial" numbers exist; however, assembly numbers were added and none have been found over the low 300s range. Nearly all are nickel, with less than a handful known manufactured in blue. Visually it is identical to the Model 1890, with the exception of the address on top of barrel. The caliber of the model was .44-40, with the left grip on many marked "44" or "44W". In a dealer catalog, the barrel is listed at 5+1⁄2 inches, but examples have been found with 5+3⁄4-inch barrels. The ejector housing is visually identical to the Model 1890. New York sporting arms dealers Hartley and Graham assumed control of the E. Remington & Sons and renamed the company to Remington Arms Company in 1888, and it is possible that this model was assembled exclusively for them.

## Modern reproduction

The Uberti 1890 revolvers are reproductions (but not exact copies) of the famous old Remington revolver, but chambered for more modern smokeless powder cartridges as the .357 Magnum. So, while it looks and feels like an old-west "cowboy" gun, it has metallurgy common to more modern revolvers. Like all weapons, the Uberti 1890 must be taken apart periodically for cleaning. Because it is a revolver with so few moving parts, however, disassembly in this case is limited to simply removing the cylinder from the main revolver body.
# Orinoquia Bridge

The Second Orinoco crossing or Orinoquia Bridge is a combined road and railway bridge over the Orinoco River near Ciudad Guayana, Venezuela. It was inaugurated on November 13, 2006 and named Orinoquia Bridge. Prior to its construction, the only crossing of the Orinoco was the Angostura Bridge around 100 km upstream at Ciudad Bolívar that was opened in 1967.
At the site chosen for the bridge, the Orinoco is three kilometres wide with two navigation channels separated by a small island that is revealed during the low-water season. The average discharge of the river at that point varies between 66 000 m³/s and 85 000 m³/s, flowing at up to 2.6 m/s and with a seasonal variation in level of 12.5 m.
The crossing is composed of approximately 4.5 km of structures and carries four lanes of road traffic separated into two carriageways by a single railway track in the centre. It consists of two cable stayed navigation spans each of 300 m with a south approach 1320 m long composed of 22 60 m spans and a north approach of 636 m composed of ten 60 m spans and one of 36 m. The two navigation spans have a clearance of 41 m above water level and are supported by four 120 m tall H-shaped pylons via two planes of cable stays. Unusually, these spans do not lead directly into each other as at other multi-span cable stayed bridges such as the Millau Viaduct, but are anchored at a fixed point on the mid-stream island.
The bridge was built to complement the existing Angostura Bridge and to provide a more direct connection with the important industrial city of Ciudad Guayana. In particular, it was intended to provide for a future rail connection to allow the city's heavy industrial products to be transported to the ports of Venezuela's Caribbean coast. River transport on the Orinoco includes oceangoing ships, but because of its high sediment load the Orinoco has to be constantly dredged. In addition the crossing strengthens transport links between Venezuela and Brazil to the south which is important for Brazilian exports. This was one reason why President Lula da Silva of Brazil attended the inauguration together with Venezuela's Hugo Chávez.
Near the bridge, there is Orinoco powerline crossing, whose pylons are the tallest man-made structures in South America today.
# Alone Together (Clare Fischer album)

Alone Together is a studio album by American composer/arranger/pianist Clare Fischer, recorded in October 1975 and released in 1977 on the German label, MPS, and in the US by Discovery Records in 1980 (catalogue number DS 820). Its 1997 reissue on CD accompanied a volume created by pianist, composer and educator Bill Dobbins, containing transcriptions of four of Alone Together 's tracks and five from Fischer's 1995 solo piano CD, Just Me, and described by saxophonist and longtime Fischer colleague Gary Foster as "among the very best materials published in the field of jazz pedagogy." Of the 1975 recording, Dobbins wrote: "If I had to make a list of the ten most important solo jazz piano recordings of all time, this recording would definitely be on the list."

## Track listing

* "Yesterdays" (Jerome Kern) - 9:47
* "Du, Du, Liegst Mir Im Herzen" (PD) - 5:03
* "Tahlia" (Clare Fischer) - 6:04
* "The Touch of Your Lips" (Ray Noble) - 5:19
* "Excerpt from Canonic Passacaglia" (Clare Fischer) - 6:31
* "Everything Happens to Me" (Matt Dennis-Tom Adair) - 5:41
* "Brunner-Schwerpunkt" (Clare Fischer) - 4:04
* "I Can't Get Started" (Vernon Duke-Ira Gershwin) - 5:48

## Personnel

* Clare Fischer – piano
# Tennessee Valley Railroad 610

Tennessee Valley Railroad No. 610 is a preserved S160 Class 2-8-0 "Consolidation" type steam locomotive built by the Baldwin-Lima-Hamilton Corporation for the U.S. Army in March 1952. It is one of the last steam locomotives built for service in the United States and the last new steam locomotive acquired by the U.S. Army. As of 2023, No. 610 is owned by the Tennessee Valley Railroad Museum.

## History

No. 610 was the very last steam locomotive to be built by Baldwin-Lima-Hamilton for an American customer, being built in March 1952. By the end of the 1950s, No. 610 was one of eight steam locomotives owned by the U.S. Army railroad and was used to train military soldiers in railroad operation and maintenance. It also operated on the 31-mile long Fort Eustis Military Railroad to an interchange with the U.S. railroad at a junction in Lee Hall, Virginia.
When the Fort Eustis Military Railroad decommissioned steam operations in 1972, No. 610 was obtained by the Wiregrass Heritage Chapter of the National Railway Historical Society (NRHS) of Dothan, Alabama. In 1978, the locomotive was donated to the Tennessee Valley Railroad Museum (TVRM) of Chattanooga, Tennessee, where it was put into storage for the next nine years. In 1987, it was pulled from storage to be restored to operational condition. TVRM crews opted to abandon No. 610's U.S. Army livery and modify it with a taller cab and a taller smokestack to improve its cosmetic appearance. Restoration work lasted for three years before it was completed in 1990, and No. 610 became the TVRM's regular service locomotive for the remainder of that year's operating season.
In August that same year, No. 610 was leased by the Norfolk Southern Railway (NS) to replace Norfolk and Western 1218 on two mainline excursions between Huntsville, Alabama and Chattanooga, and it was assisted by two NS diesel locomotives. No. 610 was subsequently used sparingly to pull NS' mainline excursions, before the railroad discontinued the steam program in 1994.
No. 610 continued to pull the TVRM's yearly excursion trains, until it was taken out of service for its Federal Railroad Administration (FRA) mandated 1,472-day inspection in December 2010. In 2018, No. 610 was moved to the TVRM's Soule Shops, where it currently awaits a major overhaul. As of 2023, the restoration progress is put on hold until further notice.
# Baškovce, Humenné District

Baškovce is a village and municipality in the Humenné District in the Prešov Region of eastern Slovakia. The mayor is Pavol Tamáš.

## History

In historical records the village was first mentioned in 1410.

## Geography

The municipality lies at an altitude of 197 metres and covers an area of 6.627 km$^2$. It has a population of about 425 people.

## Genealogical resources

The records for genealogical research are available at the state archive in Prešov (Slovak: Štátny archív v Prešove).
* Roman Catholic church records (births/marriages/deaths): 1804-1914 (parish B)
* Greek Catholic church records (births/marriages/deaths): 1820-1949 (parish B)
# Robert Heriot Westwater

Robert Heriot Westwater ARSA (31 July 1905 - 25 November 1962) was a Scottish artist, associate of the Royal Scottish Academy and a member of the Royal Society of Portrait Painters. He is best known for his work portraiture work, especially paintings of Scottish writers Hugh MacDiarmid and Compton Mackenzie.

## Early life

He was educated at the Royal High School, Edinburgh, where he was Dux (or highest achieving pupil) in drawing for 1922. He went on to train at Edinburgh College of Art, receiving a postgraduate Andrew Grant fellowship. Westwater married and later divorced Scottish architect Emily Lind Maclennan (1908-1996).

## Career

After graduating from Edinburgh College of Art, Westwater underwent a period of travel and further study on the continent. He then returned to Edinburgh, spending ten years teaching at the College of Art. During that time, he taught Composition and Drawing from 1933 to 1934 and Life Drawing History from 1937 to 1943. In 1936, Westwater ventured for the first time into large scale mural work with the Wardie School mural Alice in Wonderland, which was commissioned under the 'Schools Beautiful' scheme led by the Edinburgh Education Committee and Edinburgh College of Art. In 1937, he took part in the Glasgow Empire Exhibition, where he contributed a mural to Basil Spense's Imperial Chemical Industries [ICI] pavilion. Following this, he also created a mural for the Musselburgh Wire Mills in 1939 in the workers' lecture hall. Westwater later moved to London where he established himself as a full-time artist. He was noted for his work as a portraitist, among his notable subjects were the Scottish writers Hugh MacDiarmid and Compton Mackenzie.

## Controversy over mural at Wardie Primary School, Edinburgh

In 2013, following a Heritage Lottery-funded restoration, one of the panels of the Alice in Wonderland mural at Wardie school was the subject of a Police Scotland investigation, after a parent complained over the purportedly racist content of this image. Despite calls to have the golliwog removed or painted over in the mural, the school and Edinburgh City Council maintained that the mural would remain untouched. A spokeswoman for Edinburgh City Council was quoted in an article in the Guardian, saying: "The mural is of both historical and artistic importance. While we understand the offensiveness of the image, it is in no way indicative of the attitudes of either the school or the council. Our equalities policies and approaches are robustly multicultural and anti-racist, promoting diversity and good relationships among pupils." Jeremy Howard, from the University of St Andrews and representing the Decorated School project, funded to study art and school buildings by the Arts and Humanities Research Council, also backed that decision. He stated in the same article: "This is history: if you start painting it out or get rid of it you're deceiving people about what views were prevalent in the 1930s." Wardie school now plan on using the golliwog illustration as an addition to their teaching packs from Show Racism the Red Card.
# Button for Sleep

Button for Sleep (Bulgarian:Копче за сън) is a Bulgarian children's play, written by Valeri Petrov in 1978. It is a musical with compositions made by Georgi Genkov. Several notable productions of the play have been performed in Bulgarian, including the Youth Theatre "Nikolay Binev" in Sofia under Ivan Urumov, the "Patilan" Municipal Theatre under Anastasia Iankova, the "Ivan Dimov" Dramatic Theatre in Haskovo and Puppet Theatre in Sliven, staged by Zlati Zlatev.
# Carroll McComas

Carroll McComas (June 27, 1886 – November 9, 1962) was an American stage, film, and television actress.

## Biography

Born in Albuquerque, New Mexico Territory, McComas was the daughter of Judge Charles Carroll McComas and his wife, Ellen Moore. One of her ancestors was Charles Carroll of Carrollton.
In 1907, McComas debuted on stage. During a weekend, she performed a whistling act at the Orpheum Theatre in Los Angeles, but she returned to school after that Monday's first matinee. She became a dancer, singer, and whistler in vaudeville, with whistling as her specialty. She performed as a whistler in London and on a tour of South Africa.
She went on to play more than two dozen roles on Broadway . In 1918, she played May Barber in the Princess Theatre musical Oh, Lady! Lady!! by Jerome Kern, Guy Bolton and P. G. Wodehouse. Her greatest personal stage triumphs were as the title character in Miss Lulu Bett, by Zona Gale, in the 1920–21 season and as Roxane in Cyrano de Bergerac in the 1923–24 season. Her last Broadway role was in 1950 as Catherine Petkoff in Arms and the Man.
She made her silent movie debut in 1916 in When Love Is King, a still extant film. Her second and last silent film came in 1920 in Jack Straw.This movie still survives. Other films in which she appeared included The Miracle Worker. She also appeared on television.
In 1922, McComas married cartoonist Walter Enright; they divorced in 1928.
McComas interrupted her acting career after marrying Selskar M Gunn, a vice president of the Rockefeller Foundation in 1933. Gunn died in 1944 and McComas returned to the stage in 1950 and to film in 1953 to play a supporting role in Jamaica Run where she appeared as the mother of Wendell Corey and Arlene Dahl.
On November 9, 1962, McComas died at her home in New York City, aged 76.

## Theater

* You Can't Win (1926)

## Partial filmography

* When Love Is King (1916)
* Jack Straw (1920)
* Jamaica Run (1953)
* Chicago Syndicate (1955)