# Faye Driscoll

Faye Driscoll is an American dancer, choreographer, and director. Her works have been presented throughout the United States and around the world. On Broadway, Driscoll choreographed Young Jean Lee's play Straight White Men. Driscoll also choreographed Josephine Decker's film Madeline's Madeline.

## Style

As an artist, Faye's goal is to be somebody in a world of "somebodies". Through choreography, she expresses interaction between others, comedy, humility and love. Faye intertwines choreography with traditional studio art as she makes dances that are mistaken for installations. Her choreography has also been seen as written plays rather than dance. Many of her performances include verbal elements as well as extensive use of props, that break away from the "real world" and focus more on fantasy. The viewer is placed on a rollercoaster as they view the performance, emotions such as joy, outrage, and discomfort are expected in a singular viewing. There is a sense of closeness and separation throughout her choreographed performances. Faye truly wants to surprise the viewer in what they expected from her choreography.

## Thank You for Coming

Made up of three installments, Thank You For Coming explores "the question of why we come together to make and watch live art now." The first part, Attendance premiered in 2014 at Danspace Project. Play premiered in the 2016 Next Wave Festival. Space, which featured Driscoll alone, rather than with the ensemble of the first two pieces, premiered in 2019.

## Honors and awards

Driscoll has been called "a startlingly original talent" by the New York Times. Her work has been presented at institutions such as Brooklyn Academy of Music, Danspace Project, Dance Theater Workshop, Wexner Center for the Arts, MCA Chicago, ICA Boston, Walker Art Center, Jacob's Pillow Dance Festival, and others.
* 2018 Jacob's Pillow Dance Festival Dance Award
* 2016 Doris Duke Artist Award
* 2016 United States Artists Doris Duke Fellowship
* 2015 New England Foundation for the Arts, National Dance Project Production Grant for Thank You For Coming: Play
* 2015 New England Foundation for the Arts, National Dance Project Production Residencies for Dance Grant for Thank You For Coming: Play
* 2015 Jerome Foundation Grant for Thank You For Coming: Play and Thank You For Coming: Space
* 2015 French American Cultural Exchange (FACE) Foundation, French-US Exchange in Dance (FUSED) Grant for Thank You for Coming: Attendance
* 2014 MAP Fund Grant for Thank You For Coming: PLAY
* 2014 Bogliasco Foundation Fellowship
* 2013-2015 Lower Manhattan Cultural Council Extended Life Residency
* 2013 Foundation for Contemporary Arts Grants to Artists Award
* 2013 John Simon Guggenheim Memorial Foundation Fellowship
* 2013 Creative Capital Performing Arts Grant for Thank You for Coming
* 2012 Jerome Foundation Grant for Thank You for Coming
* 2011 New England Foundation for the Arts, National Dance Project Production Grant for You're Me
* 2011 Jerome Foundation Grant for notnot (working title)
* 2009 New York Dance and Performance "Bessie" Award for Outstanding Production for 837 Venice Boulevard
* 2008-2019 Greenwall Foundation Grant Support

## Works and Performances

* Thank You For Coming: Play Archived 2018-07-26 at the Wayback Machine (Wexner Center for the Arts, 2016)
* Thank You For Coming: Attendance Archived 2018-07-26 at the Wayback Machine (Danspace Project, 2014)
* You're Me Archived 2018-07-26 at the Wayback Machine (The Kitchen, 2012)
* There is so much mad in me Archived 2018-07-26 at the Wayback Machine (Dance Theater Workshop, 2010)
* 837 Venice Boulevard Archived 2018-07-26 at the Wayback Machine (HERE Arts Center, 2008)
* Wow Mom, Wow Archived 2018-07-26 at the Wayback Machine (Dance New Amsterdam, 2007)
* Eyes Eyes Eyes Archived 2018-07-26 at the Wayback Machine (Brooklyn Arts Exchange, 2006)
* Loneliness Archived 2018-07-26 at the Wayback Machine (Brooklyn Arts Exchange, 2006)
* You Should Dance To Music Archived 2018-07-26 at the Wayback Machine (Catch 19 at Galapagos Art Space, 2006)
* Cold Blooded Old Time Archived 2018-07-26 at the Wayback Machine (Brooklyn Arts Exchange, 2005)
* Maybe You Could Archived 2018-07-26 at the Wayback Machine (Brooklyn Arts Exchange, 2005)