# The United States of Leland

The United States of Leland is a 2003 American drama film written and directed by Matthew Ryan Hoge that follows a meek teenage boy, the eponymous Leland, who has inexplicably committed a shocking murder. In the wake of the killing, his teacher in prison tries to understand the senseless crime, while the families of the victim and the perpetrator struggle to cope with the aftermath.

## Plot

The film begins with a flashback narrated by Leland P. Fitzgerald, describing how he could not remember the details of the day that he killed an intellectually disabled boy named Ryan Pollard. Leland is arrested. Ryan's parents, Harry and Karen, sisters Becky and Julie, and Julie's live-in boyfriend Allen grieve the loss of their loved one. Leland's divorced mother, Marybeth, is desperate to see her son, while his father, famous writer Albert Fitzgerald, discovers his son's fate in a newspaper and returns home for the trial.
While in juvenile hall, Leland is schooled by teacher Pearl Madison, an aspiring writer who is searching for his breakthrough story. Pearl senses something is different about the emotionally detached Leland and helps him circumvent the prison rules so he can keep a journal. While his girlfriend is out of town in Los Angeles, Pearl sleeps with a coworker and tells her that he is going to write a book about Leland.
Through his discussions with Pearl, Leland reveals childhood memories such as his grandmother's funeral and traveling long distances to visit his father. One time, he decided to stay in New York rather than continue on to see his father. After he could not find a hotel, a kindhearted family, the Calderons, decided to take him in for his stay. He continued to visit the family over the years and was especially captivated by Mrs. Calderon. The two also discuss Leland's history with Becky, Ryan's sister. He had met her at a record store and began walking home with Ryan and her after school, with Becky and Leland growing to love each other.
Pearl covertly arranges a meeting with Leland's father at his hotel. After he asks for more information on his family's past, Albert realizes Pearl is researching for his book and refuses to let his son be exploited. He tells the prison supervisor about Pearl's prohibited meetings with Leland, leading Pearl to be reassigned to another section of the prison.
Leland discovers through Allen that Becky had an affair with a drug dealer named Kevin who is due to be released from prison. After he gets out of prison, Becky starts to see Kevin again and decides to break up with Leland. He argues with her, but ultimately realizes the futility of changing her mind.
Pearl begins to realize the implications of his sexual indiscretion through his discussions with Leland and admits his own failings. Eventually, his girlfriend discovers his tryst, and they fight over the phone. Meanwhile, Julie decides to break up with Allen and does not want to go to college with him. Brokenhearted, he holds up an auto repair shop and allows himself to be arrested in front of Julie. He is sent to the same juvenile hall as Leland, where he steals a knife (from Pearl) and kills Leland as revenge for what he had done to the Pollard family.
Pearl flies to LA to reconcile with his girlfriend and reads Leland's final entries in his journal. On one of his return trips to New York, Leland had discovered that Mrs. Calderon had divorced her husband and that the spark for life that she had before was gone; it is implied Leland and Mrs. Calderon had slept together. Afterwards, Leland writes, he begins noticing a sadness in everyone around him, driving him into a deep depression. He focused on Ryan, who he realized probably wouldn't know true happiness or love in ways other people took for granted. One day, as he walks Ryan home from school, the boy becomes frustrated with an obstacle on the bike path. Leland helps him off his bike, gives him a hug, and whispers in his ear that "everything is going to be okay". Leland wanted to stop the sadness. He could not return the spark to Mrs. Calderon, but he could end the sadness of a boy who was disabled so that people would not look at him like he would never be normal. By killing Ryan, Leland could stop his sadness.

## Cast

* Ryan Gosling as Leland P. Fitzgerald
** Ryan Malgarini as 6-year-old Leland P. Fitzgerald
** Alec Medlock as 12-year-old Leland P. Fitzgerald
* Don Cheadle as Pearl Madison
* Chris Klein as Allen Harris
* Jena Malone as Becky Pollard
* Lena Olin as Marybeth Fitzgerald
* Kevin Spacey as Albert T. Fitzgerald
* Sherilyn Fenn as Angela Calderon
* Michelle Williams as Julie Pollard
* Martin Donovan as Harry Pollard
* Ann Magnuson as Karen Pollard
* Michael Welch as Ryan Pollard
* Matt Malloy as Charlie
* Kerry Washington as Ayesha
* Michael Peña as Guillermo
* Wesley Jonathan as Bengel
* Troy Winbush as Dave
* Ron Canada as Elden
* Clyde Kusatsu as Judge

## Production

Of his decision to do the film, Ryan Gosling said, "I wanted to do [the movie] so badly because I felt like Leland was so different. It's this kind of character that's not in movies very often – characters that are emotionally disconnected for the whole film – so it's a tricky thing to tap into."

## Reception

On Rotten Tomatoes, the film has a 34% rating based on reviews from 94 critics, with an average rating of 4.9/10. The site's consensus reads that "The United States of Leland has its moments, but they're undermined by a muddled plot, unsympathetic characters, and frustratingly uneven performances." Metacritic, which uses a weighted average, assigned the film a score of 37 out of 100, based on 27 critics, indicating "generally unfavorable" reviews.
Roger Ebert, writing for the Chicago Sun-Times, declared the film a "moral muddle". Writing for Variety, David Rooney wrote, "Laboring against characters that spout artificial, platitudinous dialogue, the cast invites little sympathy. Gosling’s one-note, blankly disturbed act has none of the magnetic edge of his breakthrough work in 'The Believer,' while the intriguing ambiguity of Cheadle’s character could have been far more interestingly explored." Owen Gleiberman of Entertainment Weekly called the film "yet another joylessly trendy indie portrait of the dark side of suburbia."