# János Major

János Major (Budapest, May 8, 1934 – June 12, 2008) was a Hungarian graphic artist, painter and photographer from Budapest. He was born as Janos Neufeld to a Jewish family in Budapest.
From 1947 to 1950, he attended a private school, and later, a High School for Fine and Applied Arts. In 1950, his mother married Bela Major, which made him and his sister adopt the name Major as their last name. Upon high school graduation, he got accepted to the Academy of Fine Arts in Budapest where he studied graphic reproduction: etching, lithography, and woodcut under Karoly Koffan. His diploma work in 1959 was etchings of women workers at an electronics factory. He married and later divorced, Eva Buchmuller. He is survived by their two daughters, Rebecca and Borbala Major.

## Career

In the 1960s, he experimented with mezzotint, line engraving, aquatint, acids on steel plates, and imprints into vernis mou. His epic etching In Memoriam of Moric Scharf, a reference to a famous Hungarian blood libel case, to the Holocaust, and to Renate Muller. In the late 1960s, he began to photograph tombstones, producing hundreds of black and white prints. Some photos informed his drawings while others inspired conceptual work.
He produced art that was grotesque, (self) ironic, absurd sexual engagements blend with Jewish and political motifs. In the 1980s, he became interested in perspective illusion. He has dealt with the subconscious and taboo.
He staged a one-man protest on October 18, 1969, at Victor Vasarely's retrospective exhibition at the Mücsarnok gallery in Budapest. Janos walked around the exhibit with a one-inch sign under his lapel and showed it only to friends: Vasarely Go Home.
In 1976, Major destroyed a significant portion of his work. The same year, he became associated with the Budapest History Museum as an archaeological draftsman and did not resume his own work for a decade.
His late work consists of tombstone photography, drawings, and comics. These drawings make use of a certain perspective representation he called ‘coincidences,’ resulting in absurd misperception (with pornographic overtones).

## Exhibitions

Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press. ISBN 978-963-7165-49-8.
    1969 – Fényes Adolf Room, Budapest, Hungary (with István Bencsik and Ilona Keserü Ilona)
    1989 – Óbuda Pincegaléria, Budapest
    1996 – Budapest History Museum, Budapest
    1997 – Körmendi Gallery, Budapest (floor)
    1997 – Goethe Institute, Budapest
    1997 – Goethe Institute, Budapest
    2000 – Dorottya Street Gallery, Budapest
    2001 – Szinnyei Salon
    2006 – Museum Kiscelli – Municipal Picture Gallery
    2007 – Petofi Literary Museum
    2012 – 2B Gallery
    2013 – Hungarian University of Fine Arts

## Group

Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press. ISBN 978-963-7165-49-8.
    1961 – I. National Graphic Biennial, Miskolc / Studio '61, Budapest
    1964 – MTA Central Physical Research Institute, Budapest / Fényes Adolf Hall, Budapest (with István Bencsik, Ilona Keserü)
    1966 – Studio '66, Budapest / Europahaus, Vienna / Tombstone Photographs (János Major, Péter Donáth, Gábor Karátson), Central Physics Research Institute, Budapest
    1965 – Technical University of Budapest R Building, Budapest
    1968 – Budapest University of Technology, Budapest / Central Physics Research Institute Club, Budapest / Graphic Exhibition, János Vignola / Major, Ilona Keserü, István Bencsik, Adolf Hall Fényes, Budapest / Industrial Design II, IPARTERV, Budapest
    1969 – Hungarian exhibition, Essen
    1970 – R-exhibition, Building R, Technical University of Budapest, Budapest / Künstler aus Ungarn, Baukunst, Cologne
    1971 – Tombstone Photography, Central Physics Research Institute, Budapest
    1973 – Chapel of the Balatonboglár, Balatonboglár
    1999 – Perspective, Műcsarnok, Budapest.

## Awards

Source: Veri, Daniel. March 2013. Leading the Dead – The World of Major Janos, MTVA Press. ISBN 978-963-7165-49-8.
    1990 – Honorary Professor, Hungarian University of Fine Arts.
    1990 – State Prize, Meritorious Artist.
    2002 – Klára Herczeg Prize.
    2007 – Janos Major Prize. Founder NETRAF – Tamas St. Auby. The prize began in 1998 in his honor.