OpenLLM-France/wikimedia huggingface dataset:
# José Ortega Torres

José Ortega Torres (born 1943) is a poet born in Granada, Spain; he is a known author in the Andalusian poetic scene. A contemporary of the Novísimos poetic movement, his work follows more traditional forms (rhyme, sonnet), with a marked rhythm and deliberate word choice that bring to mind the classical Mediterranean tradition His biography sheds light on the local history of poetry in the city of Granada.

## Biography

José Ortega Torres majored in Romance Philology at the University of Granada between 1966 and 1969 and in 1971 read his dissertation "Aproximación a la poesía de Rafael Guillén" (Approach to the poetry of Rafael Guillén), under the supervision of Professor Emilio Orozco Díaz. In 1975 he founded with poets José Lupiáñez (La Línea de la Concepción) and José Gutiérrez (Granada) the Silene literary collection, which since then has published works by many local poets (among others, Juan de Loxa, José Rienda, Elena Martín Vivaldi and Carmelo Sánchez Muros). He obtained his Ph.D. in Spanish Philology in 1971 with the work "La poesía de Rafael Guillén: lengua, temas y estilo" (Rafael Guillén's Poetry - Language, Subjects and Style).
During the 1990s and 2000s he taught Spanish Literature at the Faculty of Translation and Interpreting of the University of Granada.
José Ortega Torres uses the anagram Narzeo Antino.

## Quotes

Aynadamar el recinto del amor. Y tu presencia claro fulgor: inminencia alza el afán nunca extinto. Conjunto de laberinto entreteje la colina (sabio secreto de mina tanta riqueza procura). Huésped tú de la hermosura donde la ofrenda culmina.
    'Diamante', Granada, 1978, p. 34.

## Works and Prizes

* Cauce vivo ("A Live Riverbed"), 1971, signed as Aldo Fresno
* Ceremonia salvaje ("A Wild Ceremony"), 1973
* Carmen de Aynadamar ("The Carmen of Aynadamar"), 1974
* Ritos y cenizas ("Rites and Ashes"), 1975
* "Poema de la Alhambra, de A.E.” (published in the Granada journal Ideal on February 23, 1975)
* El exilio y el reino ("The Exile and the Kingdom"), 1979
* Hierofanía ("Hierophany", 1981), Federico García Lorca Prize in 1979 (sponsored by the University of Granada).
* La diadema y el cetro: himno ("The Diadem and the Sceptre - a Hymn"), 1983
* Diamante: (espacio íntimo) (Diamond: an intimate space"), 1987
* Olvido es el mar, ("The Sea is Oblivion"), 1989
* Domus aurea ("Domus Aurea", 1996), Provincia de León Prize, 1994.
* Laurel & glosa, ("A Laurel and a Note"), 1997
* Centinela del aire ("The Sentinel of the Air"), 1999, Ciudad de Salamanca Prize.
* Amante desafío ("A Loving Challenge"), 2001
* Fulgor de la materia ("The Splendor of the Matter"), 2003
* Un título para Eros. Erotismo, sensualidad y sexualidad en la literatura ("A Title for Eros. Erotism, Sensuality and Sexuality in Literature"), Chapter 7 - “Falomanía y travesura en El jardín de Venus de Samaniego” ("Fallomania and Play in Samaniego's Garden of Venus")
# Luddy

Luddy is the surname of:
* Barbara Luddy (1908-1979), American film and radio actress
* Edward I. Luddy, a stage name of Edward Ludwig (1899-1982), Russian-born American film director and writer
* Fred Luddy (born 1954/1955), American billionaire founder of ServiceNow. Also the nameake Luddy Hall at Indiana University Bloomington.
* Robert Luddy, founder of CaptiveAire Systems, an American manufacturer of commercial kitchen ventilation systems
* Tom Luddy (born 1943), American film producer and co-founder of the Telluride Film Festival
# Fall Stream

Fall Stream empties into Piseco Lake by Piseco, New York. Fall Stream flows through Fall Lake.
# William Campbell (general)

Brigadier General William Campbell (c. 1745 – August 22, 1781) was an American military officer, farmer and politician. One of the thirteen signers of the earliest statement of armed resistance to the British Crown in the Thirteen Colonies, the Fincastle Resolutions, Campbell represented Hanover County in the Virginia House of Delegates. A militia officer during the American Revolutionary War, he was known to Loyalists as the "bloody tyrant of Washington County", but to the Patriots he was known for his leadership at the Battle of Kings Mountain and the Battle of Guilford Courthouse.

## Civic and military leader

In 1775, Campbell was one of the thirteen signers of the Fincastle Resolutions, the earliest statement of armed resistance to the British Crown in the Thirteen Colonies. Campbell represented Hanover County, Virginia in the Virginia House of Delegates twice: in 1780, and again in 1781 (the year that he died).
He was a militia leader of the American Revolutionary War, known for harsh treatment of Loyalists. It was alleged he had executed at least one loyalist, thus leading to their label of him as the "bloody tyrant of Washington County". He became a colonel in 1780, and was noted for leading his militia to victory at the Battle of Kings Mountain, where he charged the enemy while telling his men to "shout like hell and fight like devils!" Afterward, he worked in conjunction with Continental Army troops to oppose the British invasion of Virginia, providing support at the Battle of Guilford Courthouse. The Virginia Assembly commissioned him a brigadier general in 1781, however, he died soon after.

## Personal life

Campbell was married to Elizabeth Henry, sister of Virginia Governor, Patrick Henry. They had two children: Sarah Buchanan Campbell, and Charles Henry Campbell. Following Campbell's 1781 death of an apparent heart attack, his widow subsequently married General William Russell.

### Salt Lick

The tract of land where the Campbells settled was called "Salt Lick" for the area's numerous salt deposits. The salt works that were eventually established there became an important source of revenue for the family, also playing an important role in supplying salt for the Confederacy during the Civil War. It had been surveyed in 1748, when James Patton entered the area with an expedition of several men, including one Charles Campbell. After William Campbell's death, the General Assembly of Virginia granted 5,000 acres to his young son, Charles Henry Campbell, in consideration of the distinguished services of his father.

## Burial and legacy

William Campbell is buried in the Aspenvale Cemetery (near present-day Marion, Smyth County, Virginia), alongside Elizabeth Campbell "Madam" Russell. The cemetery is a Virginia Historic Landmark, with soldiers from six different wars interred there.
Campbell County, Virginia, is named for General Campbell, as is one of the county's high schools, William Campbell Middle and High School.
In her later years, Elizabeth founded the Madam Russell Methodist Church.
# Erin Donohue

Erin Donohue (born May 8, 1983) is an American athlete who competes in middle-distance track events. Donohue qualified for the U.S. Olympic team at the 2008 Summer Olympics in the 1500 meters.

## Early life

Born in Philadelphia, Pennsylvania on May 8, 1983, Donohue competed for Haddonfield Memorial High School in Haddonfield, New Jersey and the University of North Carolina in both middle-distance running events and the javelin throw.

## Career

At the 2010 IAAF World Indoor Championships in Doha, she was sixth in the 1500 m final, running a season's best 4:09. She was the silver medalist at the 2010 USA Outdoor Track and Field Championships behind Anna Pierce. Donohue took part in the Fifth Avenue Mile road race in September and finished in third place behind her compatriots Shannon Rowbury and Sara Hall.
She is an assistant coach with the Philadelphia University Cross Country program.
# Roman-Kosh

Roman-Kosh (Ukrainian: Роман-Кош, Crimean Tatar: Orman Qoş, Russian: Роман-Кош) is the highest peak of the Crimean Mountains.
# Robert Berri

Robert Berri (16 December 1912 – 22 November 1989) was a French film actor. He appeared in 100 films between 1937 and 1979.

## Selected filmography

| Year | Title | Role |
| 1947 | Four Knaves | Philibert |
| 1948 | White as Snow | Bob |
| 1949 | Five Red Tulips | Jacques Mauval |
| 1950 | The Unexpected Voyager | Paolo |
| 1951 | Paris Vice Squad | Inspecteur Paulan |
| 1951 | The King of Camelots | Grand Jo |
| 1951 | The Red Inn | Le Cocher |
| 1951 | Un amour de parapluie | |
| 1952 | The Damned Lovers | Paul Morelli |
| 1954 | The Women Couldn't Care Less | Fernandez / Jean Termiglio |
| 1954 | Rasputin | Le capitaine Soukoff |
| 1954 | Le Blé en herbe | |
| 1954 | Crime at the Concert Mayol | Fred |
| 1955 | Your Turn, Callaghan | Raoul de Bois-Joli dit le Vicomte |
| 1955 | More Whiskey for Callaghan | Comte Haragos |
| 1956 | The Babes in the Secret Service | Carboni |
| 1957 | Ces dames préfèrent le mambo | Perez |
| 1958 | Le désordre et la nuit | Marquis |
| 1960 | The Cat Shows Her Claws | Le chauffeur du camion lors de l'accident simulé |
| 1961 | The Three Musketeers | M. Bonacieux |
| 1968 | Leontine | Un conseiller de Charles |
| 1971 | The Lion's Share | Le patron du bistrot |
| 1974 | Un linceul n'a pas de poches | Le militant communiste |
# Hypsibarbus huguenini

Hypsibarbus huguenini is a species of ray-finned fish belonging to the family Cyprinidae, the family which includes the carps, barbs, minnows and related fishes. This fish is endemic to Sumatra in Indonesia where it is found in the upper basin of the Indragiri River. This species has a maximum published total length of 46 cm (18 in).
# Whatever I Do (Wherever I Go)

"Whatever I Do (Wherever I Go)" is a Hi-NRG song written and produced by British hit making team Stock Aitken Waterman (SAW), which became a hit for singer Hazell Dean in 1984. Dean, having had a top 10 hit in May 1984 with "Searchin' (I Gotta Find a Man)", was looking for a follow-up single. Through her record company Proto Records she met SAW, who had by then worked with her label mates Divine and Agents Aren't Aeroplanes, but were virtually unknown.
When Dean visited the producers, they played her the backing track of Divine's "You Think You're A Man". She liked it, so she agreed to record a single with them as tensions climbed over the need for a second hit. "She was upset at time," Mike Stock recalled of the high-pressure situation Dean found herself in following her first hit. "I remember her saying at times this was so important to her. [It was] that dreadful follow up situation - how do you follow up a hit?'"
The song SAW offered her was originally titled "Dance Your Love Away", and had previously been given to American artist, Michael Prince, to record. Matt Aitken came up with the idea of using the backing track with re-written lyrics to appease Dean, who disliked the original chorus. Stock and Aitken proceeded to change the track, which was re-titled "Whatever I Do (Wherever I Go)".
Prince was not informed that Dean had recorded a reworked version of the song he'd recorded first, and was at the time waiting to release. He claims he only found out when her version came on while he was dancing in a nightclub, and says he immediately left to ring the producers and demand an explanation. Mike Stock disputes the details of Prince's story, saying the singer actually rang him from his hospital bed after an accident involving a jar of pickles. A reworked version of "Dance Your Love Away" was released as a single in 1985, but did not chart.
Dean's single was released in July 1984, and it became an instant smash, peaking at number 4 in the UK Singles Chart, spending 11 weeks in the chart. It became the singer's highest placed single in the UK, along with her 1988 single "Who's Leaving Who". It was also SAW's first of many top 10 singles in the UK charts. Due to this success, Dean went on to record her album with SAW. The resulting LP, Heart First, released in October 1984, was fully produced by the trio, except for "Searchin' (I Gotta Find a Man)". Dean re-recorded the song for her 1995 album The Best of Hazell Dean.
In 1987, Laura Branigan recorded a version of the song for her album, Touch. Her version was also produced by Stock Aitken & Waterman.
# Women's Writing in Colombia

Women's Writing in Colombia: An Alternative History is a 2016 monograph by Cherilyn Elston, a scholar and translator at the University of Reading. Based on her doctoral thesis, the book surveys writing by Colombian women since the 1970s.
It won the Latin American Studies Association's Montserrat Ordóñez prize in 2018. It was positively reviewed in the Bulletin of Spanish Studies, Tulsa Studies in Women's Literature, and Perifrasis.
# S. D. Newton House

The S. D. Newton House is a historic house at 8 Sycamore Street in Worcester, Massachusetts. Built in 1846, it is an excellent local instance of Greek Revival styling, and one of the few houses surviving from that period in the neighborhood. which once had many more of such houses. The house was listed on the National Register of Historic Places on March 5, 1980. Unfortunately the current keeper of the home has let it go. Not much original left. Garbage everywhere on the inside. Lead paint, peeling paint. An eyesore it has become. It once was a great piece of local history.

## Description and history

The Newton House is located just south of Worcester's downtown area, on the northeast side of Sycamore Street in a mixed residential and commercial area. It is a 2+1⁄2-story wood-frame house, with a front-facing gable roof and clapboard siding. It is set on a lot fronted by a low granite curb and a picket fence. The building corners have paneled pilasters, which rise to an entablature below the fully pedimented gable and extending along the building sides. A single-story porch extends across the building width, with fluted Doric columns rising to an entablature beneath a shallow hip roof. The front facade is three bays wide, with the entrance in the right bay, flanked by sidelight windows and narrow pilasters, and topped by an entablature.
The house was built in 1846, and typifies the houses that were built in the immediate area in the 1840s, although it is now one of the few houses left from that period. Most of the houses from that period have been replaced either by later residential construction or commercial buildings. The house's first known occupant was S. D. Newton, a painter; later residents include a victualler and telegrapher. The current resident, a hoarder.
# Salon of 1835

The Salon of 1835 was an art exhibition held at the Louvre in Paris. It was staged during the July Monarchy and was part of the tradition of Salons dating back to the seventeenth century. Since the Salon of 1833 the exhibitions were held annually.
Notable amongst the works on display was Paul Delaroche's history painting The Assassination of the Duke of Guise while Henri Decaisne also submitted a painting featuring a scene from the life of the sixteenth century Duke of Guise. Eugène Delacroix exhibited The Prisoner of Chillon, based on a poem by Lord Byron. Jules Dupré, one of the Barbizon School influenced by John Constable, submitted a landscape painting View of the Pastures of the Limousin.
Antoine-Jean Gros, a leading painter stretching back to the Napoleonic era, displayed the Neoclassical Hercules and Diomedes. Its critical failure led to him committing suicide the same year. Jean-Auguste-Dominique Ingres had exhibited at the Salon for several decade refused a request to submit his Portrait of Louis-Mathieu Molé, a politician soon afterwards to be Prime Minister, having taken over as director of the French Academy in Rome. The previous director Horace Vernet displayed the biblical Rebecca at the Well.
There was a sharp drop in the number of prints and lithographs being exhibited. It was followed by the Salon of 1836.

## Gallery

* Portrait of Louise Hersent by Louise Adélaïde Desnos
* Louise, Queen of the Belgians with her son Louis-Philippe by Henri Decaisne
* The Assassination of the Duke of Guise by Paul Delaroche
* The Lute Players by Guillaume Bodinier
* The Discovery of the Laocoon by Pierre-Nolasque Bergeret
* The Arrest of Joan of Arc by Adèle Martin
* Isabeau of Bavaria and the Duke of Burgundy by Jean-Louis Dulong
* John II the Good receives the submission of Charles II the Bad at the Louvre by Merry-Joseph Blondel
* The Invalid's Alms by Aimée Brune-Pagès
* Episode from the Retreat from Russia by Joseph Ferdinand Boissard de Boisdenier
* Hercules and Diomedes by Antoine-Jean Gros
* Anne Boleyn in the Tower of London by Édouard Cibot
* Greek Woman Preparing to Bathe by Jean-Joseph Espercieux
* View of the Pastures of the Limousin by Jules Dupré
* View of Amalfi in the Gulf of Salerno by Théodore Caruelle d'Aligny
# Membership of the Royal Colleges of Surgeons

Membership of the Royal Colleges of Surgeons (MRCS) is a postgraduate diploma for surgeons in the UK and Ireland. Obtaining this qualification allows a doctor to become a member of one of the four surgical colleges in the UK and Ireland, namely the Royal College of Surgeons of Edinburgh, the Royal College of Surgeons of England, the Royal College of Physicians and Surgeons of Glasgow and the Royal College of Surgeons in Ireland. The examination, currently organised on an intercollegiate basis, is required to enter higher surgical training (ST 3+) in one of the Royal colleges. Thus today's MRCS has replaced the former MRCS(Eng), MRCS(Ed), MRCS(Glas), and MRCS(I). (Similarly, the MRCP is also now intercollegiate.)

## History

Each college used to hold examinations independently, which is what the post-nominal MRCS used to indicate, for example, MRCS (London) specifically. After decades of discussion of possible intercollegiate MRCS and FRCS, they were implemented in the 21st century, at first by unifying the syllabus of the separate qualifications of MRCS(Eng), MRCS(Glas), MRCS(Ed), and MRCS(I). In January 2004, the four colleges switched over to a common examination, known as the Intercollegiate MRCS.

## Examination

The MRCS qualification consists of a multi-part examination including both theory and practical assessments. Part A is a 5-hour examination which assesses the applied basic sciences (a 3-hour paper in the morning) and principles of surgery in general (a 2-hour paper in the afternoon) using multiple-choice Single Best Answer only. It has a passing mark around 71% and pass rate of around 30 per cent. Maximum number of attempts for Part A is 6 and there are usually 3 sittings per year in January, April and September. Part B is a 4-hour practical examination which assesses elements of day-to-day surgical practice through 17 stations of 9 minutes each (with additional resting and preparation stations) on anatomy, pathology, critical care, clinical procedures and patient evaluation (history taking, clinical examination and communication skills). Each station carries a maximum of 20 marks and an additional global rating by the examiner. It has a pass rate of around 50 per cent. Maximum number of attempts for Part B is 4 and there are usually 3 sittings per year in February, May and October. Current curricula have changed to introduce the completion of both exams as a mandatory requirement to complete core surgical training prior to application to higher surgical training (ST3) in the UK. Trainees often require multiple attempts at the examination in order to pass.

## Examination preparation

A large and varied collection of commercial revision resources are available which can improve a candidate's chances of success. These resources include courses, books, online question banks and mobile applications.
# Roger Pigaut

Roger Pigaut (birth name Roger Paul Louis Pigot) (8 April 1919 – 24 December 1989) was a French actor and film director. He appeared in 40 films between 1943 and 1980.

## Partial filmography

* Retour de flamme (1943) − Maurice
* Love Story (1943) − Fabien Marani
* Twilight (1944) − Petit rôle (uncredited)
* The Eleventh Hour Guest (1945) − Le docteur Rémi Lambert
* The Bellman (1945) − Pierre
* The Murderer is Not Guilty (1946) − Roger Pigaut (uncredited)
* The Sea Rose (1946) − Jérôme
* Night Warning (1946) − Pierre
* The Bouquinquant Brothers (1947) − Pierre Bouquinquant
* Antoine and Antoinette (1947) − Antoine Moulin
* Convicted (1948) − Le docteur Auburtin
* Night Express (1948) − Robert
* Bagarres (1948) − Antoine
* A Change in the Wind (1949) − Paul Chapus
* Cartouche, King of Paris (1950) − Louis Dominique Bourguignon dit Cartouche
* Un sourire dans la tempête (1950) − Francois Mercier
* La peau d'un homme (1951) − Bernard Landry
* The House on the Dune (1952) − Sylvain
* The Agony of the Eagles (1952) − Col. de Montander
* The Blonde Gypsy (1953) − Antoine
* The Count of Monte Cristo (1954) − Fernand de Morcerf
* Theodora, Slave Empress (1954) − Andres
* The Lovers of Manon Lescaut (1954) − Lescaut
* Napoléon (1955) − Le marquis de Caulaincourt
* The Light Across the Street (1955) − Pietri
* La plus belle des vies (1956) − Yves Carlier
* Konga Yo (1962) − Georges
* I Killed Rasputin (1967) − Pourichkevich
* Untamable Angelique (1967) − Le Marquis d'Escrainville
* Angelique and the Sultan (1968) − Le Marquis d'Escrainville
* Mayerling (1968) − Count Karolyi
* Catherine (1969) − Le Grand Connétable Garin
* Trois milliards sans ascenseur (1972, director)
* A Simple Story (1978) − Jérôme
# Munich '72 and Beyond

Munich '72 and Beyond is a 2016 short documentary film.
The film documents the secrecy in which the ordeals undergone by the hostages has been shrouded, and follows the struggle of their surviving relatives to discover and reveal the barbarism of the attackers. In the film Ilana Romano, widow of murdered Olympic weightlifter Yossef Romano, reveals that her husband was castrated. Other hostages had their bones broken by their captors.
The film was produced by psychologist Steven Ungerleider, and David Ulich. Stephen Crisman was director, writer and executive producer. Michael Cascio was executive producer, and David Bret Egen was co-producer and editor. Production began in 2015 under the working title Munich 1972 & Beyond. The film's runtime is 44 minutes.

## Awards
### 2016

* LA Shorts Fest: Best Documentary

### 2017

* 38th Annual News & Documentary Awards: Nominated in the Outstanding Research category
* 2017 Euro Shorts Fest: Best Documentary