# List of compositions by Jean Sibelius

The Finnish composer Jean Sibelius (1865–1957) wrote over 550 original works during his eight-decade artistic career. This began around 1875 with a short miniature for violin and cello called Water Droplets (Vattendroppar), and ended a few months before his death at age 91 with the orchestration of two earlier songs, "Kom nu hit, död" ("Come Away, Death") and "Kullervon valitus" ("Kullervo's Lament", excerpted from Movement III of Kullervo).
However, the 1890s to the 1920s represent the key decades of Sibelius's production. After 1926's Tapiola, Sibelius completed no new works of significance, although he infamously labored until the late-1930s or the early-1940s on his Eighth Symphony, which he never completed and probably destroyed c. 1944. This thirty-year creative drought—commonly referred to as the "Silence of Järvenpää", in reference to the sub-region of Helsinki in which the composer and his wife, Aino, resided—occurred at the height of his international and domestic celebrity.
Today, Sibelius is remembered principally as a composer for orchestra: particularly celebrated are his symphonies, tone poems, and lone concerto, although he produced viable works in all major genres of classical music. While his orchestral works meant the most to him, Sibelius refused to dismiss his miniatures (piano pieces, songs, etc.) as insignificant, seeing them instead as "represent[ative of] his innermost self".

## Navigating Sibelius's oeuvre
### Works with and without opus

Sibelius's final opus list dates to 1952 and ranges from Opp. 1 to 116, albeit with Op. 107 unassigned and Op. 117 holding ambiguous status. Among the 115 active numbers, however, are many collections; disaggregating these multi-work numbers reveals that—counting conservatively—about 342 compositions comprise the list:
* 77 orchestral works, spanning 59 opus numbers
* 35 chamber works, spanning 13 opus numbers
* 117 works for solo instrument (115 for piano, two for organ), spanning 20 opus numbers
* 86 songs, spanning 16 opus numbers
* 27 works for choir, spanning seven opus numbers
When ordered numerically, Sibelius's opus list is an imperfect indicator of his stylistic maturation over time. This is because Sibelius curated the collection according to his ever-changing assessment of his oeuvre (highly self-critical, he became especially ambivalent later in life towards his early period), promoting works to or demoting them from the catalogue and filling the resulting vacancies without a strict regard for compositional chronology. Among the pieces that at one point held, but later lost, a place on Sibelius's opus list are numerous large-scale works from the 1880s and 1890s, including his only opera, three cantatas, a melodrama, and several multi-movement compositions for chamber ensembles. Sibelius also demoted his first two orchestral compositions, the Overture in E major and Ballet Scene, which were originally intended as movements in a symphony before the composer abandoned the project.
For works without opus, the convention since the late-1990s has been to follow the supplemental JS numbering system of the Finnish musicologist Fabian Dahlström [fi], which he finalized in 2003 with the publication of Jean Sibelius: A Thematic Bibliographic Index of His Works. This list runs from JS 1 to 225 and includes not only compositions Sibelius demoted from his opus list but also those that never held an opus number at any point during his career.

### Sibelius and his publishers

Sibelius sold his music to several publishers over the course of his career. As a relatively unknown composer in the 1890s and early 1900s, he worked with domestic firms in Helsinki, including the eponymous operations of Axel E. Lindgren and Karl F. Wasenius [fi], as well as Helsingfors Nya Musikhandel [fi], a joint venture of Konrad G. Fazer [fi] and Robert E. Westerlund [fi] until the latter withdrew in 1904 to begin his own firm [fi]. As Sibelius's international reputation grew, the major German firms came calling, and he relished not only the prestige but also the opportunity to free himself from the cumbersome domestic publishing process. He contracted with Berlin's Robert Lienau Musikverlag from 1905 to 1909 and with Leipzig's Breitkopf & Härtel from 1910 to 1918. The arrival of the First World War in 1914, however, disrupted business with Germany, and Sibelius's royalty payments had to be rerouted through neutral Denmark. Ever in debt, Sibelius churned out undistinguished, "bread-and-butter" violin duos and piano pieces for R. E. Westerlund and A. E. Lindgren, each of whom lacked the means to print the works but viewed them as shrewd investments.
The end of the war brought little relief, as famine and civil war gripped newly-sovereign Finland and reparations wrecked the German economy. Breitkopf & Härtel wrote to the composer in May 1918 to express its regret that it could not accept the Fifth Symphony due to the post-war circumstances. Into the breach stepped Edition Wilhelm Hansen in Copenhagen, which directly contracted with Sibelius in 1920 and, over the next half decade, emerged as Sibelius's leading publisher. In 1926, Breitkopf & Härtel was able to resume its publishing relationship with Sibelius, although it now had to share the composer with Hansen and others. At any rate, Sibelius spent the 1930s battling with the never-realized Eighth Symphony, and by the 1940s he had drifted into quasi retirement. Following his death in 1957, many compositions remained in manuscript, and the process of publishing his works posthumously began. Over the following decades, the Sibelius family agreed to allow several first editions variously by Hansen, Breitkopf & Härtel, and Musiikki-Fazer [fi].

### Sibelius's manuscripts

The largest and most comprehensive collection of Sibelius's manuscripts is owned by the National Library of Finland at the University of Helsinki. The institution began in earnest its mission to acquire the composer's literary estate in 1970, with the purchase—from the London auction house Sotheby's—of manuscripts that had once belonged to A. E. Lindgren and, thereafter, R. E. Westerlund. The National Library's holdings ballooned (and the need for a supplemental catalogue became especially acute), however, in 1982, when the Sibelius family donated all papers still in its possession. The gift more than doubled Sibelius's catalogue: among the nearly 2,000 manuscripts were not only drafts, thematic sketches, and page proofs related to known compositions, but also hitherto unknown juvenilia.
In 1991, the Finnish musicologist Kari Kilpeläinen published The Jean Sibelius Musical Manuscripts at Helsinki University Library: A Complete Catalogue, in which each manuscript received a Helsinki University Library (HUL) identifier. The JS and HUL numbering systems, moreover, are compatible; for example, Sibelius's destroyed Eighth Symphony is numbered JS 190 by Dahlström, with the surviving so-called Three Late Fragments that have been tentatively connected to the Eighth Symphony labeled as HUL 1325, HUL 1326/9, and HUL 1327/2 by Kilpeläinen. A third notable acquisition occurred shortly after Kilpeläinen published his book, when in 1997 the National Library obtained manuscripts that had belonged to Edition Wilhelm Hansen. Finally, in 2020, the institution purchased a 1,200-page collection from Robert Lienau Musikverlag. In 2021, the UNESCO National Committee of Finland inducted the National Library's Jean Sibelius Musical Manuscripts into the country's Memory of the World Register, describing it as a "carefully nurtured national cultural treasure ... [that] has crucially expanded and shaped the image of how Sibelius composed and produced his works".
Within Finland, additional manuscripts are held by the Sibelius Museum at Åbo Akademi University in Turku, the Sibelius Academy (the composer's alma mater, formerly the Helsinki Music Institute), the Helsinki Philharmonic Orchestra (which premiered most of his orchestral works), and the National Archives of Finland. It is not legally possible to export Sibelius's manuscripts from Finland without permission, which in any case the Finnish authorities would probably not give. Outside of Finland, Breitkopf & Härtel possesses the most notable collection of Sibelius manuscripts.

### Notable surveys of the oeuvre

In addition to Dahlström's comprehensive 2003 book, two additional surveys of Sibelius's oeuvre are of note. First, an ongoing collaborative project involving the National Library, Breitkopf & Härtel, and the Sibelius Society of Finland is the publication of the Jean Sibelius Works (JSW) critical edition, the text-critical approach of which utilizes "Sibelius's autograph musical manuscripts, copies made of them, instrumental parts, as well as first editions and their proofs ... the composer's correspondence, his diary, scribes' receipts, publishers' accounts, and newspaper reviews". Began in 1996, the JSW is projected at 52–60 volumes and will cover all of Sibelius's completed compositions (and arrangements), many of which remain in manuscript and, therefore, will receive first editions. The current editor-in-chief is the Finnish musicologist Timo Virtanen.
A second important survey is The Sibelius Edition recording project by the Swedish label BIS, for which the Sibelius biographer Andrew Barnett served as project advisor. Released from 2007 to 2011, this 13-volume series, which sought to record every surviving "note [Sibelius] put down to paper", comprises 80+ hours of music over 68 discs and also includes the original versions of works the composer revised.

## Table of compositions

The table below is a complete list of works by Jean Sibelius, compiled with reference to two sources: first, Dahlström's 2003 Jean Sibelius: A Thematic Bibliographic Index of His Works; and second, the track listings for all 13 volumes of BIS's The Sibelius Edition. The table contains six sortable parameters: genre, title, year of composition, catalogue number (either Op. or JS), instrumentation, and text author (if applicable). The default ordering is, first, by genre and, second, by year of composition. Finally, to aid visualization, the table is divided into color-coded subsections, as follows:
* § Orchestral works
* § Chamber works
* § Works for solo instrument
* § Songs
* § Choral works
* § Preliminary versions, fragments
| Genre | Title | Year(s) composed | Catalogue | Instrumentation | Text | Notes |
| Orchestral works | Orchestral works | Orchestral works | Orchestral works | Orchestral works | | |
| Symphony | Kullervo Introduction (Johdanto). Allegro moderatoKullervo's Youth (Kullervon nuoruus). GraveKullervo and His Sister (Kullervo ja hänen sisarensa). Allegro vivaceKullervo Goes to War (Kullervon sotaanlähtö). Alla marciaKullervo's Death (Kullervon kuolema). Andante | 1891–1892 (withdrawn 1893) | Op. 7 | S, B, mchor., orch. | Kalevala, Runos XXXV–VI | |
| Symphony | Symphony No. 1 in E minor Andante, ma non troppo – Allegro energicoAndante (ma non troppo lento)Scherzo. AllegroFinale (Quasi una fantasia). Andante – Allegro molto | 1898–1899, rev. 1900 | Op. 39 | orch. | – | |
| Symphony | Symphony No. 2 in D major AllegrettoTempo andante, ma rubatoVivacissimo – Finale. Allegro moderato | 1901–1902 | Op. 43 | orch. | – | |
| Symphony | Symphony No. 3 in C major Allegro moderatoAndantino con moto, quasi allegrettoModerato – Allegro (ma non tanto) | 1904–1907 | Op. 52 | orch. | – | |
| Symphony | Symphony No. 4 in A minor Tempo molto moderato, quasi adagioAllegro molto vivaceIl tempo largoAllegro | 1909–1911 | Op. 63 | orch. | – | |
| Symphony | Symphony No. 5 in E-flat major Tempo molto moderato – Allegro moderatoAndante mosso, quasi allegrettoAllegro molto – Largamente assai | 1914–1915, rev. 1916 & 1917–1919 | Op. 82 | orch. | – | |
| Symphony | Symphony No. 6 in D minor Allegro molto moderatoAllegretto moderatoPoco vivaceAllegro molto | 1914–1923 | Op. 104 | orch. | – | |
| Symphony | Symphony No. 7 in C major, in one movement | 1914–1924 | Op. 105 | orch. | – | |
| Symphony | Symphony No. 8 | 1924–c. late 1930s–1945 (abandoned) | JS 190 | orch. (projected) | – | |
| Concertante | Violin Concerto in D minor Allegro moderatoAdagio di moltoAllegro (ma non tanto) | 1903–1904, rev. 1905 | Op. 47 | vl., orch. | – | |
| Concertante | Serenade No. 1 in D major | 1912 | Op. 69a | vl., orch. | – | |
| Concertante | Serenade No. 2 in G minor | 1912–1913 | Op. 69b | vl., orch. | – | |
| Concertante | Serious Melody No. 1: Cantique | 1914 (arr. 1916) | Op. 77/1 | vl. (or vc.), orch. | – | |
| Concertante | Serious Melody No. 2: Devotion | 1915 (arr. 1916) | Op. 77/2 | vl. (or vc.), orch. | – | |
| Concertante | Humoresque No. 1 in D minor | 1917, rev. 1940 | Op. 87/1 | vl., orch. | – | |
| Concertante | Humoresque No. 2 in D major | 1917 | Op. 87/2 | vl., orch. | – | |
| Concertante | Humoresque No. 3 in G minor | 1917 | Op. 89a | vl., str. | – | |
| Concertante | Humoresque No. 4 in G minor | 1917 | Op. 89b | vl., str. | – | |
| Concertante | Humoresque No. 5 in E-flat major | 1917 | Op. 89c | vl., orch. | – | |
| Concertante | Humoresque No. 6 in G minor | 1918 | Op. 89d | vl., orch. | – | |
| Concertante | Suite for Violin and String Orchestra in D minor Country Scenery Serenade: Evening in Spring In the Summer | 1929 | JS 185 | vl., str. | – | |
| Tone poem | En saga (Satu) | 1890–1892, rev. 1902 | Op. 9 | orch. | – | |
| Tone poem | Spring Song (Vårsång) | 1894, rev. 1895 | Op. 16 | orch. | – | |
| Tone poem | The Wood Nymph (Skogsrået) | 1894–1895 | Op. 15 | orch. | – (V. Rydberg) | |
| Tone poem | The Swan of Tuonela (Tuonelan joutsen) | 1893–1895, rev. 1897 & 1900 | Op. 22/2 | orch. | – (Kalevala) | |
| Tone poem | Lemminkäinen's Return (Lemminkäinen palaa kotitienoille) | 1895, rev. 1897 & 1900 | Op. 22/4 | orch. | – (Kalevala) | |
| Tone poem | Lemminkäinen and the Maidens of the Island (Lemminkäinen ja saaren neidot) | 1895, rev. 1897 & 1939 | Op. 22/1 | orch. | – (Kalevala) | |
| Tone poem | Lemminkäinen in Tuonela (Lemminkäinen Tuonelassa) | 1895, rev. 1897 & 1939 | Op. 22/3 | orch. | – (Kalevala) | |
| Tone poem | Finlandia, from the Press Celebrations Music | [1899], arr. 1900 | Op. 26 | orch. | – | |
| Tone poem | Pohjola's Daughter (Pohjolan tytär) | 1903–1906 | Op. 49 | orch. | – (Kalevala) | |
| Tone poem | Nightride and Sunrise (Öinen ratsastus ja auringonnousu) | 1908 | Op. 55 | orch. | – | |
| Tone poem | The Dryad (Dryadi) | 1910 | Op. 45/1 | orch. | – | |
| Tone poem | The Bard (Barden) | 1913, rev. 1913 | Op. 64 | orch. | – | |
| Tone poem | Luonnotar | 1913 | Op. 70 | S, orch. | Kalevala, Runo I | |
| Tone poem | The Oceanides (Aallottaret) | 1913–1914, rev. 1914 & 1914 | Op. 73 | orch. | – | |
| Tone poem | Kuutar (The Moon Goddess) | 1919–early 1920s (abandoned) | – | orch. (projected) | – (Kalevala) | |
| Tone poem | Tapiola | 1926 | Op. 112 | orch. | – (Kalevala) | |
| Opera | The Building of the Boat (Veneen luominen) | 1893–1894 (abandoned) | – | soloists, chor., orch. (projected) | J. Sibelius & J.H. Erkko [fi]; Kalevala, Runos VIII & XVI | |
| Opera | The Maiden in the Tower (Jungfrun i tornet), dramatized Finnish ballad in 1 act | 1896 (withdrawn 1896) | JS 101 | S, A, T, B, chor., orch. | R. Hertzberg | |
| Stage | King Christian II (Kuningas Kristian II), play in 5 acts | 1898, rev. 1898 | Op. 27 | B, orch. | A. Paul | |
| Stage | Death (Kuolema), play in 3 acts | 1903 | JS 113 | Mz, B, str., perc. | A. Järnefelt | |
| Stage | Pelléas et Mélisande (Pelléas och Mélisande), play in 5 acts | 1904–1905 | JS 147 | Mz, orch. | M. Maeterlinck – B. Gripenberg, trans. (sv) | |
| Stage | Belshazzar's Feast (Belsazars gästabud), play in 4 acts | 1906 | JS 48 | Mz, orch. | H. Procopé [fi] | |
| Stage | Canzonetta, added to Death (Kuolema) | 1906, rev. 1911 | Op. 62/1 | str. | – (A. Järnefelt) | |
| Stage | Swanwhite (Svanevit), play in 3 acts | 1908 | JS 189 | orch. + organ | – (A. Strindberg) | |
| Stage | The Language of the Birds (Die Sprache der Vögel) | 1911 | JS 62 | orch. | – (A. Paul) | |
| Stage | Valse romantique, added to Death (Kuolema) | 1911 | Op. 62/2 | orch. | – (A. Järnefelt) | |
| Stage | Scaramouche, ballet-pantomime in 2 acts | 1912–1913 | Op. 71 | orch. + pf. | P. Knudsen | |
| Stage | Everyman (Jedermann or Jokamies), play in 1 act | 1916 | Op. 83 | Mz, T, B, chor., orch. + pf., organ | H. von Hofmannsthal – H. Jalkanen [fi], trans. (fi) | |
| Stage | The Tempest (Stormen), play in 5 acts | 1925, rev. 1927 | JS 182 | S, Mz, T, T, B, chor., orch. + harmonium | W. Shakespeare – E. Lembcke [da], trans. (da, 1926) – P. Cajander, trans. (fi, 1927) | |
| Stage (arr.) | King Christian II Suite (Kuningas Kristian II) Nocturne Elegie Musette Serenade Ballade | [1898], arr. 1898 | → Op. 27 | orch. | – (A. Paul) | |
| Stage (arr.) | The Maiden in the Tower Overture (Jungfrun i tornet) | [1896], arr. 1900 (score markings) | → JS 101 | orch. | – (R. Hertzberg) | |
| Stage (arr.) | Valse triste, from Death (Kuolema) | [1903], arr. 1904 | Op. 44/1 | orch. | – (A. Järnefelt) | |
| Stage (arr.) | Pelléas et Mélisande Suite (Pelléas och Mélisande) At the Castle Gate (Vid slottsporten) Mélisande (a) At the Seashore (På stranded vid havet) By a Spring in the Park (En källa i parken) The Three Blind Sisters (De trenne blinda systrar) Pastorale Mélisande at the Spinning Wheel (Mélisande vid sländan) Entr'acte (Mellanaktsmusik) The Death of Mélisande (Mélisandes död) | [1905], arr. 1905 | Op. 46 | orch. | – (M. Maeterlinck) | |
| Stage (arr.) | Scene with Cranes (Kurkikohtaus), from Death (Kuolema) | [1903], arr. 1906 | Op. 44/2 | orch. | – (A. Järnefelt) | |
| Stage (arr.) | Belshazzar's Feast Suite (Belsazars gästabud) Oriental Procession (Orientalisk marsch) Solitude Nocturne Khadra's Dance (Khadras dans) | [1906], arr. 1907 | Op. 51 | orch. | – (H. Procopé [fi]) | |
| Stage (arr.) | Swanwhite Suite (Svanevit) The Peacock (Påfågeln) The Harp (Harpan) The Maiden with the Roses (Tärnorna med rosor) Listen! The Robins sings (Hör rödhaken slå) The Prince Alone (Prinsen allena) Swanwhite and the Prince (Svanevit och prinsen) Song of Praise (Lovsång) | [1908], arr. 1908 | Op. 54 | orch. | – (A. Strindberg) | |
| Stage (arr.) | The Tempest Prelude (Stormen) | [1925], arr. 1927 | Op. 109/1 | orch. | – (W. Shakespeare) | |
| Stage (arr.) | The Tempest Suite No. 1 (Stormen) The Oak Tree (Der Eichbaum) Humoreske Caliban's Song (Calibans Lied) The Harvesters (Die Herbstmänner) Canon Scéne Intrada – Berceuse Entr'acte – Ariel's Song (Zwischenspiel – Ariels Lied) The Storm (Der Strum) | [1925], arr. 1927, rev. 1929 | Op. 109/2 | orch. | – (W. Shakespeare) | |
| Stage (arr.) | The Tempest Suite No. 2 (Stormen) Chorus of the Winds (Chor der Winde) Intermezzo Dance of the Nymphs (Tanz Der Nymphen) Prospero Song I (Lied I) Song II (Lied II) Miranda The Naiads (Die Najaden) Dance Episode (Tanz-Episode) | [1925], arr. 1927 | Op. 109/3 | orch. | – (W. Shakespeare) | |
| Oratorio | Marjatta | 1905 (abandoned) | – | soloists, chor., orch. (projected) | J. Finne [fi]; Kalevala, Runo L | |
| Cantata | Cantata for the University Graduation Ceremonies of 1894 (Kantaatti tohtorinja maisterinvihkijäisissä 1894) "When the world, when nature was created ..." ("Syntyi kun maailmat, luonto kun luotiin ...") "We burned the wilderness ..." ("Kaskeksi korvet ne raadettiin ...") Andantino | 1894 (partially survives) | JS 105 | S, B, chor., orch. | K. Leino [fi] | |
| Cantata | Cantata for the Coronation of Nicholas II (Kantaatti iloja onnentoivotusjuhlassa 1896) "Hail, young prince ..." ("Terve nuori ruhtinas ...") "In the sure security of justice ..." ("Oikeuden varmassa turvassa ...") | 1896 | JS 104 | chor., orch. | P. Cajander | |
| Cantata | Cantata for the University Graduation Ceremonies of 1897 (Kantaatti tohtorinja maisterinvihkijäisissä 1897) "We, the Youth of Finland" ("Me nuoriso Suomen") "A Boat Bobbing in the Water" ("Veno kupliksi vesille") "These Young Guardians of Light" ("Tää valon nuori vartiasto") "Sweet is the Knowledge that Bears Fruit" ("Soma on tieto siemeniksi") "Take Heed, Hard Work is Needed" ("Hei tointa tarmosaapa tarvitaan") "... to Become a Wreck" ("... hylyksi jouda") "O Hope, Hope, You Dreamer" ("Oi toivo, toivo, sä lietomieli") "Many on the Sea of Life" ("Montapa elon merellä") "... Now it is Summer in Finland" ("... Suvi nyt on Suomessa") We Praise Thee, our Creator ("Soi kiitokseksi Luojan") "Alone, Life is Cheerless" ("Yksin on elo iloton") "O Love, Your Realm is Limitless" ("Oi Lempi, sun valtas ääretön on") "As the Swift Current" ("Kuin virta vuolas") "Listen to the Spruce Tree" ("Sitä kuusta kuuleminen") | 1897 (partially survives) | JS 106 | S, B, chor., orch. | A.V. Koskimies | |
| Cantata | The Origin of Fire (Tulen synty) | 1902, rev. 1910 | Op. 32 | B, mchor., orch. | Kalevala, Runo XLVII | |
| Cantata | The Captive Queen (Vapautettu kuningatar) | 1906 (arr. c. 1910) | Op. 48 | chor. (or mchor.), orch. | P. Cajander | |
| Cantata | My Own Land (Oma maa) | 1918 | Op. 92 | chor., orch. | S.K. Bergh [fi] | |
| Cantata | Song of the Earth (Jordens sång) | 1919 | Op. 93 | chor., orch. | J. Hemmer | |
| Cantata | Hymn of the Earth (Maan virsi) | 1920 | Op. 95 | chor., orch. | E. Leino | |
| Cantata | Väinämöinen's Song (Väinön virsi) | 1926 | Op. 110 | chor., orch. | Kalevala, Runo XVIII | |
| Melodrama | The Wood Nymph (Skogsrået) | 1894–1895 | → Op. 15 | Nar., orch. + pf. | V. Rydberg | |
| Melodrama | The Breaking of the Ice on the Oulu River (Islossningen i Uleå älv) | 1899 | Op. 30 | Nar., mchor., orch. | Z. Topelius | |
| Melodrama | Snöfrid | 1900 | Op. 29 | Nar., chor., orch. | V. Rydberg | |
| Melodrama | The Countess's Portrait (Grevinnans konterfej) | 1906 | JS 88 | Nar., str. | Z. Topelius | |
| Melodrama | A Lonely Ski-Trail (Ett ensamt skidspår) | [1925], arr. 1948 | JS 77b | Nar., harp, str. | B. Gripenberg | |
| Orch. song | "Serenad" ("Serenade") | 1894–1895 | JS 168 | B, orch. | E.J. Stagnelius | |
| Orch. song | "Koskenlaskijan morsiamet" ("The Rapids-Rider's Brides") | 1897 | Op. 33 | B, orch. | A. Oksanen | |
| Orch. song | "Se'n har jag ej frågat mera" ("Since Then I Have Questioned No Further") | [1891–1892], arr. 1903 | → Op. 17/1 | voice, orch. | J.L. Runeberg | |
| Orch. song | "På verandan vid havet" ("On a Balcony by the Sea") | [1903], arr. 1903 | → Op. 38/2 | voice, orch. | V. Rydberg | |
| Orch. song | "I natten" ("In the Night") | [1903], arr. 1903 | → Op. 38/3 | voice, orch. | V. Rydberg | |
| Orch. song | "Höstkväll" ("Autumn Evening") | [1903], arr. 1904 | → Op. 38/1 | voice, orch. (or str.) | V. Rydberg | |
| Orch. song | "Arioso" | 1911 | → Op. 3 | S, str. | J.L. Runeberg | |
| Orch. song | "Hertig Magnus" ("Duke Magnus") | [1909], arr. 1912 | → Op. 57/6 | voice, orch. | E. Josephson | |
| Orch. song | "Der Rabe" ("The Raven") | 1910 (abandoned) | – | S, orch. (projected) | E. Poe – [Unknown], trans. (de) | |
| Orch. song | "Våren flyktar hastigt" ("Spring Is Flying") | [1891], arr. 1913 | → Op. 13/4 | voice, orch. | J.L. Runeberg | |
| Orch. song | "Soluppgång" ("Sunrise") | [1902], arr. 1913 | → Op. 37/3 | voice, orch. | T. Hedberg | |
| Orch. song | "Demanten på marssnön" ("The Diamond on the March Snow") | [1900], arr. 1917 | → Op. 36/6 | voice, orch. | J.J. Wecksell | |
| Orch. song | "Autrefois" | 1919, rev. 1920 | Op. 96b | S, S, orch. | H. Procopé [fi] | |
| Orch. song | "Kullervon valitus" ("Kullervo's Lament"), from Kullervo | [1892, arr. 1892–1893, 1917–1918], arr. 1957 | → Op. 7 | B, orch. | Kalevala, Runo XXXV | |
| Orch. song | "Kom nu hit, död" ("Come Away, Death") | [1909], arr. 1957 | → Op. 60/1 | B, str. + harp | W. Shakespeare – C.A. Hagberg, trans. (sv) | |
| Misc. (– voice) | Overture in E major | 1891 | JS 145 | orch. | – | |
| Misc. (– voice) | Ballet Scene (Scène de ballet) | 1891 | JS 163 | orch. | – | |
| Misc. (– voice) | Fencing Music (Fäktmusik) | 1891 (lost) | JS 80 | orch. (probable) | – | |
| Misc. (– voice) | Circus March (Zirkusmarsch) | 1891 (lost) | JS 223 | orch. (probable) | – | |
| Misc. (– voice) | Karelia Overture | [1893], arr. 1893 | Op. 10 | orch. | – | |
| Misc. (– voice) | Karelia Suite Intermezzo Ballade Alla marcia | [1893], arr. 1893 | Op. 11 | orch. | – | |
| Misc. (– voice) | Presto, from the String Quartet in B-flat major | [1890], arr. 1894 | → Op. 4/3 | str. | – | |
| Misc. (– voice) | Impromptu, from the Six Impromptus | [1893], arr. 1894 | → Op. 5/5–6 | str. | – | |
| Misc. (– voice) | Menuetto | 1894 | JS 127 | orch. | – | |
| Misc. (– voice) | Coronation March (Kröningsmarsch), from the Cantata for the Coronation of Nicholas II | [1896], arr. 1896 | → JS 104 | orch. | – | |
| Misc. (– voice) | Music for the Press Celebrations Days (Musiikkia Sanomalehdistön päivien juhlanäytäntöön) Preludio Tableau I: Väinämöinen Delights Nature, and the Peoples of Kalevala and Pohjola, with His Song (Väinämöinen ilahduttaa laulullaan luontoa, Kalevan ja Pohjolan kansaa) Tableau II: The Finns are Baptized (Suomen kansa tulee kristityksi) Tableau III: Scene from Duke Johan's Court (Juhana-herttuan hovista) Tableau IV: The Finns in the Thirty Years War (Suomalaiset 30-vuotisessa sodassa) Tableau V: The Great Hostility (Isonvihan aikana) Tableau VI: Finland Awakes (Suomi herää) | 1899 | JS 137 | orch. | – | |
| Misc. (– voice) | March of the Pori Regiment (Porilaisten marssi), arrangement [II] of the original | arr. 1900 | JS 152 | orch. | – | |
| Misc. (– voice) | Overture in A minor | 1902 | JS 144 | orch. | – | |
| Misc. (– voice) | Cassazione | 1904, rev. 1905 | Op. 6 | orch. | – | |
| Misc. (– voice) | Romance in C major | 1904 | Op. 42 | str. | – | |
| Misc. (– voice) | Musik zu einer Szene (Music to a Scene) | 1904 | Op. 45/2 | orch. | – | |
| Misc. (– voice) | Dance Intermezzo (Tanssi-Intermezzo) | [1904, rev./trans. 1904], arr. 1907 | Op. 45/2 | orch. | – | |
| Misc. (– voice) | Cortège | 1905 | JS 54 | orch. | – | |
| Misc. (– voice) | Pan and Echo (Pan och Echo) | 1906 | Op. 53 | orch. | – | |
| Misc. (– voice) | In memoriam | 1909, rev. 1910 | Op. 59 | orch. | – | |
| Misc. (– voice) | Rakastava (The Lover) The Lover (Rakastava) The Path of the Beloved (Rakastetun tie) Good Evening ... Farewell! (Hyvää iltaa ... Jää hyvästi) | [1894], arr. 1911, rev. 1912 | Op. 14 | str., perc. | – (Kanteletar) | |
| Misc. (– voice) | Scènes historiques I, from the Press Celebrations Music All'Overtura Scena Festivo | [1899], arr. 1911 | Op. 25 | orch. | – | |
| Misc. (– voice) | Scènes historiques II The Hunt (Metsästys) Love Song (Minnelaulu) At the Draw-Bridge (Nostosillalla) | 1912 | Op. 66 | orch. | – | |
| Misc. (– voice) | Valse lyrique | [1914, rev. 1919 & 1919], arr. 1920 | Op. 96a | orch. | – | |
| Misc. (– voice) | Academic March (Promootiomarssi) | 1919 | JS 155 | orch. | – | |
| Misc. (– voice) | Valse chevaleresque | 1921–1922, rev. 1922 | Op. 96c | orch. | – | |
| Misc. (– voice) | Suite mignonne Petite scène Polka Épilogue | 1921 | Op. 98a | str. + flutes | – | |
| Misc. (– voice) | Suite champêtre Pièce caractéristique Mélodie élégiaque Danse | 1922 | Op. 98b | str. | – | |
| Misc. (– voice) | Suite caractéristique Vivo Lento Comodo | 1922 | Op. 100 | str. + harp | – | |
| Misc. (– voice) | Morceau romantique | 1925 | JS 135a | orch. | – | |
| Misc. (– voice) | Andante festivo | [1922], arr. 1938 | JS 34b | str. + timpani | – | |
| Misc. (+ voice) | Lord, You are a Rock (Herr du bist ein Fels) | 1889–1890, rev. 1889–1890 | HUL 1260 | chor., orch. | [Unknown] | |
| Misc. (+ voice) | Lord, Show Us Your Mercy (Herr erzeige uns deine Gnade) | 1889–1890, rev. 1889–1890 | HUL 1263 | chor., orch. | [Unknown] | |
| Misc. (+ voice) | Karelia Overture Tableau I: A Karelian Home – News of War (1293) (Karjalainen koti – Sanoma sodasta) Tableau II: The Founding of Viipuri Castle (1293) (Viipurin linnan perustaminen) Tableau III: Narimont, the Duke of Lithuania, Levying Taxes in the Province of Käkisalmi (1333) (Liettuan herttua Narimont veronkannossa Käkisalmen läänissä) Intermezzo I Tableau IV: Karl Knutsson in Viipuri Castle – Ballade (1446) (Kaarle Knuutinpoika Viipurin linnassa – Balladi) Tableau V: Pontus De la Gardie at the Gates of Käkisalmi in 1580 (Pontus De la Gardie Käkisalmen edustalla 1580) Intermezzo II Tableau VI: The Siege of Viipuri (1710) (Viipurin piiritys) Tableau VII: The Reunion of Old Finland [Karelia] with the Rest of Finland (1811) (Vanhan Suomen [Karjalan] liittäminen jälleen Suomen ruhtinaskuntaan) Tableau VIII: Maamme (Our Land) [the Finnish national anthem] | 1893 (partially destroyed) | JS 115 | B, 2 male folk singers, orch. | Kalevala, Runo XIV; Svenska fornsånger, Vol. II | |
| Misc. (+ voice) | Rakastava (The Lover) "Rakastava" ("The Lover") "Rakastetun tie" ("The Path of the Beloved") "Hyvää iltaa ... Jää hyvästi" ("Good Evening ... Farewell!") | [1894], arr. 1894 | JS 160b | T, mchor., str. | Kanteletar, Book I:173–74, 122 | |
| Misc. (+ voice) | A Song for Lemminkäinen (Laulu Lemminkäiselle) | [1895–1896], arr. 1896 | Op. 31/1 | mchor., orch. | Y. Weilin [fi] | |
| Misc. (+ voice) | Sandels | 1898, rev. 1915 | Op. 28 | mchor., orch. | J.L. Runeberg | |
| Misc. (+ voice) | Song of the Athenians (Athenarnes sång) | 1899 | Op. 31/3 | mchor., bchor., orch. | V. Rydberg | |
| Misc. (+ voice) | Impromptu | 1902, rev. 1910 | Op. 19 | fchor., orch. | V. Rydberg | |
| Misc. (+ voice) | Have You Courage? (Har du mod?) | 1904, rev. 1911, 1912, & 1913–1914 | Op. 31/2 | mchor., orch. | J.J. Wecksell | |
| Misc. (+ voice) | Jäger March (Jääkärien marssi) | [1917], arr. 1918 | → Op. 91a | mchor., orch. | H. Nurmio | |
| Misc. (+ voice) | Scout March (Partiolaisten marssi) | [1918], arr. 1918 | → Op. 91b | chor., orch. | J. Finne [fi] | |
| Misc. (+ voice) | Processional, from the Masonic Ritual Music | [1927], arr. 1938 | → Op. 113/6 | chor., orch. | V. Rydberg – M. Kernochan, trans. (en) | |
| Misc. (+ voice) | "Koskenlaskijan morsiamet" ("The Rapids-Rider's Brides") | [1897], arr. 1943 | → Op. 33 | mchor., orch. | A. Oksanen | |
| Chamber works | Chamber works | Chamber works | Chamber works | Chamber works | (↑ to top) | (↑ to top) |
| Stage | Ljunga Wirginia Moderato quasi andantino – Cantabile – RecitativoPrestissimoLargoAndantinoAllegrettoAllegro – Più vivo quasi Presto – Allegro con fuoco – [Moderato] | 1885 (partially survives) | HUL 0542–46 | pf. (4-hands), vl., vc. | W. von Konow | |
| Stage | Scherzo in E minor | 1887 (partially survives) | JS 165 | pf. (4-hands), vl., vc. | W. von Konow | |
| Stage | The Lizard (Ödlan) Adagio – Più adagioGrave – Adagio | 1909 | Op. 8 | vl. solo, 2 vl., va., vc., db. | – (M. Lybeck) | |
| Melodrama | The Watersprite (Näcken) in A-flat major | 1888 | JS 138 | Nar., S, pf., vl., vc. | G. Wennerberg | |
| Melodrama | Nights of Jealousy (Svartsjukans nätter) | 1893 | JS 125 | Nar., S (voc.), pf., vl., vc. | J.L. Runeberg | |
| Brass septet | Overture in F minor | 1889 | JS 146 | torviseitsikko [fi] | – | |
| Brass septet | Allegro in G minor | 1889 | JS 25 | torviseitsikko [fi], perc. | – | |
| Brass septet | Andantino | 1890 | JS 45 | torviseitsikko [fi] | – | |
| Brass septet | Menuetto | 1890 | JS 45 | torviseitsikko [fi] | – | |
| Brass septet | Preludium (Förspel) | 1891 | JS 83 | torviseitsikko [fi], perc. | – | |
| Brass septet | Tiera | 1899 | JS 200 | torviseitsikko [fi], perc. | – (Kalevala) | |
| Brass septet | Song of the Athenians (Athenarnes sång) | 1899 | → Op. 31/3 | mchor., bchor., torviseitsikko [fi], perc. | V. Rydberg | |
| Quintet | Andante – Allegro | 1888–1889 | JS 31 | pf., 2 vl., va., vc. | – | |
| Quintet | [Vivace] | 1890 | HUL 0517 | pf., 2 vl., va., vc. | – | |
| Quintet | Piano Quintet in G minor Grave – AllegroIntermezzo. ModeratoAndanteScherzo. VivacissimoModerato – Vivace | 1890 | JS 159 | pf., 2 vl., va., vc. | – | |
| Quartet | Piano Quartet in D minor Andante molto – Allegro moderatoAdagioMenuettoGrave – Rondo. Vivacissimo | 1884 | JS 157 | pf., vl., va., vc. | – | |
| Quartet | Molto moderato – Scherzo | 1885 | JS 134 | 2 vl., va., vc. | – | |
| Quartet | String Quartet in E-flat major AllegroAndante moltoScherzo. AllegrettoVivace | 1885 | JS 184 | 2 vl., va., vc. | – | |
| Quartet | Harmonium Quartet in G minor | 1887 | JS 158 | harmonium, pf., vl., vc. | – | |
| Quartet | [Four Themes] | 1887 | HUL 0796/2 | 2 vl., va., vc. | – | |
| Quartet | Alla marcia in E minor | 1888 | JS 16 | 2 vl., va., vc. | – | |
| Quartet | Presto in F major | 1888 | JS 154 | 2 vl., va., vc. | – | |
| Quartet | Theme and Variations in G minor | 1888 | JS 197 | 2 vl., va., vc. | – | |
| Quartet | Allegretto in D major | 1888 | JS 20 | 2 vl., va., vc. | – | |
| Quartet | Andantino in C major | 1888 | JS 39 | 2 vl., va., vc. | – | |
| Quartet | Theme and Variations in C-sharp minor | 1888 (partially survives) | JS 195 | 2 vl., va., vc. | – | |
| Quartet | [Thirty-three Small Pieces] | 1888–1889 | HUL 0618 | 2 vl., va., vc. | – | |
| Quartet | Moderato – Allegro appassionato in C-sharp minor | 1888–1889 | JS 131 | 2 vl., va., vc. | – | |
| Quartet | Andante molto sostenuto in B minor | 1888–1889 | JS 37 (fragment) | 2 vl., va., vc. | – | |
| Quartet | Andante – Allegro molto in D major | 1888–1889 | JS 32 | 2 vl., va., vc. | – | |
| Quartet | [Allegro] in G minor | 1888–1889 | HUL 0620 | 2 vl., va., vc. | – | |
| Quartet | Allegro in E minor | 1888–1889 | JS 28 | 2 vl., va., vc. | – | |
| Quartet | Adagio in F minor | 1888–1889 | JS 14 | 2 vl., va., vc. | – | |
| Quartet | Allegretto in A major | 1888–1889 | JS 17 | 2 vl., va., vc. | – | |
| Quartet | Più lento in F major | 1888–1889 | JS 149 | 2 vl., va., vc. | – | |
| Quartet | Fugue for Martin W. (Fuga för Martin W.) | 1889 | JS 85 | 2 vl., va., vc. | – | |
| Quartet | String Quartet in A minor Andante – AllegroAdagio ma non tantoVivaceAllegro | 1889 | JS 183 | 2 vl., va., vc. | – | |
| Quartet | Allegretto in B-flat major | 1889 | HUL 0621 | 2 vl., va., vc. | – | |
| Quartet | String Quartet in B-flat major AllegroAndante sostenutoPrestoAllegro | 1889–1890 | Op. 4 | 2 vl., va., vc. | – | |
| Quartet | Adagio in D minor | 1890 | JS 12 | 2 vl., va., vc. | – | |
| Quartet | Piano Quartet in C minor | 1891 (partially survives) | JS 156 | pf., vl., va., vc. | – | |
| Quartet | String Quartet, Voces intimae, in D minor Andante – Allegro molto moderatoVivaceAdagio di moltoAllegretto (ma pesante)Allegro | 1908–1909 | Op. 56 | 2 vl., va., vc. | – | |
| Quartet | Andante festivo | 1922 | JS 34a | 2 vl., va., vc. | – | |
| Trio | [Menuetto] in D minor | c. 1882–1885 | HUL 0538 | pf., vl., vc. | – | |
| Trio | Trio in 'G major' Andante – AllegroAdagioVivace | 1883 | JS 205 | pf., 2 vl. | – | |
| Trio | Menuetto in F major | 1883 | JS 126 | pf., 2 vl. | – | |
| Trio | [Andante] – Adagio – Allegro maestoso | c. 1883–1885 | HUL 0539 | pf., vl., vc. | – | |
| Trio | Piano Trio in A minor Allegro con brioAndanteMenuetto | 1884 | JS 206 | pf., vl., vc. | – | |
| Trio | Allegro in D major | 1886 | JS 27 | pf., vl., vc. | – | |
| Trio | Piano Trio, Hafträsk, in A minor Allegro maestosoAndantinoScherzo. VivaceRondo | 1886 | JS 207 | pf., vl., vc. | – | |
| Trio | Serenata in D minor | 1887 | JS 169 | 2 vl., vc. | – | |
| Trio | Minuet and Allegro | 1887 | JS 128 | 2 vl., vc. | – | |
| Trio | Piano Trio, Korpo, in D major Allegro moderatoFantasia. Andante – Andantino – Finale. Vivace | 1887 | JS 209 | pf., vl., vc. | – | |
| Trio | Andantino in G minor | 1887 | JS 43 | pf., vl., vc. | – | |
| Trio | [Allegretto] in A-flat major | c. 1887–1888 | HUL 0547 | pf., vl., vc. | – | |
| Trio | Piano Trio, Lovisa, in C major AllegroAndanteLento – Allegro con brio | 1888 | JS 208 | pf., vl., vc. | – | |
| Trio | Suite in A major Prélude. VivaceAndante con motoMenuettoAir. Andante sostenutoGigue. Allegretto | 1889 (partially survives) | JS 186 | pf., vl., vc. | – | |
| Trio | Andantino in A major | 1889 | JS 38 | pf., vl., vc. | – | |
| Trio | La pompeuse Marche d'Asis | 1891 (other arrangements lost) | JS 116 | pf., vl., vc. | – | |
| Duo | Water Droplets (Vattendroppar) | c. 1875–1881 | JS 216 | vl., vc. (pizz.) | – | |
| Duo | Castles in the Air (Luftslott) | c. 1881 | JS 65 | 2 vl. | – | |
| Duo | Violin Sonata in A minor Un poco lento – Più mosso quasi prestoAndantinoTempo di menuettoRondo. Presto | 1884 | JS 177 | vl., pf. | – | |
| Duo | Andantino in C major | 1884 | JS 40 | vc., pf. | – | |
| Duo | Andante grazioso in D major | 1884–1885 | JS 35 | vl., pf. | – | |
| Duo | [Moderato] – Presto – Tempo I in A minor | 1886 | JS 7 | vl., pf. | – | |
| Duo | [Andantino] in A minor | 1886–1887 | JS 8 | vl., pf. | – | |
| Duo | [Tempo di valse] in B minor | 1886–1887 | JS 89 (fragment) | vl., pf. | – | |
| Duo | [Mazurka] in A major | 1886–1887 | JS 4 | vl., pf. | – | |
| Duo | [Andante molto] in C major | 1886–1887 | JS 49 | vl., pf. | – | |
| Duo | [Aubade] in A major | 1886–1887 | JS 3 | vl., pf. | – | |
| Duo | [Menuetto] in E minor | 1886–1887 | JS 67 | vl., pf. | – | |
| Duo | [Scherzino] in F major | 1886–1887 | JS 78 | vl., pf. | – | |
| Duo | [Allegretto] in G major | 1886–1887, rev. 1886–1887 | JS 86 | vl., pf. | – | |
| Duo | [Duo] in E minor | 1887 | JS 68 | vl., vc. | – | |
| Duo | Andante cantabile in E-flat major | 1887 | JS 30b | harmonium, pf. | – | |
| Duo | Andante cantabile in G major | 1887 | JS 33 | vl., pf. | – | |
| Duo | Andante molto in F minor | 1887 | JS 36 | vc., pf. | – | |
| Duo | Tempo di valse in G minor | 1887 (partially survives) | JS 193 | vc., pf. | – | |
| Duo | [Sonata Allegro Exposition] in B minor | 1887 | JS 90 | vl., pf. | – | |
| Duo | Suite in D minor Un poco adagio – AndanteVivaceAndantinoVivacissimoModeratoQuasi presto | 1887–1888 | JS 187 | vl., pf. | – | |
| Duo | [Lento] in E-flat minor | 1887–1888 | JS 76 | vl. (or vc.), pf. | – | |
| Duo | Moderato – Maestoso in E-flat major | 1887–1888 | JS 132 | vl., pf. | – | |
| Duo | Allegretto in C major | 1888 | JS 19 | vl., pf. | – | |
| Duo | Allegretto in E-flat major | 1888 | JS 22 | vl., pf. | – | |
| Duo | Suite in E major Allegro molto moderato – Quasi adagioAllegro moltoPiù lento quasi andantinoAllegro brillante | 1888 | JS 188 | vl., pf. | – | |
| Duo | [Andante] in B minor | 1888 | JS 91 (fragment) | vc., pf. | – | |
| Duo | [Andantino] in B minor | 1888–1889 | JS 92 (fragment) | vc., pf. | – | |
| Duo | Allegro [Sonata Exposition] in A minor | 1888–1889 | JS 26 | vl., pf. | – | |
| Duo | Canon in G minor | 1889 | JS 50 | vl., vc. | – | |
| Duo | Violin Sonata in F major [Allegro]AndanteVivace | 1889 | JS 178 | vl., pf. | – | |
| Duo | Adagio in F-sharp minor | 1889 | JS 15 | vc., pf. | – | |
| Duo | Tempo di valse (Lulu Waltz) in F-sharp minor | 1889 | JS 194 | vc., pf. | – | |
| Duo | Fantasy ModeratoTempo di valse moderatoAlla polaccaAlla marcia – Leggiero | 1889 (partially survives) | JS 79 | vc., pf. | – | |
| Duo | Romance in B minor | 1890, rev. 1911 | Op. 2/1 | vl., pf. | – | |
| Duo | Epilog (Epilogue) | 1891, rev. 1911 | Op. 2/2 | vl., pf. | – | |
| Duo | Duo in C major | 1891–1892 | JS 66 | vl., va. | – | |
| Duo | Rondo in D minor | 1893 | JS 162 | va., pf. | – | |
| Duo | Lullaby (Kehtolaulu) | 1899 | JS 222 | kantele, vl. | – | |
| Duo | Malinconia (Melancholy) | 1900 | Op. 20 | vc., pf. | – | |
| Duo | Violin Sonatina in E major Lento – AllegroAndantinoLento – Allegretto | 1915 | Op. 80 | vl., pf. | – | |
| Duo | Mazurka in D minor | 1915 | Op. 81/1 | vl., pf. | – | |
| Duo | Souvenir in D major | 1915 | Op. 79/1 | vl., pf. | – | |
| Duo | Tempo di Minuetto | 1915 | Op. 79/2 | vl., pf. | – | |
| Duo | Impromptu in A minor | 1915 | Op. 78/1 | vl. (or vc.), pf. | – | |
| Duo | Rigaudon in D major | 1915 | Op. 78/4 | vl. (or vc.), pf. | – | |
| Duo | Romance in F major | 1915, rev. 1915 | Op. 78/2 | vl. (or vc.), pf. | – | |
| Duo | Danse caractéristique | 1916 | Op. 79/3 | vl., pf. | – | |
| Duo | Sérénade in D major | 1916 | Op. 79/4 | vl., pf. | – | |
| Duo | Dance Idyll (Tanz-Idylle) in E minor | 1917 | Op. 79/5 | vl., pf. | – | |
| Duo | Berceuse in C-sharp minor | 1917 | Op. 79/6 | vl., pf. | – | |
| Duo | Religioso in G minor | 1917 | Op. 78/3 | vl. (or vc.), pf. | – | |
| Duo | Rondino in D major | 1917 | Op. 81/2 | vl., pf. | – | |
| Duo | Valse in D major | 1917 | Op. 81/3 | vl., pf. | – | |
| Duo | Aubade in D major | 1918 | Op. 81/4 | vl., pf. | – | |
| Duo | Menuetto in D minor | 1918 | Op. 81/5 | vl., pf. | – | |
| Duo | Novellette | 1922 | Op. 102 | vl., pf. | – | |
| Duo | Danse champêtre No. 1 | 1924 | Op. 106/1 | vl., pf. | – | |
| Duo | Danse champêtre No. 2 | 1924 | Op. 106/2 | vl., pf. | – | |
| Duo | Danse champêtre No. 3 | 1925 | Op. 106/3 | vl., pf. | – | |
| Duo | Danse champêtre No. 4 | 1925 | Op. 106/4 | vl., pf. | – | |
| Duo | Danse champêtre No. 5 | 1925 | Op. 106/5 | vl., pf. | – | |
| Duo | On the Heath (Auf der Heide) | 1929 | Op. 115/1 | vl., pf. | – | |
| Duo | Ballad (Ballade) | 1929 | Op. 115/2 | vl., pf. | – | |
| Duo | Humoresque | 1929 | Op. 115/3 | vl., pf. | – | |
| Duo | The Bells (Die Glocken) | 1929 | Op. 115/4 | vl., pf. | – | |
| Duo | Scène de danse | 1929 | Op. 116/1 | vl., pf. | – | |
| Duo | Danse caractéristique | 1929 | Op. 116/2 | vl., pf. | – | |
| Duo | Rondeau romantique | 1929 | Op. 116/3 | vl., pf. | – | |
| Duo | To My Beloved Aino (Rakkaalle Ainolle) | 1931 | JS 161 | pf. (4-hands) | – | |
| Duo (trans.) | Violin Concerto in D minor Allegro moderatoAdagio di moltoAllegro (ma non tanto) | [1903–1904, rev. 1905], trans. 1905 | Op. 47 | vl., pf. | – | |
| Duo (trans.) | Serious Melody No. 1: Cantique | [1914 (arr. 1916)], trans. 1915 (1916) | Op. 77/1 | vl. (or vc.), pf. | – | |
| Duo (trans.) | Serious Melody No. 2: Devotion | [1915 (arr. 1916)], trans. 1915 (1916) | Op. 77/2 | vl. (or vc.), pf. | – | |
| Duo (trans.) | Scène d'amour (Love Scene), from Scaramouche | [1913], trans. 1925 | Op. 71 | vl., pf. | – | |
| Works for solo instrument | Works for solo instrument | Works for solo instrument | Works for solo instrument | Works for solo instrument | (↑ to top) | (↑ to top) |
| Carillon | The Bells of Kallio Church (Kallion kirkon kellosävel) | 1912 | JS 102 | carillon | – | |
| Cello | [Theme and Variations] in D minor | 1887 | JS 196 | cello | – | |
| Cello | Moderato in F major | 1885–1889 | HUL 1351 | cello | – | |
| Cello | [Mazurka] in G minor | 1887–1889 | – | cello | – | |
| Kantele | Moderato | 1896–1898 | JS 130 | kantele | – | |
| Kantele | Dolicissimo | 1896–1898 | JS 63 | kantele | – | |
| Organ | Intrada | 1925 | Op. 111a | organ | – | |
| Organ | Preludium | 1926 | JS 153/1 | organ | – | |
| Organ | Postludium | 1926 | JS 153/2 | organ | – | |
| Organ | Mournful Music (Surusoitto) | 1931 | Op. 111b | organ | – | |
| Organ | Theme for Improvisation | 1933 | – | organ | – | |
| Violin | [Étude] in D major | 1886 | JS 55 | violin | – | |
| Violin | [Allegretto] in A major | 1891–1894 | HUL 1088/2 | violin | – | |
| Violin | A Happy Musician (En glad musikant) | 1924–1926 | JS 70 | violin | T. Rangström | |
| Melodrama | To Longing (Trånaden) Two Laws Govern Human Life ... (Tvenne lagar styta menniskolifvet ...) Do You See the Sea? (Ser du hafvet?) Do You Hear the Wind? (Hör du vinden?) What is the Spring? (Hvad är vären?) Mankind, Do You Wish to Learn ... (Menska, vill du lifvets vishet lära ...) | 1887 | JS 203 | Nar., piano | E.J. Stagnelius | |
| Melodrama | Oh, If You Had Seen (O, om du sett) | 1888 | JS 141 | Nar., piano | E. Hackzell | |
| Melodrama | A Lonely Ski-Trail (Ett ensamt skidspår) | 1925 | JS 77a | Nar., piano | B. Gripenberg | |
| Piano (orig.) | Con moto, sempre una corda in D-flat major | 1885 | JS 52 | piano | – | |
| Piano (orig.) | [Andante] in E-flat major | 1885 | JS 74 | piano | – | |
| Piano (orig.) | [Menuetto] in A minor | 1885 | JS 5 | piano | – | |
| Piano (orig.) | [Tempo di valse] in A major | 1885 | JS 2 | piano | – | |
| Piano (orig.) | Scherzo in E major with Trio in E minor (or with [Trio] in A major) | 1885, arr. 1886 | JS 134a(b) | piano | – | |
| Piano (orig.) | Andante in E-flat major | 1887 | JS 30a | piano | – | |
| Piano (orig.) | [Aubade] in A-flat major | 1887 | JS 46 | piano | – | |
| Piano (orig.) | Au crépuscule in F-sharp minor | 1887 | JS 47 | piano | – | |
| Piano (orig.) | Andantino in B major | 1888 | JS 44 | piano | – | |
| Piano (orig.) | Allegretto in B-flat minor | 1888 | JS 18 | piano | – | |
| Piano (orig.) | Allegro in F minor | 1888 | HUL 0768/3 | piano | – | |
| Piano (orig.) | [Five Short Pieces] * Tempo di menuetto in F-sharp minor * Allegro in E major * [Moderato] in F minor * Vivace in E-flat major * Andantino in C major | 1888 | HUL 0797 | piano | – | |
| Piano (orig.) | Più lento – Tempo di valse in E-flat major | 1888 | JS 150 | piano | – | |
| Piano (orig.) | Allegretto in G minor | 1888 | JS 24 | piano | – | |
| Piano (orig.) | Moderato – Presto in D minor | 1888 | JS 133 | piano | – | |
| Piano (orig.) | Largo in A major | 1888 | JS 117 | piano | – | |
| Piano (orig.) | Adagio in D major | 1888 | JS 11 | piano | – | |
| Piano (orig.) | Vivace in D minor | 1888 | JS 221 | piano | – | |
| Piano (orig.) | Andantino in E major | 1888 | JS 41 | piano | – | |
| Piano (orig.) | [Presto] in A minor | 1888 | JS 6 | piano | – | |
| Piano (orig.) | [Polka] in E-flat major | 1888–1889 | JS 75 | piano | – | |
| Piano (orig.) | Florestan ModeratoMolto moderatoAndanteTempo I | 1889 | JS 82 | piano | – | |
| Piano (orig.) | Allegretto in E major | 1889 | JS 21 | piano | – | |
| Piano (orig.) | Valse in A-flat major, À Betzy Lerche | 1889 | JS 1 | piano | – | |
| Piano (orig.) | [Sonata Allegro Exposition] in D minor | 1889 | JS 179a | piano | – | |
| Piano (orig.) | [Sonata Allegro Exposition] in F minor | 1889 | JS 179b | piano | – | |
| Piano (orig.) | [Sonata Allegro Exposition] in C major | 1889 | JS 179c | piano | – | |
| Piano (orig.) | [Sonata Allegro] in E major | 1889 | JS 179d | piano | – | |
| Piano (orig.) | [Sonata Allegro Exposition] in C minor | 1889 | JS 179e | piano | – | |
| Piano (orig.) | Scherzo in F-sharp minor | 1891 | JS 164 | piano | – | |
| Piano (orig.) | Theme and Variations in C minor | 1891 (lost) | JS 198 | piano | – | |
| Piano (orig.) | Impromptu No. 1 in G minor | 1893 | Op. 5/1 | piano | – | |
| Piano (orig.) | Impromptu No. 2 in G minor | 1893 | Op. 5/2 | piano | – | |
| Piano (orig.) | Impromptu No. 3 in A minor | 1893 | Op. 5/3 | piano | – | |
| Piano (orig.) | Impromptu No. 4 in E minor | 1893 | Op. 5/4 | piano | – | |
| Piano (orig.) | Impromptu No. 5 in B minor | 1893 | Op. 5/5 | piano | – | |
| Piano (orig.) | Impromptu No. 6 in E major | 1893 | Op. 5/6 | piano | – | |
| Piano (orig.) | Piano Sonata in F major Allegro moltoAndantinoVivacissimo | 1893 | Op. 12 | piano | – | |
| Piano (orig.) | Impromptu in G minor | 1895 | Op. 24/1 | piano | – | |
| Piano (orig.) | Romance in A major | 1895 | Op. 24/2 | piano | – | |
| Piano (orig.) | Allegretto in F major | 1895–1896 | JS 23 | piano | – | |
| Piano (orig.) | Lento in E major | 1896–1897 | JS 119 | piano | – | |
| Piano (orig.) | Allegretto in G minor | 1897 | JS 225 | piano | – | |
| Piano (orig.) | Romance in D minor | 1896–1898 | Op. 24/4 | piano | – | |
| Piano (orig.) | Idyll in F major | 1897–1898, rev. 1904 | Op. 24/6 | piano | – | |
| Piano (orig.) | Caprice in E minor | 1898 | Op. 24/3 | piano | – | |
| Piano (orig.) | Waltz in E major | 1898 | Op. 24/5 | piano | – | |
| Piano (orig.) | Andantino in F major | 1899, rev. 1899 | Op. 24/7 | piano | – | |
| Piano (orig.) | Marche triste | 1899 | JS 124 | piano | – | |
| Piano (orig.) | Pianokompositioner för barn (Piano Works for Children), 21 sketches | 1899 | JS 148 | piano | – | |
| Piano (orig.) | Kavaljeren (The Cavalier) | 1900 | JS 109 | piano | – | |
| Piano (orig.) | Nocturno | 1900 | Op. 24/8 | piano | – | |
| Piano (orig.) | Romance in D-flat major | 1901 | Op. 24/9 | piano | – | |
| Piano (orig.) | My Beloved Is Beautiful, Her Mouth Like a Corn-cockle (Minun kultani kaunis on, sen suu kuin auran kukka) | 1902–1903 | JS 81/1 | piano | – | |
| Piano (orig.) | I Love You with All My Heart (Sydämestäni rakastan) | 1902–1903 | JS 81/2 | piano | – | |
| Piano (orig.) | Evening Is Coming (Ilta tulee, ehtoo joutuu) | 1902–1903 | JS 81/3 | piano | – | |
| Piano (orig.) | That Beautiful Girl (Tuopa tyttö, kaunis tyttö) | 1902–1903 | JS 81/4 | piano | – | |
| Piano (orig.) | The Fratricide (Velisuurmaaja) | 1902–1903 | JS 81/5 | piano | – | |
| Piano (orig.) | Wedding Memory (Häämuistelma) | 1902–1903 | JS 81/6 | piano | – | |
| Piano (orig.) | Barcarole in G minor | 1903 | Op. 24/10 | piano | – | |
| Piano (orig.) | Kyllikki Largamente – AllegroAndantinoComodo | 1904 | Op. 41 | piano | – (Kalevala) | |
| Piano (orig.) | Adagio in E major | 1907 | JS 13 | piano | – | |
| Piano (orig.) | Rêverie | 1909 | Op. 58/1 | piano | – | |
| Piano (orig.) | Scherzino | 1909 | Op. 58/2 | piano | – | |
| Piano (orig.) | Air varié | 1909 | Op. 58/3 | piano | – | |
| Piano (orig.) | The Shepherd (Der Hirt) | 1909 | Op. 58/4 | piano | – | |
| Piano (orig.) | The Evening (Des Abends) | 1909 | Op. 58/5 | piano | – | |
| Piano (orig.) | Dialogue | 1909 | Op. 58/6 | piano | – | |
| Piano (orig.) | Tempo di minuetto | 1909 | Op. 58/7 | piano | – | |
| Piano (orig.) | Fisher Songs (Fischerlied) | 1909 | Op. 58/8 | piano | – | |
| Piano (orig.) | Serenade (Ständchen) | 1909 | Op. 58/9 | piano | – | |
| Piano (orig.) | Summer Song (Sommerlied) | 1909 | Op. 58/10 | piano | – | |
| Piano (orig.) | Étude in A minor | 1911 | Op. 76/2 | piano | – | |
| Piano (orig.) | Piano Sonatina No. 1 in F-sharp minor AllegroLargoAllegro moderato | 1912 | Op. 67/1 | piano | – | |
| Piano (orig.) | Piano Sonatina No. 2 in E major AllegroAndantinoAllegro | 1912 | Op. 67/2 | piano | – | |
| Piano (orig.) | Piano Sonatina No. 3 in B-flat major Andante – Allegro moderatoAndante – Allegretto | 1912 | Op. 67/3 | piano | – | |
| Piano (orig.) | Rondino No. 1 in G-sharp minor | 1912 | Op. 68/1 | piano | – | |
| Piano (orig.) | Rondino No. 2 in C-sharp minor | 1912 | Op. 68/2 | piano | – | |
| Piano (orig.) | Valsette in E minor | 1912 | Op. 40/1 | piano | – | |
| Piano (orig.) | Chant sans paroles in E minor | 1913 | Op. 40/2 | piano | – | |
| Piano (orig.) | Humoresque in C major | 1913 | Op. 40/3 | piano | – | |
| Piano (orig.) | Berceuse in D major | 1913 | Op. 40/5 | piano | – | |
| Piano (orig.) | Rêverie in E minor | 1913 | Op. 34/6 | piano | – | |
| Piano (orig.) | Menuetto in C major | 1913 | Op. 40/4 | piano | – | |
| Piano (orig.) | Spagnuolo | 1913 | JS 181 | piano | – | |
| Piano (orig.) | To Longing (Till trånaden) | 1913 | JS 202 | piano | – | |
| Piano (orig.) | Pensée mélodique in C major | 1914 | Op. 40/6 | piano | – | |
| Piano (orig.) | Rondoletto in A-flat major | 1914 | Op. 40/7 | piano | – | |
| Piano (orig.) | Valse in D-flat major | 1914 | Op. 34/1 | piano | – | |
| Piano (orig.) | Air de danse in E major | 1914 | Op. 34/2 | piano | – | |
| Piano (orig.) | Mazurka in A major | 1914 | Op. 34/3 | piano | – | |
| Piano (orig.) | Boutade in A-flat major | 1914 | Op. 34/5 | piano | – | |
| Piano (orig.) | Eclogue (Ekloge) | 1914 | Op. 74/1 | piano | – | |
| Piano (orig.) | Soft West Wind (Sanfter Westwind) | 1914 | Op. 74/2 | piano | – | |
| Piano (orig.) | At the Dance (Auf dem Tanzvergnügen) | 1914 | Op. 74/3 | piano | – | |
| Piano (orig.) | In the Old House (Im alten Heim) | 1914 | Op. 74/4 | piano | – | |
| Piano (orig.) | When the Rowan Blossoms (När rönnan blommar) | 1914 | Op. 75/1 | piano | – | |
| Piano (orig.) | The Solitary Fir Tree (Den ensamma furan) | 1914 | Op. 75/2 | piano | – | |
| Piano (orig.) | The Aspen (Aspen) | 1914 | Op. 75/3 | piano | – | |
| Piano (orig.) | The Birch (Björken) | 1914 | Op. 75/4 | piano | – | |
| Piano (orig.) | Carillon | 1914 | Op. 76/3 | piano | – | |
| Piano (orig.) | Romanzetta | 1914 | Op. 76/6 | piano | – | |
| Piano (orig.) | Arabesque in D-flat major | 1914 | Op. 76/9 | piano | – | |
| Piano (orig.) | Capriccietto | 1914 | Op. 76/12 | piano | – | |
| Piano (orig.) | Nouvellette in F major | 1914 | Op. 94/2 | piano | – | |
| Piano (orig.) | Couplet in D major | 1914, rev. 1914 | Op. 34/4 | piano | – | |
| Piano (orig.) | The Spruce (Granen) | 1914, rev. 1919 | Op. 75/5 | piano | – | |
| Piano (orig.) | The Lilac (Syringa) | 1914 (withdrawn 1919, rev. as Op. 96/1) | Op. 75/6 | piano | – | |
| Piano (orig.) | Scherzando in A-flat major | 1915 | Op. 40/8 | piano | – | |
| Piano (orig.) | Petite sérénade in B-flat major | 1915 | Op. 40/9 | piano | – | |
| Piano (orig.) | Polonaise in C major | 1916 | Op. 40/10 | piano | – | |
| Piano (orig.) | Danse pastorale in A major | 1916 | Op. 34/7 | piano | – | |
| Piano (orig.) | Joueur de harpe in B-flat minor | 1916 | Op. 34/8 | piano | – | |
| Piano (orig.) | Reconnaissance in D major | 1916 | Op. 34/9 | piano | – | |
| Piano (orig.) | Souvenir in A minor | 1916 | Op. 34/10 | piano | – | |
| Piano (orig.) | Humoresque in C-sharp minor | 1916 | Op. 76/4 | piano | – | |
| Piano (orig.) | Pièce enfantine | 1916 | Op. 76/8 | piano | – | |
| Piano (orig.) | Elegiaco in C-sharp minor | 1916 | Op. 76/10 | piano | – | |
| Piano (orig.) | Harlequinade | 1916 | Op. 76/13 | piano | – | |
| Piano (orig.) | The Carnation (Oeillet) | 1916 | Op. 85/2 | piano | – | |
| Piano (orig.) | The Iris (Iris) | 1916 | Op. 85/3 | piano | – | |
| Piano (orig.) | Esquisse | 1917 | Op. 76/1 | piano | – | |
| Piano (orig.) | Affettuoso | 1917 | Op. 76/7 | piano | – | |
| Piano (orig.) | Bluebells (Bellis) | 1917 | Op. 85/1 | piano | – | |
| Piano (orig.) | The Columbine (Aquileja) | 1917 | Op. 85/4 | piano | – | |
| Piano (orig.) | The Campanula (Campanula) | 1917 | Op. 85/5 | piano | – | |
| Piano (orig.) | Mandolinato | 1917 | JS 123 | piano | – | |
| Piano (orig.) | Scout March (Partiolaisten marssi) | 1918 | Op. 91b | piano | J. Finne [fi] | |
| Piano (orig.) | Linnæa (The Twinflower of the North) | 1918 | Op. 76/11 | piano | – | |
| Piano (orig.) | Consolation in C-sharp minor | 1919 | Op. 76/5 | piano | – | |
| Piano (orig.) | Danse in C major | 1919 | Op. 94/1 | piano | – | |
| Piano (orig.) | Sonnet in B-flat major | 1919 | Op. 94/3 | piano | – | |
| Piano (orig.) | Shepherd and Shepherdess (Berger et bergerette) | 1919 | Op. 94/4 | piano | – | |
| Piano (orig.) | Mélodie in B major | 1919 | Op. 94/5 | piano | – | |
| Piano (orig.) | Gavotte in C major | 1919 | Op. 94/6 | piano | – | |
| Piano (orig.) | Con passione | 1919 | JS 53 | piano | – | |
| Piano (orig.) | Andantino 'To O. Parvianen' ('Till O. Parvianen') | 1919 | JS 201 | piano | – | |
| Piano (orig.) | Humoresque I (Humoreske I) | 1920 | Op. 97/1 | piano | – | |
| Piano (orig.) | Song (Lied) | 1920 | Op. 97/2 | piano | – | |
| Piano (orig.) | Little Waltz (Kleiner Waltzer) | 1920 | Op. 97/3 | piano | – | |
| Piano (orig.) | Humorous March (Humoristischer Marsch) | 1920 | Op. 97/4 | piano | – | |
| Piano (orig.) | Impromptu | 1920 | Op. 97/5 | piano | – | |
| Piano (orig.) | Humoresque II (Humoreske II) | 1920 | Op. 97/6 | piano | – | |
| Piano (orig.) | Pièce humoristique | 1922 | Op. 99/1 | piano | – | |
| Piano (orig.) | Esquisse | 1922 | Op. 99/2 | piano | – | |
| Piano (orig.) | Souvenir | 1922 | Op. 99/3 | piano | – | |
| Piano (orig.) | Impromptu | 1922 | Op. 99/4 | piano | – | |
| Piano (orig.) | Couplet | 1922 | Op. 99/5 | piano | – | |
| Piano (orig.) | Animoso | 1922 | Op. 99/6 | piano | – | |
| Piano (orig.) | Moment de valse | 1922 | Op. 99/7 | piano | – | |
| Piano (orig.) | Petite Marche | 1922 | Op. 99/8 | piano | – | |
| Piano (orig.) | Romance | 1924 | Op. 101/1 | piano | – | |
| Piano (orig.) | Chant du soir | 1924 | Op. 101/2 | piano | – | |
| Piano (orig.) | Scène lyrique | 1924 | Op. 101/3 | piano | – | |
| Piano (orig.) | Humoresque | 1924 | Op. 101/4 | piano | – | |
| Piano (orig.) | Scène romantique | 1924 | Op. 101/5 | piano | – | |
| Piano (orig.) | The Village Church | 1924 | Op. 103/1 | piano | – | |
| Piano (orig.) | The Fiddler | 1924 | Op. 103/2 | piano | – | |
| Piano (orig.) | The Oarsman | 1924 | Op. 103/3 | piano | – | |
| Piano (orig.) | The Storm | 1924 | Op. 103/4 | piano | – | |
| Piano (orig.) | In Mournful Mood | 1924 | Op. 103/5 | piano | – | |
| Piano (orig.) | Landscape (Maisema) | 1929 | Op. 114/1 | piano | – | |
| Piano (orig.) | Winter Scene (Talvikuva) | 1929 | Op. 114/2 | piano | – | |
| Piano (orig.) | Forest Lake (Metsälampi) | 1929 | Op. 114/3 | piano | – | |
| Piano (orig.) | Song in the Forest (Metsälaulu) | 1929 | Op. 114/4 | piano | – | |
| Piano (orig.) | Spring Vision (Kevätnäky) | 1929 | Op. 114/5 | piano | – | |
| Piano (trans.) | Karelia Suite, select numbers Intermezzo Ballade | [1893, arr. 1893], trans. c. 1893–1897 | → Op. 11 | piano | – | |
| Piano (trans.) | The Wood Nymph (Skogsrået), final section only | [1894–1895], trans. 1895 | → Op. 15 | piano | – (V. Rydberg) | |
| Piano (trans.) | King Christian II (Kuningas Kristian II), select numbers Elegie Menuetto Musette Fool's Song of the Spider | [1898], trans. 1898 | → Op. 27 | piano | – (A. Paul) | |
| Piano (trans.) | Song of the Athenians (Athenarnes sång) | [1899], trans. 1899 | → Op. 31/3 | piano | – (V. Rydberg) | |
| Piano (trans.) | Finlandia, from the Press Celebrations Music | [1899, arr. 1900], trans. 1900 | → Op. 26 | piano | – | |
| Piano (trans.) | Have You Courage? (Har du mod?) | 1904, rev. 1911, 1912], trans. 1913 | → Op. 31/2 | piano | J.J. Wecksell | |
| Piano (trans.) | Valse triste, from Death (Kuolema) | [1903, arr. 1904], trans. 1904 | → Op. 44/1 | piano | – (A. Järnefelt) | |
| Piano (trans.) | Pelléas et Mélisande Suite (Pelléas och Mélisande) At the Castle Gate (Vid slottsporten) Mélisande A Spring in the Park (En källa i parken) The Three Blind Sisters (De trenne blinda systrar) Pastorale Mélisande at the Spinning Wheel (Mélisande vid sländan) Entr'acte (Mellanaktsmusik) The Death of Mélisande (Mélisandes död) | [1905, arr. 1905], trans. 1905 | → Op. 46 | piano | – (M. Maeterlinck) | |
| Piano (trans.) | Dance Intermezzo (Tanssi-Intermezzo) | [1904], rev./trans. 1904 | → Op. 45/2 | piano | – | |
| Piano (trans.) | Pan and Echo (Pan och Echo) | [1906], trans. 1907 | → Op. 53 | piano | – | |
| Piano (trans.) | Belshazzar's Feast Suite (Belsazars gästabud) Oriental Procession (Orientalisk marsch) Solitude Nocturne Khadra's Dance (Khadras dans) | [1906, arr. 1907], trans. 1907 | → Op. 51 | piano | – (H. Procopé [fi]) | |
| Piano (trans.) | The Dryad (Dryadi) | [1910], trans. 1910 | → Op. 45/1 | piano | – | |
| Piano (trans.) | The Bells of Kallio Church (Kallion kirkon kellosävel) | [1912], trans. 1912 | Op. 65b | piano | – | |
| Piano (trans.) | Scaramouche, select numbers Danse élégiaque (Elegiac Dance) Scène d'amour (Love Scene) | [1912–1913], trans. 1914 | → Op. 71 | piano | – (P. Knudsen) | |
| Piano (trans.) | Valse lyrique | 1914, rev. 1919 & 1919 | Op. 96a | piano | – | |
| Piano (trans.) | Autrefois | [1919, rev. 1920], trans. 1920 | → Op. 96b | piano | H. Procopé [fi] | |
| Piano (trans.) | Valse chevaleresque | 1921–1922, rev. 1922 | Op. 96c | piano | – | |
| Piano (trans.) | Suite mignonne Petite scène Polka Épilogue | [1921], trans. 1921 | → Op. 98a | piano | – | |
| Piano (trans.) | Suite champêtre Pièce caractéristique Mélodie élégiaque Danse | [1922], trans. 1922 | → Op. 98b | piano | – | |
| Piano (trans.) | Suite caractéristique Vivo Lento Comodo | [1922], trans. 1922 | → Op. 100 | piano | – | |
| Piano (trans.) | Everyman (Jedermann or Jokamies), select numbers Episodio Scena Canzone | [1916], trans. 1925 | → Op. 83 | piano | – (H. von Hofmannsthal) | |
| Piano (trans.) | Morceau romantique | [1925], trans. 1925 | JS 135b | piano | – | |
| Piano (trans.) | The Tempest Suite Nos. 1 & 2 (Stormen), select numbers Episode (Miranda) Dance of the Nymphs (Tanz Der Nymphen) Scéne | [1925, arr. 1927], trans. 1927 | → Op. 109 | piano | – (W. Shakespeare) | |
| Songs | Songs | Songs | Songs | Songs | (↑ to top) | (↑ to top) |
| Song | "Serenad" ("Serenade") | 1887–1888 | JS 167 | voice, pf. | J.L. Runeberg | |
| Song | "En visa" ("A Song") | 1888 | JS 71 | voice, pf. | Baeckman | |
| Song | "Orgier" ("Orgies") | 1888–1889 | JS 143 | voice, pf. | L. Stenbäck [fi] | |
| Song | "Skogsrået" ("The Wood-Nymph") | 1888–1889 | JS 171 | voice, pf. | V. Rydberg | |
| Song | "Likhet" ("Alikeness") | 1890 | JS 120 | voice, pf. | J.L. Runeberg | |
| Song | "Jag kysser dig ej" ("I Kiss You and Weary Not") | 1889–1891 | HUL 1183 | voice, pf. | J.L. Runeberg | |
| Song | "Löjet var utan hem" ("Wit Was without a Home") | 1890–1891 | HUL 1286/2 | voice, pf. | J.L. Runeberg | |
| Song | "Hjärtats morgon" ("The Heart's Morning") | 1891 | Op. 13/3 | voice, pf. | J.L. Runeberg | |
| Song | "Drömmen" ("The Dream") | 1891 | Op. 13/5 | voice, pf. | J.L. Runeberg | |
| Song | "Fågellek" ("Play of the Birds") | 1891 | Op. 17/3 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Våren flyktar hastigt" ("Spring is Flying") | 1891 | Op. 13/4 | voice, pf. | J.L. Runeberg | |
| Song | "Jägargossen" ("The Young Huntsman") | 1891 | Op. 13/7 | voice, pf. | J.L. Runeberg | |
| Song | "Sov in!" ("Go to Sleep!") | 1891–1892 | Op. 17/2 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Se'n har jag ej frågat mera" ("Since Then I Have Questioned No Further") | 1891–1892 | Op. 17/1 | voice, pf. | J.L. Runeberg | |
| Song | "Tule, tule kultani" ("Come, Come, My Sweetheart") | 1892 | JS 211 | voice, pf. | Traditional | |
| Song | "Under strandens granar" ("Under the Fir-Trees") | 1892 | Op. 13/1 | voice, pf. | J.L. Runeberg | |
| Song | "Kyssens hopp" ("The Kiss's Hope") | 1892 | Op. 13/2 | voice, pf. | J.L. Runeberg | |
| Song | "Till Frigga" ("To Frigga") | 1892 | Op. 13/6 | voice, pf. | J.L. Runeberg | |
| Song | "Det mörknar ute" ("Outside It is Growing Dark") | 1897 | Op. 1/3 | voice, pf. | Z. Topelius | |
| Song | "Vilse" ("Astray") | 1898, rev. 1902 | Op. 17/4 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Illalle" ("To Evening") | 1898 | Op. 17/6 | voice, pf. | A.V. Koskimies | |
| Song | "Souda, souda, sinisorsa" ("Swim, Duck, Swim") | 1899 | JS 180 | voice, pf. | A.V. Koskimies | |
| Song | "Segelfahrt" ("Sailing") | 1899 | JS 166 | voice, pf. | J. Öhqvist [fi] | |
| Song | "Svarta rosor" ("Black Roses") | 1899 | Op. 36/1 | voice, pf. | E. Josephson | |
| Song | "Men min fågel märks dock icke" ("But My Bird Is Long In Homing") | 1899 | Op. 36/2 | voice, pf. | J.L. Runeberg | |
| Song | "Bollspelet vid Trianon" ("Tennis at Trianon") | 1899 | Op. 36/3 | voice, pf. | G. Fröding | |
| Song | "Den första kyssen" ("The First Kiss") | 1900 | Op. 37/1 | voice, pf. | J.L. Runeberg | |
| Song | Säv, säv, susa" ("Sigh, Sigh, Sedges") | 1900 | Op. 36/4 | voice, pf. | G. Fröding | |
| Song | "Marssnön" ("The March Snow") | 1900 | Op. 36/5 | voice, pf. | J.J. Wecksell | |
| Song | "Demanten på marssnön" ("The Diamond on the March Snow") | 1900 | Op. 36/6 | voice, pf. | J.J. Wecksell | |
| Song | "Flickan kom ifrån sun älsklings möte" ("The Girl Returned Home from Meeting Her Lover" or "The Tryst") | 1901 | Op. 37/5 | voice, pf. | J.L. Runeberg | |
| Song | "On hanget korkeat, nietokset" ("High are the Snowdrifts") | 1901 | Op. 1/5 | voice, pf. | W. Joukahainen | |
| Song | "Lasse liten" ("Little Lasse") | 1902 | Op. 37/2 | voice, pf. | Z. Topelius | |
| Song | "Soluppgång" ("Sunrise") | 1902 | Op. 37/3 | voice, pf. | T. Hedberg | |
| Song | "Var det en dröm?" ("Was It a Dream?") | 1902 | Op. 37/4 | voice, pf. | J.J. Wecksell | |
| Song | "Lastu lainehilla" ("Driftwood") | 1902 | Op. 17/7 | voice, pf. | I. Calamnius | |
| Song | "Höstkväll" ("Autumn Evening") | 1903 | Op. 38/1 | voice, pf. | V. Rydberg | |
| Song | "På verandan vid havet" ("On a Balcony by the Sea") | 1903 | Op. 38/2 | voice, pf. | V. Rydberg | |
| Song | "I natten" ("In the Night") | 1903 | Op. 38/3 | voice, pf. | V. Rydberg | |
| Song | "Harpolekaren och Hans son" ("The Harper and His Son") | 1904 | Op. 38/4 | voice, pf. | V. Rydberg | |
| Song | "Jag ville, jag vore i Indialand" ("I Wish I Were in India") | 1904 | Op. 38/5 | voice, pf. | G. Fröding | |
| Song | "En slända" ("A Dragonfly") | 1904 | Op. 17/5 | voice, pf. | O. Levertin | |
| Song | "Lenzgesang" ("Spring Song") | 1906 | Op. 50/1 | voice, pf. | A. Fitger | |
| Song | "Sehnsucht" ("Longing") | 1906 | Op. 50/2 | voice, pf. | E.R. Weiss | |
| Song | "Im Feld ein Mädchen singt" ("In the Field a Maid Sings") | 1906 | Op. 50/3 | voice, pf. | M. Susman | |
| Song | "Aus banger Brust" ("From Anxious Heart") | 1906 | Op. 50/4 | voice, pf. | R. Dehmel | |
| Song | "Die stille Stadt" ("The Silent City") | 1906 | Op. 50/5 | voice, pf. | R. Dehmel | |
| Song | "Rosenlied" ("Song of the Roses") | 1906 | Op. 50/6 | voice, pf. | A. Ritter | |
| Song | "Erloschen" ("Extinguished") | 1906 | JS 73 | voice, pf. | G. Busse-Palma [de] | |
| Song | "Hundra vägar" ("A Hundred Ways") | 1907 | Op. 72/6 | voice, pf. | J.L. Runeberg | |
| Song | "Jubal" | 1908 | Op. 35/1 | voice, pf. | E. Josephson | |
| Song | "Teodora" | 1908 | Op. 35/2 | voice, pf. | B. Gripenberg | |
| Song | "Älven och snigeln" ("The River and the Snail") | 1909 | Op. 57/1 | voice, pf. | E. Josephson | |
| Song | "En blomma stod vid vägen" ("A Flower Stood by the Wayside") | 1909 | Op. 57/2 | voice, pf. | E. Josephson | |
| Song | "Kvarnhjulet" ("The Mill-wheel") | 1909 | Op. 57/3 | voice, pf. | E. Josephson | |
| Song | "Maj" ("May") | 1909 | Op. 57/4 | voice, pf. | E. Josephson | |
| Song | "Jag är ett träd" ("I Am a Tree") | 1909 | Op. 57/5 | voice, pf. | E. Josephson | |
| Song | "Hertig Magnus" ("Duke Magnus") | 1909 | Op. 57/6 | voice, pf. | E. Josephson | |
| Song | Vänskapens blomma" ("The Flower of Friendship") | 1909 | Op. 57/7 | voice, pf. | E. Josephson | |
| Song | "Näcken" ("The Watersprite") | 1909 | Op. 57/8 | voice, pf. | E. Josephson | |
| Song | "Giv mig ej glans, ej guld, ej prakt" ("Give Me No Splendor, Gold or Pomp") | 1909 | Op. 1/4 | voice, pf. | Z. Topelius | |
| Song | "Kom nu hit, död" ("Come Away, Death") | 1909 (arr. 1909) | Op. 60/1 | voice, guitar (or pf.) | W. Shakespeare – C.A. Hagberg, trans. (sv) | |
| Song | "Hållilå, uti storm och i regn" ("Hey, Ho, the Wind and the Rain") | 1909 (arr. 1909) | Op. 60/2 | voice, guitar (or pf.) | W. Shakespeare – C.A. Hagberg, trans. (sv) | |
| Song | "Hymn to Thaïs, the Unforgettable" | 1909, rev. 1945–1948 | JS 97 | voice, pf. | A. Borgström [fi] | |
| Song | "Vattenplask" ("Lapping Waters") | 1910 | Op. 61/2 | voice, pf. | V. Rydberg | |
| Song | "Långsamt som kvällskyn" ("Slowly as the Evening Sky") | 1910 | Op. 61/1 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "När jag drömmer" ("When I Dream") | 1910 | Op. 61/3 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Romeo" | 1910 | Op. 61/4 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Romans" ("Romance") | 1910 | Op. 61/5 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Dolce far niente" | 1910 | Op. 61/6 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Vårtagen" ("The Spell of Springtide") | 1910 | Op. 61/8 | voice, pf. | B. Gripenberg | |
| Song | "Fåfäng önskan" ("Idle Wishes") | 1910 | Op. 61/7 | voice, pf. | J.L. Runeberg | |
| Song | "Arioso" | 1911 | Op. 3 | S, pf. | J.L. Runeberg | |
| Song | "Nu står jul vid snöig port" ("Now Christmas Stands at the Snowy Gate") | 1913 | Op. 1/1 | voice, pf. | Z. Topelius | |
| Song | "Nu så kommer julen" ("Now Is Christmas Coming") | 1913 | Op. 1/2 | voice, pf. | Z. Topelius | |
| Song | "Autumn Song" | 1913 | JS 199/1 | S, A, pf. | R.W. Dixon | |
| Song | "Vi ses igen" ("Farewell") | 1914 (lost) | Op. 72/1 | voice, pf. | V. Rydberg | |
| Song | "Orions bälte" ("Orion's Girdle") | 1914 (lost) | Op. 72/2 | voice, pf. | Z. Topelius | |
| Song | "Kyssen" ("The Kiss") | 1915 | Op. 72/3 | voice, pf. | V. Rydberg | |
| Song | "Der Wanderer und der Bach" ("The Wanderer and the Brook") | 1915 | Op. 72/5 | voice, pf. | M. Greif | |
| Song | "Kaiutar" ("The Echo Nymph") | 1915 | Op. 72/4 | voice, pf. | Larin-Kyösti | |
| Song | "Tanken" ("The Thought") | 1915 | JS 192 | 2 voices, pf. | J.L. Runeberg | |
| Song | "Tre trallande jäntor" ("Three Warbling Maidens") | 1915 (lost) | JS 204 | voice, pf. | G. Fröding | |
| Song | "Vårförnimmelser" ("The Coming of Spring") | 1916 | Op. 86/1 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Och finns det en tanke?" ("And Is There a Thought?") | 1916 | Op. 86/4 | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song | "Längtan heter min arvedel" ("Longing Is My Heritage") | 1916 | Op. 86/2 | voice, pf. | E.A. Karlfeldt | |
| Song | "Dold förening" ("Hidden Union") | 1916 | Op. 86/3 | voice, pf. | C. Snoilsky | |
| Song | "Sångarlön" ("The Singer's Reward") | 1916 | Op. 86/5 | voice, pf. | C. Snoilsky | |
| Song | "I systrar, I bröder, I älskande par" ("Ye Sisters, Ye Brothers, Ye Loving Couples") | 1917 | Op. 86/6 | voice, pf. | M. Lybeck | |
| Song | "Blåsippan" ("The Blue Anemone") | 1917 | Op. 88/1 | voice, pf. | F.M. Franzén | |
| Song | "De bägge rosorna" ("The Two Roses") | 1917 | Op. 88/2 | voice, pf. | F.M. Franzén | |
| Song | "Vitsippan" ("The Wood Anemone") | 1917 | Op. 88/3 | voice, pf. | F.M. Franzén | |
| Song | "Sippan" ("The Anemone") | 1917 | Op. 88/4 | voice, pf. | J.L. Runeberg | |
| Song | "Törnet" ("The Thorn") | 1917 | Op. 88/5 | voice, pf. | J.L. Runeberg | |
| Song | "Blommans öde" ("The Flower's Destiny") | 1917 | Op. 88/6 | voice, pf. | J.L. Runeberg | |
| Song | "Norden" ("The North") | 1917 | Op. 90/1 | voice, pf. | J.L. Runeberg | |
| Song | "Hennes budskap" ("Her Message") | 1917 | Op. 90/2 | voice, pf. | J.L. Runeberg | |
| Song | "Morgonen" ("The Morning") | 1917 | Op. 90/3 | voice, pf. | J.L. Runeberg | |
| Song | "Fågelfängaren" ("The Bird Catcher") | 1917 | Op. 90/4 | voice, pf. | J.L. Runeberg | |
| Song | "Sommarnatten" ("Summer Night") | 1917 | Op. 90/5 | voice, pf. | J.L. Runeberg | |
| Song | "Vem styrde hit din väg?" ("Who Brought You Hither?") | 1917 | Op. 90/6 | voice, pf. | J.L. Runeberg | |
| Song | "Mummon syntymäpäivänä" ("Birthday Song to Grandmother") | 1919 | JS 136 | voice, pf. | Anonymous | |
| Song | "Små flickorna" ("Young Girls") | 1920 | JS 174 | voice, pf. | H. Procopé [fi] | |
| Song | "Narciss" ("Narcissus") | 1925 | JS 140 | voice, pf. | B. Gripenberg | |
| Song | "Herran siunaus" ("The Lord's Blessing") | 1925 | JS 95 | B, organ | Numbers 6 | |
| Song | "Siltavahti" ("The Guardian of the Bridge") | [1928], arr. 1928 | JS 170b | voice, pf. | W. Sola [fi] | |
| Song (trans.) | "Kullervon valitus" ("Kullervo's Lament"), from Kullervo | [1892], trans. 1892–1893, rev. 1917–1918 | → Op. 7 | voice, pf. | Kalevala, Runo XXXV – F. von Schiefner, trans. (de) | |
| Song (trans.) | "Koskenlaskijan morsiamet" ("The Rapids-Rider's Brides") | [1897], trans. 1897–1899 | → Op. 33 | voice, pf. | A. Oksanen | |
| Song (trans.) | "Sången om korsspindeln" ("Fool's Song of the Spider"), from King Christian II | [1898], trans. 1898 | → Op. 27/4 | voice, pf. | A. Paul | |
| Song (trans.) | "De trenne blinda systrar" ("The Three Blind Sisters"), from Pelléas et Mélisande | [1905], trans. 1905 | → JS 147/6 | voice, pf. | M. Maeterlinck – B. Gripenberg, trans. (sv) | |
| Song (trans.) | "Den judiska flickans sång" ("The Jewish Girl's Song"), from Belshazzar's Feast | [1906], trans. 1907, rev. 1939 | → JS 48/2b | voice, pf. | H. Procopé [fi] | |
| Song (trans.) | Luonnotar | [1913], trans. 1913 | → Op. 70 | S, pf. | Kalevala, Runo I | |
| Song (trans.) | "Autrefois" | [1919, rev. 1920], arr. 1920 | → Op. 96b | S, S, pf. | H. Procopé [fi] | |
| Choral works | Choral works | Choral works | Choral works | Choral works | (↑ to top) | (↑ to top) |
| Choral (a capp.) | [Chorales written for Martin Wegelius] (student exercises) "Credo in unum Deum" [versions 1–2] ("I Believe in One God")"Allt hvad anda hafver" [versions 1–2] ("Let Every Thing that Hath Breath")"Gloria Deo in excelsis" [versions 1–2] ("Glory Be to God on High")"Kyrie eleison" ("Lord, Have Mercy")"Säll är den som fruktar Herren" ("Blessed is the Man Who Feareth the Lord")"Morgonens och aftonens portar" ("The Gates of Morning and Evening")"Svara mig Gud när jag ropar" ("O Lord, Give Ear to My Supplications") | 1887–1888 | – | chor. | Various | |
| Choral (a capp.) | "Ensam i dunkla skogarnas famn" ("Alone in the Dark Forest's Clasp") | 1888 | JS 72 | chor. | E. von Qvanten | |
| Choral (a capp.) | "När sig våren åter föder" ("When Spring is Born Again") | 1888 | JS 139 | chor. | J.L. Runeberg | |
| Choral (a capp.) | "Tanke, se hur fågeln svingar" ("Imagine, See How the Bird Swoops") | 1888 | JS 191 | chor. | J.L. Runeberg | |
| Choral (a capp.) | "Hur blekt är allt" ("How Pale is All") | 1888 | JS 96 | chor. | J.L. Runeberg | |
| Choral (a capp.) | "Ack, hör du fröken Gyllenborg" ("Ah, Do You Hear, Miss Gyllenborg"), folk ballad from Pernå | 1888–1889 | JS 10 | chor. | Anonymous | |
| Choral (a capp.) | [Chorales written for Albert Becker] (student exercises) "Der König träumte" ("The King Saw a Dream")"Der Mensch ist in seinem Leben wie Gras" ("As for Man, His Days are as Grass")"Die Toten werden dich, Herr, nicht loben" ("The Dead Praise Not the Lord")"Die Wasser sahen dich" ("The Waters Saw Thee")"Er ist unser Herrscher" [versions 1–3] ("He Is Our Sovereign")"Gelobet sei dem Herrn" ("May the Lord Be Praised")"Halleluja Halleluja""Halleluja Amen""Herr Gott, mein Heiland" [versions 1–4] ("O Lord God of My Salvation")"Ich gehe hinein zum Altar des Gottes" ("Then Will I Go unto the Alter of God")"Ich will deines Namens gedenken" ("I Will Make Thy Name Remembered")"Mein Herr, ich rufe dich an" [versions 1–2] ("My Lord, I Call upon You")"[Gott] Sei mir gnädig" [versions 1–2] ("Be Merciful unto Me")"Sende dein Licht und deine Wahrheit" ("O Send Out Thy Light and Thy Truth")"Dies ist der Tag des Herren" ("This is the Day which the Lord Hath Made")"Was betrübst du dich meine Seele" ("Why Art Thou Cast Down, O My Soul?") | 1888–1889 | – | chor. | Various | |
| Choral (a capp.) | "Työkansan marssi" ("Worker's March") | 1893 | JS 212 | chor. | J.H. Erkko [fi] | |
| Choral (a capp.) | "Venematka" ("The Boat Journey") | 1893 (arr. 1914) | Op. 18/3 | mchor. (or chor.) | Kalevala, Runo XL | |
| Choral (a capp.) | "Soitapas sorea neito" ("Play, Pretty Maiden") | 1893–1894 | JS 176 | T, chor. | Kanteletar, Book II:238 | |
| Choral (a capp.) | Rakastava (The Lover) "Rakastava" ("The Lover") "Rakastetun tie" ("The Path of the Beloved") "Hyvää iltaa ... Jää hyvästi" ("Good Evening ... Farewell!") | 1894 (arr. 1898) | JS 160a(c) | T, mchor. (or S, B, chor.) | Kanteletar, Book I:173–74, 122 | |
| Choral (a capp.) | "Laulun mahti" ("The Power of Song"), arr. of J. Vītols's song | 1895 | JS 118 | T, mchor. | Aukselis – J.J. Mikkola, trans. (fi) | |
| Choral (a capp.) | "Saarella palaa" ("Fire on the Island") | 1895 (arr. 1898) | Op. 18/4 | mchor. (or chor.) | Kanteletar, Book I:186 | |
| Choral (a capp.) | "Juhlamarssi" ("Festive March"), from the Promotional Cantata of 1894 | [1894], arr. c. 1896 | → JS 105 | chor. | K. Leino [fi] | |
| Choral (a capp.) | "Hymne" ("Hymn") | 1896, rev. 1898 | Op. 21 | mchor. | F. Gustafsson [fi] | |
| Choral (a capp.) | Songs for Mixed Chorus from the 1897 Promotional Cantata (Lauluja sekaköörille 1897 vuoden promotiooni kantaatista) "Me nuoriso Suomen" ("We the Youth of Finland") "Tuuli tuudittele" ("The Wind Rocks") "Oi toivo, toivo, sä lietomieli" ("Oh Hope, Hope, You Dreamer") "Montapa elon merellä" ("Many on the Sea of Life") "Sammuva sainio maan" ("The Fading Thoughts of the Earth") (a) "Soi kiitokseksi Luojan" ("We Praise Thee, Our Creator") (b) "Tuule, tuuli, leppeämmin" ("Blow, Wind, More Gently") "Oi Lempi, sun valtas ääretön on" ("O Love, Your Realm is Limitless") "Kun virta vuolas" ("As the Swift Current") "Oi kallis Suomi, äiti verraton" ("O Precious Finland, Mother Beyond Compare") | [1897], arr. 1898 | Op. 23 | S, B, chor. | A.V. Koskimies | |
| Choral (a capp.) | "Kuutamolla" ("In the Moonlight") | 1898 | JS 114 | mchor. | A. Kallas | |
| Choral (a capp.) | Carminalia, a setting of three school songs "Ecce novum gaudium" ("Behold a New Joy")"Angelus emittitur" ("An Angel is Sent Out")"In stadio laboris" ("In Athletic Strife") | 1898 | JS 51a | chor. | Piae Cantiones | |
| Choral (a capp.) | "Min rastas raataa" ("Busy as a Thrush") | 1898 | JS 129 | chor. | Kanteletar, Book I:219 | |
| Choral (a capp.) | "Sortunut ääni" ("The Broken Voice") | 1898 (arr. 1898) | Op. 18/1 | mchor. (or chor.) | Kanteletar, Book I:57 | |
| Choral (a capp.) | "Sydämeni laulu" ("Song of My Heart") | 1898 (arr. 1904) | Op. 18/6 | mchor. (or chor.) | A. Kivi | |
| Choral (a capp.) | "Aamusumussa" ("In the Morning Mist") | 1898 (arr. c. 1913) | JS 9a(b) | chor. (or fchor. or cchor.) | J.H. Erkko [fi] | |
| Choral (a capp.) | "Isänmaalle" ("To the Fatherland") | 1899 (rev. & arr. 1900), arr. 1908 | JS 98a/b(c) | mchor. (or chor.) | P. Cajander | |
| Choral (a capp.) | "Metsämiehen laulu" ("The Woodsman's Song") | 1899 | Op. 18/5 | mchor. | A. Kivi | |
| Choral (a capp.) | "Terve, kuu" ("Hail Moon") | 1901 | Op. 18/2 | mchor. | Kalevala, Runo XLIX | |
| Choral (a capp.) | "Kotikaipaus" ("Homesickness") | 1902 | JS 111 | 3 female voices | W. von Konow | |
| Choral (a capp.) | "Den 25 oktober 1902. Till Thérèse Hahl" ("... To Thérèse Hahl") [Version I] | 1902 | JS 60 | chor. | N. Wasastjerna [fi] | |
| Choral (a capp.) | "Den 25 oktober 1902. Till Thérèse Hahl" ("... To Thérèse Hahl") [Version II] | 1902 | JS 61 | chor. | N. Wasastjerna [fi] | |
| Choral (a capp.) | "Har du mod?" ("Have You Courage?") | 1903–1904 | JS 93 | mchor. | J.J. Wecksell | |
| Choral (a capp.) | "Veljeni vierailla mailla" ("My Brothers Abroad") | 1904 | JS 217 | mchor. | J. Aho | |
| Choral (a capp.) | "Ej med klagan" ("Not with Lamentation") | 1905 | JS 69 | chor. (or mchor.) | J.L. Runeberg | |
| Choral (a capp.) | "Kansakoululaisten marssi" ("March of the Primary School Children") | 1910 | JS 103 | chor. | O. Pekka | |
| Choral (a capp.) | "Kantat" ("Cantata") | 1911 | JS 107 | fchor. | W. von Konow | |
| Choral (a capp.) | "Män från slätten och havet" ("Men from Land and Sea") | 1911 | Op. 65a | chor. | E. Knape [fi] | |
| Choral (a capp.) | "Kallion kirkon kellosävel" ("The Bells of Kallio Church") | [1912], arr. 1912 | Op. 65b | chor. | H. Klemetti [fi] | |
| Choral (a capp.) | "Uusmaalaisten laulu" ("Song of the People of Uusimaa") | 1912 | JS 214a(b) | chor. (or mchor.) | K. Terhi [fi] | |
| Choral (a capp.) | "Soi kiitokseksi Luojan" ("We Praise Thee, Our Creator"), from the Songs for Mixed Chorus from the 1897 Promotional Cantata | [1897], arr. 1913 | → Op. 23/6a | fchor. (or cchor.) | A.V. Koskimies | |
| Choral (a capp.) | "Terve ruhtinatar" ("Hail Princess"), from the Cantata for the Coronation of Nicholas II | [1896], arr. c. 1913 | → JS 104 | fchor. (or cchor.) | P. Cajander | |
| Choral (a capp.) | "Nejden andas" ("The Landscape Breathes"), from The Breaking of the Ice on the Oulu River | [1899], arr. c. 1913 | → Op. 30 | fchor. (or cchor.) | Z. Topelius | |
| Choral (a capp.) | "The Sun upon the Lake is Low" | 1913 | JS 199/2 | chor. | W. Scott | |
| Choral (a capp.) | "Herr Lager och Skön fager" ("Mr. Lager and the Fair One") | 1914 | Op. 84/1 | mchor. | G. Fröding | |
| Choral (a capp.) | "På berget" ("On the Mountain") | 1915 | Op. 84/2 | mchor. | B. Gripenberg | |
| Choral (a capp.) | "Evige Eros" ("Eternal Eros") | 1915 | Op. 84/4 | B, mchor. | B. Gripenberg | |
| Choral (a capp.) | "Ett drömackord" ("A Dream Chord") | 1915 | Op. 84/3 | mchor. | G. Fröding | |
| Choral (a capp.) | "Till havs" ("To Sea") | 1917, rev. 1917 | Op. 84/5 | mchor. | J. Reuter [fi] | |
| Choral (a capp.) | "Drömmarna" ("The Dreams") | 1917 | JS 64 | chor. | J. Reuter [fi] | |
| Choral (a capp.) | "Fridolins dårskap" ("Fridolin's Folly") | 1917 | JS 84 | mchor. | E.A. Karlfeldt | |
| Choral (a capp.) | "Ute hörs stormen" ("Outside the Storm is Raging") | 1918 | JS 224/1 | mchor. | G. Schybergson [fi] | |
| Choral (a capp.) | "Brusande rusar en våg" ("The Roaring of a Wave") | 1918 | JS 224/2 | mchor. | G. Schybergson [fi] | |
| Choral (a capp.) | "Jone havsfärd" ("Jonah's Voyage") | 1918 | JS 100 | mchor. | E.A. Karlfeldt | |
| Choral (a capp.) | "Viipurin Laulu-Veikkojen kunniamarssi" ("Honor March of the Singing Brothers of Viipuri") [Version I] | 1920 | JS 219 | mchor. | E. Eerola [fi] | |
| Choral (a capp.) | "Likhet" ("Resemblance") | 1922 | JS 121 | mchor. | J.L. Runeberg | |
| Choral (a capp.) | "Koulutie" ("The Way to School") | 1924 | JS 112 | chor. | V.A. Koskenniemi | |
| Choral (a capp.) | "Humoreski" ("Humoresque") | 1925 | Op. 108/1 | mchor. | Larin-Kyösti | |
| Choral (a capp.) | "Ne pitkän matkan kulkijat" ("Wanderers on the Long Way") | 1925 | Op. 108/2 | mchor. | Larin-Kyösti | |
| Choral (a capp.) | "Skolsång" ("School Song") | 1925 | JS 172 | chor. | N. Runeberg [fi] | |
| Choral (a capp.) | "Den höga himlen" ("The Lofty Heaven") | 1927 | JS 58a | chor. | S. Korpela [fi] – J. Tegengren [fi], trans. (sv) | |
| Choral (a capp.) | "Siltavahti" ("The Guardian of the Bridge") | 1928 | JS 170a | mchor. | W. Sola [fi] | |
| Choral (a capp.) | "On lapsonen syntynyt meille" ("A Child is Born to Us") | 1929 | JS 142 | chor. | A.V. Jaakkola [fi] | |
| Choral (a capp.) | "Viipurin Laulu-Veikkojen kunniamarssi" ("Honor March of the Singing Brothers of Viipuri") [Version II] | 1929 | JS 220 | mchor. | E. Eerola [fi] | |
| Choral (a capp.) | "Giv mig ej glans, ej guld, ej prakt" ("Give Me No Splendor, Gold or Pomp") | [1909], arr. 1935 (arr. 1942) | → Op. 1/4 | mchor. (or S, fchor.) | Z. Topelius | |
| Choral (a capp.) | "Finlandia-hymnin" ("Finlandia Hymn"), from Finlandia | [1899], arr. 1938 & 1940 (arr. 1948) | → Op. 26 | mchor. (or chor.) | W. Sola [fi] (1938) V.A. Koskenniemi (1940) | |
| Choral (accmp.) | "Oje Carulì" ("Oh Caroline"), arr. of a song by M.P. Costa | 1887–1888 (partially survives) | JS 99/1 | B, chor., pf. | S. di Giacomo | |
| Choral (accmp.) | "Trippole trappole", arr. of a Spanish folk song adapted by G.L. Cottrau | 1887–1888 (partially survives) | JS 99/2 | chor., pf. | Traditional | |
| Choral (accmp.) | "Upp genom luften" ("Up through the Air") | 1888 | JS 213 | chor., pf. | Atterbom | |
| Choral (accmp.) | "Vi kysser du fader min fästmö här?" ("Why, O Father, Do You Kiss My Bride?") | 1889–1890 | JS 218 | chor., pf. | J.L. Runeberg | |
| Choral (accmp.) | Carminalia, a setting of three school songs "Ecce novum gaudium" ("Behold a New Joy")"Angelus emittitur" ("An Angel is Sent Out")"In stadio laboris" ("In Athletic Strife") | [1898], arr. 1898 | JS 51b(c) | fchor., organ or harm. (or piano) | Piae Cantiones | |
| Choral (accmp.) | The Origin of Fire (Tulen synty) | [1902, rev. 1910], arr. 1910 | → Op. 32 | B, mchor., pf. | Kalevala, Runo XLVII | |
| Choral (accmp.) | Impromptu | [1902, rev. 1910], arr. 1910 | Op. 19 | fchor., pf. | V. Rydberg | |
| Choral (accmp.) | "Har du mod?" ("Have You Courage?") | [1904], arr. 1904, rev. & arr. 1911 | → Op. 31/2 | mchor., pf. | J.J. Wecksell | |
| Choral (accmp.) | "A Cavalry Catch" | 1913 | JS 199/3 | mchor., pf. | F. MacLeod | |
| Choral (accmp.) | "Jääkärien marssi" ("Jäger March") | 1917 | Op. 91a | mchor., pf. | H. Nurmio | |
| Choral (accmp.) | "Partiolaisten marssi" ("Scout March") | [1918, arr. 1918], arr. 1921 | → Op. 91b | chor., pf. | J. Finne [fi] | |
| Choral (accmp.) | "Skyddskårsmarsch" ("Skyddskår's March") | 1925 | JS 173 | mchor., pf. (ad lib.) | N. Runeberg [fi] | |
| Choral (accmp.) | "Palmusunnuntaina" ("On Palm Sunday") | 1925 | JS 110/1 | B, chor., organ | Psalms 23, 111, 42 | |
| Choral (accmp.) | "Pyhainpaivana tai hautajaisjumalanpalveluksissa" ("On All Saints' Day") | 1925 | JS 110/2 | B, chor., organ | Revelation 14, Psalm 126 | |
| Choral (accmp.) | "Kristillisissa nuorisojuhlissa" ("For Christian Youth Ceremonies") | 1925 | JS 110/3 | B, chor., organ | Ecclesiastes 12, Gloria Patri | |
| Choral (accmp.) | "Karjalan osa" ("Karelia's Fate") | 1930 | JS 108 | mchor., pf. | A. Nurminen [fi] | |
| Choral (accmp.) | "Partiolaisten marssi" ("Scout March") [a.k.a. "The World Song of the World Association of Girl Scouts and Girl Guides"] | [1918, arr. 1918], arr. 1952 | → Op. 91b | fchor., pf. | G. Ewart | |
| Choral (accmp.) | "Giv mig ej glans, ej guld, ej prakt" ("Give Me No Splendor, Gold or Pomp") | [1909], arr. 1954 | → Op. 1/4 | cchor., organ | Z. Topelius | |
| Choral (accmp.) | Masonic Ritual Music (Vapaamuurareiden rituaalimusiikkia) Opening Hymn (Avaushymni) Adjusting the alter: (Alttarin valmistus). "Suloinen aate" ("Thoughts Be Our Comfort") Procession and hymn (Kulkue ja hymni) I. "Näätkö, kuinka hennon yrtin" ("Though Young Leaves Be Green") Hymn of Praise (Ylistyshymni). "Kaikkialla kaikukoon, kunnias sun kuulukoon" ("Praise Thy Holy Name on High") Procession and hymn (Kulkue ja hymni) II. "Kellä kaipuu rinnassansa" ("Whosoever Hath a Love") Ode to Fraternity (Veljesvirsi). "Kaunist' on, kun veljet viihtyy" ("Good and Pleasant, O Ye Brethren") Procession and hymn (Kulkue ja hymni) III. "Ken kyynelin ei milloinkaan" ("Who Ne'er Hath Blent His Bread with Tears") Marche funèbre (Surumarssi) Salem. "Kulje, kansa" ("Onward, Ye Brethren") Ode. "Suur' olet, Herra" ("You are Mighty, O Lord") ["The Lofty Heaven", JS 58a] "On kaunis maa, elo kaunis on" ("How Fair are Earth and Living") "Finlandia-hymnin" ("Finlandia Hymn") [from Op. 26] | 1927, rev. 1936, 1946, & 1948 | Op. 113 | T, mchor., organ (or harm.) | Various | |
| Choral (accmp.) | "Suur' olet Herra" ("The Lofty Heaven") | [1927], arr. 1945 | JS 58b | mchor, organ | S. Korpela [fi] – J. Tegengren [fi], trans. (sv) | |
| Preliminary versions and fragments | Preliminary versions and fragments | Preliminary versions and fragments | Preliminary versions and fragments | Preliminary versions and fragments | (↑ to top) | (↑ to top) |
| Orch. (frag.) | [Luonnotar], predecessor to Pohjola's Daughter | 1903–1905 | HUL 0163 | orch. | – | |
| Orch. (frag.) | [Suite for Orchestra], predecessor to The Oceanides Tempo moderato – Allegro | 1913–1914 | – | orch. | – | |
| Chamber (frag.) | Den lilla sjöjungfrun (The Little Mermaid) | 1887–1888 (abandoned, partially survives) | JS 59 | Nar., 2 vl., va., vc. (probable) | H.C. Andersen – K.J. Backman [sv], trans. (sv) | |
| Chamber (frag.) | String Trio in G minor LentoAllegro[no tempo marking] | 1893–1894 | JS 210 | vl., va., vc. | – | |
| Chamber (frag.) | , preliminary version of Scout March (Partiolaisten marssi) | 1897–1899 | HUL 0504 | torviseitsikko [fi], perc. | – | |
| Violin (frag.) | [Mazurka] in C major | 1883 | HUL 0536a/2 | violin | – | |
| Violin (frag.) | Impromptu in G minor | 1884 | HUL 0525/3 | violin | – | |
| Song (frag.) | "Medan nordanvinden gnyr" ("While the North Wind Roars") | 1888 | HUL 1283 | 2 voices, vc. | Anonymous | |
| Song (frag.) | "Då världar ännu skapade ej voro" ("When Worlds Still Uncreated Were") | 1888 | JS 56 | voice, vc. (?), pf. | Anonymous | |
| Song (frag.) | "Solen slog himlen röd" ("The Sun Reddened the Sky") | 1888 | HUL 1179 | voice, pf. | E. Josephson | |
| Song (frag.) | "Höstkväll" ("Autumn Evening") | 1888–1889 | HUL 1180 | voice, pf. | V. Rydberg | |
| Song (frag.) | "Flickan gick en vintermorgan" ("The Maiden Went Out One Winter Morning") | 1890–1892 | HUL 1186 | voice, pf. | J.L. Runeberg | |
| Song (frag.) | "Den första kyssen" ("The First Kiss") | 1891–1892 | JS 57 | voice, pf. | J.L. Runeberg | |
| Song (frag.) | "Frihet" ("Freedom") | 1891–1892 | – | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song (frag.) | "Drick, De förflyga de susande pärlorna" ("Drink, the Fizzling Pearls are Flying Away") | 1891–1892 | – | voice, pf. | F.M. Franzén | |
| Song (frag.) | "Romans" ("Romance") | 1905 | – | voice, pf. | K.A. Tavaststjerna [fi] | |
| Song (frag.) | "Och skull ditt hjärta jag fångat" ("And If I had Captured Your Heart") | 1908–1910 | – | voice, pf. | [Unknown] | |
| Song (prelim.) | [preliminary version of "Säv, säv, susa"] | 1900 | JS 42 | voice, pf. | G. Fröding | |
| Song (prelim.) | [preliminary version of "Soluppgång"] | 1902 | JS 87 | voice, pf. | T. Hedberg | |
| Song (prelim.) | [preliminary version of "Vänskapens blomma"] | 1909 | JS 215 | voice, pf. | E. Josephson | |
| Choral (frag.) | "Heitä, koski, kuohuminen" ("Rapids, Cease Your Foaming") | 1893 | JS 94 | mchor. | Kalevala, Runo XL | |
| Choral (frag.) | "Listen to the Water Mill" | 1905–1906 | JS 122 | chor. | S. Doudney | |
| Unknown | March of the Pori Regiment (Porilaisten marssi), arrangement [I] of the original | arr. 1892 (lost) | JS 151 | chamber ensemble | – | |
| Unknown | "The American Millers' Song" | [Unknown] (lost) | JS 29 | voice, pf. (probable) | [Unknown] | |
| Unknown | Snöfallet (The Snowfall) | 1927 (lost) | JS 175 | voice, pf. (probable) | [Unknown] | |
| | | | Op. 107 | | | |
| | | | Op. 117 | | | |