# List of compositions by Franz Liszt

Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard.

## Legend

The table below gives the following information for works by Franz Liszt (where applicable):
* S. — numbering as given in Humphrey Searle, The Music of Liszt, 1966 (with additions by Sharon Winklhofer and Leslie Howard). A number sign (#) signifies that a number is no longer in use.
* LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in Grove Music Online (2010)
* Title — normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources
* Forces — the instrumentation used (see Abbreviations for Instruments)
* Key — the principal key of the work
* Date — the year(s) of composition or arrangement, where known
* Genre — works are grouped in the following broad categories: Stage, Choral (for many voices), Vocal (for individual voices), Orchestral, Chamber and Piano
* Notes — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here

## Catalogue of works

| S. | LW | Title | Forces | Key | Date | Genre | Notes |
| 1–350 | | Original works | Original works | Original works | Original works | Original works | Original works |
| 1 | | Opera | Opera | Opera | Opera | Opera | Opera |
| 1 | O1 | Don Sanche (Le château de l'amour) | vv ch orch | | 1824–25 | Stage | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished |
| 2–66 | | Sacred choral works | Sacred choral works | Sacred choral works | Sacred choral works | Sacred choral works | Sacred choral works |
| 2 | I4 | Die Legende von der Heiligen Elisabeth | sop alt 3bar 2bass ch org orch | | 1857–62 | Choral, sacred | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a |
| 3 | I7 | Christus | sop alt ten bar bass ch org orch | | 1866–72 | Choral, sacred | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 |
| 4/1 | I8a | Cantico di San Francesco | bar pf org/harm (+ mch) | F major | 1862 | Choral, sacred | 1st version of S.4/2; Alleluja arr. for org (+ tbn) as S.677 |
| 4/2 | I8b | Cantico del sol di Francesco d'Assisi | bar mch org orch | F major | 1879–82 | Choral, sacred | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 |
| 5/1 | I1a | Sainte Cécile (Die heilige Cäcilia) | mez orch (?) | | 1845 | Choral, sacred | 1st version of S.5/2; lost |
| 5/2 | I1b | Sainte Cécile (Die heilige Cäcilia) (Legende) | mez orch (+ ch) | | 1874 | Choral, sacred | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch) as S.5/2a |
| 5/2a | I1b | Sainte Cécile (Die heilige Cäcilia) (Legende) | mez hp/pf/harm (+ ch) | | 1874 | Choral, sacred | arr. of S.5/2 |
| 6 | L15 | Die Glocken des Strassburger Münsters | 2vv ch org orch | | 1874–75 | Choral, sacred | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?] |
| 7 | I10 | Cantantibus organis (Antiphona in festo Santa Caeciliae) | alt ch orch | G major–G minor | 1879 | Choral, sacred | |
| 7bis | I10 | Cantantibus organis (Antiphona in festo Santa Caeciliae) | alt ch hp harm/org pf | G major–G minor | 1879 | Choral, sacred | |
| 8/1 | J5a | Missa quattuor vocum ad aequales | mch org | | 1846–47 | Choral, sacred | 1st version of S.8/2 |
| 8/2 | J5b | Missa quattuor vocum ad aequales (Szekszárd Mass) | mch org | | 1869 | Choral, sacred | 2nd version of S.8/1; themes used in S.264 |
| 9 | I2 | Missa Solennis (Graner Mass) | sop alt ten bass ch orch | | 1857–58 | Choral, sacred | extract ('Poco adagio') arr. for pf as S.747 [?] |
| 10 | J18 | Missa Choral, sacredis | ch org | | 1859–65 | Choral, sacred | |
| 11 | I9 | Ungarische Krönungsmesse (Hungarian Coronation Mass) | 4vv ch orch | | 1866–69 | Choral, sacred | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 |
| 12 | J22 | Requiem (Messe des morts) | 4vv mch org (+ br perc) | | 1867–71 | Choral, sacred | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45 |
| 13/1 | I3a | Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) | 4vv ch orch | | 1855–56 | Choral, sacred | 1st version of S.13/2 |
| 13/2 | I3b | Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) | ten ch orch | | 1859–63 | Choral, sacred | 2nd version of S.13/1; arr. for ten ch org as S.132/2a |
| 13/2a | I3b | Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) | ten ch org | | 1866 | Choral, sacred | arr. of S.13/2 |
| 14/1 | I5a | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch orch (+ org) | | 1860 | Choral, sacred | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a |
| 14/1a | I5a | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch ww br | | 1860 | Choral, sacred | arr. of S.14/1; 1st version of S.14/2a |
| 14/2 | I5b | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch org | | 1870 | Choral, sacred | 2nd version of S.14/1; arr. for mch ww br as S.14/2a |
| 14/2a | I5b | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch ww br | | 1870 | Choral, sacred | arr. of S.14/2; 2nd version of S.14/1a |
| 15/1a | J10a | Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten mch hp/pf org/harm | | 1859–61? | Choral, sacred | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15/3 |
| 15/1b | K1 | Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten hp/pf org/harm | | 1859–62 | Choral, sacred | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15/3 |
| 15/2a | J10b | Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten mch hp/pf | | 1859–62 | Choral, sacred | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15/3 |
| 15/2b | I1b | Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten hp/pf | | 1859–62 | Choral, sacred | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15/3 |
| 15/3 | S53 | Psalm 23 (Mein Gott, der ist mein Hirt) | ch orch | | 1862 | Choral, sacred | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost; renumbered from S.15bis |
| 15a/1 | J6 | Psalm 116 (Laudate Dominum) | mch pf | | 1869–74 | Choral, sacred | arr. of S.11/6 |
| 15a/2 | J6 | Psalm 116 (Laudate Dominum) | ch pf | | 1869–74 | Choral, sacred | arr. of S.11/6 |
| 16/1 | K6 | Psalm 129 (De profundis) | bar mch org | | 1880–81 | Choral, sacred | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4 |
| 16/2 | J45 | Psalm 129 (De profundis) | alt pf/org | | 1883 | Choral, sacred | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4 |
| 17/1 | K2 | Psalm 137 (An den Wassern zu Babylon) | alt vn hp/pf org/harm | | 1859 | Choral, sacred | 1st version of S.17/2, S.17/3 |
| 17/2 | J11 | Psalm 137 (An den Wassern zu Babylon) | sop fch hp/pf org/harm vn | | 1859–62 | Choral, sacred | 2nd version of S.17/1, S.17/3 |
| 17/3 | S54 | Psalm 137 (An den Wassern zu Babylon) | ch orch | | 1862 | Choral, sacred | 3rd version of S.17/2, S.17/3; lost |
| 18 | J4 | Choruses with French texts (5): | ch | | 1846? | Choral, sacred | |
| 18/1 | J4/5 | Qui m'a donné la naissance | ch | | 1846? | Choral, sacred | incomplete |
| 18/2 | J4/1 | L'Eternel est son nom | ch | | 1846? | Choral, sacred | |
| 18/3 | J4/2 | Chantons, chantons l'auteur de la lumière | ch | | 1846? | Choral, sacred | |
| 18/4 | J4/3 | (Allegretto, moderato con grazia) | ch | A major | 1846? | Choral, sacred | possibly same as S.762 |
| 18/5 | J4/4 | Combien j'ai douce souvenance | ch | | 1846? | Choral, sacred | based on an Auverge folksong |
| 19/1 | J2/1 | Hymne de l'enfant á son réveil (O père qu'adore mon père) | fch pf/harm (+ hp) | | 1840–44? | Choral, sacred | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost |
| 19/2 | J2/2 | Hymne de l'enfant á son réveil (O père qu'adore mon père) | ch pf/harm | | 1860–62? | Choral, sacred | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian |
| 19/3 | J2/3 | Hymne de l'enfant á son réveil (O père qu'adore mon père) | ch pf/harm | | 1865 | Choral, sacred | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian |
| 19/4 | J2/4 | Hymne de l'enfant à son réveil (O père qu'adore mon père) | fch pf/harm (+ hp) | | 1874 | Choral, sacred | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian |
| 20/1 | J1/1 | Ave Maria I | ch (+ org) | B♭ major | 1842 | Choral, sacred | 1st version of S.20/2; arr. for org as S.667b/1 |
| 20/2 | J1/2 | Ave Maria I | ch org | A major | 1852 | Choral, sacred | 2nd version of S.20/1; arr. for org as S.667b/2 |
| 21/1 | J3/1 | Pater noster I | mch | | 1846 | Choral, sacred | based on S.172a/6; 1st version of S.21/2 |
| 21/2 | J3/2 | Pater noster I | mch | | 1852 | Choral, sacred | 2nd version of S.21/1; published as "Pater noster II" and listed as such in some older listings (see also S.29) |
| 22 | J52 | Pater noster IV | ch org | C major | 1850? | Choral, sacred | |
| 23 | J8 | Domine salvum fac regem (Psalm 20) | ten mch org | | 1853 | Choral, sacred | |
| 24 | J7 | Te Deum I | mch org | | 1853? | Choral, sacred | published as "Te Deum II" and listed as such in some older listings (see also S.27) |
| 25 | J9 | Die Seligkeiten (Les béatitudes) | bar ch (+ org) | | 1859 | Choral, sacred | rev. as S.3/6 |
| 26 | M33 | Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld) | mch (+ org) | | 1858 | Choral, sacred | |
| 27 | J12 | Te Deum II | mch org (+ br perc) | | 1867 | Choral, sacred | published as "Te Deum I" and listed as such in some older listings (see also S.24) |
| 28 | J13 | An den heiligen Franziskus von Paula (Gebet) | 2ten 2bass mch org/harm (+3 tbn timp) | | 1860–74? | Choral, sacred | based on S.175/2 |
| 29 | J14 | Pater noster II (Das Vater unser) | ch org | A♭ major | 1860 | Choral, sacred | rev. as S.3/7; published as "Pater noster I" and listed as such in some older listings (see also S.21/2) |
| 30 | J20 | Responsorien und Antiphonen (Répons et Antiennes) | ch (+ org) | | 1860 | Choral, sacred | |
| 31/1 | J15a/1 | Christus ist geboren I (Weihnachtslied I) | ch org | | 1863 | Choral, sacred | 1st version of S.31/2 |
| 31/2 | J15a/2 | Christus ist geboren I (Weihnachtslied I) | mch org | | 1863 | Choral, sacred | 2nd version of S.31/1 |
| 32/1 | J15b/1 | Christus ist geboren II (Weihnachtslied II) | ch org/harm | | 1863 | Choral, sacred | 1st version of S.32/2, S.32/3; arr. for pf as S.502 |
| 32/2 | J15b/2 | Christus ist geboren II (Weihnachtslied II) | mch (+ org) | | 1863 | Choral, sacred | 2nd version of S.32/1, S.32/3 |
| 32/3 | J15c | Christus ist geboren II (Weihnachtslied II) | fch | | 1863 | Choral, sacred | 3rd version of S.32/1, S.32/2 |
| 33 | J16 | Slavimo slavno, Slaveni! | mch org | | 1863–66 | Choral, sacred | arr. for pf as S.503, for org as S.668 |
| 34/1 | J19/1 | Ave maris stella | ch org | G major | 1865–66 | Choral, sacred | 1st version of S.34/2 |
| 34/2 | J19/2 | Ave maris stella | mch org | B♭ major | 1868 | Choral, sacred | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b |
| 35/1 | J17a | Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) | mch | | 1865 | Choral, sacred | 1st version of S.35/2 |
| 35/2 | J17b | Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) | fch/cch pf | | 1865 | Choral, sacred | 2nd version of S.35/1 |
| 36 | J21 | Dall' alma Roma | 2vv (+ org) | | 1867–68 | Choral, sacred | based on S.261 |
| 37 | J23 | Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François) | mch org | | 1868 | Choral, sacred | |
| 38 | J24 | Ave Maria II | ch org | D major | 1869 | Choral, sacred | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2 |
| 39/1 | J25a | Inno a Maria Vergine | ch hp org | | 1869 | Choral, sacred | 1st version of S.39/2 |
| 39/2 | J25b | Inno a Maria Vergine | ch hp pf4h org/ham | | 1869 | Choral, sacred | 2nd version of S.39/1 |
| 40 | J28 | O salutaris hostia I | fch org | | 1869 | Choral, sacred | |
| 41/1 | J26/1 | Pater noster III | ch pf/org | F major | 1869 | Choral, sacred | 1st version of S.41/2 |
| 41/2 | J26/2 | Pater noster III | mch pf/org/harm | B♭ major | 1869 | Choral, sacred | 2nd version of S.41/1 |
| 42/1 | J27/1 | Tantum ergo | fch org | | 1869 | Choral, sacred | 1st version of S.42/2 |
| 42/2 | J27/2 | Tantum ergo | mch org | | 1869 | Choral, sacred | 2nd version of S.42/3 |
| 43 | J29 | O salutaris hostia II | ch (+ org) | E major | 1870 | Choral, sacred | |
| 44 | J31 | Ave verum corpus | ch (+ org) | | 1871 | Choral, sacred | |
| 45 | J30 | Libera me | mch org | | 1871 | Choral, sacred | arr. of S.12/6 |
| 46/1 | J32/1 | Anima Christi sanctifica me | mch org | | 1874 | Choral, sacred | 1st version of S.46/1 |
| 46/2 | J32/2 | Anima Christi sanctifica me | mch org | | 1874 | Choral, sacred | 2nd version of S.46/2 |
| 47 | J41 | Sankt Christoph (Legend) | fch pf harm (+ hp) | | 1881 | Choral, sacred | unpublished |
| 48 | I6 | Der Herr bewahret die Seelen seiner Heiligen | ch br timp org | | 1860–75? | Choral, sacred | |
| 49 | J42 | O heilige Nacht (Weihnachtslied) | ten fch org/harm | | 1881 | Choral, sacred | based on S.186/2 |
| 49a | — | Adeste fidelis | fch | | ? | Choral, sacred | incomplete |
| 50 | A286b | Alte deutsche geistliche Weisen | ch kbd | | 1878–79 | Choral, sacred | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a |
| 50/1 | A286b/8 | Es segne uns Gott | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/3a, for ch org as S.669a/1 |
| 50/2 | A286b/4 | Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig) | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51 |
| 50/3 | A286b/3 | Nun ruhen alle Wälder | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/5, for v org as S.669a/3 |
| 50/4 | A286b/5 | O Haupt voll Blut und Wunden | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/6, for v org as S.669a/4 |
| 50/5 | A286b/6 | O Lamm Gottes! | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/7, for v pf/org as S.669a/5 |
| 50/6 | A286b/1 | Was Gott tut, das ist wohlgetan | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/10, for v org as S.669a/6 |
| 50/7 | A286b/7 | Wer nur den lieben Gott läßt walten | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/11, for v org as S.669a/7 |
| 50/8 | A286b/9 | Vexilla Regis | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/9 |
| 50/9 | A286b/10 | Crux ave benedicta | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/1 |
| 50/10 | A286b/2 | O Traurigkeit | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/8 |
| 50/11 | A286b/12 | Nun danket alle Gott! | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/4 |
| 50/12 | A286b/11 | Jesu Christe (Die fünf Wunden) | ch kbd | | 1878–79 | Choral, sacred | arr. for pf as S.504b/2 |
| 51 | J34 | Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen) | ch org | | 1878 | Choral, sacred | arr. of S.50/2 |
| 52 | J35 | Septem sacramenta | mez bar ch org/harm | | 1878–84 | Choral, sacred | |
| 53 | J33 | Via crucis (Les 14 stations de la croix) | vv ch pf/org/harm | | 1876–79 | Choral, sacred | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 |
| 54 | J36 | O Roma nobilis | ch org | | 1878–79 | Choral, sacred | based on a chorus by Giuseppe Baini; Liszt's authorship of Choral, sacred parts doubtful; see also arrs. for org as S.669c, for pf as S.506b |
| 55 | J38 | Ossa arida | ch org4h | | 1879 | Choral, sacred | |
| 56 | J37 | Rosario | ch org/harm (+ bar) | | 1879 | Choral, sacred | |
| 56/1 | J37/1 | Mysteria gaudiosa | ch org/harm | | 1879 | Choral, sacred | arr. for org/harm as S.670/1 |
| 56/2 | J37/2 | Mysteria dolorosa | ch org/harm | | 1879 | Choral, sacred | arr. for org/harm as S.670/2 |
| 56/3 | J37/3 | Mysteria gloriosa | ch org/harm | | 1879 | Choral, sacred | arr. for org/harm as S.670/3 |
| 56/4 | J37/4 | Pater noster | bar/mch org/harm | | 1879 | Choral, sacred | composed at the same time as Rosario S.56 nos.1–3, and published as no.4 of Rosario (as '"Pater noster" zum Rosario'), but not certain it was intended by Liszt to be included with it; not included in org/harm solo version of Rosario (S.670) |
| 57 | J46 | In domum Domini ibimus | ch br perc org | | 1884 | Choral, sacred | arr. for pf as S.505, for org as S.671 |
| 58 | J40 | O sacrum convivium | alt fch org/harm | | 1880–85 | Choral, sacred | arr. for org/harm as S.674a |
| 59 | J39 | Pro Papa | ch org | | 1880 | Choral, sacred | |
| 59/1 | J39/1 | Tu es Petrus | mch org | | 1880 | Choral, sacred | |
| 59/2 | J39/2 | Dominus conservet eum | ch org | | 1880 | Choral, sacred | |
| 60 | J44 | Ave Maria III (Sposalizio) | alt fch org/harm | | 1883 | Choral, sacred | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g |
| 61 | J43 | Nun danket alle Gott | ch/mch 2tpt 3tbn timp org | | 1883 | Choral, sacred | arr. for org as S.674c |
| 62 | J47 | Mariengarten | ch org (+ alt ten) | | 1884? | Choral, sacred | |
| 63 | J48 | Qui seminant in lacrimis (Psalm 125) | ch org | | 1883 | Choral, sacred | |
| 64 | J49 | Pax vobiscum! | mch (+ org) | | 1885 | Choral, sacred | |
| 65 | J50 | Qui Mariam absolvisti | bar ch org/harm | | 1885 | Choral, sacred | |
| 66 | J51 | Salve Regina | ch | | 1885 | Choral, sacred | |
| 67–94 | | Secular choral works | Secular choral works | Secular choral works | Secular choral works | Secular choral works | Secular choral works |
| 67 | L1 | Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge) (Beethoven Cantata No.1) | 6vv orch | | 1845 | Choral, secular | arr. for pf4h as S.584; extracts arr. for pf in S.507 |
| 68 | L12 | Zur Säcularfeier Beethovens (Beethoven Cantata No.2) | 4vv ch orch | | 1869–70 | Choral, secular | |
| 69i | L8/1 | Chöre zu Herders Entfesseltem Prometheus | sop alt 2ten 2bass ch orch | | 1850 | Choral, secular | 1st version of S.69ii, S.69iii; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99 |
| 69ii | L8/2 | Chöre zu Herders Entfesseltem Prometheus | sop alt 2ten 2bass 2ch orch | | 1855–59 | Choral, secular | 2nd version of S.69i, S.69iii; No.4 arr. for pf as S.508, for pf4h as S.585 |
| 69iii | L8/3 | Chöre zu Herders Entfesseltem Prometheus | sop alt 2ten 2bass 2ch orch | | 1877? | Choral, secular | 3rd version of S.69i, S.69ii |
| 70i | L9/1 | An die Künstler | 4vv mch ww br | | 1853 | Choral, secular | instrumentation by Joachim Raff; 1st version of S.70ii, S.70iii, S70iv |
| 70ii | L9/2 | An die Künstler | 4vv mch orch | | 1853–54 | Choral, secular | 2nd version of S.70i, S.70iii, S70iv |
| 70iii | L9/3 | An die Künstler | 4vv mch org orch | | 1858 | Choral, secular | 3rd version of S.70i, S.70ii, S70iv; themes used in S.114 |
| 70iv | L9/3 | An die Künstler | 4vv mch org orch | | 1859 | Choral, secular | 4th version of S.70i, S.70ii, S.70iii; themes used in S.114 |
| 71 | L11 | Gaudeamus igitur (Humoreske) | | | 1869–70 | | arr. for pf as S.509; for pf4h as S.586 |
| 71bis | – | Gaudeamus igitur (Humoreske) | | | 1869–70 | Choral, secular | vocal score of S.71; arr. for pf as S.509; for pf4h as S.586 |
| 72 | | Vierstimmige Männergesänge (4): | mch pf | | 1841–42 | Choral, secular | |
| 72/1 | M2/1 | Rheinweinlied (Wo solch ein Feuer) | mch pf | | 1841 | Choral, secular | |
| 72/1a | M2/2 | Rheinweinlied (Wo solch ein Feuer) | | | 1884 | Choral, secular | instrumented by Károly Huber, revised by Liszt |
| 72/2 | M3 | Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest) | mch | | 1841–42 | Choral, secular | |
| 72/3 | M4 | Reiterlied I (Die bange Nacht ist nun herum) | mch | B♭ major | 1841–42 | Choral, secular | for alternative setting see S.72/4 |
| 72/4 | M5 | Reiterlied II (Die bange Nacht ist nun herum) | mch | C major | 1841–42 | Choral, secular | for alternative setting see S.72/3 |
| 73 | M19 | Es war einmal ein König (Flohlied) | bar/bass mch pf | | 1844–45 | Choral, secular | |
| 74/1 | M1 | Das deutsche Vaterland I (Was ist das deutsche Vaterland?) | 4vv mch pf | D major | 1841 | Choral, secular | 1st version of S.74/2 |
| 74/2 | M27 | Das deutsche Vaterland II (Was ist das deutsche Vaterland?) | mch | C major | 1848 | Choral, secular | 2nd version of S.74/1 |
| 75/1 | M12/1 | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) | mch | | 1842 | Choral, secular | No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3 |
| 75/2 | M12/2 | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) | mch | | 1849 | Choral, secular | 2nd version of S.75/1, S.75/3 |
| 75/3 | M12/3 | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) | mch 2hn | | 1856 | Choral, secular | 3rd version of S.75/1, S.75/2 |
| 76 | M11 | Das düstre Meer umrauscht mich | mch pf | | 1842 | Choral, secular | No.2 of Vierstimmige Männergesänge |
| 76a | M15 | Heil! Unsrer Glocke heil | mch pf | | 1843 | Choral, secular | |
| 77 | M26 | Die lustige Legion | mch (+ pf) | | 1846? | Choral, secular | |
| 78 | M17 | Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!) | mch pf | | 1843–44 | Choral, secular | No.1 of Sechs Männerchöre |
| 79/1 | M14/2 | Titan (Auf des Athos blauen Felsenspitzen) | bar mch pf | | 1842–47 | Choral, secular | 2nd version of S.700j; arr. for bar mch orch as S.79/2 |
| 79/2 | L4 | Titan (Auf des Athos blauen Felsenspitzen) | bar mch orch | | 1848 | Choral, secular | arr. of S.79/1 |
| 80 | L2 | Les quatre élémens | mch pf/pf4h | | 1844–45 | Choral, secular | |
| 80/1 | L2/1 | La terre | mch pf | | 1844–45 | Choral, secular | |
| 80/2 | L2/2 | Les aquilons | mch pf4h | | 1844 | Choral, secular | |
| 80/3 | L2/3 | Les flots | mch pf | | 1845 | Choral, secular | |
| 80/4 | L2/4 | Les astres | mch pf | | 1845? | Choral, secular | arr. for mch orch by Liszt and August Conradi as S.80b/4 |
| 80bis | M20 | Les quatre élémens | mch, piano | vocal score of S.80 | 1844–48 | Choral, secular | vocal score of S.80/1 |
| 80bis/1 | L2/1 | La terre | mch orch | | 1844–48 | Choral, secular | vocal score of S.80 |
| 80bis/2 | M20/2 | Les aquilons | mch orch | | 1844–48 | Choral, secular | vocal score of S.80 |
| 80bis/3 | M20/3 | Les flots | mch orch | | 1845–48 | Choral, secular | vocal score of S.80 |
| 80bis/4 | M20/4 | Les astres | mch orch | | 1845–48 | Choral, secular | vocal score of S.80 |
| 81/1 | M21 | Le forgeron (Le fer est dur, frappons, frappons) | 2vv mch pf | | 1845 | Choral, secular | arr. for 2vv mch orch by Liszt and August Conradi as S.81/2 |
| 81/2 | L3 | Le forgeron (Le fer est dur, frappons, frappons) | 2vv mch orch | | 1845–48 | Choral, secular | arr. of S.81/1 by Liszt and August Conradi |
| 81a | M25 | A patakhoz (A patakcsa) | mch | | 1846 | Choral, secular | |
| 82 | M16 | Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert) | bar mch pf | | 1843–48? | Choral, secular | arr. for pf as S.510; arr. for pf4h as S.587 |
| 83a | L5 | Ungaria-Kantate (Aus Osten aus der Sonne Tor) | vv mch pf | | 1842–48? | Choral, secular | arr. for vv mch orch by Liszt and August Conradi as S.83b |
| 83b | L5 | Ungaria-Kantate (Aus Osten aus der Sonne Tor) | vv mch orch | | 1848 | Choral, secular | arr. of S.83a by Liszt and August Conradi |
| 84/1 | M28/1 | Licht, mehr Licht | mch 3tbn tba | | 1849 | Choral, secular | 1st version of S.84/2 |
| 84/2 | M28/2 | Licht, mehr Licht | mch 2tpt 3tbn | | 1856 | Choral, secular | 2nd version of S.84/1 |
| 85/1 | M29/1 | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) | mch pf | | 1849 | Choral, secular | 1st version of S.85/2, S.85/3 |
| 85/2 | M29/2 | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) | fch hp pf/harm | | 1849 | Choral, secular | 2nd version of S.85/1, S.85/3 |
| 85/3 | L7 | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) | ch hp/pf | | 1849 | Choral, secular | 3rd version of S.85/1, S.85/2 |
| 86a | M30 | Festchor zur Enthüllung des Herder-Denkmals in Weimar | mch pf | | 1850 | Choral, secular | arr. for mch br as S.86b |
| 86b | M30 | Festchor zur Enthüllung des Herder-Denkmals in Weimar | mch br | | 1850 | Choral, secular | arr. of S.86a |
| 87/1a | L10a | Weimars Volkslied (Von der Wartburg) | mch ww br perc | E major | 1857 | Choral, secular | arr. of S.313; 1st version of S.87/1c; arr. for mch pf as S.87/1b |
| 87/1b | M32a | Weimars Volkslied (Von der Wartburg) | mch pf | E major | 1857, rev. 1875? | Choral, secular | arr. of S.87/1a |
| 87/1c | L10a | Weimars Volkslied (Von der Wartburg) | mch ww br perc | E major | 1875? | Choral, secular | 2nd version of S.87/1a; renumbered from S.87/1bis |
| 87/2 | M32b | Weimars Volkslied (Von der Wartburg) | mch (+ pf) | F major | 1857? | Choral, secular | arr. of S.313 |
| 87/3a | M32c/1 | Weimars Volkslied (Von der Wartburg) | mch | E major | 1860? | Choral, secular | arr. of S.313; 1st version of S.87/3b |
| 87/3b | M32c/2 | Weimars Volkslied (Von der Wartburg) | mch | E major | 1875? | Choral, secular | 2nd version of S.87/3a; not published |
| 87/4 | M32d | Weimars Volkslied (Von der Wartburg) | mch org | E major | 1875 | Choral, secular | arr. of S.313 |
| 87/5 | M32e | Weimars Volkslied (Von der Wartburg) | mch (+ pf) | E major | 1875 | Choral, secular | arr. of S.313 [by Bernhard Sulze?] |
| 87/6 | M32f | Weimars Volkslied (Von der Wartburg) | uch | E major | 1875? | Choral, secular | arr. of S.313 |
| 87/7 | M32g | Weimars Volkslied (Von der Wartburg) | cch | F major | 1875? | Choral, secular | arr. of S.313 |
| 87/8a | L10b/1 | Weimars Volkslied (Von der Wartburg) | uch br | C major | 1857? | Choral, secular | arr. of S.313; arr. for uch pf as S.87/8b |
| 87/8b | L10b/2 | Weimars Volkslied (Von der Wartburg) | uch pf | C major | 1857? | Choral, secular | arr. of S.87/8a |
| 88 | M34b | Mit klingendem Spiel I (Morgenlied) | fch | | 1859 | Choral, secular | alternative text to S.89 |
| 89 | M34a | Mit klingendem Spiel II (Morgenlied) | cch | | 1859 | Choral, secular | alternative text to S.88 |
| 90/1a | M31/1 | Vereins-Lied (Frisch auf, zu neuem Leben) | mch | | 1855 | Choral, secular | 1st version of S.90/1b, S.90/1c |
| 90/1b | M31/2 | Vereins-Lied (Frisch auf, zu neuem Leben) | mch | | 1857 | Choral, secular | 2nd version of S.90/1a, S.90/1c |
| 90/1c | M31/3 | Vereins-Lied (Frisch auf, zu neuem Leben) | mch | | 1860 | Choral, secular | No.1 of Für Männergesang; 3rd version of S.90/1a, S.90/1b |
| 90/2a | M7/1 | Ständchen (Hüttelein, still und klein) | ten mch | A major | 1841–43? | Choral, secular | 1st version of S.90/2b, S.90/2c |
| 90/2b | M7/2 | Ständchen (Hüttelein, still und klein) | ten mch | A major | 1845–49? | Choral, secular | No.6 of Sechs Männerchöre; 2nd version of S.90/2a, S.90/2c |
| 90/2c | M7/3 | Ständchen (Hüttelein, still und klein) | ten mch | G major | 1857–60 | Choral, secular | No.2 of Für Männergesang; 3rd version of S.90/2a, S.90/2b |
| 90/3a | M10/1 | Wir sind nicht Mumien | mch pf | | 1842 | Choral, secular | No.1 of Vierstimmige Männergesänge; 1st version of S.90/3b |
| 90/3b | M10/2 | Wir sind nicht Mumien | mch pf | | 1860–61 | Choral, secular | No.3 of Für Männergesang; 2nd version of S.90/3a |
| 90/4a | M22/1 | Vor der Schlacht (Es rufet Gott uns mahnend) | mch pf | | 1845 | Choral, secular | 1st version of S.90/4b; arr. for pf as S.511/1 |
| 90/4b | M22/2 | Vor der Schlacht (Es rufet Gott uns mahnend) | mch | | 1860 | Choral, secular | No.4 of Für Männergesang; 2nd version of S.90/4a |
| 90/5a | M23/1 | Nicht gezagt | mch pf | A♭ major | 1845 | Choral, secular | 1st version of S.90/5b; arr. for pf as S.511/2 |
| 90/5b | M23/2 | Nicht gezagt | mch | G major | 1860 | Choral, secular | No.5 of Für Männergesang; 2nd version of S.90/5a |
| 90/6a | M24/1 | Es rufet Got | mch pf | | 1845 | Choral, secular | 1st version of S.90/6b; arr. for pf as S.511/3 |
| 90/6b | M24/2 | Es rufet Got | mch | | 1860 | Choral, secular | No.6 of Für Männergesang; 2nd version of S.90/6a |
| 90/7a | M18/1 | Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) | mch (+tpt timp) | | 1844 | Choral, secular | No.5 of Sechs Männerchöre; 1st version of S.90/7b |
| 90/7b | M18/2 | Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) | mch (+tpt timp) | | 1860–61 | Choral, secular | No.7 of Für Männergesang; 2nd version of S.90/7a |
| 90/8a | M9/1 | Die alten Sagen kunden | mch pf | B♭ major | 1841–45? | Choral, secular | No.2 of Sechs Männerchöre; 1st version of S.90/8b |
| 90/8b | M9/2 | Die alten Sagen kunden | 4vv mch | A minor | 1860–61 | Choral, secular | No.8 of Für Männergesang; 2nd version of S.90/8a |
| 90/9a | M8/1 | Saatengrün | mch pf/(hp?) | | 1843? | Choral, secular | No.3 of Sechs Männerchöre; 1st version of S.90/9b |
| 90/9b | M8/2 | Saatengrün | mch | A major | 1860–61 | Choral, secular | No.9 of Für Männergesang; 2nd version of S.90/9a |
| 90/10a | M6/1 | Der Gang um Mitternacht (Ich schreite mit dem Geist) | mch | | 1841–43? | Choral, secular | No.4 of Sechs Männerchöre; 1st version of S.90/10b |
| 90/10b | M6/2 | Der Gang um Mitternacht (Ich schreite mit dem Geist) | ten mch | | 1860 | Choral, secular | No.10 of Für Männergesang; 2nd version of S.90/10a |
| 90/11a | M35/1 | Festlied zu Schillers Jubelfeier 10 November 1859 | bar mch | | 1859 | Choral, secular | 1st version of S.90/11b |
| 90/11b | M35/2 | Festlied zu Schillers Jubelfeier 10 November 1859 | bar mch | | 1860 | Choral, secular | No.11 of Für Männergesang; 2nd version of S.90/11a |
| 90/12a | M13/1 | Gottes ist der Orient | mch | B major | 1842 | Choral, secular | No.4 of Vierstimmige Männergesänge; 1st version of S.90/12b |
| 90/12b | M13/2 | Gottes ist der Orient | mch | A major | 1860–61 | Choral, secular | No.12 of Für Männergesang; 2nd version of S.90/12a |
| 91/1 | M36/1 | Das Lied der Begeisterung (A lelkesedés dala) | mch | | 1871 | Choral, secular | 1st version of S.91/2; German and Hungarian text |
| 91/2 | M36/2 | Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut) | mch org | | 1874 | Choral, secular | 2nd version of S.91/1; German text only |
| 92 | — | Carl August weilt mit uns (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar) | fch br timp | | 1875 | Choral, secular | fanfare arr. for pf as S.542b |
| 93/1 | L17a | Magyar király-dal (Ungarisches Königslied) | mch | | 1883 | Choral, secular | arr. of S.340 |
| 93/2 | L17b | Magyar király-dal (Ungarisches Königslied) | ch | | 1883 | Choral, secular | arr. of S.340 |
| 93/3 | L17c | Magyar király-dal (Ungarisches Königslied) | mch pf | | 1883 | Choral, secular | arr. of S.340 |
| 93/4 | L17d | Magyar király-dal (Ungarisches Königslied) | ch pf | | 1883 | Choral, secular | arr. of S.340 |
| 93/5 | L17e | Magyar király-dal (Ungarisches Königslied) | mch orch | | 1883 | Choral, secular | arr. of S.340 |
| 93/6 | L17f | Magyar király-dal (Ungarisches Königslied) | ch orch | | 1883 | Choral, secular | arr. of S.340 |
| 93/7 | L17g | Magyar király-dal (Ungarisches Königslied) | cch | | 1883 | Choral, secular | arr. of S.340 |
| 94 | M38 | Gruss (Glück auf) | mch | | 1885 | Choral, secular | |
| 95–119 | | Orchestral works | Orchestral works | Orchestral works | Orchestral works | Orchestral works | Orchestral works |
| 95–107 | | Symphonic poems | Symphonic poems | Symphonic poems | Symphonic poems | Symphonic poems | Symphonic poems |
| 95 | G1 | Ce qu'on entend sur la montagne (Symphonic Poem No.1) | orch | | 1848–49, rev. 1850, 1854 | Orchestral, symphonic poem | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a |
| 96 | G2 | Tasso: Lamento e Trionfo (Symphonic Poem No.2) | orch | | 1849, rev. 1850–51, 1854 | Orchestral, symphonic poem | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3 |
| 97 | G3 | Les préludes (Symphonic Poem No.3) | orch | | 1850–55 | Orchestral, symphonic poem | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a |
| 98 | G9 | Orpheus (Symphonic Poem No.4) | orch | | 1853–54 | Orchestral, symphonic poem | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d |
| 99 | G6 | Prometheus (Symphonic Poem No.5) | orch | | 1855 | Orchestral, symphonic poem | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 |
| 100 | G7 | Mazeppa (Symphonic Poem No.6) | orch | | 1851–54 | Orchestral, symphonic poem | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640 |
| 101 | G10 | Festklänge (Symphonic Poem No.7) | orch | | 1853, rev. 1861 | Orchestral, symphonic poem | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641 |
| 102 | G4 | Héroïde funèbre (Symphonic Poem No.8) | orch | | 1854–56 | Orchestral, symphonic poem | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642 |
| 103 | G13 | Hungaria (Symphonic Poem No.9) | orch | | 1854 | Orchestral, symphonic poem | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643 |
| 104 | G22 | Hamlet (Symphonic Poem No.10) | orch | | 1858 | Orchestral, symphonic poem | arr. for pf4h as S.597, for 2pf as S.644 |
| 105 | G17 | Hunnenschlacht (Symphonic Poem No.11) | orch | | 1855–57 | Orchestral, symphonic poem | arr. for pf4h as S.596b, for 2pf as S.645 |
| 106 | G15 | Die Ideale (Symphonic Poem No.12) | orch | | 1856–57 | Orchestral, symphonic poem | themes used in S.520; arr. for pf4h as S.596c, for 2pf as S.646 |
| 107 | G38 | Von der Wiege bis zum Grabe (From the Cradle to the Grave) (Symphonic Poem No.13) | orch | | 1882 | Orchestral, arr. | arr. of S.512; see also S.133 |
| 108–119 | | Other orchestral works | Other orchestral works | Other orchestral works | Other orchestral works | Other orchestral works | Other orchestral works |
| 108 | G12 | Faust Symphony (Eine Faust-Symphonie) | orch (+ ten mch) | | 1854, 1857–61, 1880 | Orchestral | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513 |
| 109 | G14 | Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) | orch fch | | 1855–56 | Orchestral | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f |
| 109a | – | Grand Overture | orch | | 1842 | Orchestra | Overture of Don Sanche, S. 1 when performed separately |
| 110 | G16 | Episoden aus Lenau's Faust (2): | orch | | 1856–61 | Orchestral | |
| 110/1 | G16/1 | Der nächtliche Zug | orch | | 1856–61 | Orchestral | arr. for pf as S.513a; for pf4h as S.599/1 |
| 110/2 | G16/2 | Der Tanz in der Dorfschenke (Mephisto Waltz) | orch | | 1856–61 | Orchestral | 1st version of S.110/2a; arr. for pf as S.514 |
| 111 | G37 | Mephisto Waltz No.2 (Zweiter Mephisto-Walzer) | orch | | 1880–81 | Orchestral | arr. of S.515 |
| 112 | G25 | Odes funèbres (3): | orch | | 1860–66 | Orchestral | |
| 112/1 | G25/1 | Les morts | orch (+ mch) | | 1860 | Orchestral | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2 |
| 112/2 | G25/2 | La notte | orch | | 1860–64 | Orchestral | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a |
| 112/3 | G25/3 | Le triomphe funèbre du Tasse | orch | | 1866 | Orchestral | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?) |
| 113/1 | G28/1 | Boże, coś Polskę | orch | | 1863 | Orchestral | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1 |
| 113/2 | G28/2 | Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) | orch | | 1884 | Orchestral | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2 |
| 113a | G27 | Légendes (2): | orch | | 1863 | Orchestral | arr. of S.175 |
| 113a/1 | G27/1 | St François d'Assise: la prédication aux oiseaux | orch | | 1863 | Orchestral | arr. of S.175/1 |
| 113a/2 | G27/2 | St François de Paule: marchant sur les flots | orch | | 1863 | Orchestral | arr. of S.175/2 |
| 114 | G20 | Künstlerfestzug zur Schillerfeier 1859 | orch | | 1857–59 | Orchestral | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605 |
| 115 | G5 | Festmarsch zur Goethe-Jubiläumsfeier | orch | | 1857 | Orchestral | based on S.227; arr. for pf as S.521; arr. for pf4h as S.606 |
| 116 | G23 | Festmarsch nach Motiven von E.H.z.S.-C.-G. | orch | | 1858–59 | Orchestral | based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607 |
| 117 | G29 | Rákóczi-Marsch | orch | | 1863–67 | Orchestral | arr. of S.244/15; arr. for pf as S.244a; arr. for pf4h as S.608; arr. for 2pf as S.652a |
| 118 | G33 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 | orch | | 1870 | Orchestral | arr. for pf as S.523; arr. for pf4h as S.609 |
| 119 | G35 | Ungarischer Sturmmarsch (Hungarian Battle March) | orch | | 1875 | Orchestral | based on S.232; arr. for pf as S.524, for pf4h as S.610 |
| 120–126a | | Pianoforte and orchestra | Pianoforte and orchestra | Pianoforte and orchestra | Pianoforte and orchestra | Pianoforte and orchestra | Pianoforte and orchestra |
| 120 | H2 | Grande fantaisie symphonique (über Themen aus Hector Berlioz' Lélio) | pf orch | | 1834 | Orchestral, piano | based on themes from Lélio, ou le retour à la vie, H.55 by Hector Berlioz |
| 121 | H1 | Malédiction | pf str | E minor | 1833 | Orchestral, piano | |
| 121a | H3 | De Profundis (Psaume instrumentale) | pf orch | | 1834–35 | Orchestral, piano | formerly S.691; unfinished |
| 122 | H9 | Fantasie über Motive aus Beethovens Ruinen von Athen | pf orch | | 1852 | Orchestral, piano | based on S.388b, using themes from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388 |
| 123 | H12 | Fantasie über ungarische Volksmelodien | pf orch | | 1846–52 | Orchestral, piano | based on S.244/14 |
| 124 | H4 | Piano Concerto No.1 | pf orch | E♭ major | 1835–56 | Orchestral, piano | arr. for 2pf as S.650 |
| 125 | H6 | Piano Concerto No.2 | pf orch | A major | 1849–61 | Orchestral, piano | based on S.524a; arr. for 2pf as S.651 |
| 125a | Q6 | Piano Concerto [No.3] | pf orch | E♭ major | 1835–39 | Orchestral, piano | unfinished; performing version realized by Jay Rosenblatt |
| 126i | H8 | Totentanz | pf orch | | 1847–53 | Orchestral, piano | 1st version of S.126ii; published in altered form by Busoni; original score unpublished (in private collection) |
| 126ii | H8 | Totentanz | pf orch | | 1859–64? | Orchestral, piano | 2nd version of S.126i; arr. for pf as S.525, for 2pf as S.652 |
| 126a# | W14 | Concerto in the Hungarian Style | pf orch | | | Orchestral, piano | not by Liszt (see Ungarische Zigeunerweisen [S. 714] by Sophie Menter) |
| 126b–135 | | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. |
| 126b | D1 | Waltzes (2): | vn pf | | 1823–25? | Chamber | |
| 126b/1 | D1/1 | Waltz | vn pf | A major | 1823–25? | Chamber | |
| 126b/2 | D1/2 | Waltz aus dem Ballet "Die Amazonen" | vn pf | A major | 1823–25? | Chamber | based on a theme from the ballet Die Amazonen by Robert von Gallenberg; arr. for pf as S.208a |
| 126c | D2 | Trio | vn vc pf | | 1835 | Chamber | formerly S. 717; ms. in private hands; unobtainable |
| 127 | D3 | Duo (Sonata) ["sur des thèmes polonais"] | vn pf | C♯ minor | 1835 | Chamber | based on No.2 of the Mazurkas, Op.6 by Frédéric Chopin |
| 128 | D4 | Grand Duo Concertant (sur la romance de M. Lafont, "Le marin") | vn pf | | 1849? | Chamber | |
| 129 | D12 | Epithalam (zu Eduard Reményis Vermählungsfeier) | vn pf | | 1872 | Chamber | arr. for pf as S.526; arr. for pf4h as S.611 [?] |
| 130a | D13a | Elegy No.1 | hp vc pf harm | | 1874 | Chamber | arr. of S.196; see also S.130b, S.130c, S.612 |
| 130b | D13b | Elegy No.1 | vc pf | | 1874 | Chamber | arr. of S.196; see also S.130a, S.130c, S.612 |
| 130c | D13c | Elegy No.1 | vn pf (+ harm) | | 1874 | Chamber | arr. of S.196; see also S.130a, S.130b, S.612 |
| 131 | D14 | Elegy No.2 | vc pf | | 1877–78 | Chamber | arr. of S.197; see also S.131a |
| 131a | D14 | Elegy No.2 | vn pf | | 1877–78 | Chamber | arr. of S.197; see also S.131; renumbered from S.131bis |
| 132a | D16a | Romance oubliée | va pf | | 1880 | Chamber | arr. of S.527; see also S.132b, S.132c |
| 132b | D16b | Romance oubliée | vn pf | | 1880 | Chamber | arr. of S.527; see also S.132a, S.132c |
| 132c | D16c | Romance oubliée | vc pf | | 1880 | Chamber | arr. of S.527; see also S.132a, S.132b |
| 133# | S61 | Die Wiege (The Cradle) | | | | | deleted; see S. 107 |
| 134 | D19/2 | La lugubre gondola (Die Trauer-Gondel) | vc pf | | 1882–83 | Chamber | arr. of S.200/1 |
| 134a | D19/1 | La lugubre gondola (Die Trauer-Gondel) | vn pf | | 1885 | Chamber | arr. of S.200/2; renumbered from S.134bis |
| 135 | D20 | Am Grabe Richard Wagners | 2vn va vc (+ hp) | | 1883 | Chamber | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267 |
| 136–254 | | Solo Piano | Solo Piano | Solo Piano | Solo Piano | Solo Piano | Solo Piano |
| 136–146 | | Studies | Studies | Studies | Studies | Studies | Studies |
| 136 | A8 | Étude en douze exercices: | pf | | 1826 | Piano, etude | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 |
| 136/1 | A8/1 | (Allegro con fuoco) | pf | C major | 1826 | Piano, etude | rev. as S.137/1 |
| 136/2 | A8/2 | (Allegro non molto) | pf | A minor | 1826 | Piano, etude | rev. as S.137/2 |
| 136/3 | A8/3 | (Allegro sempre legato) | pf | F major | 1826 | Piano, etude | rev. as S.137/3 |
| 136/4 | A8/4 | (Allegretto) | pf | D minor | 1826 | Piano, etude | rev. as S.137/4 |
| 136/5 | A8/5 | (Moderato) | pf | B♭ major | 1826 | Piano, etude | rev. as S.137/5 |
| 136/6 | A8/6 | (Molto agitato) | pf | G minor | 1826 | Piano, etude | rev. as S.137/6 |
| 136/7 | A8/7 | (Allegretto con molto espressione) | pf | E♭ major | 1826 | Piano, etude | rev. as S.137/11 |
| 136/8 | A8/8 | (Allegro con spirito) | pf | C minor | 1826 | Piano, etude | rev. as S.137/8 |
| 136/9 | A8/9 | (Allegro grazioso) | pf | A♭ major | 1826 | Piano, etude | rev. as S.137/9 |
| 136/10 | A8/10 | (Moderato) | pf | F minor | 1826 | Piano, etude | rev. as S.137/10 |
| 136/11 | A8/11 | (Allegro grazioso) | pf | D♭ major | 1826 | Piano, etude | |
| 136/12 | A8/12 | (Allegro non troppo) | pf | B♭ minor | 1826 | Piano, etude | rev. as S.137/12 |
| 137 | A39 | Grandes études: | pf | | 1837 | Piano, etude | based on S.136; rev. as S.139 |
| 137/1 | A39/1 | (Presto) | pf | C major | 1837 | Piano, etude | based on S.136/1; rev. as S.139/1 |
| 137/2 | A39/2 | (Molto vivace) | pf | A minor | 1837 | Piano, etude | based on S.136/2; rev. as S.139/2 |
| 137/3 | A39/3 | (Poco adagio) | pf | F major | 1837 | Piano, etude | based on S.136/3; rev. as S.139/3 |
| 137/4 | A39/4 | (Allegro patetico) | pf | D minor | 1837 | Piano, etude | based on S.136/4; rev. as S.138, S.139/4 |
| 137/5 | A39/5 | (Egualmente) | pf | B♭ major | 1837 | Piano, etude | based on S.136/5; rev. as S.139/5 |
| 137/6 | A39/6 | (Largo patetico) | pf | G minor | 1837 | Piano, etude | based on S.136/6; rev. as S.139/6 |
| 137/7 | A39/7 | (Allegro deciso) | pf | E♭ major | 1837 | Piano, etude | rev. as S.139/7 |
| 137/8 | A39/8 | (Presto strepitoso) | pf | C minor | 1837 | Piano, etude | based on S.136/8; rev. as S.139/8 |
| 137/9 | A39/9 | (Andantino) | pf | A♭ major | 1837 | Piano, etude | based on S.136/9; rev. as S.139/9 |
| 137/10 | A39/10 | (Presto molto agitato) | pf | F minor | 1837 | Piano, etude | based on S.136/10; rev. as S.139/10 |
| 137/11 | A39/11 | (Lento assai) | pf | D♭ major | 1837 | Piano, etude | based on S.136/7; rev. as S.139/11 |
| 137/12 | A39/12 | (Andantino) | pf | B♭ minor | 1837 | Piano, etude | based on S.136/12; rev. as S.139/12 |
| 138 | A172/4 | Mazeppa | pf | D minor | 1840 | Piano, etude | based on S.137/4; rev. as S.139/4 |
| 139 | A172 | Études d'exécution transcendante (12 Transcendental Etudes): | pf | | 1851 | Piano, etude | based on S.137 |
| 139/1 | A172/1 | Preludio | pf | C major | 1851 | Piano, etude | based on S.137/1 |
| 139/2 | A172/2 | (Molto vivace) | pf | A minor | 1851 | Piano, etude | based on S.137/2 |
| 139/3 | A172/3 | Paysage | pf | F major | 1851 | Piano, etude | based on S.137/3 |
| 139/4 | A172/4 | Mazeppa | pf | D minor | 1851 | Piano, etude | based on S.137/4, S.138 |
| 139/5 | A172/5 | Feux-follets (Irrlichter) | pf | B♭ major | 1851 | Piano, etude | based on S.137/5 |
| 139/6 | A172/6 | Vision | pf | G minor | 1851 | Piano, etude | based on S.137/6 |
| 139/7 | A172/7 | Eroica | pf | E♭ major | 1851 | Piano, etude | based on S.137/7 |
| 139/8 | A172/8 | Wilde Jagd | pf | C minor | 1851 | Piano, etude | based on S.137/8 |
| 139/9 | A172/9 | Ricordanza | pf | A♭ major | 1851 | Piano, etude | based on S.137/9 |
| 139/10 | A172/10 | (Allegro agitato molto) | pf | F minor | 1851 | Piano, etude | based on S.137/10 |
| 139/11 | A172/11 | Harmonies du soir | pf | D♭ major | 1851 | Piano, etude | based on S.137/11; later version of introduction, see S.166o |
| 139/12 | A172/12 | Chasse-neige | pf | B♭ minor | 1851 | Piano, etude | based on S.137/12 |
| 140 | A52 | Études d'exécution transcendante d'après Paganini: | pf | | 1838 | Piano, etude | based on themes from 24 Caprices for Solo Violin, Op.1 and Violin Concerto No.2, Op.7 by Niccolò Paganini; 1st version of S.141 |
| 140/1 | A52/1 | Tremolo | pf | G minor | 1838 | Piano, etude | 1st version of S.141/1; with ossia passage by Schumann |
| 140/2 | A52/2 | Octave | pf | E♭ major | 1838 | Piano, etude | 1st version of S.141/2 |
| 140/3 | A52/3 | Campanella | pf | A♭ minor | 1838 | Piano, etude | 1st version of S.141/3 |
| 140/4a | A52/4a | Arpeggio | pf | E major | 1838 | Piano, etude | 1st version S.141/4 |
| 140/4b | A52/4b | Arpeggio | pf | E major | 1838 | Piano, etude | 1st version S.141/4 |
| 140/5 | A52/5 | La chasse | pf | E major | 1838 | Piano, etude | 1st version of S.141/5 |
| 140/6 | A52/6 | Tema con Variazioni | pf | A minor | 1838 | Piano, etude | 1st version of S.141/6 |
| 141 | A173 | Grandes études de Paganini: | pf | | 1851 | Piano, etude | based on themes from 24 Caprices for Solo Violin, Op.1 and Violin Concerto No.2, Op.7 by Niccolò Paganini; 2nd version of S.140 |
| 141/1 | A173/1 | Preludio (Andante). Etude (Non troppo lento) | pf | G minor | 1851 | Piano, etude | 2nd version of S.140/1 |
| 141/2 | A173/2 | (Andante) | pf | E♭ major | 1851 | Piano, etude | 2nd version of S.140/2 |
| 141/3 | A173/3 | La campanella (Allegretto) | pf | G♯ minor | 1851 | Piano, etude | 2nd version of S.140/3 |
| 141/4 | A173/4 | (Vivo) | pf | E major | 1851 | Piano, etude | 3rd version of S.140/4a, S.140/4b |
| 141/5 | A173/5 | (Allegretto) | pf | E major | 1851 | Piano, etude | 2nd version of S.140/5 |
| 141/6 | A173/6 | (Quasi presto) | pf | A minor | 1851 | Piano, etude | 2nd version of S.140/6 |
| 141/6a | — | Album Leaf ("Introduction to the Grande Étude de Paganini No 6") | pf | | 1884 | Piano, etude | renumbered from S.141/6bis |
| 142 | A63a | Morceau de salon (Étude de perfectionnement) | pf | E minor | 1840 | Piano, etude | 1st version of S.143 |
| 143 | A63b | Ab irato (Étude de perfectionnement) | pf | E minor | 1852 | Piano, etude | 2nd version of S.142 |
| 144 | A118 | 3 Études de concert (3): | pf | | 1845–49 | Piano, etude | |
| 144/1 | A118/1 | Il lamento | pf | A♭ major | 1845–49 | Piano, etude | |
| 144/2 | A118/2 | La leggierezza | pf | F minor | 1845–49 | Piano, etude | |
| 144/3 | A118/3 | Un sospiro | pf | D♭ major | 1845–49 | Piano, etude | |
| 144/3a | A118/3 | Two additional cadenzas to Un Sospiro | pf | D♭ major | 1848? | Piano, etude | renumbered from S.144/3bis |
| 145 | A218 | Konzertetüden (Concert-Studies) (2): | pf | | 1862 | Piano, etude | |
| 145/1 | A218/1 | Waldesrauschen (Forest Murmurs) | pf | D♭ major | 1862 | Piano, etude | |
| 145/2 | A218/2 | Gnomenreigen (Gnomes' Round Dance) | pf | F♯ minor–F♯ major | 1862 | Piano, etude | |
| 146 | A242 | Technische Studien (Technical Studies) | pf | | 1868–73 | Piano, etude | 68 studies in 3 books |
| 147–208 | | Various original works | Various original works | Various original works | Various original works | Various original works | Various original works |
| 147 | A1 | Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli) | pf | C minor | 1822 | Piano, original | contribution to the album Vaterländischer Künstlerverein |
| 147a# | — | Variationen über Romanze aus Joseph von Méhul | pf | | | Piano(not original) | spurious (by Franz Xaver Wolfgang Mozart); see S.697 |
| 148 | A3 | Variations (8) | pf | A♭ major | 1824 | Piano, original | published as Op.1 |
| 149 | A4 | Variations brillantes sur un thème de Rossini (7) | pf | | 1824 | Piano, original | published as Op.2; based on 'Ah, come nascondere la fiamma' from Ermione by Gioachino Rossini |
| 150 | A5 | Impromptu brillant sur des thèmes de Rossini et Spontini | pf | | 1824 | Piano, original | published as Op.3; using themes from Armida and La donna del lago by Gioachino Rossini, and Fernand Cortez and Olimpie by Gaspare Spontini |
| 151 | A6 | Allegro di bravura | pf | E♭ minor | 1824–25 | Piano, original | published as Op.4/1 |
| 151a | — | Adagio non troppo | pf | | 1824? | Piano, original | |
| 152 | A7 | Rondo di bravura | pf | E minor | 1824–25 | Piano, original | published as Op.4/2 |
| 152a | — | Klavierstück | pf | A♭ major | 1824–27? | Piano, original | |
| 153 | A9 | Scherzo (Allegro molto quasi presto) | pf | G minor | 1827 | Piano, original | |
| 153a | Q3 | Grand solo caractèristique d'apropos une chansonette de Panseron | pf | | 1830–32 | Piano, original | formerly S.754a; unpublished (in private collection) |
| 154 | A18 | Harmonies poétiques et religieuses | pf | | 1833–34 | Piano, original | 1st version of S.172a/8, S.173/4 |
| 155 | A19 | Apparitions | pf | | 1834 | Piano, original | |
| 155/1 | A19/1 | (Senza lentezza quasi Allegretto) | pf | F♯ major | 1834 | Piano, original | |
| 155/2 | A19/2 | (Vivamanete) | pf | A minor | 1834 | Piano, original | |
| 155/3 | A19/3 | Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato) | pf | | 1834 | Piano, original | based on No.33 of 36 Originaltänze, D.365 by Franz Schubert |
| 155a | A27a | Airs Suisses (3) | pf | | 1835–36 | Piano, original | published as Op.10; 1st version of S.156/17–19, S.156a |
| 155a/1 | A27a/1 | Improvisata sur le Ranz des vaches (Départ pour les Alpes) | pf | | 1835–36 | Piano, original | 1st version of S.156/17, S.156a/1 |
| 155a/2 | A27a/2 | Nocturne sur le Chant Montagnard | pf | | 1835–36 | Piano, original | 1st version of S.156/18, S.156a/2 |
| 155a/3 | A27a/3 | Rondeau sur le Ranz des chèvres | pf | | 1835–36 | Piano, original | 1st version of S.156/19, S.156a/3 |
| 156 | A40a | Album d'un voyageur I. Impressions et Poésies | pf | | 1837–38 | Piano, original | |
| 156/1 | A40a/1 | Lyon | pf | C major | 1837–38 | Piano, original | |
| 156/2 | A40a/2a | Le lac de Wallenstadt | pf | A♭ major | 1837–38 | Piano, original | 1st version of S.160/2 |
| 156/3 | A40a/2b | Au bord d'une source | pf | A♭ major | 1837–38 | Piano, original | 1st version of S.160/4, S.160/4a |
| 156/4 | A40a/3 | Les cloches de G[enève] | pf | B major | 1837–38 | Piano, original | 1st version of S.160/9 |
| 156/5 | A40a/4 | Vallée d'Obermann | pf | E minor | 1837–38 | Piano, original | 1st version of S.160/6 |
| 156/6 | A40a/5 | La chapelle de Guilaume Tell | pf | C major | 1837–38 | Piano, original | 1st version of S.160/1 |
| 156/7 | A40a/6 | Psaume (de l'église à Genève) | pf | F major | 1837–38 | Piano, original | |
| | A40b | Album d'un voyageur II. Fleurs mélodiques des Alpes | pf | C major | 1837–38 | Piano, original | |
| 156/8 | A40b/1 | (Allegro) | pf | C major | 1837–38 | Piano, original | |
| 156/9 | A40b/2 | (Lento– Allegro vivace) | pf | E minor–G major | 1837–38 | Piano, original | |
| 156/10 | A40b/3 | (Allegro pastorale) | pf | G major | 1837–38 | Piano, original | 1st version of S.160/3 |
| 156/11 | A40b/4 | (Andante con sentimento– Allegretto) | pf | G major | 1837–38 | Piano, original | |
| 156/12 | A40b/5 | (Andante molto espressivo) | pf | G minor | 1837–38 | Piano, original | |
| 156/13 | A40b/6 | (Allegro moderato) | pf | E major | 1837–38 | Piano, original | |
| 156/14 | A40b/7 | (Allegretto) | pf | A♭ major | 1837–38 | Piano, original | |
| 156/15 | A40b/8 | (Allegretto) | pf | D♭ major | 1837–38 | Piano, original | |
| 156/16 | A40b/9 | (Andantino con molto sentimento) | pf | G major | 1837–38 | Piano, original | |
| | A40c | Album d'un voyageur III. Paraphrases | pf | | 1837–38 | Piano, original | 2nd version of S.155a, S.156a |
| 156/17 | A40c/1 | Ranz de vaches (Montée aux Alpes: Improvisata) | pf | G major | 1837–38 | Piano, original | 2nd version of S.155a/1, S.156a/1 |
| 156/18 | A40c/2 | Un soir dans les montagnes (Nocturne pastoral) | pf | C major | 1837–38 | Piano, original | 2nd version of S.155a/2, S.156a/2 |
| 156/19 | A40c/3 | Ranz de chèvres de F. Huber (Allegro finale) | pf | | 1837–38 | Piano, original | 2nd version of S.155a/3, S.156a/3 |
| 156a | A27b | Morceaux suisses (3): | pf | | 1876–77 | Piano, original | 3rd version of S.155a, S.156/17–19 |
| 156a/1 | A27b/1 | Ranz de vaches (Mélodie de Ferdinand Huber, avec variations) | pf | | 1876–77 | Piano, original | 3rd version of S.155a/1, S.156/17 |
| 156a/2 | A27b/2 | Un soir dans la montagne (Mélodie d'Ernest Knop) | pf | | 1876–77 | Piano, original | 3rd version of S.155a/2, S.156/18 |
| 156a/3 | A27b/3 | Ranz de chèvres (Rondeau) | pf | | 1876–77 | Piano, original | 3rd version of S.155a/3, S.156/19 |
| 157 | A21 | Fantaisie romantique sur deux mélodies suisses | pf | | 1835–36 | Piano, original | |
| 157a | A55/1 | Sposalizio | pf | E major | 1838–39 | Piano, original | 1st version of S.161/1 |
| 157b | A55/2 | Il penseroso | pf | | 1839 | Piano, original | 1st version of S.161/2 |
| 157c | A55/3 | Canzonetta del Salvator Rosa | pf | | 1838–39 | Piano, original | 1st version of S.161/3 |
| 157d | A101 | Quasi Mazurka | pf | | 1843 | Piano, original | |
| 158 | A102 | Sonetti di Petrarca (3): | pf | | 1843–46 | Piano, original | arrs. of S.270a |
| 158/1 | A102/2 | Sonetto CIV ("Pace non trovo") | pf | E major | 1843–46 | Piano, original | arr. of S.270a/1; 1st version of S.161/5 |
| 158/2 | A102/1 | Sonetto XLVII ("Benedetto sia il giorno") | pf | D♭ major | 1843–46 | Piano, original | arr. of S.270a/2; 1st version of S.161/4 |
| 158/3 | A102/3 | Sonetto CXXIII ("I' vidi in terra") | pf | A♭ major | 1843–46 | Piano, original | arr. of S.270a/3; 1st version of S.161/6 |
| 158a | A55/7 | Paralipomènes à la Divina Commedia (Fantaisie symphonique) | pf | | 1839 | Piano, original | 1st version of S.158b, S.158c, S.161/7 |
| 158b | A55/7 | Prolégomènes à la Divina Commedia (Fantaisie symphonique) | pf | | 1839 | Piano, original | 2nd version of S.158a, S.158c, S.161/7 |
| 158c | A55/7 | Après une lecture du Dante (Fantasia quasi Sonata) | pf | | 1839 | Piano, original | 3rd version of S.158a, S.158b, S.161/7 |
| 158d | — | Adagio | pf | C major | 1841 | Piano, original | fragment from S.158c? may also have been formerly S.998? |
| 159 | A53 | Venezia e Napoli | pf | | 1840 | Piano, original | 1st version of S.162 |
| 159/1 | A53/1 | (Lento) | pf | C minor | 1840 | Piano, original | |
| 159/2 | A53/2 | (Allegro) | pf | C major | 1840 | Piano, original | |
| 159/3 | A53/3 | (Andante placido) | pf | F♯ major | 1840 | Piano, original | based on the popular song La biondina in gondoletta by Giovanni Battista Peruchini; 1st version of S.162/1 |
| 159/4 | A53/4 | Tarantelles napolitaines | pf | G minor | 1840 | Piano, original | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3 |
| 160 | A159 | Années de pèlerinage I (Première année: Suisse) | pf | | 1848–55 | Piano, original | |
| 160/1 | A159/1 | Chapelle de Guilaume Tell | pf | C major | 1848–55 | Piano, original | 2nd version of S.156/5 |
| 160/2 | A159/2 | Au lac de Wallenstadt | pf | A♭ major | 1848–55 | Piano, original | 2nd version of S.156/2 |
| 160/3 | A159/3 | Pastorale | pf | E major | 1848–55 | Piano, original | 2nd version of S.156/10 |
| 160/4 | A159/4 | Au bord d'une source | pf | A♭ major | 1848–55 | Piano, original | 2nd version of S.156/3, S.160/4a |
| 160/4a | A159/4 | Au bord d'une source | pf | A♭ major? | 1863 | Piano, original | 3rd version of S.156/3, S.160/4; renumbered from S.160/4bis |
| 160/5 | A159/5 | Orage | pf | C minor | 1848–55 | Piano, original | |
| 160/6 | A159/6 | Vallée d'Obermann | pf | E minor | 1848–55 | Piano, original | 2nd version of S.156/5; arr. for vn vc pf by Eduard Lassen and Liszt as S.378a, S.378b, S.378c |
| 160/7 | A159/7 | Eglogue | pf | A♭ major | 1848–55 | Piano, original | |
| 160/8 | A159/8 | Le mal du pays (Heimweh) | pf | E minor | 1848–54 | Piano, original | |
| 160/9 | A159/9 | Les cloches de Genève | pf | B major | 1848–55 | Piano, original | 2nd version of S.156/4 |
| 161 | A55 | Années de pèlerinage II (Deuxième année: Italie) | pf | | 1846–49 | Piano, original | for supplement see S.162 |
| 161/1 | A55/1 | Sposalizio | pf | E major | 1849 | Piano, original | 2nd version of S.157a; rev. for vv org/harm as S.60 |
| 161/2 | A55/2 | Il penseroso | pf | C♯ minor | 1846–49 | Piano, original | 2nd version of S.157b |
| 161/3 | A55/3 | Canzonetta del Salvator Rosa | pf | A major | 1846 | Piano, original | 2nd version of S.157c |
| 161/4 | A55/4 | Sonetto 47 del Petrarca | pf | D♭ major | 1846 | Piano, original | 2nd version of S.158/2 |
| 161/5 | A55/5 | Sonetto 104 del Petrarca | pf | E major | 1846 | Piano, original | 2nd version of S.158/1 |
| 161/6 | A55/6 | Sonetto 123 del Petrarca | pf | A♭ major | 1846 | Piano, original | 2nd version of S.158/3 |
| 161/7 | A55/7 | Après une lecture du Dante (Fantasia quasi Sonata). | pf | | 1849 | Piano, original | 4th version of S.158a, S.158b, S.158c |
| 162 | A197 | Années de pèlerinage II, Supplément (Supplément: Venezia e Napoli) | pf | | 1859 | Piano, original | 2nd version of S.159 |
| 162/1 | A197/1 | Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta") | pf | | 1859 | Piano, original | 2nd version of S.159/3; based on La biondina in gondoletta by Giovanni Battista Peruchini |
| 162/2 | A197/2 | Canzone ('Nessun maggior dolore") | pf | E♭ minor | 1859 | Piano, original | based on the theme of the Gondolier's song from Act III of Otello by Gioachino Rossini |
| 162/3 | A197/3 | Tarantella da Guillaume Louis Cottrau | pf | G minor | 1859 | Piano, original | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau |
| 162a/1 | A283/1 | Den Schutz-Engeln (Angelus! Prière à l'ange gardien) | pf | | 1877 | Piano, original | 1st version of S.162a/1a, S.162a/2, S.162a/3, S.162a/4, S.163/1 |
| 162a/1a | A283/1 | Aux anges gardiens (Den Schutz-Engeln) | pf | | 1877 | Piano, original | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1; renumbered from S.162a/1bis |
| 162a/2 | A283/1 | Den Schutz-Engeln (Angelus! Prière à l'ange gardien) | pf | | 1880 | Piano, original | 3rd version of S.162a/1, S.162a/1a, S.162a/3, S.162a/4, S.163/1 |
| 162a/3 | A283/1 | Den Schutz-Engeln (Angelus! Prière à l'ange gardien) | pf | | 1880 | Piano, original | 4th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/4, S.163/1 |
| 162a/4 | A283/1 | Den Schutz-Engeln (Angelus! Prière à l'ange gardien) | pf | | 1880 | Piano, original | 5th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/3, S.163/1 |
| 162b | A283/3 | Den Cypressen der Villa d'Este | pf | | 1872 | Piano, original | 1st version of S.163/3 |
| 162c | A283/5 | Sunt lacrymae rerum | pf | | 1877 | Piano, original | 1st version of S.163/5, S.162d |
| 162e | A283/6 | En mémoire de Maximilian I | pf | | 1867 | Piano, original | 1st version of S.163/6 |
| 162d | A283/5 | Sunt lacrymae rerum (in ungarischer Weise) | pf | | 1877 | Piano, original | 2nd version of S.162c, S.163/5 |
| 162f | A283/7 | Postludium (Sursum Corda) | pf | | 1877 | Piano, original | 1st version of S.163/7 |
| 163 | A283 | Années de pèlerinage III (Troisième année) | pf | | 1877–82 | Piano, original | |
| 163/1 | A283/1 | Angelus! Prière aux anges gardiens | pf | E major | 1882 | Piano, original | 6th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a |
| 163/2 | A283/2 | Aux cyprès de la Villa d'Este (Thrénodie I) | pf | | 1877 | Piano, original | |
| 163/3 | A283/3 | Aux cyprès de la Villa d'Este (Thrénodie II) | pf | E minor | 1877 | Piano, original | 2nd version of S.162b |
| 163/4 | A283/4 | Les jeux d'eaux à la Ville d'Este | pf | F♯ major | 1877 | Piano, original | |
| 163/5 | A283/5 | Sunt lacrymae rerum, en mode hongrois | pf | | 1882 | Piano, original | 3rd version of S.162c, S.162d |
| 163/6 | A283/6 | Marche funèbre | pf | | 1867 | Piano, original | 2nd version of S.162e |
| 163/7 | A283/7 | Sursum corda (Erhebet eure Herzen) | pf | E major | 1877 | Piano, original | 2nd version of S.162f |
| 163a/1 | — | Album Leaf (Allegro vivace quasi presto) | pf | F♯ minor | 1828 | Piano, original | |
| 163a/2 | — | Andantino ("pour Emile et Charlotte Loudon") | pf | E♭ major | 1828 | Piano, original | |
| 163b | — | Album Leaf ("Ah! vous dirai-je, Maman") | pf | A♭ major | 1833 | Piano, original | |
| 163c | — | Album Leaf ("Pressburg") | pf | C minor | 1839 | Piano, original | |
| 163d | — | Album Leaf ("Leipzig") | pf | E major | 1840 | Piano, original | exists in two versions |
| 163e | — | Album Leaf ("Quasi mazurek in C major") | pf | C major | 1843 | Piano, original | |
| 164 | A66 | Albumblatt ("Feuille d'album" No.1) | pf | E major | 1840 | Piano, original | based on S.210 |
| 164a | — | Album Leaf ("Vienna") | pf | E major | 1840 | Piano, original | |
| 164b | — | Album Leaf ("Leipzig") | pf | E♭ major | 1840 | Piano, original | |
| 164c | — | Album Leaf ("Exeter Preludio") | pf | | 1840 | Piano, original | |
| 164d | — | Album Leaf ("Detmold) | pf | E major | 1841 | Piano, original | |
| 164e | — | Three Album Leaves ("Magyar") | pf | | 1840–41 | Piano, original | |
| 164e/1 | — | Album Leaf ("Magyar") | pf | B♭ minor | 1840 | Piano, original | 1st version of S.164e/2; themes re-used in S.242/11 |
| 164e/2 | — | Album Leaf ("Magyar") | pf | B♭ minor | 1840 | Piano, original | 2nd version of S.164e/1; themes re-used in S.242/11 |
| 164e/3 | — | Album Leaf ("Magyar") | pf | D♭ major | 1841 | Piano, original | |
| 164f | — | Album Leaf ("Rákóczi-Marsch") | pf | A minor | 1841 | Piano, original | 2nd version of S.242a (based on) |
| 164g | — | Album Leaf ("Berlin Preludio") | pf | C major | 1842 | Piano, original | |
| 164h | — | Album Leaf | pf | D major | 1840–45? | Piano, original | |
| 164j | — | Album Leaf ("Preludio") | pf | | 1842 | Piano, original | |
| 164k | — | Album Leaf ("Moderato in D♭ major") | pf | D♭ major | 1842 | Piano, original | |
| 164l | — | Album Leaf ("Adagio — religioso in C major") | pf | C major | 1825 | Piano, original | |
| 165 | A104 | Feuilles d'album | pf | A♭ major | 1844 | Piano, original | |
| 166 | A83 | Albumblatt in Walzerform | pf | A major | 1842 | Piano, original | |
| 166a | — | Album Leaf | pf | E major | 1843 | Piano, original | cataloguing mistake?; maybe 1st version of 166a (below) |
| 166a | — | Album Leaf | pf | A major | 1870 | Piano, original | cataloguing mistake?; maybe 2nd version of 166a (above) |
| 166b | — | Album Leaf ("Portugal") | pf | A♭ major | 1845 | Piano, original | |
| 166c | — | Album Leaf | pf | A♭ major | 1845 | Piano, original | |
| 166d | — | Album Leaf ("Lyon Prélude") | pf | | 1844 | Piano, original | |
| 166e | — | Album Leaf ("Prélude omnitonique") | pf | | 1844 | Piano, original | |
| 166f | — | Album Leaf ("Braunschweig Preludio") | pf | F♯ major? | 1844 | Piano, original | |
| 166g | — | Album Leaf ("Serenade") | pf | A minor | 1840 | Piano, original | |
| 166h | — | Album Leaf ("Andante religioso in G major") | pf | G major | 1846 | Piano, original | 1st version of S.166j |
| 166j | — | Album Leaf ("Andante religiosamente in G major") | pf | G major | 1846 | Piano, original | 2nd version of S.166h |
| 166k | — | Album Leaf ("Friska") | pf | A major | 1845–49? | Piano, original | |
| 166l/1 | R3 | Album Leaf | pf | A♭ major | 1840s | Piano, original | |
| 166l/2 | — | Album Leaf | pf | G minor | 1840s? | Piano, original | |
| 166m | A135 | Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein) | pf | | 1847 | Piano, original | |
| 166m/1 | A135/1 | Lilie (Andantino) | pf | C major | 1847 | Piano, original | |
| 166m/2 | A135/2 | Hryc | pf | | 1847 | Piano, original | |
| 166m/3 | A135/3 | Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth) | pf | A major | 1847 | Piano, original | |
| 166m/4 | A135/4 | Krakowiak | pf | F major | 1847 | Piano, original | |
| 166n | A134 | Album Leaf ("Freudvoll und leidvoll") | pf | | 1847 | Piano, original | partial arr. of S.280 |
| 166o | — | Album Leaf ("Langsam in C♯ minor") | pf | C♯ minor | 1876 | Piano, original | uses themes from S.139/11 |
| 166p | — | Album Leaf ("Andantino in A♭ major") | pf | A♭ major | 1847 | Piano, original | |
| 166q | — | Album Leaf | pf | G major | 1847 | Piano, original | |
| 166r | — | Two Album Leaves ("Purgatorio") | pf | | 1857? | Piano, original | |
| 166r/1 | — | Album Leaf ("Purgatorio") | pf | B minor | 1857 | Piano, original | |
| 166r/2 | — | Album Leaf ("Aus dem Purgatorio des Dante-Sinfonie") | pf | B minor | 1857? | Piano, original | |
| 166s | — | Album Leaf | pf | A major | 1870 | Piano, original | |
| 167# | — | Feuille d'album No.2 | | | | Piano, original | see S.534/2a |
| 167a# | — | Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice | | | | Piano, original | see S.571a |
| 167b | A75 | Miniatur Lieder | pf | | 1840–49 | Piano, original | unpublished; score inaccessible (in private collection?) |
| 167c | — | Album Leaf (Poco adagio) | pf | | 1860? | Piano, original | from the Agnus Dei of Beethoven's Missa Solemnis |
| 167d | — | Album Leaf | pf | | 1860 | Piano, original | from S.98 |
| 167e | — | Album Leaf | pf | | 1861 | Piano, original | from S.106 |
| 167f | — | Album Leaf ("Dante Symphony progression") | pf | G major | 1860? | Piano, original | based on material from S.109 |
| 167g | — | Album Leaf ("Vivace ma non troppo in D♭ major") | pf | D♭ major | 1835 | Piano, original | |
| 167h | — | Album Leaf | pf | | 1860–69? | Piano, original | |
| 167j | — | Album Leaf ("Fugue chromatique – Allegro in G minor") | pf | G minor | 1844 | Piano, original | |
| 167k | — | Album Leaf | pf | E♭ major | 1840 | Piano, original | based on S.219 and S.219a |
| 167l | — | Album Leaf ("Agitato in G major") | pf | G major | 1849 | Piano, original | based on S.576b, S.577/1, S.577/1a, and S.577/2 |
| 167m | — | Album Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke") | pf | | 1859 or later | Piano, original | possible intended for S.216, S.216b, S.514, or S.515? |
| 167n | — | Album Leaf ("Allegretto in A major") | pf | A major | 1842 | Piano, original | |
| 167o | — | Album Leaf ("Tempo di marcia in E♭ major") | pf | E♭ major | 1845 | Piano, original | themes re-used in S.227 |
| 167p | — | Album Leaf ("Larghetto in D♭ major") | pf | D♭ major | 1883 | Piano, original | on a Henselt Concerto |
| 167q | — | Album Leaf ("Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major") | pf | D♭ major | 1883 | Piano, original | |
| 167r | — | Album Leaf ("Andante in E♭ major") | pf | E♭ major | 1850s | Piano, original | |
| 167s | — | Album Leaf ("Lyon") | pf | C major | 1839 | Piano, original | |
| 167t | — | Album Leaf | pf | E major | 1853 | Piano, original | based on S.173/10 |
| 168/1 | A94 | Élégie sur des motifs du Prince Louis Ferdinand de Prusse | pf | A♭ major | 1842–43 | Piano, original | 1st version of S.168/2 |
| 168/2 | A94 | Élégie sur des motifs du Prince Louis Ferdinand de Prusse | pf | A♭ major | 1851 | Piano, original | 2nd version of S.168/1 |
| 168a | A145 | Andante amoroso | pf | | 1847? | Piano, original | from S.395? |
| 168b | — | Pensées (Nocturne) | pf | A major | 1845 | Piano, original | |
| 169 | A148 | Romance "O pourquoi donc" | pf | E minor | 1848 | Piano, original | based on S.301a; rev. as S.527 |
| 170 | A117 | Ballade No.1 (Le chant du croisé) | pf | D♭ major | 1848–49 | Piano, original | 2nd version of S.171d/4 |
| 170a | A181 | Ballade No.2 | pf | B minor | 1853 | Piano, original | 1st version of S.171 |
| 171 | A181 | Ballade No.2 | pf | B minor | 1853 | Piano, original | 2nd version of S.170a |
| 171a | A111a/1 | Consolations: | pf | | 1844–48 | Piano, original | 1st version of S.172 |
| 171a/1 | A111a/1 | (Andante con moto) | pf | E major | 1844–48 | Piano, original | 1st version of S.172/1 |
| 171a/2 | A111a/2 | (Un poco più mosso) | pf | E major | 1844–48 | Piano, original | 1st version of S.172/2 |
| 171a/3 | A111a/3 | (Lento, quasi recitativo) | pf | E major | 1844–48 | Piano, original | 1st version of S.172/3; theme re-used in S.243b |
| 171a/4 | A111a/4 | (Quasi adagio; cantabile con devozione) | pf | D♭ major | 1844–48 | Piano, original | 1st version of S.172/4 |
| 171a/5 | A111a/5 | (Andantino) | pf | E major | 1844–48 | Piano, original | 1st version of S.172/5 |
| 171a/6 | A111a/6 | (Allegretto) | pf | E major | 1844–48 | Piano, original | 1st version of S.172/6 |
| 171b | — | Album Leaf (Consolation No.1) | pf | | 1849–50 | Piano, original | originally intended for S.172 |
| 171c | — | Prière d'un enfant à son réveil | pf | | 1840 | Piano, original | 1st version of S.172a/7, S.173/6; theme used in S.19/1 |
| 171d | — | Préludes et Harmonies poétiques et religieuses (8): | pf | | 1845–47 | Piano, original | |
| 171d/1 | — | [untitled] | pf | E♭ major | 1845–47 | Piano, original | 1st version of S.172a/11 and S.173/3 |
| 171d/2 | — | Languer | pf | C minor | 1845–47 | Piano, original | |
| 171d/3 | — | [untitled] | pf | E major | 1845–47 | Piano, original | |
| 171d/4 | — | Dernière illusion | pf | D♭ major | 1845–47 | Piano, original | incomplete; 1st version of S.170 |
| 171d/5 | — | [untitled] | pf | G♭ major | 1845–47 | Piano, original | |
| 171d/6 | — | Attente | pf | A major | 1845–47 | Piano, original | incomplete |
| 171d/7 | — | Alternative | pf | E major | 1845–47 | Piano, original | |
| 171d/8 | — | M.K. | pf | D♭ major | 1845–47 | Piano, original | incomplete |
| 171e | A61/4 | Litanies de Marie | pf | E major | 1846–47 | Piano, original | formerly S.695a; 1st version of S.172a/4 |
| 172 | A111b | Consolations (Pensées poétiques) (6): | pf | | 1849–50 | Piano, original | 2nd version of S.171a |
| 172/1 | A111b/1 | (Andante con moto) | pf | E major | 1849–50 | Piano, original | 2nd version of S.171a/1; arr. for vc pf by Liszt and Jules Deswert as S.382a/1 |
| 172/2 | A111b/2 | (Un poco più mosso) | pf | E major | 1849–50 | Piano, original | 2nd version of S.171a/2 |
| 172/3 | A111b/3 | (Lento placido) | pf | D♭ major | 1849–50 | Piano, original | 2nd version of S.171a/3; arr. for org/harm as S.672d/1 |
| 172/4 | A111b/4 | (Quasi Adagio) | pf | D♭ major | 1849–50 | Piano, original | 2nd version of S.171a/4; arr. for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2; arr. for vc pf/org/harm by Liszt and Deswert as S.382a/2 |
| 172/5 | A111b/5 | (Andantino) | pf | E major | 1849–50 | Piano, original | 2nd version of S.171a/5; arr. for org/harm by Liszt and Gottschalg as S.672d/3 |
| 172/6 | A111b/6 | (Allegretto sempre cantabile) | pf | E major | 1849–50 | Piano, original | 2nd version of S.171a/6; arr. for org/harm as S.672d/4 |
| 172a | A61 | Harmonies poétiques et religieuses (12): | pf | | 1840–47 | Piano, original | 1st version of S.173 |
| 172a/1 | A61/1 | Elevez-vous voix | pf | E major | 1840–47 | Piano, original | 1st version of S.172c, S.173/1 |
| 172a/2 | A61/2 | Hymne de la nuit | pf | E major | 1840–47 | Piano, original | 1st version of S.173a/1 |
| 172a/3 | A61/3 | Hymne du matin | pf | B major | 1840–47 | Piano, original | 1st version of S.173a/2 |
| 172a/4 | A61/4 | Litanies de Marie | pf | E major | 1840–47 | Piano, original | 2nd version of S.171e |
| 172a/5 | A61/5 | Miserere | pf | E minor | 1840–47 | Piano, original | 1st version of S.173/8 |
| 172a/6 | A61/6 | Pater noster (d'après la Psalmodie de l'Eglise) | pf | C major | 1840–47 | Piano, original | 1st version of S.173/5; adapted for mch as S.21 |
| 172a/7 | A61/7 | Hymne de l'enfant à son réveil | pf | A♭ major | 1840–47 | Piano, original | 2nd version of S.171c, S.173/6 |
| 172a/8 | A61/8 | Prose des morts (De profundis) | pf | | 1840–47 | Piano, original | 2nd version of S.154, S.173/4 |
| 172a/9 | A61/9 | La lampe du temple | pf | G minor | 1840–47 | Piano, original | 1st version of S.173/9 |
| 172a/10 | A61/10 | [Hymn] | pf | E♭ major | 1840–47 | Piano, original | |
| 172a/11 | A61/11 | Benediction (Prelude) | pf | E♭ major | 1840–47 | Piano, original | 2nd version of S.171d/1 and S.173/3 |
| 172a/12 | A61/12 | Ave Maria | pf | | 1840–47 | Piano, original | 1st version of S.173/2; now lost |
| 172b | A142 | Stabat Mater | pf | | 1847 | Piano, original | formerly S.579/3 |
| 172c | A61/1 | Invocation | pf | E major | 1847 | Piano, original | 2nd version of S.172a/1, S.173/1 |
| 173 | A158 | Harmonies poétiques et religieuses (10): | pf | | 1848–53 | Piano, original | 2nd version of S.172a |
| 173/1 | A158/1 | Invocation | pf | E major | 1848–51 | Piano, original | 3rd version of S.172a/1, S.172c |
| 173/2 | A158/2 | Ave Maria | pf | B♭ major | 1842 | Piano, original | 2nd version of S.172a/12 |
| 173/3 | A158/3 | Bénédiction de Dieu dans la solitude | pf | F♯ major | 1851 | Piano, original | 3rd version of S.171d/1 and S.172a/11 |
| 173/4 | A158/4 | Pensée des morts | pf | | 1851 | Piano, original | 3rd version of S.154, S.172a/8 |
| 173/5 | A158/5 | Pater noster | pf | C major | 1847 | Piano, original | 2nd version of S.172a/6 |
| 173/6 | A158/6 | Hymne de l'enfant á son réveil | pf | A♭ major | 1847 | Piano, original | 2nd version of S.171c, S.172a/7 |
| 173/7 | A158/7 | Funérailles | pf | F minor | 1849 | Piano, original | 2nd version of S.226a |
| 173/8 | A158/8 | Miserere d'après Palestrina | pf | E minor | 1851 | Piano, original | 2nd version of S.172a/5 |
| 173/9 | A158/9 | Andante lagrimoso | pf | G♯ minor | 1851 | Piano, original | 2nd version of S.172a/9 |
| 173/10 | A158/10 | Cantique d'amour | pf | E major | 1847 | Piano, original | |
| 173a | — | 2 Hymnes: | pf | | 1847 | Piano, original | |
| 173a/1 | A61/2 | Hymne de la nuit | pf | E major | 1847 | Piano, original | 2nd version of S.172a/2 |
| 173a/2 | A61/3 | Hymne du matin | pf | B major | 1847 | Piano, original | 2nd version of S.172a/3 |
| 174 | A186 | Berceuse | pf | D♭ major | 1854, 1862 | Piano, original | 2 versions |
| 175 | A219 | Légendes (2): | pf | | 1863 | Piano, original | |
| 175/1 | A219/1 | St François d'Assise: la prédication aux oiseaux | pf | A major | 1862–63 | Piano, original | version for orch as S.113a/1 |
| 175/2 | A219/2 | St François de Paule: marchant sur les flots | pf | E major | 1862–63 | Piano, original | simplified version as S.175/2a; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp) as S.28 |
| 175/2a | A219/2 | St François de Paule, marchant sur les flots | pf | E major? | 1863 | Piano, original | simplified version of S.175/2; renumbered from S.175/2bis |
| 175a | A167 | Grand Solo de concert | pf | E minor? | 1849 | Piano, original | unpublished; rev. as S.176 |
| 176 | A167 | Grosses Konzertsolo | pf | E minor | 1849–50 | Piano, original | based on S.175a; rev. for 2pf as S.258/1, sketches for pf orch as S.365 |
| 176a | — | Wilde Jagd – Scherzo | pf | D minor/B♭ major | 1851 | Piano, original | 1st version of S.177 |
| 177 | A174 | Scherzo und Marsch | pf | D minor and B♭ major | 1851 | Piano, original | 2nd version of S.176a |
| 178 | A179 | Piano Sonata | pf | B minor | 1852–53 | Piano, original | |
| 179 | A198 | Weinen, Klagen, Sorgen, Zagen | pf | F minor | 1859 | Piano, original | prelude based on a theme from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; not related to S.180 |
| 180 | A214 | Variationen über das Motiv von Bach | pf | F minor | 1862 | Piano, original | prelude based on themes from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; not related to S.179; arr. for org as S.673 |
| 181 | A290 | Sarabande und Chaconne aus dem Singspiel Almira | pf | G minor | 1879 | Piano, original | after extracts from the Singspiel Almira by George Frideric Handel |
| 182 | A215 | Ave Maria (Die Glocken von Rom) | pf | E major | 1862 | Piano, original | also known as Ave Maria für die große Klavierschule von Lebert und Stark |
| 182a | — | Magnificat | pf | F major | 1862 | Piano, original | unpublished; 1st version of S.183/1 |
| 183/1 | A216/1 | Alleluja | pf | F major | 1862 | Piano, original | 2nd version of S.182a |
| 183/2 | A216/2 | Ave Maria d'Arcadelt | pf | F major | 1862 | Piano, original | based on Dietsch's adaptation of a madrigal by Arcadelt |
| 184 | A229 | Urbi et Orbi (Bénédiction papale) | pf | C♯ minor | 1864 | Piano, original | |
| 185 | A226 | Vexilla regis prodeunt (Kreuzes Hymne) | pf | | 1864 | Piano, original | arr. for orch as S.355 |
| 185a | A267 | Weihnachtsbaum | pf | | 1873–74 | Piano, original | 1st version ("Paris manuscripts") of S.186; arr. for pf4h as S.612a |
| 185a/1 | A267/1 | Psallite (Altes Weihnachten) | pf | F major | 1873–74 | Piano, original | 1st version of S.186/1; arr. for pf4h as S.612a/1 |
| 185a/2 | A267/2 | O heilige Nacht! | pf | D minor | 1873–74 | Piano, original | 1st version of S.186/2; arr. for pf4h as S.612a/2 |
| 185a/3 | A267/3 | Die Hirten an der Krippe ("In dulci jubilo") | pf | D♭ major | 1873–74 | Piano, original | 1st version of S.186/3; arr. for pf4h as S.612a/3 |
| 185a/4 | A267/4 | Adeste fideles (gleichsam als Marsch der heiligen drei Könige) | pf | A major | 1873–74 | Piano, original | 1st version of S.186/4; arr. for pf4h as S.612a/4 |
| 185a/5 | A267/5 | Scherzoso | pf | F major | 1873–74 | Piano, original | 1st version of S.186/5; arr. for pf4h as S.612a/5 |
| 185a/6 | A267/6 | Réveille-Matin (Wecker) | pf | | 1873–74 | Piano, original | 1st version of S.186/6; arr. for pf4h as S.612a/6 |
| 185a/7 | A267/7 | Schlummerlied | pf | F♯ major | 1873–74 | Piano, original | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7 |
| 185a/8 | A267/8 | (Alt-provenzalisches Noel) | pf | B minor | 1873–74 | Piano, original | 1st version of S.186/8; arr. for pf4h as S.612a/8 |
| 185a/9 | A267/9 | (Abendglocken) | pf | | 1873–74 | Piano, original | 1st version of S.186/9; arr. for pf4h as S.612a/9 |
| 185a/10 | A267/10 | (Ehemals) | pf | F minor | 1873–74 | Piano, original | 1st version of S.186/10; arr. for pf4h as S.612a/10 |
| 185a/11 | A267/11 | Ungarisch | pf | F minor | 1873–74 | Piano, original | 1st version of S.186/11; arr. for pf4h as S.612a/11 |
| 185a/12 | A267/12 | Polnisch | pf | B♭ minor | 1873–74 | Piano, original | 1st version of S.186/12; arr. for pf4h as S.612a/12 |
| 186 | A267 | Weihnachtsbaum | pf | | 1874–76 | Piano, original | 2nd version of S.185a; arr. for pf4h as S.613 |
| 186/1 | A267/1 | Altes Weihnachtslied (Psalite) | pf | F major | 1874–76 | Piano, original | 2nd version of S.185a/1; arr. for pf4h as S.613/1 |
| 186/2 | A267/2 | O heilige Nacht! | pf | D minor | 1874–76 | Piano, original | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 |
| 186/3 | A267/3 | Die Hirten an der Krippe ("In dulce jubilo") | pf | D♭ major | 1874–76 | Piano, original | 2nd version of S.185a/3; arr. for pf4h as S.613/3 |
| 186/4 | A267/4 | Adeste fideles (Gleichsam als Marsch der heiligen drei Könige) | pf | A major | 1874–76 | Piano, original | 2nd version of S.185a/4; arr. for pf4h as S.613/4 |
| 186/5 | A267/5 | Scherzoso (Man zündet die Kerzen des Baumes an) | pf | F major | 1874–76 | Piano, original | 2nd version of S.185a/5; arr. for pf4h as S.613/5 |
| 186/6 | A267/6 | Carillon | pf | | 1874–76 | Piano, original | 2nd version of S.185a/6; arr. for pf4h as S.613/6 |
| 186/7 | A267/7 | Schlummerlied | pf | F♯ major | 1874–76 | Piano, original | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7 |
| 186/7a | A267/7 | Schlummerlied | pf | F♯ major? | 1882 | Piano, original | 3rd version of S.185a/7, S.186/7; version for Lachmund |
| 186/8 | A267/8 | Altes provenzalisches Weihnachtslied | pf | B minor | 1874–76 | Piano, original | 2nd version of S.185a/8; arr. for pf4h as S.613/8 |
| 186/9 | A267/9 | Abendglocken | pf | | 1874–76 | Piano, original | 2nd version of S.185a/9; arr. for pf4h as S.613/9 |
| 186/10 | A267/10 | Ehemals | pf | F minor | 1874–76 | Piano, original | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10 |
| 186/11 | A267/11 | Ungarisch | pf | F minor | 1874–76 | Piano, original | 2nd version of S.185a/11; arr. for pf4h as S.613/11 |
| 186/12 | A267/12 | Polnisch | pf | B♭ minor | 1874–76 | Piano, original | 2nd version of S.185a/12; arr. for pf4h as S.613/12 |
| 187 | A278 | Sancta Dorothea | pf | E major | 1877 | Piano, original | |
| 187a | E28 | Resignazione | pf/org | E major | 1877 | Piano, original | 1st version of S.187b |
| 187b | E28 | Resignazione | pf/org | E major | 1881 | Piano, original | 2nd version of S.187a |
| 188 | A300 | In festo transfigurationis Domini nostri Jesu Christi | pf | C major | 1880 | Piano, original | |
| 189 | A234 | Klavierstück No.1 | pf | A♭ major | 1866 | Piano, original | |
| 189a | A116 | Klavierstück No.2 | pf | A♭ major | 1845 | Piano, original | 1st version of S.189b |
| 189b | A116 | Klavierstück No.2 | pf | D♭ major | 1845 or later | Piano, original | 2nd version of S.189a; themes re-used in S.170 and S.171d/4 |
| 190 | A241 | La marquise de Blocqueville (Un portrait en musique) | pf | | 1869 | Piano, original | 1st movement is by Henri Herz, the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. |
| 191 | A256 | Impromptu | pf | F♯ major | 1872 | Piano, original | |
| 192 | A233 | Klavierstücke (5) | pf | | 1865–79 | Piano, original | |
| 192/1 | A233/1 | Sehr langsam | pf | E major | 1865 | Piano, original | |
| 192/2 | A233/2 | Lento assai | pf | A♭ major | 1865 | Piano, original | |
| 192/3 | A233/3 | Sehr langsam | pf | F♯ major | 1873 | Piano, original | |
| 192/4 | A233/4 | Andantino | pf | F♯ major | 1876 | Piano, original | |
| 192/5 | A233/5 | Sospiri! (Andante) | pf | | 1879 | Piano, original | |
| 193 | — | Klavierstück | pf | F♯ major | 1854 | Piano, original | |
| 194 | A249 | Mosonyis Grabgeleit (Mosonyi gyázmenete) | pf | | 1870 | Piano, original | re-used as S.205/7; arr. for 2pf as S.756(?) |
| 195 | A279 | Dem Andenken Petöfis | pf | | 1877 | Piano, original | based on S.349; arr. for pf4h as S.614; same as S.205/6 |
| 195a | A266 | Schlummerlied im Grabe | pf | | 1874 | Piano, original | rev. as S.196 |
| 196 | A266 | Elegy No.1 | pf | | 1874 | Piano, original | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c |
| 196a | A277 | Entwurf der Ramann-Elegie | pf | | 1877 | Piano, original | 1st version of S.197 |
| 197 | A277 | Elegy No.2 | pf | | 1877 | Piano, original | 2nd version of S.196a; arr. for vc pf as S.131, and for vn pf as S.131a |
| 197a | A295 | Toccata | pf | C major | 1879? | Piano, original | |
| 197b | A272 | Kaiser Wilhelm! | pf | | 1876 | Piano, original | |
| 198 | A303 | Wiegenlied (Chant du berceau) | pf | | 1881 | Piano, original | |
| 199 | A305 | Trübe Wolken (Nuages gris) | pf | | 1881 | Piano, original | |
| 199a | A319 | Die Trauer-Gondel (La lugubre gondola) | pf | | 1882 | Piano, original | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k |
| 200/1 | A319a | La lugubre gondola (Die Trauer-Gondel) | pf | | 1882–83 | Piano, original | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134a |
| 200/2 | A319b | La lugubre gondola (Die Trauer-Gondel) | pf | | 1885 | Piano, original | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134 |
| 201 | A320 | R.W. – Venezia | pf | | 1883 | Piano, original | |
| 202 | A321 | Am Grabe Richard Wagners | pf | | 1883 | Piano, original | arr. of S.135 |
| 203 | A322 | Schlaflos! Frage und Antwort | pf | | 1883 | Piano, original | |
| 204 | A280 | Receuillement | pf | | 1877 | Piano, original | |
| 205 | A335 | Historische ungarische Bildnisse | pf | | 1885 | Piano, original | 1st version of S.205a |
| 205/1 | A335/1 | Stephan Széchenyi | pf | | 1885 | Piano, original | same as S.205a/1 |
| 205/2 | A335/4 | Joseph Eötvös | pf | | 1885 | Piano, original | same as S.205a/4 |
| 205/3 | A335/5 | Michael Vörösmarty | pf | | 1885 | Piano, original | same as S.205a/5 |
| 205/4 | A335/3 | Ladislaus Teleki | pf | | 1885 | Piano, original | same as S.205a/3 |
| 205/5 | A335/2 | Franz Deák | pf | | 1885 | Piano, original | same as S.205a/2 |
| 205/6 | A335/6 | Alexander Petofi | pf | | 1885 | Piano, original | same as S.195, S.205a/6 |
| 205/7 | A335/7 | Michael Mosonyi | pf | | 1885 | Piano, original | same as S.194; 1st version of S.205a/7 |
| 205a | A335 | Historische ungarische Bildnisse | pf | | 1885 | Piano, original | 2nd version of S.205 |
| 205a/1 | A335/1 | Széchenyi István | pf | | 1885 | Piano, original | same as S.205/1 |
| 205a/2 | A335/2 | Deák Ferenc | pf | | 1885 | Piano, original | same as S.205/5 |
| 205a/3 | A335/3 | Teleki László | pf | | 1885 | Piano, original | same as S.205/4 |
| 205a/4 | A335/4 | Eötvös József | pf | | 1885 | Piano, original | same as S.205/2 |
| 205a/5 | A335/5 | Vörösmarty Mihály | pf | | 1885 | Piano, original | same as S.205/3 |
| 205a/6 | A335/6 | Petofi Sándor | pf | | 1885 | Piano, original | same as S.195, S.205/6 |
| 205a/7 | A335/7 | Mosonyi Mihály | pf | | 1885 | Piano, original | 2nd version of S.205a/7 |
| 206 | A334 | Trauervorspiel und Trauermarsch | pf | | 1885 | Piano, original | |
| 206/1 | A334/1 | Preludio funebre | pf | | 1885 | Piano, original | |
| 206/2 | A334/2 | Marcia funebre | pf | | 1885 | Piano, original | based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi |
| 207 | A336 | En rêve (Nocturne) | pf | | 1885 | Piano, original | |
| 207a | A296 | Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé) | pf | | 1880 | Piano, original | formerly listed as S.256; based on the "Chopsticks" polka by Alexander Borodin from the album Paraphrases |
| 208 | A312 | Unstern (Sinistre) | pf | | 1881 | Piano, original | |
| 208a–233b | | Works in dance form | Works in dance form | Works in dance form | Works in dance form | Works in dance form | Works in dance form |
| 208a | A2/2 | Waltz | pf | A major | 1823? | Piano, dance form | arr. of S.126b/2 |
| 209 | A32a | Grande valse di bravura (Le bal de Berne) | pf | | 1836 | Piano, dance form | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 |
| 209a | — | Waltz | pf | E♭ major | 1840 | Piano, dance form | uses themes from S.209 |
| 210 | A57a | Valse mélancolique | pf | E major | 1839 | Piano, dance form | 2nd version of S.210a, S.214/2 |
| 210a | A57a | Valse mélancolique | pf | E major | 1840? | Piano, dance form | 1st version of S.210, S.214/2 |
| 210b | A28 | Waltz | pf | A major | 1835? | Piano, dance form | |
| 211 | A95 | Ländler | pf | A♭ major | 1843 | Piano, dance form | |
| 211a | A289/1 | Ländler | pf | D major | 1879 | Piano, dance form | formerly S.734 |
| 212i | A84 | Petite valse favorite (Souvenir de St Pétersbourg) | pf | | 1842 | Piano, dance form | 1st version of S.212ii |
| 212ii | A84a | Petite valse favorite (Souvenir de St Pétersbourg) | pf | | 1843 | Piano, dance form | 2nd version of S.212i |
| 212a | A82 | Valse pour Marie (Mariotte) | pf | | 1842 | Piano, dance form | |
| 213 | A84c | Valse-Impromptu | pf | | 1850–52 | Piano, dance form | based on S. 212 |
| 213a | A84c | Valse-Impromptu | pf | | 1870s? | Piano, dance form | S. 213 with latter additions |
| 213b | A84c | Valse-Impromptu | pf | | 1870s? | Piano, dance form | version facilitée |
| 214 | — | Caprices-Valses (3): | pf | | 1850–52 | Piano, dance form | |
| 214/1 | A32b | Valse de bravoure | pf | B♭ major | 1850–52 | Piano, dance form | 2nd version of S.209 |
| 214/2 | A57b | Valse mélancolique | pf | E major | 1850 | Piano, dance form | 3rd version of S.210, S.210a |
| 214/3 | A88b | Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti | pf | A major | 1850–52 | Piano, dance form | 2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti |
| 214a | A271 | Carrousel de Madame Pelet-Narbonne | pf | | 1879? | Piano, dance form | |
| 215 | A311 | Valses oubliées (4): | pf | | 1881–84 | Piano, dance form | |
| 215/1 | A311/1 | Valse oubliée No.1 | pf | F♯ major | 1881 | Piano, dance form | |
| 215/2 | A311/2 | Valse oubliée No.2 | pf | A♭ major | 1883 | Piano, dance form | |
| 215/3 | A311/3 | Valse oubliée No.3 | pf | | 1883 | Piano, dance form | 1st version of S.215/3a |
| 215/3a | A311/3 | Valse oubliée No.3 | pf | | 1883? | Piano, dance form | 2nd version of S.215/3 |
| 215/4 | A311/4 | Valse oubliée No.4 | pf | | 1884 | Piano, dance form | |
| 215a | A325 | Mephisto Waltz No.3 | pf | | 1883 | Piano, dance form | 1st version of S.216 |
| 216 | A325 | Mephisto Waltz No.3 | pf | | 1883 | Piano, dance form | 2nd version of S.215a; arr. for pf4h as S.615a |
| 216a | A338 | Bagatelle sans tonalité | pf | | 1885 | Piano, dance form | manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696 |
| 216b | A337 | Mephisto Waltz No.4 | pf | | 1885 | Piano, dance form | 1st (complete) version of S.696 |
| 217 | A317 | Mephisto Polka | pf | | 1882–83 | Piano, dance form | exists in two versions |
| 218 | A119 | Galop | pf | A minor | 1846 | Piano, dance form | |
| 219 | A43 | Grand galop chromatique | pf | E♭ major | 1838 | Piano, dance form | 1st version of S.219a; arr. for pf4h as S.616 |
| 219a | A43 | Grand galop chromatique | pf | E major | 1840? | Piano, dance form | 2nd (simplified) version of S.219; Probably the piano reduction of Furioso-Galopp, Op. 114 by Johann Strauss the Elder, published as Liszt's arrangement; renumbered from S.219bis |
| 220 | A64 | Galop de bal | pf | | 1840 | Piano, dance form | |
| 221 | A168 | Mazurka brillante | pf | | 1850 | Piano, dance form | |
| 221a# | A221 | Mazurka | pf | F minor | | Piano, dance form | now believed to be spurious |
| 222# | — | Petite valse favorite | pf | | | Piano, dance form | renumbered as S.212a |
| 223 | A171 | Polonaises (2): | pf | | 1850–51 | Piano, dance form | |
| 223/1 | A171/1 | Polonaise mélancolique | pf | C minor | 1850–51 | Piano, dance form | |
| 223/2 | A171/2 | Polonaise | pf | E major | 1850–51 | Piano, dance form | |
| 224 | A313 | Csárdás macabre | pf | | 1881–82 | Piano, dance form | arr. for pf4h as S.617 |
| 225 | A333 | Csárdás (2): | pf | | 1884 | Piano, dance form | |
| 225/1 | A333/1 | Csárdás | pf | | 1884 | Piano, dance form | |
| 225/2 | A333/2 | Csárdás obstinée (Hartnäckiger Csardas) | pf | | 1884 | Piano, dance form | possibly arr. for pf4h as S.618 |
| 226 | A188 | Festvorspiel (Preludio pomposo) | pf | | 1856 | Piano, dance form | arr. for orch as S.356 |
| 226a | A10 | Marche funèbre | pf | G minor | 1827 | Piano, dance form | formerly S.745 |
| 227 | A164a | Festmarsch zur Säcularfeier von Goethes Geburtstag | pf | E♭ major | 1849 | Piano, dance form | uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521 |
| 227a | A182 | Festmarsch | pf | C major | 1853 | Piano, dance form | 1st version of S.228; arr. for orch by Liszt and Joachim Raff as S.357/1 |
| 228 | A182 | Huldigungsmarsch | pf | C major | 1857 | Piano, dance form | 2nd version of S.227a; arr. for orch as S.357/2 |
| 229 | A184 | Vom Fels zum Meer! (Deutscher Siegesmarsch) | pf | E♭ major | 1853–56 | Piano, dance form | arr. for pf4h as S.618a; for orch as S.368 |
| 229a | — | Ungarischer Marsch | pf | B♭ major | 1859 | Piano, dance form | unpublished |
| 230 | A326 | Bülow-Marsch | pf | | 1883 | Piano, dance form | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b |
| 230a | A274 | Festpolonaise | pf | | 1876 | Piano, dance form | formerly S.528; arr. for pf4h as S.619a |
| 231 | A65 | Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois) | pf | A minor | 1840 | Piano, dance form | partly based on S.103 |
| 232 | A112/1 | Seconde marche hongroise (Ungarischer Sturmmarsch) | pf | | 1842 | Piano, dance form | 1st version of S.119 |
| 233 | A252 | Ungarischer Geschwindmarsch (Magyar Gyors induló) | pf | | 1870–71 | Piano, dance form | possibly 1st version of S.460 |
| 233a | A332 | Siegesmarsch (Marche triomphale) | pf | E♭ major | 1884 | Piano, dance form | |
| 233b | A105 | Marche hongroise | pf | E♭ minor | 1844 | Piano, dance form | |
| 233c–254 | | Works on national themes | Works on national themes | Works on national themes | Works on national themes | Works on national themes | Works on national themes |
| 233c–234 | | Austrian | Austrian | Austrian | Austrian | Austrian | Austrian |
| 233c# | — | Tyrolean Melody | pf | | | Piano, national theme | deleted; see S.385a |
| 234 | A67 | Hussitenlied (Aus dem 15. Jahrhundert) | pf | | 1840 | Piano, national theme | based on the song Těšme se blahou nadějć by Josef Theodor Krov; arr. for pf4h as S.620 |
| 235 | | English | English | English | English | English | English |
| 235 | A76 | God Save the Queen (Paraphrase de concert) | pf | | 1841–49 | Piano, national theme | based on the British national anthem; rev. as S.694 |
| 236–239 | | French | French | French | French | French | French |
| 236/1 | A106 | Faribolo Pasteur (Chanson tirée du poème de Françonetto de Jacques Jasmin) | pf | | 1844 | Piano, national theme | |
| 236/2 | A107 | Chanson du Béarn (Pastorale) | pf | | 1844 | Piano, national theme | based on a song by René de Galard de Béarn, Marquis de Brassac |
| 237 | A236 | La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle) | pf | | 1866–72 | Piano, national theme | after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle |
| 238 | A169 | La cloche sonne | pf | C minor | 1850? | Piano, national theme | based on an old French song |
| 239 | A262 | Vive Henri IV | pf | | 1879–80 | Piano, national theme | based on the French anthem Marche de Henri IV |
| 240 | | German | German | German | German | German | German |
| 240 | A96 | Gaudeamus igitur (Chanson des étudiants) | pf | | 1843 | Piano, national theme | exists in two versions; based on a traditional student song |
| 241–246 | | Hungarian | Hungarian | Hungarian | Hungarian | Hungarian | Hungarian |
| 241 | A11 | Zum Andenken (Ungarische Werbungstänze) (2): | pf | | 1828 | Piano, national theme | Hungarian recruiting songs |
| 241/1 | A11/1 | Kinizsi notája | pf | | 1828 | Piano, national theme | based on a dance by László Fáy |
| 241/2 | A11/2 | Lassú magyar | pf | | 1828 | Piano, national theme | based on a dance by János Bihari |
| 241a | A180 | Ungarischer Romanzero (Hungarian Romances) (18): | pf | | 1853 | Piano, national theme | based on popular Hungarian themes, by Liszt and Eduard Remenyi |
| 241a/1 | A180/1 | Ungarischer Romanzero No.1 | pf | F minor | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/2 | A180/2 | Ungarischer Romanzero No.2 | pf | A minor | 1853 | Piano, national theme | |
| 241a/3 | A180/3 | Ungarischer Romanzero No.3 | pf | A minor | 1853 | Piano, national theme | |
| 241a/4 | A180/4 | Ungarischer Romanzero No.4 | pf | A minor | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/5 | A180/5 | Ungarischer Romanzero No.5 | pf | D minor | 1853 | Piano, national theme | |
| 241a/6 | A180/6 | Ungarischer Romanzero No.6 | pf | A major | 1853 | Piano, national theme | |
| 241a/7 | A180/7 | Ungarischer Romanzero No.7 | pf | A major | 1853 | Piano, national theme | |
| 241a/8 | A180/8 | Ungarischer Romanzero No.8 | pf | D minor | 1853 | Piano, national theme | |
| 241a/9 | A180/9 | Ungarischer Romanzero No.9 | pf | A major | 1853 | Piano, national theme | |
| 241a/10 | A180/10 | Ungarischer Romanzero No.10 | pf | G minor | 1853 | Piano, national theme | |
| 241a/11 | A180/11 | Ungarischer Romanzero No.11 | pf | F major | 1853 | Piano, national theme | |
| 241a/12 | A180/12 | Ungarischer Romanzero No.12 | pf | C major | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/13 | A180/13 | Ungarischer Romanzero No.13 | pf | F♯ minor | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/14 | A180/14 | Ungarischer Romanzero No.14 | pf | D major | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/15 | A180/15 | Ungarischer Romanzero No.15 | pf | D major | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/16 | A180/16 | Ungarischer Romanzero No.16 | pf | C major | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/17 | A180/17 | Ungarischer Romanzero No.17 | pf | A major | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241a/18 | A180/18 | Ungarischer Romanzero No.18 | pf | A major | 1853 | Piano, national theme | composed by Eduard Remenyi |
| 241b | — | Magyar Tempo | pf | | 1840 | Piano, national theme | sketches only |
| 242 | A60a | Magyar dalok (Ungarische Nationalmelodien) | pf | | 1839–40 | Piano, national theme | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) |
| 242/1 | A60a/1 | (Lento) | pf | C minor | 1839–40 | Piano, national theme | |
| 242/2 | A60a/2 | (Andantino) | pf | C major | 1839–40 | Piano, national theme | |
| 242/3 | A60a/3 | (Sehr langsam) | pf | D♭ major | 1839–40 | Piano, national theme | |
| 242/4 | A60a/4 | (Animato) | pf | C♯ major | 1839–40 | Piano, national theme | 1st version of S.243/2, S.243/2a; themes re-used in S.244/6 |
| 242/5 | A60a/5 | (Tempo giusto) | pf | D♭ major | 1839–40 | Piano, national theme | 1st version of S.243/1, S.243/1a; themes re-used in S.244/6 |
| 242/6 | A60a/6 | (Lento) | pf | G minor | 1839–40 | Piano, national theme | themes re-used in S.242/12, S.244/5 |
| 242/7 | A60a/7 | (Andante cantabile, quasi Adagio) | pf | E♭ major | 1839–40 | Piano, national theme | 1st version of S.244/4 |
| 242/8 | A60a/8 | (Lento. Tempo marcato) | pf | F minor | 1839–40 | Piano, national theme | |
| 242/9 | A60a/9 | (Lento. Quasi Presto) | pf | A minor | 1839–40 | Piano, national theme | |
| 242/10 | A60a/10 | (Adagio sostenuto a capriccio. Allegro vivace) | pf | D major | 1839–40 | Piano, national theme | |
| 242/11 | A60a/11 | (Andante sostenuto. Allegretto) | pf | B♭ major | 1839–40 | Piano, national theme | 1st version of S.243/3, S.243/3a; uses themes from S.164e; themes re-used in S.244/3, S.244/6 |
| | A60b | Magyar rapszódiák | pf | | 1846–47 | Piano, national theme | originally published as Book V (No. 12), Book VI (No. 13), Book VII (No. 14), Book VIII (No. 15), Book IX (No. 16), Book X (No. 17) |
| 242/12 | A60b/12 | Mesto ["Héroïde élégiaque"] | pf | E minor | 1846–47 | Piano, national theme | partly based on S.242/6. themes re-used in S.244/5 |
| 242/13 | A60b/13 | (Tempo di Marcia) ["Rákóczi-Marsch"] | pf | A minor | 1846–47 | Piano, national theme | 3rd version of S.242a (based on); simplified version as S.242/13a; see also 4th & 5th versions S.244/15 & S.244c |
| 242/13a | A60b | Ungarische National-Melodie ["Rákóczi-Marsch"] | pf | A minor | 1846? | Piano, national theme | simplified version of S.242/13; renumbered from S.242/13bis |
| 242/14 | A60b/14 | (Lento a capriccio) | pf | A minor | 1846–47 | Piano, national theme | themes re-used in S.244/11 |
| 242/15 | A60b/15 | (Lento. Tempo e stilo zingarese) | pf | D minor | 1846–47 | Piano, national theme | themes re-used in S.244/7 |
| 242/16 | A60b/16 | (Preludio. Andante deciso) | pf | E major | 1846–47 | Piano, national theme | themes re-used in S.244/10, S.244/10a |
| 242/17 | A60b/17 | (Andante sostenuto) | pf | A minor | 1846–47 | Piano, national theme | themes re-used in S.244/13 |
| 242/18 | A60c/18 | (Adagio) | pf | C♯ minor | 1846–47 | Piano, national theme | themes re-used in S.244/12 |
| 242/19 | A60c/19 | (Lento patetico) | pf | F♯ minor | 1846–47 | Piano, national theme | themes re-used in of S.244/8 |
| 242/20 | A60c/20 | (Allegro vivace. Andante) ["Romanian Rhapsody"] | pf | G minor | 1846–47 | Piano, national theme | themes re-used in S.244/6, S.244/12 |
| 242/21 | A60c/21 | (Lento, tempo di marcia funèbre) | pf | E minor | 1846–47 | Piano, national theme | themes re-used in S.244/14 |
| 242/22 | A60e | Pester Karneval | pf | E♭ major | 1846–48 | Piano, national theme | themes re-used in S.244/9, S.244/14 |
| 242/23 | T5 | Rêves et fantaisies | pf | C♯ minor | 1844–46? | Piano, national theme | partly based on S.171a; 1st version of S.244/1; formerly S. 695d |
| 242a | A59 | Rákóczi-Marsch | pf | A minor | 1839–40 | Piano, national theme | the first of Liszt's many arrangements of the Hungarian national anthem of the time, the Rákóczi March; simplified version as S.692d; 2nd version as 164f; 3rd version as S.242/13 (& simplified S.242/13a); 4th version as S.244/15 (& simplified S.244/15a); 5th version as S.244c; 4th version arr. for orch as S.117; orch version arr. for pf as S.244a (& simplified S.244b), arr. for pf4h as S.608, and arr. for 2pf as S.652a |
| 243 | A60d | Ungarische Nationalmelodien (3): | pf | | 1840–43 | Piano, national theme | |
| 243/1 | A60d/1 | (Tempo giusto) | pf | D major | 1843 | Piano, national theme | 2nd version of S.242/5, S.243/1a |
| 243/1a | A60d/1 | (Tempo giusto) (Im leichten Stile bearbeitet) | pf | D major | 1846 | Piano, national theme | 3rd (lighter) version of S.242/5, S.243/1; renumbered from S.243bis/1 |
| 243/2 | A60d/2 | (Animato) | pf | C♯ major | 1843 | Piano, national theme | 2nd version of S.242/4, S.243/2a |
| 243/2a | A60d/2 | (Animato) (Im leichten Stile bearbeitet) | pf | C major | 1846 | Piano, national theme | 3rd (lighter) version of S.242/4, S.243/2; renumbered from S.243bis/2 |
| 243/3 | A60d/3 | Prélude (Allegretto) | pf | B♭ major | 1843 | Piano, national theme | 2nd version of S.242/11, S.243/3a |
| 243/3a | A60d/3 | Prélude (Allegretto) (Im leichten Stile bearbeitet) | pf | B♭ major | 1846 | Piano, national theme | 3rd (lighter) version of S.242/11, S.243/3; renumbered from S.243bis/3 |
| 243a | — | Célèbre mélodie hongroise | pf | | 1866 or later | Piano, national theme | |
| 244 | A132 | Hungarian Rhapsodies (Ungarische Rhapsodien) | pf | | 1846–85 | Piano, national theme | |
| 244/1 | A132/1 | Hungarian Rhapsody No. 1 (Lento quasi recitativo) | pf | C♯ minor | 1846 | Piano, national theme | 2nd version of S.243b |
| 244/2 | A132/2 | Hungarian Rhapsody No. 2 (Lento a capriccio) | pf | C♯ minor | 1847 | Piano, national theme | arr. for orch by Liszt and Franz Doppler as S.359/4, and for pf4h as S.621/4; see also S.244/2a |
| 244/2a | A132/2 | Hungarian Rhapsody No. 2 (Lento a capriccio) | pf | C♯ minor | 1885 | Piano, national theme | Cadenzas for S.244/2; renumbered from S.244/2bis |
| 244/3 | A132/3 | Hungarian Rhapsody No. 3 (Andante) | pf | B♭ major | 1847 | Piano, national theme | uses themes from S.164e/1 and 2; partly based on S.242/11 |
| 244/4 | A132/4 | Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente) | pf | E♭ major | 1847 | Piano, national theme | uses themes from S.242/7 |
| 244/5 | A132/5 | Hungarian Rhapsody No. 5 (Héroïde-élégiaque) | pf | E minor | 1847 | Piano, national theme | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and Franz Doppler as S.359/5, and for pf4h as S.621/5 |
| 244/6 | A132/6 | Hungarian Rhapsody No. 6 (Tempo giusto) | pf | D♭ major | 1847 | Piano, national theme | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/3, and for pf4h as S.621/3 |
| 244/7 | A132/7 | Hungarian Rhapsody No. 7 (Lento) | pf | D minor | 1847 | Piano, national theme | uses themes from S.242/15 |
| 244/8 | A132/8 | Hungarian Rhapsody No. 8 (Lento a capriccio) | pf | F♯ minor | 1846 | Piano, national theme | uses themes from S.242/19 |
| 244/9 | A132/9 | Hungarian Rhapsody No. 9 ("Pesther Carneval") | pf | E♭ major | 1847 | Piano, national theme | uses themes from S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 |
| 244/10 | A132/10 | Hungarian Rhapsody No. 10 (Preludio) | pf | E major | 1847 | Piano, national theme | 1st version of S.244/10a; uses themes from S.242/16 |
| 244/10a | A132/10 | Hungarian Rhapsody No. 10 (Preludio) | pf | E major | 1847 | Piano, national theme | 2nd (easier) version of S.244/10; uses themes from S.242/16; renumbered from S.244/10bis |
| 244/11 | A132/11 | Hungarian Rhapsody No. 11 (Lento a capriccio) | pf | A minor | 1847 | Piano, national theme | uses themes from S.242/14 |
| 244/12 | A132/12 | Hungarian Rhapsody No. 12 (Introduzione. Mesto) | pf | C♯ minor | 1847 | Piano, national theme | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a |
| 244/13 | A132/13 | Hungarian Rhapsody No. 13 (Andante sostenuto) | pf | A minor | 1847 | Piano, national theme | uses themes from S.242/17 |
| 244/14 | A132/14 | Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre) | pf | F minor | 1847 | Piano, national theme | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/1; themes used in S.123 |
| 244/15 | A132/15 | Hungarian Rhapsody No. 15 (Rákóczi-Marsch) | pf | A minor | 1847 | Piano, national theme | 4th version of S.242a (based on S.242/13); simplified (easier) version as S.244/15a; arr. for orch as S.117 |
| 244/15a | A132/15 | Hungarian Rhapsody No. 15 (Rákóczi-Marsch) | pf | A minor | 1847 | Piano, national theme | simplified (easier) version of S.244/15; renumbered from S.244/15bis |
| 244/16 | A132/16 | Hungarian Rhapsody No. 16 (Allegro) | pf | A minor | 1882 | Piano, national theme | exists in two versions; arr. for pf4h as S.622 |
| 244/17 | A132/17 | Hungarian Rhapsody No. 17 (Lento) | pf | D minor | 1883 | Piano, national theme | |
| 244/18 | A132/18 | Hungarian Rhapsody No. 18 (Lento) | pf | F♯ minor | 1885 | Piano, national theme | exists in two versions; arr. for pf4h as S.623 [?] |
| 244/19 | A132/19 | Hungarian Rhapsody No. 19 (Lento) | pf | D minor | 1885 | Piano, national theme | based on the Csárdás nobles by Kornél Ábrányi; arr. for pf4h as S.623a [?] |
| 244a | A224 | Rákóczi-Marsch | pf | A minor | 1863 | Piano, national theme | arr. of S.117; 6th pf version of S.242a; simplified version as S.244b |
| 244b | A224 | Rákóczi-Marsch | pf | A minor | 1871 | Piano, national theme | simplified version of S.244a |
| 244c | A132/15a | Marche de Rákóczy (Édition populaire) | pf | A minor | 1851 | Piano, national theme | 5th version of S.242a (based on S.242/13) |
| 245 | A263 | Ungarische Volkslieder (Magyar népdal) (5) | pf | | 1873 | Piano, national theme | |
| 245/1 | A263/1 | Csak titokban | pf | D major | 1873 | Piano, national theme | |
| 245/2 | A263/2 | Jaj, beh szennyes | pf | G major | 1873 | Piano, national theme | |
| 245/3 | A263/3 | Beh szomoru ez az élet | pf | G major | 1873 | Piano, national theme | |
| 245/4 | A263/4 | Beh! Sok falut | pf | C♯ minor | 1873 | Piano, national theme | |
| 245/5 | A263/5 | Erdt, erdt, sfrf erdt | pf | F minor | 1873 | Piano, national theme | |
| 246 | A255 | Puszta-Wehmut (A puszta keserve) | pf | | 1871 | Piano, national theme | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b |
| 247–248a | | Italian | Italian | Italian | Italian | Italian | Italian |
| 247# | — | La romanesca | pf | | | Piano, national theme | deleted; see S.252a |
| 248i | A85 | Canzone Napolitana (Notturno) | pf | | 1842 | Piano, national theme | 1st version of S. 248ii |
| 248ii | A85 | Canzone Napolitana (Notturno) | pf | | 1848? | Piano, national theme, Italian | 2nd version of S. 248i |
| 249–249b | | Polish | Polish | Polish | Polish | Polish | Polish |
| 249 | A143 | Glanes de Woronince (3): | pf | | 1847 | Piano, national theme | |
| 249/1 | A143/1 | Ballade d'Ukraïne (Dumka) | pf | | 1847 | Piano, national theme | |
| 249/2 | A143/2 | Mélodies polonaises | pf | | 1847 | Piano, national theme | based on No.1 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 249/3 | A143/3 | Complainte (Dumka) | pf | | 1847 | Piano, national theme | |
| 249a | — | Mélodie polonaise | pf | | 1843 | Piano, national theme | |
| 249b | — | Dumka | pf | | 1871 | Piano, national theme | |
| 249c–251 | | Russian | Russian | Russian | Russian | Russian | Russian |
| 249c | A289/2 | Air cosaque | pf | | 1879 | Piano, national theme | formerly S.735 |
| 249d | A86/1 | Le rossignol (Air russe d'Alexander Alabieff) | pf | | 1842 | Piano, national theme | based on a romance by Alexander Alyabyev; 1st version of S.250/1 |
| 250 | A86 | Mélodies russes (Arabesques) (2): | pf | | 1842 | Piano, national theme | |
| 250/1 | A86/1 | Le rossignol (Romance de Alexandr Alexandrovitch Alabieff) | pf | | 1842 | Piano, national theme | 2nd version of S.249d |
| 250/2 | A86/2 | Chanson bohémienne (de Piotr Petrovitch Boulakhov) | pf | | 1842 | Piano, national theme | based on a song by Pyotr Bulakhov |
| 251 | A324 | Abschied (Russisches Volkslied) | pf | | 1885 | Piano, national theme | |
| 252–254 | | Spanish | Spanish | Spanish | Spanish | Spanish | Spanish |
| 252 | A33 | Rondeau fantastique sur un thème espagnol (El contrabandista) | pf | B♭ major | 1836 | Piano, national theme | based on an aria from Manuel Garcia's opera El poeta calculista |
| 252a | A14/1 | La romanesca (Mélodie du 16ième siècle) | pf | | 1832–33 | Piano, national theme | formerly S.247; 1st version of S.252b |
| 252b | A14/2 | La romanesca (Mélodie du 16ième siècle) | pf | | 1852? | Piano, national theme | 2nd version of S.252a |
| 253 | A114 | Grosse Konzertfantasie über spanische Weisen | pf | | 1845 | Piano, national theme | 2nd version of S.738; themes used in S.254 |
| 254 | A195 | Rhapsodie espagnole (Folies d'espagne et Jota aragonesa) | pf | | 1858 | Piano, national theme | based on S.253 |
| 255–256a | | Piano Duet (four hands) | Piano Duet (four hands) | Piano Duet (four hands) | Piano Duet (four hands) | Piano Duet (four hands) | Piano Duet (four hands) |
| 255# | — | Festpolonaise | pf4h | | | Piano, 4 hands | renumbered as S.619a |
| 256# | — | Variation über das Thema von Borodin | pf4h | | | Piano, 4 hands | renumbered as S.207a |
| 256a# | — | Nocturne | pf4h | E minor | | Piano, 4 hands | arr. of S.161/5; spurious (not by Liszt) |
| 257–258 | | Piano Duo (2 pianos) | Piano Duo (2 pianos) | Piano Duo (2 pianos) | Piano Duo (2 pianos) | Piano Duo (2 pianos) | Piano Duo (2 pianos) |
| 257 | C1 | Grosses Konzertstück über Themen aus Mendelssohns Lieder ohne Worte | 2pf | | 1834 | Piano, 2 pianos | based on themes from Songs Without Words, Op.19b by Felix Mendelssohn |
| 258i | C18 | Concerto pathétique | 2pf | | 1855 | Piano, 2 pianos | based on S.176; 1st version of S.258ii |
| 258ii | C18 | Concerto pathétique | 2pf | | 1866 | Piano, 2 pianos | 2nd version of S.258i; arr. for pf orch by Edward Reuss with corrections by Liszt as S.365a |
| 259–268a | | Organ | Organ | Organ | Organ | Organ | Organ |
| 259 | E1 | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | org | | 1850 | Organ | based on a theme from the opera Le prophète by Giacomo Meyerbeer; 1st version of S.259a; Fugue published 1852 as No.4 of S.414; arr. for pf4h as S.624; arr. for pf as S.747a |
| 260i | E3/1 | Präludium und Fuge über den Namen BACH | org | | 1855–56 | Organ | 1st version of S.260ii; arr. for pf as S.529i |
| 260ii | E3/2 | Präludium und Fuge über den Namen BACH | org | | 1869–70 | Organ | 2nd version of S.260i (arr. of S.529ii) |
| 261 | E19a | Pio IX (Der Papsthymnus) | org | | 1863–65 | Organ | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8 |
| 261a | E12 | Andante religioso | org | | 1861 | Organ | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV |
| 262 | E20 | Ora pro nobis | org | | 1864 | Organ | |
| 263# | — | Resignazione | org | | 1877–81 | Organ | see S.187a |
| 264 | E33 | Missa pro organo lectarum celebrationi missarum adjumento inserviens | org | | 1879 | Organ | based on S.8, S.265, S.504 |
| 265 | E32 | Gebet (Preghiera) | org | | 1879 | Organ | rev. as movt. III of S.264 |
| 266 | E39 | Requiem für die Orgel | org | | 1883 | Organ | based on S.12 |
| 267 | E38 | Am Grabe Richard Wagners | org | | 1883 | Organ | arr. of S.135 |
| 268 | — | Vortragsstücke (2): | org | | 1884 | Organ | |
| 268/1 | E41 | Introitus | org | | 1884 | Organ | |
| 268/2 | E7 | Trauerode (Die Todten) | org | | 1884? | Organ | arr. of S.112/1 |
| 268a | E25 | Preludio | org | | 1885? | Organ | version of S.666 without vv |
| 269–340a | | Songs | Songs | Songs | Songs | Songs | Songs |
| 269/1 | N1 | Angiolin dal biondo crin (Englein hold im Lockengold) | v pf | | 1839 | Vocal, song | 1st version of S.269/2, S.269/3; arr. for pf as S.531/6 |
| 269/2 | N1 | Angiolin dal biondo crin (Englein hold im Lockengold) | v pf | | 1849? | Vocal, song | 2nd version of S.269/1, S.269/3 |
| 269/3 | N1 | Angiolin dal biondo crin (Englein hold im Lockengold) | v pf | | 1859? | Vocal, song | 3rd version of S.269/1, S.269/2 |
| 270a | N14 | Sonetti di Petrarca (Petrarca-Sonette) (3): | v pf | | 1843–46 | Vocal, song | 1st version of S.270b (for tenor voice) |
| 270a/1 | N14/1 | Pace non trovo (Fried' ist versagt mir) | v pf | | 1843–46 | Vocal, song | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1 |
| 270a/2 | N14/2 | Benedetto sia'l giorno (Sei gesegnet immerdar) | v pf | | 1843–46 | Vocal, song | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2 |
| 270a/3 | N14/3 | I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz) | v pf | | 1843–46 | Vocal, song | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3 |
| 270b | N14 | Sonetti di Petrarca (Petrarca-Sonette) (3): | v pf | | 1864–82 | Vocal, song | 2nd version of S.270a (for low voice) |
| 270b/1 | N14/2 | Benedetto sia'l giorno (Sei gesegnet immerdar) | v pf | | 1864–82 | Vocal, song | 2nd version of S.270a (for low voice) |
| 270b/2 | N14/1 | Pace non trovo (Fried' ist versagt mir) | v pf | | 1864–82 | Vocal, song | 2nd version of S.270a (for low voice) |
| 270b/3 | N14/3 | I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz) | v pf | | 1864–82 | Vocal, song | 2nd version of S.270a (for low voice) |
| 271 | N4 | Il m'aimait tant | v pf | | 1840–42 | Vocal, song | arr. for pf as S.533 |
| 272/1 | N3 | Im Rhein, im schönen Strome | v pf | | 1840 | Vocal, song | 1st version of S.272/2; arr. for pf as S.531/2 |
| 272/2 | N3 | Im Rhein, im schönen Strome | v pf | | 1855 | Vocal, song | 2nd version of S.272/1 |
| 273/1 | N5 | Die Loreley | v pf | | 1841 | Vocal, song | 1st version of S.273/2; arr. for pf as S.531/1 |
| 273/2 | N5 | Die Loreley | v pf | | 1854–56 | Vocal, song | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 |
| 274/1 | N6 | Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) | v pf | | 1841 | Vocal, song | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1 |
| 274/2 | N6 | Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) | v pf | | 1858–60 | Vocal, song | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382 |
| 275/1 | N8/1 | Mignons Lied (Kennst du das Land) | v pf | | 1842 | Vocal, song | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3 |
| 275/2 | N8/2 | Mignons Lied (Kennst du das Land) | v pf | | 1854 | Vocal, song | 2nd version of S.275/1, S.275/3 |
| 275/3 | N8/3 | Mignons Lied (Kennst du das Land) | v pf | | 1860 | Vocal, song | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370 |
| 276/1 | N12/1 | Comment disaient-ils (Was tun?) | v pf | | 1842 | Vocal, song | 1st version of S.276/2; arr. for pf as S.534 |
| 276/2 | N12/2 | Comment disaient-ils | v pf | | 1849–59 | Vocal, song | 2nd version of S.276/1 |
| 277/1 | N21/1 | Bist du (Mild wie ein Lufthauch) | v pf | | 1844 | Vocal, song | 1st version of S.277/2 |
| 277/2 | N21/2 | Bist du (Mild wie ein Lufthauch) | v pf | | 1878 | Vocal, song | 2nd version of S.277/1 |
| 278/1 | N9/1 | Es war ein König in Thule | v pf | | 1842 | Vocal, song | 1st version of S.278/2; arr. for pf as S.531/4 |
| 278/2 | N9/2 | Es war ein König in Thule | v pf | | 1856 | Vocal, song | 2nd version of S.278/1 |
| 279/1 | N10/1 | Der du von dem Himmel bist | v pf | | 1842 | Vocal, song | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 |
| 279/2 | N10/2 | Der du von dem Himmel bist | v pf | | 1849 | Vocal, song | 2nd version of S.279/1, S.279/3, S.279/4 |
| 279/3 | N10/3 | Der du von dem Himmel bist | v pf | | 1860 | Vocal, song | 3rd version of S.279/1, S.279/2, S.279/4 |
| 279/4 | N10/4 | Der du von dem Himmel bist | v pf | | 1870 | Vocal, song | 4th version of S.279/1, S.279/2, S.279/3 |
| 280/1 | N23/1 | Freudvoll und leidvoll I | v pf | | 1844 | Vocal, song | 1st version of S.280/2; arr. for pf as S.167a; 1st setting, for 2nd setting see S.280a |
| 280/2 | N23/2 | Freudvoll und leidvoll I | v pf | | 1849 | Vocal, song | 2nd version of S.280/1; 1st setting, for 2nd setting see S.280a |
| 280a | N23/3 | Freudvoll und leidvoll II | v pf | | 1848? | Vocal, song | 2nd setting, for 1st setting see S.280; renumbered from S.280bis |
| 281 | N22a | Die Vätergruft | v pf | | 1844 | Vocal, song | arr. for v orch as S.371 |
| 282/1 | N11/1 | Oh! quand je dors | v pf | | 1842 | Vocal, song | 1st version of S.282/2; arr. for pf as S.536 |
| 282/2 | N11/2 | Oh! quand je dors | v pf | | 1849 | Vocal, song | 2nd version of S.282/1 |
| 283/1 | N24/1 | Enfant, si j'étais roi | v pf | | 1844 | Vocal, song | 1st version of S.283/2; arr. for pf as S.537 |
| 283/2 | N24/2 | Enfant, si j'étais roi | v pf | | 1849 | Vocal, song | 2nd version of S.283/1 |
| 284/1 | N25/1 | S'il est un charmant gazon | v pf | | 1844 | Vocal, song | 1st version of S.284/2; arr. for pf as S.538 |
| 284/2 | N25/2 | S'il est un charmant gazon | v pf | | 1849–59 | Vocal, song | 2nd version of S.284/1 |
| 285 | N26 | La tombe et la rose | v pf | | 1844 | Vocal, song | arr. for pf as S.539 |
| 286 | N27 | Gastibelza (Bolero) | v pf | | 1844 | Vocal, song | arr. for pf as S.540 |
| 287/1 | N19/1 | Du bist wie eine Blume | v pf | | 1843 | Vocal, song | 1st version of S.287/2 |
| 287/2 | N19/2 | Du bist wie eine Blume | v pf | | 1849 | Vocal, song | 2nd version of S.287/1 |
| 288/1 | N7/1 | Was Liebe sei | v pf | | 1842 | Vocal, song | 1st setting, for 2nd and 3rd settings see S.288/2, S.288/3 |
| 288/2 | N7/2 | Was Liebe sei | v pf | | 1854–55 | Vocal, song | 2nd setting, for 1st and 3rd setting see S.288/1, S.288/3 |
| 288/3 | N7/3 | Was Liebe sei | v pf | | 1878–79 | Vocal, song | 3rd setting, for 1st and 2nd setting see S.288/1, S.288/2 |
| 289/1 | N29/1 | Vergiftet sind meine Lieder | v pf | | 1843 | Vocal, song | 1st version of S.289/2 |
| 289/2 | N29/2 | Vergiftet sind meine Lieder | v pf | | 1859 | Vocal, song | 2nd version of S.289/1 |
| 290/1 | N16/1 | Morgens steh ich auf und frage | v pf | | 1843 | Vocal, song | 1st version of S.290/2 |
| 290/2 | N16/2 | Morgens steh ich auf und frage | v pf | | 1849–59 | Vocal, song | 2nd version of S.290/1 |
| 291/1 | N17/1 | Die tote Nachtigall | v pf | | 1843 | Vocal, song | 1st version of S.291/2 |
| 291/2 | N17/2 | Die tote Nachtigall | v pf | | 1870–79 | Vocal, song | 2nd version of S.291/1 |
| 292a | N32/1 | Lieder aus Schiller's Wilhelm Tell (3) | v pf | | 1845 | Vocal, song | 1st version of S.292b |
| 292a/1 | N32/1/1 | Der Fischerknabe (Es lächelt der See) | v pf | | 1845 | Vocal, song | 1st version of S.292b/1 |
| 292a/2 | N32/1/2 | Der Hirt (Ihr Matten lebt wohl) | v pf | | 1845 | Vocal, song | 1st version of S.292b/2 |
| 292a/2 | N32/1/3 | Der Alpenjäger (Es donnern die Höh'n) | v pf | | 1845 | Vocal, song | 1st version of S.292b/3 |
| 292b | N32/2 | Lieder aus Schiller's Wilhelm Tell (3) | v pf | | 1855? | Vocal, song | 2nd version of S.292a; arr. for v orch as S.372 |
| 292b/1 | N32/2/1 | Der Fischerknabe (Es lächelt der See) | v pf | | 1855? | Vocal, song | 2nd version of S.292a/1; arr. for v orch as S.372/1 |
| 292b/2 | N32/2/2 | Der Hirt (Ihr Matten lebt wohl) | v pf | | 1855? | Vocal, song | 2nd version of S.292a/2; arr. for v orch as S.372/2 |
| 292b/2 | N32/2/3 | Der Alpenjäger (Es donnern die Höh'n) | v pf | | 1855? | Vocal, song | 2nd version of S.292a/3; arr. for v orch as S.372/3 |
| 293/1 | N37/1 | Jeanne d'Arc au bûcher | v pf | | 1845 | Vocal, song | 1st version of S.293/2; arr. for v orch as S.373/1 |
| 293/2 | N37/2 | Jeanne d'Arc au bûcher | v pf | | 1874–75 | Vocal, song | 2nd version of S.293/1; arr. for v orch as S.373/2 |
| 294/1 | N33/1 | Es rauschen die Winde | v pf | | 1845 | Vocal, song | 1st version of S.294/2 |
| 294/2 | N33/2 | Es rauschen die Winde | v pf | | 1849? | Vocal, song | 2nd version of S.294/1 |
| 295 | N28 | Wo weilt er? | v pf | | 1844 | Vocal, song | |
| 296 | N31 | Ich möchte hingehn | v pf | | 1844–56? | Vocal, song | |
| 297/1 | N34/1 | Wer nie sein Brot mit Tränen aß | v pf | | 1845 | Vocal, song | 1st version of S.297/2 |
| 297/2 | N34/2 | Wer nie sein Brot mit Tränen aß | v pf | | 1849 | Vocal, song | 2nd version of S.297/1 |
| 298/1 | N18/3/1 | O lieb so lang du lieben kannst | v pf | | 1843 | Vocal, song | 1st version of S.298/2 |
| 298/2 | N18/3/2 | O lieb so lang du lieben kannst (Liebestraum No.3) | v pf | | 1843 | Vocal, song | 2nd version of S.298/1; arr. for pf as S.541/3 |
| 298a | N38 | Über die Aeolsharfe | v pf | | 1846 | Vocal, song | |
| 299/1 | N39/1 | Isten veled | v pf | | 1847 | Vocal, song | 1st version of S.299/2 |
| 299/2 | N39/2 | Isten veled | v pf | | 1879 | Vocal, song | 2nd version of S.299/1 |
| 300 | N40 | Le Juif errant | v pf | | 1847 | Vocal, song | unpublished |
| 301/1 | N42/1 | Kling leise, mein Lied | v pf | | 1848 | Vocal, song | 1st version of S.301/2 |
| 301/2 | N42/2 | Kling leise, mein Lied | v pf | | 1849–60 | Vocal, song | 2nd version of S.301/1 |
| 301a | N30 | Oh pourquoi donc | v pf | | 1844? | Vocal, song | rev. for pf as S.169 |
| 301b/1 | N6/2/1 | En ces lieux tout me parle d'elle (Élégie) | v pf | | 1844 | Vocal, song | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2 |
| 301b/2 | N6/2/2 | Elégie (En ces lieux) | v pf | | 1845 | Vocal, song | 3rd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2a |
| 302 | N45 | Die Macht der Musik | v pf | | 1848 | Vocal, song | |
| 303 | N43 | Weimars Toten | v pf | | 1848 | Vocal, song | |
| 304 | N44 | Le vieux vagabond (Der alte Vagabund) | v pf | | 1848 | Vocal, song | |
| 305/1 | N35/1 | Schwebe, schwebe, blaues Auge | v pf | | 1845 | Vocal, song | 1st version of S.305/2 |
| 305/2 | N35/2 | Schwebe, schwebe, blaues Auge | v pf | | 1849–60 | Vocal, song | 2nd version of S.305/1 |
| 306/1 | N46/1 | Über allen Gipfeln ist Ruh | v pf | | 1848 | Vocal, song | 1st version of S.306/2 |
| 306/2 | N46/2 | Über allen Gipfeln ist Ruh | v pf | | 1859 | Vocal, song | 2nd version of S.306/1 |
| 306a | N13 | Quand tu chantes bercée | v pf | | 1842 | Vocal, song | |
| 306b | N41 | Göttliche Gedanken, selige Gefühle | v pf | | 1848 | Vocal, song | |
| 307 | N18/1 | Hohe Liebe (In Liebesarmen ruht ihr trunken) (Liebestraum No. 1) | v pf | | 1850 | Vocal, song | arr. for pf as S.541/1 |
| 308 | N18/2 | Gestorben war ich (Seliger tod) (Liebestraum No. 2) | v pf | | 1845–46 | Vocal, song | arr. for pf as S.541/2 |
| 309 | N36/1 | Ein Fichtenbaum steht einsam I | v pf | | 1845 | Vocal, song | 1st setting of S.309a |
| 309a | N36/2 | Ein Fichtenbaum steht einsam II | v pf | | 1860 | Vocal, song | 2nd setting of S.309; renumbered from S.309bis |
| 310 | N20 | Nimm einen Strahl der Sonne (Ihr Auge) | v pf | | 1843–49 | Vocal, song | |
| 311/1 | N48/1 | Anfangs wollt' ich fast verzagen | v pf | | 1849 | Vocal, song | 1st version of S.311/2 |
| 311/2 | N48/2 | Anfangs wollt' ich fast verzagen | v pf | | 1860? | Vocal, song | 2nd version of S.311/1 |
| 312 | N51 | Wie singt die Lerche schön | v pf | | 1855 | Vocal, song | |
| 313 | N53 | Weimars Volkslied | v pf | | 1857 | Vocal, song | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1c.; for orch by Liszt and Franz Doppler as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7 |
| 314 | N49 | Es muss ein Wunderbares sein | v pf | | 1852 | Vocal, song | |
| 315 | N52 | Ich liebe dich | v pf | | 1857 | Vocal, song | arr. for pf as S.542a |
| 316 | N54 | Muttergottes-Sträusslein zum Mai-Monate | v pf | | 1857 | Vocal, song | see also S.765 |
| 316/1 | N54/1 | Das Veilchen | v pf | | 1857 | Vocal, song | |
| 316/2 | N54/2 | Das Schlüsselblumen | v pf | | 1857 | Vocal, song | |
| 317 | N55 | Lasst mich ruhen | v pf | | 1858 | Vocal, song | |
| 318 | N56 | In Liebeslust | v pf | | 1858 | Vocal, song | |
| 319 | N58 | Ich scheide | v pf | | 1860 | Vocal, song | |
| 320 | N62/1 | Die drei Zigeuner | v pf | | 1860 | Vocal, song | arr. for vn pf as S.383, for v orch as S.374 |
| 321 | N59 | Die stille Wasserrose | v pf | | 1860 | Vocal, song | |
| 322 | N60 | Wieder möcht ich dir begegnen | v pf | | 1860 | Vocal, song | |
| 323 | N61 | Jugendglück | v pf | | 1860 | Vocal, song | |
| 324 | N50 | Blume und Duft | v pf | | 1854 | Vocal, song | |
| 324a | N64 | Не брани меня, мой друг (Do Not Reproach Me) | v pf | | 1866 | Vocal, song | formerly S. 340a |
| 325 | N65 | Die Fischerstochter | v pf | | 1871 | Vocal, song | |
| 326 | N67 | La perla (Die Perle) | v pf | | 1872 | Vocal, song | |
| 327 | N68 | J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben) | v pf | | 1872 | Vocal, song | |
| 328 | N69 | Ihr Glocken von Marling | v pf | | 1874 | Vocal, song | |
| 329 | N70 | Und sprich | v pf | | 1875–79 | Vocal, song | |
| 330 | N71 | Sei still | v pf | | 1877–79? | Vocal, song | |
| 331 | N72 | Gebet | v pf | | 1878 | Vocal, song | |
| 332 | N73 | Einst | v pf | | 1878 | Vocal, song | |
| 333 | N74 | An Edlitam (Zur silbernen Hochzeit) | v pf | | 1878 | Vocal, song | |
| 334 | N75 | Der Glückliche (Wie glänzt nun die welt) | v pf | | 1878 | Vocal, song | |
| 335 | N76 | Go Not, Happy Day (Weil noch, Sonnenstrahl) | v pf | | 1879 | Vocal, song | |
| 336 | N77 | Verlassen (Mir ist die Welt so freudenleer) | v pf | | 1880 | Vocal, song | |
| 337 | N78 | Des Tages laute Stimmen schweigen | v pf | | 1880 | Vocal, song | |
| 338 | N66 | Und wir dachten der Toten | v pf | | 1871? | Vocal, song | |
| 339 | M37 | A magyarok Istene (Ungarns Gott) | v pf (+ mch) | | 1881 | Vocal, song | arr. for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a |
| 340 | N81 | Magyar király-dal (Ungarisches Königslied) | v pf | | 1883 | Vocal, song | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 |
| 340a# | N64 | Не брани меня, мой друг (Do Not Reproach Me) | v pf | | 1866 | Vocal, song | deleted; renumbered as S. 324a |
| 341–345a | | Other vocal works | Other vocal works | Other vocal works | Other vocal works | Other vocal works | Other vocal works |
| 341 | K8 | Ave Maria IV | v org/harm | G major | 1881 | Vocal | arr. for pf as S.545; for org as S.674b |
| 342/1 | K9/1 | Le Crucifix | v pf/harm | | 1879 | Vocal | 1st version of S.342/2, S.342/3 |
| 342/2 | K9/2 | Le Crucifix | v pf/harm | | 1879 | Vocal | 2nd version of S.342/1, S.342/3 |
| 342/3 | K9/3 | Le Crucifix | v pf/harm | | 1881–83 | Vocal | 3rd version of S.342/1, S.342/2 |
| 343 | K7 | Sancta Caecilia | v org/harm | | 1880–85 | Vocal | |
| 344 | N79 | O Meer im Abendstrahl | 2vv pf/harm | | 1881? | Vocal | |
| 345 | L14 | Wartburg-Lieder (7): | 3vv ch orch/pf | | 1872–73 | Choral | |
| 345/0 | L14/0 | An Frau Minne (Die Erde ist erschlossen) | ch orch/pf | | 1872–73 | Choral | |
| 345/1 | L14/1 | Wolfram von Eschenbach (Als wir mit deutschen Klingen) | v ch orch/pf | | 1872–73 | Choral | |
| 345/2 | L14/2 | Heinrich von Ofterdingen (Hab' ich geträumt?) | v orch/pf | | 1872–73 | Vocal | |
| 345/3 | L14/3 | Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert) | v orch/pf | | 1872–73 | Vocal | arr. for v vn pf as S.345/3a |
| 345/3a | L14/3a | Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert) | v vn pf | | 1872–73 | Vocal | arr. of S.345/3 |
| 345/4 | L14/4 | Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig) | 2vv orch/pf | | 1872–73 | Vocal | |
| 345/5 | L14/5 | Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied) | v orch/pf | | 1872–73 | Vocal | |
| 345/6 | L14/6 | Reimar der Alte (Wo liebende Herzen sich innig vermählt) | v orch/pf | | 1872–73 | Vocal | |
| 345a | L16 | A magyarok Istene (Ungarns Gott) | v mch ww br perc | | 1882 | Choral | arr. of S.339 |
| 346–350 | | Recitations | Recitations | Recitations | Recitations | Recitations | Recitations |
| 346 | P1 | Lenore (Der Bräutigam) | nar pf | | 1857–58 | Vocal, recitation | |
| 347 | P2 | Vor hundert Jahren | nar orch | | 1859 | Vocal, recitation | unpublished |
| 348 | P3 | Der traurige Mönch (In Schweden steht ein grauer Turm) | nar pf | | 1860 | Vocal, recitation | |
| 349 | P5 | Des toten Dichters Liebe (A holt költó szerelme) | nar pf | | 1874 | Vocal, recitation | rev. for pf as S.195 |
| 350 | P6 | Der blinde Sänger (Слепой) | nar pf | | 1875–77 | Vocal, recitation | arr. for pf as S.546 |
| 351–686 | | Arrangements, transcriptions, fantasies, etc. | Arrangements, transcriptions, fantasies, etc. | Arrangements, transcriptions, fantasies, etc. | Arrangements, transcriptions, fantasies, etc. | Arrangements, transcriptions, fantasies, etc. | Arrangements, transcriptions, fantasies, etc. |
| 351–364 | | Orchestral works | Orchestral works | Orchestral works | Orchestral works | Orchestral works | Orchestral works |
| 351 | G32 | Mazurka-Fantaisie [H. von Bülow] | orch | B minor | 1865 | Orchestral, arr. | arr. of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow |
| 352 | G36 | Zweite Ouvertüre zum Barbier von Bagdad [P. Cornelius] | orch | | 1877–80 | Orchestral, arr. | second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt |
| 353 | G34 | Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) | orch | | 1872 | Orchestral, arr. | arrs. of the Hungarian patriotic songs Szózat by Béni Egressy and Himnusz by Ferenc Erkel; also arr. for pf as S.486, for pf4h as S.628c |
| 353a# | — | Angelus! Prière aux anges gardiens | str | | | Orchestral, arr. | renumbered as S.362a |
| 354# | — | Légendes (2) | orch | | 1863 | Orchestral, arr. | renumbered as S.113a |
| 355 | G30 | Vexilla regis prodeunt (Kreuzeshymne) | orch | | 1864 | Orchestral, arr. | arr. of S.185 |
| 356 | G18 | Festvorspiel | orch | | 1857 | Orchestral, arr. | arr. of S.226 |
| 357/1 | G8/1 | Festmarsch | ww br perc | | 1853 | Orchestral, arr. | arr. of S.227a by Liszt and Joachim Raff |
| 357/2 | G8/2 | Huldigungsmarsch | orch | | 1857 | Orchestral, arr. | arr. of S.228 |
| 358 | G11 | Vom Fels zum Meer! (Deutscher Siegesmarsch) | orch | | 1853–56? | Orchestral, arr. | arr. of S.229 |
| 359 | G21 | Hungarian Rhapsodies (6) | orch | | 1857–60 | Orchestral, arr. | arr. from S.244; arr. for pf4h as S.621 |
| 359/1 | G21/1 | Hungarian Rhapsody No. 1 | orch | F minor | 1857–60 | Orchestral, arr. | arr. by Liszt and Franz Doppler of S.244/14; arr. for pf4h by Liszt as S.621/1 |
| 359/2 | G21/2 | Hungarian Rhapsody No. 2 | orch | D minor | 1857–60 | Orchestral, arr. | arr. by Liszt and Franz Doppler of S.244/12; arr. for pf4h by Liszt as S.621/2 |
| 359/3 | G21/3 | Hungarian Rhapsody No. 3 | orch | D major | 1857–60 | Orchestral, arr. | arr. by Liszt and Franz Doppler of S.244/6; arr. for pf4h by Liszt as S.621/3 |
| 359/4 | G21/4 | Hungarian Rhapsody No. 4 | orch | D minor | 1857–60 | Orchestral, arr. | arr. by Liszt and Franz Doppler of S.244/2; arr. for pf4h by Liszt as S.621/4 |
| 359/5 | G21/5 | Hungarian Rhapsody No. 5 (Héroïde-élégiaque) | orch | E minor | 1857–60 | Orchestral, arr. | arr. by Liszt and Franz Doppler of S.244/5; arr. for pf4h by Liszt as S.621/5 |
| 359/6 | G21/6 | Hungarian Rhapsody No. 6 (Pesther Carneval) | orch | D major | 1857–60 | Orchestral, arr. | arr. by Liszt and Franz Doppler of S.244/9; arr. for pf4h by Liszt as S.621/6 |
| 359a | G19 | Weimars Volkslied | orch | C major | 1857 | Orchestral, arr. | arr. of S.313 |
| 360 | G26 | À la Chapelle Sixtine | orch | | 1862 | Orchestral, arr. | arr. of S.461/1 |
| 361 | G31 | Der Papsthymnus | orch | | 1864 | Orchestral, arr. | arr. of S.261 |
| 362 | H14 | Benedictus aus der Ungarischen Krönungsmesse | vn orch | | 1875–77 | Orchestral, arr. | arr. of S.11/7 |
| 362a | D15 | Angelus! Priere aux anges gardiens | str/(2vn va vc) | | 1882 | Orchestral, arr. | arr. of S.162/1 |
| 363 | G24 | Märsche von Franz Schubert (4) | orch | | 1859–70 | Orchestral, arr. | arr. for pf4h as S.632 |
| 363/1 | G24/1 | (Vivace) | orch | B minor | 1859–70 | Orchestral, arr. | orchestration of No.3 of 6 Grandes Marches, D.819 by Franz Schubert; arr. for pf4h as S.632/1 |
| 363/2 | G24/2 | Trauermarsch | orch | E♭ minor | 1859–70 | Orchestral, arr. | orchestration of No.5 of 6 Grandes Marches, D.819 by Franz Schubert; arr. for pf as S.426/1, for pf4h as S.632/2 |
| 363/3 | G24/3 | Reitermarsch | orch | C major | 1859–70 | Orchestral, arr. | orchestration of No.1 of 2 Marches caractéristiques, D.968b by Franz Schubert; arr. for pf4h as S.633/3 |
| 363/4 | G24/4 | Ungarischer Marsch | orch | D minor | 1859–70 | Orchestral, arr. | orchestration of Divertissement à la hongroise, D.818 by Franz Schubert; arr. for pf4h as S.632/4 |
| 364 | G39 | Danses galiciennes de Zarembski | orch | | 1881–82 | Orchestral, arr. | orchestration of 3 Danses galiciennes by Juliusz Zarębski |
| 365–367 | | For pianoforte and orchestra | For pianoforte and orchestra | For pianoforte and orchestra | For pianoforte and orchestra | For pianoforte and orchestra | For pianoforte and orchestra |
| 365 | H11/1 | Grand solo de concert | pf orch | | 1849–50 | Orchestral, piano, arr. | sketches only; based on S.176 |
| 365a | H11/2 | Concerto pathétique | pf orch | E minor | 1885–86 | Orchestral, piano, arr. | arr. of S.258/2 by Edward Reuss with corrections by Liszt |
| 365b | H5 | Hexaméron (Morceau de concert) | pf orch | | 1837–39 | Orchestral, piano, arr. | arr. of S.392; completed by Leslie Howard |
| 366 | H13 | Franz Schuberts Grosse Fantasie | pf orch | C major | 1851 | Orchestral, piano, arr. | arr. of the Fantasie in C major, D.760 by Franz Schubert; arr. for 2pf as S.653 |
| 367 | H10 | Polonaise brillante [Weber] | pf orch | E major | 1848 | Orchestral, piano, arr. | arr. of the Polacca brillante, Op.72 by Carl Maria von Weber; arr. for pf as S.455 |
| 368–377 | | Songs with orchestra | Songs with orchestra | Songs with orchestra | Songs with orchestra | Songs with orchestra | Songs with orchestra |
| 368 | N80 | Lieder von Francis Korbay (2): | v orch | | 1883 | Vocal, orchestral, arr. | arrs. of songs by Francis Korbay |
| 368/1 | N80/1 | Le matin | v orch | | 1883 | Vocal, orchestral, arr. | arr. of the song by Francis Korbay |
| 368/2 | N80/2 | Gebet | v orch | | 1883 | Vocal, orchestral, arr. | arr. of the song by Francis Korbay; also arr. for v org as S.683a |
| 369 | N5/3 | Die Loreley | v orch | | 1860 | Vocal, orchestral, arr. | arr. of S.273/2 |
| 370 | N8/4 | Mignons Lied (Kennst du das Land) | v orch | | 1860 | Vocal, orchestral, arr. | arr. of S.275/3 |
| 371 | N22/2 | Die Vätergruft | v orch | | 1886 | Vocal, orchestral, arr. | arr. of S.281 |
| 372 | N32/3 | Lieder aus Schiller's Wilhelm Tell (3) | v orch | | 1855 | Vocal, orchestral, arr. | arr. of S.292b |
| 372/1 | N32/3/1 | Der Fischerknabe (Es lächelt der See) | v orch | | 1855 | Vocal, orchestral, arr. | arr. of S.292b/1 |
| 372/2 | N32/3/2 | Der Hirt (Ihr Matten lebt wohl) | v orch | | 1855 | Vocal, orchestral, arr. | arr. of S.292b/2 |
| 372/3 | N32/3/3 | Der Alpenjäger (Es donnern die Höh'n) | v orch | | 1855 | Vocal, orchestral, arr. | arr. of S.292b/3 |
| 373/1 | N37/5/1 | Jeanne d'Arc au bûcher | v orch | | 1858 | Vocal, orchestral, arr. | arr. of S.293/1; 1st version of S.373/2 |
| 373/2 | N37/5/2 | Jeanne d'Arc au bûcher | v orch | | 1875 | Vocal, orchestral, arr. | arr. of S.293/2; 1st version of S.373/1 |
| 374 | N62/2 | Die drei Zigeuner | v orch | | 1871 | Vocal, orchestral, arr. | arr. of S.320 |
| 375 | N63 | Lieder von Schubert (6) | v orch | | 1860 | Vocal, orchestral, arr. | arrs. of songs by Franz Schubert |
| 375/1 | N63/1 | Die junge Nonne | v orch | | 1860 | Vocal, orchestral, arr. | arr. of Die junge Nonne, D.828 by Franz Schubert |
| 375/2 | N63/2 | Gretchen am Spinnrade | v orch | | 1860 | Vocal, orchestral, arr. | arr. of Gretchen am Spinnrade, D.118 by Franz Schubert |
| 375/3 | N63/3 | Mignons Lied (Kennst du das Land) | v orch | | 1860 | Vocal, orchestral, arr. | arr. of Mignon, D.321 by Franz Schubert |
| 375/4 | N63/4 | Erlkönig | v orch | | 1860 | Vocal, orchestral, arr. | arr. of Erlkönig, D.328 by Franz Schubert |
| 375/5 | N63/5 | Der Doppelgänger (Still ist die Nacht) | v orch | | 1860 | Vocal, orchestral, arr. | arr. of No.13 from Schwanengesang, D.957 by Franz Schubert |
| 375/6 | N63/6 | Abschied | v orch | | 1860 | Vocal, orchestral, arr. | arr. of No.7 from Schwanengesang, D.957 by Franz Schubert |
| 376 | L13 | Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr) | mch org/harm orch | | 1871 | Vocal, orchestral, arr. | arr. of Die Allmacht, D.852 by Franz Schubert |
| 377 | N82 | Der Zaubersee (Bűvös tó) | ten orch | | 1884 | Vocal, orchestral, arr. | arr. of a ballad (now lost) by Géza Zichy |
| 377a–383 | | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. | Chamber music, etc. |
| 377a | D9 | La notte | vn pf | | 1864–66? | Chamber, arr. | arr. of S.112/2; formerly S.722 |
| 378 | D15 | Angelus! Priere aux anges gardiens | 2vn va vc | | 1883 | Chamber, arr. | arr. of S.163/1 |
| 378a | D18/1 | Vallée d'Obermann | vn vc pf | | 1880 | Chamber, arr. | arr. by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c |
| 378b | D18/2 | Vallée d'Obermann | vn vc pf | | 1880 | Chamber, arr. | 2nd version of S.378a, S.378c |
| 378c | D18/3 | Tristia (Vallée d'Obermann) | vn vc pf | | 1880 | Chamber, arr. | 3rd version of S.378a, S.378b |
| 379 | D6 | Hungarian Rhapsody No.9 | vn vc pf | E♭ major | 1848 | Chamber, arr. | arr. of S.244/9 |
| 379a | — | Hungarian Rhapsody No. 12 | vn pf | C♯ minor | 1850–59 | Chamber, arr. | arr. of S.244/12 |
| 379b | D17 | Puszta-Wehmut | vn pf | | 1880 | Chamber, arr. | arr. of S.246 |
| 380 | D7 | O du mein holder Abendstern | vc pf | | 1852 | Chamber, arr. | arr. of S.444 (with Bernhard Cossmann) |
| 381 | D10 | Aus der Ungarischen Krönungsmesse | vn pf | | 1869 | Chamber, arr. | arr. from S.11 |
| 381/1 | D10/1 | Benedictus | vn pf | | 1869 | Chamber, arr. | arr. of S.11/7 |
| 381/2 | D10/2 | Offertorium | vn pf | | 1869 | Chamber, arr. | arr. of S.11/5 |
| 381a | — | A magyarok Istene (Ungarns Gott) | vn pf | | 1882 | Chamber, arr. | arr. of S.339 |
| 382 | D21 | Die Zelle im Nonnenwerth (Elegie) | vn/vc pf | | 1883? | Chamber, arr. | arr. of S.274/2 |
| 382a | D11 | Consolations (2): | vc pf/org | | 1870 | Chamber, arr. | arr. of extracts from S.172 by Liszt and Deswert |
| 382a/1 | D11/1 | (Andante con moto) | vc pf | | 1870 | Chamber, arr. | arr. of S.172/1 by Liszt and Deswert |
| 382a/2 | D11/2 | (Quasi Adagio) | vc pf/org/harm | | 1870 | Chamber, arr. | arr. of S.172/4 by Liszt and Deswert |
| 383 | D8 | Die drei Zigeuner | vn pf | | 1864 | Chamber, arr. | arr. of S.320 |
| 383a–577ter | | For pianoforte solo | For pianoforte solo | For pianoforte solo | For pianoforte solo | For pianoforte solo | For pianoforte solo |
| 383a–460 | | Paraphrases, operatic transcriptions, etc. | Paraphrases, operatic transcriptions, etc. | Paraphrases, operatic transcriptions, etc. | Paraphrases, operatic transcriptions, etc. | Paraphrases, operatic transcriptions, etc. | Paraphrases, operatic transcriptions, etc. |
| 383a | V12 | Virag Dál (Chant des Fleurs) [Ábrányi] | pf | | 1880 | Piano, arr. | additions and corrections by Liszt to the pf piece by Kornél Ábrányi |
| 384 | A93 | Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg | pf | | 1868? | Piano, arr. | arr. of a pf piece by Mikhail Vielgorsky [attributed in some sources to Alexander Alyabyev] |
| 384a | — | Variations on "Tiszantuli szép leany" | pf | | 1846 | Piano, arr. | variations on the Hungarian folk song "Tiszantuli szép leany" |
| 385i | A12a/1 | Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber | pf | A major | 1829 | Piano, arr. | based on a theme from the opera La fiancéeby Auber (also used in S.385a); 1st version of S.385/2, S.385/3 |
| 385ii | A12a/2 | Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber | pf | A major | 1843? | Piano, arr. | 2nd version of S.385/1, S.385/3 |
| 385iii | — | Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber) | pf | A major | 1842 | Piano, arr. | 3rd version of S.385/1, S.385/2 |
| 385a | A12b | Tyrolean Melody | pf | G major | 1829 | Piano, arr. | formerly S.233c; based on the same theme as S.385 |
| 386i | A125 | Tarantelle di bravura d'après la tarantelle de La muette de Portici | pf | | 1846 | Piano, arr. | based on a theme from the opera La muette de Portici by Auber; 1st version of S. 386ii and S. 386iii |
| 386ii | — | Tarantelle di bravura d'après la tarantelle de La muette de Portici | pf | | 1846 | Piano, arr. | based on a theme from the opera La muette de Portici by Auber; 2nd version of S. 386i and S. 386iii |
| 386iii | — | Tarantelle di bravura d'après la tarantelle de La muette de Portici | pf | | 1869 | Piano, arr. | 3rd version of S. 386i and S. 386ii |
| 387 | A144/1 | Stücke aus der Oper La muette de Portici von Auber (3): | pf | | 1847–48 | Piano, arr. | |
| 387/1 | A144/1 | Introduction e Cavatine | pf | | 1847–48 | Piano, arr. | based on themes from the opera La muette de Portici by Auber |
| 387/2 | A144/2 | Klavierstück über ein fremdes Thema | pf | | 1847–48 | Piano, arr. | based on an unidentified theme |
| 388 | A124 | Capriccio alla turca sur des motifs de Beethoven | pf | | 1846 | Piano, arr. | based on themes from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; themes also used in S.388b, S.122 |
| 388a | A124 | Marche des Ruines d'Athenes de Beethoven | pf | | 1846 | Piano, arr. | extracted from S.388 |
| 388b | A177 | Fantasie über Themen aus Beethovens Ruinen von Athen | pf | | 1839 | Piano, arr. | based on themes from Die Ruinen von Athen, Op.113 by Beethoven; rev. as S.122; themes also used in S.388 |
| 389 | A177 | Fantasie über Motive aus Beethovens Ruinen von Athen | pf | | 1852 | Piano, arr. | arr. of S.122 |
| 389a | C27 | Cadenza to the first movement of Piano Concerto No.3 by Beethoven | pf | | 1878–79 | Piano, arr. | extracted from S.657a/1 |
| 390/1 | A34/1 | Réminiscences des Puritains de Bellini | pf | | 1836 | Piano, arr. | based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390/2 |
| 390/2 | A34/2 | Réminiscences des Puritains de Bellini | pf | | 1837 | Piano, arr. | 2nd version of S.390/1; ending used in S.391 |
| 391 | A74 | Introduction et Polonaise de l'opéra I puritani | pf | | 1840–41 | Piano, arr. | based on the conclusion of S.390/2 |
| 392 | A41 | Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) | pf | | 1837–38 | Piano, arr. | collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frédéric Chopin; arr. for pf orch as S.365b, for 2pf as S.654 |
| 393/1 | A56/1 | Fantaisie sur des motifs favoris de l'opera Somnambula de Bellini | pf | | 1841 | Piano, arr. | based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393/2, S.393/3, |
| 393/2 | A56/2 | Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula | pf | | 1852 | Piano, arr. | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 |
| 393/3 | A56/3 | Grosse Concert-Fantasie aus der Oper Sonnambula | pf | | 1874 | Piano, arr. | 3rd version of S.393/1, S.393/2 |
| 394 | A77 | Réminiscences de Norma | pf | | 1841 | Piano, arr. | based on themes from the opera Norma by Vincenzo Bellini; arr. for 2pf as S.655 |
| 395 | — | L'idée fixe | pf | | 1833 | Piano, arr. | renumbered as S.470a/1 |
| 396 | A178 | Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) | pf | | 1852–53 | Piano, arr. | based on themes from the opera Benvenuto Cellini by Hector Berlioz; arr. for pf4h as S.628 |
| 397 | A22 | Réminiscences de Lucia di Lammermoor | pf | | 1835–36 | Piano, arr. | based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628a |
| 398 | A23 | Marche et Cavatine de Lucia di Lammermoor | pf | | 1835–36 | Piano, arr. | based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628b |
| 399 | A44 | Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti) (3): | pf | | 1838 | Piano, arr. | based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti |
| 399/1 | A44/1 | Barcarola (Il barcajuolo) | pf | | 1838 | Piano, arr. | based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti |
| 399/2 | A44/2 | Notturno (L'alito di Bice) | pf | | 1838 | Piano, arr. | based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti |
| 399/3 | A44/3 | Canzone Napoletana (La torre di Biasone) | pf | | 1838 | Piano, arr. | based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti |
| 399a | A71a | Fantaisie sur des motifs favoris de l'opéra Lucrezia Borgia | pf | | 1840 | Piano, arr. | based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400/2 |
| 400 | A71b | Réminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs de l'opéra de Gaetano Donizetti) | pf | | 1848 | Piano, arr. | based on themes from the opera Lucrezia Borgia by Gaetano Donizetti |
| 400/1 | A71b/1 | Trio du seconde Acte | pf | | 1848 | Piano, arr. | based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti |
| 400/2 | A71b/2 | Chanson á boire (Orgie). Duo. Finale | pf | | 1848 | Piano, arr. | based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a |
| 400a | A136 | Spirto gentil (Kavatine aus der Oper La favorite) | pf | | 1847 | Piano, arr. | based on a theme from Act IV of La favorite by Gaetano Donizetti |
| 401 | A88a | Valse a capriccio (sur deux motifs de Lucia et Parisina) | pf | | 1842 | Piano, arr. | based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti; 1st version of S.214/3 |
| 402 | A108 | Marche funèbre de Dom Sébastien de Donizetti | pf | | 1844 | Piano, arr. | based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti |
| 403 | A137 | Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan | pf | | 1847 | Piano, arr. | based on the Grande marche militaire by Gaetano Donizetti; 1st version of S.403a |
| 403a | A137 | Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan | pf | | 1848 | Piano, arr. | 2nd version of S.403 ("version facilitée"); renumbered from S.403bis |
| 404 | A160 | Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.) | pf | | 1849 | Piano, arr. | based on themes from the opera Tony, oder die Vergeltung by Ernest II, Duke of Saxe-Coburg and Gotha |
| 405 | A140 | Schwanengesang und Marsch aus Hunyadi László | pf | | 1847 | Piano, arr. | based on themes from the opera Hunyadi László by Ferenc Erkel |
| 405a | V4 | Pásztor Lakodalmus (Magyar nóták) | pf | | 1858 | Piano, arr. | corrections and alterations to Les noces du Pâtre by Leo Festetics |
| 406/1 | — | Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila) | pf | | 1843 | Piano, arr. | based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406/2 |
| 406/2 | — | Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla | pf | | 1843, 1875 | Piano, arr. | 2nd version of S.406/2; arr. for pf4h as S.629 |
| 407 | A208 | Valse de l'opéra Faust | pf | | 1861 | Piano, arr. | based on the waltz and duet from Act II of the opera Faust by Charles Gounod |
| 408 | A231 | Les Sabéennes (Berceuse de l'opéra La reine de Saba) | pf | | 1865 | Piano, arr. | based on the berceuse from the opera La reine de Saba by Charles Gounod |
| 409 | A237 | Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette) | pf | | 1867 | Piano, arr. | based on a theme from the opera Roméo et Juliette by Charles Gounod |
| 409a | A20 | Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy) | pf | | 1835 | Piano, arr. | based on themes from the opera La Juive by Fromental Halévy |
| 410 | A166 | Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum | pf | | 1849–50 | Piano, arr. | based on themes from the incidental music to A Midsummer Night's Dream, Op.61 by Felix Mendelssohn |
| 411 | A47 | Soirées italiennes (Amusements sur des motifs de Mercadante) (6): | pf | | 1838–39 | Piano, arr. | based on 6 of the 12 Soirées italiennes by Saverio Mercadante |
| 411/1 | A47/1 | La primavera (Canzonetta) | pf | | 1838–39 | Piano, arr. | based on No.2 of the Soirées italiennes by Saverio Mercadante |
| 411/2 | A47/2 | Il galop | pf | | 1838–39 | Piano, arr. | based on No.10 of the Soirées italiennes by Saverio Mercadante |
| 411/3 | A47/3 | Il pastore svizzero (Tirolese) | pf | | 1838–39 | Piano, arr. | based on No.4 of the Soirées italiennes by Saverio Mercadante |
| 411/4 | A47/4 | La serenata del marinaro | pf | | 1838–39 | Piano, arr. | based on No.5 of the Soirées italiennes by Saverio Mercadante |
| 411/5 | A47/5 | Il Brindisi (Rondoletto) | pf | | 1838–39 | Piano, arr. | based on No.11 of the Soirées italiennes by Saverio Mercadante |
| 411/6 | A47/6 | La zingarella spagnuola (Bolero) | pf | | 1838–39 | Piano, arr. | based on No.8 of the Soirées italiennes by Saverio Mercadante |
| 412/1 | A35 | Réminiscences des Huguenots (Grande fantaisie dramatique) | pf | | 1836 | Piano, arr. | based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412/2, S.412/3 |
| 412/2 | A35 | Réminiscences des Huguenots (Grande fantaisie dramatique) | pf | | 1838 | Piano, arr. | 2nd version of S.412/1, S.412/3 |
| 412/3 | A35 | Grande fantaisie dramatique sur des thèmes de l'opéra Les Huguenots | pf | | 1842 | Piano, arr. | 3rd version of S.412/2, S.412/3 |
| 412a | A120 | Cavatine de Robert le diable | pf | | 1841–46? | Piano, arr. | based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer |
| 413 | A78 | Réminiscences de Robert le diable | pf | | 1841 | Piano, arr. | based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr. for pf4h as S.630 [?] |
| 414 | A165 | Illustrations du Prophète | pf | | 1849–50 | Piano, arr. | based on themes from the opera Le prophète by Giacomo Meyerbeer |
| 414/1 | A165/1 | Prière. Hymne triomphal. Marche du sacre | pf | | 1849–50 | Piano, arr. | based on themes from the opera Le prophète by Giacomo Meyerbeer |
| 414/2 | A165/2 | Les patineurs. Scherzo | pf | | 1849–50 | Piano, arr. | based on themes from the opera Le prophète by Giacomo Meyerbeer |
| 414/3 | A165/3 | Pastorale. Appel aux armes | pf | | 1849–50 | Piano, arr. | based on themes from the opera Le prophète by Giacomo Meyerbeer |
| 415 | A230 | Illustrations de l'opéra L'Africaine | pf | | 1865 | Piano, arr. | based on themes from the opera L'Africaine by Giacomo Meyerbeer |
| 415/1 | A230/1 | Prière des matelots | pf | | 1865 | Piano, arr. | based on the sailors' prayer from Act III of the opera L'Africaine by Meyerbeer |
| 415/2 | A230/2 | Marche indienne | pf | | 1865 | Piano, arr. | based on the Indian March from Act IV of the opera L'Africaine by Meyerbeer |
| 416 | A79 | Le moine [Meyerbeer] | pf | | 1841 | Piano, arr. | arr. of the song by Meyerbeer |
| 417 | A232 | Fantaisie sur l'opéra hongroise Szép Ilonka | pf | | 1865–67 | Piano, arr. | based on themes from the opera Szép Ilonka by Mihály Mosonyi |
| 418 | A80 | Réminiscences de Don Juan (Grande fantaisie) | pf | | 1841 | Piano, arr. | based on themes from the opera Don Giovanni, K.527 by Wolfgang Amadeus Mozart; arr. for 2pf as S.656 |
| 419 | A24 | Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti") | pf | | 1835–36 | Piano, arr. | based on themes from the opera Niobe by Giovanni Pacini |
| 420 | A15 | Grande fantaisie de bravoure sur La clochette | pf | | 1832–34 | Piano, arr. | based on the main theme of the last movement of the Violin Concerto No.2, Op.7 by Niccolò Paganini and Paganini's 9th Caprice from his 24 Caprices |
| 421 | A183 | Andante Finale und Marsch aus der Oper König Alfred | pf | | 1853 | Piano, arr. | based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr. for pf4h as S.631 |
| 421/1 | A183/1 | Andante | pf | | 1853 | Piano, arr. | arr. for pf4h as S.631/1 |
| 421/2 | A183/2 | Marsch | pf | | 1853 | Piano, arr. | arr. for pf4h as S.631/2 |
| 421a | A13 | Introduction et Variations sur une marche du Siège de Corinthe | pf | | 1830 | Piano, arr. | only the Introduction survives (discovered in 1976 by Nancy B. Reich at Manhattanville College); there is no trace of either the March theme nor the Variations; based on themes from the opera Le siège de Corinthe by Gioachino Rossini; formerly S.750 |
| 422/1 | A25 | Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales | pf | | 1835–36 | Piano, arr. | based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioachino Rossini; 1st version of S.422/2 |
| 422/2 | A25 | Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales | pf | | 1840 | Piano, arr. | 2nd version of S.422/1 |
| 423 | A26 | Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales | pf | | 1835–36 | Piano, arr. | based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioachino Rossini |
| 424 | A36 | Soirées musicales de Rossini | pf | | 1837 | Piano, arr. | based on the song cycle Les soirées musicales by Gioachino Rossini |
| 424/1 | A36/1 | La promessa (Canzonetta) | pf | | 1837 | Piano, arr. | based on No.1 of the Les soirées musicales by Gioachino Rossini |
| 424/2 | A36/2 | La regata veneziana (Notturno) | pf | | 1837 | Piano, arr. | based on No.9 of the Les soirées musicales by Gioachino Rossini |
| 424/3 | A36/3 | L'invito (Bolero) | pf | | 1837 | Piano, arr. | based on No.5 of the Les soirées musicales by Gioachino Rossini |
| 424/4 | A36/4 | La gita in gondola (Barcarola) | pf | | 1837 | Piano, arr. | based on No.7 of the Les soirées musicales by Gioachino Rossini |
| 424/5 | A36/5 | Il rimprovero (Canzonetta) | pf | | 1837 | Piano, arr. | based on No.2 of the Les soirées musicales by Gioachino Rossini |
| 424/6 | A36/6 | La pastorella dell'Alpi (Tirolese) | pf | | 1837 | Piano, arr. | based on No.6 of the Les soirées musicales by Gioachino Rossini |
| 424/7 | A36/7 | La partenza (Canzonetta) | pf | | 1837 | Piano, arr. | based on No.3 of the Les soirées musicales by Gioachino Rossini |
| 424/8 | A36/8 | La pesca (Notturno) | pf | | 1837 | Piano, arr. | based on No.10 of the Les soirées musicales by Gioachino Rossini |
| 424/9 | A36/9 | La danza (Tarantella Napoletana) | pf | | 1837 | Piano, arr. | based on No.8 of the Les soirées musicales by Gioachino Rossini |
| 424/10 | A36/10 | La serenata (Notturno) | pf | | 1837 | Piano, arr. | based on No.11 of the Les soirées musicales by Gioachino Rossini |
| 424/11 | A36/11 | L'orgia (Arietta) | pf | | 1837 | Piano, arr. | based on No.4 of the Les soirées musicales by Gioachino Rossini |
| 424/12 | A36/12 | Li marinari (Duetto) | pf | | 1837 | Piano, arr. | based on No.12 of the Les soirées musicales by Gioachino Rossini |
| 425 | A48 | Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) | pf | | 1838–39 | Piano, arr. | based on Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a |
| 425/1 | A48/1 | Andante | pf | | 1838–39 | Piano, arr. | based on No.1 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/1 |
| 425/2a | A48/2 | Marche hongroise | pf | | 1838–39 | Piano, arr. | based on No.2 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (" 1st Diabelli edition") |
| 425/2b | A48/2 | Marche hongroise | pf | | 1840 | Piano, arr. | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("Richault edition") |
| 425/2c | A48/2 | Marche hongroise | pf | | 1840 | Piano, arr. | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 ("Lucca edition") |
| 425/2d | A48/2 | Marche hongroise | pf | | 1879 | Piano, arr. | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 ("Menter transcription") |
| 425/2e | A48/2 | Marche hongroise | pf | | 1883 | Piano, arr. | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (" 3rd edition") |
| 425/3 | A48/3 | Allegretto | pf | | 1838–39 | Piano, arr. | based on No.3 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/3 |
| 425a | A48 | Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) | pf | | 1846 | Piano, arr. | 2nd (simplified) version of S.425 |
| 425a/1 | A48/1 | Andante | pf | | 1846 | Piano, arr. | 2nd (simplified) version of S.425a/1 |
| 425a/2 | A48/2 | Marcia | pf | | 1846 | Piano, arr. | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (" 2nd Diabelli edition") |
| 425a/3 | A48/3 | Allegretto | pf | | 1846 | Piano, arr. | 2nd (simplified) version of S.425/3 |
| 426 | A123 | Märsche von Franz Schubert (3): | pf | | 1846 | Piano, arr. | |
| 426/1 | A123/1 | Trauermarsch (Grande marche funèbre) | pf | | 1846 | Piano, arr. | based on No.5 of 6 Grandes marches, D.819 by Franz Schubert; arr. for orch as S.363/2, for pf4h as S.632/2 |
| 426/2 | A123/2 | Grande marche | pf | | 1846 | Piano, arr. | using themes from No.3 of 6 Grandes marches, D.819, and Grande marche funèbre, D.859 by Franz Schubert |
| 426/3 | A123/3 | Grande marche caractéristique | pf | | 1846 | Piano, arr. | using themes from Nos.1 and 2 of 2 Marches caractéristiques, D.968b, and Nos.1 and 2 of 6 Grandes marches, D.819 by Franz Schubert |
| 426a | — | Marche militaire (Grande paraphrase de concert) | pf | | 1870? | Piano, arr. | based on No.1 of 3 Marches militaires, D.733 by Franz Schubert |
| 427 | A131 | Soirées de Vienne (Valses-caprices d'après François Schubert) | pf | | 1846–52 | Piano, arr. | based on pf pieces by Franz Schubert |
| 427/1 | A131/1 | (Allegretto malinconico) | pf | A♭ major | 1846–52 | Piano, arr. | based on themes from 36 Originaltänze, D.365; Wiener Damen-Ländler und Ecossaisen, D.734; and 18 German Dances and Ecossaises, D.783 by Franz Schubert |
| 427/2 | A131/2 | (Poco Allegro) | pf | A♭ major | 1846–52 | Piano, arr. | based on themes from 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145 by Franz Schubert |
| 427/3 | A131/3 | (Allegro vivace) | pf | E major | 1846–52 | Piano, arr. | based on themes from 18 Deutsche und Ecossaisen, D.783; 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145 by Franz Schubert |
| 427/4 | A131/4 | (Andantino a capriccio) | pf | D♭ major | 1846–52 | Piano, arr. | based on themes from 36 Originaltänze, D.365 by Franz Schubert |
| 427/5 | A131/5 | (Moderato cantabile con affetto) | pf | G♭ major | 1846–52 | Piano, arr. | based on themes from 36 Originaltänze, D.365 and 12 Valses nobles, D.969 by Franz Schubert |
| 427/6 | A131/6 | (Allegro con strepito) | pf | A minor | 1846–52 | Piano, arr. | based on themes from 12 Valses nobles, D.969; and Valses sentimentales, D.779 by Franz Schubert; 1st version of S.427/6a, S.427/6b |
| 427/6ii | A131/6 | (Allegro con spirito) | pf | A minor | 1879 | Piano, arr. | 2nd version of S.427/6, S.427/6iii with variants for Sophie Menter |
| 427/6b | A131/6 | (Allegro con spirito) | pf | A minor | 1883? | Piano, arr. | 3rd version of S.427/6, S.427/6ii |
| 427/7 | A131/7 | (Allegro spiritoso) | pf | A major | 1846–52 | Piano, arr. | based on themes from 18 German Dances and Ecossaises, D.783 by Franz Schubert |
| 427/8 | A131/8 | (Allegro con brio) | pf | D major | 1846–52 | Piano, arr. | based on themes from 18 German Dances and Ecossaises, D.783 and 12 Valses nobles, D.969 by Franz Schubert |
| 427/9 | A131/9 | (Preludio a capriccio) | pf | A♭ major | 1846–52 | Piano, arr. | based on themes from 36 Originaltänze, D.365 by Franz Schubert |
| 428 | A115 | Feuille morte (Élégie d'après Soriano) | pf | | 1845 | Piano, arr. | based on an unidentified composition by Mariano Soriano Fuertes |
| 429 | A293 | Polonaise aus der Oper Jewgeny Onegin | pf | | 1879 | Piano, arr. | based on the Polonaise from the opera Eugene Onegin, Op.24 by Pyotr Ilyich Tchaikovsky |
| 430 | A318 | Valse de concert | pf | | 1882–83 | Piano, arr. | based on part of the Suite en forme de valse by János Végh |
| 431/1 | A149/1 | Salve Maria de Jérusalem | pf | | 1848 | Piano, arr. | arr. of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431/2 |
| 431/2 | A149/2 | Salve Maria de Jérusalem | pf | | 1882 | Piano, arr. | 2nd version of S.431/1 |
| 431a | A138 | Paraphrase de concert sur Ernani I | pf | | 1847 | Piano, arr. | based on different themes from the opera Ernani by Giuseppe Verdi than S.432 |
| 432 | A203 | Paraphrase de concert sur Ernani II | pf | | 1859 | Piano, arr. | based on different themes from the opera Ernani by Giuseppe Verdi than S.431a |
| 433 | A199 | Miserere du Trovatore (Paraphrase de concert) | pf | | 1859 | Piano, arr. | based on the Miserere from Act IV of the opera Il trovatore by Giuseppe Verdi |
| 434 | A187 | Paraphrase de concert sur Rigoletto | pf | | 1855–59? | Piano, arr. | based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi |
| 435 | A240 | Finale de Don Carlos (Coro di festa e Marcia funebre) | pf | | 1867–68 | Piano, arr. | arr. of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi |
| 436 | A276 | Danza sacra e duetto finale d'Aida | pf | | 1876? | Piano, arr. | arrs. of extracts from |
| 437/1 | A284 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | pf | | 1877 | Piano, arr. | based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437/1; arr. for org/harm as S.675c/1 |
| 437/2 | A284 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | pf | | 1882 | Piano, arr. | 2nd version of S.437/2; arr. for org/harm as S.675c/2 |
| 438 | A314 | Réminiscences de Boccanegra | pf | | 1882 | Piano, arr. | based on themes from the rev. version of the opera Simon Boccanegra by Giuseppe Verdi |
| 439 | A200 | Phantasiestück über Motive aus Rienzi | pf | | 1859 | Piano, arr. | based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. 10) from the opera Rienzi, WWV.49 by Richard Wagner |
| 440 | A204 | Spinnerlied aus dem Fliegenden Holländer | pf | | 1860 | Piano, arr. | based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner |
| 441 | A259 | Ballade aus dem Fliegenden Holländer | pf | | 1872 | Piano, arr. | based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner |
| 442 | A146 | Ouvertüre zu Tannhäuser | pf | | 1848 | Piano, arr. | based on the Overture to the opera Tannhäuser, WWV.70 by Richard Wagner |
| 443/1 | A210a | Pilgerchor aus Tannhäuser | pf | | 1861 | Piano, arr. | based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.443/2; arr. for org/harm as S.676/1 |
| 443/2 | A210b | Pilgerchor aus Tannhäuser | pf | | 1885? | Piano, arr. | 2nd version of S.443/1; arr. for org/harm as S.676/2 |
| 444 | A163 | O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser) | pf | | 1849 | Piano, arr. | based on Wolfram's aria from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; arr. for vc pf (with Bernhard Cossmann) as S.380 |
| 445 | A176 | Stücke aus Tannhäuser und Lohengrin (2): | pf | | 1852 | Piano, arr. | arr. for pf4h as S.634b |
| 445/1a | A176/1 | Einzug der Gäste auf der Wartburg | pf | | 1852 | Piano, arr. | based on the March from Act II of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1 |
| 445/1b | A176/1 | Einzug der Gäste auf der Wartburg | pf | | 1874 | Piano, arr. | 2nd version of S.445/1a, S.445/1c |
| 445/1c | A176/1 | Einzug der Gäste auf der Wartburg | pf | | 1876 | Piano, arr. | 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b |
| 445/2 | A176/2 | Elsas Brautzug zum Münster | pf | | 1852 | Piano, arr. | based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV.75 by Richard Wagner; arr. for pf4h as S.634b/2 |
| 446 | A185 | Aus Lohengrin | pf | | 1854 | Piano, arr. | based on themes from the opera Lohengrin, WWV 75 by Richard Wagner |
| 446/1 | A185/1 | Festspiel und Brautlied | pf | | 1854 | Piano, arr. | based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV.75 by Richard Wagner |
| 446/2 | A185/2 | Elsas Traum | pf | | 1854 | Piano, arr. | based on Elsa's Dream from Act I of the opera Lohengrin, WWV.75 by Richard Wagner |
| 446/3 | A185/3 | Lohengrins Verweis an Elsa | pf | | 1854 | Piano, arr. | based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV.75 by Richard Wagner |
| 447 | A239 | Isoldens Liebestod (Schlußszene) | pf | | 1867 | Piano, arr. | arr. of the transfiguration scene from the opera Tristan und Isolde, WWV.90 by Richard Wagner |
| 448 | A254 | Am stillen Herd | pf | | 1871 | Piano, arr. | based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 by Richard Wagner |
| 449 | A269 | Walhall aus Der Ring des Nibelungen | pf | | 1875 | Piano, arr. | based on themes from the final scene of the opera Das Rheingold, WWV.86A by Richard Wagner |
| 450 | A315 | Feierlicher Marsch zum heiligen Gral aus Parsifal | pf | | 1882 | Piano, arr. | based on the theme of the march from Act I of the opera Parsifal, WWV.111 by Richard Wagner |
| 451 | A68 | Freischütz Fantasie | pf | | 1840 | Piano, arr. | based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77 by Carl Maria von Weber |
| 452 | A151 | Leyer und Schwerdt (Heroide nach Carl Maria von Weber) | pf | | 1848 | Piano, arr. | based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber |
| 453 | A152 | Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa) | pf | | 1848 | Piano, arr. | based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78 by Carl Maria von Weber |
| 454 | A150 | Schlummerlied mit Arabesken | pf | | 1848 | Piano, arr. | based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber |
| 455 | A175 | Polonaise brillante [Weber] | pf | | 1851 | Piano, arr. | arr. of the Polacca brillante, Op.72 by Carl Maria von Weber; arr. for pf orch as S.367 |
| 456 | A281 | Valse d'Adèle (Transcription brillante) | pf | | 1877 | Piano, arr. | arr. of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy |
| 457# | — | | | | | | number not allocated |
| 458 | A51 | Reminiscences de La Scala (Fantasie über italienische Opernmelodien) | pf | | 1838–39 | Piano, arr. | using themes from the opera Il giuramento by Saverio Mercadante and another unidentified source |
| 459# | | Three Pieces | | | | | deleted; renumbered as S. 387 and S. 387a |
| 460 | A330 | Kavallerie-Geschwindmarsch | pf | | 1870 | Piano, arr. | |
| 461–577ter | | Partitions de piano, transcriptions, etc. | Partitions de piano, transcriptions, etc. | Partitions de piano, transcriptions, etc. | Partitions de piano, transcriptions, etc. | Partitions de piano, transcriptions, etc. | Partitions de piano, transcriptions, etc. |
| 461i | A217 | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) | pf | | 1862 | Piano, transcr. | based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; 1st version of S.461/2; arr. for orch as S.360 |
| 461ii | A217 | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) | pf | | 1862 | Piano, transcr. | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 |
| 461a | — | Ave verum corpus de Mozart | pf | | 1867 | Piano, transcr. | arr. of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr. for org/harm as S.674d |
| 462 | A92 | Preludes and Fugues by J. S. Bach (6): | pf | | 1842–50 | Piano, transcr. | |
| 462/1 | A92/1 | Präludium und Fuge | pf | A minor | 1842–50 | Piano, transcr. | arr. of Prelude and Fugue, BWV 543 by Johann Sebastian Bach |
| 462/2 | A92/2 | Präludium und Fuge | pf | C major | 1842–50 | Piano, transcr. | arr. of Prelude and Fugue, BWV 545 by Johann Sebastian Bach |
| 462/3 | A92/3 | Präludium und Fuge | pf | C minor | 1842–50 | Piano, transcr. | arr. of Prelude and Fugue, BWV 546 by Johann Sebastian Bach |
| 462/4 | A92/4 | Präludium und Fuge | pf | C major | 1842–50 | Piano, transcr. | arr. of Prelude and Fugue, BWV 547 by Johann Sebastian Bach |
| 462/5 | A92/5 | Präludium und Fuge | pf | E minor | 1842–50 | Piano, transcr. | arr. of Prelude and Fugue, BWV 548 by Johann Sebastian Bach |
| 462/6 | A92/6 | Präludium und Fuge | pf | B minor | 1842–50 | Piano, transcr. | arr. of Prelude and Fugue, BWV 544 by Johann Sebastian Bach |
| 463/1 | A244 | Orgel Fantasie und Fuge | pf | G minor | 1861? | Piano, transcr. | arr. of Fantasia and Fugue, BWV 542, by Johann Sebastian Bach |
| 463/2 | A244 | Orgel Fantasie und Fuge | pf | G minor | 1868 | Piano, transcr. | 2nd version of S.463/1 |
| 463a | A37b/1 | Symphonie No. 5 de Beethoven | pf | C minor | 1837 | Piano, transcr. | arr. of the Symphony No.5, Op.67 by Ludwig van Beethoven; 1st version of S.464/5 |
| 463b | A37b/2 | Symphonie No. 6 de Beethoven | pf | F major | 1837 | Piano, transcr. | arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 1st version of S.463c, S.464/6 |
| 463c | A37b/2 | Symphonie No. 6 de Beethoven | pf | F major | 1837 | Piano, transcr. | arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 2nd version of S.463b, S.464/6 |
| 463d | A37b/3 | Symphonie No. 7 de Beethoven | pf | A major | 1837 | Piano, transcr. | arr. of the Symphony No.7, Op.92 by Ludwig van Beethoven; 1st version of S.464/7 |
| 463e | A37a | Marche funèbre de la Symphonie héroïque de Beethoven | pf | | 1837 | Piano, transcr. | arr. of movt. III from Symphony No.3, Op.55 by Ludwig van Beethoven; rev. in S.464/3 |
| 464 | A37 | Symphonies de Beethoven (9): | pf | | 1863–64 | Piano, transcr. | |
| 464/1 | A37c/1 | Symphonie No. 1 de Beethoven | pf | C major | 1863–64 | Piano, transcr. | arr. of the Symphony No. 1, Op.21 by Ludwig van Beethoven |
| 464/2 | A37c/2 | Symphonie No. 2 de Beethoven | pf | D major | 1863–64 | Piano, transcr. | arr. of the Symphony No.2, Op.36 by Ludwig van Beethoven; |
| 464/3 | A37c/3 | Symphonie No. 3 de Beethoven | pf | E♭ major | 1863–64 | Piano, transcr. | arr. of the Symphony No.3, Op.55 by Ludwig van Beethoven; movt.II based on S.463e |
| 464/4 | A37c/4 | Symphonie No. 4 de Beethoven | pf | B♭ major | 1863–64 | Piano, transcr. | arr. of the Symphony No.4, Op.60 by Ludwig van Beethoven; |
| 464/5 | A37c/5 | Symphonie No. 5 de Beethoven | pf | C minor | 1863–64 | Piano, transcr. | arr. of the Symphony No.5, Op.67 by Ludwig van Beethoven; 2nd version of S.463a |
| 464/6 | A37c/6 | Symphonie No. 6 de Beethoven | pf | F major | 1863–64 | Piano, transcr. | arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 3rd version of S.463b, S.463c |
| 464/7 | A37c/7 | Symphonie No. 7 de Beethoven | pf | A major | 1863–64 | Piano, transcr. | arr. of the Symphony No.7, Op.92 by Ludwig van Beethoven; 2nd version of S.463c |
| 464/8 | A37c/8 | Symphonie No. 8 de Beethoven | pf | F major | 1863–64 | Piano, transcr. | arr. of the Symphony No.8, Op.93 by Ludwig van Beethoven |
| 464/9 | A37c/9 | Symphonie No. 9 de Beethoven | pf | D minor | 1863–64 | Piano, transcr. | arr. of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr. for pf as S.657 |
| 465 | A69 | Grand septuor de Beethoven | pf | | 1840 | Piano, transcr. | arr. of the Septet, Op.20 by Ludwig van Beethoven; also arr. for pf4h as S.634 |
| 466a | A58 | Adelaide von Beethoven | pf | | 1839 | Piano, transcr. | arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 1st version of S.466, S.466b |
| 466b | A58 | Adelaide von Beethoven | pf | | 1841 | Piano, transcr. | arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 2nd version of S.466, S.466a |
| 466 | A58 | Adelaide von Beethoven | pf | | 1847 | Piano, transcr. | arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 3rd version of S.466a, S.466b |
| 467 | A70 | Beethovens geistliche Lieder von Gellert (6): | pf | | 1840 | Piano, transcr. | arr. of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven; published as vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert |
| 467/1 | A70/1 | Gottes Macht und Vorsehung | pf | | 1840 | Piano, transcr. | arr. of No.5 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven |
| 467/2 | A70/2 | Bitten | pf | | 1840 | Piano, transcr. | arr. of No.1 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven |
| 467/3 | A70/3 | Bußlied | pf | | 1840 | Piano, transcr. | arr. of No.6 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven |
| 467/4 | A70/4 | Vom Tode | pf | | 1840 | Piano, transcr. | arr. of No.3 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven |
| 467/5 | A70/5 | Die Liebe des Nächsten | pf | | 1840 | Piano, transcr. | arr. of No.2 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven |
| 467/6 | A70/6 | Die Ehre Gottes aus der Natur | pf | | 1840 | Piano, transcr. | arr. of No.4 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven |
| 468 | A161 | Beethovens Lieder von Goethe (6) | pf | | 1849 | Piano, transcr. | |
| 468/1 | A161/1 | Mignon | pf | | 1849 | Piano, transcr. | arr. of No.1 of 6 songs, Op.75 by Ludwig van Beethoven |
| 468/2 | A161/2 | Mit einem gemalten Bande | pf | | 1849 | Piano, transcr. | arr. of No.3 of 3 Songs, Op.83 by Ludwig van Beethoven |
| 468/3 | A161/3 | Freudvoll und leidvoll | pf | | 1849 | Piano, transcr. | arr. of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven |
| 468/4 | A161/4 | Es war einmal ein König | pf | | 1849 | Piano, transcr. | arr. of No.3 of 6 songs, Op.75 by Ludwig van Beethoven |
| 468/5 | A161/5 | Wonne der Wehmut | pf | | 1849 | Piano, transcr. | arr. of No.1 of 3 Songs, Op.83 by Ludwig van Beethoven |
| 468/6 | A161/6 | Die Trommel gerühret | pf | | 1849 | Piano, transcr. | arr. of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven |
| 469 | A162 | An die ferne Geliebte (Liederkreis von Ludwig van Beethoven): | pf | | 1849 | Piano, transcr. | arr. of the song cycle An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 469/1 | A162/1 | Auf dem Hügel | pf | | 1849 | Piano, transcr. | arr. of No.1 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 469/2 | A162/2 | Wo die Bergen | pf | | 1849 | Piano, transcr. | arr. of No.2 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 469/3 | A162/3 | Leichte Segler | pf | | 1849 | Piano, transcr. | arr. of No.3 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 469/4 | A162/4 | Diese Wolken | pf | | 1849 | Piano, transcr. | arr. of No.4 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 469/5 | A162/5 | Es kehret der Maien | pf | | 1849 | Piano, transcr. | arr. of No.5 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 469/6 | A162/6 | Nimm sie hin denn | pf | | 1849 | Piano, transcr. | arr. of No.6 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven |
| 470 | A16a | Episode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz) | pf | | 1833 | Piano, transcr. | arr. of the Symphonie fantastique, H.48 by Hector Berlioz; 4th movement rev. as S.470a/2 |
| 470a/1 | A16b | L'idée fixe (Andante amoroso d'après une mélodie de Berlioz) | pf | | 1833 | Piano, transcr. | formerly S.395; based on the main theme from the Symphonie fantastique, H.48 by Hector Berlioz |
| 470a/2 | A16c | Marche au supplice de la Symphonie fantastique (Episode de la vie d'un artiste de Hector Berlioz) | pf | | 1865 | Piano, transcr. | 2nd version of 4th movement from S.470 |
| 471 | A31 | Ouverture des Francs-juges de Hector Berlioz | pf | | 1833 | Piano, transcr. | arr. of the concert overture to the opera Les francs-juges, H.23 by Hector Berlioz |
| 472 | D5a | Harold en Italie (Symphonie de Berlioz) | pf (+ va) | | 1836 | Piano, transcr. | arr. of the symphony Harold en Italie, H.68 by Hector Berlioz |
| 473i | A29a | Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz) | pf | | 1836–37 | Piano, transcr. | 1st version of S.473ii |
| 473ii | A29b | Marche des pèlerins (de la symphonie Harold en Italie de Hector Berliioz) | pf | | 1862 | Piano, transcr. | 2nd version of S.473i |
| 474 | A30 | Ouverture du Roi Lear de Hector Berlioz | pf | | 1836–37 | Piano, transcr. | arr. of the overture to Roi Lear, H.53 by Hector Berlioz |
| 475 | A205 | Danse des Sylphes de La damnation de Faust de Hector Berlioz | pf | | 1860 | Piano, transcr. | arr. of the Ballet des Sylphes from part II of La damnation de Faust, H.111 by Hector Berlioz |
| 476 | A38a | Esmeralda (Opéra en 4 actes de L. Bertin) | vv ch pf | | 1837 | Stage | vocal score arr. of the opera La Esmeralda by Louise-Angelique Bertin; see also S.477 and S.477a |
| 477 | A38b | Air chanté par Massol de Esmerelda de L. Bertin | pf | | 1837 | Piano, transcr. | arr. of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise-Angelique Bertin; extracted from S.476; re-used in S.478/2 |
| 477a | A38c | Morceaux detachés d'Esmeralda de L. Bertin (3): | pf | | 1837 | Piano, transcr. | arrs. of extracts from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476 |
| 477a/1 | A38c/1 | Entracte, Recitatif et Romance | pf | | 1837 | Piano, transcr. | arr. of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476 |
| 477a/2 | A38c/2 | Air | pf | | 1837 | Piano, transcr. | see S.476 |
| 477a/3 | A38c/3 | Scène et Trio | pf | | 1837 | Piano, transcr. | arr. of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476 |
| 478 | A99 | Russischer Galop | pf | | 1843 | Piano, transcr. | arr. of the song You Will Not Believe by Pyotr Bulakhov |
| 479 | A265 | Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow) | pf | | 1874 | Piano, transcr. | arr. of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow |
| 480 | A193 | 6 Polish Songs (after Chopin) | pf | | 1857–60 | Piano, transcr. | arr. of 6 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 480/1 | A193/1 | Mädchens Wunsch (Zyczenie) | pf | | 1857–60 | Piano, transcr. | arr. of No.1 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 480/2 | A193/2 | Frühling (Wiosna) | pf | | 1857–60 | Piano, transcr. | arr. of No.2 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 480/3 | A193/3 | Das Ringlein (Pierścień) | pf | | 1857–60 | Piano, transcr. | arr. of No.14 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 480/4 | A193/4 | Bacchanal (Hulanka) | pf | | 1857–60 | Piano, transcr. | arr. of No.4 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 480/5, | A193/5 | Meine Freuden (Moja pieszczotka) | pf | | 1857–60 | Piano, transcr. | arr. of No.12 of 19 Polish songs, Op.74 by Frédéric Chopin; 1st version of S.480/5a |
| 480/5a | A193/5 | Mes Joies | pf | | 1860 or later | Piano, transcr. | 2nd version of S.480/5; renumbered from S.480/5bis |
| 480/6 | A193/6 | Die Heimkehr (Narzeczony) | pf | | 1857–60 | Piano, transcr. | arr. of No.15 of 19 Polish songs, Op.74 by Frédéric Chopin |
| 481 | A147 | Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi) | pf | | 1848 | Piano, transcr. | arr. of No.2 of 2 Zigeuner-Polkas, Op.5 by August Conradi |
| 482 | A327 | Tarentelle de César Cui | pf | | 1885 | Piano, transcr. | arr. of the Tarantella, Op.12 by César Cui |
| 483 | A291 | Tarantella de Dargomijski | pf | | 1879 | Piano, transcr. | arr. of the Tarantella slave by Alexander Dargomyzhsky |
| 484 | A170 | Bunte Reihe (24 Stücke von Ferdinand David) | pf | | 1850 | Piano, transcr. | arr. of the collection Bunte Reihe by Ferdinand David |
| 484/1 | A170/1 | Scherzo | pf | C major | 1850 | Piano, transcr. | arr. of No.1 from Bunte Reihe by Ferdinand David |
| 484/2 | A170/2 | Erinnerung | pf | C minor | 1850 | Piano, transcr. | arr. of No.2 from Bunte Reihe by Ferdinand David |
| 484/3 | A170/3 | Mazurka | pf | D♭ major | 1850 | Piano, transcr. | arr. of No.3 from Bunte Reihe by Ferdinand David |
| 484/4 | A170/4 | Tanz | pf | C♯ mino | 1850 | Piano, transcr. | arr. of No.4 from Bunte Reihe by Ferdinand David |
| 484/5 | A170/5 | Kinderlied | pf | D major | 1850 | Piano, transcr. | arr. of No.5 from Bunte Reihe by Ferdinand David |
| 484/6 | A170/6 | Capriccio | pf | D minor | 1850 | Piano, transcr. | arr. of No.6 from Bunte Reihe by Ferdinand David |
| 484/7 | A170/7 | Bolero | pf | E♭ major | 1850 | Piano, transcr. | arr. of No.7 from Bunte Reihe by Ferdinand David |
| 484/8 | A170/8 | Elegie | pf | E♭ minor | 1850 | Piano, transcr. | arr. of No.8 from Bunte Reihe by Ferdinand David |
| 484/9 | A170/9 | Marsch | pf | E major | 1850 | Piano, transcr. | arr. of No.9 from Bunte Reihe by Ferdinand David |
| 484/10 | A170/10 | Toccata | pf | E minor | 1850 | Piano, transcr. | arr. of No.10 from Bunte Reihe by Ferdinand David |
| 484/11 | A170/11 | Gondellied | pf | F major | 1850 | Piano, transcr. | arr. of No.11 from Bunte Reihe by Ferdinand David |
| 484/12 | A170/12 | Im Sturm | pf | F minor | 1850 | Piano, transcr. | arr. of No.12 from Bunte Reihe by Ferdinand David |
| 484/13 | A170/13 | Romanze | pf | F♯ major | 1850 | Piano, transcr. | arr. of No.13 from Bunte Reihe by Ferdinand David |
| 484/14 | A170/14 | Allegro agitato | pf | F♯ minor | 1850 | Piano, transcr. | arr. of No.14 from Bunte Reihe by Ferdinand David |
| 484/15 | A170/15 | Menuetto | pf | G major | 1850 | Piano, transcr. | arr. of No.15 from Bunte Reihe by Ferdinand David |
| 484/16 | A170/16 | Etüde | pf | G minor | 1850 | Piano, transcr. | arr. of No.16 from Bunte Reihe by Ferdinand David |
| 484/17 | A170/17 | Intermezzo | pf | A♭ major | 1850 | Piano, transcr. | arr. of No.17 from Bunte Reihe by Ferdinand David |
| 484/18 | A170/18 | Serenade | pf | G♯ minor | 1850 | Piano, transcr. | arr. of No.18 from Bunte Reihe by Ferdinand David |
| 484/19 | A170/19 | Ungarisch | pf | A major | 1850 | Piano, transcr. | arr. of No.19 from Bunte Reihe by Ferdinand David; 1st version of S.484/19a |
| 484/19a | A170/19b | Ungarisch | pf | A major | 1850 | Piano, transcr. | 2nd version of S.484/19; renumbered from S.484/19bis |
| 484/20 | A170/20 | Tarantella | pf | A minor | 1850 | Piano, transcr. | arr. of No.20 from Bunte Reihe by Ferdinand David |
| 484/21 | A170/21 | Impromptu | pf | B♭ major | 1850 | Piano, transcr. | arr. of No.21 from Bunte Reihe by Ferdinand David |
| 484/22 | A170/22; A/91 | Im russischer Weise | pf | B♭ minor | 1850 | Piano, transcr. | Souvenir de Russie |
| 484/23 | A170/23 | Lied | pf | B major | 1850 | Piano, transcr. | arr. of No.23 from Bunte Reihe by Ferdinand David |
| 484/24 | A170/24 | Capriccio | pf | B mnor | 1850 | Piano, transcr. | arr. of No.24 from Bunte Reihe by Ferdinand David |
| 485 | A130 | Dessauers Lieder (3): | pf | | 1846–47 | Piano, transcr. | |
| 485/1 | A130/1 | Lockung | pf | | 1846–47 | Piano, transcr. | arr. of the song by Josef Dessauer |
| 485/2 | A130/2 | Zwei Wege | pf | | 1846–47 | Piano, transcr. | arr. of the song by Josef Dessauer |
| 485/3 | A130/3 | Spanisches Lied (Bolero) | pf | | 1846–47 | Piano, transcr. | arr. of the song by Josef Dessauer |
| 485a | A251 | Der Schwur am Rütli (von F. Draeseke) | pf | | 1870 | Piano, transcr. | arr. of the cantata by Felix Draeseke |
| 485b | A89 | Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha) | pf | | 1842 | Piano, transcr. | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha |
| 486 | A261 | Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz) | pf | | 1872 | Piano, transcr. | arr. of S.353 |
| 487 | A110 | Spanisches Ständchen (Melodie von Graf Leó Festetics) | pf | | 1844 | Piano, transcr. | arr. of the song by Leo Festetics |
| 488 | A154 | Er ist gekommen in Sturm und Regen (Lied von Robert Franz) | pf | | 1848 | Piano, transcr. | arr. of No.7 of 12 Gesänge, Op.4 by Robert Franz |
| 489 | A157 | Lieder von Robert Franz (12): Heft I: Schilflieder | pf | | 1848 | Piano, transcr. | |
| 489/1 | A157/1 | Auf geheimen Waldespfadeie | pf | | 1848 | Piano, transcr. | arr. of No.1 of Schilflieder, Op.2, by Robert Franz |
| 489/2 | A157/2 | Drüben geht die Sonne scheiden | pf | | 1848 | Piano, transcr. | arr. of No.2 of Schilflieder, Op.2, by Robert Franz |
| 489/3 | A157/3 | Trübe wird's | pf | | 1848 | Piano, transcr. | arr. of No.3 of Schilflieder, Op.2, by Robert Franz |
| 489/4 | A157/4 | Sonnenuntergang | pf | | 1848 | Piano, transcr. | arr. of No.4 of Schilflieder, Op.2, by Robert Franz |
| 489/5 | A157/5 | Auf dem Teich | pf | | 1848 | Piano, transcr. | arr. of No.5 of Schilflieder, Op.2, by Robert Franz |
| | | Lieder von Robert Franz (12): Heft II: Drei Lieder | pf | | 1848 | Piano, transcr. | |
| 489/6 | A157/6 | Der Schalk | pf | | 1848 | Piano, transcr. | arr. of No.1 of 6 Gesänge, Op.3, by Robert Franz |
| 489/7 | A157/7 | Der Bote | pf | | 1848 | Piano, transcr. | arr. of No.1 of 6 Gesänge, Op.8, by Robert Franz |
| 489/8 | A157/8 | Meeresstille | pf | | 1848 | Piano, transcr. | arr. of No.2 of 6 Gesänge, Op.8, by Robert Franz |
| | | Lieder von Robert Franz (12): Heft III: Vier Lieder | pf | | 1848 | Piano, transcr. | |
| 489/9 | A157/9 | Treibt der Sommer seinen Rosen | pf | | 1848 | Piano, transcr. | arr. of No.5 of 6 Gesänge, Op.8, by Robert Franz |
| 489/10 | A157/10 | Gewitternacht | pf | | 1848 | Piano, transcr. | arr. of No.6 of 6 Gesänge, Op.8, by Robert Franz |
| 489/11 | A157/11 | Das ist ein Brausen und Heulen | pf | | 1848 | Piano, transcr. | arr. of No.4 of 6 Gesänge, Op.8, by Robert Franz |
| 489/12 | A157/12 | Frühling und Liebe | pf | | 1848 | Piano, transcr. | arr. of No.3 of 6 Gesänge, Op.3, by Robert Franz |
| 490 | A298 | Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt) | pf | | 1880 | Piano, transcr. | arr. of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt |
| 491 | A235 | Hymne á Sainte Cécile de Charles Gounod | pf | | 1866 | Piano, transcr. | arr. of Hymne à Sainte Cécile, by Charles Gounod |
| 492 | A245 | Tanzmomente von Johann Herbeck | pf | | 1869 | Piano, transcr. | arr. of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/1 | A245/1 | Tanzmomente No.1 | pf | G major | 1869 | Piano, transcr. | arr. of No.1 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/2 | A245/2 | Tanzmomente No.2 | pf | A minor | 1869 | Piano, transcr. | arr. of No.2 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/3 | A245/3 | Tanzmomente No.3 | pf | F major | 1869 | Piano, transcr. | arr. of No.3 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/4 | A245/4 | Tanzmomente No.4 | pf | A major | 1869 | Piano, transcr. | arr. of No.4 of the Tanzmomente, Op.14 by Johann von Herbeck; 1st version of S.492/4a |
| 492/4a | A245/4 | Tanzmomente No.4 | pf | A major | 1869 | Piano, transcr. | 2nd version of S.492/4; renumbered from S.492/4bis |
| 492/5 | A245/5 | Tanzmomente No.5 | pf | F major | 1869 | Piano, transcr. | arr. of No.5 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/6 | A245/6 | Tanzmomente No.6 | pf | D major | 1869 | Piano, transcr. | arr. of No.6 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/7 | A245/7 | Tanzmomente No.7 | pf | G major | 1869 | Piano, transcr. | arr. of No.7 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 492/8 | A245/8 | Tanzmomente No.8 | pf | D major | 1869 | Piano, transcr. | arr. of No.8 of the Tanzmomente, Op.14 by Johann von Herbeck |
| 493 | A155 | Großes Septett von Johann Nepomuk Hummel | pf | D minor | 1848 | Piano, transcr. | arr. of Septet No.1, Op.74 by Johann Nepomuk Hummel; 1st version of S.493/2 |
| 494/1 | A211/1 | Löse, Himmel, meine Seele (Lied von Eduard Lassen) | pf | | 1861 | Piano, transcr. | arr. of No.5 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen; 1st version of S.494/2 |
| 494/2 | A211/1 | Löse, Himmel, meine Seele (Lied von Eduard Lassen) | pf | | 1872 | Piano, transcr. | 2nd version of S.494/1 |
| 495 | A211/2 | Ich weil' in tiefer Einsamkeit (Lied von Eduard Lassen) | pf | | 1872 | Piano, transcr. | arr. of No.4 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen |
| 496 | A285/I | Aus der Musik zu Hebbels Nibelungen und Goethes Faust | pf | | 1878–79 | Piano, transcr. | |
| 496/1 | A285/I/1 | Hagen und Kriemhild | pf | | 1878–79 | Piano, transcr. | arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen |
| 496/2 | A285/I/2 | Bechlarn | pf | | 1878–79 | Piano, transcr. | arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen |
| 496/3 | A285/II/1 | Osterhymne | pf | | 1878–79 | Piano, transcr. | arr. from No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen |
| 496/4 | A285/II/2 | Hoffestliche Marsch und Polonaise | pf | | 1878–79 | Piano, transcr. | arr. from Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen |
| 497 | A323 | Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen) | pf | | 1883 | Piano, transcr. | arr. from the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen |
| 498 | A316 | Lieder zu Tannhäuser (Komponiert von Otto Lessmann) (3): | pf | | 1882 | Piano, transcr. | arr. of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann |
| 498/1 | A316/1 | Der Lenz ist gekommen | pf | | 1882 | Piano, transcr. | arr. of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann |
| 498/2 | A316/2 | Trinklied ("Itzt hört ein neues Liedlein an") | pf | | 1882 | Piano, transcr. | arr. of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann |
| 498/3 | A316/3 | Du schaust mich an mit stummen Fragen | pf | | 1882 | Piano, transcr. | arr. of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann |
| 498a | A192 | Die Legende von der Heiligen Elisabeth: | pf | | 1857–62 | Piano, transcr. | arrs. of extracts from S.2 |
| 498a/1 | A192/1 | Orchester Einleitung (Orchestral Introduction) | pf | | 1857–62 | Piano, transcr. | arr. of the introduction to S.2 |
| 498a/2 | A192/2 | Marsch der Kreuzritter (Crusaders' March) | pf | | 1857–62 | Piano, transcr. | arr. of S.2/3e |
| 498a/3 | A192/3 | Interludium | pf | | 1857–62 | Piano, transcr. | arr. of S.2/6a |
| 498b | A222 | Christus (2 Orchestersätze aus dem Oratorium) | pf | | 1871 | Piano, transcr. | arrs. of extracts from S.3 |
| 498b/1 | A222/1 | Hirtengesang an der Krippe | pf | | 1871 | Piano, transcr. | arr. of S.3/4 |
| 498b/2 | A222/2 | Die heiligen drei Könige | pf | | 1871 | Piano, transcr. | arr. of S.3/5 |
| 498c | A301 | San Francesco (Preludio per il Cantico del sol di San Francesco d'Assisi) | pf | | 1880? | Piano, transcr. | arr. of prelude from S.4/2 |
| 499 | A307 | Cantico di San Francesco | pf | | 1881–82 | Piano, transcr. | arr. of S.4/2 |
| 500 | — | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) | pf | | 1874 | Piano, transcr. | arr. of prelude from S.6 |
| 501 | A238 | Aus der Ungarischen Krönungsmesse | pf | | 1867 | Piano, transcr. | arr. of extracts from S.11 |
| 501/1 | A238/1 | Benedictus | pf | | 1867 | Piano, transcr. | arr. of S.11/4 |
| 501/2 | A238/2 | Offertorium | pf | | 1867 | Piano, transcr. | arr. of S.11/5 |
| 502 | A227 | Weinachtslied (Christus ist geboren) | pf | | 1864 | Piano, transcr. | arr. of S.32 |
| 503 | A223 | Slavimo slavno, Slaveni! | pf | | 1863 | Piano, transcr. | arr. of S.33 |
| 504/1 | A247/1 | Ave Maria II | pf | D major | 1869–70 | Piano, transcr. | arr. of S.38; 1st version of S.504/2 |
| 504/2 | A247/2 | Ave Maria II | pf | D♭ major | 1872 | Piano, transcr. | arr. of S.38; 2nd version of S.504/1 |
| 504a | A287 | Via Crucis (Les 14 stations de la croix) | pf | | 1878–79 | Piano, transcr. | arr. of S.53 |
| 504b | A286a | Alte deutsche geistliche Weisen (12): | pf | | 1878–79 | Piano, transcr. | arr. of S.50 |
| 504b/1 | A286a/1 | Crux ave benedicta | pf | | 1878–79 | Piano, transcr. | arr. of S.50/9 |
| 504b/2 | A286a/2 | Jesu Christe (Die fünf Wunden) | pf | | 1878–79 | Piano, transcr. | arr. of S.50/12 |
| 504b/3 | A286a/3 | Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig) | pf | | 1878–79 | Piano, transcr. | arr. of S.50/2 |
| 504b/3a | A286a/3a | Es segne uns Gott | pf | | 1878–79 | Piano, transcr. | arr. of S.50/1 |
| 504b/4 | A286a/4 | Nun danket alle Gott! | pf | | 1878–79 | Piano, transcr. | arr. of S.50/11 |
| 504b/5 | A286a/5 | Nun ruhen alle Wälder | pf | | 1878–79 | Piano, transcr. | arr. of S.50/3 |
| 504b/6 | A286a/6 | O Haupt voll Blut und Wunden | pf | | 1878–79 | Piano, transcr. | arr. of S.50/4 |
| 504b/7 | A286a/7 | O Lamm Gottes! | pf | | 1878–79 | Piano, transcr. | arr. of S.50/5; arr. for pf4h as S.582 |
| 504b/8 | A286a/8 | O Traurigkeit | pf | | 1878–79 | Piano, transcr. | arr. of S.50/10 |
| 504b/9 | A286a/9 | Vexilla Regis | pf | | 1878–79 | Piano, transcr. | arr. of S.50/8 |
| 504b/10 | A286a/10 | Was Gott tut, das ist wohlgetan | pf | | 1878–79 | Piano, transcr. | arr. of S.50/6 |
| 504b/11 | A286a/11 | Wer nur den lieben Gott läßt walten | pf | | 1878–79 | Piano, transcr. | arr. of S.50/7 |
| 505 | A331 | In domum Domini ibimus (Zum Haus des Herrn ziehen wir) | pf | | 1884 | Piano, transcr. | arr. of S.57 |
| 506 | A243 | Ave maris stella | pf | | 1868 | Piano, transcr. | arr. of 2nd version of S.34 |
| 506b | A294 | O Roma nobilis | pf | | 1879 | Piano, transcr. | arr. of S.54 |
| 507 | A126 | Klavierstück aus der Bonner Beethoven-Kantate | pf | | 1846 | Piano, transcr. | based on themes from the 1st movement of S.507 |
| 507a | A213 | Schnitterchor aus den entfesselten Prometheus | pf | | 1850 | Piano, transcr. | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 |
| 508 | A213 | Pastorale (Schnitterchor aus den Entfesselten Prometheus) | pf | | 1861 | Piano, transcr. | arr. of No.4 from S.69/2; 2nd version of S.507a |
| 509 | A246 | Gaudeamus igitur (Humoreske) | pf | | 1869–70 | Piano, transcr. | arr. of S.71a |
| 510 | A153 | Marche héroïque | pf | | 1847–48? | Piano, transcr. | based on S.82; arr. for pf4h as S.587 |
| 510a | — | Chansons (3) | pf | | 1852? | Piano, transcr. | 1st version of S.511 |
| 510a/1 | — | La consolation | pf | | 1852? | Piano, transcr. | 1st version of S.511/1; arr. of S.90/4a |
| 510a/2 | — | Avant la bataille | pf | | 1852? | Piano, transcr. | 1st version of S.511/2; arr. of S.90/5a |
| 510a/3 | — | L'espérance | pf | | 1852? | Piano, transcr. | 1st version of S.511/3; arr. of S.90/6a |
| 511 | A207 | Geharnischte Lieder (3): | pf | | 1860 | Piano, transcr. | 2nd version of S.510a |
| 511/1 | A207/1 | Vor der Schlacht | pf | | 1860 | Piano, transcr. | 2nd version of S.510a/1 |
| 511/2 | A207/2 | Nicht gezagt | pf | | 1860 | Piano, transcr. | 2nd version of S.510a/2 |
| 511/3 | A207/3 | Es rufet Gott uns mahnend | pf | | 1860 | Piano, transcr. | 2nd version of S.510a/3 |
| 511a | — | Les préludes (Poème symphonique No 3) | pf | | 1863 | Piano, transcr. | arr. of S.97 by Karl Klauser, with revisions by Liszt |
| 511b | — | Orpheus (Poème symphonique No.4) | pf | | 1878 | Piano, transcr. | arr. of S.98 by Friedrich Spiro, with revisions by Liszt |
| 511c | — | Mazeppa (Poème symphonique No.6) | pf | | 1870–79? | Piano, transcr. | arr. of S.100 by Theophil Forchhammer, with revisions by Liszt |
| 511d | — | Festklänge (Poème symphonique No.7) | pf | | 1870–79? | Piano, transcr. | arr. of S.101 by Ludwig Stark, with revisions by Liszt |
| 511e | — | Hungaria (Poème symphonique No.9) | pf | | 1872 | Piano, transcr. | arr. of S.103 by Friedrich Spiro, with revisions by Liszt |
| 512 | A310 | Von der Wiege bis zum Grabe (Poème symphonique No.13) | pf | | 1881 | Piano, original | arr. for pf4h as S.598 |
| 513 | A190 | Faust Symphony (Andante soave aus der Faust-Symphonie) | pf | | 1867 | Piano, transcr. | arr. of movt. II from S.108 by Tausig, with revisions by Liszt |
| 513a | A189/1 | Der nächtliche Zug (Episode aus Lenaus Faust) | pf | | 1872 | Piano, transcr. | arr. of S.110/1 by Robert Freund, with revisions by Liszt |
| 514 | A189/1 | Mephisto Waltz No. 1 | pf | | 1856–61 | Piano, transcr. | arr. of S.110/2 |
| 515 | A288 | Mephisto Waltz No.2 | pf | | 1878–81? | Piano, transcr. | arr. for orch as S.111; arr. for pf4h as S.600 |
| 516 | A202/1 | Les morts | pf | | 1860? | Piano, transcr. | arr. of S.112/1 |
| 516a | A202/2 | La notte | pf | | 1864–66 | Piano, transcr. | arr. of S.112/2 (formerly S.699) |
| 517 | A202/3 | Le triomphe funèbre du Tasse | pf | | 1866–69 | Piano, transcr. | arr. of S.112/3 |
| 518 | A225 | Salve Polonia (Interludium aus dem Oratorium Stanislaus) | pf | | 1863 | Piano, transcr. | arr. of S.113/2 |
| 519 | A302 | Polonaises de l'oratorio St. Stanislaus | pf | | 1875 | Piano, transcr. | arr. of extracts from S.688 |
| 519/1 | A302/1 | Polonaise No. 1 | pf | | 1875 | Piano, transcr. | arr. of extract from S.688 |
| 519/2 | A302/2 | Polonaise No. 2 | pf | | 1875 | Piano, transcr. | arr. of extract from S.688 |
| 520i | A201 | Künstlerfestzug zur Schillerfeier 1859 | pf | | 1859–60 | Piano, transcr. | 1st version of S.520a; arr. of S.114; also uses themes from S.106 |
| 520ii | — | Künstlerfestzug zur Schillerfeier 1859 | pf | | 1883 | Piano, transcr. | 2nd version of S.520 |
| 521 | A164b | Goethe-Festmarsch | pf | | 1859 | Piano, transcr. | arr. of S.115 |
| 522 | A196 | Festmarsch nach Motiven von E.H. z. S.-C.-G | pf | | 1858–59 | Piano, transcr. | arr. of S.116 |
| 523 | A248 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 | pf | | 1870 | Piano, transcr. | arr. of S.118 |
| 524 | A112/2 | Ungarischer Sturmmarsch (Hungarian Battle March) | pf | | 1875–76 | Piano, transcr. | arr. of S.119 |
| 524a | H6 | Concerto sans orchestre | pf | A major | 1839? | Piano, transcr. | unfinished; rev. as S.125 |
| 525 | A62 | Totentanz | pf | | 1865 | Piano, transcr. | arr. of S.126ii |
| 526 | A260 | Epithalam (zu Eduard Reményis Vermählungsfeier) | pf | | 1872 | Piano, transcr. | arr. of S.129 |
| 527 | A299 | Romance oubliée | pf | | 1880 | Piano, transcr. | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?] |
| 528# | — | Festpolonaise | pf | | | Piano, transcr. | renumbered as S.230a |
| 529i | A250/1 | Präludium und Fuge über das Motiv B.A.C.H. | pf | | 1855 | Piano, transcr. | arr. of S.260i; 1st version of S.529ii |
| 529ii | A250/2 | Fantasie und Fuge über das Thema B–A–C–H | pf | | 1870 | Piano, transcr. | 2nd version of S.529i; arr. for org as S. 260ii |
| 530 | A228 | Hymne du Pape | pf | | 1864 | Piano, transcr. | arr. of S.261 |
| 531 | A97 | Buch der Lieder I (6) | pf | | 1843 | Piano, transcr. | arrs. of various solo songs |
| 531/1 | A97/1 | Die Loreley | pf | | 1843 | Piano, transcr. | arr. of S.273/1 |
| 531/2 | A97/2 | Am Rhein in schönen Strome | pf | | 1843 | Piano, transcr. | arr. of S.272/1 |
| 531/3 | A97/3 | Kennst du das Land | pf | | 1843 | Piano, transcr. | arr. of S.275/1 |
| 531/4 | A97/4 | Es war ein König in Thule | pf | | 1843 | Piano, transcr. | arr. of S.278/1 |
| 531/5 | A97/5 | Der du von dem Himmel bist | pf | | 1843 | Piano, transcr. | arr. of S.279/1 |
| 531/6 | A97/6 | Angiolin | pf | | 1843 | Piano, transcr. | arr. of S.269/1 |
| 532 | A209 | Die Loreley | pf | | 1861 | Piano, transcr. | arr. of S.273/2 |
| 533 | A98 | Il m'aimait tant! | pf | | 1843 | Piano, transcr. | arr. of S.271 |
| 534/1 | A81a | Die Zelle im Nonnenwerth | pf | | 1840 | Piano, transcr. | arr. of S.274/1 (1st version of Die Zelle/Élégie) |
| 534/2 | A81b | Elégie | pf | | 1841 | Piano, transcr. | arr. of S.301b/1 (2nd version of Die Zelle/Élégie) |
| 534/2a | A81c | Feuille d'album No.2 | pf | | 1849 | Piano, transcr. | arr. of S.301b/2 (3rd version of Die Zelle/Élégie); renumbered from S.534/2bis |
| 534/3 | A81d | Die Zelle im Nonnenwerth (Elegie) | pf | | 1881 | Piano, transcr. | arr. of S.274/2 (4th version of Die Zelle/Élégie) |
| 535–540 | A139 | Buch der Lieder II | pf | | 1847 | Piano, transcr. | |
| 535 | A139/2 | Comment, disaient-ils | pf | | 1847 | Piano, transcr. | arr. of S.276/1 |
| 536 | A139/1 | Oh, quand je dors | pf | | 1847 | Piano, transcr. | arr. of S.282/1 |
| 537 | A139/3 | Enfant, si j'étais roi | pf | | 1847 | Piano, transcr. | arr. of S.283/1 |
| 538 | A139/4 | S'il est un charmant gazon | pf | | 1847 | Piano, transcr. | arr. of S.284/1 |
| 539 | A139/5 | La tombe et la rose | pf | | 1847 | Piano, transcr. | arr. of S.285 |
| 540 | A139/6 | Gastibelza | pf | | 1847 | Piano, transcr. | arr. of S.286 |
| 540a | — | O lieb, so lang du lieben kannst! | pf | | 1843? | Piano, transcr. | arr. of S.298/1; reconstructed by Leslie Howard |
| 541 | A103 | Liebesträume (3): | pf | | 1850 | Piano, transcr. | |
| 541/1 | A103/1 | Liebestraum No. 1 (Hohe Liebe) | pf | A♭ major | 1850 | Piano, transcr. | arr. of S.307 |
| 541/2 | A103/2 | Liebestraum No. 2 (Seliger Tod) | pf | E♭ major | 1850 | Piano, transcr. | arr. of S.308; an album leaf on themes from this work exist, entitled "Nocturne No.2" |
| 541/3 | A103/3 | Liebestraum No. 3 (Oh Lieb, so lang du lieben kannst) | pf | A♭ major | 1850 | Piano, transcr. | arr. of S.298/2 |
| 542/1 | A191a | Weimars Volkslied | pf | C major | 1857 | Piano, transcr. | arr. of S.313; 1st version of S.542/2 |
| 542/2 | A191b | Weimars Volkslied | pf | F major | 1873 | Piano, transcr. | 2nd version of S.542/1 |
| 542a | A194 | Ich liebe dich | pf | | 1857–60? | Piano, transcr. | arr. of S.315 |
| 542b | A268b | Fanfare zur Enthüllung des Carl-Augusts Monument | pf | | 1875 | Piano, transcr. | arr. of Fanfare from S.92 |
| 543 | A309/1 | A magyarok Istene (Ungarns Gott) | pf | | 1881 | Piano, transcr. | arr. of S.339 |
| 543a | A309/2 | A magyarok Istene (Ungarns Gott) | pflh | | 1881 | Piano, transcr. | arr. of S.339; renumbered from S.543bis |
| 544 | A328 | Magyar király-dal (Ungarisches Königslied) | pf | | 1883 | Piano, transcr. | arr. of S.340 |
| 545 | A308 | Ave Maria IV | pf | | 1881 | Piano, transcr. | arr. of S.341 |
| 546 | A282 | Der blinde Sänger (Слепой) | pf | | 1878 | Piano, transcr. | arr. of S.350 |
| 546a | — | O Roma nobilis | pf | | 1879 | Piano, transcr. | renumbered as S.506b |
| 547 | A72 | Mendelssohns Lieder (Lieders de Mendelssohn) | pf | | 1840 | Piano, transcr. | |
| 547/1 | A72/1 | Auf Flügeln des Gesanges (Les ailes du chant) | pf | | 1840 | Piano, transcr. | arr. of No.2 of 6 songs, Op.34 by Felix Mendelssohn |
| 547/2 | A72/2 | Sonntagslied (Chant du dimanche) | pf | | 1840 | Piano, transcr. | arr. of No.5 of 6 songs, Op.34 by Felix Mendelssohn |
| 547/3 | A72/3 | Reiselied (Chant du voyage) | pf | | 1840 | Piano, transcr. | arr. of No.6 of 6 songs, Op.34 by Felix Mendelssohn |
| 547/4 | A72/4 | Neue Liebe (Amour nouveau) | pf | | 1840 | Piano, transcr. | arr. of No.4 of 6 songs, Op.19a by Felix Mendelssohn |
| 547/5 | A72/5 | Frühlingslied (Chant du printemps) | pf | | 1840 | Piano, transcr. | arr. of No.3 of 6 songs, Op.47 by Felix Mendelssohn |
| 547/6 | A72/6 | Winterlied (Chant d'hiver) | pf | | 1840 | Piano, transcr. | arr. of No.3 of 6 songs, Op.19 by Felix Mendelssohn |
| 547/7 | A72/7 | Suleika | pf | | 1840 | Piano, transcr. | arr. of No.4 of 6 songs, Op.34 by Felix Mendelssohn |
| 548 | A156 | Mendelssohns Wasserfahrt und Jäger-Abschied | pf | | 1848 | Piano, transcr. | |
| 548/1 | A156/1 | Wasserfahrt | pf | | 1848 | Piano, transcr. | arr. of No.4 of 6 Lieder, Op.50 by Felix Mendelssohn |
| 548/2 | A156/2 | Der Jäger Abschied | pf | | 1848 | Piano, transcr. | arr. of No.2 of 6 Lieder, Op.50 by Felix Mendelssohn |
| 549 | A206 | Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer) | pf | | 1860 | Piano, transcr. | arr. of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer |
| 550 | A220 | Transcriptionen aus Mozarts Requiem (2): | pf | | 1865 | Piano, transcr. | arr. of extracts from the Requiem, K.626 by Wolfgang Amadeus Mozart |
| 550/1 | A220/1 | Confutatis maledictis | pf | | 1865 | Piano, transcr. | arr. of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart |
| 550/2 | A220/2 | Lacrymosa | pf | | 1865 | Piano, transcr. | arr. of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart |
| 551 | A270 | Una stella amica (Polka mazurka de F. Pezzini) | pf | | 1874–75? | Piano, transcr. | arr. of an unidentified waltz attributed to "F. Pezzini" |
| 551a | V3 | Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer) | pf | D♭ major | 1854 | Piano, transcr. | additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff |
| 552 | A54 | Ouverture de l'opéra Guillaume Tell de Gioachino Rossini | pf | | 1838 | Piano, transcr. | arr. of the overture from the opera Guillaume Tell, Rossini |
| 552a | — | Caritas (nach Rossini) | pf | | 1847 | Piano, transcr. | arr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a |
| 552b | — | La caritá (d'après Rossini) | pf | | 1847 | Piano, transcr. | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a |
| 553 | A141 | Transcriptions d'après Rossini (2): | pf | | 1847 | Piano, transcr. | |
| 553/1 | A141/1 | Air du Stabat Mater | pf | | 1847 | Piano, transcr. | arr. of "Cujus animam" from Stabat Mater by Gioachino Rossini; arr. for bn org as S.679; for ten org as S.682 |
| 553/2 | A141/2 | La charité | pf | | 1847 | Piano, transcr. | arr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; 3rd version of S.552a, S.552b |
| 554/1 | A304 | O! Wenn es doch immer so bliebe! (Lied von Anton Rubinstein) | pf | | 1881 | Piano, transcr. | arr. of No.9 of 12 Lieder des Mirza-Schaffy, Op.34 by Anton Rubinstein |
| 554/2 | A329 | Der Asra (Lied von Anton Rubinstein) | pf | | 1880 | Piano, transcr. | arr. of No.6 of 6 Lieder von Heine, Op.32 by Anton Rubinstein |
| 554a | V5 | Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude) | pf | C major | 1880? | Piano, transcr. | revisions and additions to Etude on False Notes by Anton Rubinstein |
| 555 | A273 | Danse macabre (Poème symphonique de Camille Saint-Saëns) | pf | | 1876 | Piano, transcr. | arr. of the symphonic poem Danse macabre, Op.40 by Camille Saint-Saëns |
| 556/1 | A17 | Die Rose (Lied von Franz Schubert) | pf | | 1833 | Piano, transcr. | arr. of the song Die Rose, D.745 by Franz Schubert; 1st version of S.556/2, S.556/3 |
| 556/2 | A17 | Die Rose (Lied von Franz Schubert) | pf | | 1838 | Piano, transcr. | 2nd version of S.556/1, S.556/3 |
| 556/3 | A17 | Die Rose (Lied von Franz Schubert) | pf | | 1837 | Piano, transcr. | 3rd version of S.556/1, S.556/2 |
| 557 | A45 | Lob der Tränen (Lied von Franz Schubert) | pf | | 1838 | Piano, transcr. | arr. of the song Lob der Tränen, D.711 by Franz Schubert |
| 557a | A42/4 | Erlkönig (Lied von Franz Schubert) | pf | | 1837 | Piano, transcr. | arr. of the song Erlkönig, D.328 by Franz Schubert; 1st version of S.558/4, S.558/4a |
| 557b | A42/5 | Meeresstille (Lied von Franz Schubert) | pf | | 1837 | Piano, transcr. | arr. of the song Meeres Stille, D.216 by Franz Schubert; 1st version of S.558/5 |
| 557c | A42/7 | Frühlingsglaube (Lied von Franz Schubert) | pf | | 1837 | Piano, transcr. | arr. of the song Frühlingsglaube, D.686 by Franz Schubert; 1st version of S.558/7, S.558/7a |
| 557d | A42/12 | Ave Maria (Lied von Franz Schubert) | pf | | 1837 | Piano, transcr. | arr. of the song Ave maria, D.839 by Franz Schubert; 1st version of S.558/12 |
| 558 | A42 | Lieder von Franz Schubert (12): | pf | | 1837–38 | Piano, transcr. | |
| 558/1 | A42/1 | Sei mir gegrüßt (Sois toujours mes seuls amours) | pf | | 1837–38 | Piano, transcr. | arr. of the song Sei mir gegrüsst, D.741 by Franz Schubert |
| 558/2 | A42/2 | Auf dem Wasser zu singen (Barcarolle) | pf | | 1837–38 | Piano, transcr. | arr. of the song Auf dem Wasser zu singen, D.774 by Franz Schubert |
| 558/3 | A42/3 | Du bist die Ruh' (L'attente) | pf | | 1837–38 | Piano, transcr. | arr. of the song Du bist die Ruh, D.776 by Franz Schubert; 1st version of S.558/3a |
| 558/3a | A42/3 | Du bist die Ruh' (L'attente) | pf | | 1876 | Piano, transcr. | 2nd version of S.558/3; renumbered from S.558/3bis |
| 558/4 | A42/4 | Erlkönig (Le roi des Aulnes) | pf | | 1837–38 | Piano, transcr. | arr. of the song Erlkönig, D.328 by Franz Schubert; 2nd version of S.557a, S.558/4a |
| 558/4a | A42/4 | Erlkönig (Le roi des Aulnes) | pf | | 1876 | Piano, transcr. | 3rd version of S.557a, S.558/4; renumbered from S.558/4bis |
| 558/5 | A42/5 | Meeresstille (La mer calme) | pf | | 1837–38 | Piano, transcr. | arr. of the song Meeres Stille, D.216 by Franz Schubert; 2nd version of S.557b |
| 558/6 | A42/6 | Die junge Nonne (La jeune religieuse) | pf | | 1837–38 | Piano, transcr. | arr. of the song Die junge Nonne, D.828 by Franz Schubert |
| 558/7 | A42/7 | Frühlingsglaube (Espoir dans le printemps) | pf | | 1837–38 | Piano, transcr. | arr. of the song Frühlingsglaube, D.686 by Franz Schubert; 2nd version of S.557c, S.558/7a |
| 558/7a | A42/7 | Frühlingsglaube (Espoir dans le printemps) | pf | | 1876 | Piano, transcr. | 3rd version of S.557c, S.558/7; renumbered from S.558/7bis |
| 558/8 | A42/8 | Gretchen am Spinnrade (Marguerite) | pf | | 1837–38 | Piano, transcr. | arr. of the song Gretchen am Spinnrade, D.118 by Franz Schubert; 1st version of S.558/8a |
| 558/8a | A42/8 | Gretchen am Spinnrade (Marguerite) | pf | | 1876 | Piano, transcr. | 2nd version of S.558/8; renumbered from S.558/8bis |
| 558/9 | A42/9 | Ständchen von Shakespeare (La sérénade de Shakspeare) | pf | | 1837–38 | Piano, transcr. | arr. of the song Ständchen, D.889 by Franz Schubert; 1st version of S.558/9a |
| 558/9a | A42/9 | Ständchen von Shakespeare (La sérénade de Shakspeare) | pf | | 1876 | Piano, transcr. | 2nd version of S.558/9; renumbered from S.558/9bis |
| 558/10 | A42/10 | Rastlose Liebe | pf | | 1837–38 | Piano, transcr. | arr. of the song Rastlose Liebe, D.138 by Franz Schubert |
| 558/11 | A42/11 | Der Wanderer (Le pèlerin) | pf | | 1837–38 | Piano, transcr. | arr. of the song Der Wanderer, D.493 by Franz Schubert; 1st version of S.558/11a |
| 558/11a | A42/11 | Der Wanderer (Le pèlerin) | pf | | 1876 | Piano, transcr. | 2nd version of S.558/11; renumbered from S.558/11bis |
| 558/12 | A42/12 | Ave Maria | pf | | 1837–38 | Piano, transcr. | arr. of the song Ave Maria, D.839 by Franz Schubert; 2nd version of S.557d |
| 559 | A46 | Gondelfahrer (Männerquartett von Franz Schubert) | pf | | 1838 | Piano, transcr. | arr. of the chorus Gondelfahrer, D.809 by Franz Schubert |
| 559a | A49/7 | La sérénade de Franz Schubert | pf | | 1837 | Piano, transcr. | arr. of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/7, S.560/7a |
| 560 | A49 | Schwanengesang (Lieder von Franz Schubert) | pf | | 1838–39 | Piano, transcr. | arr. of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/1 | A49/1 | Die Stadt | pf | | 1838–39 | Piano, transcr. | arr. of No.11 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/2 | A49/2 | Das Fischermädchen | pf | | 1838–39 | Piano, transcr. | arr. of No.10 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/3 | A49/3 | Aufenthalt | pf | | 1838 | Piano, transcr. | arr. of No.5 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/4 | A49/4 | Am Meer | pf | | 1838–39 | Piano, transcr. | arr. of No.12 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/5 | A49/5 | Abschied | pf | | 1838–39 | Piano, transcr. | arr. of No.7 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/6 | A49/6 | In der Ferne | pf | | 1838–39 | Piano, transcr. | arr. of No.6 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/7 | A49/7 | Ständchen | pf | | 1838 | Piano, transcr. | arr. of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 2nd version of S.559a, S.560/7a |
| 560/7a | A49/7 | Ständchen | pf | | 1880 | Piano, transcr. | 3rd version of S.559a, S.560/7 |
| 560/8 | A49/8 | Ihr Bild | pf | | 1838–39 | Piano, transcr. | arr. of No.9 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/9 | A49/9 | Frühlingssehnsucht | pf | | 1838–39 | Piano, transcr. | arr. of No.3 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/10 | A49/10 | Liebesbotschaft | pf | | 1838–39 | Piano, transcr. | arr. of No.1 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/11 | A49/11 | Der Atlas | pf | | 1838–39 | Piano, transcr. | arr. of No.8 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/12 | A49/12 | Der Doppelgänger | pf | | 1838–39 | Piano, transcr. | arr. of No.13 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/13 | A49/13 | Die Taubenpost | pf | | 1838–39 | Piano, transcr. | arr. of No.14 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 560/14 | A49/14 | Kriegers Ahnung | pf | | 1838–39 | Piano, transcr. | arr. of No.2 of the song cycle Schwanengesang, D.957 by Franz Schubert |
| 561 | A50 | Winterreise (12 Lieder von Franz Schubert) | pf | | 1839 | Piano, transcr. | arr. of 12 songs from the cycle Winterreise, D.911 by Franz Schubert |
| 561/1 | A50/1 | Gute Nacht | pf | | 1839 | Piano, transcr. | arr. of No.1 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/2 | A50/2 | Die Nebensonnen | pf | | 1839 | Piano, transcr. | arr. of No.23 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/3 | A50/3 | Mut! | pf | | 1839 | Piano, transcr. | arr. of No.22 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/4 | A50/4 | Die Post | pf | | 1839 | Piano, transcr. | arr. of No.13 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/5 | A50/5 | Erstarrung | pf | | 1839 | Piano, transcr. | arr. of No.4 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/6 | A50/6 | Wasserflut | pf | | 1839 | Piano, transcr. | arr. of No.6 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/7 | A50/7 | Der Lindenbaum | pf | | 1839 | Piano, transcr. | arr. of No.5 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/8 | A50/8 | Der Leiermann | pf | | 1839 | Piano, transcr. | arr. of No.24 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/9 | A50/9 | Täuschung | pf | | 1839 | Piano, transcr. | arr. of No.19 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/10 | A50/10 | Das Wirtshaus | pf | | 1839 | Piano, transcr. | arr. of No.21 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/11 | A50/11 | Der stürmische Morgen | pf | | 1839 | Piano, transcr. | arr. of No.18 from the cycle Winterreise, D.911 by Franz Schubert |
| 561/12 | A50/12 | Im Dorfe | pf | | 1839 | Piano, transcr. | arr. of No.17 from the cycle Winterreise, D.911 by Franz Schubert |
| 562 | A73 | Franz Schuberts geistliche Lieder | pf | | 1840 | Piano, transcr. | vol. 2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert |
| 562/1 | A73/1 | Litaney | pf | | 1840 | Piano, transcr. | arr. of the song Am Tage Aller Seelen, D.343 by Franz Schubert |
| 562/2 | A73/2 | Himmelsfunken | pf | | 1840 | Piano, transcr. | arr. of the song Himmelsfunken, D.651 by Franz Schubert |
| 562/3 | A73/3 | Die Gestirne | pf | | 1840 | Piano, transcr. | arr. of the song Die Gestirne, D.444 by Franz Schubert |
| 562/4 | A73/4 | Hymne | pf | | 1840 | Piano, transcr. | arr. of No.4 from the incidental music to Rosamunde, D.797 by Franz Schubert |
| 563 | A109 | Melodien von Franz Schubert (6): | pf | | 1844 | Piano, transcr. | |
| 563/1 | A109/1 | Lebe wohl! | pf | | 1844 | Piano, transcr. | |
| 563/2 | A109/2 | Mädchens Klage | pf | | 1844 | Piano, transcr. | arr. of the song Des Mädchens Klage, D.191 by Franz Schubert |
| 563/3 | A109/3 | Das Sterbeglöcklein | pf | | 1844 | Piano, transcr. | arr. of the song Das Zügenglöcklein, D.871 by Franz Schubert |
| 563/4 | A109/4 | Trockne Blumen | pf | | 1844 | Piano, transcr. | arr. of No.18 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert |
| 563/5 | A109/5 | Ungeduld | pf | | 1844 | Piano, transcr. | arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/6, S.565/6a |
| 563/6 | A109/6 | Die Forelle | pf | | 1844 | Piano, transcr. | arr. of the song Die Forelle, D.550 by Franz Schubert; 1st version of S.564 |
| 564 | A127 | Die Forelle (Lied von Franz Schubert) | pf | | 1846 | Piano, transcr. | arr. of the song Die Forelle, D.550 by Franz Schubert; 2nd version of S.563/6 |
| 565 | A128 | Müllerlieder von Franz Schubert | pf | | 1846 | Piano, transcr. | |
| 565/1 | A128/1 | Das Wandern | pf | | 1846 | Piano, transcr. | arr. of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/1a |
| 565/1a | A128/1 | Das Wandern | pf | | 1879 | Piano, transcr. | arr. of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/1; renumbered from S.565bis/1 |
| 565/2 | A128/2 | Der Müller und der Bach | pf | | 1846 | Piano, transcr. | arr. of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/2a |
| 565/2a | A128/2 | Der Müller und der Bach | pf | | 1879 | Piano, transcr. | arr. of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/2; renumbered from S.565bis/2 |
| 565/3 | A128/3 | Der Jäger | pf | | 1846 | Piano, transcr. | arr. of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/3a |
| 565/3a | A128/3 | Der Jäger | pf | | 1879 | Piano, transcr. | arr. of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/3; renumbered from S.565bis/3 |
| 565/4 | A128/4 | Die böse Farbe | pf | | 1846 | Piano, transcr. | arr. of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/4a |
| 565/4a | A128/4 | Die böse Farbe | pf | | 1879 | Piano, transcr. | arr. of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/4; renumbered from S.565bis/4 |
| 565/5 | A128/5 | Wohin? | pf | | 1846 | Piano, transcr. | arr. of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/5a |
| 565/5a | A128/5 | Wohin? | pf | | 1879 | Piano, transcr. | arr. of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/5; renumbered from S.565bis/5 |
| 565/6 | A128/6 | Ungeduld | pf | | 1846 | Piano, transcr. | arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd version of S.563/5, S.565/6a |
| 565/6a | A128/6 | Ungeduld | pf | | 1879 | Piano, transcr. | arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 3rd (simplified) version of S.563/5, S.565/6; renumbered from S.565bis/6 |
| 565a | U14/1 | Grosse Fantasie von Franz Schubert | pf | C major | 1868 | Piano, transcr. | edited with additions to the Fantasie in C major, D.760 by Franz Schubert |
| 565b | U14/2 | Impromptus von F. Schubert (4) | pf | | 1868 | Piano, transcr. | edited, with additions to Nos.2 and 3 of Impromptus, D.899 by Franz Schubert |
| 566 | A133 | Liebeslied (Widmung von Robert Schumann) | pf | | 1848 | Piano, transcr. | arr. of No.1 of Myrthen, Op.25 by Robert Schumann |
| 566a | A133 | Liebeslied (Widmung von Robert Schumann) | pf | | 1850–59? | Piano, transcr. | short draft of S.566 |
| 567 | A212 | Lieder von Robert Schumann | pf | | 1861 | Piano, transcr. | |
| 567/1 | A212/1 | An den Sonnenschein | pf | | 1861 | Piano, transcr. | arr. of No.4 of 6 Gedichte, Op.36 by Robert Schumann |
| 567/2 | A212/2 | Rotes Röslein | pf | | 1861 | Piano, transcr. | arr. of No.2 of Lieder und Gesänge, Vol.I, Op.27 by Robert Schumann |
| 568 | A257 | Frühlingsnacht (Lied von Robert Schumann) | pf | | 1872 | Piano, transcr. | arr. of No.12 of Liederkreis by Robert Schumann |
| 569 | A264a | Lieder von Robert und Clara Schumann (10): | pf | | 1874 | Piano, transcr. | |
| 569/1 | A264a/1 | Weihnachtslied | pf | | 1874 | Piano, transcr. | arr. of No.16 of Liederalbum für die Jugend, Op.79 by Robert Schumann |
| 569/2 | A264a/2 | Die wandelnde Glocke | pf | | 1874 | Piano, transcr. | arr. of No.17 of Liederalbum für die Jugend, Op.79 by Robert Schumann |
| 569/3 | A264a/3 | Frühlings Ankunft | pf | | 1874 | Piano, transcr. | arr. of No.19 of Liederalbum für die Jugend, Op.79 by Robert Schumann |
| 569/4 | A264a/4 | Des Sennen Abschied | pf | | 1874 | Piano, transcr. | arr. of No.22 of Liederalbum für die Jugend, Op.79 by Robert Schumann |
| 569/5 | A264a/5 | Er ist's | pf | | 1874 | Piano, transcr. | arr. of No.23 of Liederalbum für die Jugend, Op.79 by Robert Schumann |
| 569/6 | A264a/6 | Nur wer die Sehnsucht kennt | pf | | 1874 | Piano, transcr. | arr. of No.3 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Schumann |
| 569/7 | A264a/7 | An die Türen will ich schleichen | pf | | 1874 | Piano, transcr. | arr. of No.5 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Schumann |
| 569/8 | A264b/1 | Warum willst du and're fragen | pf | | 1874 | Piano, transcr. | arr. of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann |
| 569/9 | A264b/2 | Ich hab' in deinem Auge | pf | | 1874 | Piano, transcr. | arr. of No.5 of 6 Lieder, Op.13, by Clara Schumann |
| 569/10 | A264b/3 | Geheimes Flüstern hier und dort | pf | | 1874 | Piano, transcr. | arr. of No.3 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann |
| 570 | A306 | Provenzalisches Minnelied (von Robert Schumann) | pf | | 1881 | Piano, transcr. | arr. of No.4 of Des Sängers Fluch, Op.139 by Robert Schumann |
| 570a | V16 | Polka de salon (Einleitung und Coda zu Smetanas Polka) | pf | F♯ major | 1885 | Piano, transcr. | additions and revisions to No.1 of 3 Polkas de salon, Op.7 by Bedřich Smetana |
| 571 | A275 | Die Rose (Romanze von Louis Spohr) | pf | | 1876 | Piano, transcr. | arr. of Zemire's romance from the opera Zemire und Azor, by Louis Spohr |
| 571a | V15 | Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice) | pf | | 1880 | Piano, transcr. | additions and revisions to Valse-Caprice No.3 by Carl Tausig; formerly S.167a |
| 572 | A292 | Marche hongroise de Szabadi (Revive Szegedin!) | pf | | 1879 | Piano, transcr. | arr. of the Marche héroïque de Szabadi by Jules Massenet. |
| 573 | A258 | Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl ) | pf | | 1872 | Piano, transcr. | based on the Ungarischer Marsch by Imre Széchényi |
| 573a | A297 | Seconda Mazurka di Tirindelli | pf | | 1880 | Piano, transcr. | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli |
| 574 | A122 | Ouvertüre zur Webers Oper Oberon | pf | | 1846 | Piano, transcr. | arr. of the overture from the opera Oberon, J.306 by Carl Maria von Weber |
| 575 | A129 | Ouvertüre aus Webers Oper Der Freischütz | pf | | 1846 | Piano, transcr. | arr. of the overture from the opera Der Freischütz, Op.77 by Carl Maria von Weber |
| 576 | A121 | Webers Jubelovertüre | pf | | 1846 | Piano, transcr. | arr. of the Jubel-Ouvertüre, Op.59 by Carl Maria von Weber |
| 576a | — | Konzertstück (von Weber) | pf | | 1868–70 | Piano, transcr. | arr. of the Konzertstück. Op.79 by Carl Maria von Weber |
| 577/1 | A87 | I Love (Romanze von Wielhorski) | pf | | 1842 | Piano, transcr. | arr. of the romance I Love by Michał Wielhorski; 2nd version of S.577/2, S.577bis, and S.577ter |
| 577/2 | — | Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) | pf | | 1843 | Piano, transcr. | 4th version of S.577/1, S.577bis, and S.577ter |
| 577bis | A87 | Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) | pf | | 1842? | Piano, transcr. | 1st version of S.577ter, S.577/1, and S.577/2 |
| 577a–634b | | | | | | | |
| 577ter | A87 | Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) | pf | | 1843? | Piano, transcr. | 3rd version of S.577bis, S.577/1, and S.577/2 |
| 577a–634b | | Pianoforte duet | Pianoforte duet | Pianoforte duet | Pianoforte duet | Pianoforte duet | Pianoforte duet |
| 577a | T33 | 12 Nocturnes (John Field) | pf4h | | 1877 | Piano, 4 hands, arr. | |
| 577a/1 | T33/1 | Nocturne No. 1 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.1 in E♭ major, H.24, by John Field |
| 577a/2 | T33/2 | Nocturne No.2 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.2 in C minor, H.25, by John Field |
| 577a/3 | T33/3 | Nocturne No.3 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.3 in A♭ major, H.26, by John Field |
| 577a/4 | T33/4 | Nocturne No.4 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.4 in A major, H.36, by John Field |
| 577a/5 | T33/5 | Nocturne No.5 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.5 in B♭ major, H.37, by John Field |
| 577a/6 | T33/6 | Nocturne No.6 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.6 in F major, H.40, by John Field |
| 577a/7 | T33/7 | Nocturne No.7 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Pastorale in A major, H.14, by John Field |
| 577a/8 | T33/8 | Nocturne No.8 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Romance in E♭ major, H.30, by John Field |
| 577a/9 | T33/9 | Nocturne No.9 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.8 in E minor, H.46, by John Field |
| 577a/10 | T33/10 | Nocturne No. 10 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.17 in E major, H.65, by John Field |
| 577a/11 | T33/11 | Nocturne No. 11 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.11 in E♭ major, H.56, by John Field |
| 577a/12 | T33/12 | Nocturne No. 12 | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of Nocturne No.18 in E major ("Midi"), H.13, by John Field |
| 578 | B27 | Die Legende von der Heiligen Elisabeth: | pf4h | | 1862–66? | Piano, 4 hands, arr. | arr. from S.2 |
| 578/1 | B27/1 | Orchester Einleitung | pf4h | | 1862–66? | Piano, 4 hands, arr. | arr. of Introduction from S.2 |
| 578/2 | B27/2 | Marsch der Kreuzritter | pf4h | | 1862–66? | Piano, 4 hands, arr. | arr. of No.3e from S.2 |
| 578/3 | B27/3 | Der Sturm | pf4h | | 1862–66? | Piano, 4 hands, arr. | arr. of No.4d from S.2 |
| 578/4 | B27/4 | Interludium | pf4h | | 1862–66? | Piano, 4 hands, arr. | arr. of No.6a from S.2 |
| 579 | B30 | Orchestersätze aus dem Oratorium Christus (2): | pf4h | | 1866–73? | Piano, 4 hands, arr. | arr. from S.3 |
| 579/1 | B30/1 | Hirtengespiel an der Krippe | pf4h | | 1866–73? | Piano, 4 hands, arr. | arr. of No.4 from S.3 |
| 579/2 | B30/2 | Die heiligen drei Könige | pf4h | | 1866–73? | Piano, 4 hands, arr. | arr. of No.5 from S.3 |
| 580 | B42 | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) | pf4h | | 1874 | Piano, 4 hands, arr. | arr. of prelude from S.6 |
| 581 | B31 | Aus der Ungarischen Krönungsmesse | pf4h | | 1869 | Piano, 4 hands, arr. | arr. from S.11 |
| 581/1 | B31/1 | Benedictus | pf4h | | 1869 | Piano, 4 hands, arr. | arr. of No.5 from S.11 |
| 581/2 | B31/2 | Offertorium | pf4h | | 1869 | Piano, 4 hands, arr. | arr. of No.7 from S.11 |
| 582 | B53 | O Lamm Gottes! | pf4h | | 1878–79 | Piano, 4 hands, arr. | arr. of S.504b/7 |
| 583 | B52 | Via Crucis (Les 14 stations de la croix) | pf4h | | 1878–79 | Piano, 4 hands, arr. | arr. of S.53 |
| 584 | B6 | Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn | pf4h | | 1845 | Piano, 4 hands, arr. | arr. of S.67 |
| 585 | B24 | Pastorale (Schnitterchor aus dem Entfesselten Prometheus) | pf4h | | 1861 | Piano, 4 hands, arr. | arr. of No.4 from S.69/2 |
| 586 | B34 | Gaudeamus igitur (Humoreske) | pf4h | | 1870? | Piano, 4 hands, arr. | arr. of S.71a |
| 587 | B7 | Marche héroique | pf4h | | 1848? | Piano, 4 hands, arr. | arr. of S.510 |
| 588 | B16 | Weimars Volkslied | pf4h | | 1857 | Piano, 4 hands, arr. | arr. of S.313 |
| 589 | B37 | Ce qu'on entend sur la montagne (Symphonic Poem No. 1) | pf4h | | 1874 | Piano, 4 hands, arr. | arr. of S.95 (3rd version) |
| 590 | B20 | Tasso: Lamento e Trionfo (Symphonic Poem No. 2) | pf4h | | 1858 | Piano, 4 hands, arr. | arr. of S.96 |
| 591 | B12 | Les préludes (Symphonic Poem No. 3) | pf4h | | 1853–58 | Piano, 4 hands, arr. | arr. of S.97 |
| 592 | B17 | Orpheus (Symphonic Poem No. 4) | pf4h | | 1858 | Piano, 4 hands, arr. | arr. of S.98 |
| 593 | B18 | Prometheus (Symphonic Poem No. 5) | pf4h | | 1858? | Piano, 4 hands, arr. | arr. of S.99 |
| 594 | B38 | Mazeppa (Symphonic Poem No. 6) | pf4h | | 1874 | Piano, 4 hands, arr. | arr. of S.100 |
| 595 | B13 | Festklänge (Symphonic Poem No. 7) | pf4h | | 1854–61 | Piano, 4 hands, arr. | arr. of S.101 |
| 596 | B39 | Hungaria (Symphonic Poem No. 9) | pf4h | | 1874 | Piano, 4 hands, arr. | arr. of S.103 |
| 596a | B49 | Héroïde funèbre (Symphonic Poem No. 8) | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of S.102 |
| 596b | B51 | Hunnenschlacht (Symphonic Poem No. 11) | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of S.105 |
| 596c | B44 | Die Ideale (Symphonic Poem No. 12) | pf4h | | 1874–77 | Piano, 4 hands, arr. | arr. of S.106 by Liszt and Giovanni Sgambati |
| 597 | B40 | Hamlet (Symphonic Poem No. 10) | pf4h | | 1874 | Piano, 4 hands, arr. | arr. of S.104 |
| 598 | B55 | Von der Wiege bis zum Grabe (From the Cradle to the Grave) (Symphonic Poem No. 13) | pf4h | | 1881 | Piano, 4 hands, arr. | arr. of S.512 |
| 599 | B15 | Episoden aus Lenau's Faust (2) | pf4h | | 1856–61? | Piano, 4 hands, arr. | arr. of S.110 |
| 599/1 | B15/1 | Der nächtliche Zug | pf4h | | 1856–61 | Piano, 4 hands, arr. | arr. of S.110/1 |
| 599/2 | B15/2 | Der Tanz in der Dorfschenke (Mephisto Waltz) | pf4h | | 1856–61 | Piano, 4 hands, arr. | arr. of S.110/2a |
| 600 | B54 | Mephisto Waltz No.2 | pf4h | | 1880–81 | Piano, 4 hands, arr. | arr. of S.515 |
| 601–603 | B23 | Odes funèbres (3): | pf4h | | 1860–69 | Piano, 4 hands, arr. | arr. from S.112 |
| 601 | B23/1 | Les morts | pf4h | | 1860 | Piano, 4 hands, arr. | arr. of S.112/1 |
| 602 | B23/2 | La notte | pf4h | | 1866 | Piano, 4 hands, arr. | arr. of S.112/2 |
| 603 | B23/3 | Le triomphe funèbre du Tasse | pf4h | | 1866–69 | Piano, 4 hands, arr. | arr. of S.112/3 |
| 604/1 | B28/1 | Boże, coś Polskę | pf4h | | 1863 | Piano, 4 hands, arr. | arr. of S.113/1 |
| 604/2 | B28/2 | Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) | pf4h | | 1884 | Piano, 4 hands, arr. | arr. of S.113/2 |
| 605 | B22 | Künstlerfestzug zur Schillerfeier 1859 | pf4h | | 1859 | Piano, 4 hands, arr. | arr. of S.114 |
| 606 | B19 | Festmarsch zur Goethe-Jubiläumfeier | pf4h | | 1858? | Piano, 4 hands, arr. | arr. of S.115 |
| 607 | B21 | Festmarsch nach Motiven von E.H.z.S.-C.-G. | pf4h | | 1858–59 | Piano, 4 hands, arr. | arr. of S.116 |
| 608 | B33 | Rákóczi-Marsch | pf4h | | 1870 | Piano, 4 hands, arr. | arr. of S.117 |
| 609 | B32 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 | pf4h | | 1870 | Piano, 4 hands, arr. | arr. of S.118 |
| 610 | B46 | Ungarischer Sturmmarsch (Hungarian Battle March) | pf4h | | 1875 | Piano, 4 hands, arr. | arr. of S.119 |
| 611 | W7 | Epithalam (zu Eduard Reményi's Vermählungsfeier) | pf4h | | 1872 | Piano, 4 hands, arr. | arr. of S.129; Liszt's authorship doubtful |
| 612 | B36 | Elegy No. 1 | pf4h | | 1874 | Piano, 4 hands, arr. | arr. of S.196 |
| 612a | B43 | Weihnachtsbaum | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a; 1st version of S.613 |
| 612a/1 | B43/1 | Psallite (Altes Weihnachten) | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/1; 1st version of S.613/1 |
| 612a/2 | B43/2 | O heilige Nacht! | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/2; 1st version of S.613/2 |
| 612a/3 | B43/3 | Die Hirten an der Krippe ("In dulci jubilo") | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/3; 1st version of S.613/3 |
| 612a/4 | B43/4 | Adeste fideles (gleichsam als Marsch der heiligen drei Könige) | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/4; 1st version of S.613/4 |
| 612a/5 | B43/5 | Scherzoso | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/5; 1st version of S.613/5 |
| 612a/6 | B43/6 | Reveille-Matin (Wecker) | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/6; 1st version of S.613/6 |
| 612a/7 | B43/7 | Schlummerlied | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/7; 1st version of S.613/7 |
| 612a/8 | B43/8 | (Alt-provenzalisches Noel) | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/8; 1st version of S.613/8 |
| 612a/9 | B43/9 | (Abendglocken) | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/9; 1st version of S.613/9 |
| 612a/10 | B43/10 | (Ehemals) | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/10; 1st version of S.613/10 |
| 612a/11 | B43/11 | Ungarisch | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/11; 1st version of S.613/11 |
| 612a/12 | B43/12 | Polnisch | pf4h | | 1875? | Piano, 4 hands, arr. | arr. of S.185a/12; 1st version of S.613/12 |
| 613 | B43 | Weihnachtsbaum | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186; 2nd version of S.612a |
| 613/1 | B43/1 | Altes Weihnachten (Psalite) | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/1; 2nd version of S.612a/1 |
| 613/2 | B43/2 | O heilige Nacht! | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/2; 2nd version of S.612a/2 |
| 613/3 | B43/3 | Die Hirten an der Krippe ("In dulci jubilo") | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/3; 2nd version of S.612a/3 |
| 613/4 | B43/4 | Adeste fideles (Gleichsam als Marsch der heiligen drei Könige) | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/4; 2nd version of S.612a/4 |
| 613/5 | B43/5 | Scherzoso (Man zündet die Kerzen des Baumes an) | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/5; 2nd version of S.612a/5 |
| 613/6 | B43/6 | Carillon | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/6; 2nd version of S.612a/6 |
| 613/7 | B43/7 | Schlummerlied | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/7; 2nd version of S.612a/7 |
| 613/8 | B43/8 | Altes provenzalisches Weihnachtslied | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/8; 2nd version of S.612a/8 |
| 613/9 | B43/9 | Abendglocken | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/9; 2nd version of S.612a/9 |
| 613/10 | B43/10 | Ehemals | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/10; 2nd version of S.612a/10 |
| 613/11 | B43/11 | Ungarisch | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/11; 2nd version of S.612a/11 |
| 613/12 | B43/12 | Polnisch | pf4h | | 1876–81 | Piano, 4 hands, arr. | arr. of S.186/12; 2nd version of S.612a/12 |
| 614 | B50 | Dem Andenken Petöfis | pf4h | | 1877 | Piano, 4 hands, arr. | arr. of S.349 |
| 615 | B1 | Grande valse di bravura (La bal de Berne) | pf4h | | 1836 | Piano, 4 hands, arr. | arr. of S.209 |
| 615a | — | Mephisto Waltz No.3 | pf4h | | 1883 | Piano, 4 hands, arr. | arr. of S.216 |
| 616 | B2 | Grand galop chromatique | pf4h | | 1838 | Piano, 4 hands, arr. | arr. of S.219 |
| 617 | B56 | Csárdás macabre | pf4h | | 1881–82 | Piano, 4 hands, arr. | arr. of S.224 [by Liszt and János Végh?] |
| 618 | W11 | Csárdás obstiné | pf4h | | 1884? | Piano, 4 hands, arr. | arr. of S.225/2 [Liszt's authorship uncertain] |
| 618a | B14 | Vom Fels zum Meer! (Deutscher Siegesmarsch) | pf4h | | 1853–56? | Piano, 4 hands, arr. | arr. of S.229 |
| 619 | B59 | Bülow-Marsch | pf4h | | 1883 | Piano, 4 hands, arr. | arr. of S.230 |
| 619a | B48 | Festpolonaise | pf4h | | 1876 | Piano, 4 hands, arr. | arr. of S.230a |
| 620 | B3 | Hussitenlied (Aus dem 15. Jahrhundert) | pf4h | | 1840–41 | Piano, 4 hands, arr. | arr. of S.234 |
| 621 | B41 | Hungarian Rhapsodies (6): | pf4h | | 1857–60 | Piano, 4 hands, arr. | arr. of S.359 |
| 621/1 | B41/1 | Hungarian Rhapsody No. 1 | pf4h | F minor | 1860 | Piano, 4 hands, arr. | arr. of S.359/1 (based on S.244/14) |
| 621/2 | B41/2 | Hungarian Rhapsody No. 2 | pf4h | C♯ minor | 1860 | Piano, 4 hands, arr. | arr. of S.359/2 (based on S.244/12) |
| 621/3 | B41/3 | Hungarian Rhapsody No. 3 | pf4h | D major | 1860 | Piano, 4 hands, arr. | arr. of S.359/3 (based on S.244/6) |
| 621/4 | B41/4 | Hungarian Rhapsody No. 4 | pf4h | D minor | 1860 | Piano, 4 hands, arr. | arr. of S.359/4 (based on S.244/2) |
| 621/5 | B41/5 | Hungarian Rhapsody No. 5 (Héroïde-élégiaque) | pf4h | E minor | 1860 | Piano, 4 hands, arr. | arr. of S.359/5 (based on S.244/5) |
| 621/6 | B41/6 | Hungarian Rhapsody No. 6 (Pesther Carneval) | pf4h | E♭ major | 1860 | Piano, 4 hands, arr. | arr. of S.359/6 (based on S.244/9) |
| 622 | B57 | Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten | pf4h | | 1882 | Piano, 4 hands, arr. | arr. of S.244/16 |
| 623 | W12 | Hungarian Rhapsody No. 18 | pf4h | | 1885 | Piano, 4 hands, arr. | arr. of S.244/18 (Liszt's authorship doubtful) |
| 623a | W13 | Hungarian Rhapsody No. 19 | pf4h | | 1885? | Piano, 4 hands, arr. | arr. of S.244/19 (Liszt's authorship doubtful) |
| 624 | B8 | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | pf4h | | 1850 | Piano, 4 hands, arr. | arr. of S.259; see also S.747a |
| 625 | B29 | Der Papsthymnus | pf4h | | 1865 | Piano, 4 hands, arr. | arr. of S.261 |
| 626 | B60 | Magyar király-dal (Ungarisches Königslied) | pf4h | | 1883 | Piano, 4 hands, arr. | arr. of S.340 |
| 627 | B9 | Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula | pf4h | | 1852 | Piano, 4 hands, arr. | arr. of S.393 |
| 628 | B10 | Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) | pf4h | | 1852–53 | Piano, 4 hands, arr. | arr. of S.396 |
| 628a | | Réminiscences de Lucia di Lammermoor | pf4h | | 1836–40 | Piano, 4 hands, arr. | arr. of S.397; Liszt performed this arrangement with Frank Mori during his 1840–41 tour of the British Isles |
| 628b | B5 | Marche et Cavatine de Lucia di Lammermoor | pf4h | | 1844? | Piano, 4 hands, arr. | arr. of S.398; renumbered from S.628a |
| 628c | — | Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) | pf4h | | 1873 | Piano, 4 hands, arr. | arr. of S.353 (Liszt's authorship doubtful); renumbered from S.628b |
| 629 | B45 | Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla | pf4h | | 1875 | Piano, 4 hands, arr. | arr. of S.406/2 |
| 630 | W2 | Réminiscences de Robert le diable (Valse infernale) | pf4h | | 1841–43 | Piano, 4 hands, arr. | arr. of S.413 (Liszt's authorship doubtful) |
| 631 | B11 | Andante Finale und Marsch aus der Oper König Alfred | pf4h | | 1853? | Piano, 4 hands, arr. | arr. of S.421 |
| 631/1 | B11/1 | Andante | pf4h | | 1853? | Piano, 4 hands, arr. | arr. of S.421/1 |
| 631/2 | B11/2 | Marsch | pf4h | | 1853? | Piano, 4 hands, arr. | arr. of S.421/2 |
| 632 | B35 | Franz Schuberts Märsche (4) | pf4h | | 1859–70 | Piano, 4 hands, arr. | arr. from S.363 |
| 632/1 | B35/1 | (Vivace) | pf4h | B minor | 1859–70 | Piano, 4 hands, arr. | arr. of S.363/1 |
| 632/2 | B35/2 | Trauermarsch | pf4h | E♭ minor | 1859–70 | Piano, 4 hands, arr. | arr. of S.363/2 |
| 632/3 | B35/3 | Reitermarsch | pf4h | C major | 1859–70 | Piano, 4 hands, arr. | arr. of S.363/3 |
| 632/4 | B35/4 | Ungarischer Marsch | pf4h | C minor | 1859–70 | Piano, 4 hands, arr. | arr. of S.363/4 |
| 633 | B26 | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) | pf4h | | 1865 | Piano, 4 hands, arr. | arr. of S.461/2 |
| 634 | B4 | Grand septuor de Beethoven | pf4h | | 1840–42 | Piano, 4 hands, arr. | arr. of S.465 |
| 634a | B47 | Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse) | pf4h | | 1875–81? | Piano, 4 hands, arr. | arr. of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart |
| 634b | B25 | Stücke aus Tannhäuser und Lohengrin (2): | pf4h | | 1862? | Piano, 4 hands, arr. | arr. of S.445 |
| 634b/1 | B25/1 | Einzug der Gäste auf der Wartburg | pf4h | | 1862? | Piano, 4 hands, arr. | arr. of S.445/1a |
| 634b/2 | B25/2 | Elsas Brautzug zum Münster | pf4h | | 1862? | Piano, 4 hands, arr. | arr. of S.445/2 |
| 635–657b | | Two pianofortes | Two pianofortes | Two pianofortes | Two pianofortes | Two pianofortes | Two pianofortes |
| 635 | C9 | Ce qu'on entend sur la montagne (Symphonic Poem No. 1) | 2pf | | 1854–56 | Piano, 2 pianos, arr. | arr. of S.95 |
| 636 | C10 | Tasso: Lamento e Trionfo (Symphonic Poem No.2) | 2pf | | 1854–56 | Piano, 2 pianos, arr. | arr. of S.96 |
| 637 | C11 | Les préludes (Symphonic Poem No.3) | 2pf | | 1855? | Piano, 2 pianos, arr. | arr. of S.97 |
| 638 | C12 | Orpheus (Symphonic Poem No.4) | 2pf | | 1855–56 | Piano, 2 pianos, arr. | arr. of S.98 |
| 639 | C14 | Prometheus (Symphonic Poem No.5) | 2pf | | 1855–56 | Piano, 2 pianos, arr. | arr. of S.99 |
| 640 | C13 | Mazeppa (Symphonic Poem No.6) | 2pf | | 1855 | Piano, 2 pianos, arr. | arr. of S.100 |
| 641 | C7 | Festklänge (Symphonic Poem No.7) | 2pf | | 1853 | Piano, 2 pianos, arr. | arr. of S.101 |
| 642 | C15 | Héroïde funèbre (Symphonic Poem No.8) | 2pf | | 1854–56 | Piano, 2 pianos, arr. | arr. of S.102 |
| 643 | C16 | Hungaria (Symphonic Poem No.9) | 2pf | | 1855–56 | Piano, 2 pianos, arr. | arr. of S.103 |
| 644 | C22 | Hamlet (Symphonic Poem No. 10) | 2pf | | 1858–60 | Piano, 2 pianos, arr. | arr. of S.104 |
| 645 | C21 | Hunnenschlacht (Symphonic Poem No. 11) | 2pf | | 1857–60 | Piano, 2 pianos, arr. | arr. of S.105 |
| 646 | C17 | Die Ideale (Symphonic Poem No. 12) | 2pf | | 1857–58 | Piano, 2 pianos, arr. | arr. of S.106 |
| 647 | C19 | Faust Symphony (Eine Faust-Symphonie) | 2pf | | 1856 | Piano, 2 pianos, arr. | arr. of S.108 |
| 648 | C20 | Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) | 2pf | | 1856–57 | Piano, 2 pianos, arr. | arr. of S.109 |
| 649 | C6 | Fantasie über Motiven aus Beethovens Ruinen von Athen | 2pf | | 1852 | Piano, 2 pianos, arr. | arr. of S.122 |
| 650 | C8 | Piano Concerto No. 1 | 2pf | E♭ major | 1853–56? | Piano, 2 pianos, arr. | arr. of S.124 |
| 651 | C23 | Piano Concerto No. 2 | 2pf | A major | 1859 | Piano, 2 pianos, arr. | arr. of S.125 |
| 652 | C24 | Totentanz | 2pf | | 1859–65? | Piano, 2 pianos, arr. | arr. of S.126ii |
| 652a | C25 | Rákóczi-Marsch | 2pf | | 1870 | Piano, 2 pianos, arr. | arr. of S.117 |
| 653 | C5 | Franz Schuberts Grosse Fantasie | 2pf | C major | 1851–62? | Piano, 2 pianos, arr. | arr. of S.366 |
| 654/1 | C2 | Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) | 2pf | | 1840 | Piano, 2 pianos, arr. | arr. of S.392; 1st version |
| 654/2 | C2 | Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) | 2pf | | 1870? | Piano, 2 pianos, arr. | arr. of S.392; 2nd version |
| 655 | C3 | Réminiscences de Norma | 2pf | | 1845–74? | Piano, 2 pianos, arr. | arr. of S.394 |
| 656 | C26 | Réminiscences de Don Juan (Grande fantaisie) | 2pf | | 1876–77 | Piano, 2 pianos, arr. | arr. of S.418 |
| 657 | C4 | Symphony No. 9 de Beethoven [Beethoven] | 2pf | D minor | 1851 | Piano, 2 pianos, arr. | arr. of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr. for pf as S.464/9 |
| 657a/1 | C27 | Piano Concerto No. 3 [Beethoven] | 2pf | C minor | 1878–79 | Piano, 2 pianos, arr. | arr. of the Piano Concerto No.3, Op.37 by Ludwig van Beethoven; includes new cadenza for 1st movement, S.389a |
| 657a/2 | C28 | Piano Concerto No. 4 [Beethoven] | 2pf | G major | 1878–79 | Piano, 2 pianos, arr. | arr. of the Piano Concerto No.4, Op.58 by Ludwig van Beethoven |
| 657a/3 | C29 | Piano Concerto No. 5 [Beethoven] | 2pf | E♭ major | 1878–79 | Piano, 2 pianos, arr. | arr. of the Piano Concerto No.5, Op.73 by Ludwig van Beethoven |
| 657b | C30 | Bülow-Marsch | 2pf8h | | 1884 | Piano, 2 pianos, arr. | arr. of S.230 |
| 658–676 | | Organ | Organ | Organ | Organ | Organ | Organ |
| 658 | E15 | Evocation á la Chapelle Sixtine | org/harm | | 1862–65? | Organ, arr. | arr. of S.461 |
| 659 | E14 | Ave Maria d'Arcadelt | org/harm | | 1862–63 | Organ, arr. | arr. of S.183/2 |
| 660/1 | E9 | Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis) | org/harm | | 1860–66 | Organ, arr. | arr. of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach |
| 660/2 | E5 | Andante (Aus tiefer Not) | org/harm | | 1856–60? | Organ, arr. | arr. of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38 by Johann Sebastian Bach |
| 661 | E13 | Adagio vom Bach | org/harm | | 1861–63 | Organ, arr. | arr. of the 3rd movement of Violin Sonata No. 4, BWV 1017 by Johann Sebastian Bach |
| 662/1 | E16/1 | Prelude | org | E minor | 1862–63? | Organ, arr. | arr. of No.4 of the Preludes, Op.28 by Frédéric Chopin |
| 662/2 | E16/2 | Prelude | org | E major | 1862–63? | Organ, arr. | arr. of No.9 of the Preludes, Op.28 by Frédéric Chopin |
| 663 | E21 | Regina coeli laetare | org/harm | | 1865 | Organ, arr. | arr. of the motet Regina coeli laetare by Orlande de Lassus |
| 663a | E25 | Einleitung zur Legende von der heiligen Elisabeth | org/harm | | 1872 | Organ, arr. | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2 |
| 664/1 | E19b/1 | Tu es Petrus aus dem Oratorio Christus | org/harm | | 1867 | Organ, arr. | arr. of No.8 from S.3; 1st version of S.664/2 |
| 664/2 | E19b/2 | Tu es Petrus aus dem Oratorio Christus | org | | 1867 | Organ, arr. | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1 |
| 665 | E35 | San Francesco | org | | 1880 | Organ, arr. | arr. of the prelude from S.4/2 |
| 666 | E26 | Preludio (Excelsior!) | org (+ ch) | | 1874–75 | Choral | arr. of prelude from S.6; see also version for org without ch S.268a |
| 667 | E23 | Offertorium aus der Ungarischen Krönungsmesse | org/harm | | 1868? | Organ, arr. | arr. of No.5 from S.11 |
| 667a | — | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | org | | 1860 | Organ, arr. | arr. of S.14/1 |
| 667b/1 | — | Gebet (Ave Maria I) | org | | 1842? | Organ, arr. | arr. of S.20/1 |
| 667b/2 | E4 | Ave Maria I | org | | 1856–59? | Organ, arr. | arr. of S.20/2; incomplete sketch as S.701n |
| 667c | E24 | Ave Maria II | harm | D major | 1869 | Organ, arr. | arr. of S.38 |
| 668 | E18 | Slavimo slavno, Slaveni! | org | | 1863 | Organ, arr. | arr. of S.33 |
| 668a | E27/2a | Ave maris stella | harm | | 1871 | Organ, arr. | arr. of S.34; 1st version of S.669/2 |
| 669 | E27 | Kirchenhymnen (2) | org/harm | | 1877 | Organ, arr. | |
| 669/1 | E27/1 | Salve Regina | org/harm | | 1877 | Organ, arr. | |
| 669/2 | E27/2b | Ave maris stella | org/harm | | 1877 | Organ, arr. | arr. of S.34; 2nd version of S.668a |
| 669a | — | Deutsche Kirchenlieder (7): | v ch pf/org | | 1878–1879 | Choral | arr. from S.50 |
| 669a/1 | — | Es segne uns Gott | ch org | | 1878–79 | Choral | arr. of S.50/1 |
| 669a/2 | — | Gott sei gnädig (Der Kirchensegen) | v/ch org | | 1878–79 | Choral | arr. of S.50/2 |
| 669a/3 | — | Nun ruhen alle Wälder | v org | | 1878–79 | Vocal | arr. of S.50/3 |
| 669a/4 | — | O Haupt voll Blut und Wunden | v org | | 1878–79 | Vocal | arr. of S.50/4 |
| 669a/5 | — | O Lamm Gottes! | v pf/org | | 1878–79 | Vocal | arr. of S.50/5 |
| 669a/6 | — | Was Gott tut, das ist wohlgetan | v org | | 1878–79 | Vocal | arr. of S.50/6 |
| 669a/7 | — | Wer nur den lieben Gott läßt walten | v org | | 1878–79 | Vocal | arr. of S.50/7 |
| 669b | E31 | Via Crucis (Les 14 stations de la croix) | org | | 1876–79 | Organ, arr. | arr. of S.53 |
| 669c | — | O Roma nobilis | org | | 1878–79 | Organ, arr. | arr. of S.54 |
| 670 | E34 | Rosario | org/harm | | 1879 | Organ, arr. | arr. from S.56 |
| 670/1 | E34/1 | Mysteria gaudiosa | org/harm | | 1879 | Organ, arr. | arr. of S.56/1 |
| 670/2 | E34/2 | Mysteria dolorosa | org/harm | | 1879 | Organ, arr. | arr. of S.56/2 |
| 670/3 | E34/3 | Mysteria gloriosa | org/harm | | 1879 | Organ, arr. | arr. of S.56/3 |
| 671 | E40 | In domum Domini ibimus (Zum Haus des Herrn ziehen wir) | org | | 1884 | Organ, arr. | arr. of S.57 |
| 671a | J44 | Zur Trauung | org | | 1883? | Organ, arr. | arr. of S.60 |
| 672/1 | E6/1 | Weimars Volkslied | org | | 1857–63? | Organ, arr. | arr. of S.313; 1st version of S.672/2 |
| 672/2 | E6/2 | Weimars Volkslied | org/harm | | 1872–73? | Organ, arr. | arr. of S.313; 2nd version of S.672/1 |
| 672a | E11 | Orpheus (Symphonic Poem No.4) | org/harm | | 1860–72 | Organ, arr. | arr. of S.98 |
| 672b | E8 | Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia | org/harm | | 1860 | Organ, arr. | arr. by Liszt [and Gottschalg?] of S.109 |
| 672c | E30 | Angelus! Prière aux anges gardiens | harm | | 1877–82 | Organ, arr. | arr. of S.163/1 |
| 672d | E22 | Consolations (4): | org/harm | | 1866–79 | Organ, arr. | arr. from S.172 |
| 672d/1 | E22/1 | (Lento placido) | org/harm | A major | 1879? | Organ, arr. | arr. of S.172/3 |
| 672d/2 | E22/2 | (Adagio) | org/harm | D♭ major | 1866–67? | Organ, arr. | arr. of S.172/4 by Liszt and Gottschalg |
| 672d/3 | E22/3 | (Andantino) | org/harm | E major | 1872–73? | Organ, arr. | arr. of S.172/5 by Liszt and Gottschalg |
| 672d/4 | E22/4 | (Trôstung) | org/harm | E major | 1879? | Organ, arr. | arr. of S.172/6 |
| 673 | E17 | Variationen über das Motiv von Bach | org | | 1862–63 | Organ, arr. | arr. of S.180 |
| 674 | E37 | A magyarok Istene (Ungarns Gott) | org/harm | | 1881 | Organ, arr. | arr. of S.339 |
| 674a | E36 | O sacrum convivium | org/harm | | 1881–85? | Organ, arr. | arr. of S.58 |
| 674b | — | Ave Maria IV | org/harm | | 1881 | Organ, arr. | arr. of S.341 |
| 674c | — | Nun danket alle Gott | org | | 1884 | Organ, arr. | arr. of S.61 |
| 674d | E42 | Ave verum corpus de Mozart | org | | 1886 | Organ, arr. | arr. of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr. for pf as S.461a |
| 675 | E2 | Kirchliche Fest-Ouvertüre | org/pfped | | 1852 | Organ, arr. | arr. of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai |
| 675a | V10 | In der Christmette | vn org | | 1873? | Organ, arr. | corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter |
| 675b | V18 | Davidsbündlertänze | org | | 1870? | Organ, arr. | arr. by Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6 by Robert Schumann |
| 675c/1 | E29 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | org/harm | | 1877–78 | Organ, arr. | based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/2; arr. of S.437/1 |
| 675c/2 | E29 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | org/harm | | 1883 | Organ, arr. | 2nd version of S.675c/1; arr. of S.437/2 |
| 676/1 | E10a | Chor der jüngeren Pilger (Der Gnade Heil) | org/harm | | 1860 | Organ, arr. | based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.676/2; arr. of S.443/1 |
| 676/2 | E10b | Chor der jüngeren Pilger (Der Gnade Heil) | org/harm | | 1862 | Organ, arr. | 2nd version of S.676/1; arr. of S.443/2 |
| 677–679 | | Organ with other instruments | Organ with other instruments | Organ with other instruments | Organ with other instruments | Organ with other instruments | Organ with other instruments |
| 677 | F2 | Hosannah (Alleluja del Cantico del sol) | org (+ tbn) | | 1862–63 | Organ, chamber, arr. | arr. of 'Alleluja' from S.4/1 |
| 678 | F3 | Aus der Ungarischen Krönungsmesse | vn org/harm | | 1871 | Organ, chamber, arr. | arr. of extracts from S.11 |
| 678/1 | F3/1 | Benedictus | vn org/harm | | 1871 | Organ, chamber, arr. | arr. of S.11/5 |
| 678/2 | F3/2 | Offertorium | vn org/harm | | 1871 | Organ, chamber, arr. | arr. of S.11/7 |
| 679 | F1 | Cujus animam aus Rossinis Stabat Mater | tbn org | | 1860–70? | Organ, chamber, arr. | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for ten org as S.682; for pf as S.553/1 |
| 680–685 | | Vocal arrangements | Vocal arrangements | Vocal arrangements | Vocal arrangements | Vocal arrangements | Vocal arrangements |
| 680 | K3 | Ave maris stella | v org/harm | D major | 1868 | Organ, vocal, arr. | arr. of S.34/2 |
| 681 | K4 | Ave Maria II | v org/harm | | 1869 | Organ, vocal, arr. | arr. of S.38 |
| 682 | K5 | Cujus animam aus Rossinis Stabat Mater | ten org | | 1874? | Organ, vocal, arr. | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for tbn org as S.682; for pf as S.553/1 |
| 683 | N57 | Serbisches Lied (Ein Mädchen sitzt am Meeresstrand) | v pf | | 1858? | Piano, vocal, arr. | |
| 683a | K10 | Gebet | v org | | 1883? | Organ, vocal, arr. | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2 |
| 684 | N2 | Barcarole vénitienne de Pantaleoni | v pf | | 1840 | Piano, vocal, arr. | arr. of the song by Luigi Pantaleoni |
| 685 | N47 | Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna) | v pf | | 1849–54 | Piano, vocal, arr. | arr. of the song by Maria Pavlovna, Grand Duchess of Russia |
| 686 | | Recitations | Recitations | Recitations | Recitations | Recitations | Recitations |
| 686 | P4 | Helges Treue | nar pf | | 1860 | Vocal, recitation, arr. | arr. of the ballad Helges Treue, Op.1 by Felix Draeseke |
| 687–768 | | Appendix | Appendix | Appendix | Appendix | Appendix | Appendix |
| 687–701 | | Unfinished works | Unfinished works | Unfinished works | Unfinished works | Unfinished works | Unfinished works |
| 687 | Q13 | Sardanapalo | vv ch orch | | 1846–55? | Opera, unfinished | unfinished sketches for an opera, based on Byron's Sardanapalus; completed by David Trippett |
| 688 | Q17 | Die Legende vom heiligen Stanislaus | vv ch orch | | 1869–85 | Choral, unfinished | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a |
| 688a | Q17 | Die Legende vom heiligen Stanislaus | pf | | 1868? | Piano, unfinished | arr. from S.688; incomplete sketches |
| 689 | Q14 | Singe wem Gesang gegeben | mch orch | | 1848? | Choral, unfinished | orchestrated by Liszt and August Conradi; incomplete |
| 689a | Q9 | Manfred | ch orch | | 1842–44 | Choral, unfinished | incomplete |
| 690 | Q1 | Symphonie révolutionnaire | orch | | 1830–53 | Orchestral, unfinished | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703 |
| 690f/2 | Q13 | Drei Ungarische Rhapsodien symphonisch bearbeiter No.2 | pf | | ? | Piano, unfinished | The Hugo-Songs Sketchbook (N 7 folder in the Goethe und Schiller archive) consists of the Zigeuner-Epos S.695b set, and on No.6's MS, Liszt wrote a couple of passages in red crayon which was later taken for some orchestral arrangements called 3 Ungarische Rhapsodien. (No.3 is now lost so is the last page of No.2). Like Zigeuner-Epos No.6, Liszt reused the themes from S.242/6 and S.242/12 for No.2 and additionally he reused the friska theme (which wasn't in Zigeuner-Epos No.6). |
| 691# | — | De Profundis | pf orch | | 1834 | Orchestral, unfinished | renumbered as S.121a |
| 692 | S49 | Violin Concerto | vn orch | | 1860 | Orchestral, unfinished | lost |
| 692a | Q18 | Die vier Jahreszeiten | 2vn va vc | | 1880? | Chamber, unfinished | incomplete sketches; formerly S.719 |
| 692b | S22 | Piano Sonata | pf | F minor | 1880 | Piano, unfinished | the first page of S.725/1 (now lost), copied by Liszt in 1880 |
| 692c | — | Allegro maestoso (Etude No. 13) | pf | F♯ major | 1826 | Piano, unfinished | incomplete sketches |
| 692d | — | Rákóczi-Marsch | pf | | 1839–40 | Piano, unfinished | simplified arr. of S.242a; incomplete sketches |
| 692e | — | Winzerchor aus den entfesselten Prometheus | pf | | 1850? | Piano, unfinished | arr. of No.5 from S.69; incomplete sketches |
| 692n | — | Klavierstück in Es-moll | pf | | 1849 | Piano, unfinished | arr. of No.3 from S.172/3; incomplete sketches |
| 693 | Q12 | Marches dans le genre hongrois (2): | pf | | 1840? | Piano, unfinished | incomplete sketches |
| 693/1 | Q12/1 | March No. 1 | pf | D minor | 1840? | Piano, unfinished | incomplete sketches |
| 693/2 | Q12/2 | March No.2 | pf | B♭ minor | 1840? | Piano, unfinished | incomplete sketches |
| 693a | — | Die Legende von der Heiligen Elisabeth: | pf | | 1862 | Piano, unfinished | arr. from S.2 |
| 693a/1 | — | Das Rosenmirakel | pf | | 1862 | Piano, unfinished | arr. of S.2/2c |
| 693a/2 | — | Der Sturm | pf | | 1862 | Piano, unfinished | arr. of S.2/4d |
| 694 | Q8 | Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais) | pf orch | | 1841 | Orchestral, unfinished | partly based on S.235, using the themes of the British national anthem and Rule Britannia by Thomas Arne; fragment only survives (completed by Leslie Howard as Fantasy on English Themes); arr. for pf4h as S.755b, and for vn va vc pf as S.718e |
| 695 | A100 | Klavierstück | pf | F major | 1843 | Piano, unfinished | |
| 695a# | — | Litanies de Marie | pf | | 1846–47 | Piano, unfinished | renumbered as S.171e |
| 695b | — | Zigeuner-Epos (11): | pf | | 1848? | Piano, unfinished | sketches |
| 695b/1 | — | (Lento) | pf | C minor | 1848? | Piano, unfinished | sketches |
| 695b/2 | — | (Andantino) | pf | C major | 1848? | Piano, unfinished | sketches |
| 695b/3 | — | (Sehr langsam) | pf | D♭ major | 1848? | Piano, unfinished | sketches |
| 695b/4 | — | (Animato) | pf | C♯ major | 1848? | Piano, unfinished | sketches |
| 695b/5 | — | (Tempo giusto) | pf | D♭ major | 1848? | Piano, unfinished | sketches |
| 695b/6 | — | (Lento) | pf | G minor | 1848? | Piano, unfinished | sketches |
| 695b/7 | — | Tempo di marca | pf | A minor | 1848? | Piano, unfinished | sketches |
| 695b/8 | — | (Adagio sostenuto a capriccio) | pf | D major | 1848? | Piano, unfinished | sketches |
| 695b/9 | — | (Andante cantabile quasi adagio) | pf | E♭ major | 1848? | Piano, unfinished | sketches |
| 695b/10 | — | (Lento) | pf | F minor | 1848? | Piano, unfinished | sketches |
| 695b/11 | — | (Lento) | pf | A minor | 1848? | Piano, unfinished | incomplete sketches |
| 695c | Q11b | Romancero espagnol | pf | | 1845 | Piano, unfinished | formerly S. 738. |
| 695d | T5 | Rêves et fantaisies | pf | | 1850-1 | Piano, unfinished | deleted; renumbered as S. 242/23 |
| 695e | Q21 | Petite valse ("Nachspiel zu den drei vergessenen Walzer") | pf | | 1884? | Piano, unfinished | incomplete sketches; possibly intended for S.215 |
| 695f | — | Cadenza | pf | | 1883–85? | Piano, unfinished | for S.514 |
| 696 | A337 | Mephisto Waltz No.4 | pf | | 1885 | Piano, unfinished | 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b |
| 697 | A90 | Fantasie über Themen aus Mozarts Figaro und Don Giovanni | pf | | 1842 | Piano, unfinished | based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527 by Mozart; unfinished; completions by Ferruccio Busoni and Leslie Howard |
| 698 | Q19 | La mandragore (Ballade de l'opera Jean de Nivelle) | pf | | 1881 | Piano, unfinished | arr. of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete |
| 699# | — | La notte | pf | | 1864–66 | Piano, unfinished | renumbered as S.516a |
| 700 | Q7 | Variations sur le Carnaval de Venise | pf | | 1843 | Piano, unfinished | based on the Il carnevale di Venezia, Op.10 by Niccolò Paganini; incomplete |
| 700a/i | A113 | Grande Fantaisie sur des thèmes de Paganini | pf | | 1845 | Piano, unfinished | using themes from the Violin Concerto No.2, Op.7, Paganini's 9th Caprice from his 24 Caprices and Il carnevale di Venezia, Op.10 by Niccolò Paganini; unfinished; completed by Imre Mezö; 1st version of S.700a/ii |
| 700a/ii | A113 | Variations de bravoure sur des thèmes de Paganini | pf | | 1845 | Piano, unfinished | 2nd version of S.700a/i |
| 700f | Q4 | La belle en robe des Dimanches | v pf | | 1830–39? | Vocal, unfinished | incomplete |
| 700g | J44 | Zur Trauung | v 2pf | | 1883–87? | Vocal, unfinished | arr. of S.60 |
| 700j | M14/1 | Titan (Auf des Athos blauen Felsenspitzen) | v pf | | 1842 | Vocal, unfinished | 1st version of S.79/1; pf part incomplete |
| 701 | N15 | Den Felsengipfel stieg ich einst hinan | v pf | | 1843? | Vocal, unfinished | |
| 701a | Q2 | Allegro di bravura | orch | | 1830 | Orchestral, unfinished | arr. of S.151 [by Liszt?]; incomplete sketch |
| 701b | Q5 | Marie-Poème | pf/(str?) | | 1837 | Piano, unfinished | incomplete sketch |
| 701c | — | Andante sensibilissimo | pf | | 1880–86 | Piano, unfinished | incomplete sketch |
| 701d | Q16 | Melodie in Dorische Tonart (Prose des Morts) | pf | | 1861 | Piano, unfinished | incomplete sketch; based on the Dies irae |
| 701e | — | Album Leaf ("Dante fragment") | pf | | 1837 | Piano, unfinished | incomplete sketch |
| 701f | — | Album Leaf ("Glasgow fragment") | pf | | 1841? | Piano, unfinished | incomplete sketch |
| 701g | A253 | Polnisch | pf | | 1876? | Piano, unfinished | sketch |
| 701h/1 | — | Valse infernale | pf | | 1841? | Piano, unfinished | arr. of theme of the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch |
| 701h/2 | — | Album Leaf | pf | | 1841 | Piano, unfinished | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch |
| 701j | — | La Charité | pf | | 1847 | Piano, unfinished | incomplete sketch for S.552a; originally intended for S.172a |
| 701k | — | Korrekturblatt | pf | | 1882 | Piano, unfinished | incomplete sketch for S.199a |
| 701l | — | Album Leaf ("Weimar fragment") | pf | | 1886? | Piano, unfinished | incomplete sketch |
| 701m | — | Trio | vn vc pf | G minor | 1886? | Chamber, unfinished | incomplete sketch for 2 Harmonies poétiques et religieuses |
| 701n | — | Korrekturblatt | org | | 1853? | Piano, unfinished | incomplete sketch for S.667b/2 |
| 701o | R1 | Scherzo | pf | | 1830 | Piano, unfinished | incomplete |
| 701v | — | Marche de Prozinsky | pf | C♯ minor | 1846 | Piano, unfinished | incomplete sketch for S.171d |
| 701w | — | Tasso, Lamento e Trionfo | pf | | 1856 | Piano, unfinished | abandoned arr. of S.96 |
| 702–768 | | Doubtful or lost | Doubtful or lost | Doubtful or lost | Doubtful or lost | Doubtful or lost | Doubtful or lost |
| 702–707 | | Sacred choral works | Sacred choral works | Sacred choral works | Sacred choral works | Sacred choral works | Sacred choral works |
| 702 | S1 | Tantum ergo | ch | | 1822 | Choral, sacred | lost |
| 703 | Q15 | Psalm 2 (Quare fremuerunt gentes et populi) | ten ch orch | | 1851 | Choral, sacred | incomplete sketches; originally intended as 5th movement of S.690 |
| 704 | — | Requiem (on the death of Emperor Maximilian of Mexico) | vv ch ?orch | | 1867? | Choral, sacred | lost |
| 705 | — | The Creation | vv ch ?orch | | 1867? | Choral, sacred | lost |
| 706 | T45 | Benedictus | ch | | ? | Choral, sacred | unrealized project |
| 707 | — | Excelsior | ch? | | ? | Choral, sacred | unrealized project |
| 708a–708b | | Secular choral works | Secular choral works | Secular choral works | Secular choral works | Secular choral works | Secular choral works |
| 708a | L6 | Rinaldo | ten mch orch | | 1848 | Choral, secular | cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and August Conradi as S.708b |
| 708b | L6 | Rinaldo | ten mch pf | | 1848 | Choral, secular | arr. of S.708a by Liszt and August Conradi |
| 709–712 | | For orchestra | For orchestra | For orchestra | For orchestra | For orchestra | For orchestra |
| 709# | — | Salve Polonia | orch | | 1863 | Orchestral | renumbered as S.113 |
| 710 | S41 | Funeral March | orch | | 1850 | Orchestral | lost; possibly the same as S.102 or S.761 |
| 711 | S62 | Csárdás macabre | orch | | 1882? | Orchestral | lost; reconstruction by G. Darvos not based on authentic material |
| 712 | W9 | Romance oubliée | orch | | 1881 | Orchestral | arr. of S.527; Liszt's authorship doubtful |
| 713–716 | | For piano and orchestra | For piano and orchestra | For piano and orchestra | For piano and orchestra | For piano and orchestra | For piano and orchestra |
| 713/1 | S8 | Piano Concerto | pf orch | A minor | 1825? | Orchestral, piano | lost; not the same as S.713/2 |
| 713/2 | S9 | Piano Concerto | pf orch | | 1825? | Orchestral, piano | lost; not the same as S.713/1 |
| 714 | Q20 | Ungarische Zigeunerweisen [Konzert im ungarischen Stil] | pf orch | | 1885 | Orchestral, piano | formerly S. 126a; by Sophie Menter, orch. by Tchaikovsky |
| 715 | S19 | Piano Concerto (in the Italian style) | pf orch | | 1830–39? | Orchestral, piano | lost |
| 716 | — | Grande fantaisie symphonique | pf orch (?) | | ? | Orchestral, piano | Deleted; see S. 120 |
| 717–723a | | Other instrumental works | Other instrumental works | Other instrumental works | Other instrumental works | Other instrumental works | Other instrumental works |
| 717# | D2 | Trio | vn vc pf | D♭ major | 1825 | Chamber | deleted; renumbered as S. 126c |
| 718 | S11 | Quintet | 2vn va vc db? | | 1825 | Chamber | lost |
| 718a | — | Duo on Rossini's Semiramide | vn pf | | 1827 | Chamber | based on themes from the opera Semiramide by Gioachino Rossini; lost |
| 718b | — | The Fall of Paris – a Military Air with Variations | fl pf | | 1827 | Chamber | lost |
| 718c | — | Fantasia | vn pf | | 1827 | Chamber | lost |
| 718d | — | Un petit morceau | vn pf | | 1829 | Chamber | lost |
| 718e | — | Sextetto | 2vn 2va 2vc | | 1835 or earlier | Chamber | lost |
| 718f | — | Grand Fantasie on God Save the Queen and Rule Britannia | vn va vc pf | | 1841 | Chamber | arr. of S.694; doubtful |
| 719# | — | Die vier Jahreszeiten | 2vn va vc | | 1880? | Chamber | renumbered as S.692a |
| 720 | S18 | Allegro moderato | vn pf | E major | 1829 | Chamber | lost |
| 721 | S63 | Prelude | vn (+ pf?) | | 1882 | Chamber | lost |
| 722# | — | La notte | vn pf | | 1864–66 | Chamber | renumbered as S.377a |
| 723# | — | Tristia | vn vc pf | | 1880? | Chamber | renumbered as S.378a, S.378b, S.378c |
| 723a# | W6 | Postlude (on a theme from Orpheus) | ? | | 1871 | Chamber | based on S.98; now attributed to Leopold Alexander Zellner |
| 724–754 | | For piano solo | For piano solo | For piano solo | For piano solo | For piano solo | For piano solo |
| 724/1 | S3 | Rondo | pf | | 1824 | Piano | lost; possibly S.152? |
| 724/2 | S4 | Fantasia | pf | | 1824 | Piano | lost |
| 725/1 | S5 | Piano Sonata | pf | F minor | 1825 | Piano | lost; only several bars were copied down from memory later by Liszt |
| 725/2 | S6 | Piano Sonata | pf | C minor | 1825 | Piano | lost; only three bars were copied down from memory in a letter from Liszt to his mother |
| 725/3 | S7 | Piano Sonata | pf | | 1825 | Piano | lost |
| 726 | — | Etude | pf | | ? | Piano | lost |
| 726a | S23 | Valse | pf | E major | 1835 | Piano | lost |
| 727# | — | Prélude omnitonique | pf | | 1844 | Piano | renumbered as S.166e |
| 728# | — | Sospiri! | pf | | 1879 | Piano | renumbered as S.192/5 |
| 729 | — | Tantum ergo | pf | | 1869 | Piano | lost; possibly arr. of S.42 or S.702 |
| 730 | — | Dem Andenken Petöfis | pf | | 1877 | Piano | renumbered as S.195 |
| 731# | — | Valse élégiaque | pf | | 1839 | Piano | renumbered as S.210 |
| 732# | — | Valse oubliée No.4 | pf | | 1884 | Piano | renumbered as S.215/4 |
| 733# | — | Marche hongroise | pf | E♭ minor | 1844 | Piano | renumbered as S.233b |
| 734# | — | Ländler | pf | | 1879 | Piano | renumbered as S.211a |
| 735# | — | Air cosaque | pf | | 1879 | Piano | renumbered as S.249c |
| 736 | W16 | Kerepsi csárdás | pf | | ? | Piano | lost; Liszt's authorship doubtful |
| 737 | W15 | Morceaux en style de danse ancien hongrois (3) | pf | | 1850 | Piano | manuscript lost; Liszt's authorship doubtful |
| 738# | A114 | Grosse Konzertfantasie über spanische Weisen | pf | | 1844 | Piano | renamed and renumbered as S. 695c. |
| 739 | S38 | Corolian Overture | pf | | 1846–47 | Piano, arr. | arr. of Coriolan, Op.62 by Ludwig van Beethoven; lost |
| 740 | S39 | Egmont Overture | pf | | 1846–47 | Piano, arr. | arr. of the overture from the incidental music to Egmont, Op.84 by Ludwig van Beethoven; lost |
| 741 | S37 | Le carnaval romain | pf | | 1844–49? | Piano, arr. | arr. of the overture Le carnaval romain, H.95 by Hector Berlioz; lost |
| 742# | — | Duettino de La favorite | pf | | 1847 | Piano, arr. | renumbered as S.400a |
| 743 | S55 | Chœur des soldats de Faust | pf | | 1864 | Piano, arr. | arr. of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost |
| 743a | S31 | Fantaisie sur des thèmes de l'opéra Guitarero | pf | | 1841 | Piano, arr. | based on themes from the opera Guitarrero by Fromental Halévy; lost |
| 744 | S36 | Dom Sebastien (Paraphrase de concert) | pf | | 1843–44? | Piano, arr. | based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost |
| 745# | — | Marche funèbre | pf | | 1827 | Piano, arr. | renumbered as S.226a |
| 746 | — | Andante maestoso | pf | | ? | Piano, arr. | lost |
| 747 | W3 | Poco adagio | pf | | 1847? | Piano, arr. | arr. from S.9; lost; Liszt's authorship uncertain |
| 747a | — | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | pf | | 1862? | Piano, arr. | based on a theme from the opera Le prophète by Giacomo Meyerbeer; arr. from S.259 or 259a; lost; apparently never notated but performed by Liszt |
| 748 | S35 | Die Zauberflöte | pf | | 1843? | Piano, arr. | arr. of the overture to the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart; lost |
| 749 | S56 | Preussischer Armeemarsch | pf | | 1866? | Piano, arr. | arr. of an unidentified composition, attributed to "Radovsky"; lost |
| 750# | — | Introduction et variations sur une marche du Siège de Corinthe | pf | | 1830? | Piano, arr. | renumbered as S.421a |
| 751 | — | Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie) | pf | | 1839–41 | Piano, arr. | lost, but recently rediscovered; based on themes from the operas Maometto Secondo and Mosè in Egitto by Gioachino Rossini |
| 752# | S43 | Gelb rollt | pf | | 1881 | Piano, arr. | renumbered as S.554/1 |
| 753 | S42 | Alfonso und Estrella | pf | | 1850–51 | Piano, arr. | arr. of Act I of the opera Alfonso und Estrella, D.732 by Franz Schubert; lost |
| 754# | — | Seconda mazurka variata | pf | | 1880 | Piano, arr. | renumbered as S.573a |
| 755–755b | | For piano, four hands | For piano, four hands | For piano, four hands | For piano, four hands | For piano, four hands | For piano, four hands |
| 755 | S10 | Sonata | pf4h | | 1825 | Piano, 4 hands | lost |
| 755a | W10 | A magyarok Istene (Ungarns Gott) | pf4h | | 1881 | Piano, 4 hands | arr. of S.339; Liszt's authorship doubtful |
| 755b | S30 | Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie uber englische Themen) | pf4h | | 1841 | Piano, 4 hands | arr. of S.694; lost |
| 756–757 | | For two pianos | For two pianos | For two pianos | For two pianos | For two pianos | For two pianos |
| 756 | W5 | Mosonyis Grabgeleit | 2pf | | 1870 | Piano, 2 pianos | arr. of S.194; Liszt's authorship uncertain |
| 757 | S57 | Le triomphe funèbre du Tasse | 2pf | | 1866–69 | Piano, 2 pianos | arr. of S.112/3; lost |
| 758–761 | | For organ | For organ | For organ | For organ | For organ | For organ |
| 758 | S40 | Die Orgel | org | | 1850–59? | Organ | symphonic poem after Johann Gottfried Herder; lost |
| 759# | E22/2 | Adagio | org | D♭ major | 1866–67? | Organ | renumbered as S.672d/2 |
| 759a | — | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | org | | 1874-75 | Organ | based on a theme from the opera Le prophète by Giacomo Meyerbeer; 2nd version of S.259; doubtful |
| 760 | S59 | Cantico del sol di Francesco d'Assisi | org | | 1881 | Organ, arr. | arr. of S.4/2; lost |
| 761 | S51 | Marche funèbre | vc pf org | | 1860–69? | Organ, arr. | arr. of the 3rd movement from the Piano Sonata No.2, Op.35 by Frédéric Chopin |
| 762–766 | | Songs with piano | Songs with piano | Songs with piano | Songs with piano | Songs with piano | Songs with piano |
| 762 | S46 | Air de Chateaubriand | v (pf?) | | 1858 | Vocal, song | lost; possibly the same as S.18/4 |
| 763 | S47 | Strophes de Herlossohn | v pf | | 1858 | Vocal, song | lost |
| 764 | S48 | Kränze pour chant | v pf | | 1858 | Vocal, song | lost |
| 765 | S45 | Die Glöckchen | v pf | | 1857 | Vocal, song | intended as S.316/3; lost |
| 765a | S32 | L'aube naît | v pf | | 1842 | Vocal, song | lost |
| 766 | W4 | Der Papsthymnus | v pf | | 1865? | Vocal, song | Liszt's authorship doubtful |
| 767 | | Other vocal works | Other vocal works | Other vocal works | Other vocal works | Other vocal works | Other vocal works |
| 767 | W8 | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) | v org | | 1874 | Vocal | arr. of prelude from S.6; Liszt's authorship doubtful |
| 768 | | Recitations with pianoforte | Recitations with pianoforte | Recitations with pianoforte | Recitations with pianoforte | Recitations with pianoforte | Recitations with pianoforte |
| 768 | S60 | Der ewige Jude | nar pf orch | | 1881 | Vocal, recitation | melodrama to words by Christian Friedrich Daniel Schubart; lost |