# Stained glass windows by Harry Clarke

Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator. He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. His glass is distinguished by the finesse of its drawing and his use of rich colours, and an innovative integration of the window leading as part of the overall design, originally inspired by an early visit to see the stained glass of the Cathedral of Chartres. He was especially fond of deep blues. Clarke's use of heavy lines in his black-and-white book illustrations echoes his glass techniques.
Clarke's work includes both religious and secular stained glass windows. Highlights of the former include the windows of the Honan Chapel in University College Cork; of the latter, a window illustrating John Keats' The Eve of St. Agnes (now in the Hugh Lane Municipal Gallery in Dublin) and the Geneva Window (now in the Wolfsonian Museum, Miami, Florida, USA). Perhaps his most seen works were the windows he made for Bewley's Café on Dublin's Grafton Street.

## List of leaded glass windows (by Harry Clarke)

| Building | Location | Year | Details | Notes |
| Crawford Art Gallery | Cork | 1910 | The Consecration of St. Mel, Bishop of Longford | Awarded a gold medal at the 1911 National Competition in South Kensington. |
| Crawford Art Gallery | Cork | 1911 | The Godhead Enthroned | Awarded a gold medal at the 1911 National Competition in South Kensington. |
| Crawford Art Gallery | Cork | 1911 | The Meeting of St. Brendan with the Unhappy Judas | Awarded a gold medal at the 1911 National Competition in South Kensington. |
| National College of Art and Design | Dublin 8 | 1912 | The Baptism of St. Patrick | Part of six panels designed for the 1912 National Competition in South Kensington while Clarke was a student at the Dublin Metropolitan School of Art. Clarke won a gold medal in the competition, as well as first prize in the annual Royal Dublin Society's 1913 Art Industries Exhibition. |
| National Museum of Ireland – Decorative Arts and History | Dublin 7 | 1912 | The Unhappy Judas | Won a Gold Medal at the 1913 National Competition in South Kensington, as well as first prize in the annual Royal Dublin Society's 1913 Art Industries Exhibition. Acquired by the museum in 2008. |
| National Museum of Ireland – Decorative Arts and History | Dublin 7 | 1918 | A Meeting | Inspired by a ballad written by Heinrich Heine. |
| Honan Chapel, University College Cork | Cork | 1915 | St. Brigid | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1915 | St. Patrick | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1915 | St. Colmcille | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Finnbarr | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Ita | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Albert | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Gobnait | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Brendan | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Declan | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1916 | St. Joseph | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| Honan Chapel, University College Cork | Cork | 1917 | Our Lady of Sorrows | Described by critic Brian Fallon as "one of the central masterpieces of twentieth-century Irish art", describing the windows as "... hieratic, Byzantine, and so powerful and original in colour that it is hard if not impossible to think of any European equivalent to them since the Middle Ages." |
| National Gallery of Ireland | Dublin 2 | 1917 | The Song of the Mad Prince | After the 1913 poem by Walter de la Mare. Housed in a James Hicks cabinet and originally made for Clarke's patron Thomas Bodkin. Acquired by the gallery in 1987. |
| National Gallery of Ireland | Dublin 2 | 1922 | Titania Enchanting Bottom | Depicts Act IV, Scene I of Shakespeare's A Midsummer Night's Dream and mounted in a James Hicks cabinet. Acquired by the gallery in 2023 at auction for US$47,880. |
| National Gallery of Ireland | Dublin 2 | 1926 | The Mother of Sorrows | Acquired in 2002 from the Convent of Notre Dame at Dowanhill in Glasgow, Scotland. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Queens of Sheba, Meath and Connaught | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Queens men drew like Monna Lisa | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Lucrenzia Crivelli | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Queens in Glenmacnass | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Etain, Helen, Maeve, and Fand | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Bert | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Queens who cut the bogs of Glanna | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Queens who wasted the East by proxy | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1917 | Queen of all are living or have been | Nine frieze windows based on J. M. Synge's poem "Queens". The windows were commissioned by Laurence Ambrose Waldron for his house, Marino, which later became known as Abbey Lea and served as the Australian ambassador's residence. They sold at auction for UK£331,500 in 1997. |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1918 | Waldron Family Crest | Two small panels designed for Clarke's friend and patron Laurence Ambrose Waldron |
| Private Collection formerly Marino (Abbey Lea) | Killiney, Co. Dublin | 1918 | The Sun | Two small panels designed for Clarke's friend and patron Laurence Ambrose Waldron |
| St. Barrahane's Church | Castletownshend, Co. Cork | 1918 | The Nativity with the Adoration of the Kings and the Shepherds | In memory of Thomas Somerville and his wife, Henrietta Townsend of Drishane House. The tracery lights depict Sts. Brigid, Fachtna, and Barrahane. |
| St. Barrahane's Church | Castletownshend, Co. Cork | 1920 | St. Louis IX, King of France | In memory of Kendall Coghill, who died during the Indian Rebellion of 1857. |
| St. Barrahane's Church | Castletownshend, Co. Cork | 1920 | St. Martin of Tours dividing his Cloak for a Beggar | In memory of Kendall Coghill, who died during the Indian Rebellion of 1857. |
| St. Barrahane's Church | Castletownshend, Co. Cork | 1926 | St. Luke attended by Sts. Cecelia, Barrahane, and Fidelis | In memory of Sir Egerton Coghill. |
| Church of the Assumption, Bride Street | Wexford, Co. Wexford | 1919 | Madonna and Child | Together known as the "O'Keefe Memorial Window" after Lieutenant Henry O'Keefe. It was commissioned by his mother after O'Keefe died in France in May 1917 during World War I. Second window also described as Sts. Aiden and Breen$^{:305}$ |
| Church of the Assumption, Bride Street | Wexford, Co. Wexford | 1919 | Adored by Sts. Adrian and Aiden | Together known as the "O'Keefe Memorial Window" after Lieutenant Henry O'Keefe. It was commissioned by his mother after O'Keefe died in France in May 1917 during World War I. Second window also described as Sts. Aiden and Breen$^{:305}$ |
| Holy Trinity Church | Killiney, Co. Dublin | 1919 | Angel of Hope and Peace | In memory of Clifford B. Lloyd, who was killed during World War I. |
| Vincentian Fathers Church of St. Peter | Phibsborough, Dublin 7 | 1919 | Adoration of the Sacred Heart | Incorporated into the church's Chapel of Adoration. |
| Vincentian Fathers Church of St. Peter | Phibsborough, Dublin 7 | 1919 | St. Margaret Mary | Incorporated into the church's Chapel of Adoration. |
| Vincentian Fathers Church of St. Peter | Phibsborough, Dublin 7 | 1919 | St. John Eudes | Incorporated into the church's Chapel of Adoration. |
| Vincentian Fathers Church of St. Peter | Phibsborough, Dublin 7 | 1924 | Four Decorative Windows | In the Mortuary Chapel. Collages made of cullet and incorporating symbols of the passion of Christ. |
| St. Mary's Church | Nantwich, Cheshire | 1920 | Madonna and Child | The quatrefoil and trefoil windows above the main window include St. Adria, St. Clare, St. Francis of Assisi, Mary Magdalen, St. Brigid, and St. Nicholas |
| St. Mary's Church | Nantwich, Cheshire | 1920 | St. Cecelia | The quatrefoil and trefoil windows above the main window include St. Adria, St. Clare, St. Francis of Assisi, Mary Magdalen, St. Brigid, and St. Nicholas |
| St. Mary's Church | Nantwich, Cheshire | 1920 | Richard Cœur de Lion | The quatrefoil and trefoil windows above the main window include St. Adria, St. Clare, St. Francis of Assisi, Mary Magdalen, St. Brigid, and St. Nicholas |
| Brian Clarke Collection of Stained Glass | London | 1921 | Bluebeard's Last Wife | Panel mounted in a James Hicks cabinet. Acquired at auction in 2021 for €165,000. |
| St. Mary's Church | Sturminster Newton, Dorset | 1921 | Our Lady and child | Tracery lights above the window contain a quatrefoil of the St. George cross and four angels |
| St. Mary's Church | Sturminster Newton, Dorset | 1921 | St. Elizabeth of Hungary | Tracery lights above the window contain a quatrefoil of the St. George cross and four angels |
| St. Mary's Church | Sturminster Newton, Dorset | 1921 | St. Barbara | Tracery lights above the window contain a quatrefoil of the St. George cross and four angels |
| Christ Church | Gorey, Co. Wexford | 1922 | St. Stephen | In memory of Percival Lea-Wilson. A 1920 Joshua Clarke & Sons window in the church is also dedicated to Lea-Wilson. |
| Christ Church | Gorey, Co. Wexford | 1923 | St. Martin of Tours | |
| Christ Church | Gorey, Co. Wexford | 1923 | St. Luke | |
| Christ Church | Gorey, Co. Wexford | 1923 | Rose Window | Designed by Clarke but completed by Harry Clarke Studio. |
| Hugh Lane Gallery | Dublin 1 | 1923 | The Eve of St. Agnes | Illustration of John Keats's poem of the same name. Across two panels, the window includes 14 scenes from the poem, along with two semi-circular decorative panels at the top and a frieze below. Excerpts from the poem label each of the scenes. Originally created for George N. Jacob's home on Ailesbury Road in Dublin, James Hicks built wooden slips to hold the window. After Jacob's death, his son, Harold, moved the windows to his house in Foxrock, Co. Dublin. In 1949, the panels were acquired by Richard King and placed into storage until they were acquired in the late 1970s by the Hugh Lane Gallery for IR£20,000. |
| Hugh Lane Gallery | Dublin 1 | 1930 | Mr. Gilhooley | Based on a work of the same name by Liam O'Flaherty. It is the original panel from the Geneva Window, but a second panel was made due to a crack in the figure's neck. It was acquired by the gallery in 2015 from the Fine Art Society, London, for UK£35,000. |
| Church of St. Peter & St. Paul | Balbriggan, Co. Dublin | 1924 | The Visitation | Commissioned in 1923 by Canon Byrne of Balbriggan and completed for a cost of IR£116. The Widow's Son depicts the raising of the son of the widow of Nain from the Gospel of Luke. |
| Church of St. Peter & St. Paul | Balbriggan, Co. Dublin | 1924 | The Widow's Son | Commissioned in 1923 by Canon Byrne of Balbriggan and completed for a cost of IR£116. The Widow's Son depicts the raising of the son of the widow of Nain from the Gospel of Luke. |
| St. Joseph's Church | Terenure, Dublin 6 | 1922 | The Annunciation | |
| St. Joseph's Church | Terenure, Dublin 6 | 1923 | Our Lady Queen of Heaven | Described as 'Adoration of the Cross'$^{:166}$ |
| St. Stephens Cathedral | Brisbane, Queensland | 1923 | The Ascension | Commissioned by Archbishop Sir James Duhig. Inscribed to the memory of Isaac and William Mayne. |
| Burrell Collection | Glasgow | 1932 | The Coronation of the Blessed Virgin | Originally made for the Convent of Notre Dame at Dowanhill in Glasgow, Scotland. Purchased by Glasgow Museums in 2002 for UK£132,000.$^{:253–255}$ |
| Chapel of the Sacred Heart | Dingle, Co. Kerry | 1924 | The Visit of the Magi | The 12 windows cover six scenes from the life of Jesus. The chapel is now under the ownership of the Díseart Centre of Irish Spirituality and Culture. |
| Chapel of the Sacred Heart | Dingle, Co. Kerry | 1924 | The Baptism of Jesus | The 12 windows cover six scenes from the life of Jesus. The chapel is now under the ownership of the Díseart Centre of Irish Spirituality and Culture. |
| Chapel of the Sacred Heart | Dingle, Co. Kerry | 1924 | Let the little children come to me | The 12 windows cover six scenes from the life of Jesus. The chapel is now under the ownership of the Díseart Centre of Irish Spirituality and Culture. |
| Chapel of the Sacred Heart | Dingle, Co. Kerry | 1924 | The Sermon on the Mount | The 12 windows cover six scenes from the life of Jesus. The chapel is now under the ownership of the Díseart Centre of Irish Spirituality and Culture. |
| Chapel of the Sacred Heart | Dingle, Co. Kerry | 1924 | The Agony in the Garden | The 12 windows cover six scenes from the life of Jesus. The chapel is now under the ownership of the Díseart Centre of Irish Spirituality and Culture. |
| Chapel of the Sacred Heart | Dingle, Co. Kerry | 1924 | Jesus appears to Mary Magdalene | The 12 windows cover six scenes from the life of Jesus. The chapel is now under the ownership of the Díseart Centre of Irish Spirituality and Culture. |
| Church of Sacred Heart | Donnybrook, Dublin 4 | 1924 | St. Rita | The Clarke panels flank a third light, Sorrowful Mother of Christ, by William McBride. |
| Church of Sacred Heart | Donnybrook, Dublin 4 | 1924 | St. Bernard of Clairvaux | The Clarke panels flank a third light, Sorrowful Mother of Christ, by William McBride. |
| Eneriley and Kilbride Church of Ireland | Arklow, Co. Wicklow | 1924 | Resurrection window | Clarke is also credited with a small, abstract window in the North transept over the door. |
| St. Mary's Roman Catholic Church | Castletown | 1924 | The Annunciation | Variously attributed to Clarke and to the Clarke Brothers. |
| St. Mary's Roman Catholic Church | Castletown | 1924 | The Resurrection | Variously attributed to Clarke and to the Clarke Brothers. |
| St. MacCullin's Parish Church | Lusk, Co. Dublin | 1924 | Dempsey Memorial Lancet Window of St. Maculind | The artist's self-portrait among the afflicted |
| St. Michael and St. John | Cloughjordan, Co. Tipperary | 1924 | The Ascension with five Irish saints and St. Michael and St. James | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Brendan at the helm of his boat | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Malachy | Also known as St. Maol M'Aodhog |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Kevin in his cave at Glendalough | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Laurence O'Toole in the ancient city of Dublin | Also known as Lorcon |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Colmcille | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Duileach | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Damhnait | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Brigid | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Eithne and St. Fedhlim | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Gobnait | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Patrick | |
| Chapel of the Novitiate of the Oblate Fathers of St. Mary Immaculate, Belcamp College | Balgriffin, Dublin 17 | 1925 | St. Oliver Plunkett | |
| Richard Townley Suite, Ashdown Park Hotel | Wych Cross, East Sussex | 1925 | Scenes from the life of Mary | The eight windows were designed for the chancel of the Chapel of Our Lady at the Convent of Notre Dame. The deconsecrated chapel is now the hotel's Richard Townley Suite. |
| St. John the Baptist Church Duhill | Castlegrace, Co. Tipperary | 1925 | Salomé receiving the head of John the Baptist | The windows memorialise Margaret Byrne of Ashgrove and her brothers: Rev. John Moran of Ballyduff, Rev. Thomas Moran of Newcastle and James Moran of Ballyknockane. |
| St. John the Baptist Church Duhill | Castlegrace, Co. Tipperary | 1925 | The Apparition at Lourdes | The windows memorialise Margaret Byrne of Ashgrove and her brothers: Rev. John Moran of Ballyduff, Rev. Thomas Moran of Newcastle and James Moran of Ballyknockane. |
| St. Michael's Catholic Church | Ballinasloe, Co. Galway | 1925 | Sts. Patrick and Rose of Lima | Clarke also designed a mural, Our Lady, St. John and two angels attending the Trinity (1924), for the church. |
| St. Joseph's Church$^{:94}$ | Carrickmacross, Co. Monaghan | 1925 | St. Ceara | Designed and partially constructed by Clarke. |
| St. Joseph's Church$^{:94}$ | Carrickmacross, Co. Monaghan | 1925 | St. Dympna | Harry Clarke Studio under supervision by Clarke. Additional Harry Clarke Studio windows are present in the church, too. |
| St. Joseph's Church$^{:94}$ | Carrickmacross, Co. Monaghan | 1925 | Sts. Macartan and Tigernach | Harry Clarke Studio under supervision by Clarke. Additional Harry Clarke Studio windows are present in the church, too. |
| St. Joseph's Church$^{:94}$ | Carrickmacross, Co. Monaghan | 1925 | Sts. Fachnea and Enda | Harry Clarke Studio under supervision by Clarke. Additional Harry Clarke Studio windows are present in the church, too. |
| Chapel of the Noel Family | Exton Park, Rutland | 1926 | Blessed Oliver Plunkett and Blessed Thomas More | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | St. Fursey and St. Fechin | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | St. Colman and St. Brendan | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | St. Gormgall and St. Kieran | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | St. Enda and St. Jarleth | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | Assumption and Coronation of Blessed Virgin Mary | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | Presentation in the Temple and Immaculate Conception | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | Ecce Homo and Magdalen in the Garden | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | Baptism of Christ and Ascension | |
| St. Mary's Church | Ballinrobe, Co. Mayo | 1926 | St. Patrick, St. Brigid and St. Colmcille | |
| St. Patrick's Church | Donabate, Co. Dublin | 1926 | Suffer little Children to come unto me | |
| Dominican Convent Chapel | Belfast | 1927 | Rose Window | |
| Killaloe Church | Killaloe, Co. Clare | 1927 | The Presentation of Our Lord | |
| Killaloe Church | Killaloe, Co. Clare | 1927 | Annunciation and Flight into Egypt | |
| St. Patrick's at Carnalway | Kilcullen, Co. Kildare | 1922 | St. Hubert | Commissioned by George A. Birmingham in memory of Percy and Lady Annette La Touche. In 2006, An Post used an image of the window on its stamp marking the 75th anniversary of Clarke's death. |
| Sandford Road Church | Ranelagh, Dublin 6 | 1927 | St. Paul with the Conversion of St. Paul in predella | The head of St. Peter is not original. |
| Sandford Road Church | Ranelagh, Dublin 6 | 1927 | St. Peter with St. Peter's Denial in predella | The head of St. Peter is not original. |
| St. Patrick's Church | Newport, Co. Mayo | 1927 | Last Judgement | |
| The Stained Glass Museum, Ely Cathedral | Ely, Cambridgeshire | 1927 | St. Wilfred and St. John Berchmans with the Presentation of our Lady in the Temple in lower panel | Originally made for the Convent of Notre Dame at Dowanhill in Glasgow, Scotland. Acquired by the museum in 1998. |
| Christ the King Church Tullycross | Renvyle, Co. Galway | 1927 | St. Bernard | Purported to have been commissioned by Oliver St. John Gogarty. |
| Christ the King Church Tullycross | Renvyle, Co. Galway | 1927 | St. Barbara | Purported to have been commissioned by Oliver St. John Gogarty. |
| Christ the King Church Tullycross | Renvyle, Co. Galway | 1927 | Apparition of the Sacred Heart | Purported to have been commissioned by Oliver St. John Gogarty. |
| Destroyed during World War II formerly All Saints Church | Penarth, Cardiff | 1928 | The aged Simeon holding the infant Jesus | Both windows were destroyed in 1941 (or possibly as late as 1943) when the church was hit by a German air raid during World War II. |
| Destroyed during World War II formerly All Saints Church | Penarth, Cardiff | 1930 | St. Michael and the Giving of the Laws to Moses, with St. Gabriel and the Annunciation | Both windows were destroyed in 1941 (or possibly as late as 1943) when the church was hit by a German air raid during World War II. |
| Bewley's Café, 78 Grafton Street | Dublin 2 | 1928 | Decorative windows | |
| Our Lady's Hospice | Harold's Cross, Dublin 6 | 1928 | Sacred Heart | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated in 1986. |
| Our Lady's Hospice | Harold's Cross, Dublin 6 | 1928 | St. Joseph and Our Lady | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated in 1986. |
| St. Brigid's Church of Ireland | Castleknock, Dublin 15 | 1928 | St. Luke | The three tracery lights depict motifs from the cosmos. |
| St. Brigid's Church of Ireland | Castleknock, Dublin 15 | 1928 | St. George | The three tracery lights depict motifs from the cosmos. |
| St. Brigid's Church of Ireland | Castleknock, Dublin 15 | 1928 | St. Hubert | The three tracery lights depict motifs from the cosmos. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | St. Brendan | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | St. Patrick | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | St. Benignus | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | St. Peter | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | St. Paul | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | St. Ignatius of Loyola | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| St. Mary's Church of the Assumption | Tullamore, Co. Offaly | 1928 | Christ's Wounds | Windows originally designed for Rathfarnham Castle$^{:297}$ Relocated to Tullamore in 1986. |
| Cathedral of St. Eunan and St. Columba | Letterkenny, Co. Donegal | 1929 | 10 clerestory windows | |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | St. Peter | The 14 windows include the Stations of the Cross1. Jesus is condemned to death |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | St. Paul | 2. Jesus takes up his cross |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle Andrew | 3. Jesus falls the first time |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle James | 4. Jesus Meets His Mother |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | John the Evangelist | 5. Simon helps Jesus to carry the cross |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle Philip | 6. Veronica wipes the face of Jesus |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle Bartholomew | 7. Jesus falls the second time |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle Thomas (Doubting Thomas) | 8. The women of Jerusalem weep for Jesus |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle Matthew (Levi) | 9. Jesus falls the third time |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle James, son of Alphaeus | 10. Jesus is stripped of his clothes |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | St. Jude | 11. Jesus is nailed to the cross |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Apostle Simon the Zealot | 12. Jesus dies on the cross |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | St. Matthias | 13. The body of Jesus is taken from the cross |
| St. Patrick's Purgatory | Lough Derg, Co. Donegal | 1929 | Mary, Queen of the Apostles | 14. The body of Jesus is laid in the tomb |
| Everard Memorial Chapel, MIC, St. Patrick's Campus | Thurles, Co. Tipperary | 1929 | St. Thomas Aquinas | Commissioned by Very Revd. N Cooke, president of the college at the time, with donations from past presidents. Total cost was IR£436.10 |
| Everard Memorial Chapel, MIC, St. Patrick's Campus | Thurles, Co. Tipperary | 1929 | St. Columkille | Commissioned by Very Revd. N Cooke, president of the college at the time, with donations from past presidents. Total cost was IR£436.10 |
| Everard Memorial Chapel, MIC, St. Patrick's Campus | Thurles, Co. Tipperary | 1929 | St. Columbanus | Commissioned by Very Revd. N Cooke, president of the college at the time, with donations from past presidents. Total cost was IR£436.10 |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Stole | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Cross | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Thurible | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Wine and Watery | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Chasuble | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Maniple | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Candle | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Ciborium | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Book | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Vincent de Paul Catholic Church | Bayonne, New Jersey | 1929 | Angel with Ciborium | A total of 40 windows were commissioned for the church, and Clarke completed designs and color schemes for the nine chancel windows by October 1928 and installed in 1929. Harry Clark Studios continued to work on the commission after Clarke's death. |
| St. Michael & All Angels | Waterford, Hertfordshire | 1929 | St. Cecilia and a Listening Angel | Designed by Clark in 1921, but initially rejected by the church's Diocesan Advisory Committee because it was not in line with the existing windows by Edward Burne-Jones, William Morris, and Ford Madox Brown. Completed in 1929 by Karl Parsons from Clarke's drawings. |
| Church of the Nativity of the Blessed Virgin Mary | Timoleague, Co. Cork | 1929–30 | Holy Family and Flight into Egypt | Some sources attribute the windows to Clarke himself. The design drawings held at Trinity Library attribute them to Studio artists Cecil Simmonds and William J. Dowling, although Richard King may also have collaborated on them. |
| Church of the Nativity of the Blessed Virgin Mary | Timoleague, Co. Cork | 1929–30 | Coronation of the Virgin | Some sources attribute the windows to Clarke himself. The design drawings held at Trinity Library attribute them to Studio artists Cecil Simmonds and William J. Dowling, although Richard King may also have collaborated on them. |
| Church of the Nativity of the Blessed Virgin Mary | Timoleague, Co. Cork | 1929–30 | Assumption | Some sources attribute the windows to Clarke himself. The design drawings held at Trinity Library attribute them to Studio artists Cecil Simmonds and William J. Dowling, although Richard King may also have collaborated on them. |
| Church of the Nativity of the Blessed Virgin Mary | Timoleague, Co. Cork | 1929–30 | Christ meets his mother | Some sources attribute the windows to Clarke himself. The design drawings held at Trinity Library attribute them to Studio artists Cecil Simmonds and William J. Dowling, although Richard King may also have collaborated on them. |
| Church of the Nativity of the Blessed Virgin Mary | Timoleague, Co. Cork | 1929–30 | Miracle of Cana | Some sources attribute the windows to Clarke himself. The design drawings held at Trinity Library attribute them to Studio artists Cecil Simmonds and William J. Dowling, although Richard King may also have collaborated on them. |
| Church of the Nativity of the Blessed Virgin Mary | Timoleague, Co. Cork | 1929–30 | Death of St. Joseph | Some sources attribute the windows to Clarke himself. The design drawings held at Trinity Library attribute them to Studio artists Cecil Simmonds and William J. Dowling, although Richard King may also have collaborated on them. |
| Wolfsonian-FIU | Miami Beach, Florida | 1930 | Geneva Window | Commissioned by the Irish Free State government for the League of Nations' International Labour Building in Geneva, but rejected for being "too provocative" and "unrepresentative". It was first installed in Government Buildings on Merrion Square before being purchased by Clarke's widow, Margaret, in 1933 for its original cost of IR£450. The window was exhibited at the Hugh Lane Gallery in Dublin and by the Fine Art Society in London before being acquired by Mitchell Wolfson Jr. in 1988. |
| Private Collection formerly St. Patrick's Church, Trim | Trim, Co. Meath | 1930 | The Ascension | Commissioned by Lady Dillon of Longworth Hall in Hereford in February 1929 for Lismullen Church in Skryne, Co. Meath. In 1964, the window was relocated to the Cathedral Church of St Patrick in Trim, Co. Meath. In 2006, it was purchased at auction by a private collector. |
| St. Cuthbert's Catholic Church | Durham, Durham | 1931 | St. William of York, St. Cuthbert, Blessed Thomas Percy, the English Martyrs, St. Bede | Known as the Canon Brown Window, it was paid for by a parishioners in memory of Canon Brown who served as parish priest from 1887 to 1924. The window underwent a major restoration in 2013 by Iona Art Glass. |