# Merchant Ivory Productions

Merchant Ivory Productions is a film company founded in 1961 by producer Ismail Merchant (1936–2005) and director James Ivory (b. 1928). Merchant and Ivory were life and business partners from 1961 until Merchant's death in 2005. During their time together, they made 44 films. The films were for the most part produced by Merchant and directed by Ivory, and 23 of them were scripted by Ruth Prawer Jhabvala (1927–2013) in some capacity. The films were often based upon novels or short stories, particularly the work of Henry James, E. M. Forster, and Jhabvala herself.
The initial goal of the company was "to make English-language films in India aimed at the international market". The style of Merchant Ivory films set and photographed in India became iconic. The company also went on to make films in the United Kingdom and America.
Some actors and producers associated with Merchant Ivory include Maggie Smith, Leela Naidu, Madhur Jaffrey, Aparna Sen, Shashi Kapoor, Jennifer Kendal, Hugh Grant, James Wilby, Rupert Graves, Simon Callow, Anthony Hopkins, Glenn Close, Uma Thurman, Emma Thompson, Vanessa Redgrave, Natasha Richardson, Ralph Fiennes, Colin Firth, Richard Hawley and Helena Bonham Carter.
Of this collaboration, Merchant once commented: "It is a strange marriage we have at Merchant Ivory... I am an Indian Muslim, Ruth is a German Jew, and Jim is a Protestant American. Someone once described us as a three-headed god. Maybe they should have called us a three-headed monster!"
The expression "Merchant–Ivory film" has made its way into common parlance, to denote a particular genre of film rather than the actual production company. While 1965's Shakespeare Wallah put this genre on the international map, its heyday was the 1980s and 1990s with such films as A Room with a View (1985) and Howards End (1992). A typical "Merchant–Ivory film" would be a period piece, based on a classic novel, set in the early 20th century, usually in Edwardian England, featuring lavish sets and top British actors portraying genteel characters who suffer from disillusionment and tragic entanglements. The main theme often surrounded a house, which took on a particular importance in many Merchant Ivory films.

## History

Merchant Ivory Productions was founded in 1961 by Ismail Merchant and James Ivory in India to produce English language films.
After early, modest successes with films such as The Householder, Shakespeare Wallah, and Bombay Talkie, Merchant and Ivory suffered a lean period during the 1970s. Films such as Jane Austen in Manhattan and The Wild Party failed to find an audience. Their fortunes revived dramatically in 1979 when they made an adaptation of Henry James' novel The Europeans. Their film Heat and Dust (1983) was an art-house hit in Europe, particularly in England. However, it was not until their work together on A Room with a View (1985) that they broke out from the art house into broader success.
In 1985, Merchant Ivory Productions was signed by film distributor Cinecom International Films in order to gave Cinecom access to the 11 Merchant Ivory productions at that time as Cinecom had to increase its distribution schedule. In 1986, Merchant Ivory and Cinecom begin their co-production lineup with the film The Deceivers. In 1987, after 25 years as an independent producer, Merchant Ivory Productions declined offers by Hollywood power brokers and deep-pocketed investors, mesmerized by the success of the triple-Oscar winning A Room with a View, to take the company public.
Around 1990, they moved their productions to England and the United States. Ruth Prawer Jhabvala became their frequent collaborating writer. Major film studios sought them out; Disney signed Merchant Ivory Productions to a three-year distribution deal in 1991.
In October 2015, Cohen Media Group acquired the Merchant Ivory brand and library, 21 films and 9 documentaries including worldwide distribution, for restoration and rerelease as a part of the Cohen Film Collection. Ivory would be creative director on the films' restoration, re-release and promotion.

## Members
### James Ivory

Ivory was known for often directing the productions. He received three Academy Award nominations for his work but never won. He received his first Oscar at the age of 89 for his screenplay for Call Me by Your Name, becoming the oldest person to win an Oscar for writing.
Academy Awards
| Year | Film | Category | Result |
| 1986 | A Room with a View | Best Director | Nominated |
| 1993 | Howards End | Best Director | Nominated |
| 1994 | The Remains of the Day | Best Director | Nominated |
| 2018 | Call Me by Your Name | Best Adapted Screenplay | Won |

### Ismail Merchant

Merchant was known for producing the films. Despite four nominations, he never won.
Academy Awards
| Year | Film | Category | Result |
| 1960 | The Creation of a Woman | Live Action Short Film | Nominated |
| 1986 | A Room with a View | Best Picture | Nominated |
| 1993 | Howards End | Best Picture | Nominated |
| 1994 | The Remains of the Day | Best Picture | Nominated |

### Ruth Prawer Jhabvala

Jhabvala was known for adapting the screenplays. She received three nominations, with two wins.
Academy Awards
| Year | Film | Category | Result |
| 1986 | A Room with a View | Best Adapted Screenplay | Won |
| 1993 | Howards End | Best Adapted Screenplay | Won |
| 1994 | The Remains of the Day | Best Adapted Screenplay | Nominated |

### Richard Hawley

Hawley started in 1987 as Ivory's first assistant director on Slaves of New York. He was involved in every project to some degree thereafter. In 1994, he started co-running the company with Merchant and departed in 2009 after completion of The City of Your Final Destination.
| Year | Film | Involvement |
| 1989 | Slaves of New York | First assistant director |
| 1995 | Jefferson in Paris | First assistant director Unit production manager |
| 1996 | The Proprietor | Associate producer |
| 1998 | Side Streets | Executive producer |
| 1998 | A Soldier's Daughter Never Cries | Executive producer First assistant director Unit production manager (USA) |
| 1999 | Cotton Mary | Producer North American distribution executive |
| 2000 | The Golden Bowl | Executive producer |
| 2001 | The Mystic Masseur | Producer |
| 2003 | Le Divorce | Co-producer |
| 2005 | Heights | Producer Soundtrack producer |
| 2005 | The White Countess | Co-producer Music producer |
| 2009 | The City of Your Final Destination | Co-producer Production manager |

## Filmography

Compiled works from Merchant Ivory Productions.
| Year | Title | Director | Producer | Screenwriter | Source Material | Other notes |
| 1963 | The Householder | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | adapted from the novel of the same name by Jhabvala | the first Merchant Ivory adaptation of a novel by Jhabvala |
| 1965 | Shakespeare Wallah | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | original story |
| 1969 | The Guru | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala and James Ivory | original story |
| 1969 | The Night of Counting the Years | Shadi Abdel Salam | Roberto Rossellini | Shadi Abdel Salam | original story | the first Merchant Ivory film without Merchant, Ivory, or Jhabvala |
| 1970 | Bombay Talkie | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | original story |
| 1972 | Savages | James Ivory | Ismail Merchant, Joseph J.M. Saleh (executive), and Anthony Korner (associate) | George W. S. Trow and Michael O'Donoghue | based on an idea by James Ivory |
| 1975 | The Wild Party | James Ivory | Ismail Merchant | Walter Marks | based on the poem by Joseph Moncure March |
| 1975 | Autobiography of a Princess | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | original story |
| 1977 | Roseland | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | original story | anthology film |
| 1978 | Hullabaloo Over Georgie and Bonnie's Pictures | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | original story | TV film |
| 1979 | The Europeans | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by Henry James | the first Merchant Ivory adaptation of a novel by James |
| 1980 | Jane Austen in Manhattan | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | Libretto "Sir Charles Grandison" by Jane Austen & Samuel Richardson, based on the play "Sir Charles Grandison, or The Happy Man" by Austen |
| 1981 | Quartet | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by Jean Rhys |
| 1983 | The Courtesans of Bombay | Ismail Merchant | Ismail Merchant | Ismail Merchant, James Ivory, and Ruth Prawer Jhabvala | original story | TV film |
| 1983 | Heat and Dust | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by Jhabvala | the second Merchant Ivory adaptation of a novel by Jhabvala |
| 1984 | The Bostonians | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by Henry James | the second Merchant Ivory adaptation of a novel by James |
| 1985 | A Room with a View | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by E. M. Forster | the first Merchant Ivory adaptation of a novel by Forster |
| 1986 | My Little Girl | Connie Kaiserman | Ismail Merchant (executive producer), Thomas F. Turley (line producer) | Connie Kaiserman and Nan Mason | original story |
| 1987 | Maurice | James Ivory | Ismail Merchant | James Ivory and Kit Hesketh-Harvey | based on the novel by E. M. Forster | the second Merchant Ivory adaptation of a novel by Forster |
| 1988 | The Deceivers | Nicholas Meyer | Ismail Merchant | Michael Hirst | based on the novel by John Masters |
| 1988 | The Perfect Murder | Zafar Hai | Ismail Merchant | H. R. F. Keating and Zafar Hai | based on the novel by Keating |
| 1989 | Slaves of New York | James Ivory | Ismail Merchant, Gary Hendler, Fred Hughes (associate), and Vincent Fremont (associate) | Tama Janowitz | based on a collection of stories by Janowitz |
| 1990 | Mr. & Mrs. Bridge | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on Mrs. Bridge and Mr. Bridge by Evan S. Connell |
| 1991 | The Ballad of the Sad Café | Simon Callow | Ismail Merchant | Michael Hirst | based on the play by Edward Albee adapted from the novel by Carson McCullers |
| 1991 | Street Musicians of Bombay | Richard Robbins | Wahid Chowhan, Ismail merchant (executive, uncredited), Shahnaz Vahanvaty (associate) | n/a | original story | documentary |
| 1992 | Howards End | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by E.M. Forster | the third adaptation of a novel by Forster |
| 1993 | In Custody | Ismail Merchant | Wahid Chowhan, Paul Bradley (executive), and Donald Rosenfeld (executive) | Shahrukh Husain and Anita Desai | based on the novel by Desai |
| 1993 | The Remains of the Day | James Ivory | Ismail Merchant, Mike Nichols, and John Calley | Ruth Prawer Jhabvala and Harold Pinter (uncredited) | based on the novel by Kazuo Ishiguro |
| 1995 | Feast of July | Christopher Menaul | Henry Herbert, Christopher Neame, Ismail Merchant (executive) and Paul Bradley (executive) | Christopher Neame | based on the novel by H. E. Bates |
| 1995 | Jefferson in Paris | James Ivory | Ismail Merchant, Humbert Balsan, Paul Bradley and Donald Rosenfeld | Ruth Prawer Jhabvala | historical fiction |
| 1996 | The Proprietor | Ismail Merchant | Humbert Balsan and Donald Rosenfeld | Jean-Marie Besset and George W. S. Trow | original story |
| 1996 | Surviving Picasso | James Ivory | Ismail Merchant and David L. Wolper | Ruth Prawer Jhabvala | based on the book Picasso: Creator and Destroyer by Arianna Huffington |
| 1998 | Side Streets | Tony Gerber | Bruce Weiss, Ismail Merchant (executive), Tom Borders (executive), and Gregory Cascante (executive) | Tony Gerber and Lynn Nottage | original story |
| 1998 | A Soldier's Daughter Never Cries | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by Kaylie Jones |
| 1999 | Cotton Mary | Ismail Merchant and Madhur Jaffrey | Nayeem Hafizka, Richard Hawley, Paul Bradley (executive), and Gil Donaldson (associate) | Alexandra Viets | original story |
| 2000 | The Golden Bowl | James Ivory | Ismail Merchant | Ruth Prawer Jhabvala | based on the novel by Henry James | the third Merchant Ivory adaptation of a novel by James |
| 2001 | The Mystic Masseur | Ismail Merchant | Nayeem Haffizka and Richard Hawley | Caryl Phillips | based on the novel by V. S. Naipaul |
| 2002 | Merci Docteur Rey | Andrew Litvack | Ismail Merchant | Andrew Litvack | original story |
| 2003 | Le Divorce | James Ivory | Ismail Merchant and Michael Schiffer | James Ivory and Ruth Prawer Jhabvala | based on the novel by Diane Johnson |
| 2005 | Heights | Chris Terrio | Richard Hawley, James Ivory, and Ismail Merchant | Amy Fox and Chris Terrio | original story by Fox |
| 2005 | The White Countess | James Ivory | Ismail Merchant | Kazuo Ishiguro | original story | Ismail Merchant's final film |
| 2007 | Before the Rains | Santosh Sivan | Mark Burton, Paul Hardart, Tom Hardart, Doug Mankoff, and Andrew Spaulding | Cathy Rabin | adapted from the "Red Roofs" segment of the film Yellow Asphalt, written and directed by Danny Verete | the only remake by Merchant Ivory and the last Merchant Ivory film made without James Ivory or Ruth Prawer Jhabvala |
| 2009 | The City of Your Final Destination | James Ivory | Paul Bradley and Pierre Proner | Ruth Prawer Jhabvala | based the novel by Peter Cameron | the final Merchant Ivory film |

## Academy Award wins and nominations

| Year | Category | Nominee | Project | Result |
| 1979 | Best Costume Design | Judy Moorcroft | The Europeans | Nominated |
| 1984 | Best Actress | Vanessa Redgrave | The Bostonians | Nominated |
| 1984 | Best Costume Design | Jenny Beavan and John Bright | The Bostonians | Nominated |
| 1986 | Best Picture | Ismail Merchant | A Room with a View | Nominated |
| 1986 | Best Director | James Ivory | A Room with a View | Nominated |
| 1986 | Best Supporting Actor | Denholm Elliott | A Room with a View | Nominated |
| 1986 | Best Supporting Actress | Maggie Smith | A Room with a View | Nominated |
| 1986 | Best Adapted Screenplay | Ruth Prawer Jhabvala | A Room with a View | Won |
| 1986 | Best Cinematography | Tony Pierce-Roberts | A Room with a View | Nominated |
| 1986 | Best Production Design | Gianni Quaranta, Brian Ackland-Snow, Brian Savegar and Elio Altamura | A Room with a View | Won |
| 1986 | Best Costume Design | Jenny Beavan and John Bright | A Room with a View | Won |
| 1987 | Best Costume Design | Jenny Beavan and John Bright | Maurice | Nominated |
| 1990 | Best Actress | Joanne Woodward | Mr. & Mrs. Bridge | Nominated |
| 1992 | Best Picture | Ismail Merchant | Howards End | Nominated |
| 1992 | Best Director | James Ivory | Howards End | Nominated |
| 1992 | Best Actress | Emma Thompson | Howards End | Won |
| 1992 | Best Supporting Actress | Vanessa Redgrave | Howards End | Nominated |
| 1992 | Best Adapted Screenplay | Ruth Prawer Jhabvala | Howards End | Won |
| 1992 | Best Cinematography | Tony Pierce-Roberts | Howards End | Nominated |
| 1992 | Best Production Design | Gianni Quaranta, Brian Ackland-Snow, Brian Savegar and Elio Altamura | Howards End | Won |
| 1992 | Best Costume Design | Jenny Beavan and John Bright | Howards End | Nominated |
| 1992 | Best Original Score | Richard Robbins | Howards End | Nominated |
| 1993 | Best Picture | Ismail Merchant | The Remains of the Day | Nominated |
| 1993 | Best Director | James Ivory | The Remains of the Day | Nominated |
| 1993 | Best Actor | Anthony Hopkins | The Remains of the Day | Nominated |
| 1993 | Best Actress | Emma Thompson | The Remains of the Day | Nominated |
| 1993 | Best Adapted Screenplay | Ruth Prawer Jhabvala | The Remains of the Day | Nominated |
| 1993 | Best Production Design | Gianni Quaranta, Brian Ackland-Snow, Brian Savegar and Elio Altamura | The Remains of the Day | Nominated |
| 1993 | Best Costume Design | Jenny Beavan and John Bright | The Remains of the Day | Nominated |
| 1993 | Best Original Score | Richard Robbins | The Remains of the Day | Nominated |

## Footnotes

* ↑ "Ismail Merchant" Archived 21 November 2008 at archive.today, The Times, 26 May 2005.
* ↑ Kaur, Harmanpreet. "The Wandering Company: Merchant-Ivory Productions and Post-Colonial Cinema" Archived 10 June 2013 at the Wayback Machine, Projectorhead Film Magazine, 10 January 2013.
* ↑ LaSalle, Mick. "Merchant-Ivory's final film a refined delight. Naturally" Archived 25 May 2011 at the Wayback Machine, San Francisco Chronicle, 13 January 2006.
* ↑ Ebert, Roger. "Ismail Merchant: In Memory" Archived 16 July 2012 at the Wayback Machine, 26 May 2005.
* ↑ Fristoe, Roger. "Introduction to 50 Years of Merchant Ivory". Turner Classic Movies. Archived from the original on 26 March 2016. Retrieved 15 March 2019.
* 1 2 3 4 5 McNary, Dave (12 October 2015). "'Howards End,' Merchant Ivory Library Bought by Cohen Media Group". Variety. Archived from the original on 15 April 2017. Retrieved 15 March 2019.
* ↑ Robbins, Jim (10 July 1985). "Cinecom Acquires Ancillary Sales Rights to 11 Merchant Ivory Pics". Variety. p. 4.
* ↑ Cohn, Lawrence (12 March 1986). "Merchant Ivory, Cinecom Teaming On Coproductions". Variety. p. 5.
* ↑ Gold, Richard (22 April 1987). "Merchant Ivory Resists Offers From Hollywood To Go Public". Variety. pp. 4, 7.
* 1 2 3 "Ismail Merchant". Telegraph Obituaries. 25 May 2005. Archived from the original on 21 January 2019. Retrieved 15 March 2019.
* ↑ "Disney Buys Miramax In Leap Toward Industry Lead – 60 Movies A Year Goal For Studio". Seattle Times. AP. 1 May 1993. Archived from the original on 13 April 2019. Retrieved 15 March 2019.
* ↑ "52nd Academy Awards". Oscars.org. March 2022. Retrieved 27 February 2024.
* ↑ "57th Academy Awards". Oscars.org. 5 October 2014. Retrieved 27 February 2024.
* ↑ "59th Academy Awards". Oscars.org. 28 January 2022. Retrieved 27 February 2024.
* ↑ "60th Academy Awards". Oscars.org. 4 December 2015. Retrieved 27 February 2024.
* ↑ "63rd Academy Awards". Oscars.org. 4 October 2014. Retrieved 27 February 2024.
* ↑ "64th Academy Awards". Oscars.org. 4 October 2014. Retrieved 27 February 2024.
* ↑ "65th Academy Awards". Oscars.org. 4 October 2014. Retrieved 27 February 2024.