# Band Aid (band)

Band Aid is a charity supergroup featuring mainly British and Irish musicians and recording artists. It was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song "Do They Know It's Christmas?" for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK on Monday 3 December. The single surpassed the hopes of the producers to become the Christmas number one on that release. Three re-recordings of the song to raise further money for charity also topped the charts, first the Band Aid II version in 1989, the Band Aid 20 version in 2004 and finally the Band Aid 30 version in 2014. Band Aid II and Band Aid 20 were also Christmas number one. The original was produced by Ure. The 12" version was mixed by Trevor Horn.

## Background and discography

The supergroup was formed by Bob Geldof, who was then lead singer of the Irish band the Boomtown Rats. The BBC played a major role in capturing the poverty affecting Ethiopian citizens and thereby influenced Geldof to take action. Paula Yates, Geldof's partner, is considered to have been the brains behind the original Band Aid. She was the driving force that inspired (and helped) Geldof to rally the most famous pop stars of the 1980s to raise money for famine relief in Ethiopia.
The group was composed of forty artists to raise awareness and funds for the Ethiopian famine in 1983–1985. The group's name stemmed from the idea that the musicians were providing aid to the less fortunate and suggested that their project was likened to putting a Band-Aid on a wound. Geldof was looking for support from all nations for Africa beginning in the United Kingdom. To do so, the artists recorded a hit single titled "Do They Know It's Christmas?" depicting the poverty-stricken African scenery of the time.

## Original Band Aid
### Chronology (1984)

Geldof was so moved by the plight of starving children in Ethiopia that he decided to try to raise money using his contacts in pop music. Geldof enlisted the help of Midge Ure, from the group Ultravox, to produce a charity record. Ure took Geldof's lyrics, and created the melody and backing track for the record. Geldof called many of the most popular British and Irish performers of the time, persuading them to donate their time. His one criterion for selection was how famous they were, to maximise sales of the record. He then kept an appointment to appear on a show on BBC Radio 1, with Richard Skinner, but instead of promoting the new Boomtown Rats material as planned, he announced the plan for Band Aid.
The recording studio waived their £85-per-hour fee and gave (the as yet unnamed) Band Aid 24 free hours to record and mix the record, on 25 November 1984. The recording took place at SARM Studios in Notting Hill, owned by Trevor Horn's ZTT Records, between 11 am and 7 pm. It was filmed by director Nigel Dick to be released as the pop video, though some basic tracks had been recorded the day before at Midge Ure's home studio. The first tracks to be recorded were the group/choir choruses which were filmed by the international press. The footage was rushed to newsrooms where it aired while the recording process continued. Later, drums by Phil Collins were recorded. The introduction of the song features a slowed-down drum sample from the Tears for Fears track "The Hurting" (which had been released in 1983). Tony Hadley, of Spandau Ballet, was the first to record his vocal, while a section sung by Status Quo was deemed unusable, and replaced with a section comprising Paul Weller, Sting, and Glenn Gregory from Heaven 17. Simon Le Bon from Duran Duran sang between contributions from George Michael and Sting. Paul Young has since admitted, in a documentary, that he knew his opening lines were written for David Bowie, who was not able to make the recording but made a contribution to the B-side (Bowie performed his lines at the Live Aid concert the following year). Boy George arrived last, at 6 pm, after Geldof woke him up by phone telling Boy George that he wanted him on the song. George's group, Culture Club, were touring the US and George caught a Concorde jet from New York City to London, at his own expense, to record his solo part.
The following morning, Geldof appeared on the Radio 1 breakfast show with Mike Read, to promote the record further and promise that every penny would go to the cause. This led to a stand-off with the British government, who refused to waive the VAT on the sales of the single. Geldof made headlines publicly standing up to Prime Minister Margaret Thatcher and the Conservative government in 1985 agreed to make a donation to charities working in Ethiopia and Chad equivalent to the VAT (Value Added Tax) collected on sales of the original 1984 Band Aid record.
The record was released on 7 December 1984 and went straight to No. 1 in the UK singles chart, outselling all the other records in the chart put together. It became the fastest-selling single of all time in the UK, selling a million copies in the first week alone. It stayed at No. 1 for five weeks, selling over three million copies and becoming easily the biggest-selling single of all time in the UK, beating the seven-year record held by "Mull of Kintyre". It has since been surpassed by Elton John's "Candle in the Wind 1997" (his tribute to Diana, Princess of Wales). At the 1986 Grammy Awards the original music video from "Do They Know It's Christmas?" won Band Aid a Grammy Award nomination for Best Music Video, Short Form.
After Live Aid, "Do They Know It's Christmas?" was re-released in late 1985 in a set that included a special-edition 'picture disc' version, modeled after the Live Aid logo with 'Band' in place of 'Live'. An added bonus, "One Year On" (a statement from Geldof and Ure on the telephone) was available as a B-side. A transcript of "One Year On" can be found in a booklet which was included in the DVD set of Live Aid, the first disc of which features the BBC news report, as well as the Band Aid video.
Live Aid inspired a number of charity events, such as Media Aid, which raised money for Save the Children.

### Effectiveness

The hit single "Do They Know It's Christmas?" was highly successful worldwide. It sold over two million copies around the globe and raised more than US$24 million. The super group's success was seen as a large increase in celebrity diplomacy and inspired similar actions of support from countries such as Canada, France, Spain and the United States. The success influenced two organisations of live benefit concerts run by celebrity charity. The concerts were USA for Africa and Live Aid and were broadcast in over 160 countries. Band Aid and Live Aid combined raised about US$150 million for the famine relief effort in Ethiopia.

## Band Aid II

This version, released in 1989, was produced by a British songwriting and production team formed by Mike Stock, Matt Aitken and Pete Waterman known as Stock Aitken Waterman. The only artists from the original Band Aid to be featured again on this version were Sara Dallin and Keren Woodward of Bananarama. This version topped the UK Singles Chart for three weeks.

### Production

On Friday 1 December 1989, Bob Geldof called Pete Waterman to ask if he would consider producing a new version of the song featuring the big stars from that time. Waterman immediately postponed his wedding and began calling up the artists. With just two days' notice, on Sunday 3 December, recording took place at PWL Studios in South London. Present in the studio was Bob Geldof, wife Paula Yates and six-year-old daughter Fifi Trixiebelle, who was eager to meet Jason Donovan.
Production continued through the Monday, and by Tuesday 5 December the song was broadcast for the first time on London's Capital Radio. Advance sales of the record reached 500,000. The song was released the following week on 11 December and spent three weeks at number one, becoming the ninth biggest-selling song of the year.

### 1989 performers
## Band Aid 20

Band Aid 20 was the 2004 incarnation of the charity group Band Aid. The group, which included Daniel Bedingfield, Justin Hawkins of the Darkness, Chris Martin of Coldplay, Bono of U2, and Paul McCartney, re-recorded "Do They Know It's Christmas?". The song reached No. 1 on 6 November 2004, spent four weeks at that position and became the biggest-selling single of 2004.

### 2004 performers
## Band Aid 30

Band Aid 30 was the 2014 incarnation of the charity supergroup Band Aid. Announced by Bob Geldof and Midge Ure, the aim was to aid 2014 Ebola outbreak victims in Western Africa and preventing its spread. As in previous incarnations, the group covered the track "Do They Know It's Christmas?", written in 1984 by Geldof and Ure. The song was recorded by some of the biggest-selling current British and Irish pop acts, including One Direction, Sam Smith, Ed Sheeran, Emeli Sandé, Ellie Goulding, Rita Ora, and Bastille, along with Chris Martin (Coldplay) and Bono (U2)—the third time he contributed to a Band Aid recording.
Their version of the song debuted at the chart's summit during the week of its release, then dropped down a place in each of the following two weeks before dropping out of the Top 10 in its fourth week. It also received a polarised reception from many music critics due to its new lyric directed towards Africa.
Also, for the first time, a German version was produced and reached the top position of the German single charts at the beginning of December 2014. The project is led by Geldof's close friend Campino, lead vocalist of the punk rock band Die Toten Hosen. A French version of the song is led by Carla Bruni.

### 2014 performers
## Band Aid 40

For the 40th anniversary in 2024, a new mix of "Do They Know It's Christmas?" has been released. This mixes recordings from the original version with the Band Aid 20 and Band Aid 30 versions. It has been mixed by Trevor Horn.
Ed Sheeran claimed his permission had not been sought to re-use his vocals from the 2014 version, and that had he had the choice he would not have consented to it.

## Related projects and Band Aid Liverpool

The Band Aid project inspired other charity records around the world, including "We Are the World" by USA for Africa in the United States, "Tears Are Not Enough" by Northern Lights in Canada, Hear 'n Aid a supergroup of 40 heavy metal musicians with a track called "Stars", and many others.
A compilation of video games for the Commodore 64 and ZX Spectrum was published under the name Soft Aid. Each platform had its own selection of games from ten different publishers; Elite Systems, Ocean Software, Quicksilva, and Virgin were represented on both. The cassette also featured a recording of the "Do They Know It's Christmas?" single.

### Band Aid Liverpool

In December 2020, a group of musicians from Liverpool recorded a version of "Do They Know It's Christmas?" as a charity record in support of Shelter. Retitled "Do They Know It's Christmas (Feed the World)" with lyrics referring to places on Merseyside, the project was given the go-ahead by Bob Geldof and Midge Ure to release their cover version on 10 December 2020. Band Aid Liverpool features about 70 musicians/personalities from Liverpool, including Asa Murphy from BBC Radio Merseyside, five-piece band the Hummingbirds and project originator Tony Cook, from tribute band the Mersey Beatles.

## Criticism
### Claims of self-righteousness

In 1986, the anarchist band Chumbawamba released the album Pictures of Starving Children Sell Records, as well as an EP entitled "We Are the World?", jointly recorded with US band A State of Mind, both of which were intended as anti-capitalist critiques of the Band Aid/Live Aid phenomenon. They argued that the record was primarily a cosmetic spectacle, designed to draw attention away from the real political causes of world hunger.
In a 1985 Time Out interview, Morrissey (who was not invited to participate in Band Aid) gave his views about the song:
   'I'm not afraid to say that I think Band Aid was diabolical. Or to say that I think Bob Geldof is a nauseating character. Many people find that very unsettling, but I'll say it as loud as anyone wants me to. In the first instance the record itself was absolutely tuneless. One can have great concern for the people of Ethiopia, but it's another thing to inflict daily torture on the people of Great Britain. It was an awful record considering the mass of talent involved. And it wasn't done shyly. It was the most self-righteous platform ever in the history of popular music.'