# List of compositions by Richard Strauss

The table below shows an incomplete list of compositions by Richard Strauss.

## Catalogues

Only 88 compositions by the German composer Richard Strauss (1864–1949) have been assigned opus numbers; these numbers are shown in the table below in the column "Op." Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (1892–1964) in 1959. After von Asow's death Franz Trenner [de] (d. 1993) and Alfons Ott (d. 1976) published the third volume, based on von Asow's notes; this catalogue lists 323 titles, including Strauss's literary writings. The numbers for compositions from this catalogue are shown in the column "AV" in the table below.
During the 15 years it took to publish von Asow's work, many new sources became available, so Franz Trenner created a new chronological catalogue in 1985, a slim volume of 153 pages without incipits. A second updated edition of 400 pages for all works of Strauss was published in 1993 with incipits, and his son Florian Trenner published a completely revised edition of 496 pages in 1999; this catalogue lists 298 works and its numbers are shown in the column "TrV" below.
The year shown is the year of the first performance, unless there is a large gap between the dates of composition and premiere; in that case, the year refers to the date of composition and the date of the premiere is shown in the column "Work."

## Works

| TrV | Op. | AV | Year | Genre | Work |
| 1 | — | 1 | 1870 | piano (or orchestra) | Schneiderpolka, for piano (or string orchestra) |
| 2 | — | 2 | 1870 | Lied | "Weihnachtslied" (Schlaf wohl, du Himmelsknabe du), for voice and piano |
| 3 | — | 3 | 1870 | Lied | "Einkehr" (Bei einem Wirte wundermild), for voice and piano |
| 4 | — | 4 | 1871 | Lied | "Winterreise" (Bei diesem kalten Wehen), for voice and piano |
| 5 | — | 5 | 1871 | Lied | "Waldkonzert" (Der Frühling gibt jetzt ein Konzert), for voice and piano |
| 6 | — | 6 | 1871 | Lied | "Der weiße Hirsch" (Es gingen drei Jäger wohl auf die Pirsch), for alto, tenor and bass voices with piano |
| 7 | — | 7 | 1871 | Lied | "Der böhmische Musikant" (Es kommt aus fernem Böhmerland), for voice and piano |
| 8 | — | 8 | 1871 | Lied | "Herz, mein Herz" (Herz, mein Herz, sei nicht beklommen), for voice and piano |
| 9 | — | 9 | 1871 | piano | Moderato in C major, for piano |
| 10 | — | 193 | 1871 | Lied | "Gute Nacht" (Schon fängt es an zu dämmern), for voice and piano |
| 11 | — | 10 | 1872 | piano | Panzenburg-Polka, for piano |
| 12 | — | 11 | 1872 | piano | Langsamer Satz in G major, for piano |
| 13 | — | 151 | 1872 | Lied | "Des Alpenhirten Abschied" (Ihr Matten lebt wohl!), for voice and piano |
| 14 | — | 152 | 1872 | piano | Polka, Walzer und andere kleinere Kompositionen, for piano |
| 15 | — | 12 | 1873 | solo horn | Two études for solo horn in E♭ and E |
| 16 | — | 13 | 1873 | Lied | "Der müde Wanderer" (Schon sank die Sonne nieder), for voice and piano |
| 17 | — | 15 | 1873 | orchestral | Overture to the Singspiel Hochlands Treue |
| 18 | — | 18 | 1873 | piano | Five Little Pieces, for piano |
| 19 | — | 153 | 1873 | piano | Sonatina in C major, for piano |
| 20 | — | 154 | 1873 | piano | Sonatina in E major, for piano |
| 21 | — | 194 | 1873 | chamber music | Two Little Pieces for violin and piano in G major |
| 22 | — | 17 | 1874 | piano | Sonatina No.1 in C major, for piano |
| 23 | — | 18 | 1874 | piano | Sonatina No.2 in F major, for piano |
| 24 | — | 19 | 1874 | piano | Sonatina No.3 in B♭ major, for piano |
| 25 | — | 195 | 1874 | piano | Sonatina No.4 in E major, for piano |
| 26 | — | 155 | 1874 | piano | Sonatina No.5 in E♭ major, for piano |
| 27 | — | 156 | 1874 | piano | Sonatina No.6 in D major, for piano |
| 28 | — | 197 | 1874 | piano | Six fragments to sonatas (AV 197–202) |
| 29 | — | 21 | 1874 | piano | Fantasie in C major, for piano |
| 30 | — | 22 | 1875 | piano | Two Little Pieces in A major and G minor, for piano |
| 31 | — | 23 | 1875 | | Vierstimmiger Satz, exercise in B♭ major |
| 32 | — | 24 | 1875 | choral | Vierstimmiger Choralsatz, exercise in B♭ major |
| 33 | — | 157 | 1875 | chamber music | Concertante for 2 violins, cello and piano |
| 34 | — | 203 | 1875 | piano | Allegro assai in B♭ major, for piano |
| 35 | — | 204 | 1875 | chamber music | String Quartet in C minor |
| 36 | — | 196 | 1876 | piano | Preliminary studies on harmony and counterpoint, for piano |
| 37 | — | 25 | 1876 | choral | Two songs for mixed chorus"Morgengesang" (Im Osten geht die Sonne auf)"Frühlingsnacht" (Über'm Garten durch die Lüfte) |
| 41 | — | 30 | 1876 | orchestral | Concert Overture in B minor, for orchestra |
| 42 | — | 14 | 1876 | Lied | "Husarenlied" (Husaren müssen reiten), for voice and piano |
| 43 | 1 | — | 1881 | orchestral | Festmarsch in E♭ major, for orchestra |
| 45 | — | 207 | 1876 | orchestral | Overture in E minor, for orchestra |
| 46 | — | 208 | 1876 | piano | Overture in E♭ major, for piano |
| 47 | — | 38 | 1877 | piano | Piano Sonata No.1 in E major |
| 48 | — | 33 | 1877 | Lied | "Der Fischer" (Das Wasser rauscht', das Wasser schwoll), for voice and piano |
| 49 | — | 34 | 1877 | Lied | "Die Drossel" (Ich will ja nicht in Garten geh'n), for voice and piano |
| 50 | — | 35 | 1877 | Lied | "Lass ruhn die Toten" (Es steht ein altes Gemäuer), for voice and piano |
| 51 | — | 36 | 1877 | Lied | "Lust und Qual" (Knabe sass ich Fischerknabe), for voice and piano |
| 52 | — | 32 | 1877 | orchestral | Serenade in G major, for orchestra |
| 53 | — | 37 | 1877 | chamber music | Piano Trio No.1 in A major, for violin, cello and piano |
| 54 | — | 31 | 1877 | choral | Mass in D major, four movements for mixed chorus KyrieSanctusBenedictusAgnus Dei |
| 55 | — | 209 | 1877 | orchestral | Andante cantabile in D major, for orchestra |
| 56 | — | 210 | 1877 | orchestral | Andante in B♭ major, for orchestra |
| 57 | — | 39 | 1878 | piano | Kontrapunkt-Studien I, imitative exercises and canons for piano |
| 58 | — | 40 | 1878 | Lied | "Spielmann und Zither" (Der Spielmann sass am Felsen), for voice and piano |
| 59 | — | 41 | 1878 | Lied | "Wiegenlied" (Die Ähren nur noch nicken), for voice and piano |
| 60 | — | 42 | 1878 | Lied | "Abend- und Morgenrot" (Die Mücke sitzt am Fenster"), for voice and piano |
| 61 | — | 44-45 | 1878 | Singspiel | Lila, Singspiel after Goethe |
| 62 | — | 43 | 1878 | Lied | "Im Walde" (Im Walde im hellen Sonnenschein), for voice and piano |
| 63 | — | 46 | 1878 | Lied | "Ein Spielmann und sein Kind", for voice and piano |
| 64 | — | 29 | 1878 | Lied | "Alphorn" (Ein Alphorn hör' ich schallen), for voice, horn and piano |
| 65 | — | 47 | 1878 | Lied | "Nebel" (Du trüber Nebel hüllst mir das Tal), for voice and piano |
| 66 | — | 48 | 1878 | Lied | "Soldatenlied" (Die Trommeln und Pfeiffen), for voice and piano |
| 67 | — | 49 | 1878 | Lied | "Ein Röslein zog ich mir im Garten", for voice and piano |
| 68 | — | 50 | 1878 | piano | Variations (12) in D major, for piano |
| 69 | — | 51 | 1878 | orchestral | Overture in E major, for orchestra |
| 70 | — | 52 | 1878 | horn and piano | Introduction, Theme and Variations in E♭ major, for horn and piano |
| 71 | — | 53 | 1878 | chamber music | Piano Trio No.2 in D major, for violin, cello and piano |
| 72 | — | 57 | 1879 | piano | Aus alter Zeit, eine kleine Gavotte, for piano |
| 73 | — | 58 | 1879 | piano | Andante in C minor, for piano |
| 74 | — | 158 | 1879 | Lied | "Für Musik", for voice and piano |
| 76 | — | 56 | 1879 | chamber music | Introduction, Theme and Variations in G major, for flute and piano |
| 77 | — | 162 | 1879 | Lied | "Frühlingsanfang", for voice and piano |
| 78 | — | 161 | 1879 | Lied | "Das rote Laub", for voice and piano |
| 79 | — | 60 | 1879 | piano | Piano Sonata No.2 in C minor ("Grosse Sonate") |
| 80 | — | 61 | 1879 | instrumental with orchestra | Romanze in E♭ major, for clarinet and orchestra |
| 81 | — | 54 | 1879 | piano | Kontrapunkt-Studien II, 9 fugues for piano |
| 82 | — | 59 | 1879 | piano | Skizzen, pieces (5) for piano |
| 83 | — | 62 | 1879 | orchestral | Overture in A minor, for orchestra |
| 84 | — | 163 | 1879 | | Hochzeitsmusik (Wedding Music), for piano and toy instruments |
| 85 | — | 211 | 1879 | chamber music | String Quartet in E♭ major |
| 86 | — | 63 | 1879 | piano | Scherzo in B minor, for piano |
| 87 | — | 164 | 1879 | Lied | Die drei Lieder, for voice and piano |
| 88 | — | 64 | 1879 | Lied | "Im Vaters Garten heimlich steht ein Blümlein", for voice and piano |
| 89 | — | 165 | 1880 | Lied | "Der Morgen", for voice and piano |
| 92 | — | 67 | 1880 | choral | Seven four-part songs, for mixed chorus or 4 solo voices: WinterliedSpielmannsweisePfingstenKäferliedWaldessangSchneeglöckleinTrüb blinken nur die Sterne |
| 94 | — | 69 | 1880 | orchestral | Symphony No.1 in D minor |
| 95 | 2 | — | 1881 | chamber music | String Quartet in A major |
| 102 | — | 169 | 1880 | choral | Festchor for choir with piano accompaniment |
| 103 | 5 | — | 1880–1881 | piano | Sonata for piano in B minor Sonata in B minor for piano Part 1 Part 2 Part 3 Part 4 All played by Tjako van Schie Problems playing these files? See media help. |
| 105 | 3 | — | 1882 | piano | Five piano pieces |
| 106 | 7 | — | 1882 | chamber music | Serenade in E♭ major, for 13 wind instruments Performed by the United States Air Force Heartland of America Band |
| 108 | — | 183 | 1881 | piano | Nonett in F major, for piano 4-hands |
| 110 | 8 | — | 1882 | concerto | Violin Concerto in D minor |
| 115 | 6 | — | 1882 | chamber music | Sonata in F major for cello and piano |
| 117 | 11 | — | 1883 | concerto | Horn Concerto No. 1 in E-flat major |
| 118 | — | 75 | 1883 | instrumental with orchestra | Romanze in F major for cello and orchestra (or piano) |
| 124 | — | 79 | 1883 | orchestral | Lied ohne Worte in E♭ major, for orchestra |
| 125 | — | 80 | 1883 | orchestral | Concert Overture in C minor, for orchestra |
| 126 | 12 | — | 1884 | orchestral | Symphony No.2 in F minor |
| 127 | 9 | — | 1884 | piano | Stimmungsbilder for piano |
| 130 | — | 81 | 1884 | piano | Improvisation and Fugue on an Original Theme in A minor, for piano |
| 131 | 14 | — | 1884 | choral (orchestral) | Wandrers Sturmlied, for six-part choir and orchestra |
| 132 | 4 | — | 1884 | chamber music | Suite in B-flat major, for 13 wind instruments |
| 133 | — | 82 | 1884 | instrumental with orchestra | Der Zweikampf in B♭ major, polonaise for flute, bassoon, and orchestra |
| 134 | — | 83 | 1884 | choral | Schwäbische Erbschaft (Der gnäd'ge Herr von Zavelstein) for unaccompanied male choir |
| 135 | — | 84 | 1887 | orchestral | Festmarsch in D major, for orchestra |
| 136 | — | 178 | 1886 | chamber music | Festmarsch in D major for piano quartet |
| 137 | 13 | — | 1885 | chamber music | Piano Quartet in C minor |
| 139 | — | 179 | 1885 | piano | Cadenza in C minor for Mozart’s Piano Concerto No. 24, K. 491 |
| 141 | 10 | — | 1885 | Lieder | Acht Gedichte aus „Letzte Blätter“ (Eight Poems from "Last Leaves," by Hermann von Gilm), for voice and piano"Zueignung" (Ja, du weißt es, teure Seele)"Nichts" (Nennen soll ich)"Die Nacht" (Aus dem Walde tritt die Nacht)"Die Georgine" (Warum so spät erst, Georgine?)"Geduld" (Geduld, sagst du und zeigst mit weißem Finger)"Die Verschwiegenen" (Ich habe wohl)"Die Zeitlose" (Auf frischgemähtem Weideplatz)"Allerseelen" (Stell auf den Tisch die duftenden Reseden) |
| 142 | — | 84a | 1885 | Lieder | Wer hat's gethan? (Es steht mein Lied in Nacht und Frost) for voice and piano |
| 144 | — | 181 | 1886 | choral (orchestral) | Bardengesang (Wir litten menschlich seit dem Tage) for male choir and orchestra (not to be confused with Op. 55) |
| 145 | — | 85 | 1886 | instrumental with orchestra | Burleske in D minor for piano and orchestra |
| 147 | 16 | — | 1887 | orchestral | Aus Italien, Symphonic Fantasy for large orchestra in G majorAuf der CampagneIn Roms RuinenAm Strande von SorrentNeapolitanisches Volksleben |
| 148 | 15 | — | 1886 | Lieder | Five songs for middle voice and piano"Madrigal" (Ins Joch beug' ich den Nacken)"Winternacht" (Mit Regen und Sturmgebrause)"Lob des Leidens" (Oh schmäht des Lebens Leiden nicht!)"Aus den Liedern der Trauer" (Dem Herzen ähnlich)"Heimkehr" (Leiser schwanken die Äste) |
| 149 | 17 | — | 1887 | Lieder | Six songs for high voice and piano"Seitdem dein Aug' in meines schaute""Ständchen" (Mach' auf)"Das Geheimnis" (Du fragst mich, Mädchen)"Aus den Liedern der Trauer" (Von dunklem Schleier umsponnen)"Nur Mut!" (Laß das Zagen)"Barcarole" (Um der fallenden Ruder Spitzen) |
| 150 | — | 86 | 1887 | stage work | Incidental music to Shakespeare’s Romeo and Juliet"Tanzlied zur Moresca""Trällerlied""Vor dem Hochzeitsbette""Trauermusik" |
| 151 | 18 | — | 1888 | chamber music | Sonata in E-flat major for violin and piano |
| 152 | 19 | — | 1888 | Lieder | Six songs for voice and piano"Wozu noch, Mädchen, soll es frommen""Breit' über mein Haupt dein schwarzes Haar""Schön sind, doch kalt die Himmelssterne""Wie sollten wir geheim sie halten""Hoffen und wieder verzagen""Mein Herz ist stumm, mein Herz ist kalt" |
| 153 | 22 | — | 1888 | Lieder | Mädchenblumen for voice and piano"Kornblumen" (Kornblumen nenn' ich die Gestalten)"Mohnblumen" (Mohnblumen sind die runden)"Epheu" (Aber Epheu nenn' ich jene Madchen)"Wasserrose" (Kennst du die Blume, die märchenhafte) |
| 155 | — | — | 1888 | horn and piano | Andante in C major, for horn and piano (for his revered father on his silver wedding anniversary). |
| 156 | 20 | — | 1889 | orchestral | Don Juan, tone poem after Lenau |
| 157 | — | 87 | 1889 | orchestral | Festmarsch in C major, for orchestra |
| 158 | 24 | — | 1890 | orchestral | Tod und Verklärung, (Death and Transfiguration), tone poem for orchestra |
| 159 | — | 88 | 1889 | choral | Utan svafvel och fosfor (Swedish matchbox text), for unaccompanied male choir |
| 160 | 21 | — | 1889 | Lieder | Schlichte Weisen, five songs for voice and piano"All mein' Gedanken""Du meines Herzens Krönelein""Ach Lieb, ich muß nun scheiden""Ach weh mir unglückhaftem Mann""Die Frauen sind oft fromm und still" |
| 161 | — | 186 | 1890 | stage work | New version of Gluck's opera Iphigenie auf Tauris arranged for orchestra |
| 163 | 23 | — | 1890 | orchestral | Macbeth, tone poem after Shakespeare for orchestra |
| 166 | 26 | — | 1891 | Lieder | Two songs for voice and piano"Frühlingsgedränge" (Frühlingskinder im bunten Gedränge)"O wärst du mein" |
| 167 | — | 89 | 1892 | stage work | Lebende Bilder, Festmusik |
| 168 | 25 | — | 1894 | opera | Guntram, opera in three acts |
| 169 | — | 182 | 1893 | chamber music | Two Pieces for piano quartet"Arabischer Tanz""Liebesliedchen" |
| 170 | 27 | — | 1894 | Lieder | Four songs for voice and piano, all later with orchestral accompaniment"Ruhe, meine Seele!" (Nicht ein Lüftchen regt sich leise)"Cäcilie" (Wenn du es wüßtest)"Heimliche Aufforderung" (Auf, hebe die funkelnde Schale)"Morgen!" (Und morgen wird die Sonne wieder scheinen) |
| 171 | 28 | — | 1895 | orchestral | Till Eulenspiegels lustige Streiche, tone poem for orchestra |
| 172 | 29 | — | 1895 | Lieder | Three songs for high voice and piano"Traum durch die Dämmerung" (Weite Wiesen im Dämmergrau)"Schlagende Herzen" (Über Wiesen und Felder ein Knabe ging)"Nachtgang" (Wir gingen durch die stille milde Nacht) |
| 173 | 31 | — | 1896 | Lieder | Four songs for voice and piano"Blauer Sommer" (Ein blauer Sommer glanz- und glutenschwer)"Wenn" (Und wärst du mein Weib)"Weißer Jasmin" (Bleiche Blute)"Stiller Gang" (Der Abend graut) |
| 174 | 32 | — | 1896 | Lieder | Five songs for voice and piano"Ich trage meine Minne""Sehnsucht" (Ich ging den Weg entlang)"Liebeshymnus" (Heil jenem Tag)"O süßer Mai!""Himmelsboten" (Der Mondschein) |
| 175 | — | 90 | 1896 | Lied | "Wir beide wollen springen" (Es ging ein Wind durchs weite Land), for voice and piano |
| 176 | 30 | — | 1896 | orchestral | Also sprach Zarathustra, tone poem freely after Nietzsche, for orchestra |
| 180 | 33 | — | 1896 | Lieder (orchestral) | Four songs for voice and orchestra"Verführung" (Der Tag, der schwüle)"Gesang der Apollopriesterin" (Es ist der Tag, wo jedes Leid vergessen)"Hymnus" (Daß du mein Auge wecktest)"Pilgers Morgenlied" (Morgennebel, Lila) |
| 181 | 38 | — | 1897 | melodrama | Enoch Arden, for speaker and piano, text by Alfred, Lord Tennyson |
| 182 | 34 | — | 1898 | choral | Two songs for sixteen-part unaccompanied choir"Der Abend" (Senke, strahlender Gott)"Jakob" (Jakob! Dein verlorner Sohn) |
| 183 | — | 91 | 1897 | choral (orchestral) | Licht du ewiglich Eines, hymn for brass choir, orchestra and female choir |
| 184 | 35 | — | 1898 | orchestral | Don Quixote, Fantastic Variations on a Theme of Knightly Character, for cello and orchestra |
| 186 | 36 | — | 1897 | Lieder | Four songs for high voice and piano"Das Rosenband" (Im Frühlingsschatten fand ich sie)"Für fünfzehn Pfennige" (Das Mägdlein will ein' Freier hab'n)"Hat gesagt – bleibt's nicht dabei" (Mein Vater hat gesagt)"Anbetung" (Die Liebste steht mir vor den Gedanken) |
| 187 | 37 | — | 1898 | Lieder | Six songs for high voice and piano"Glückes genug" (Wenn sanft du mir im Arme schliefst)"Ich liebe dich" (Vier ad'lige Rosse)"Meinem Kinde" (Du schläfst und sachte neig' ich mich)"Mein Auge" (Du bist mein Auge!)"Herr Lenz" (Herr Lenz springt heute durch die Stadt)"Hochzeitlich Lied" (Laß Akaziendüfte schaukeln) |
| 189 | 39 | — | 1898 | Lieder | Five songs for voice and piano"Leises Lied" (In einem stillen Garten)"Junghexenlied" (Als nachts ich überm Gebirge ritt)"Der Arbeitsmann" (Wir haben ein Bett)"Befreit" (Du wirst nicht weinen)"Lied an meinen Sohn" (Der Sturm behorcht mein Vaterhaus) |
| 190 | 40 | — | 1898 | orchestral | Ein Heldenleben, tone poem for orchestra |
| 191 | — | 92 | 1899 | melodrama | Das Schloss am Meere for narrator and piano |
| 192 | — | 93 | 1899 | choral | Soldatenlied (Wenn man beim Wein sitzt) for unaccompanied male choir |
| 193 | 45 | — | 1899 | choral | Three choruses for unaccompanied male voicesSchlachtgesang" (Kein selig'r Tod ist in der Welt)"Lied der Freundschaft" (Der Mensch hat nichts so eigen)"Der Brauttanz" (Tanz, der du Gesetze unsern Füßen gibst) |
| 194 | 42 | — | 1899 | choral | Two compositions for unaccompanied male choirLiebe" (Nichts Bessers ist auf dieser Erd)"Altdeutsches Schlachtlied" (Frisch auf, ihr tapferen Soldaten) |
| 195 | 41 | — | 1899 | Lieder | Five songs for voice and piano"Wiegenlied" (Träume, träume, du mein süßes Leben)"In der Campagna" (Ich grübe die Sonne)"Am Ufer" (Die Welt verstummt)"Bruder Liederlich" (Die Feder am Strohhut)"Leise Lieder" (Leise Leider sing' ich dir) |
| 196 | 43 | — | 1899 | Lieder | Three songs for high voice and piano"An sie" (Zeit, Verkündigerin der besten Freuden)"Muttertändelei" (Steht mir doch mein schönes Kind)"Die Ulme zu Hirsau" (Zu Hirsau in den Trümmern) |
| 197 | 44 | — | 1899 | Lieder (orchestral) | Two songs for low voice and orchestra"Notturno" (Hoch hing der Mond)"Nächtlicher Gang" (Die Fahnen flattern im Mitternachtssturm) |
| 199 | 46 | — | 1900 | Lieder | Five poems for voice and piano"Ein Obdach gegen Sturm und Regen""Gestern war ich Atlas""Die sieben Siegel" (Weil ich dich nicht legen kann)"Morgenrot" (Dort, wo der Morgenstern hergeht)"Ich sehe wie in einem Spiegel" |
| 200 | 47 | — | 1900 | Lieder | Five songs for voice and piano"Auf ein Kind" (Aus der Bedrängnis)"Des Dichters Abendgang" (Ergehst du dich im Abendlicht)"Rückleben" (An ihrem Grabe kniet' ich fest gebunden)"Einkehr" (Bei einem Wirte wundermild)"Von den sieben Zechbrüdern" (Ich kenne sieben list'ge Brüder) |
| 201 | — | 230 | 1900 | ballet | Kythere, ballet |
| 202 | 48 | — | 1900 | Lieder | Five songs for voice and piano; orchestrated 1918"Freundliche Vision" (Nicht im Schlafe hab ich das geträumt)"Ich schwebe" (Ich schwebe wie auf Engelsschwingen)"Kling!" (Meine Seele gibt reinen Ton)"Winterweihe" (In diesen Wintertagen)"Winterliebe" (Der Sonne entgegen) |
| 203 | 50 | — | 1901 | opera | Feuersnot, opera in one act |
| 204 | 49 | — | 1901 | Lieder | Eight songs for voice and piano, orchestrated 1918"Waldseligkeit" (Der Wald beginnt zu rauschen)"In goldener Fülle" (Wir schreiten in goldener Fülle)"Wiegenliedchen" (Bienchen, Bienchen wiegt sich im Sonnenschein)"Das Lied des Steinklopfers" (Ich bin kein Minister)"Sie wissen's nicht" (Es wohnt ein kleines Vögelein)"Junggesellenschwur" (Weine nur nicht)"Wer lieben will, muß leiden""Ach, was Kummer, Qual und Schmerzen" |
| 206 | 51 | — | 1903 | Lieder (orchestral) | Two songs for low bass voice and orchestra"Das Tal" (Wie willst du dich mir offenbaren)"Der Einsame" (Wo ich bin, mich rings umdunkelt) |
| 207 | 52 | — | 1903 | choral (orchestral) | Taillefer, ballad for soprano, tenor, baritone, chorus and orchestra |
| 208 | — | 95 | 1903 | choral | Hans Huber in Vitznau , canon for four voices in C major |
| 209 | 53 | — | 1903 | orchestral | Symphonia Domestica, tone poem for orchestra |
| 209a | 73 | — | 1925 | piano and orchestra | Parergon zur Symphonia Domestica for piano (left hand) and orchestra |
| 211 | — | 96 | 1904 | stage work | Zwei Lieder aus 'Der Richter von Zalamea', two songs for the play by Pedro Calderón de la Barca "Liebesliedchen" for tenor, guitar, harp"Lied der Chispa" (for mezzo-soprano, one-part male choir, guitar, 2 harps |
| 213 | — | 97 | 1905 | piano | Parademarsch No. 1 in E-flat major |
| 214 | — | 99 | 1905 | piano | De Brandenburgsche Mars, presentation march |
| 215 | 54 | — | 1905 | opera | Salome, opera in one act |
| 215a | — | — | 1905 | orchestral | Salome's Dance ("Dance of the Seven Veils") for orchestra |
| 216 | — | 101 | 1905 | choral | Sechs Volksliedbearbeitungen for male choir"Geistlicher Maien""Misslungene Liebesjagd""Tummler""Hüt du dich!""Wächterlied""Kuckuck" |
| 217 | — | 100 | 1906 | piano | Königsmarsch in E-flat major for piano (or orchestra) |
| 218 | — | 102 | 1906 | vocal | Der Graf von Rom, vocalise for voice and piano |
| 219 | 55 | — | 1907 | choral (orchestral) | Bardengesang (Herbei, herbei, wo der Kühnsten Wunde blutet) for three male 4-part choirs and orchestra |
| 220 | 56 | — | 1906 | Lieder | Six songs for voice and piano"Gefunden" (Ich ging im Walde so für mich hin)"Blindenklage" (Wenn ich dich frage)"Im Spätboot" (Aus der Schiffsbank mach ich meinen Pfühl)"Mit deinen blauen Augen""Frühlingsfeier" (Das ist des Frühlings traurige Lust!)"Die heiligen drei Könige aus Morgenland" |
| 221 | 57 | — | 1907 | orchestral | Two military marches for orchestra: "Kriegsmarsch" 1) in E-flat major, 2) in C minor |
| 222 | — | 98 | 1907 | orchestral | Parademarsch No. 2 |
| 223 | 58 | — | 1909 | opera | Elektra, tragedy in one act |
| 224 | — | 103 | 1909 | fanfare | Feierlicher Einzug der Ritter des Johanniterordens for brass and timpani |
| 227 | 59 | — | 1911 | opera | Der Rosenkavalier, opera in three acts |
| 228 | 60 | — | 1912 | opera | Ariadne auf Naxos, opera in one act |
| 228c | 60 | — | 1918 | orchestral | Le bourgeois gentilhomme, suite for chamber orchestra |
| 229 | 61 | — | 1913 | orchestral | Festliches Präludium for orchestra and organ |
| 230 | 62 | — | 1913 | vocal/choral | Deutsche Motette (German motet, "Die Schöpfung ist zur Ruh gegangen") for 4 solo voices and 16-part unaccompanied choir |
| 231 | 63 | — | 1914 | ballet | Josephslegende, ballet in one act |
| 232 | — | 104 | 1914 | cantata | Cantate ("Tüchtigen stellt das schnelle Glück hoch empor") for 4-part unaccompanied male choir |
| 233 | 64 | — | 1915 | orchestral | An Alpine Symphony, tone poem for orchestra |
| 234 | 65 | — | 1919 | opera | Die Frau ohne Schatten, opera in three acts |
| 234a | — | 146 | 1947 | orchestral | Symphonische Fantasie aus 'Die Frau ohne Schatten' |
| 235 | 68 | — | 1918 | Lieder | Six songs (after poems of Clemens Brentano) for voice and piano, orchestrated 1940"An die Nacht" (Heilige Nacht!)"Ich wollt ein Sträußlein binden""Säus'le, liebe Myrthe!""Als mir dein Lied erklang" (Dein Lied erklang, ich habe es gehört)"Amor" (An dem Feuer saß das Kind)"Lied der Frauen" (Wenn es stürmt auf den Wogen) |
| 236 | 66 | — | 1918 | song cycle | Krämerspiegel, twelve songs for voice and piano"Es war einmal ein Bock""Einst kam der Bock als Bote""Es liebte einst ein Hase""Drei Masken sah ich am Himmel stehn""Hast du ein Tongedicht vollbracht""O lieber Künstler sei ermahnt""Unser Feind ist, großer Gott""Von Händlern wird die Kunst bedroht""Es war mal eine Wanze""Die Künstler sind die Schöpfer""Die Händler und die Macher""O Schröpferschwarm, o Händlerkreis" |
| 237 | 69 | — | 1918 | Lieder | Five Little Songs, for voice and piano"Der Stern" (Ich sehe ihn wieder)"Der Pokal" (Freunde, weihet den Pokal)"Einerlei" (Ihr Mund ist stets derselbe)"Waldesfahrt" (Mein Wagen rollet langsam)"Schlechtes Wetter" (Das ist ein schlechtes Wetter) |
| 238 | 67 | — | 1918 | Lieder | Six songs for high voice and pianoThree songs of Ophelia from Shakespeare's Hamlet"Wie erkenn' ich mein Treulieb?""Guten Morgen, 's ist Sankt Valentinstag""Sie trugen ihn auf der Bahre bloß"Three songs (West-östlicher Diwan)"Wer wird von der Welt verlangen""Hab'ich euch denn je geraten""Wanderers Gemütsruhe" (Übers Niederträchtige niemand sich beklage) |
| 239 | — | 105 | 1919 | Lied | "Sinnspruch" (Alle Menschen groß und klein), for voice and piano |
| 240 | 71 | — | 1921 | vocal (orchestral) | Three hymns for high voice and orchestra"Hymne an die Liebe" (Froh der süßen Augenweide)"Rückkehr in die Heimat" (Ihr linden Lüfte)"Liebe" (Wenn ihr Freunde vergesst) |
| 243 | 70 | — | 1922 | ballet | Schlagobers, ballet in two acts |
| 244 | 87 | 106 | 1929 | Lied | 2. "Erschaffen und Beleben" (Herr Adam war ein Erdenkloß)   from "Four songs for high bass and piano, Op. 87" |
| 245 | — | 107 | 1923 | chamber music | Tanzsuite aus Klavierstücken von François Couperin (also known as Couperin Suite 1), for small orchestra |
| 245a | — | 128 | 1941 | ballet | Verklungene Feste: Tanzvisionen aus zwei Jahrhunderten, ballet after keyboard pieces by Couperin (The 1923 Dance suite was extended with additional music). |
| 245b | 86 | — | 1941 | chamber music | Divertimento aus Klavierstücken von François Couperin für kleines Orchester (the additional music composed for Verklungene Feste was put together into the Divertimento along with some additional material). Also known as Couperin Suite 2. |
| 246 | 72 | — | 1924 | opera | Intermezzo, opera in two acts |
| 247 | — | 108 | 1924 | chamber music | Wedding Prelude (Hochzeitspräludium) for two harmoniums in B flat. |
| 248 | — | 109 | 1924 | fanfare | Wiener Philharmoniker Fanfare (Vienna Philharmonic Fanfare), for brass and timpani |
| 249 | — | 190 | 1924 | orchestral | Die Ruinen von Athen after Beethoven's Die Geschöpfe des Prometheus |
| 250 | — | 110 | 1924 | fanfare | Fanfare zur Eröffnung der Musikwoche der Stadt Wien for 22 brass instruments and 2 timpani |
| 251 | — | 111 | 1925 | Lied | "Durch allen Schall und Klang", for voice and piano |
| 254 | 74 | — | 1928 | piano and orchestra | Panathenäenzug (Pan-Athenian Procession) (see: Panathenaic Games), symphonic study for piano (left hand) and orchestra |
| 255 | 75 | — | 1928 | opera | Die ägyptische Helena, opera in two acts |
| 256 | 76 | — | 1928 | choral (orchestral) | Die Tageszeiten (Times of the Day), song cycle for male choir and orchestra"Der Morgen" (Wenn der Hahn kräht auf dem Dache)"Mittagsruh" (Über Bergen, Fluss und Talen)"Der Abend" (Schweigt der Menschen laute Lust)"Die Nacht" (Wie schön, hier zu verträumen) |
| 257 | 77 | — | 1928 | Lieder | Gesänge des Orients, five songs for voice and piano"Ihre Augen" (Deine gewölbten Brauen)"Schwung" (Gebt mir meinen Becher!)"Liebesgeschenke" (Ich pflückte eine kleine Pfirsichblüte)"Die Allmächtige" (Die höchste Macht der Erde)"Huldigung" (Die Perlen meiner Seele) |
| 258 | 87 | 114 | 1929 | Lied | 3. "Und dann nicht mehr" (Ich sah sie nur ein einzigmal)   from "Four songs for high bass and piano, Op. 87" |
| 259 | 78 | — | 1929 | choral (orchestral) | "Austria" (Wo sich der ewige Schnee), for male choir and orchestra |
| 260 | 87 | 115 | 1929 | Lied | 1. "Vom künftigen Alter" (Der Frost hat mir bereifet)   from "Four songs for high bass and piano, Op. 87" |
| 262 | — | 191 | 1930 | orchestral | Idomeneo act 2 and 3 for Mozart's opera Idomeneo |
| 263 | 79 | — | 1933 | opera | Arabella, opera in three acts |
| 264 | 88 | 118 | 1933 | Lied | 1. "Das Bächlein" (Du Bächlein silberhell und klar)   from "Three songs for voice and piano, Op. 88" |
| 265 | 80 | — | 1935 | opera | Die schweigsame Frau, comic opera in three acts |
| 266 | — | 119 | 1936 | choral (orchestral) | Olympic Hymn (Völker! Seid des Volkes Gäste) for choir and orchestra |
| 267 | — | 120 | 1935 | choral | Die Göttin im Putzzimmer (Welche chaotische Haushälterei) for 8-part unaccompanied choir |
| 268 | 87 | 121 | 1929 | Lied | 4. "Im Sonnenschein" (Noch eine Stunde lasst mich hier verweilen)   from "Four songs for high bass and piano, Op. 87" |
| 269 | — | 122 | 1935 | Lied | "Zugemessne Rhythmen", for voice and piano |
| 270 | — | 123 | 1935 | choral | Three Male Choruses (unaccompanied)"Vor den Türen" (Ich habe geklopft an des Reichtums Haus)"Traumlicht" (Ein Licht im Traum hat mich besucht)"Fröhlich im Maien" (Blühende Frauen, lasset euch schauen) |
| 271 | 81 | — | 1938 | opera | Friedenstag, opera in one act |
| 272 | 82 | — | 1938 | opera | Daphne, opera in one act |
| 272a | — | 132 | 1943 | choral | An den Baum Daphne for unaccompanied boys choir and two SATB choirs; epilogue to Daphne, Op. 82 |
| 273 | — | 124 | 1939 | choral | Durch Einsamkeiten for unaccompanied male choir |
| 274 | — | 125 | 1939 | orchestral | München, commemorative waltz for orchestra, 1st version |
| 274a | — | 140 | 1945 | orchestral | München, commemorative waltz for orchestra, 2nd version; premiered 1951 |
| 277 | 84 | — | 1940 | orchestral | Japanische Festmusik for orchestra |
| 278 | 83 | 256 | 1940 | opera | Die Liebe der Danae, opera in three acts |
| 279 | 85 | — | 1942 | opera | Capriccio, opera in one act |
| 280 | 88 | 129 | 1942 | Lied | 3. "Sankt Michael" (Ein Mahl für uns und ein Licht für dich)   from "Three songs for voice and piano, Op. 88" |
| 281 | 88 | 130 | 1942 | Lied | 2. "Blick vom oberen Belvedere" (Fülle du! Gezier und schöner Geist)   from "Three songs for voice and piano, Op. 88" |
| 282 | — | 131 | 1942 | Lied | "Xenion" (Nichts vom Vergänglichen), for voice and piano |
| 283 | — | 132 | 1942 | concerto | Horn Concerto No. 2 in E-flat major |
| 286 | — | 133 | 1943 | fanfare | Festmusik der Stadt Wien for brass and timpani |
| 288 | — | 135 | 1943 | chamber music | Sonatina No 1 in F major (Aus der Werkstatt eines Invaliden) for 16 wind instruments |
| 289 | — | 136 | 1943 | vocal | "Wer tritt herein" (Wer tritt herein so fesch und schlank?) for one voice |
| 290 | — | 142 | 1945 | orchestral | Metamorphosen study for 23 solo strings |
| 291 | — | 143 | 1946 | chamber music | Sonatina No 2 in E-flat major (Fröhliche Werkstatt) for 16 wind instruments |
| 292 | — | 144 | 1945 | concerto | Oboe Concerto in D major |
| 293 | — | 147 | 1947 | concerto | Duett-Concertino in F major for clarinet and bassoon with string orchestra and harp |
| 294 | — | 300 | 1949 | Singspiel | Des Esels Schatten, Singspiel in one act (premiered 1964) |
| 295 | — | 149 | 1948 | chamber music | Allegretto in E major for violin and piano |
| 296 | — | 150 | 1948 | Lieder (orchestral) | Vier letzte Lieder for high voice and orchestra"Frühling" (In dämmrigen Grüften)"September" (Der Garten trauert)"Beim Schlafengehen" (Nun der Tag mich müd' gemacht)"Im Abendrot" (Wir sind durch Not und Freude gegangen) |
| 297 | — | 304 | 1948 | Lied | "Malven" (Aus Rosen, Phlox), for voice and piano; premiered in 1985 |
| 298 | — | 306 | 1949 | choral (orchestral) | Besinnung (Göttlich ist und ewig der Geist) for mixed choir and orchestra |