# Le Studio

Le Studio (later renamed Studio Morin Heights) was a residential recording studio in the Laurentian Mountains near the town of Morin-Heights, Quebec, Canada. Built in 1972 by recording engineer and producer André Perry, along with his wife Yaël Brandeis and Nick Blagona, the studio was seen as one of the top recording venues in North America during its existence, renowned for its retreat-like location and state-of-the-art equipment. Numerous notable Canadian and international artists recorded and stayed at Le Studio, including Rush (most notably), The Police, David Bowie, the Bee Gees, Cat Stevens, April Wine, Nazareth, Queensrÿche, and Celine Dion. Perry described the facility as "like the United Nations. I had people from London, New York, Quebec, all over the world."
Originally having used a Trident A Range recording console, Le Studio then became one of the earliest studios to install a Solid State Logic SSL 4000B mixing console and RADAR digital recording equipment. Perry sold the studio to new owners in 1988, and it remained active for fifteen years before its closure in 2003, after which it was neglected and fell into disrepair. On 11 August 2017, the building was partially destroyed by "a suspicious" fire. What remained of the complex was demolished in 2020, and in 2021, the entire property was cleared and put up for sale for $850,000.

## History

André Perry gained fame as a recording engineer working for John Lennon, and in the early 1970s was looking to expand his studio, built in a downtown Montreal church. He moved to the remote town of Morin-Heights, where he owned a lake, and built his studio there, with his wife Yaël Brandeis. The idea was to give recording artists a venue where they could record and live in a creative atmosphere, near the Laurentian Mountains. The Bee Gees, who recorded portions of Children of the World (1976) at Le Studio, stayed for five months. Initially it included a guesthouse about a half-hour's drive away, but it was accidentally burned down by Roy Thomas Baker and Ian Hunter, according to studio designer and engineer Nick Blagona. A new house across the lake was later acquired and expanded.
By the early 1980s, Le Studio gained a reputation as a premier recording venue after Rush, The Police, David Bowie, and April Wine recorded albums there. The studio was particularly associated with Rush, even being called their own "Abbey Road"; the band made seven studio albums there between 1979 and 1993 during "the peak and the end" of the Terry Brown era, the albums being Permanent Waves (1980), Moving Pictures (1981), Signals (1982), Grace Under Pressure (1984), Presto (1989), Roll the Bones (1991), and Counterparts (1993).
In December 1980, Le Studio had installed a state-of-the-art computerized Solid State Logic SL 4000 B Master Studio System and expanded to 48-track (created from syncing two 24-track tape machines using video interlock). Other upgrades to the studio included the expansion into video work, with the addition of video post-production and editing facilities. By August 1981, the studio had acquired a JVC BP-90 digital 2-track processor at the choice of André Perry, producer Terry Brown, and then-Le Studio staff engineers Paul Northfield and Nick Blagona. It was supposedly first used on a double live LP that The Police were mixing at Le Studio that same month, although the André Perry website cites their album Syncronicity (1983) as being the one.
In 1986, Le Studio issued stock on the Montreal Exchange looking to acquire funding for building a second studio, with audio and video capabilities in Washington, D.C. 1.1 million shares valued at $3.50 were sold. Perry and Brandeis retained majority interests. They spent $500,000 on a Quantel Mirage digital video effects unit, hoping to install more equipment to allow the recording of sound effects and film music, as well as a Synclavier room.
In 1988, Perry and Brandeis sold the studio, and Perry retired in the early 1990s. The studio, by then called Studio Morin Heights, was acquired in 1993 by L'Equipe Spectra, an entertainment company best known for the Montreal International Jazz Festival which also had a number of local artists on record. Rush and other bands continued to do their tracking there. The new owners also built an expansion to the building, called the "Far Side", which featured a digital RADAR audio recorder and video production suite, as well as an expanded recreational and living space which allowed local bands with modest budgets to benefit from the amenities.
The studio was shut down in March 2003 by Spectra. The 233-acre (0.94 km$^2$) site was listed for sale in July 2007, with an asking price of Can$2.45 million. The property remained for sale until 2009, when the land was purchased with the intent to convert the area to a retreat and spa, but this never eventuated. The complex remained unoccupied and gradually deteriorated, and was broken into and vandalized many times. A US $2.4 million kickstarter campaign was begun in 2015 to rebuild Le Studio, but only $4,000 was pledged.
On 11 August 2017, the building was partially destroyed by a fire in a suspected case of arson. The residential area of the studio was completely destroyed, while the original recording area still stood but was severely damaged. Geddy Lee of Rush told the CBC, "it was truly a part of the great Canadian landscape... and literally a home away from home for us. It will always have a special place in our hearts." In October 2020, the remaining parts of the building were demolished, and the now empty site was cleared and put on the market in 2021.
Other notable music artists to have recorded at Le Studio include Asia, Barenaked Ladies, Bryan Adams, Cat Stevens, Chicago, Keith Richards, Kim Mitchell, Nazareth, Queensrÿche, Rainbow, Sarah McLachlan, and Sting. In January 1992, Celine Dion recorded "With This Tear", a song written by Prince and produced by Walter Afanasieff for her self-titled album Celine Dion.
Some of Le Studio's engineering staff over the years included Nick Blagona, Paul Northfield, Ed Stasium, William Le Gallee Mann, Claude Demers, Leanne Unger, Frank Opolko, Glen Robinson, Robert DiGioia, Paul Milner, Simon Pressey, Jacques Deveau, and George Pelekoudis.
The studio and grounds are featured in the music videos of the recording sessions of the Rush songs "Tom Sawyer", "Limelight", and "Vital Signs", as well as in April Wine's music video for "I Like to Rock". Also, an episode of the show Popular Mechanics for Kids was taped there, with actress Elisha Cuthbert demonstrating recording and mixing techniques.

## Albums and songs recorded at Le Studio

| Title | Artist | Year |
| Dans l'air des mots | Gaston Rochon | 1974 |
| J'ai vu le loup le renard le lion | Felix Leclerc, Gilles Vigneault, and Robert Charlebois | 1974 |
| Lady Marmalade | Nanette Workman | 1975 |
| Numbers | Cat Stevens | 1975 |
| Close Enough for Rock 'n' Roll | Nazareth | 1976 |
| Nanette Workman | Nanette Workman | 1976 |
| 1 fois 5 (enregistrement devant public) | Robert Charlebois, Yvon Deschamps, Jean-Pierre Ferland, Claude Léveillée, and Gilles Vigneault | 1976 |
| Morin Heights (named for the location of the studio) | Pilot | 1976 |
| Children of the World | Bee Gees | 1976 |
| Play 'n' the Game | Nazareth | 1976 |
| Fountains of Light | Starcastle | 1977 |
| Lavender Hill Mob | Lavender Hill Mob | 1977 |
| Izitso | Cat Stevens | 1977 |
| Vladimir Vysotsky | Vladimir Vysotsky | 1977 |
| Expect No Mercy | Nazareth | 1977 |
| Saturday Night Fever (soundtrack) (mixing) | Bee Gees and various artists | 1977 |
| Street of Dreams | Lavender Hill Mob | 1978 |
| First Glance | April Wine | 1978 |
| "Well, Well," Said the Rocking Chair | Dean Friedman | 1978 |
| Safety in Numbers | Crack the Sky | 1978 |
| Back to Earth | Cat Stevens | 1978 |
| Under Heaven Over Hell | Streetheart | 1979 |
| Chicago 13 | Chicago | 1979 |
| Harder ... Faster | April Wine | 1979 |
| I Want You | Wilson Pickett | 1979 |
| Permanent Waves | Rush | 1980 |
| Roberta Flack Featuring Donny Hathaway | Roberta Flack | 1980 |
| Quicksand Shoes | Streetheart | 1980 |
| Chaude | Nanette Workman | 1980 |
| Moving Pictures | Rush | 1981 |
| You Want It You Got It | Bryan Adams | 1981 |
| Thrillz | Walter Zwol & The Rage | 1981 |
| Ghost in the Machine (overdubs and mixing) - "Every Little Thing She Does Is Magic" single | The Police | 1981 |
| Exit... Stage Left (live album editing and mixing) | Rush | 1981 |
| Straight Between the Eyes | Rainbow | 1982 |
| Love Over and Over | Kate & Anna McGarrigle | 1982 |
| Power Play | April Wine | 1982 |
| Signals | Rush | 1982 |
| Cuts Like a Knife | Bryan Adams | 1983 |
| In the Red | Fist | 1983 |
| Synchronicity (overdubs and mixing) | The Police | 1983 |
| Alpha | Asia | 1983 |
| Animal Grace | April Wine | 1984 |
| Grace Under Pressure | Rush | 1984 |
| Tonight | David Bowie | 1984 |
| Boy in the Box | Corey Hart | 1985 |
| The Dream of the Blue Turtles (overdubs and mixing) | Sting | 1985 |
| Friction | Coney Hatch | 1985 |
| Fields of Fire | Corey Hart | 1985 |
| The Thin Red Line | Glass Tiger | 1986 |
| Shakin' Like a Human Being | Kim Mitchell | 1986 |
| Between the Earth & Sky | Luba | 1986 |
| Electric - "Electric Ocean" song only, recorded in 1985 | The Cult | 1987 |
| Paradox | Paradox | 1988 |
| Diamond Sun | Glass Tiger | 1988 |
| Operation: Mindcrime | Queensrÿche | 1988 |
| Secrets of the Alibi | The Northern Pikes | 1988 |
| Talk Is Cheap | Keith Richards | 1988 |
| Sur Le Chemin des Incendies | Paul Piché | 1988 |
| No Respect | Vain | 1989 |
| Presto | Rush | 1989 |
| Big Houses | Eight Seconds | 1990 |
| Hell to Pay | The Jeff Healey Band | 1990 |
| When Up Turns To Down | Doughboys | 1991 |
| Roll the Bones | Rush | 1991 |
| Celine Dion - "With This Tear" song only | Celine Dion | 1992 |
| Gordon | Barenaked Ladies | 1992 |
| ...But You Can Call Me Larry | Lawrence Gowan | 1993 |
| Counterparts | Rush | 1993 |
| Fumbling Towards Ecstasy | Sarah McLachlan | 1993 |
| Risque | Terez Montcalm | 1994 |
| Circle of One | Julie Masse | 1994 |
| Alhambra | The Tea Party | 1996 |
| Scenery and Fish | I Mother Earth | 1996 |
| Matapédia | Kate & Anna McGarrigle | 1996 |
| Creature | Moist | 1996 |
| No Worries | Reset | 1997 |
| Transmission | The Tea Party | 1997 |
| These Are Special Times | Celine Dion | 1998 |
| Triptych | The Tea Party | 1999 |
| Blue Green Orange | I Mother Earth | 1999 |
| Since August | Since August | 2000 |
| The Interzone Mantras | The Tea Party | 2001 |
| Daylight Saving | SUBB | 2002 |
| Ladies and Gentlemen, Welcome To The Tangiers | Soap Opera | 2002 |

### Console history

Source
* 1974-1980 Trident A Range, the first of its kind, now in use at New Monkey Studio in Van Nuys, California
* 1980-1985 SSL 4000B, Serial No. 11, in use at Tree Sound Studios in Atlanta since 1993
* 1985-2008 SSL 4000G sold off in parts

## Le Studio Mobile

First built in 1979, Le Studio Mobile provided recording services for live music and special events. The first truck included a 12-input mixing console and 4-track recording. By 2010, a pair of trucks provided 8 mixing consoles on-board provided a total of 144 microphone inputs and 244 tracks of simultaneous recording permanently installed in a 7.5 foot (2.3 m) wide 5-ton truck. It was used to record such live albums as Rush's Exit... Stage Left, The Indspire Awards, Hockey Night in Canada and the Montreal International Jazz Festival. The company covered the Juno Awards for more than 23 years, adding a second truck in 2008.
The final large event handled by Le Studio was the Opening, Closing, and Medal Ceremonies of the 2010 Olympic Games in Vancouver.
Through the years Le Studio Mobile evolved with the industry, focusing first on live recorded albums, then audio for DVD productions before moving more into producing audio for live productions while live music productions for HD television brought new business to Le Studio Mobile around 2010, the remote recording business continued to shrink.
As of 2018, Le Studio Mobile had ceased operation. In 2020, the recording area was demolished, and in 2021, the area was cleared and put up for sale for $850,000.