# List of compositions by Joseph Haydn

Joseph Haydn was a prolific composer of the classical period. He is regarded as the "father of the symphony" and the "father of the string quartet" for his more than 100 symphonies and almost 70 string quartets. Haydn also produced numerous operas, masses, concertos, piano sonatas and other compositions. Haydn's works were catalogued by Anthony van Hoboken in his Hoboken catalogue. Unlike most other catalogues which sort works chronologically, the Hoboken catalogue sorts by musical genre.

## Symphonies

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| I:1 | Symphony No. 1 "Lukawitz" (Lukavická) | D major | 1759 | Orchestra | Dolní Lukavice symphony |
| I:2 | Symphony No. 2 | C major | 1764 | Orchestra | Dolní Lukavice symphony |
| I:3 | Symphony No. 3 | G major | 1762 | Orchestra | Dolní Lukavice symphony |
| I:4 | Symphony No. 4 | D major | 1762 | Orchestra | Dolní Lukavice symphony |
| I:5 | Symphony No. 5 | A major | 1762 | Orchestra | Dolní Lukavice symphony |
| I:6 | Symphony No. 6 "Le matin" | D major | 1761 | Orchestra | |
| I:7 | Symphony No. 7 "Le midi" | C major | 1761 | Orchestra | |
| I:8 | Symphony No. 8 "Le soir" | G major | 1761 | Orchestra | |
| I:9 | Symphony No. 9 | C major | 1762 | Orchestra | |
| I:10 | Symphony No. 10 | D major | 1760 | Orchestra | |
| I:11 | Symphony No. 11 | E♭ major | 1761 | Orchestra | |
| I:12 | Symphony No. 12 | E major | 1763 | Orchestra | |
| I:13 | Symphony No. 13 | D major | 1763 | Orchestra | |
| I:14 | Symphony No. 14 | A major | 1764 | Orchestra | |
| I:15 | Symphony No. 15 | D major | 1764 | Orchestra | |
| I:16 | Symphony No. 16 | B♭ major | 1763 | Orchestra | |
| I:17 | Symphony No. 17 | F major | 1760–61 | Orchestra | |
| I:18 | Symphony No. 18 | G major | 1757–59 | Orchestra | |
| I:19 | Symphony No. 19 | D major | 1759–60 | Orchestra | |
| I:20 | Symphony No. 20 | C major | 1757–63 | Orchestra | |
| I:21 | Symphony No. 21 | A major | 1764 | Orchestra | |
| I:22 | Symphony No. 22 "The Philosopher" | E♭ major | 1764, rev. 1773 | Orchestra | |
| I:23 | Symphony No. 23 | G major | 1764 | Orchestra | |
| I:24 | Symphony No. 24 | D major | 1764 | Orchestra | |
| I:25 | Symphony No. 25 | C major | 1760–64 | Orchestra | |
| I:26 | Symphony No. 26 "Lamentatione" | D minor | c. 1768 | Orchestra | |
| I:27 | Symphony No. 27 | G major | 1757–60 | Orchestra | |
| I:28 | Symphony No. 28 | A major | 1765 | Orchestra | |
| I:29 | Symphony No. 29 | E major | 1765 | Orchestra | |
| I:30 | Symphony No. 30 "Alleluia" | C major | 1765 | Orchestra | |
| I:31 | Symphony No. 31 "Hornsignal" | D major | 1765 | Orchestra | |
| I:32 | Symphony No. 32 | C major | 1757–63 | Orchestra | |
| I:33 | Symphony No. 33 | C major | 1761–62 | Orchestra | |
| I:34 | Symphony No. 34 | D minor | 1763 | Orchestra | |
| I:35 | Symphony No. 35 | B♭ major | 1767 | Orchestra | |
| I:36 | Symphony No. 36 | E♭ major | 1761–62 | Orchestra | |
| I:37 | Symphony No. 37 | C major | 1757–58 | Orchestra | |
| I:38 | Symphony No. 38 "The Echo" | C major | 1767 | Orchestra | |
| I:39 | Symphony No. 39 | G minor | 1765–68 | Orchestra | |
| I:40 | Symphony No. 40 | F major | 1763 | Orchestra | |
| I:41 | Symphony No. 41 | C major | 1768 | Orchestra | |
| I:42 | Symphony No. 42 | D major | 1771 | Orchestra | |
| I:43 | Symphony No. 43 "Mercury" | E♭ major | 1770–71 | Orchestra | |
| I:44 | Symphony No. 44 "Trauer" | E minor | 1772 | Orchestra | |
| I:45 | Symphony No. 45 "Farewell" | F♯ minor | 1772 | Orchestra | |
| I:46 | Symphony No. 46 | B major | 1772 | Orchestra | |
| I:47 | Symphony No. 47 "Palindrome" | G major | 1772 | Orchestra | |
| I:48 | Symphony No. 48 "Maria Theresia" | C major | 1768–69 | Orchestra | |
| I:49 | Symphony No. 49 "La Passione" | F minor | 1768 | Orchestra | |
| I:50 | Symphony No. 50 | C major | 1773–74 | Orchestra | |
| I:51 | Symphony No. 51 | B♭ major | 1773 | Orchestra | |
| I:52 | Symphony No. 52 | C minor | 1771–72 | Orchestra | |
| I:53 | Symphony No. 53 "L'impériale" | D major | 1777–79 | Orchestra | |
| I:54 | Symphony No. 54 | G major | 1774 | Orchestra | |
| I:55 | Symphony No. 55 "Schoolmaster" | E♭ major | 1774 | Orchestra | |
| I:56 | Symphony No. 56 | C major | 1774 | Orchestra | |
| I:57 | Symphony No. 57 | D major | 1774 | Orchestra | |
| I:58 | Symphony No. 58 | F major | 1767 | Orchestra | |
| I:59 | Symphony No. 59 "Fire" | A major | 1768 | Orchestra | |
| I:60 | Symphony No. 60 "Il distratto" | C major | 1774 | Orchestra | |
| I:61 | Symphony No. 61 | D major | 1776 | Orchestra | |
| I:62 | Symphony No. 62 | D major | 1780 | Orchestra | |
| I:63 | Symphony No. 63 "La Roxelane" | C major | 1777, rev. 1779 | Orchestra | |
| I:64 | Symphony No. 64 "Tempora mutantur" | A major | 1773–75 | Orchestra | |
| I:65 | Symphony No. 65 | A major | 1769 | Orchestra | |
| I:66 | Symphony No. 66 | B♭ major | 1774–76 | Orchestra | |
| I:67 | Symphony No. 67 | F major | 1774–79 | Orchestra | |
| I:68 | Symphony No. 68 | B♭ major | 1774–76 | Orchestra | |
| I:69 | Symphony No. 69 Laudon | C major | 1775–76 | Orchestra | |
| I:70 | Symphony No. 70 | D major | 1778–79 | Orchestra | |
| I:71 | Symphony No. 71 | B♭ major | 1779–80 | Orchestra | |
| I:72 | Symphony No. 72 | D major | 1763–65 | Orchestra | |
| I:73 | Symphony No. 73 "La Chasse" | D major | 1781–82 | Orchestra | |
| I:74 | Symphony No. 74 | E♭ major | 1780–81 | Orchestra | |
| I:75 | Symphony No. 75 | D major | 1779 | Orchestra | |
| I:76 | Symphony No. 76 | E♭ major | 1781–82 | Orchestra | |
| I:77 | Symphony No. 77 | B♭ major | 1782 | Orchestra | |
| I:78 | Symphony No. 78 | C minor | 1782 | Orchestra | |
| I:79 | Symphony No. 79 | F major | 1784 | Orchestra | |
| I:80 | Symphony No. 80 | D minor | 1784 | Orchestra | |
| I:81 | Symphony No. 81 | G major | 1784 | Orchestra | |
| I:82 | Symphony No. 82 "L'Ours" | C major | 1786 | Orchestra | Paris symphony |
| I:83 | Symphony No. 83 "La Poule" | G minor | 1785 | Orchestra | Paris symphony |
| I:84 | Symphony No. 84 | E♭ major | 1786 | Orchestra | Paris symphony |
| I:85 | Symphony No. 85 "La Reine" | B♭ major | 1785–86 | Orchestra | Paris symphony |
| I:86 | Symphony No. 86 | D major | 1786 | Orchestra | Paris symphony |
| I:87 | Symphony No. 87 | A major | 1785 | Orchestra | Paris symphony |
| I:88 | Symphony No. 88 | G major | 1787 | Orchestra | |
| I:89 | Symphony No. 89 | F major | 1787 | Orchestra | |
| I:90 | Symphony No. 90 | C major | 1788 | Orchestra | |
| I:91 | Symphony No. 91 | E♭ major | 1788 | Orchestra | |
| I:92 | Symphony No. 92 "Oxford" | G major | 1789 | Orchestra | |
| I:93 | Symphony No. 93 | D major | 1791 | Orchestra | London symphony |
| I:94 | Symphony No. 94 "Surprise" | G major | 1791 | Orchestra | London symphony |
| I:95 | Symphony No. 95 | C minor | 1791 | Orchestra | London symphony |
| I:96 | Symphony No. 96 "The Miracle" | D major | 1791 | Orchestra | London symphony |
| I:97 | Symphony No. 97 | C major | 1792 | Orchestra | London symphony |
| I:98 | Symphony No. 98 | B♭ major | 1792 | Orchestra | London symphony |
| I:99 | Symphony No. 99 | E♭ major | 1793–94 | Orchestra | London symphony |
| I:100 | Symphony No. 100 "Military" | G major | 1793–94 | Orchestra | London symphony |
| I:101 | Symphony No. 101 "The Clock" | D major | 1794 | Orchestra | London symphony |
| I:102 | Symphony No. 102 | B♭ major | 1794 | Orchestra | London symphony |
| I:103 | Symphony No. 103 "Drum-roll" | E♭ major | 1795 | Orchestra | London symphony |
| I:104 | Symphony No. 104 "London" | D major | 1795 | Orchestra | London symphony |
| I:105 | Sinfonia concertante | B♭ major | 1792 | Orchestra | |
| I:106 | | D major | | Orchestra | Only first movement (Allegro) is extant; sometimes used as the overture to Le pescatrici |
| I:107 | Symphony A | B♭ major | 1756 | Orchestra | Arranged as string quartet op. 1, no. 5 Hob. III/5 |
| I:108 | Symphony B | B♭ major | 1762 | Orchestra | |
| I:C8 | | C major | | Orchestra | Most likely by Johann Baptist Wanhal |
| I:G1 | | G major | | Orchestra | Actually by Adalbert Gyrowetz |

## Overtures

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| Ia:1 | L'infedeltà delusa | C major | c. 1769–73 | Orchestra | |
| Ia:2 | Il ritorno di Tobia | C major | 1774 | Orchestra | |
| Ia:3 | L'anima del filosofo | C major | 1791 | Orchestra | |
| Ia:4 | Overture | D major | 1776–85 | Orchestra | |
| Ia:5 | Acide e Galatea | D major | 1762 | Orchestra | |
| Ia:6 | L'incontro improvviso | D major | 1774–75 | Orchestra | |
| Ia:7 | Overture | D major | 1777 | Orchestra | Alternate finale to Symphony No. 53 |
| Ia:7bis | Overture | D major | 1777 | Orchestra | Malapropism of Hob. Ia:7 |
| Ia:8 | Philemon und Baucis | D major | 1773 | Orchestra | |
| Ia:9 | King Lear | E♭ major | | Orchestra | Composed by WG Stegmann |
| Ia:10 | Lo speziale | G major | 1768 | Orchestra | |
| Ia:11 | Overture | G major | 1780 | Orchestra | Prelude to the entrance choir of the first act of La fedeltà premiata |
| Ia:12 | Overture | G minor | 1777 | Orchestra | Arrangement of pieces from Il mondo della luna. Uncertain |
| Ia:13 | L'isola disabitata | G minor | 1779 | Orchestra | |
| Ia:14 | Armida | B♭ major | 1783 | Orchestra | |
| Ia:15 | La vera costanza | B♭ major | 1777 | Orchestra | |
| Ia:16 | Orlando paladino | B♭ major | 1782 | Orchestra | |
| Ia:17 | La fedeltà premiata | | | Orchestra | |

## Divertimentos in four and more parts

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| II:1 | Cassation | G major | 1766 | small orchestra | |
| II:2 | Cassation | G major | 1754 | strings | |
| II:3 | Feldparthie | G major | 1760 | 2 oboes, 2 bassoons, 2 horns | |
| II:4 | | F major | | 2 clarinets, bassoon, 2 horns | lost |
| II:5 | | F major | 1767–68 | 2 clarinets, bassoon, 2 horns | lost; arrangement of H. X/10 |
| II:6 | String Quartet No. 5 | E♭ major | 1765 | 2 violins, viola, cello | Op. 1/0 |
| II:7 | Feldparthie | C major | 1765 | 2 oboes, 2 bassoons, 2 horns | |
| II:8 | Cassation | D major | 1767 | 2 flutes, 2 horns, 2 violins, 2 violas, bass | |
| II:9 | Cassation | G major | 1764 | 2 oboes, 2 horns, 2 violins, 2 violas, bass | |
| II:10 | "Der verliebte Schulmeister" | D major | 1766 | orchestra | lost |
| II:11 | "Mann und Weib / Der Geburtstag" | C major | 1765 or before | flute, oboe, 2 violins, cello, bass | |
| II:12 | Feldparthie | B♭ major | | small orchestra | lost |
| II:13 | | D major | | small orchestra | lost |
| II:14 | | C major | 1761 | 2 clarinets, 2 horns | |
| II:15 | Feldparthie | F major | 1767 | 2 oboes, 2 bassoons, 2 horns | |
| II:16 | Feldparthie | C major | 1766 | small orchestra | |
| II:17 | Cassation | C major | 1766 | small orchestra | |
| II:18 | | D major | | orchestra | lost |
| II:19 | | G major | | orchestra | lost |
| II:20 | Cassation | F major | 1763 | small orchestra | |
| II:20a | Feldparthie | A major | | small orchestra | lost |
| II:21 | "Eine Abendmusik" | E♭ major | 1763 | 2 horns, strings | |
| II:22 | Cassation | D major | 1765 | 2 horns, strings | |
| II:23 | Feldparthie | F major | 1765 or before | 2 oboes, 2 bassoons, 2 horns | |
| II:24 | | E♭ major | 1775 | flute, 2 cor anglais, bassoon, 2 horns | |
| II:24a | | G major | 1775 | 2 flutes, 2 oboes, 2 horns, strings | lost; arrangement of H. V/15 |
| II:24b | | A major | 1775 | 2 flutes, 2 oboes, 2 horns, strings | lost; arrangement of H. V/7 |
| II:25 | Notturno No. 1 | C major | 1788–90, rev. 1792 | small orchestra | |
| II:26 | Notturno No. 2 | F major | 1788–90, rev. 1792 | small orchestra | |
| II:27 | Notturno No. 3 | G major | 1788–90, rev. 1792 | small orchestra | |
| II:28 | Notturno No. 4 | F major | 1788–90, rev. 1792 | small orchestra | |
| II:29 | Notturna No. 5 | C major | 1788–90, rev. 1792 | small orchestra | |
| II:30 | Notturno No. 6 | G major | 1788–90, rev. 1792 | small orchestra | |
| II:31 | Notturno No. 7 | C major | 1788–90, rev. 1792 | small orchestra | |
| II:32 | Notturno No. 8 | C major | 1788–90, rev. 1792 | small orchestra | |
| II:33 | Scherzando No. 1 | F major | 1765 or before | orchestra | |
| II:34 | Scherzando No. 2 | C major | 1765 or before | orchestra | |
| II:35 | Scherzando No. 3 | D major | 1765 or before | orchestra | |
| II:36 | Scherzando No. 4 | G major | 1765 or before | orchestra | |
| II:37 | Scherzando No. 5 | E major | 1765 or before | orchestra | |
| II:38 | Scherzando No. 6 | A major | 1765 or before | orchestra | |
| II:39 | "Echo" | E♭ major | c. 1761 | 4 violins, 2 cellos | uncertain |
| II:40 | Sextet | E♭ major | 1781 | Oboe, Bassoon, Horn, Violin, Viola, Bass | uncertain |
| II:41 | Feldparthie No. 1 | B♭ major | 1782 or before | 2 oboes, 2 clarinets*, 2 bassoons, 2 horns | uncertain; 2 clarinets added by Pohl |
| II:42 | Feldparthie No. 2 | B♭ major | 1782 or before | 2 oboes, 2 clarinets*, 2 bassoons, 2 horns | uncertain; 2 clarinets added by Pohl |
| II:43 | Feldparthie No. 3 | B♭ major | 1782 or before | 2 oboes, 2 clarinets*, 2 bassoons, 2 horns | uncertain; 2 clarinets added by Pohl |
| II:44 | Feldparthie No. 4 | B♭ major | 1782 or before | 2 Oboes, 3 Bassoons, Contrabassoon, 2 Horns | uncertain |
| II:45 | Feldparthie No. 5 | B♭ major | 1782 or before | 2 Oboes, 3 Bassoons, Contrabassoon, 2 Horns | uncertain |
| II:46 | Feldparthie No. 6 "St. Antonius" | B♭ major | 1782 or before | 2 Oboes, 3 Bassoons, Contrabassoon, 2 Horns | uncertain; possibly by Ignaz Pleyel; the second movement "Chorale St. Antoni" was used by Johannes Brahms for his "Variations" |
| II:47 | "Toy Symphony" | C major | | 2 Violins, Bass, 7 Toys and Percussion | spurious; actually "Berchtesgadener Symphonie" composed by Edmund Angerer [de] |
| II:D9 | Flute Quartet | D major | | Flute, Violin, Viola, Cello | doubtful |
| II:D10 | Flute Quartet | D major | | Flute, Violin, Viola, Cello | doubtful |
| II:D11 | Flute Quartet | D major | | Flute, Violin, Viola, Cello | doubtful |
| II:D18 | | D major | | 2 oboes, 2 bassoons, 2 horns | doubtful |
| II:F7 | Partita for winds | F major | | 2 oboes, 2 clarinets, 2 horns, 2 bassoons | spurious; actually composed by Paul Wranitzky |
| II:G1 | | G major | c. 1759–60 | 2 oboes, 2 horns, strings | doubtful |
| II:G4 | Flute Quartet | G major | | Flute, Violin, Viola, Cello | doubtful |
| II:deest | | D major | | 2 oboes, 2 bassoons, 2 horns | |
| II:deest | | G major | | 2 oboes, 2 bassoons, 2 horns | |

## String quartets

Unlike the majority of Haydn's compositions which are known by their Hoboken numbers, his string quartets are best known by their opus number.
| Hob. No. | Title | Key | Date | Notes |
| III:1 | String Quartet No. 1 "La Chasse" | B♭ major | c. 1757–62 | Op. 1, No. 1 |
| III:2 | String Quartet No. 2 | E♭ major | c. 1757–62 | Op. 1, No. 2 |
| III:3 | String Quartet No. 3 | D major | c. 1757–62 | Op. 1, No. 3 |
| III:4 | String Quartet No. 4 | G major | c. 1757–62 | Op. 1, No. 4 |
| III:5 | | B♭ major | c. 1757–62 | Op. 1, No. 5. Later found to be the Symphony A |
| III:6 | String Quartet No. 6 | C major | c. 1757–62 | Op. 1, No. 6 |
| III:7 | String Quartet No. 7 | A major | c. 1757–62 | Op. 2, No. 1 |
| III:8 | String Quartet No. 8 | E major | c. 1757–62 | Op. 2, No. 2 |
| III:9 | | E♭ major | c. 1757–62 | arrangement of Cassation in E♭ major, Hob. II:21, Op. 2, No. 3 |
| III:10 | String Quartet No. 9 | F major | c. 1757–62 | Op. 2, No. 4 |
| III:11 | | D major | c. 1757–62 | arrangement of Cassation in D major, Hob. II:22, Op. 2, No. 5 |
| III:12 | String Quartet No. 10 | B♭ major | c. 1757–62 | Op. 2, No. 6 |
| III:13 | String Quartet, Op. 3, No. 1 | E major | | Spurious, by Roman Hoffstetter |
| III:14 | String Quartet, Op. 3, No. 2 | C major | | Spurious, by Roman Hoffstetter |
| III:15 | String Quartet, Op. 3, No. 3 | G major | | Spurious, by Roman Hoffstetter |
| III:16 | String Quartet, Op. 3, No. 4 | B♭ major | | Spurious, by Roman Hoffstetter |
| III:17 | String Quartet, Op. 3, No. 5 | F major | | Spurious, by Roman Hoffstetter |
| III:18 | String Quartet, Op. 3, No. 6 | A major | | Spurious, by Roman Hoffstetter |
| III:19 | String Quartet No. 12 | C major | 1769 | Op. 9, No. 1 |
| III:20 | String Quartet No. 14 | E♭ major | 1769 | Op. 9, No. 2 |
| III:21 | String Quartet No. 13 | G major | 1769 | Op. 9, No. 3 |
| III:22 | String Quartet No. 11 | D minor | 1769 | Op. 9, No. 4 |
| III:23 | String Quartet No. 15 | B♭ major | 1769 | Op. 9, No. 5 |
| III:24 | String Quartet No. 16 | A major | 1769 | Op. 9, No. 6 |
| III:25 | String Quartet No. 18 | E major | 1771 | Op. 17, No. 1 |
| III:26 | String Quartet No. 17 | F major | 1771 | Op. 17, No. 2 |
| III:27 | String Quartet No. 21 | E♭ major | 1771 | Op. 17, No. 3 |
| III:28 | String Quartet No. 19 | C minor | 1771 | Op. 17, No. 4 |
| III:29 | String Quartet No. 22 | G major | 1771 | Op. 17, No. 5 |
| III:30 | String Quartet No. 20 | D major | 1771 | Op. 17, No. 6 |
| III:31 | String Quartet No. 28 | E♭ major | 1772 | Sun Quartets, Op. 20, No. 1 |
| III:32 | String Quartet No. 25 | C major | 1772 | Sun Quartets, Op. 20, No. 2 |
| III:33 | String Quartet No. 26 | G minor | 1772 | Sun Quartets, Op. 20, No. 3 |
| III:34 | String Quartet No. 27 | D major | 1772 | Sun Quartets, Op. 20, No. 4 |
| III:35 | String Quartet No. 23 | F minor | 1772 | Sun Quartets, Op. 20, No. 5 |
| III:36 | String Quartet No. 24 | A major | 1772 | Sun Quartets, Op. 20, No. 6 |
| III:37 | String Quartet No. 31 | B minor | 1781 | Russian Quartets, Op. 33, No. 1 |
| III:38 | String Quartet No. 30 Joke | E♭ major | 1781 | Russian Quartets, Op. 33, No. 2 |
| III:39 | String Quartet No. 32 Bird | C major | 1781 | Russian Quartets, Op. 33, No. 3 |
| III:40 | String Quartet No. 34 | B♭ major | 1781 | Russian Quartets, Op. 33, No. 4 |
| III:41 | String Quartet No. 29 How do you do | G major | 1781 | Russian Quartets, Op. 33, No. 5 |
| III:42 | String Quartet No. 33 | D major | 1781 | Russian Quartets, Op. 33, No. 6 |
| III:43 | String Quartet No. 35 | D minor | 1785 | Op. 42 |
| III:44 | String Quartet No. 36 | B♭ major | 1787 | Prussian Quartets, Op. 50, No. 1 |
| III:45 | String Quartet No. 37 | C major | 1787 | Prussian Quartets, Op. 50, No. 2 |
| III:46 | String Quartet No. 38 | E♭ major | 1787 | Prussian Quartets, Op. 50, No. 3 |
| III:47 | String Quartet No. 39 | F♯ minor | 1787 | Prussian Quartets, Op. 50, No. 4 |
| III:48 | String Quartet No. 40 Dream | F major | 1787 | Prussian Quartets, Op. 50, No. 5 |
| III:49 | String Quartet No. 41 La grenouille | D major | 1787 | Prussian Quartets, Op. 50, No. 6 |
| III:50 | The Seven Last Words of Christ No. 1 | B♭ major | 1785–87 | |
| III:51 | The Seven Last Words of Christ No. 2 | C minor | 1785–87 | |
| III:52 | The Seven Last Words of Christ No. 3 | E major | 1785–87 | |
| III:53 | The Seven Last Words of Christ No. 4 | F major | 1785–87 | |
| III:54 | The Seven Last Words of Christ No. 5 | A major | 1785–87 | |
| III:55 | The Seven Last Words of Christ No. 6 | G minor | 1785–87 | |
| III:56 | The Seven Last Words of Christ No. 7 | E♭ major | 1785–87 | |
| III:57 | String Quartet No. 42 | C major | 1788 | Tost Quartets, Set 1, Op. 54, No. 2 |
| III:58 | String Quartet No. 43 | G major | 1788 | Tost Quartets, Set 1, Op. 54, No. 1 |
| III:59 | String Quartet No. 44 | E major | 1788 | Tost Quartets, Set 1, Op. 54, No. 3 |
| III:60 | String Quartet No. 45 | A major | 1788 | Tost Quartets, Set 2, Op. 55, No. 1 |
| III:61 | String Quartet No. 46 Razor | F minor | 1788 | Tost Quartets, Set 2, Op. 55, No. 2 |
| III:62 | String Quartet No. 47 | B♭ major | 1788 | Tost Quartets, Set 2, Op. 55, No. 3 |
| III:63 | String Quartet No. 53 The Lark | D major | 1790 | Tost Quartets, Set 3, Op. 64, No. 5 |
| III:64 | String Quartet No. 52 | E♭ major | 1790 | Tost Quartets, Set 3, Op. 64, No. 6 |
| III:65 | String Quartet No. 48 | C major | 1790 | Tost Quartets, Set 3, Op. 64, No. 1 |
| III:66 | String Quartet No. 51 | G major | 1790 | Tost Quartets, Set 3 Op. 64, No. 4 |
| III:67 | String Quartet No. 50 | B♭ major | 1790 | Tost Quartets, Set 3, Op. 64, No. 3 |
| III:68 | String Quartet No. 49 | B minor | 1790 | Tost Quartets, Set 3, Op. 64, No. 2 |
| III:69 | String Quartet No. 54 | B♭ major | 1793 | Apponyi Quartets, Op. 71, No. 1 |
| III:70 | String Quartet No. 55 | D major | 1793 | Apponyi Quartets, Op. 71, No. 2 |
| III:71 | String Quartet No. 56 | E♭ major | 1793 | Apponyi Quartets, Op. 71, No. 3 |
| III:72 | String Quartet No. 57 | C major | 1793 | Apponyi Quartets, Op. 74, No. 1 |
| III:73 | String Quartet No. 58 | F major | 1793 | Apponyi Quartets, Op. 74, No. 2 |
| III:74 | String Quartet No. 59 Rider | G minor | 1793 | Apponyi Quartets, Op. 74, No. 3 |
| III:75 | String Quartet No. 60 Jack-in-the-box | G major | 1796–97 | Erdödy Quartets, Op. 76, No. 1 |
| III:76 | String Quartet No. 61 Fifths | D minor | 1796–97 | Erdödy Quartets, Op. 76, No. 2 |
| III:77 | String Quartet No. 62 Emperor | C major | 1796–97 | Erdödy Quartets, Op. 76, No. 3 |
| III:78 | String Quartet No. 63 Sunrise | B♭ major | 1796–97 | Erdödy Quartets, Op. 76, No. 4 |
| III:79 | String Quartet No. 64 | D major | 1796–97 | Erdödy Quartets, Op. 76, No. 5 |
| III:80 | String Quartet No. 65 | E♭ major | 1796–97 | Erdödy Quartets, Op. 76, No. 6 |
| III:81 | String Quartet No. 66 | G major | 1799 | Lobkowitz Quartets, Op. 77, No. 1 |
| III:82 | String Quartet No. 67 | F major | 1799 | Lobkowitz Quartets, Op. 77, No. 2 |
| III:83 | String Quartet No. 68 | D minor | 1803 | Op. 103, incomplete |

## Divertimentos in 3 Parts

| Hob. No. | Title | Key | Date | Instrumentation |
| IV:1 | London Trio No. 1 | C major | 1794 | 2 flutes, cello |
| IV:2 | London Trio No. 2 | G major | 1794 | 2 flutes, cello |
| IV:3 | London Trio No. 3 | G major | 1794 | 2 flutes, cello |
| IV:4 | London Trio No. 4 | G major | 1794 | 2 flutes, cello |
| IV:5 | | E♭ major | 1767 | Horn, violin, cello |
| IV:6 | | D major | 1784 | 2 violins (or flute, violin), cello |
| IV:7 | | G major | 1784 | 2 violins (or flute, violin), cello |
| IV:8 | | C major | 1784 | 2 violins (or flute, violin), cello |
| IV:9 | | G major | 1784 | 2 violins (or flute, violin), cello |
| IV:10 | | A major | 1784 | 2 violins (or flute, violin), cello |
| IV:11 | | D major | 1784 | 2 violins (or flute, violin), cello |

## String Trios

| Hob. No. | Key | Date | Instrumentation | Notes |
| V:1 | E major | 1767 | 2 violins, cello | |
| V:2 | F major | 1767 | 2 violins, cello | |
| V:3 | B minor | 1767 | 2 violins, cello | |
| V:4 | E♭ major | before 1767 | 2 violins, cello | |
| V:5 | B major | c. 1765 | 2 violins, cello | lost |
| V:6 | E♭ major | c. 1765 | 2 violins, cello | |
| V:7 | A major | 1766 | 2 violins, cello | |
| V:8 | B♭ major | 1765 or before | violin, viola, cello | |
| V:9 | E♭ major | 1767 | 2 violins, cello | lost |
| V:10 | F major | 1767 or before | 2 violins, cello | |
| V:11 | E♭ major | 1765 | 2 violins, cello | |
| V:12 | E major | 1767 or before | 2 violins, cello | |
| V:13 | B♭ major | 1765 | 2 violins, cello | |
| V:14 | B minor | 1765 | 2 violins, cello | lost |
| V:15 | D major | 1762 | 2 violins, cello | |
| V:16 | C major | 1766 | 2 violins, cello | |
| V:17 | E♭ major | 1766 | 2 violins, cello | |
| V:18 | B♭ major | 1765 | 2 violins, cello | |
| V:19 | E major | 1765 | 2 violins, cello | |
| V:20 | G major | 1766 | 2 violins, cello | |
| V:21 | D major | 1768 or before | 2 violins, cello | |
| V:D1 | D major | c. 1765 | 2 violins, cello | |
| V:D2 | D major | | 2 violins, cello | doubtful |
| V:F1 | F major | | 2 violins, cello | |
| V:G1 | G major | c. 1765 | 2 violins, cello | |
| V:G2 | G major | | 2 violins, cello | doubtful |
| V:G3 | G major | c. 1765 | 2 violins, cello | doubtful |
| V:A1 | A major | | 2 violins, cello | doubtful |
| V:B1 | B♭ major | c. 1765 | 2 violins, cello | |

## Various Duos

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| VI:1 | String Duo | F major | c. 1777 | violin, viola | |
| VI:2 | String Duo | A major | c. 1777 | violin, viola | |
| VI:3 | String Duo | B♭ major | c. 1777 | violin, viola | |
| VI:4 | String Duo | D major | c. 1777 | violin, viola | |
| VI:5 | String Duo | E♭ major | c. 1777 | violin, viola | |
| VI:6 | String Duo | C major | c. 1777 | violin, viola | |
| VI:D1 | String Duo | D major | Un­known | violin, cello | Probably to be attributed to Leopold Hofmann |
| VI:D2 | Sonata for 2 Violins | D major | Un­known | 2 violins | Op. 6, No. 4; doubtful |
| VI:Es1 | Sonata for 2 Violins | E♭ major | Un­known | 2 violins | Op. 6, No. 5; doubtful |
| VI:F1 | Sonata for 2 Violins | F major | Un­known | 2 violins | Op. 6, No. 6; doubtful |
| VI:G1 | Sonata for 2 Violins | G major | Un­known | 2 violins | Op. 6, No. 1; doubtful |
| VI:A1 | Sonata for 2 Violins | A major | Un­known | 2 violins | Op. 6, No. 2; doubtful |
| VI:B1 | Sonata for 2 Violins | B♭ major | Un­known | 2 violins | Op. 6, No. 3; doubtful |
| VI:Anh. 1 | Sonata for 2 Violins | B♭ major | Un­known | 2 violins | Op. 99, No. 1 |
| VI:Anh. 2 | Sonata for 2 Violins | E♭ major | Un­known | 2 violins | Op. 99, No. 2 |
| VI:Anh. 3 | Sonata for 2 Violins | B♭ major | Un­known | 2 violins | Op. 99, No. 3 |

## Concertos for various instruments

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| VIIa:1 | Violin Concerto No. 1 | C major | c. 1765 | Violin, strings | |
| VIIa:2 | Violin Concerto No. 2 | D major | 1765 or before | Violin, orchestra | lost |
| VIIa:3 | Violin Concerto No. 3 | A major | 1770 or before | Violin, 2 oboes?, 2 horns, strings | |
| VIIa:4 | Violin Concerto No. 4 | G major | 1769 or before | Violin, strings | |
| VIIa:D1 | Violin Concerto | D major | | Violin, 2 oboes, 2 horns, strings | doubtful, possibly by Carl Stamitz |
| VIIa:G1 | Violin Concerto | G major | 1762 | Violin, strings | doubtful, possibly by Michael Haydn |
| VIIa:A1 | Violin Concerto | A major | | Violin, strings | doubtful, possibly by Giovanni Mane Giornovichi |
| VIIa:B1 | Violin Concerto | B♭ major | 1760 | Violin, strings | spurious, actually by Michael Haydn |
| VIIa:B2 | Violin Concerto | B♭ major | 1767 | Violin, strings | spurious, actually by Christian Cannabich |
| VIIb:1 | Cello Concerto No. 1 | C major | 1761–65 | Cello, 2 oboes, 2 horns, strings | |
| VIIb:2 | Cello Concerto No. 2 | D major | 1783 | Cello, 2 oboes, 2 horns, strings | |
| VIIb:3 | Cello Concerto No. 3 | D major | c. 1780 or before | Cello, orchestra | lost |
| VIIb:4 | Cello Concerto No. 4 | D major | c. 1750-60 | Cello, strings | spurious, attributed to Giovanni Battista Costanzi |
| VIIb:5 | Cello Concerto No. 5 | C major | 1899 | Cello, orchestra | spurious, attributed to David Popper |
| VIIb:g1 | Cello Concerto | G minor | c. 1773 | Cello, strings | doubtful, lost |
| VIIc:1 | Double Bass Concerto | D major | | Double Bass, strings | lost |
| VIId:1 | Horn Concerto | D major | 1765 | Horn, orchestra | lost |
| VIId:2 | Concerto for 2 Horns | E♭ major | c. 1760 | 2 Horns, 2 oboes, 2 horns, strings | lost |
| VIId:3 | Horn Concerto No. 1 | D major | 1762 | Horn, 2 oboes, strings | |
| VIId:4 | Horn Concerto No. 2 | D major | 1767 | Horn, strings | uncertain, possibly by Michael Haydn |
| VIId:5 | Concerto for 2 Horns | E♭ major | 1784 | 2 Horns, strings | uncertain, possibly by Antonio Rosetti; maybe Hob. VIId:2 |
| VIIe:1 | Trumpet Concerto | E♭ major | 1796 | Trumpet, orchestra | |
| VIIf:1 | Flute Concerto | D major | 1780 or before | Flute, orchestra | lost |
| VIIf:D1 | Flute Concerto | D major | c. 1760 | Flute, strings | spurious, actually by Leopold Hofmann |
| VIIg:C1 | Oboe Concerto | C major | c. 1790 | Oboe, orchestra | doubtful, possibly by Ignaz Malzat |
| VIIh:1 | Concerto No. 1 for 2 "Lyra organizzata" | C major | 1786 | 2 Lyra, 2 horns, strings | |
| VIIh:2 | Concerto No. 2 for 2 "Lyra organizzata" | G major | 1786 | 2 Lyra, 2 horns, strings | |
| VIIh:3 | Concerto No. 3 for 2 "Lyra organizzata" | G major | 1786 | 2 Lyra, 2 horns, strings | |
| VIIh:4 | Concerto No. 4 for 2 "Lyra organizzata" | F major | 1786 | 2 Lyra, 2 horns, strings | |
| VIIh:5 | Concerto No. 5 for 2 "Lyra organizzata" | F major | 1786 | 2 Lyra, 2 horns, strings | |

## Marches

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| VIII:1 | Derbyshire March | E♭ major | 1795 | 2 clarinets, 2 bassoons, contrabassoon, 2 horns, trumpet | |
| VIII:2 | Derbyshire March | C major | 1795 | 2 clarinets, 2 bassoons, contrabassoon, 2 horns, trumpet | |
| VIII:3 | Marsch für den Prinzen von Wales | E♭ major | 1792 | 2 clarinets, 2 bassoons, contrabassoon, 2 horns, trumpet | |
| VIII:3bis | Marsch für die Royal Society of Musicians | E♭ major | 1792 | flute, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 2 trumpets, strings | |
| VIII:4 | Ungarischer National-Marsch | E♭ major | 1802 | 2 oboes, 2 clarinets, 2 bassoons, 2 horns, trumpet | |
| VIII:5 | March from Il mondo della luna | C major | 1777 | 2 oboes, 2 bassoons, timpani, strings | from opera of the same name |
| VIII:6 | Wind Sextet | E♭ major | 1793 | 2 clarinets, 2 bassoons, 2 horns | arrangement of H. XIX:25 |
| VIII:7 | | E♭ major | c. 1792 | 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 2 trumpets | |
| VIII:C1 | Marsch Brillande de la 66. Brigad des Chasseurs | C major | | | doubtful |
| VIII:C2 | Napoleons Marsch | C major | | | doubtful |
| VIII:C3 | | C major | | | doubtful |
| VIII:D1 | Marsch für das k. k. Infanterie-Regiment Coloredo | D major | | | doubtful |
| VIII:Es1 | Napoleons Siegesmarsch | E♭ major | | | doubtful |

## Dances

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| IX:1 | 12 Minuets | | 1760 or before | 2 oboes, 2 horns, strings | |
| IX:2 | 6 Minuets | | 1766 or before | 2 horns, strings | uncertain; lost |
| IX:3 | 16 Minuets | | 1767 or before | keyboard | |
| IX:4 | 12 Minuets | | 1766 or before | flute, 2 horns, strings | uncertain |
| IX:5 | 6 Minuets | | 1766 | orchestra | |
| IX:6 | 12 Minuets | | c. 1766 | orchestra | uncertain |
| IX:6a | 12 Minuets | | 1777 | orchestra | lost |
| IX:6b | 18 Minuets | | 1780 | orchestra | lost |
| IX:7 | 14 Minuets | | 1784 or before | orchestra | |
| IX:8 | 12 Minuets | | 1785 or before | keyboard | |
| IX:9 | 6 German Dances | | 1787 or before | orchestra | |
| IX:9a | 6 Minuets | | c. 1787 | keyboard | lost |
| IX:9b | 12 German Dances | | 1787 or before | orchestra | lost |
| IX:9c | 12 Minuets | | 1784 or before | orchestra | lost |
| IX:9d | 24 Minuets | | 1789 | orchestra | lost |
| IX:9e | 24 Contredanses | | 1789 | orchestra | lost |
| IX:10 | 12 German Dances | | before 1793 | keyboard | uncertain |
| IX:11 | 12 Minuets | | 1792 | orchestra | Also arranged by Haydn for keyboard |
| IX:12 | 12 German Dances | | 1792 | orchestra | Also arranged by Haydn for keyboard |
| IX:13 | 12 German Dances | | c. 1792 | keyboard | uncertain |
| IX:14 | 13 Minuets | | | orchestra | uncertain |
| IX:15 | 6 Minuets | | | orchestra | uncertain |
| IX:16 | 24 Minuets | | | orchestra | |
| IX:17 | 17 German Dances | | | orchestra | uncertain; lost |
| IX:18 | 9 Minuets | | | orchestra | uncertain |
| IX:19 | 13 Minuets | | | strings | uncertain |
| IX:20 | 18 Minuets | | | keyboard | uncertain |
| IX:21 | 21 Minuets | | | keyboard | uncertain |
| IX:22 | 10 Minuets | | | keyboard | uncertain |
| IX:23 | Minuet | G major | | 2 flutes, 2 horns, strings | |
| IX:24 | Minuet | C major | c. 1792 | strings | uncertain |
| IX:25 | Minuet | F major | c. 1775 | strings | uncertain |
| IX:26 | Minuet | F♯ major | | keyboard | |
| IX:27 | Ox minuet | C major | c. 1800 | orchestra | uncertain |
| IX:28 | 8 Gypsy Dances | | c. 1799 | keyboard | uncertain |
| IX:29 | 5 Contra Dances and 1 Quadrille | | | keyboard | uncertain |
| IX:30 | English Dance | F major | | keyboard | uncertain |
| IX:31 | The Princess of Wales's Favorite Dance | | | unknown | |
| IX:Anh. | 12 German Dances | | | keyboard | |

## Works for various instruments with Baryton

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| X:1 | Divertimento | D major | 1775 | baryton, 2 horns, strings | |
| X:2 | Divertimento | D major | c. 1775 | baryton, 2 horns, strings | |
| X:3 | Divertimento | A minor | 1775 | baryton, 2 horns, strings | |
| X:4 | Divertimento | G major | c. 1775 | baryton, 2 horns, strings | |
| X:5 | Divertimento | G major | 1775 | baryton, 2 horns, strings | |
| X:6 | Divertimento | A major | 1775 | baryton, 2 horns, strings | |
| X:7 | Divertimento | D major | 1767–68 | baryton, 2 horns, viola, bass | lost |
| X:8 | Divertimento | G major | | baryton, 2 horns, viola, cello | lost |
| X:9 | Divertimento | D major | 1770 or before | 2 barytons, 2 horns | lost |
| X:10 | Divertimento | D major | 1767–68 | baryton, 2 horns, viola, bass | |
| X:11 | Divertimento | D major | 1770 or before | baryton, cello | |
| X:12 | Divertimento | G major | 1775 | baryton, flute, 2 horns, strings | |

## Trios for Baryton, Violin (or Viola) and Cello

| Hob. No. | Title | Key | Date | Notes |
| XI:1 | Baryton trio | A major | | |
| XI:2 | Baryton trio | A major | | |
| XI:2bis | Baryton trio | G major | | uncertain authenticity |
| XI:3 | Baryton trio | A major | | |
| XI:4 | Baryton trio | A major | | |
| XI:5 | Baryton trio | A major | | |
| XI:6 | Baryton trio | A major | | |
| XI:7 | Baryton trio | A major | | |
| XI:8 | Baryton trio | A major | | |
| XI:9 | Baryton trio | A major | | |
| XI:10 | Baryton trio | A major | | |
| XI:11 | Baryton trio | D major | | |
| XI:12 | Baryton trio | A major | | |
| XI:13 | Baryton trio | A major | | |
| XI:14 | Baryton trio | D major | | |
| XI:15 | Baryton trio | A major | | |
| XI:16 | Baryton trio | A major | | |
| XI:17 | Baryton trio | D major | | |
| XI:18 | Baryton trio | A major | | lost |
| XI:19 | Baryton trio | A major | | |
| XI:20 | Baryton trio | D major | | |
| XI:21 | Baryton trio | A major | | |
| XI:22 | Baryton trio | A major | | Only the first movement (Adagio) survived |
| XI:23 | Baryton trio | D major | | fragmentary |
| XI:24 | Baryton trio | D major | | |
| XI:25 | Baryton trio | A major | | |
| XI:26 | Baryton trio | G major | | |
| XI:27 | Baryton trio | D major | | |
| XI:28 | Baryton trio | D major | | |
| XI:29 | Baryton trio | A major | | |
| XI:30 | Baryton trio | G major | | |
| XI:31 | Baryton trio | D major | | |
| XI:32 | Baryton trio | G major | | |
| XI:33 | Baryton trio | A major | | |
| XI:34 | Baryton trio | D major | | |
| XI:35 | Baryton trio | A major | | |
| XI:36 | Baryton trio | D major | | |
| XI:37 | Baryton trio | G major | | |
| XI:38 | Baryton trio | A major | | |
| XI:39 | Baryton trio | D major | | |
| XI:40 | Baryton trio | D major | 1767 | |
| XI:41 | Baryton trio | D major | 1767 | |
| XI:42 | Baryton trio | D major | 1767 | |
| XI:43 | Baryton trio | D major | | |
| XI:44 | Baryton trio | D major | | |
| XI:45 | Baryton trio | D major | | |
| XI:46 | Baryton trio | A major | | |
| XI:47 | Baryton trio | G major | | |
| XI:48 | Baryton trio | D major | | |
| XI:49 | Baryton trio | G major | | |
| XI:50 | Baryton trio | D major | | |
| XI:51 | Baryton trio | A major | | |
| XI:52 | Baryton trio | D major | | |
| XI:53 | Baryton trio | G major | 1767 | |
| XI:54 | Baryton trio | D major | | |
| XI:55 | Baryton trio | G major | | |
| XI:56 | Baryton trio | D major | | |
| XI:57 | Baryton trio | A major | 1768 | |
| XI:58 | Baryton trio | D major | | |
| XI:59 | Baryton trio | G major | | |
| XI:60 | Baryton trio | A major | | |
| XI:61 | Baryton trio | D major | | |
| XI:62 | Baryton trio | G major | | |
| XI:63 | Baryton trio | D major | | |
| XI:64 | Baryton trio | D major | | |
| XI:65 | Baryton trio | G major | | |
| XI:66 | Baryton trio | A major | | |
| XI:67 | Baryton trio | G major | | |
| XI:68 | Baryton trio | A major | | |
| XI:69 | Baryton trio | D major | | |
| XI:70 | Baryton trio | G major | | |
| XI:71 | Baryton trio | A major | | |
| XI:72 | Baryton trio | D major | | |
| XI:73 | Baryton trio | G major | | |
| XI:74 | Baryton trio | D major | | |
| XI:75 | Baryton trio | A major | | |
| XI:76 | Baryton trio | C major | 1772 | |
| XI:77 | Baryton trio | G major | | |
| XI:78 | Baryton trio | D major | | |
| XI:79 | Baryton trio | D major | 1769 | |
| XI:80 | Baryton trio | G major | c. 1769 | |
| XI:81 | Baryton trio | D major | | |
| XI:82 | Baryton trio | C major | | |
| XI:83 | Baryton trio | F major | | |
| XI:84 | Baryton trio | G major | | |
| XI:85 | Baryton trio | D major | | |
| XI:86 | Baryton trio | A major | | |
| XI:87 | Baryton trio | A minor | | |
| XI:88 | Baryton trio | A major | | |
| XI:89 | Baryton trio | G major | | |
| XI:90 | Baryton trio | C major | | |
| XI:91 | Baryton trio | D major | | |
| XI:92 | Baryton trio | G major | | |
| XI:93 | Baryton trio | C major | | |
| XI:94 | Baryton trio | A major | 1771 | |
| XI:95 | Baryton trio | D major | 1771 | |
| XI:96 | Baryton trio | B minor | 1771 | |
| XI:97 | Baryton trio | D major | | |
| XI:98 | Baryton trio | D major | | |
| XI:99 | Baryton trio | G major | | lost |
| XI:100 | Baryton trio | F major | | |
| XI:101 | Baryton trio | C major | | |
| XI:102 | Baryton trio | G major | | |
| XI:103 | Baryton trio | A major | | |
| XI:104 | Baryton trio | D major | | |
| XI:105 | Baryton trio | G major | 1772 | |
| XI:106 | Baryton trio | D major | 1772 | |
| XI:107 | Baryton trio | D major | 1772 | |
| XI:108 | Baryton trio | A major | | |
| XI:109 | Baryton trio | C major | | |
| XI:110 | Baryton trio | C major | 1772 | |
| XI:111 | Baryton trio | G major | 1772 | |
| XI:112 | Baryton trio | D major | | |
| XI:113 | Baryton trio | D major | | |
| XI:114 | Baryton trio | D major | 1775 or before | |
| XI:115 | Baryton trio | D major | | |
| XI:116 | Baryton trio | G major | | |
| XI:117 | Baryton trio | F major | | |
| XI:118 | Baryton trio | D major | | |
| XI:119 | Baryton trio | G major | | Only the baryton part survived |
| XI:120 | Baryton trio | D major | | |
| XI:121 | Baryton trio | A major | | |
| XI:122 | Baryton trio | A major | | |
| XI:123 | Baryton trio | G major | 1771 | |
| XI:124 | Baryton trio | G major | 1771 | |
| XI:125 | Baryton trio | G major | | |
| XI:126 | Baryton trio | C major | c. 1771 | |
| XI:C2 | Baryton trio | C major | | doubtful authenticity |

## Duos with Baryton

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XII:1 | Baryton Duo | A major | 1770 or before | baryton, cello | |
| XII:2 | Baryton Duo | G major | | baryton, cello | lost |
| XII:3 | Baryton Duo | D major | | baryton, cello | lost |
| XII:4 | Baryton Duo | G major | 1770 or before | 2 barytons | |
| XII:5 | Baryton Duo | D major | 1770 or before | 2 barytons | |
| XII:6 | Baryton Duo | G major | 1770 or before | baryton, unknown | lost |
| XII:7 | Baryton Duo | D major | 1770 or before | baryton, cello | lost |
| XII:8 | Baryton Duo | C major | 1770 or before | baryton, cello | lost |
| XII:9 | Baryton Duo | G major | 1770 or before | baryton, cello | lost |
| XII:10 | Baryton Duo | A major | 1770 or before | baryton, cello | lost |
| XII:11 | Baryton Duo | D major | 1770 or before | baryton, cello | lost |
| XII:12 | Baryton Duo | G major | | baryton, cello | lost |
| XII:13 | Baryton Duo | D major | 1770 or before | baryton, unknown | lost |
| XII:14 | Baryton Duo | D major | 1770 or before | baryton, unknown | lost |
| XII:15 | Baryton Duo | F major | | baryton, cello | lost |
| XII:16 | Baryton Duo | D major | | baryton, cello | lost |
| XII:17 | Baryton Duo | D major | | baryton, cello | lost |
| XII:18 | Baryton Duo | A major | 1770 or before | baryton, cello | lost |
| XII:19 | Baryton Duo | A major | 1765 or before | 2 barytons, bass | |
| XII:20 | Baryton Duo | G major | 1765 or before | baryton, unknown | lost |
| XII:21 | Baryton Duo | D major | 1765 or before | baryton, unknown | lost |
| XII:22 | Baryton Duo | A major | 1765 or before | baryton, unknown | lost |
| XII:23 | Baryton Duo | G major | 1765 or before | baryton, unknown | lost |
| XII:24 | Baryton Duo | D major | 1775 or before | baryton, unknown | lost |

## Concertos for Baryton

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XIII:1 | Concerto for Baryton | D major | 1770 or before | Baryton, strings | lost |
| XIII:2 | Concerto for Baryton | D major | 1770 or before | Baryton, strings | lost |
| XIII:3 | Concerto for Baryton | D major | 1770 or before | 2 Baryton, strings | lost |

## Divertimentos with keyboard

| Hob. No. | Key | Date | Instrumentation | Notes |
| XIV:1 | E♭ major | 1766 or before | 2 horns, violin, cello, keyboard | |
| XIV:2 | F major | 1769 or before | baryton, 2 violins, keyboard | rearranged as Piano Trio H. XV:2 |
| XIV:3 | C major | 1767 or before | 2 violins, cello, keyboard | |
| XIV:4 | C major | 1764 | 2 violins, cello, keyboard | |
| XIV:5 | D major | 1766 | 2 violins, cello, keyboard | fragment |
| XIV:6 | G major | 1767 or before | 2 violins, cello, keyboard | |
| XIV:7 | C major | 1766 or before | 2 violins, cello, keyboard | |
| XIV:8 | C major | 1766 or before | 2 violins, cello, keyboard | |
| XIV:9 | F major | 1766 or before | 2 violins, cello, keyboard | |
| XIV:10 | C major | 1764 | unknown, keyboard | |
| XIV:11 | C major | 1760 | 2 violins, cello, keyboard | |
| XIV:12 | C major | 1766 or before | 2 violins, cello, keyboard | |
| XIV:13 | G major | 1767 | 2 violins, cello, keyboard | |

## Trios for Piano, Violin (or Flute) and Cello

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XV:1 | Piano Trio No. 5 | G minor | 1766 or before | violin, cello, keyboard | |
| XV:2 | Piano Trio No. 17 | F major | c. 1769 | violin, cello, keyboard | originally for 2 violins, baryton and piano (Hob. XIV:2) |
| XV:3 | Piano Trio | C major | 1784 or before | violin, cello, keyboard | most likely by Ignaz Pleyel |
| XV:4 | Piano Trio | F major | 1784 or before | violin, cello, keyboard | most likely by Ignaz Pleyel |
| XV:5 | Piano Trio No. 18 | G major | 1784 or before | violin, cello, keyboard | |
| XV:6 | Piano Trio No. 19 | F major | 1784–85 | violin, cello, keyboard | |
| XV:7 | Piano Trio No. 20 | D major | 1784–85 | violin, cello, keyboard | |
| XV:8 | Piano Trio No. 21 | B♭ major | 1784–85 | violin, cello, keyboard | |
| XV:9 | Piano Trio No. 22 | A major | 1785 | violin, cello, keyboard | |
| XV:10 | Piano Trio No. 23 | E♭ major | 1785 | violin, cello, keyboard | |
| XV:11 | Piano Trio No. 24 | E♭ major | 1789 or before | violin, cello, keyboard | |
| XV:12 | Piano Trio No. 25 | E minor | 1789 or before | violin, cello, keyboard | |
| XV:13 | Piano Trio No. 26 | C minor | 1789 or before | violin, cello, keyboard | |
| XV:14 | Piano Trio No. 27 | A♭ major | 1790 | violin, cello, keyboard | |
| XV:15 | Piano Trio No. 29 | G major | 1790 | flute, cello, keyboard | |
| XV:16 | Piano Trio No. 28 | D major | 1790 | flute, cello, keyboard | |
| XV:17 | Piano Trio No. 30 | F major | 1790 | flute, cello, keyboard | |
| XV:18 | Piano Trio No. 32 | A major | 1794 | violin, cello, keyboard | |
| XV:19 | Piano Trio No. 33 | G minor | 1794 | violin, cello, keyboard | |
| XV:20 | Piano Trio No. 34 | B♭ major | 1794 | violin, cello, keyboard | |
| XV:21 | Piano Trio No. 35 | C major | 1794–95 | violin, cello, keyboard | |
| XV:22 | Piano Trio No. 36 | E♭ major | 1794–95 | violin, cello, keyboard | |
| XV:23 | Piano Trio No. 37 | D minor | 1794–95 | violin, cello, keyboard | |
| XV:24 | Piano Trio No. 38 | D major | 1795 | violin, cello, keyboard | |
| XV:25 | Piano Trio No. 39 | G major | 1795 | violin, cello, keyboard | |
| XV:26 | Piano Trio No. 40 | F♯ minor | 1795 | violin, cello, keyboard | |
| XV:27 | Piano Trio No. 43 | C major | 1797 or before | violin, cello, keyboard | |
| XV:28 | Piano Trio No. 44 | E major | 1797 or before | violin, cello, keyboard | |
| XV:29 | Piano Trio No. 45 | E♭ major | 1797 | violin, cello, keyboard | |
| XV:30 | Piano Trio No. 42 | E♭ major | 1795 | violin, cello, keyboard | |
| XV:31 | Piano Trio No. 41 | E♭ minor | 1795 | violin, cello, keyboard | |
| XV:32 | Piano Trio No. 31 | G major | 1793–94 | violin, cello, keyboard | |
| XV:33 | Piano Trio No. 8 | D major | 1759 or before | violin, cello, keyboard | lost |
| XV:34 | Piano Trio No. 11 | E major | 1759 or before | violin, cello, keyboard | |
| XV:35 | Piano Trio No. 10 | A major | 1759 or before | violin, cello, keyboard | |
| XV:36 | Piano Trio No. 12 | E♭ major | c. 1760 | violin, cello, keyboard | |
| XV:37 | Piano Trio No. 1 | F major | 1766 or before | violin, cello, keyboard | |
| XV:38 | Piano Trio No. 13 | B♭ major | 1766 or before | violin, cello, keyboard | |
| XV:39 | Piano Trio No. 4 | F major | | violin, cello, keyboard | arrangement of other works |
| XV:40 | Piano Trio No. 6 | F major | 1760 or before | violin, cello, keyboard | exists with a different slow movement as the piano concerto Hob. XVIII:7 |
| XV:41 | Piano Trio No. 7 | G major | 1767 or before | violin, cello, keyboard | |
| XV:C1 | Piano Trio No. 2 | C major | | violin, cello, keyboard | doubtful; attributed to Georg Christoph Wagenseil |
| XV:C2 | Piano Trio No. 16 | C major | | violin, cello, keyboard | doubtful |
| XV:D1 | Piano Trio No. 9 | D major | | violin, cello, keyboard | doubtful; lost |
| XV:f1 | Piano Trio No. 14 | F minor | | violin, cello, keyboard | doubtful |

## Keyboard Duos

| Hob. No. | Title | Key | Instrumentation |
| XVa:1 | Sonata for keyboard and obbligato violin | B♭ major | keyboard, obbligato violin |
| XVa:2 | Sonata for keyboard and obbligato violin | D major | keyboard, obbligato violin |
| XVa:3 | Sonata for keyboard and obbligato violin | C major | keyboard, obbligato violin |

## Keyboard sonatas

| Hob. No. | Title | Key | Date | Notes |
| XVI:1 | Keyboard sonata No. 1 | C major | 1760 or before | |
| XVI:2 | Keyboard sonata No. 2 | B♭ major | c. 1760 | |
| XVI:2a | Divertimento | D minor | 1767 or before | lost |
| XVI:2b | Divertimento | A major | | lost |
| XVI:2c | Divertimento | B major | | lost |
| XVI:2d | Divertimento | B♭ major | | lost |
| XVI:2e | Divertimento | E minor | | lost |
| XVI:2g | Divertimento | C major | | lost |
| XVI:2h | Divertimento | A major | | lost |
| XVI:3 | Keyboard sonata No. 3 | C major | 1760 or before | |
| XVI:4 | Keyboard sonata No. 4 | D major | 1760 or before | |
| XVI:5 | Keyboard sonata No. 5 | A major | 1763 or before | authorship uncertain |
| XVI:6 | Keyboard sonata No. 6 | G major | 1766 or before | |
| XVI:7 | Keyboard sonata No. 7 | C major | 1766 or before | authorship uncertain |
| XVI:8 | Keyboard sonata No. 8 | G major | 1766 or before | authorship uncertain |
| XVI:9 | Keyboard sonata No. 9 | F major | 1766 or before | authorship uncertain |
| XVI:10 | Keyboard sonata No. 10 | C major | 1767 or before | authorship uncertain |
| XVI:11 | Keyboard sonata No. 11 | G major | 1767 or before | authorship uncertain |
| XVI:12 | Keyboard sonata No. 12 | A major | 1767 or before | authorship uncertain |
| XVI:13 | Keyboard sonata No. 13 | E major | 1767 or before | authorship uncertain |
| XVI:14 | Keyboard sonata No. 14 | D major | 1767 or before | |
| XVI:15 | Keyboard sonata No. 15 | C major | 1765 or before | authorship uncertain, arranged from H. II:11 |
| XVI:16 | Keyboard sonata No. 16 | E♭ major | 1767 | authorship uncertain |
| XVI:17 | Keyboard sonata No. 17 | B♭ major | | spurious, actually by Johann Gottfried Schwanenberger |
| XVI:18 | Keyboard sonata No. 18 | B♭ major | c. 1767 | |
| XVI:19 | Keyboard sonata No. 19 | D major | 1767 | |
| XVI:20 | Keyboard sonata No. 20 | C minor | c. 1771 | |
| XVI:21 | Keyboard sonata No. 21 | C major | 1773 | |
| XVI:22 | Keyboard sonata No. 22 | E major | 1773 | |
| XVI:23 | Keyboard sonata No. 23 | F major | 1773 | |
| XVI:24 | Keyboard sonata No. 24 | D major | 1773 | |
| XVI:25 | Keyboard sonata No. 25 | E♭ major | 1773 | |
| XVI:26 | Keyboard sonata No. 26 | A major | 1773 | |
| XVI:27 | Keyboard sonata No. 27 | G major | c. 1774–76 | |
| XVI:28 | Keyboard sonata No. 28 | E♭ major | 1774–76 | |
| XVI:29 | Keyboard sonata No. 29 | F major | c. 1774 | |
| XVI:30 | Keyboard sonata No. 30 | A major | c. 1774–76 | |
| XVI:31 | Keyboard sonata No. 31 | E major | c. 1774–76 | |
| XVI:32 | Keyboard sonata No. 32 | B minor | 1774–76 | |
| XVI:33 | Keyboard sonata No. 33 | D major | c. 1777 | |
| XVI:34 | Keyboard sonata No. 34 | E minor | 1778 or before | |
| XVI:35 | Keyboard sonata No. 35 | C major | 1780 or before | |
| XVI:36 | Keyboard sonata No. 36 | C♯ minor | 1780 or before | |
| XVI:37 | Keyboard sonata No. 37 | D major | 1780 or before | |
| XVI:38 | Keyboard sonata No. 38 | E♭ major | 1780 or before | |
| XVI:39 | Keyboard sonata No. 39 | G major | 1780 or before | |
| XVI:40 | Keyboard sonata No. 40 | G major | 1784 | |
| XVI:41 | Keyboard sonata No. 41 | B♭ major | 1784 | |
| XVI:42 | Keyboard sonata No. 42 | D major | 1784 | |
| XVI:43 | Keyboard sonata No. 43 | A♭ major | 1783 or before | |
| XVI:44 | Keyboard sonata No. 44 | G minor | 1765–67 | |
| XVI:45 | Keyboard sonata No. 45 | E♭ major | 1765–67 | |
| XVI:46 | Keyboard sonata No. 46 | A♭ major | 1765–67 | |
| XVI:47 | Keyboard sonata No. 47 | F major | c. 1765–67 | authorship uncertain |
| XVI:48 | Keyboard sonata No. 48 | C major | 1789 or before | |
| XVI:49 | Keyboard sonata No. 49 | E♭ major | 1789–90 | |
| XVI:50 | Keyboard sonata No. 50 | C major | 1794–95 | |
| XVI:51 | Keyboard sonata No. 51 | D major | 1794 | |
| XVI:52 | Keyboard sonata No. 52 | E♭ major | 1794 | |
| XVI:G1 | | G major | | authorship doubtful |
| XVI:deest | | D major | | |

## Keyboard pieces

| Hob. No. | Title | Key | Date | Notes |
| XVII:1 | Capriccio | G major | 1765 | |
| XVII:2 | Twenty Variations in G major | G major | 1771 or before | |
| XVII:3 | Variations in E♭ major | E♭ major | 1774 or before | |
| XVII:4 | Fantasia in C major | C major | 1789 | |
| XVII:5 | Variations in C major | C major | 1790 | |
| XVII:6 | Variations in F minor | F minor | 1793 | |
| XVII:7 | Variations in D major | D major | 1766 or before | |
| XVII:8 | Variations in D major | D major | | uncertain |
| XVII:9 | Adagio | F major | | |
| XVII:10 | Allegretto | G major | | Arranged from Hob. XIX:27; uncertain |
| XVII:11 | Nouvelle Andante pour le Clavecin No. 2 | B♭ major | | uncertain |
| XVII:12 | Variations in B♭ major | B♭ major | | uncertain |
| XVII:Anh. | 12 Easy pieces | | | |

## Keyboard for 4 hands

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XVIIa:1 | Il Maestro e lo Scolaro | F major | 1778 or before | Keyboard for 4 hands | |
| XVIIa:2 | Partita | F major | Un­known | Keyboard for 4 hands | |

## Keyboard concertos

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XVIII:1 | Keyboard Concerto No. 1 | C major | 1756 | Keyboard, orchestra | |
| XVIII:2 | Keyboard Concerto No. 2 | D major | 1767 or before | Keyboard, orchestra | |
| XVIII:3 | Keyboard Concerto No. 3 | F major | c. 1765 | Keyboard, strings | |
| XVIII:4 | Keyboard Concerto No. 4 | G major | 1770 | Keyboard, orchestra | |
| XVIII:5 | Keyboard Concerto No. 5 | C major | 1763 or before | Keyboard, strings | uncertain, perhaps to be attributed to Georg Christoph Wagenseil |
| XVIII:6 | Keyboard and Violin Concerto No. 6 | F major | 1766 or before | Keyboard, violin, strings | |
| XVIII:7 | Keyboard Concerto No. 7 | F major | 1766 or before | Keyboard, strings | exists with a different slow movement as the piano trio Hob. XV:40; uncertain, perhaps to be attributed to Georg Christoph Wagenseil |
| XVIII:8 | Keyboard Concerto No. 8 | C major | 1766 or before | Keyboard, orchestra | uncertain, perhaps to be attributed to Leopold Hofmann |
| XVIII:9 | Keyboard Concerto No. 9 | G major | 1767 or before | Keyboard, strings | uncertain |
| XVIII:10 | Keyboard Concerto No. 10 | C major | 1771 or before | Keyboard, strings | |
| XVIII:11 | Keyboard Concerto No. 11 | D major | 1782 or before | Keyboard, orchestra | |

## Pieces for mechanical clock

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XIX:1 | Allegretto | F major | 1772 | Keyboard (organ) | Arranged from Hob. XXVIII:7 |
| XIX:2 | Vivace | F major | 1772 | Keyboard (organ) | uncertain |
| XIX:3 | Andantino | F major | 1772 | Keyboard (organ) | Arranged from Hob. I:53 |
| XIX:4 | Andante cantabile ("Der Dudelsack") | C major | 1772 | Keyboard (organ) | uncertain |
| XIX:5 | Minuet | F major | 1772 | Keyboard (organ) | Arranged from Hob. XI:82 |
| XIX:6 | Vivace ("Der Kaffeeklatsch") | F major | 1772 | Keyboard (organ) | Arranged from Hob. XI:76 |
| XIX:7 | Minuet | C major | 1772–92 | Keyboard (organ) | uncertain |
| XIX:8 | Minuet ("Der Wachtelschlag") | C major | 1772–92 | Keyboard (organ) | |
| XIX:9 | Minuet, Allegretto | C major | 1772–92 | Keyboard (organ) | Arranged from Hob. III:57 |
| XIX:10 | Andante | C major | 1772–92 | Keyboard (organ) | |
| XIX:11 | Allegretto | C major | 1772–93 | Keyboard (organ) | |
| XIX:12 | Andante | C major | 1772–93 | Keyboard (organ) | |
| XIX:13 | Vivace | C major | 1772–93 | Keyboard (organ) | |
| XIX:14 | Minuet | C major | 1772–93 | Keyboard (organ) | |
| XIX:15 | Allegro ma non troppo | C major | 1772 | Keyboard (organ) | |
| XIX:16 | Fugue: Allegro | C major | 1772–93 | Keyboard (organ) | |
| XIX:17 | Allegro moderato | C major | 1792 | Keyboard (organ) | |
| XIX:18 | Presto | C major | 1792 | Keyboard (organ) | |
| XIX:19 | Andante | C major | 1792 | Keyboard (organ) | Arranged from Hob. XXVIa:13 |
| XIX:20 | Minuet | C major | 1792 | Keyboard (organ) | Arranged from Hob. I:85 |
| XIX:21 | Allegretto | G major | 1792 | Keyboard (organ) | uncertain |
| XIX:22 | Allegro moderato | C major | 1792 | Keyboard (organ) | uncertain |
| XIX:23 | Vivace | C major | 1792 | Keyboard (organ) | Arranged from Hob. I:C6; uncertain |
| XIX:24 | Presto | C major | 1792 | Keyboard (organ) | uncertain |
| XIX:25 | March | D major | 1793 | Keyboard (organ) | Arranged from Hob. VIII:6 |
| XIX:26 | Andante-Allegro | E major | 1793 | Keyboard (organ) | uncertain |
| XIX:27 | Allegretto | G major | 1793 | Keyboard (organ) | Later arranged as Hob. XVII:10 |
| XIX:28 | Allegro | C major | 1793 | Keyboard (organ) | Arranged from Hob. III:70 |
| XIX:29 | Minuet | C major | 1793 | Keyboard (organ) | Arranged from Hob. I:101 |
| XIX:30 | Presto | G major | 1793 | Keyboard (organ) | Arranged from Hob. III:63 |
| XIX:31 | Presto | C major | 1793 | Keyboard (organ) | |
| XIX:32 | Allegro | F major | 1793 | Keyboard (organ) | Arranged from Hob. I:99 |

## Versions of The Seven Last Words of Christ

| Hob. No. | Title | Date | Instrumentation | Notes |
| XX:1 | The Seven Last Words of Christ orchestral version | 1786 | orchestra | 7 sonatas with sinfonia and an earthquake |
| XX:2 | The Seven Last Words of Christ string quartet version | 1787 | string quartet | revised version of H. XX:1 |
| XX:3 | The Seven Last Words of Christ piano version | 1787 | piano | revised version of H. XX:1 |
| XX:4 | The Seven Last Words of Christ choral version | 1796 | SATB soloists, mixed choir, orchestra | revised version of H. XX:1 |

## Stabat Mater

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXa:1 | Stabat Mater | G minor | 1767 | SATB soloists, mixed choir, orchestra | |

## Oratorios

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXI:1 | Il ritorno di Tobia | C minor | 1775 | SSATB soloists, mixed choir, orchestra | revised in 1784 and 1806 by Sigismund von Neukomm with Haydn's consent |
| XXI:2 | The Creation | | 1798 | STB soloists, mixed choir, orchestra | |
| XXI:3 | The Seasons | | 1801 | STB soloists, mixed choir, orchestra | |

## Masses

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXII:1 | Missa Brevis | F major | c. 1750 | 2 Sopranos, mixed choir, strings | |
| XXII:2 | Missa sunt bona mixta malis | D minor | 1770 or before | mixed choir a capella | fragment |
| XXII:3 | Missa rorate coeli desuper | G major | c. 1750 | 2 sopranos, mixed choir, strings | |
| XXII:4 | Große Orgelmesse, Missa Cellensis in honorem Beatissimae Virginis Mariae | E♭ major | c. 1766 | SATB soloists, mixed choir, orchestra | |
| XXII:5 | Missa Cellensis in honorem Beatissimae Virginis Mariae | C major | 1766 | SATB soloists, mixed choir, orchestra | |
| XXII:6 | Missa Sancti Nicolai Nicolaimesse | G major | 1772 | SATB soloists, mixed choir, orchestra | |
| XXII:7 | Missa brevis Sancti Joannis de Deo Kleine Orgelmesse | B♭ major | 1778 or before | Soprano, mixed choir, orchestra | |
| XXII:8 | Missa Cellensis Mariazellermesse | C major | 1782 | SATB soloists, mixed choir, orchestra | |
| XXII:9 | Mass in time of war Paukenmesse | C major | 1796 | SATB soloists, mixed choir, orchestra | |
| XXII:10 | Missa Sancti Bernardi von Offida Heiligmesse | B♭ major | 1796 | SSATBB soloists, mixed choir, orchestra | |
| XXII:11 | Missa in Angustiis Nelson Mass | D minor | 1798 | SATB soloists, mixed choir, orchestra | |
| XXII:12 | Theresienmesse | B♭ major | 1799 | SATB soloists, mixed choir, orchestra | |
| XXII:13 | Schöpfungsmesse | B♭ major | 1801 | SATB soloists, mixed choir, orchestra | |
| XXII:14 | Harmoniemesse | B♭ major | 1802 | SATB soloists, mixed choir, orchestra | |

## Requiem

| Hob. No. | Title | Key | Notes |
| XXIIa:Es11 | Requiem | E♭ major | doubtful |
| XXIIa:Es13 | Requiem | E♭ major | doubtful |
| XXIIa:B2 | Requiem | B♭ major | doubtful |

## Libera me

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXIIb:1 | Libera me | F major | c. 1790 | mixed choir, strings | uncertain |

## Other sacred works

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXIIIa:1 | Motet: Non nobis Domine | D minor | c. 1799 | Mixed choir | |
| XXIIIa:2 | Motet: Animae Deo gratae | C major | 1776 or before | Soprano, Mixed Choir, Orchestra | |
| XXIIIa:3 | Hymne (Offertorium): Ens aeternum attende votis | G major | 1772 or before | Mixed Choir, orchestra | |
| XXIIIa:4 | Motet di Saneta Thecla: Quis stella radius | C major | c. 1762 | Soprano, Mixed Choir, Organ, Strings | |
| XXIIIa:5 | Offertorium: Ad aras eonvolate | G major | c. 1780 | Mixed choir, orchestra | uncertain |
| XXIIIa:6 | Motet: Salus et Gloria | C major | 1779 or before | Mixed choir, orchestra | Uncertain attribution, probably by Leopold Hofmann |
| XXIIIa:7 | Motet de Tempore: Super flumina Babylonis | C major | 1772 or before | Solo Alto, Soprano, Tenor, Bass, Orchestra | Uncertain attribution, probably by Johann Baptist Wanhal |
| XXIIIa:8 | Offertorium: Ardentes seraphini | A major | 1786 or before | 2 Sopranos, Alto, Strings | uncertain |
| XXIIIa:a1 | Ave Maria | B-flat major | | SATB | uncertain |
| XXIIIb:1 | Salve Regina | E major | 1756 | Soprano, Mixed Choir, Strings | |
| XXIIIb:2 | Salve Regina | G minor | 1771 | SATB Soloists, Mixed Choir, Organ, Strings | |
| XXIIIb:3 | Ave Regina | A major | c. 1763 | Soprano, Mixed Choir, Organ, 2 Violins | |
| XXIIIb:4 | Salve Regina | E♭ major | 1770 or before | Mixed Choir, Organ, Strings | |
| XXIIIb:5 | Salve Regina | G major | c. 1776 | Soprano, Alto, Organ, Strings | Probably to be attributed to J. Heyda |
| XXIIIb:6 | Ave Regina | F major | 1782 or before | Mixed Choir, Organ, Orchestra | uncertain |
| XXIIIc:1 | Te Deum | C major | 1765 or before | SATB Soloists, Mixed Choir, Organ, Orchestra | |
| XXIIIc:2 | Te Deum | C major | 1800 or before | Mixed Choir, Organ, Orchestra | |
| XXIIIc:3 | Alleluia | G major | 1768–71 | Mixed Choir, Organ, Strings | |
| XXIIIc:4a-d | 4 Responsoria de Venerabili | | c. 1768 | Mixed Choir, 2 Horns, Organ, Strings | |
| XXIIIc:5a-d | 4 Hymnen de Venerabili | | c. 1760 | Mixed Choir, Organ, Orchestra | |
| XXIIIc:6 | Aria de Venera: Lauda Sion | F major | c. 1760 | Alto, 2 Flutes, Organ, 2 Violins, Viola | |
| XXIIId:1 | Cantilena pro Adventu: Ein' Magd, ein' Dienerin | A major | c. 1770 | Soprano, 2 Horns, Organ, Strings | |
| XXIIId:2 | Aria de Adventu: Mutter Gottes mir erlaube | G major | c. 1770 | Soprano, Alto, Organ, Strings | |
| XXIIId:3 | Cantilena pro Adventu: Jesu Redemptor | D major | | Soprano, 2 Horns, Organ, Strings | |
| XXIII:suppl. | 6 Psalms | | c. 1794 | SAB Choir | |

## Cantatas and arias with orchestra

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXIVa:1 | Vivan gl'illustri sposi | | | Mixed Choir, Orchestra | lost |
| XXIVa:2 | Destatevi, o miei fidi | G major | 1763 | 2 Sopranos, Tenor, Mixed Choir (SSTB), Orchestra | to celebrate the name day (December 6) of Prince Nicolaus Esterhazy |
| XXIVa:3 | Al tuo arrivo felice | C major | 1764 | Soprano, Mixed Choir, Orchestra | to celebrate the return of Prince Nicolaus Esterhazy from Paris and Frankfurt/Main |
| XXIVa:4 | Qual dubbio o(r)mai | A major | 1764 | Soprano, Mixed Choir, Orchestra | to celebrate the name day (December 6) of Prince Nicolaus Esterhazy |
| XXIVa:5 | Dei clementi | | | Mixed Choir, Orchestra | lost |
| XXIVa:6 | Applausus | C major | 1768 | SATBB Soloists, Mixed Choir, Orchestra | |
| XXIVa:7 | Miseri noi, misera Patria | E♭ major | 1790 or before | Soprano, Orchestra | |
| XXIVa:8 | Der Sturm | D minor | 1792 | SATB Soloists, Mixed Choir, Orchestra | |
| XXIVa:9 | Unfinished Oratorio | D minor | 1794 | Bass, Mixed Choir, Orchestra | |
| XXIVa:10 | Berenice, che fai? | D major | 1795 | Soprano, Orchestra | |
| XXIVa:11 | Die Erwählung eines Kapellmeisters | C major | c. 1796 | SAT Soloists, Mixed Choir, Orchestra | uncertain |
| XXIVa:Anh.2 | Denk ich Gott an deine Güte | G major | 1794 | Mixed Choir, Orchestra | Spurious by Johann Abraham Peter Schulz; Arrangement of movement II from H.I:104 |
| XXIVb:1 | Aria: Costretta piangere dolente | E♭ major | 1762 or before | Soprano, Orchestra | |
| XXIVb:2 | Aria: D'una sposa meschineIla | C major | c. 1777 | Soprano, Orchestra | |
| XXIVb:3 | Aria: Quando la rosa | G major | 1779 | Soprano, Orchestra | |
| XXIVb:4 | Aria: Il cor nel seno balzarmi sento | C major | 1780 | Soprano, Orchestra | lost text |
| XXIVb:5 | Aria: Dice benissimo, chi si marita | E♭ major | 1780 | Bass, 2 Horns, Strings | |
| XXIVb:6 | Recit: Mora l'infido; Aria: Mi sento nel seno | B♭ major | 1781 | Soprano, Strings | incomplete; uncertain |
| XXIVb:7 | Aria: Signor, voi sapete | B♭ major | 1785 | Soprano, Orchestra | |
| XXIVb:8 | Aria: Dica pure chi vuol dir | G major | c. 1785 | Soprano, Orchestra | |
| XXIVb:9 | Cavatina: Sono Alcina e sono ancora | F major | 1786 | Soprano, Orchestra | |
| XXIVb:10 | Recit: Ah, tu non senti, amico; Aria: Qual destra omicida | B♭ major | 1786 | Tenor, Orchestra | |
| XXIVb:11 | Aria: Un cor si tenero | G major | 1787 | Bass, Orchestra | |
| XXIVb:12 | Aria: Vada adagio, Signorina | B♭ major | 1787 | Soprano, Orchestra | |
| XXIVb:13 | Aria: Chi vive amante | B♭ major | 1787 | Soprano, Orchestra | |
| XXIVb:14 | Aria: Se tu mi sprezzi, ingrata | F major | 1788 | Tenor, Orchestra | |
| XXIVb:15 | Aria: Infelice, sventurata | E♭ major | 1789 | Soprano, Orchestra | |
| XXIVb:16 | Aria: Da che penso a maritarmi | E♭ major | 1790 | Tenor, Orchestra | |
| XXIVb:16a | Entracte: | E♭ major | 1790 | Tenor, Orchestra | lost text; uncertain |
| XXIVb:17 | Aria: Il meglio mio carattere | E♭ major | 1790 | Soprano, Orchestra | |
| XXIVb:18 | Aria: La moglie quando è buona | E♭ major | 1790 | Soprano, Orchestra | |
| XXIVb:19 | Aria: La mia pace, oh Dio | B♭ major | 1790 | Soprano, Orchestra | |
| XXIVb:20 | Aria: Solo e pensoso | B♭ major | 1798 | Soprano, Orchestra | |
| XXIVb:21 | Aria: | C major | 1788 | Soprano, Orchestra | lost text; uncertain |
| XXIVb:22 | Aria: Tornate pur mia bella | E♭ major | | Tenor, Orchestra | |
| XXIVb:23 | Aria: Via siate bonino | B♭ major | | Soprano, Orchestra | |

## Songs with 2, 3, and 4 parts

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXVa:1 | Guarda qui, che lo vedrai | F major | 1796 | Soprano, Tenor, Keyboard | |
| XXVa:2 | Saper vorrei se m'ami | G major | 1796 | Soprano, Tenor, Keyboard | |
| XXVb:1 | An den Vetter | G major | 1799 or before | Soprano, Alto, Tenor, Keyboard | |
| XXVb:2 | Daphnens einziger Fehler | C major | 1799 or before | 2 Tenors, Bass, Keyboard | |
| XXVb:3 | Betrachtung des Todes | C major | 1799 or before | Soprano, Tenor, Bass, Keyboard | |
| XXVb:4 | An die Frauen | F major | 1799 or before | 2 Tenors, Bass, Keyboard | |
| XXVb:5 | Pietà di me, benigni Dei | B♭ major | | 2 Sopranos, Tenor, Orchestra | uncertain |
| XXVc:1 | Der Augenblick | A major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:2 | Die Harmonie in der Ehe | B♭ major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:3 | Alles hat seine Zeit | F major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:4 | Die Beredsamkeit | B♭ major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:5 | Der Greis | B♭ major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:6 | Die Warnung | B♭ major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:7 | Wider den Übermut | A major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:8 | Aus dem Danklied zu Gott | E♭ major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |
| XXVc:9 | Abendlied zu Gott | E major | 1796–99 | Soprano, Alto, Tenor, Bass, Keyboard | |

## Lieder with keyboard and cantatas with instruments

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXVIa:1 | Das strickende Mädchen | B♭ major | 1781 | Voice, Keyboard | |
| XXVIa:2 | Cupido | E major | 1781 | Voice, Keyboard | |
| XXVIa:3 | Der erste Kuß | E♭ major | 1781 | Voice, Keyboard | |
| XXVIa:4 | Eine sehr gewöhnliche Geschichte | G major | 1781 | Voice, Keyboard | |
| XXVIa:5 | Der Verlassene | G minor | 1781 | Voice, Keyboard | |
| XXVIa:6 | Der Gleichsinn | A major | 1781 | Voice, Keyboard | |
| XXVIa:7 | An Iris | B♭ major | 1781 | Voice, Keyboard | |
| XXVIa:8 | An Thyrsis | D major | 1781 | Voice, Keyboard | |
| XXVIa:9 | Trost unglücklicher Liebe | F minor | 1781 | Voice, Keyboard | |
| XXVIa:10 | Die Landlust | C major | 1781 | Voice, Keyboard | |
| XXVIa:11 | Liebeslied | D major | 1781 | Voice, Keyboard | |
| XXVIa:12 | Die zu späte Ankunft der Mutter | E♭ major | 1781 | Voice, Keyboard | |
| XXVIa:13 | Jeder meint, der Gegenstand | F major | 1784 | Voice, Keyboard | |
| XXVIa:14 | Lachet nicht, Mädchen | B♭ major | 1784 | Voice, Keyboard | |
| XXVIa:15 | O liebes Mädchen, höre mich, | G major | 1784 | Voice, Keyboard | |
| XXVIa:16 | Gegenliebe | G major | 1784 | Voice, Keyboard | |
| XXVIa:17 | Geistliches Lied | G minor | 1784 | Voice, Keyboard | |
| XXVIa:18 | Auch die sprödeste der Schönen | F major | 1784 | Voice, Keyboard | |
| XXVIa:19 | O fließ, ja wallend fließ in Zähren | E major | 1784 | Voice, Keyboard | |
| XXVIa:20 | Zufriedenheit | C major | 1784 | Voice, Keyboard | |
| XXVIa:21 | Das Leben ist ein Traum | E♭ major | 1784 | Voice, Keyboard | |
| XXVIa:22 | Lob der Faulheit | A minor | 1784 | Voice, Keyboard | |
| XXVIa:23 | Minna | A major | 1784 | Voice, Keyboard | |
| XXVIa:24 | Auf meines Vaters Grab | E major | 1784 | Voice, Keyboard | |
| XXVIa:25 | The Mermaid's Song | C major | 1794 | Voice, Keyboard | |
| XXVIa:26 | Recollection | F major | 1794 | Voice, Keyboard | |
| XXVIa:27 | A Pastoral Song | A major | 1794 | Voice, Keyboard | also referred to as Shepherd's Song |
| XXVIa:28 | Despair | E major | 1794 | Voice, Keyboard | |
| XXVIa:29 | Pleasing Pain | G major | 1794 | Voice, Keyboard | |
| XXVIa:30 | Fidelity | F minor | 1794 | Voice, Keyboard | |
| XXVIa:31 | Sailor's Song | A major | 1794–95 | Voice, Keyboard | |
| XXVIa:32 | The Wanderer | G minor | 1794–95 | Voice, Keyboard | |
| XXVIa:33 | Sympathy | E major | 1794–95 | Voice, Keyboard | |
| XXVIa:34 | She never told her love | A♭ major | 1794–95 | Voice, Keyboard | |
| XXVIa:35 | Piercing eyes | G major | 1794–95 | Voice, Keyboard | |
| XXVIa:36 | Content | A major | 1794–95 | Voice, Keyboard | also referred to as The Transport of Pleasure |
| XXVIa:37 | Beim Schmerz der dieses Herz durchwühlt | E major | | Voice, Keyboard | |
| XXVIa:38 | Der schlaue Pudel | B♭ major | c. 1780 | Voice, Keyboard | |
| XXVIa:39 | Trachten will ich nicht auf Erden | E major | 1790 | Voice, Keyboard | |
| XXVIa:40 | Der Feldzug | E major | 1790 | Voice, Keyboard | lost |
| XXVIa:41 | The Spirit's Song | F minor | | Voice, Keyboard | |
| XXVIa:42 | O tuneful Voice | E♭ major | | Voice, Keyboard | |
| XXVIa:43 | Kaiserlied | G major | 1797 | Voice, Keyboard | |
| XXVIa:44 | Als einst mit Weibes Schönheit | A major | | Voice, Keyboard | |
| XXVIa:45 | Ein kleines Haus | E major | 1801 | Voice, Keyboard | |
| XXVIa:46 | Vergiß mein nicht | G major | c. 1796 | Voice, Keyboard | also referred to as Antwort auf die Frage eines Mädchens |
| XXVIa:47 | Bald wehen uns des Frühlings Lüfte | G major | | Voice, Keyboard | |
| XXVIa:48a | Ich liebe, du liebest, er liebet | E♭ major | | Voice, Keyboard | lost |
| XXVIa:48b | Dürre, Staub, vermorschte Knochen | B♭ major | | Voice, Keyboard | lost |
| XXVIa:48c | Sag'n allweil vom Staatsleb'n | C major | | Voice, Keyboard | lost |
| XXVIa:48d | Kein besseres Leben ist ja auf der Welt | G major | | Voice, Keyboard | lost |
| XXVIa:D1 | Liebes Mädchen hör mir zu | D major | | Voice, Keyboard | authorship doubtful. |
| XXVIa:G1 | A prey to tender anguish | G major | | Voice, Keyboard | authorship doubtful. |
| XXVIb:1 | Deutschlands Klage auf den Tod des grossen; Friedrichs Borussens König | E♭ major | 1776 | Voice, Baryton | lost |
| XXVIb:2 | Arianna a Naxos | E♭ major | 1789 or before | Soprano, Keyboard | |
| XXVIb:3 | Dr. Har(r)ingtons Compliment | A major | c. 1794 | Soprano, Mixed Choir (SSTB), Keyboard | |
| XXVIb:4 | Lines from the battle of the Nile | C minor | 1800 | Soprano, Keyboard | |

## Sacred and secular canons

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXVIIa:1 | Du sollst an einen Gott glauben | C major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:2 | Du sollst den Namen Gottes nicht eitel nennen | G major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:3 | Du sollst Sonn- und Feiertag heiligen | B♭ major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:4 | Du sollst Vater und Mutter verehren | E♭ major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:5 | Du sollst nicht töten | B♭ major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:6 | Du sollst nicht Unkeuschheit treiben | C major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:7 | Du sollst nicht stehlen | A minor | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:8 | Du sollst kein falsch Zeugnis geben | E major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:9 | Du sollst nicht begehren deines Nächsten Weib | C major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIa:10 | Du sollst nicht begehren, deines Nächsten Gut | A♭ major | 1791 | 3 voices | Die X Gebothe Gottes |
| XXVIIb:1 | Hilar an Narziss | G major | | 3 voices | |
| XXVIIb:2 | Auf einen adeligen Dummkopf | E♭ major | | 3 voices | |
| XXVIIb:3 | Der Schuster bleib bei seinem Leist | F major | | 8 voices | |
| XXVIIb:4 | Herr von Gänsewitz zu seinem Kammerdiener | C minor | | 4 voices | |
| XXVIIb:5 | An den Marull | F major | | 5 voices | |
| XXVIIb:6 | Die Mutter an ihr Kind in der Wiege | E♭ major | | 3 voices | |
| XXVIIb:7 | Der Menschenfreund | E♭ major | | 4 voices | |
| XXVIIb:8 | Gottes Macht und Vorsehung | G major | | 3 voices | |
| XXVIIb:9 | An Dorilis | F major | | 4 voices | |
| XXVIIb:10 | Vixi | B♭ major | | 3 voices | |
| XXVIIb:11 | Der Kobold | E♭ major | | 4 voices | |
| XXVIIb:12 | Der Fuchs und der Marder | A minor | | 4 voices | |
| XXVIIb:13 | Abschied | B♭ major | | 5 voices | |
| XXVIIb:14 | Die Hofstellungen | B minor | | 3 voices | |
| XXVIIb:15 | Aus Nichts wird Nichts | C major | | 5 voices | |
| XXVIIb:16 | Cacatum non est pictum | A major | | 4 voices | |
| XXVIIb:17 | Tre cose | E♭ major | | 3 voices | |
| XXVIIb:18 | Vergebliches Glück | A major | | 2 voices | |
| XXVIIb:19 | Grabschrift | G minor | | 4 voices | |
| XXVIIb:20 | Das Reitpferd | E♭ major | | 3 voices | |
| XXVIIb:21 | Tod und Schlaf | A♭ major | | 4 voices | |
| XXVIIb:22 | An einen Geizigen | D major | | 3 voices | |
| XXVIIb:23 | Das böse Weib | G major | | 3 voices | |
| XXVIIb:23bis | Das böse Weib | A minor | | 3 voices | |
| XXVIIb:24 | Der Verlust | E major | | 3 voices | |
| XXVIIb:25 | Der Freigeist | G major | | 3 voices | |
| XXVIIb:26 | Die Liebe der Feinde | A major | | 2 voices | |
| XXVIIb:27 | Der Furchtsame | C minor | | 3 voices | |
| XXVIIb:28 | Die Gewissheit | E♭ major | | 4 voices | |
| XXVIIb:29 | Phoebus und sein Sohn | G major | | 4 voices | |
| XXVIIb:30 | Die Tulipane | G major | | 2 voices | |
| XXVIIb:31 | Das größte Gut | A minor | | 3 voices | |
| XXVIIb:32 | Der Hirsch | D minor | | 5 voices | |
| XXVIIb:33 | Überschrift eines Weinhauses | E major | | 4 voices | |
| XXVIIb:34 | Der Esel und die Dohle | C major | | 8 voices | |
| XXVIIb:35 | Schalksnarren | B♭ major | | 6 voices | |
| XXVIIb:36 | Zweierlei Feinde | F major | | 3 voices | |
| XXVIIb:37 | Der Bäcker und die Maus | D minor | | 5 voices | |
| XXVIIb:38 | Die Flinte und der Hase | G major | | 4 voices | |
| XXVIIb:39 | Der Nachbar | G minor | | 4 voices | |
| XXVIIb:40 | Liebe zur Kunst | G major | | 4 voices | |
| XXVIIb:41 | Frag und Antwort zweier Fuhrleute; die Welt | G minor | | 5 voices | |
| XXVIIb:42 | Der Fuchs und der Adler | C major | | 3 voices | |
| XXVIIb:43 | Wunsch | G minor | | 4 voices | |
| XXVIIb:44 | Gott im Herzen, ein Weib im Arm | F major | | 3 voices | |
| XXVIIb:45 | Turk was a faithful dog | B♭ major | | 4 voices | |
| XXVIIb:46 | Thy voice, o Harmony, is divine | C major | | 3 voices | |
| XXVIIb:47 | no lyrics | G major | | 7 voices | |

## Operas

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXVIII:1 | Acide e Galatea | C major | 1763 | SSATB, orchestra | 1 act |
| XXVIII:2 | La canterina | | 1766 | SSST, orchestra | 2 acts |
| XXVIII:3 | Lo speziale | G major | 1768 | SSTT, orchestra | 3 acts |
| XXVIII:4 | Le pescatrici | D major | 1770 | SAATTB soloists, mixed choir, orchestra | 3 acts |
| XXVIII:5 | L'infedeltà delusa | C major | 1773 | SSTTB, orchestra | 2 acts |
| XXVIII:6 | L'incontro improvviso | | 1775 | SSSTTB Soloists, mixed choir, orchestra | 3 acts |
| XXVIII:7 | Il mondo della luna | | 1777 | SSSATTB soloists, mixed choir, orchestra | 3 acts |
| XXVIII:8 | La vera costanza | | 1779 | SSSTTTB, orchestra | 3 acts |
| XXVIII:8a | Laurette | | 1791 | SSSTTTB, orchestra | 3 acts; French version of La vera costanza |
| XXVIII:9 | L'isola disabitata | | 1779, rev. 1802 | SSTB, orchestra | 2 acts |
| XXVIII:10 | La fedeltà premiata | D major | 1781 | SSSSTTBB, orchestra | 3 acts |
| XXVIII:10bis | L'infedeltà fedele | | 1779 | 9 voices, orchestra | 3 acts; actually by Domenico Cimarosa |
| XXVIII:11 | Orlando paladino | | 1782 | SSSTTTTBB soloists, mixed choir, orchestra | 3 acts |
| XXVIII:12 | Armida | | 1784 | SSTTTB, orchestra | 3 acts |
| XXVIII:13 | L'anima del filosofo | | 1791 | SSTBBB soloists, mixed choir, orchestra | 4 acts |

## Marionette operas and singspiele

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXIXa:1 | Philemon und Baucis | | 1773 or before | 2 female voices, 2 male voices, 2 speaking parts, mixed choir, orchestra | Revised as Hob. XXIXb:2 |
| XXIXa:1a | Prelude to No. 1 "Der Götterrath" | D major | 1773 or before | Soloist, mixed choir, orchestra | Music lost |
| XXIXa:2 | Der Hexenschabbas | | 1773 | | Music lost |
| XXIXa:3 | Didone Abbandonata (Dido) | | 1776 | 7 people, mixed choir, orchestra | Music lost |
| XXIXa:4 | Das abgebrannten Haus | | c. 1779 | | Music lost |
| XXIXa:5 | Genovevens vierter Theil | | 1777 | | Music lost |
| XXIXb:1a | Der krumme Teufel | | c. 1751 | | Music lost |
| XXIXb:1b | Der neue krumme Teufel | | 1758 or before | | Music lost |
| XXIXb:2 | Philemon und Baucis | D minor | 1776 | 2 sopranos, 2 tenors, 2 speaking parts, mixed choir, orchestra | After Hob. XXIXa:1 |
| XXIXb:3 | Die bestrafte Rachbegierde | | 1779 | | Music lost |

## Incidental music

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXX:1 | Comedia la Marchesa Ne(s)pola | | 1762 | | Most of the music lost |
| XXX:2 | Musik zum Schauspiel "Die Feuersbrunst" | Un­known | 1774 | Un­known | Uncertain. Music lost |
| XXX:3 | Zwischenaktmusik zum Schauspiel "Der Zerstreute" | Un­known | 1774 | Un­known | Music lost |
| XXX:4 | Musik zu einem Schauspiel | | 1793 or before | Soprano, orchestra | |
| XXX:5 | Musik zum Schauspiel "Alfred oder der patriotische König" | | 1796 | | |
| XXX:5a | Chor der Dänen zu dem Schauspiel | C major | | Mixed choir, orchestra | Chorus from Hob. XXX:5 |
| XXX:5b | Arie des Schutzgeistes | E♭ major | | Soprano, orchestra | Chorus from Hob. XXX:5 |
| XXX:5c | Duet "Der Morgen graut" | F major | | 2 tenors, harp, strings | Duet from Hob. XXX:5 |

## Folksong arrangements

| Hob. No. | Title | Key | Date | Instrumentation | Notes |
| XXXIa:1 | Mary's Dream | F♯ minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:1bis | Mary's Dream | F♯ minor | | Voice, Keyboard | Alternate version |
| XXXIa:2 | John Anderson, my Jo | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:2bis | John Anderson, my Jo | G minor | | Voice, Keyboard | Alternate version |
| XXXIa:3 | I love my love in secret | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:4 | Willie was a wanton wag | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:4bis | There was a lass and she was fair | D minor | | Voice, Keyboard | |
| XXXIa:5 | Saw ye my Father | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:5bis | Where are the joys I have met | D major | | Voice, Keyboard | |
| XXXIa:5ter | Saw ye my Father | D major | | Voice, Keyboard | Alternate version |
| XXXIa:6 | Todlen hame | A major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:6bis | Todlen hame | A major | | Voice, Keyboard | Alternate version |
| XXXIa:7 | Fy gar rub her o'er wi' Strae | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:7bis | Fy gar rub her o'er wi' Strae | E minor | | 2 Voices, Keyboard | Duet version |
| XXXIa:8 | Green grow the Rashes | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:8bis | Green grow the Rashes | B minor | | Voice, Keyboard | Alternate version |
| XXXIa:9 | The waefu' heart | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:9bis | The waefu' heart | F major | | Voice, Keyboard | Alternate version |
| XXXIa:10 | The Ploughman | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:11 | Barbara Allen | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:11bis | 'Twas at the hour dark | C minor | | Voice, Keyboard | |
| XXXIa:12 | Thou'rt gane awa' | A major | | Voice, Violin, Cello, Keyboard | also referred to as 'Had awa frae me, Donald' |
| XXXIa:12bis | Thou'rt gane awa' | A major | | Voice, Keyboard | Alternate version; also referred to as 'Had awa frae me, Donald' |
| XXXIa:13 | Gramachree | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:13bis | One morning very early, one morning in the spring | D major | | Voice, Keyboard | |
| XXXIa:13ter | One morning very early, one morning in the spring | F major | | Voice, Keyboard | Alternate version |
| XXXIa:14 | This is no mine ain house | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:14bis | This is no mine ain house | B♭ major | | Voice, Keyboard | Alternate version |
| XXXIa:15 | Galla water | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:15bis | Galla water | D major | | Voice, Keyboard | Alternate version |
| XXXIa:15ter | Galla water | D major | | Voice, Keyboard | Alternate version |
| XXXIa:16 | O'er Bogie | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:16bis | Well I agree you'r sure of me | F-♯ minor | | Voice, Keyboard | |
| XXXIa:17 | I had a Horse | B minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:17bis | O poortith cauld and restless love | C minor | | Voice, Keyboard | |
| XXXIa:18 | My Boy Tammy | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:19 | St. Kilda Song | F major | | Voice, Violin, Cello, Keyboard | also referred to as 'By the stream so cool and clear' |
| XXXIa:20 | The blythesome Bridal | D major | | Voice, Violin, Cello, Keyboard | also referred to as 'Fy, Let us a' to the Bridal' |
| XXXIa:20bis | 'Tis nae very lang sin syne | D major | | Voice, Keyboard | |
| XXXIa:21 | The Shepherd Adonis | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:22 | The White Cockade | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:22bis | The White Coekade | D major | | Voice, Keyboard | Alternate version; attributed to Neukomm |
| XXXIa:23 | The Lass of Livingston | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:24 | John of Badenyon | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:24bis | John of Badenyon | G minor | | Voice, Keyboard | Alternate version |
| XXXIa:25 | The bonniest Lass in a' the Warld | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:26 | Duncan Davison | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:27 | Leader Haughs and Yarrow | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:28 | Up in the morning early | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:28bis | Up in the morning early | G minor | | Voice, Keyboard | Alternate version |
| XXXIa:28ter | Up in the morning early | G minor | | Voice, Keyboard | Alternate version |
| XXXIa:29 | Fife and a' the lands about it | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:30 | I'm o'er young to marry yet | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:31 | The lea-rig | F major | | Voice, Violin, Cello, Keyboard | also referred to as 'My ain kind Dearie, O' |
| XXXIa:31bis | The lea-rig | G major | | Voice, Keyboard | Alternate version |
| XXXIa:31ter | The lea-rig | G major | | Voice, Keyboard | Alternate version |
| XXXIa:32 | Dainty Davie | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:33 | Pentland Hills | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:34 | Duncan Gray | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:35 | Maggy Lauder | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:35bis | Maggy Lauder | A major | | Voice, Keyboard | Alternate version |
| XXXIa:35ter | Maggy Lauder | B♭ major | | Voice, Keyboard | Alternate version |
| XXXIa:36 | How can I be sad on my Wedding Day | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:37 | My Nanny O! | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:37bis | Behind yon hill where Lugar flows | C minor | | Voice, Keyboard | |
| XXXIa:37ter | My Nanny O! | C minor | | Voice, Keyboard | Alternate version |
| XXXIa:37quater | My Nanny O! | C minor | | 2 Voices, Keyboard | Duet version |
| XXXIa:38 | Woo'd and Married and a' | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:38bis | No house in the village could stow them | F major | | Voice, Keyboard | |
| XXXIa:39 | Blue Bonnets | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:40 | The Wawking of the Fauld | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:41 | John, come kiss me now | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:42 | Mount your Baggage | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:43 | Ye Gods! was Strephon's picture blest | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:44 | Sleepy Bodie | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:45 | The Gard'ner wi' his Paidle | A major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:46 | The Brisk young Lad | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:46bis | The pawky auld carle came o'er the lea | E minor | | Voice, Keyboard | |
| XXXIa:47 | Cumbernauld House | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:48 | O can you Sew Cushions | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:49 | Heres a health to my true Love | B minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:50 | Merry may the Maid be | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:50bis | Merry may the Maid be | D minor | | 2 Voices, Keyboard | Duet version |
| XXXIa:51 | The Mucking of Geordie's Byne | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:51bis | My heart is a breaking dear Titty | E minor | | Voice, Keyboard | |
| XXXIa:52 | Tibby Fowler | B minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:52bis | Tibby Fowler | B minor | | Voice, Keyboard | Alternate version; attributed to Neukomm |
| XXXIa:53 | Love will find out the way | A major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:54 | Be kind to the Young thing | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:55 | Cauld Kail in Aberdeen | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:55bis | How long and dreary is the night | D major | | 2 Voices, Keyboard | Duet |
| XXXIa:56 | Saw ye my Peggy | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:57 | The banks of Spey | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:58 | The birks of Abergeldie | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:58bis | The birks of Abergeldie | D major | | Voice, Keyboard | Alternate version |
| XXXIa:59 | The bonny brucket Lassie | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:60 | The Soger Laddie | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:60bis | Come rest ye here Johnie | E♭ major | | Voice, Keyboard | |
| XXXIa:61 | O let me in this ae night | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:61bis | O let me in this ae night | D minor | | Voice, Keyboard | Alternate version |
| XXXIa:62 | When she came ben she bobet | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:62bis | O was I to blame to love him | E minor | | Voice, Keyboard | |
| XXXIa:63 | Hallow ev'n | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:63bis | Hallow ev'n | D major | | Voice, Keyboard | Alternate version; attributed to Neukomm |
| XXXIa:64 | Young Jockey was the blythest Lad | A minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:64bis | Young Jockey was the blythest Lad | A minor | | Voice, Keyboard | Alternate version |
| XXXIa:65 | Margret's Ghost | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:66 | The Black Eagle | A major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:67 | How long and dreary is the Night | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:68 | Blink o'er the Burn, sweet Betty | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:69 | What ye wha I met yestreen | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:69bis | What ye wha I met yestreen | E minor | | Voice, Keyboard | Alternate version |
| XXXIa:70 | My Mithers ay glowran o'er me | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:70bis | My Mithers ay glowran o'er me | E minor | | Voice, Keyboard | Alternate version |
| XXXIa:71 | Young Damon | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:72 | Robin quo' she | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:72bis | Robin quo' she | G major | | Voice, Keyboard | Alternate version |
| XXXIa:73 | Logie of Buchan | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:74 | Eppie Adair | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:75 | Widow, are ye waking | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:75bis | Widow, are ye waking | E♭ major | | Voice, Keyboard | Alternate version |
| XXXIa:76 | Whistle o'er the lave o't | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:76bis | Whistle o'er the lave o't | F major | | Voice, Keyboard | Alternate version |
| XXXIa:77 | My heart's in the Highlands | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:78 | Steer her up and had her gawin | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:79 | Jamie come try me | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:80 | If a body meet a body | G major | | Voice, Violin, Cello, Keyboard | also referred to as 'The Miller's Daughter' |
| XXXIa:80bis | If a body meet a body | G major | | Voice, Keyboard | Alternate version; also referred to as 'The Miller's Daughter' |
| XXXIa:81 | McGregor of Ruara's Lament | C major | | Voice, Violin, Cello, Keyboard | also referred to as McGregor of Roro's Lament; Raving Winds around her blowing |
| XXXIa:81bis | My sorrow deep sorrow | C major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:82 | Willy's Rare | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:83 | Lizae Baillie | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:84 | The maid's Complaint | B minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:85 | Oh Onochrie | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:86 | Maggie's Tocher | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:87 | I dream'd I lay | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:88 | The Glancing of her Apron | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:89 | O bonny lass | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:89bis | O say, my sweet Nan | E♭ major | | Voice, Keyboard | |
| XXXIa:90 | The Flowers of Edinburgh | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:90bis | The Flowers of Edinburgh | F major | | Voice, Keyboard | Alternate version |
| XXXIa:91 | Jockie and Sandie | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:92 | The mill, mill O | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:92bis | When wild war's deadly blast was blown | B♭ major | | Voice, Keyboard | |
| XXXIa:93 | Shepherds, I have lost my love | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:93bis | Shepherds, I have lost my love | D major | | Voice, Keyboard | Alternate version |
| XXXIa:94 | Bonny Kate of Edinburgh | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:95 | If e'er ye do well it's a Wonder | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:96 | Peggy in Devotion | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:97 | Colonel Gardner | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:98 | To Daunton me | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:99 | Jenny was Fair and unkind | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:100 | Her absence will not alter me | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:101 | The Bonnie Grey ey'd Morn | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:101bis | A soldier am I, all the world o'er I range | G major | | Voice, Keyboard | |
| XXXIa:102 | Bonnie Wee thing | A major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:102bis | Bonnie Wee thing | A major | | Voice, Keyboard | Alternate version |
| XXXIa:102ter | Bonnie Wee thing | A major | | Voice, Keyboard | Alternate version |
| XXXIa:102quater | Bonnie Wee thing | A major | | Mixed choir (STB) | 3 part version; uncertain |
| XXXIa:103 | Roy's Wife of Alldivaloch | A minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:104 | While hopeless | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:105 | Frae the Friends and Land I love | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:106 | The Shepherd's son | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:106bis | The Shepherd's son | G major | | Voice, Keyboard | Alternate version |
| XXXIa:106ter | The gowan glitters on the sword | A major | | Voice, Keyboard | |
| XXXIa:107 | A Cold Frosty Morning | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:108 | O, For ane and twenty Tam! | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:109 | Johnie Armstrong | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:110 | I do confess thou art sae fair | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:111 | Now Westlin Winds | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:112 | Green Sleeves | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:112bis | It was the charming month of May | E minor | | Voice, Keyboard | |
| XXXIa:113 | The Posie | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:114 | As I cam down by yon Castle Wa' | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:115 | The Minstrel | C minor | | Voice, Violin, Cello, Keyboard | Also referred to as Donocht head |
| XXXIa:115bis | The Minstrel | C minor | | Voice, Keyboard | Alternate version |
| XXXIa:116 | The Ewy wi' the crooked Horn | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:116bis | The Ewy wi' the crooked Horn | G major | | Voice, Keyboard | Alternate version |
| XXXIa:117 | Fair Eliza | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:118 | The Widow | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:119 | Yon Wild Mossy Mountains | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:120 | My Goddess Woman | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:121 | She's fair and fause | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:122 | O'er the Moor amang the Heather | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:122bis | O'er the Moor amang the Heather | E♭ major | | Voice, Keyboard | Alternate version; attributed to Neukomm |
| XXXIa:122ter | O'er the Moor amang the Heather | E♭ major | | Voice, Keyboard | Alternate version |
| XXXIa:123 | The Tears I shed | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:124 | The Wee Wee Man | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:124bis | O bonny was yon rosy | E♭ major | | Voice, Keyboard | |
| XXXIa:125 | Nithsdall's Welcome home | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:126 | Bid me not forget | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:127 | Lady Randolph's Complaint | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:128 | The Shepherd's Wife | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:128bis | A! rosebud by my early walk | E♭ major | | Voice, Keyboard | |
| XXXIa:129 | The weary Pund o'Tow | G major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:129bis | The weary Pund o'Tow | F major | | Voice, Keyboard | Alternate version |
| XXXIa:130 | The tither morn | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:131 | Ae fond Kiss | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:132 | Jenny drinks nae water | B♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:133 | The Vain Pursuit | C major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:134 | What can a young Lassie do | B minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:134bis | What can a young Lassie do | B minor | | Voice, Keyboard | Alternate version |
| XXXIa:135 | The Rose Bud | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:136 | Dear Silvia | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:137 | The Slave's Lament | D minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:138 | The Death of the Linnet | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:138bis | The Death of the Linnet | E♭ major | | 2 Voices, Keyboard | Duet version |
| XXXIa:139 | Donald and Flora | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:139bis | Donald and Flora | E♭ major | | Voice, Keyboard | Alternate version |
| XXXIa:140 | I canna come ilke day to woo | A major | | Voice, Violin, Cello, Keyboard | also referred to as 'Lass, gin ye lo'e me, tell me now' |
| XXXIa:140bis | Now bank and brae are cloth'd in green | A major | | Voice, Keyboard | |
| XXXIa:141 | Hughie Graham | G minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:142 | On a Bank of Flowers | C minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:143 | Morag | D minor | | Voice, Violin, Cello, Keyboard | also referred to as 'The young Highland Rover' |
| XXXIa:143bis | Morag | C minor | | Voice, Keyboard | Alternate version |
| XXXIa:144 | A Country Lassie | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:145 | Strathallan's Lament | D major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:145bis | Strathallan's Lament | D major | | Voice, Keyboard | Alternate version |
| XXXIa:146 | Tho' for sev'n years and mair | F major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:147 | Bess and her Spinning Wheel | E minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:148 | Kellyburn Braes | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:148bis | Kellyburn Braes | D major | | Voice, Keyboard | Alternate version |
| XXXIa:149 | O'er the Hills and far away | F♯ minor | | Voice, Violin, Cello, Keyboard | |
| XXXIa:149bis | O how can my poor hear be glad | G minor | | Voice, Keyboard | |
| XXXIa:150 | Strephon and Lydia | E♭ major | | Voice, Violin, Cello, Keyboard | |
| XXXIa:151 | On Ettrick banks | D major | | Voice, Keyboard | |
| XXXIa:152 | Down the burn Davie | F major | | 2 Voices, Keyboard | |
| XXXIa:153 | William and Margret | B♭ major | | Voice, Keyboard | also referred to as Margret's Ghost |
| XXXIa:154 | Johnny's gray breeks | B♭ major | | Voice, Keyboard | |
| XXXIa:155 | Woes my heart that we shou'd sunder | F major | | 2 Voices, Keyboard | |
| XXXIa:156 | Fee him, father | F major | | Voice, Keyboard | |
| XXXIa:157 | A Waking, O! | E♭ major | | 2 Voices, Keyboard | |
| XXXIa:158 | The looking glass | G major | | Voice, Keyboard | |
| XXXIa:159 | Highland Mary | E♭ major | | Voice, Keyboard | |
| XXXIa:160 | The lass of Patie's Mill | C major | | Voice, Keyboard | |
| XXXIa:160bis | The lass of Patie's Mill | C major | | 2 Voices, Keyboard | Duet version |
| XXXIa:161 | Queen Mary's lamentation | E♭ major | | Voice, Keyboard | |
| XXXIa:162 | The blathrie o't | D major | | Voice, Keyboard | |
| XXXIa:163 | Logan water | G minor | | Voice, Keyboard | |
| XXXIa:164 | An thou wert mine ain thing | A major | | Voice, Keyboard | |
| XXXIa:164bis | An thou wert mine ain thing | A major | | Voice, Keyboard | Alternate version |
| XXXIa:165 | Rothie murcus Rant | C major | | Voice, Keyboard | |
| XXXIa:166 | My dearie if thou die | G major | | Voice, Keyboard | |
| XXXIa:167 | Peggy, I must love thee | G major | | 2 Voices, Keyboard | |
| XXXIa:168 | Auld Robin Gray | D major | | Voice, Keyboard | |
| XXXIa:169 | Killicrankie | C major | | Voice, Keyboard | |
| XXXIa:170 | The broom of Cowdenknows | E♭ major | | Voice, Keyboard | |
| XXXIa:171 | Bannocks o'Barley meal | G major | | Voice, Keyboard | |
| XXXIa:172 | Bonny Jean | D major | | Voice, Keyboard | |
| XXXIa:173 | Sensibility | E♭ major | | Voice, Keyboard | |
| XXXIa:174 | Hey tutti taiti | G major | | Voice, Keyboard | |
| XXXIa:175 | The lone vale | B♭ major | | Voice, Keyboard | |
| XXXIa:176 | The blue bell(s) of Scotland | D major | | Voice, Keyboard | |
| XXXIa:177 | I wish my Love were in a Myre | B♭ major | | Voice, Keyboard | |
| XXXIa:178 | Bessy Bell and Mary Gray | C major | | Voice, Keyboard | |
| XXXIa:178bis | Bessy Bell and Mary Gray | C major | | Voice, Keyboard | Alternate version |
| XXXIa:179 | Galashiels | E♭ major | | Voice, Keyboard | |
| XXXIa:180 | Tak' your auld cloak about ye | G minor | | Voice, Keyboard | |
| XXXIa:180bis | Tak' your auld cloak about ye | G minor | | Voice, Keyboard | Alternate version |
| XXXIa:181 | Thro' the wood, Laddie | F major | | Voice, Keyboard | |
| XXXIa:182 | Macpherson's Farewell | A major | | Voice, Keyboard | |
| XXXIa:183 | Pinkie House | D major | | Voice, Keyboard | |
| XXXIa:184 | The auld Gudeman | B♭ major | | Voice, Keyboard | |
| XXXIa:185 | Scornfu' Nancy | B♭ major | | Voice, Keyboard | |
| XXXIa:185bis | Nancy's to the greenwood | B♭ major | | Voice, Keyboard | |
| XXXIa:186 | Tears that must ever fall | D major | | Voice, Keyboard | |
| XXXIa:187 | The Birks of Invermay | G major | | Voice, Keyboard | |
| XXXIa:187bis | The Birks of Invermay | G major | | Voice, Keyboard | Alternate version |
| XXXIa:188 | The Ewe-bughts | G major | | 2 Voices, Keyboard | |
| XXXIa:189 | My apron deary | G major | | Voice, Keyboard | |
| XXXIa:189bis | My apron deary | A major | | Voice, Keyboard | Alternate version |
| XXXIa:190 | Lochaber | F major | | Voice, Keyboard | Probable attribution to Neukomm |
| XXXIa:190bis | Lochaber | F major | | Voice, Keyboard | Alternate version |
| XXXIa:191 | Roslin Castle | C minor | | Voice, Keyboard | |
| XXXIa:191bis | Roslin Castle | C minor | | Voice, Keyboard | Alternate version |
| XXXIa:192 | Auld Rob Morris | E♭ major | | 2 Voices, Keyboard | |
| XXXIa:193 | Craigiebum Wood | D major | | Voice, Keyboard | |
| XXXIa:194 | My Love she's but a lassie yet | C major | | Voice, Keyboard | |
| XXXIa:195 | The auld wife ayont the fire | E♭ major | | Voice, Keyboard | |
| XXXIa:196 | Gil Morris | E♭ major | | Voice, Keyboard | also referred to as Morrice |
| XXXIa:197 | Rise up and bar the door | F major | | Voice, Keyboard | also referred to as Get up and bar the door; attributed to Neukomm |
| XXXIa:198 | The Sutor's Daughter | G major | | 2 Voices, Keyboard | |
| XXXIa:199 | The last time I came o'er the muir | D major | | Voice, Keyboard | |
| XXXIa:199bis | The last time I came o'er the muir | D major | | Voice, Keyboard | Alternate version |
| XXXIa:200 | The braes of Ballenden | G major | | Voice, Keyboard | |
| XXXIa:200bis | The braes of Ballenden | G major | | Voice, Keyboard | Alternate version |
| XXXIa:201 | The Tears of Caledonia | D minor | | Voice, Keyboard | |
| XXXIa:202 | Robin Adair | C major | | 2 Voices, Keyboard | |
| XXXIa:203 | Erin-go-bragh | C major | | Voice, Keyboard | Irish aria attributed to Neukomm |
| XXXIa:203bis | Savourna deligh | C major | | Voice, Keyboard | |
| XXXIa:204 | The bush aboon Traquair | B♭ major | | 2 Voices, Keyboard | |
| XXXIa:205 | I'll never leave thee | D major | | Voice, Keyboard | |
| XXXIa:206 | Tweedside | G major | | 2 Voices, Keyboard | |
| XXXIa:207 | The braes of Yarrow | A major | | Voice, Keyboard | |
| XXXIa:208 | The silken snood | E♭ major | | Voice, Keyboard | |
| XXXIa:209 | The lass of Lochroyan | A minor | | Voice, Keyboard | |
| XXXIa:210 | Low down in the broom | C major | | Voice, Keyboard | |
| XXXIa:211 | The yellow hair'd laddie | D major | | 2 Voices, Keyboard | |
| XXXIa:212 | The flowers of the forest | B♭ major | | Voice, Keyboard | |
| XXXIa:213 | The Collier's bonny Lassie | F major | | Voice, Keyboard | |
| XXXIa:214 | Waly, Waly | D major | | Voice, Keyboard | |
| XXXIa:214bis | Waly, Waly | D major | | Voice, Keyboard | Alternate version |
| XXXIa:214ter | Waly, Waly | D major | | 2 Voices, Keyboard | Duet version; uncertain |
| XXXIa:215 | Lewie Gordon | G major | | Voice, Keyboard | |
| XXXIa:216 | Corn riggs | A major | | 2 Voices, Keyboard | |
| XXXIa:217 | Donald | B♭ major | | Voice, Keyboard | |
| XXXIa:218 | Auld lang syne | F major | | Voice, Keyboard | |
| XXXIa:219 | She rose and loot me in | D minor | | Voice, Keyboard | |
| XXXIa:219bis | She rose and loot me in | D minor | | Voice, Keyboard | Alternate version |
| XXXIa:220 | Katherine Ogie | G minor | | Voice, Keyboard | |
| XXXIa:221 | The Maid that tends the goats | C major | | Voice, Keyboard | |
| XXXIa:221bis | Hark the mavis' ev'ning sang | C major | | Voice, Keyboard | |
| XXXIa:222 | For the lack of Gold | B♭ major | | Voice, Keyboard | |
| XXXIa:223 | Sae merry as we ha'e been | C major | | Voice, Keyboard | |
| XXXIa:224 | Captain O'Kain | E minor | | Voice, Keyboard | |
| XXXIa:224bis | Captain O'Kain | E minor | | Voice, Keyboard | Alternate version; probably Irish aria attributed to Neukomm |
| XXXIa:225 | Gilderoy | G minor | | 2 Voices, Keyboard | |
| XXXIa:226 | The braes of Ballochmyle | E♭ major | | Voice, Keyboard | |
| XXXIa:227 | Rattling roaring Willy | F major | | Voice, Keyboard | |
| XXXIa:228 | Oran Gaoil | D minor | | 2 Voices, Keyboard | |
| XXXIa:229 | Deil tak the wars | B♭ major | | Voice, Keyboard | |
| XXXIa:230 | The Poet's ain Jean | G major | | Voice, Keyboard | |
| XXXIa:230bis | The Poet's ain Jean | A major | | 2 Voicea, Keyboard | Duet version |
| XXXIa:231 | A Jacobite Air | B♭ major | | Voice, Keyboard | |
| XXXIa:232 | The border widow's lament | A major | | Voice, Keyboard | |
| XXXIa:233 | Up and war them a'Willie | F major | | Voice, Keyboard | |
| XXXIa:234 | The east Neuk o'Fife | F major | | Voice, Keyboard | |
| XXXIa:235 | Langolee | G major | | Voice, Keyboard | |
| XXXIa:236 | Fair Helen of Kirkconnell | B♭ major | | Voice, Keyboard | |
| XXXIa:237 | Hooly and fairly | D major | | Voice, Keyboard | |
| XXXIa:238 | Johny Macgill | E♭ major | | Voice, Keyboard | Probably Irish air attributed to Neukomm |
| XXXIa:239 | Shelah O'Neal | F major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:240 | Jenny dang the weaver | B♭ major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:241 | Pat & Kate | B♭ major | | 2 Voices, Keyboard | |
| XXXIa:242 | Muirland Willy | D minor | | Voice, Keyboard | |
| XXXIa:243 | The happy Topers | C major | | Voice, Keyboard | |
| XXXIa:244 | What ails this heart of mine | B♭ major | | 2 Voices, Keyboard | |
| XXXIa:245 | The wish | G minor | | Voice, Keyboard | |
| XXXIa:246 | The Boatman | C major | | Voice, Keyboard | |
| XXXIa:247 | Happy Dick Dawson | D major | | Voice, Keyboard | |
| XXXIa:248 | The old highland laddie | D major | | Voice, Keyboard | |
| XXXIa:249 | Oonagh | D minor | | Voice, Keyboard | |
| XXXIa:250 | Sir Patrick Spence | A major | | Voice, Keyboard | |
| XXXIa:251 | Johny Faw | B♭ major | | Voice, Keyboard | Probably to be attributed to Neukomm |
| XXXIa:252 | Jenny's Bawbee | G major | | Voice, Keyboard | |
| XXXIa:253A | Cro Challin | F major | | Voice, Keyboard | |
| XXXIa:253B | The rock and a wee pickle Tow | F major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:254 | Good night and joy be wi'ye | G major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:255 | Open the door | E♭ major | | Voice, Keyboard | |
| XXXIa:256 | The Humours o'Glen | A minor | | Voice, Keyboard | |
| XXXIa:257 | Here awa', there awa' | F major | | Voice, Keyboard | |
| XXXIa:257bis | Wandering Willie | F major | | Voice, Keyboard | Perhaps to be attributed to Neukomm |
| XXXIa:258 | My Jo Janet | C major | | Voice, Keyboard | |
| XXXIa:259 | The Day returns | E♭ major | | 2 Voices, Keyboard | |
| XXXIa:260 | The siller crown | F major | | Voice, Keyboard | |
| XXXIa:261 | Sweet Annie | G minor | | Voice, Keyboard | |
| XXXIa:262 | My lodging is on the cold ground | F major | | Voice, Keyboard | Same tune as "Believe me, if all those endearing young charms" |
| XXXIa:263 | Jingling Jonnie | E♭ major | | Voice, Keyboard | |
| XXXIa:264 | The three Captains | E♭ major | | Voice, Keyboard | |
| XXXIa:265 | Polwarth on the Green | B♭ major | | 2 Voices, Keyboard | |
| XXXIa:266 | The sailor's lady | A major | | Voice, Keyboard | |
| XXXIa:267 | Over the water to Charlie | D major | | Voice, Keyboard | |
| XXXIa:268 | My love's a wanton wee thing | D major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:269 | Kelvin Grove | G major | | Voice, Keyboard | uncertain |
| XXXIa:270 | Tullochgorum | D major | | Voice, Keyboard | Attributed to Neukomm |
| XXXIa:271 | O were my Love yon Lilac fair | C major | | Voice, Keyboard | uncertain |
| XXXIa:272 | Lassie wi' the gowden hair | D minor | | Voice, Keyboard | |
| XXXIa:273 | O gin my love were yon red rose | A minor | | Voice, Keyboard | |
| XXXIb:1 | Codiad yr Hedydd | B♭ major | | Voice, Keyboard | (The rising of the Lark) |
| XXXIb:2 | Gorhoffedd gwyr Harlech | G major | | Voice, Keyboard | (The March of the Men of Harlech) |
| XXXIb:3 | Torriad y Dydd | B minor | | Voice, Keyboard | (The dawn of Day) |
| XXXIb:4 | Daffydd y Garreg-Wen | G minor | | Voice, Keyboard | (David on the White Rock) |
| XXXIb:5 | Mantell Siani | G major | | Voice, Keyboard | (Jenny's mantle) |
| XXXIb:6 | Mentra Gwen | A major | | 2 Voices, Keyboard | (Venture Gwen) |
| XXXIb:7 | Llwyn Onn | G major | | Voice, Keyboard | (The Ash Grove) |
| XXXIb:8 | Rhyfelgyrch Cadpen Morgan | B♭ major | | Voice, Keyboard | (Captain Morgan's March) |
| XXXIb:9 | Ar hyd y Nos | A major | | 2 Voices, Keyboard | (The live long night) |
| XXXIb:10 | Twll yn ei Boch | C major | | Voice, Keyboard | (The dimpled cheek) |
| XXXIb:11 | Hob y deri dando | G major | | Voice, Keyboard | (Away, my herd, under the green oak) |
| XXXIb:12 | Codiad yr Haul | B♭ major | | 2 Voices, Keyboard | (The rising sun) |
| XXXIb:13 | Ffarwel Ffranses | E♭ major | | Voice, Keyboard | (Farewell Frances) |
| XXXIb:14 | Dowck i'r Frwydr | B♭ major | | 2 Voices, Keyboard | (Come to battle) |
| XXXIb:15 | Grisiel Ground | B♭ major | | 2 Voices, Keyboard | (The crystal Ground) |
| XXXIb:16 | Hob y deri danno | G major | | Voice, Keyboard | (Away to the oaken grove) |
| XXXIb:17 | Tros y Garreg | G minor | | Voice, Keyboard | (Over the Stone) |
| XXXIb:18 | Ton y Ceiliog Du | B♭ major | | 2 Voices, Keyboard | (The Note of the black Cock) |
| XXXIb:19 | Wyres Ned Puw | G minor | | Voice, Keyboard | (Ned Pugh's Grand Daughter) |
| XXXIb:20 | Eryri Wen | B minor | | Voice, Keyboard | (The white Mountains of Snowdon) |
| XXXIb:21 | The Cornish May song | E♭ major | | Voice, Keyboard | |
| XXXIb:22 | Pant corlant yr wyn/Dafydd or Garreg-Ias | B♭ major | | 2 Voices, Keyboard | (The lambs'fold vale/David of the blue stone) |
| XXXIb:23 | Blodau LIundain | C major | | 2 Voices, Keyboard | (The flowers of London) |
| XXXIb:24 | Y Gadly's | E♭ major | | Voice, Keyboard | (The Camp-Palace or Leaders Tent) |
| XXXIb:25 | Y Bardd yn ei Awen | C major | | Voice, Keyboard | (The inspired Bard) |
| XXXIb:26 | Castell Towyn | E♭ major | | Voice, Keyboard | (Towyn castle) |
| XXXIb:27 | Erddigan Caer y Waun | G major | | Voice, Keyboard | (The Minstrelsy of Chirk Castle) |
| XXXIb:28 | Hoffedd Hywel ab Owen Gwynedd | C minor | | Voice, Keyboard | (The delight of Prince Hoel, son of Owen Gwyned) |
| XXXIb:29 | Nos galan | G major | | Voice, Keyboard | (New Year's night) |
| XXXIb:30 | Blodaur's Grug | C major | | Voice, Keyboard | (The flowers of the heath) |
| XXXIb:31 | Mwynen Cynwyd | E♭ major | | Voice, Keyboard | (The melody of Cynwyd) |
| XXXIb:32 | Y Cymry Dedwydd | | | Voice, Keyboard | (The happy Cambrians) |
| XXXIb:33 | Hela'r Ysgyfamog | C major | | Voice, Keyboard | (Hunting the Hare) |
| XXXIb:34 | Digan y Pibydd Cock | C minor | | Voice, Keyboard | (The red piper's melody) |
| XXXIb:35 | Blodau'r Drain | G minor | | Voice, Keyboard | (The Blossom of the Thorns) |
| XXXIb:36 | Maltreath | G major | | Voice, Keyboard | |
| XXXIb:37 | Yr hen Erddigan | C minor | | Voice, Keyboard | (The ancient harmony) |
| XXXIb:38 | Reged | G major | | Voice, Keyboard | |
| XXXIb:39 | Cerdd yr hen-wr or Coed | F major | | Voice, Keyboard | (The Song of the old man of the Wood) |
| XXXIb:40 | Ffarwell Jenengetid | E♭ major | | Voice, Keyboard | (Adieu to my juvenile days) |
| XXXIb:41 | Troiad y Droell | B♭ major | | Voice, Keyboard | (The Whirling of the spinning wheel) |
| XXXIb:42 | Happiness lost | D major | | Voice, Keyboard | |
| XXXIb:43a | The lamentation of Britain | G minor | | 2 Voices, Keyboard | |
| XXXIb:43b | The lamentation of Cambria | G minor | | 2 Voices, Keyboard | |
| XXXIb:44 | The sweet melody of North Wales | B♭ major | | Voice, Keyboard | |
| XXXIb:45 | Lady Owen's delight | F major | | Voice, Keyboard | |
| XXXIb:46 | Winifreda | E♭ major | | 2 Voices, Keyboard | |
| XXXIb:47 | The Willow hymn | D minor | | Voice, Keyboard | |
| XXXIb:48 | The allurement of love | D major | | 2 Voices, Keyboard | |
| XXXIb:49 | The marsh of Rhuddlan | G minor | | Voice, Keyboard | |
| XXXIb:50 | The door clapper | G major | | 2 Voices, Keyboard | |
| XXXIb:51 | The Britons | C minor | | Voice, Keyboard | |
| XXXIb:52 | The pursuit of Love | D major | | Voice, Keyboard | |
| XXXIb:53 | The poor pedlar | B♭ major | | Voice, Keyboard | |
| XXXIb:54 | The Blossom of the honey suckle | A minor | | Voice, Keyboard | |
| XXXIb:55 | Aria di guerra e Vittoria | D major | | Voice, Keyboard | |
| XXXIb:56 | The Bend of the Horse-shoe | B♭ major | | Voice, Keyboard | |
| XXXIb:57 | La Partenza dal Paese e dalli Amici | A minor | | Voice, Keyboard | |
| XXXIb:58 | The flower of North Wales | C major | | Voice, Keyboard | |
| XXXIb:59 | The departure of the King | E minor | | Voice, Keyboard | |
| XXXIb:60 | The New Year's Gift | A minor | | Voice, Keyboard | |
| XXXIb:61 | The Parson boasts of mild ale | G minor | 1803 | Voice, Keyboard | Irish song attributed to Neukomm |
| XXXIc:1 | Graduale: Vias tuas Domine demonstra mihi et semitas tuas edoce me | C major | | 3 Voices (SSA) | Gradual composed in 1576, deciphered by Joseph Haydn |
| XXXIc:2 | L'idol mio fu questi un giorno | C major | | Oboe, Strings | arrangement from the opera II finto pazzo by Carl Ditters von Dittersdorf |
| XXXIc:3 | Vi miro fiso | A major | | 2 Oboes, 2 Horns | arrangement from the opera Arcifanfano Re de'Matti by Carl Ditters von Dittersdorf |
| XXXIc:4 | Se provasse un pocolino | B♭ major | | 2 Oboes, 2 Horns | arrangement from the opera La forza delle donne by Pasquale Anfossi |
| XXXIc:5 | Ah crudel poi chè lo brami | F major | | Voice, Keyboard | arrangement from the opera La vendemmia by Giuseppe Gazzaniga |
| XXXIc:6 | Gelosi d'amore è figlia | F major | | Voice, Keyboard | arrangement from the opera La scuola de' gelosi by Antonio Salieri |
| XXXIc:7 | Si promette facilmente | B minor | | Voice, Keyboard | arrangement from the opera La finta giardiniera by Pasquale Anfossi |
| XXXIc:8 | Vorrei punirti indegno | B♭ major | | Voice, Keyboard | arrangement from the opera La finta giardiniera by Pasquale Anfossi |
| XXXIc:9 | Non ama la vita chi fugge il diletto | | | Voice, Keyboard | arrangement from the opera Isabella e Rodrigo by Pasquale Anfossi |
| XXXIc:10 | Che tortura io sono lontano | F major | | Voice, Keyboard | arrangement from the opera Gli stravaganti by Niccolò Piccinni |
| XXXIc:11 | Una semplice angelletta | G major | | Voice, Keyboard | arrangement from the opera Gli stravaganti by Niccolò Piccinni |
| XXXIc:12 | Deh' frenati i mesti accento | A major | | Voice, Keyboard | arrangement from the opera Il curioso indiscreto by Pasquale Anfossi |
| XXXIc:13 | Se voi foste un cavaliere | G major | | Voice, Keyboard | arrangement from the opera I due supposti conti by Domenico Cimarosa |
| XXXIc:14 | Silenzio miei Signori | | | Voice, Keyboard | arrangement from the opera L'impresario in angustie by Domenico Cimarosa |
| XXXIc:15 | Se palpitar degg'io con cento larve | B♭ major | | Voice, Keyboard | arrangement from the opera La vendetta di Nino by Alessio Prati |
| XXXIc:16 | 12 Catches and Glees | | | 3 Voices, Keyboard | accompaniment by Haydn |
| XXXIc:17a | The Ladies Looking-Glass | D major | | Voice, Keyboard | |
| XXXIc:17b | The Ladies Looking-Glass | D major | | Voice, Keyboard | |

## Pasticcios

| Hob. No. | Title | Date | Instrumentation | Notes |
| XXXII:1 | La Circe, ossia l'isola incantata | 1789 | 2 Sopranos, 3 Tenors, Bass, Orchestra | Arranged from "Ipocondriaco" by Johann Gottlieb Naumann and an unknown opera, edited by Haydn. |
| XXXII:2 | Der Freybrief | 1788 | | Arranged by Fridolin von Weber using works by Haydn and other composers. Music lost |
| XXXII:3 | Alessandro il Grande | 1790 | | |
| XXXII:4 | Der Äpfeldieb | 1781 | | Music lost |