# Erle C. Kenton

Erle C. Kenton (August 1, 1896 – January 28, 1980) was an American film director. Kenton was director of B films, with his most famous film being Island of Lost Souls starring Charles Laughton.

## Biography

Before filmwork, Kenton was a school teacher and later decided to become an animal exhibitor. After working with various dog, pony and other animal shows, he entered the vaudeville circuit as a comedian. This led to him entering the film industry working on the Keystone Cops series of films making various short comedies.
Kenton began as a writer for Mack Sennett in 1914, and he directed feature films for Columbia Pictures, Tiffany Pictures, Paramount Pictures, RKO Pictures, Republic Pictures. He worked for Universal Pictures between 1941 and 1946 making films such as The Ghost of Frankenstein, House of Frankenstein, House of Dracula and The Cat Creeps and several films featuring comedians Abbott & Costello. Kenton was replaced by Charles Lamont on Hit the Ice after problems with Lou Costello.
Producer Paul Malvern stated later that Kenton and him "got along beautifully" and that "He was one director who thought everything out and made sure that he came in on budget and on time. He wasn't real fond of directing the Abbott and Costello films so he got a kick out of the monster films." Kenton spoke about directing horror films in a 1944 interview, stating "They give us a chance to let our imagination run wild. The art department can go to town on creep sets. Prop men have fun with cobwebs. The cameraman has fun with trick lighting and shadows. The director has fun. We have more fun making a horror picture than a comedy."
Kenton and Edward Ludwig were the principal directors of the 1958–1960 television series The Texan. Kenton died on January 28, 1980, of Parkinson's disease in Glendale, California. Malvern recalled that when he visited Kenton before his death, Kenton did not recognize him.

## Selected filmography

| Title | Year | Credited as | Credited as | Notes | Ref(s) |
| Title | Year | Director | Other | Notes | Ref(s) |
| Down on the Farm | 1920 | Yes | | | |
| Love, Honor and Behave | 1920 | Yes | | | |
| A Small Town Idol | 1921 | Yes | | | |
| Tea – With a Kick | 1921 | Yes | | | |
| The Haunted House | 1922 | Yes | | | |
| A Fool and His Money | 1925 | Yes | | | |
| Red Hot Tires | 1925 | Yes | | | |
| The Love Toy | 1926 | Yes | | | |
| Other Women's Husbands | 1926 | Yes | | | |
| The Palm Beach Girl | 1926 | Yes | | | |
| The Sap | 1926 | Yes | | | |
| Wedding Bill$ | 1927 | Yes | | | |
| The Rejuvenation of Aunt Mary | 1927 | Yes | | | |
| The Girl in the Pullman | 1927 | Yes | | | |
| Bare Knees | 1928 | Yes | | | |
| The Sporting Age | 1928 | Yes | | | |
| Golf Widows | 1928 | Yes | | | |
| Name the Woman | 1928 | Yes | Yes | Screenwriter | |
| The Street of Illusion | 1928 | Yes | | | |
| Companionate Marriage | 1928 | Yes | | | |
| Nothing to Wear | 1928 | Yes | | | |
| The Sideshow | 1928 | Yes | | | |
| Father and Son | 1929 | Yes | | | |
| Trial Marriage | 1929 | Yes | | | |
| Song of Love | 1929 | Yes | | | |
| Mexicali Rose | 1929 | Yes | | | |
| A Royal Romance | 1930 | Yes | | | |
| The Last Parade | 1931 | Yes | | | |
| Lover Come Back | 1931 | Yes | | | |
| Left Over Ladies | 1931 | Yes | | | |
| X Marks the Spot | 1931 | Yes | | | |
| Guilty as Hell | 1932 | Yes | | | |
| Stranger in Town | 1932 | Yes | | | |
| Island of Lost Souls | 1932 | Yes | | | |
| From Hell to Heaven | 1933 | Yes | | | |
| Disgraced | 1933 | Yes | | | |
| Big Executive | 1933 | Yes | | | |
| Search for Beauty | 1934 | Yes | | | |
| You're Telling Me! | 1934 | Yes | | | |
| The Best Man Wins | 1935 | Yes | | | |
| Party Wire | 1935 | Yes | | | |
| The Public Menace | 1935 | Yes | | | |
| Devil's Squadron | 1936 | Yes | | | |
| Counterfeit | 1936 | Yes | | | |
| End of the Trail | 1936 | Yes | Yes | Actor, as Theodore Roosevelt | |
| The Devil's Playground | 1937 | Yes | | | |
| Racketeers in Exile | 1937 | Yes | | | |
| She Asked for It | 1937 | Yes | | | |
| The Lady Objects | 1938 | Yes | | | |
| Little Tough Guys in Society | 1938 | Yes | | | |
| Everything's on Ice | 1939 | Yes | | | |
| Escape to Paradise | 1939 | Yes | | | |
| South of Pago Pago | 1940 | | Yes | Associate producer | |
| Remedy for Riches | 1940 | Yes | | | |
| Petticoat Politics | 1941 | Yes | | | |
| Melody for Three | 1941 | Yes | | | |
| Naval Academy | 1941 | Yes | | | |
| They Meet Again | 1941 | Yes | | | |
| Flying Cadets | 1941 | Yes | | | |
| North to the Klondike | 1942 | Yes | | | |
| The Ghost of Frankenstein | 1942 | Yes | | | |
| Frisco Lil | 1942 | Yes | | | |
| Pardon My Sarong | 1942 | Yes | | | |
| Who Done It? | 1942 | Yes | | | |
| How's About It | 1943 | Yes | | | |
| It Ain't Hay | 1943 | Yes | | | |
| Always a Bridesmaid | 1943 | Yes | | | |
| Crazy House | 1943 | | Yes | Associate producer | |
| House of Frankenstein | 1944 | Yes | | | |
| She Gets Her Man | 1945 | Yes | | | |
| House of Dracula | 1945 | Yes | | | |
| The Cat Creeps | 1946 | Yes | | | |
| Little Miss Big | 1946 | Yes | | | |
| Bob and Sally | 1948 | Yes | | | |
| One Too Many | 1951 | Yes | | | |
| Secrets of Beauty | 1951 | Yes | | | |