# List of Private Passions episodes (1995–1999)

This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations.

## 1995

| Date | Guest | Composer | Title |
| 15 Apr 1995 | Elvis Costello | Britten | Corpus Christi carol (from album 'Grace') |
| 15 Apr 1995 | Elvis Costello | William Byrd | Ye Sacred Muses (rec. 1960) |
| 15 Apr 1995 | Elvis Costello | Mozart | Parto, ma tu ben mio' (from La clemenza di Tito) |
| 15 Apr 1995 | Elvis Costello | Henry Purcell | Fantasia a 4 No. 5 in B-flat Z736 |
| 15 Apr 1995 | Elvis Costello | Schubert | Piano Sonata movement (incomplete) D571 |
| 15 Apr 1995 | Elvis Costello | Stravinsky | March royale (from 'L'Histoire du Soldat') |
| 15 Apr 1995 | Elvis Costello | Sigurd von Koch [fi; sv] | The Wild Swans |
| 15 Apr 1995 | Elvis Costello | Kurt Weill | My Ship (from 'Miles Ahead') |
| 22 Apr 1995 | Germaine Greer | Brahms | Gesang aus Fingal (4 Songs, Op.17 No.4) |
| 22 Apr 1995 | Germaine Greer | John Cage | Organ Music |
| 22 Apr 1995 | Germaine Greer | François Couperin | L'evaporee (Pieces de clavecin Book 3 5th ordre) |
| 22 Apr 1995 | Germaine Greer | Handel | Heart, the seat of soft delight (from Acis and Galatea) |
| 22 Apr 1995 | Germaine Greer | Johann Ritter Von Herbeck | Pueri concinite |
| 22 Apr 1995 | Germaine Greer | Jerry Leiber and Mike Stoller | Is that all there is? |
| 22 Apr 1995 | Germaine Greer | Mahler | Der Tambourg'sell (from Des Knaben Wunderhorn) |
| 22 Apr 1995 | Germaine Greer | Schubert | Der blinde Knabe D833 |
| 22 Apr 1995 | Germaine Greer | Tomás Luis de Victoria | Tenebrae responsories |
| 29 Apr 1995 | Simon Russell Beale | Bach | Kyrie from Mass in B minor |
| 29 Apr 1995 | Simon Russell Beale | Duparc | Chanson triste |
| 29 Apr 1995 | Simon Russell Beale | Gerald Finzi | The Salutation' from Dies natalis |
| 29 Apr 1995 | Simon Russell Beale | Monteverdi | Quia fecit mihi magna (from Magnificat, Vespers, 1610) |
| 29 Apr 1995 | Simon Russell Beale | Rachmaninov | Cello Sonata (3rd mvmt) |
| 29 Apr 1995 | Simon Russell Beale | Ravel | Le jardin feerique (6eme tableau) from Ma Mere l'Oye |
| 29 Apr 1995 | Simon Russell Beale | Richard Strauss | Finale from 'Elektra' |
| 6 May 1995 | Denis Healey | Puccini | In questa reggia (from Turandot) |
| 6 May 1995 | Denis Healey | Mozart | Lachrimosa (from Requiem) |
| 6 May 1995 | Denis Healey | Richard Strauss | Trio from Act III of Der Rosenkavalier |
| 6 May 1995 | Denis Healey | Bach | Gigue from Partita No. 1 in B-flat BWV 825 |
| 6 May 1995 | Denis Healey | Beethoven | Finale of Piano Concerto No. 5 (Emperor) |
| 6 May 1995 | Denis Healey | Rossini | Nacqui all'affanno...Non piu mesta (from La Cenerentola) |
| 6 May 1995 | Denis Healey | Schubert | The Shepherd on the Rock |
| 6 May 1995 | Denis Healey | Beethoven | String Quartet Op.130 (5th mvmt, Cavatina) |
| 13 May 1995 | Harriet Walter | Bach | Trio Sonata (2nd mvmt) from 'The Musical Offering' |
| 13 May 1995 | Harriet Walter | Beethoven | Symphony No.5 (1st movmt) |
| 13 May 1995 | Harriet Walter | Chopin | Nocturne in C sharp minor, Op.27 No.1 |
| 13 May 1995 | Harriet Walter | Elgar | Cello Concerto (2nd mvmt) |
| 13 May 1995 | Harriet Walter | Monteverdi | Beatus vir |
| 13 May 1995 | Harriet Walter | Francis Poulenc | Domine Deus (from Gloria) |
| 13 May 1995 | Harriet Walter | Sergei Prokofiev | Death of Tybalt (from Romeo and Juliet) |
| 20 May 1995 | Terry Waite | Chopin | Ballade No.1 in G minor |
| 20 May 1995 | Terry Waite | Elgar | Chanson de matin, Op.15 No.2 |
| 20 May 1995 | Terry Waite | Elgar | The Dream of Gerontius Part II (Prelude, and 'I went to sleep') |
| 20 May 1995 | Terry Waite | Gurney | Sleep |
| 20 May 1995 | Terry Waite | J. M. Nicholas | Great is he, the Lord eternal arr. B. Davies |
| 20 May 1995 | Terry Waite | Antonio Carlos Jobim and Gene Lees | Quiet Night of Quiet Stars |
| 20 May 1995 | Terry Waite | Malcolm Boyle | Thou, O God, are praised in Sion |
| 20 May 1995 | Terry Waite | Penderecki | Utrenya (from Part II: The Resurrection of Christ) |
| 20 May 1995 | Terry Waite | Peter Melville Smith | Fanfare |
| 27 May 1995 | P. D. James | Bach | Gloria, In terra Pax (from Mass in B minor) |
| 27 May 1995 | P. D. James | Gabriel Fauré | Agnus Dei and Libera Me (from Requiem) |
| 27 May 1995 | P. D. James | Gerald Finzi | His Golden Locks (from Farewell to Arms) |
| 27 May 1995 | P. D. James | Orlando Gibbons | Psalm 145 |
| 27 May 1995 | P. D. James | Norman Gimbel and Charles Fox | Killing me softly with his song |
| 27 May 1995 | P. D. James | Handel | Dopo notte (from Ariodante) |
| 27 May 1995 | P. D. James | Mozart | Soave o sia il vento (from Cosi fan tutte) |
| 27 May 1995 | P. D. James | Schubert | An die Musik |
| 3 Jun 1995 | Adam Mars-Jones | Bach | Chorale Prelude: O Mensch, bewein dein Sunde gross |
| 3 Jun 1995 | Adam Mars-Jones | Don Van Vliet | Hair Pie: Bake 2 (from Trout Mask Replica) |
| 3 Jun 1995 | Adam Mars-Jones | Carlo Gesualdo | Dolcissima mia vita |
| 3 Jun 1995 | Adam Mars-Jones | Godowsky | Study No.27 (on Chopin's Op.25 No.2) |
| 3 Jun 1995 | Adam Mars-Jones | Pärt | Mein Weg hat Gipfel und Wellentaler |
| 3 Jun 1995 | Adam Mars-Jones | Francis Poulenc | Sicilienne & Carillon (from Suite Francaise) |
| 3 Jun 1995 | Adam Mars-Jones | Max Reger | Chorale Prelude: Wachet Auf, Op.67 No.41 |
| 3 Jun 1995 | Adam Mars-Jones | Schubert | Lebenssturme, D947 |
| 10 Jun 1995 | John Nettles | Beethoven | Symphony No.6 (Pastoral) Finale |
| 10 Jun 1995 | John Nettles | Joseph Canteloube | Bailero (from 'Songs of the Auvergne') |
| 10 Jun 1995 | John Nettles | Joan Baez | All in Green (from album 'Love Song') |
| 10 Jun 1995 | John Nettles | John Ireland | The Island Spell |
| 10 Jun 1995 | John Nettles | Traditional March | The Cornish Troubadour (arr. K. polmear) |
| 10 Jun 1995 | John Nettles | Mozart | Clarinet Concerto in A K622 (2nd movement) |
| 10 Jun 1995 | John Nettles | Shakespeare and Martin Harris | Under the Greenwood Tree |
| 10 Jun 1995 | John Nettles | William Walton | Charge and Battle Music (from Henry V film score) |
| 17 Jun 1995 | Toyah Willcox | Beethoven | Symphony No.7 in A (2nd movement) |
| 17 Jun 1995 | Toyah Willcox | Elgar | Enigma Variations (no.9, Nimrod) |
| 17 Jun 1995 | Toyah Willcox | Holst | Mars (from The Planets) |
| 17 Jun 1995 | Toyah Willcox | Kate Bush | no details |
| 17 Jun 1995 | Toyah Willcox | Keith Tippett and Andy Sheppard | No.32 from '66 Shades of Lipstick' |
| 17 Jun 1995 | Toyah Willcox | Mozart | Serenade for 13 wind instruments in B-flat, K. 361 (2nd mvmt) (from soundtrack of film Amadeus) |
| 17 Jun 1995 | Toyah Willcox | Stravinsky | 2 Dances from 'The Firebird', 1910 |
| 24 Jun 1995 | John Mortimer | Brahms | Symphony No.4 in E minor (3rd movement) |
| 24 Jun 1995 | John Mortimer | Irving Berlin | Let's face the music and dance |
| 24 Jun 1995 | John Mortimer | Johann Strauss II | How sad it is (from Die Fledermaus) |
| 24 Jun 1995 | John Mortimer | Mozart | Sinfonia concertante in E-flat, K. 364 (finale) |
| 24 Jun 1995 | John Mortimer | Puccini | "E lucevan le stelle" (Tosca, act 3) |
| 24 Jun 1995 | John Mortimer | Richard Strauss | Beim Schlafengehen |
| 24 Jun 1995 | John Mortimer | Rossini | Una voce poco fa (from The Barber of Seville, Act I) |
| 24 Jun 1995 | John Mortimer | Verdi | Dies irae (from Requiem) |
| 1 Jul 1995 | Chad Varah | Bach | Concerto for oboe, violin and strings in C minor, BWV 1060 (2nd mvmt, Adagio) |
| 1 Jul 1995 | Chad Varah | William Byrd | Agnus Dei (from Mass for 4 voices) |
| 1 Jul 1995 | Chad Varah | Domenico Scarlatti | Sonata in A minor, Kk54 |
| 1 Jul 1995 | Chad Varah | Percy Grainger | Brigg Fair (arr. for tenor and chorus) |
| 1 Jul 1995 | Chad Varah | Handel | Date serta (from motet 'Silete Venti' for soprano and orchestra |
| 1 Jul 1995 | Chad Varah | Handel | Dixit Dominus (Psalm 110) HWV 232 |
| 1 Jul 1995 | Chad Varah | Erik Satie | Gymnopedie No.1 (orch. Debussy) |
| 1 Jul 1995 | Chad Varah | Jean Sibelius | Flickan kom ifran sin (The maiden's tryst) from 5 Songs, Op.37 |
| 1 Jul 1995 | Chad Varah | Tchaikovsky | Concerto for piano and orchestra no.2 (2nd mvmt) |
| 8 Jul 1995 | Simon Jenkins | Beethoven | Symphony No.7 in A major, Op.92 (4th mvmt) |
| 8 Jul 1995 | Simon Jenkins | Dolly Parton | I will always love you |
| 8 Jul 1995 | Simon Jenkins | Scott Joplin | Elite Syncopations, arr. J.C. Starkey |
| 8 Jul 1995 | Simon Jenkins | Mozart | Piano Concerto No. 27 in B-flat, K. 595 (2nd mvmt) |
| 8 Jul 1995 | Simon Jenkins | Rossini | Cujus animam gementem, from Stabat mater |
| 8 Jul 1995 | Simon Jenkins | Erik Satie | La belle excentrique |
| 8 Jul 1995 | Simon Jenkins | Schubert | Der Hirt auf dem Felsen, D965 |
| 8 Jul 1995 | Simon Jenkins | Verdi | excerpt from Rigoletto |
| 15 Jul 1995 | Bernice Rubens | Richard Strauss | Beim Schlafengehen (from 4 Letzte Lieder) |
| 15 Jul 1995 | Bernice Rubens | Schubert | String Quintet in C major, D956 (2nd mvmt) |
| 15 Jul 1995 | Bernice Rubens | Charles Ives | General William Booth Enters into Heaven (excerpt) |
| 15 Jul 1995 | Bernice Rubens | Antonín Dvořák | Cello Concerto in B minor, 3rd mvmt |
| 15 Jul 1995 | Bernice Rubens | Mozart | Mi tradi quell'alma ingrata, from Act II of 'Don Giovanni' |
| 15 Jul 1995 | Bernice Rubens | Mozart | String Quartet in C major, K365 (Dissonance), 2nd mvmt |
| 22 Jul 1995 | Alastair Morton | Elgar | Cello Concerto in E minor (1st mvmt) |
| 22 Jul 1995 | Alastair Morton | John Matshikiza | excerpt from 'King Kong' |
| 22 Jul 1995 | Alastair Morton | John Rutter | For the beauty of the earth, anthem |
| 22 Jul 1995 | Alastair Morton | Spencer Williams | Basin Street Blues |
| 22 Jul 1995 | Alastair Morton | Stravinsky | Disappearance of the Palace and Kaschkei's Enchantments (from Sc 2 of 'The Firebird' |
| 22 Jul 1995 | Alastair Morton | Verdi | Ah! Veglia, o donna, from Act 1 Sc 2 of 'Rigoletto' |
| 22 Jul 1995 | Alastair Morton | Verdi | Vedi come il buon vegliardo |
| 29 Jul 1995 | Patricia Hodge | Ennio Morricone | Gabriel's Oboe (No.2 from film score 'The Mission') |
| 29 Jul 1995 | Patricia Hodge | Leonard Bernstein | excerpt from Symphony no.3 ('Kaddish') |
| 29 Jul 1995 | Patricia Hodge | Chopin | Polonaise for piano in A-flat major, Op. 53 ("Eroica") |
| 29 Jul 1995 | Patricia Hodge | Gabriel Fauré | Libera me (from Requiem, Op.48) |
| 29 Jul 1995 | Patricia Hodge | Mahler | Symphony No.5 in C sharp minor (4th mvmt, Adagietto) |
| 29 Jul 1995 | Patricia Hodge | Kurt Weill | Girl of the moment (from 'Lady in the Dark') |
| 29 Jul 1995 | Patricia Hodge | Widor | Toccata (from Symphony for organ No.5 in F minor) |
| 5 Aug 1995 | Jeremy Isaacs | Beethoven | O namenlose Freude (duet) from Fidelio (1814 version), Act II no.15 |
| 5 Aug 1995 | Jeremy Isaacs | Haydn | Kyrie from Mass in D minor (Missa in angustiis) |
| 5 Aug 1995 | Jeremy Isaacs | Leoš Janáček | The Cunning Little Vixen (Act I, Prelude) |
| 5 Aug 1995 | Jeremy Isaacs | Mozart | Symphony No.38 in D, K504 (Prague), 1st mvmt |
| 5 Aug 1995 | Jeremy Isaacs | Rossini | Pourquoi ta presence, from William Tell, Act IV |
| 5 Aug 1995 | Jeremy Isaacs | Schubert | Piano Sonata in B-flat major, D. 960 (1st mvmt) |
| 12 Aug 1995 | Irene Thomas | Captain Arthur C. Green | Sunset (bugle call) |
| 12 Aug 1995 | Irene Thomas | Britten | Moonlight', No.3 of 4 Sea Interludes from 'Peter Grimes' |
| 12 Aug 1995 | Irene Thomas | Gounod | Avant de quitter (Cavatina) from Act II of 'Faust' |
| 12 Aug 1995 | Irene Thomas | J. H. Hewitt | All quiet along the Potomac tonight |
| 12 Aug 1995 | Irene Thomas | Julia Ward Howe | Battle Hymn of the Republic |
| 12 Aug 1995 | Irene Thomas | Orazio Vecchi | Fa una canzona (madrigal) |
| 12 Aug 1995 | Irene Thomas | Robert Schumann | Berg und Burgen schaun herunter, No.7 of 'Liederkreis', Op.24 |
| 12 Aug 1995 | Irene Thomas | Traditional music of Wales | Bugeilio'r gwenith gwyn (Watching the white wheat) |
| 12 Aug 1995 | Irene Thomas | Verdi | Tacea la notte placida, from Act I sc 2 of 'Il Trovatore' |
| 12 Aug 1995 | Irene Thomas | Verdi | Tuba mirum, from Requiem |
| 12 Aug 1995 | Irene Thomas | Wagner | Liebestod from Act III of 'Tristan und Isolde' |
| 26 Aug 1995 | Albert Roux | Bach | Gigue from Suite for cello No.3 in C (BWV1009) |
| 26 Aug 1995 | Albert Roux | Max Bruch | Violin Concerto No.1 in G minor, Op.26 (2nd mvmt) |
| 26 Aug 1995 | Albert Roux | Louiguy | La vie en rose |
| 26 Aug 1995 | Albert Roux | Massenet | Si tu veux, Mignonne |
| 26 Aug 1995 | Albert Roux | Mozart | Requiem aeternam (from Requiem in D minor, K626) |
| 26 Aug 1995 | Albert Roux | Puccini | Nessun dorma (from Turandot, Act III, sc 1) |
| 26 Aug 1995 | Albert Roux | Reynaldo Hahn | Offrande |
| 26 Aug 1995 | Albert Roux | Camille Saint-Saëns | Danse macabre (symphonic poem) |
| 26 Aug 1995 | Albert Roux | Wesley Wilson | Gimme a Pigfoot |
| 2 Sep 1995 | Leopold David de Rothschild | Hubert Parry | An Ode on the Nativity |
| 2 Sep 1995 | Leopold David de Rothschild | Mozart | Menuetto and Trio from Serenade in D major, K203 |
| 2 Sep 1995 | Leopold David de Rothschild | Bach | Prelude and fugue in A major (from Das wohltemperierte Klavier, Bk 2) |
| 2 Sep 1995 | Leopold David de Rothschild | Francesco Cavalli | La Calisto |
| 2 Sep 1995 | Leopold David de Rothschild | Handel | Concerto grosso in B minor, Op.6 No.12 (3rd mvmt) |
| 2 Sep 1995 | Leopold David de Rothschild | Meyerbeer | Rare flower |
| 2 Sep 1995 | Leopold David de Rothschild | Mozart | Concerto for piano and orchestra No. 18 in B-flat major, K. 456 (2nd mvmt) |
| 2 Sep 1995 | Leopold David de Rothschild | Gilbert and Sullivan | The sun, whose rays are all ablaze' (from The Mikado, Act II) |
| 9 Sep 1995 | Ian Hislop | Anonymous work | Ayo visto lo mappamundi (15th-century Neapolitan barzeletta) |
| 9 Sep 1995 | Ian Hislop | Bruckner | Symphony No. 4 in E-flat major ("Romantic") 4th mvmt |
| 9 Sep 1995 | Ian Hislop | Emilio de' Cavalieri | O che nuovo miracolo (ballo from 6th Florentine Intermedio, 1589) |
| 9 Sep 1995 | Ian Hislop | Mickey Newbury | An American Trilogy (Dixie/John Brown/All my trials) |
| 9 Sep 1995 | Ian Hislop | Mozart | Overture to 'Le nozze de Figaro', K492 |
| 9 Sep 1995 | Ian Hislop | Giovanni Pierluigi da Palestrina | Hodie Christus natus est: motet for 4 voices |
| 9 Sep 1995 | Ian Hislop | Henry Purcell | Crown the altar, deck the shrine, from 'Celebrate this festival' (Birthday Ode for Queen Mary, 1693) |
| 9 Sep 1995 | Ian Hislop | Tchaikovsky | Serenade for string orchestra in C, Op.48 (2nd mvmt, Waltz) |
| 9 Sep 1995 | Ian Hislop | William Walton | Spitfire Music/Battle in the Air (from The Battle of Britain Suite) |
| 16 Sep 1995 | Dennis Marks | Debussy | Arabesque No.1 in E major |
| 16 Sep 1995 | Dennis Marks | Leoš Janáček | The Cunning Little Vixen (Act III, final scene) |
| 16 Sep 1995 | Dennis Marks | Mahler | Ich bin der Welt abhanden gekommen (No.4 of 5 Ruckert-Lieder for voice and orchestra) |
| 16 Sep 1995 | Dennis Marks | Monteverdi | Laetatus sum, from Vespro della Beata Vergine (1610) |
| 16 Sep 1995 | Dennis Marks | Schubert | Trio for piano and strings in E-flat major (Notturno), D. 897 |
| 16 Sep 1995 | Dennis Marks | Michael Tippett | Interlude and 2nd mvmt from Concerto for violin, viola, cello and orchestra |
| 23 Sep 1995 | Sir Edwin Nixon | Leonard Bernstein | America (from West Side Story) |
| 23 Sep 1995 | Sir Edwin Nixon | Brahms | Academic Festival Overture, Op.80 |
| 23 Sep 1995 | Sir Edwin Nixon | Chopin | Polonaise in A (Military), Op.40 No.1 |
| 23 Sep 1995 | Sir Edwin Nixon | Monteverdi | Deus in adjutorium meum intende (Intonation), and Domine ad adjuvandum, from Vespro della Beata Vergine (1610) |
| 23 Sep 1995 | Sir Edwin Nixon | Mozart | Credo from Mass in C minor, K427 |
| 23 Sep 1995 | Sir Edwin Nixon | Richard Strauss | Wiegenlied, Op.41 No.1, for voice and orchestra |
| 23 Sep 1995 | Sir Edwin Nixon | Verdi | Orfanella il tetto umile...Figlia! A ta nome (duet from Simon Boccanegra, Act I) |
| 30 Sep 1995 | David Hockney | Béla Bartók | Quartet No.2 (2nd mvmt Allegro molto capriccioso) |
| 30 Sep 1995 | David Hockney | Mozart | Bald prangt, den Morgen zu verkunden (from The Magic Flute) |
| 30 Sep 1995 | David Hockney | Ravel | Five o clock Foxtrot (from L'enfant et les sortileges) |
| 30 Sep 1995 | David Hockney | Richard Strauss | Falcon Aria from Act II of Die Frau ohne Schatten |
| 30 Sep 1995 | David Hockney | Stravinsky | Song of the Nightingale (from Le Rossignol) |
| 30 Sep 1995 | David Hockney | Wagner | Prelude to Tristan and Isolde |
| 7 Oct 1995 | Bamber Gascoigne | Berlioz | Absence (from les nuits d'ete) |
| 7 Oct 1995 | Bamber Gascoigne | Babuji | dheere chalna |
| 7 Oct 1995 | Bamber Gascoigne | Verdi | E grave il sacrifizio (from La traviata) |
| 7 Oct 1995 | Bamber Gascoigne | Mozart | Finale of Act III, The Marriage of Figaro |
| 7 Oct 1995 | Bamber Gascoigne | Saverio Mercadante | Overture: La testa di bronzo |
| 7 Oct 1995 | Bamber Gascoigne | Stravinsky | Petrushka's Room (from Petrushka) |
| 7 Oct 1995 | Bamber Gascoigne | Britten | The splendour falls (from Serenade, Op.31) |
| 14 Oct 1995 | David Pountney | Antonín Dvořák | Kate and the Devil (Finale of Act I) |
| 14 Oct 1995 | David Pountney | George Gershwin | Just another Rhumba |
| 14 Oct 1995 | David Pountney | Leoš Janáček | String Quartet No.1 (Kreutzer Sonata) 1st mvmt |
| 14 Oct 1995 | David Pountney | Maxwell Davies | Resurrection (from Revivalist Rally) |
| 14 Oct 1995 | David Pountney | Henry Purcell | Dance of Fairies/Sing while we trip it/See, even Night herself is here (from The Fairy Queen, Act II) |
| 14 Oct 1995 | David Pountney | Schubert | Sonata in A minor D784 (2nd mvmt Andante) |
| 14 Oct 1995 | David Pountney | Shostakovich | Can-can.Ophelia's Ditty/Lullaby (from Hamlet) |
| 21 Oct 1995 | Dudley Moore | Bach | Fugue in B minor BWV 544 |
| 21 Oct 1995 | Dudley Moore | Beethoven | Symphony No.3 (Eroica), 2nd mvmt |
| 21 Oct 1995 | Dudley Moore | Chopin | Ballade No.1 Op.23 |
| 21 Oct 1995 | Dudley Moore | Mahler | In diesem Wetter (from Kindertotenlieder) |
| 21 Oct 1995 | Dudley Moore | Massenet | Meditation (from Thais) |
| 21 Oct 1995 | Dudley Moore | Mozart | Domine Jesu (from Requiem K626) |
| 21 Oct 1995 | Dudley Moore | Rachmaninov | Piano Concerto No.2 in C minor (2nd mvmt) |
| 21 Oct 1995 | Dudley Moore | Weelkes | When David Heard |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Trad. Sicilian Peasant Songs | Bella Ciao |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Trad. Spanish arr. G. Tarrago | El Rossinyol |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Mozart | Quintet for piano and wind, K452 (Larghetto) |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Britten | Sanctus from War Requiem |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Camille Saint-Saëns | Softly awakes my heart (from Samson and Delilah) |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Domenico Scarlatti | Sonata in D major, Kk490 |
| 28 Oct 1995 | Elizabeth Esteve-Coll | Shostakovich | Violin Concerto (1st mvmt: Nocturne) |
| 4 Nov 1995 | Fiona Shaw | Rachmaninov | Piano Concerto No.2 in C minor (1st mvmt) |
| 4 Nov 1995 | Fiona Shaw | Britten | Adam lay i-bounden (from A Ceremony of Carols) |
| 4 Nov 1995 | Fiona Shaw | Honegger | Joan of Arc at the Stake (scene 7 and part of 8) |
| 4 Nov 1995 | Fiona Shaw | John Field | Nocturne No.7 in C major |
| 4 Nov 1995 | Fiona Shaw | John Tavener | The Protecting Veil (opening mvmt) |
| 4 Nov 1995 | Fiona Shaw | Mozart | Mi tradi quell'alma ingrate (from Act II of Don Giovanni) |
| 4 Nov 1995 | Fiona Shaw | Mozart | Opening chorus of Requiem |
| 11 Nov 1995 | Noel Annan | Bach | Sanctus (from Mass in B minor) |
| 11 Nov 1995 | Noel Annan | Mozart | Concerto for flute and harp K299 (2nd mvmt) |
| 11 Nov 1995 | Noel Annan | Henry Purcell | Chaconne (from The Fairy Queen) |
| 11 Nov 1995 | Noel Annan | Henry Purcell | Halcyon Days (from The Tempest) |
| 11 Nov 1995 | Noel Annan | Schubert | Im Fruhling |
| 11 Nov 1995 | Noel Annan | Tchaikovsky | Eugene Onegin (final scene) |
| 11 Nov 1995 | Noel Annan | Kurt Weill | Surabaya Jonny (from Happy End) |
| 18 Nov 1995 | Jonathan Miller | Bach | Erbarme dich (from St Matthew Passion) |
| 18 Nov 1995 | Jonathan Miller | Beethoven | Piano Concerto No.4 (1st mvmt) |
| 18 Nov 1995 | Jonathan Miller | Leoš Janáček | Introduction to 'The Cunning Little Vixen' |
| 18 Nov 1995 | Jonathan Miller | Monteverdi | final duet from The Coronation of Poppea |
| 18 Nov 1995 | Jonathan Miller | Mozart | Sull'aria' and 'Che soave zeffiretto' (from the Marriage of Figaro) |
| 18 Nov 1995 | Jonathan Miller | Schubert | Adagio in E-flat D. 897 (Notturno) |
| 18 Nov 1995 | Jonathan Miller | Spencer Williams | Tishomingo Blues (rec.1947) |
| 18 Nov 1995 | Jonathan Miller | Traditional music | Rag bilaskhani todi |
| 25 Nov 1995 | Charles Rosen | Bach | Prelude and fugue in C minor, BWV 871 (from 'The 48' Book 2) |
| 25 Nov 1995 | Charles Rosen | Vincenzo Bellini | O rendetemi la speme (from I Puritani) |
| 25 Nov 1995 | Charles Rosen | Elliott Carter | Double Concerto |
| 25 Nov 1995 | Charles Rosen | Chopin | Waltz in C sharp minor, Op.64/2 |
| 25 Nov 1995 | Charles Rosen | John Browne | Stabat mater |
| 25 Nov 1995 | Charles Rosen | Mozart | Di scrivermi ogni giorno (Cosi fan tutte) |
| 25 Nov 1995 | Charles Rosen | Wagner | Immolation Scene (from Götterdämmerung) |
| 25 Nov 1995 | Charles Rosen | Anton Webern | Eingang (from 5 Songs on poems by Stefan George, Op.4) |
| 2 Dec 1995 | Julian Barnes | Berlioz | Villanelle (from Les nuits d'ete) |
| 2 Dec 1995 | Julian Barnes | Georges Brassens | Le 22 septembre |
| 2 Dec 1995 | Julian Barnes | Noël Coward | Don't let's be beastly to the Germans |
| 2 Dec 1995 | Julian Barnes | Gounod | Credo (from St Cecilia Mass) |
| 2 Dec 1995 | Julian Barnes | Mozart | Sonata in E-flat, K. 282 (1st mvmt) |
| 2 Dec 1995 | Julian Barnes | Ravel | Blues (from Violin Sonata) |
| 2 Dec 1995 | Julian Barnes | Erik Satie | Gnossienne No.4 |
| 2 Dec 1995 | Julian Barnes | Jean Sibelius | Symphony No.4 (1st mvmt) |
| 9 Dec 1995 | Marjorie Wallace | Annie Fortescue Harrison | In the Gloaming |
| 9 Dec 1995 | Marjorie Wallace | Chopin | Waltz in A Flat, Op.69/1 |
| 9 Dec 1995 | Marjorie Wallace | Elgar | As torrents in spring |
| 9 Dec 1995 | Marjorie Wallace | Gabriel Fauré | In paradisum (from Requiem) |
| 9 Dec 1995 | Marjorie Wallace | Gounod | Repentir |
| 9 Dec 1995 | Marjorie Wallace | Mahler | Adagietto (from Symphony No.5) |
| 9 Dec 1995 | Marjorie Wallace | Meredith Willson | Till there was You (from The Music Man) |
| 9 Dec 1995 | Marjorie Wallace | Puccini | recondite armonia (from Tosca) |
| 9 Dec 1995 | Marjorie Wallace | Verdi | Dinale from La Traviata, Act III |
| 16 Dec 1995 | John Bird | Bach | Prelude in C sharp major (from The 48, Book 1) |
| 16 Dec 1995 | John Bird | Beethoven | Sonata in A, Op.101 (2nd mvmt) |
| 16 Dec 1995 | John Bird | Boulez | Eclat |
| 16 Dec 1995 | John Bird | Debussy | Etude pour les octaves |
| 16 Dec 1995 | John Bird | Haydn | Quartet in B-flat, Op. 76/4 (1st mvmt) |
| 16 Dec 1995 | John Bird | Arnold Schoenberg | 3 Pieces for chamber orchestra |
| 16 Dec 1995 | John Bird | Arnold Schoenberg | Herzgewachse |
| 16 Dec 1995 | John Bird | Robert Schumann | Sphinxes; Papillons (from Carnaval) |
| 16 Dec 1995 | John Bird | Stravinsky | Variations – Aldous Huxley in memoriam |
| 23 Dec 1995 | Barry Humphries | Chabrier | L'ile heureuse |
| 23 Dec 1995 | Barry Humphries | Jean-Michel Damase | Variations on the Wedding March |
| 23 Dec 1995 | Barry Humphries | Frederick Delius | they are not long, the weeping and the laughter (Songs of Sunset) |
| 23 Dec 1995 | Barry Humphries | Percy Grainger | On Arrival Platform Humlet |
| 23 Dec 1995 | Barry Humphries | Ernst Krenek | The Farewell Song (from Jonny spielt auf) |
| 23 Dec 1995 | Barry Humphries | Mompou | Damunt de tu nomes les flors |
| 23 Dec 1995 | Barry Humphries | Edgard Varèse | Octandre |
| 23 Dec 1995 | Barry Humphries | Heitor Villa-Lobos | Samba Classico |

## 1996

| Date | Guest | Composer | Title |
| 13 Jan 1996 | Ken Russell | Brahms | Symphony No.3 (2nd mvmt) |
| 13 Jan 1996 | Ken Russell | Elgar | Symphony No.2 in E flat (3rd mvmt – Presto) |
| 13 Jan 1996 | Ken Russell | Hoagy Carmichael and Johnny Mercer | Skylark |
| 13 Jan 1996 | Ken Russell | John Adams | Grand Pianola Music Part II; On the Dominant Divide |
| 13 Jan 1996 | Ken Russell | Milhaud | Saudades do Brasil (No.4 Copacabana; No.5 Ipanema, No.6 Gavea) |
| 13 Jan 1996 | Ken Russell | Sergei Prokofiev | Waltz from War and Peace Symphonic Suite |
| 13 Jan 1996 | Ken Russell | Stan Kenton | Lover (from Kenton in Hi-Fi) |
| 20 Jan 1996 | David Hare | Bach | Goldberg Variations, Nos. 4–8 |
| 20 Jan 1996 | David Hare | Beethoven | Symphony No.7 in A (2nd movement) |
| 20 Jan 1996 | David Hare | Berlioz | La morte de Cleopatre |
| 20 Jan 1996 | David Hare | Mike Figgis | Ben and Sara (theme) (from original soundtrack for 'Leaving Las Vegas') |
| 20 Jan 1996 | David Hare | Miles Davis | Diner au Motel (from album Ascenseur pour l'echafaud) |
| 20 Jan 1996 | David Hare | Ravel | Tzigane |
| 20 Jan 1996 | David Hare | Stanley Myers | Theme from 'Heading Home' |
| 27 Jan 1996 | Sian Phillips | Giovanni Battista Pergolesi | Fac ut ardeat cor meum (from Stabat mater) |
| 27 Jan 1996 | Sian Phillips | Schubert | Impromptu No.3 in G flat, Op.90, D899 |
| 27 Jan 1996 | Sian Phillips | Leonard Bernstein | Glitter and be gay (from Candide) |
| 27 Jan 1996 | Sian Phillips | George Gershwin | Bess, you is my woman now (from Porgy and Bess) |
| 27 Jan 1996 | Sian Phillips | Mozart | Porgi amor (from The Marriage of Figaro) |
| 27 Jan 1996 | Sian Phillips | Mozart | Piano Concerto No.19 in F, K459 (1st mvmt) |
| 3 Feb 1996 | Sir Isaiah Berlin | Bach | Brandenburg Concerto No.5 (1st mvmt, Allegro) |
| 3 Feb 1996 | Sir Isaiah Berlin | Beethoven | String Quartet No.13 in B flat, Op.130 (5th mvmt, Adagio molto espressivo) |
| 3 Feb 1996 | Sir Isaiah Berlin | Vincenzo Bellini | Casta diva (from Norma) |
| 3 Feb 1996 | Sir Isaiah Berlin | Mozart | Act II finale from The Marriage of Figaro |
| 3 Feb 1996 | Sir Isaiah Berlin | Schubert | Piano Sonata in A, D959 |
| 10 Feb 1996 | Professor Steve Jones | Richard Strauss | Du geht er hin, der aufgeblasene schlechte Kerl (from Der Rosenkavalier, Act I) |
| 10 Feb 1996 | Professor Steve Jones | Steve Reich | Tehillim for voice and ensemble (Part II: fast) |
| 10 Feb 1996 | Professor Steve Jones | Bach | Chaconne (from Partita for violin No.2 |
| 10 Feb 1996 | Professor Steve Jones | Beethoven | String Quartet No.16 in F, Op.135 (2nd movement) |
| 10 Feb 1996 | Professor Steve Jones | Monteverdi | Sonata sopra Sancta Maria (from Vespro della Beata Vergine) |
| 10 Feb 1996 | Professor Steve Jones | Henry Purcell | In the midst of life (from Funeral Music for Queen Mary) |
| 10 Feb 1996 | Professor Steve Jones | The Ramblers Dance Band | Agyanka Dabre |
| 17 Feb 1996 | Patricia Routledge | Bach | Fantasia and Fugue in C minor, BWV 537, Op.86 |
| 17 Feb 1996 | Patricia Routledge | Antonín Dvořák | 2nd mvmt (Lento) from 'American' String Quartet No.12 in F, Op.96 |
| 17 Feb 1996 | Patricia Routledge | Gluck | Che faro senza Euridice & Dance of the Blessed Spirits (from Orfeo ed Euridice) |
| 17 Feb 1996 | Patricia Routledge | Lennox Berkeley | The Lord is my shepherd, Op.91 No.1 |
| 17 Feb 1996 | Patricia Routledge | Shostakovich | Suite: The Adventures of Korzinkina, Op.59 |
| 17 Feb 1996 | Patricia Routledge | Tchaikovsky | Variations on a rococo theme for cello and orchestra, Op.33 (Vars IV-VII) |
| 24 Feb 1996 | Sir Magdi Yacoub | Mozart | Fantasia in C K 395 |
| 24 Feb 1996 | Sir Magdi Yacoub | Bach | Ich habe genug (from Cantata No. 82) |
| 24 Feb 1996 | Sir Magdi Yacoub | Mozart | Lacrimosa (from Requiem) |
| 24 Feb 1996 | Sir Magdi Yacoub | Handel | Let the bright seraphim (from Samson) |
| 24 Feb 1996 | Sir Magdi Yacoub | César Franck | Panis angelicus |
| 24 Feb 1996 | Sir Magdi Yacoub | Bach | Prelude No.1 in C (from Well-Tempered Clavier, Book 1) |
| 24 Feb 1996 | Sir Magdi Yacoub | Marc-Antoine Charpentier | Te Deum |
| 24 Feb 1996 | Sir Magdi Yacoub | Bob Marley | Three little birds |
| 24 Feb 1996 | Sir Magdi Yacoub | Bach | 2nd mvmt from Concerto for 2 violins, BWV 1043 |
| 2 Mar 1996 | James MacMillan | Bach | Fugue 21 in B flat (Well tempered Clavier, Book 1) |
| 2 Mar 1996 | James MacMillan | Beethoven | O namenlose Freude (duet from Act II of Fidelio) |
| 2 Mar 1996 | James MacMillan | William Byrd | Mass for 4 voices (Kyrie) |
| 2 Mar 1996 | James MacMillan | John Casken | Vaganza (3rd mvmt) |
| 2 Mar 1996 | James MacMillan | Messiaen | Et expecto resurrectionem mortuorem |
| 2 Mar 1996 | James MacMillan | Mozart | Clarinet Quintet in A, K581 (1st mvmt) |
| 2 Mar 1996 | James MacMillan | Traditional music | MacCrimmon's Lament |
| 2 Mar 1996 | James MacMillan | Ustvolskaya | Composition No.3 (Benedictus qui venit) |
| 2 Mar 1996 | James MacMillan | Wagner | Prelude & Opening Scene of Götterdämmerung |
| 9 Mar 1996 | Michael Ignatieff | Bach | Italian' Concerto in F, BWV 971 (3rd mvmt, Presto) |
| 9 Mar 1996 | Michael Ignatieff | Beethoven | Piano Concerto No.4 in G (2nd mvmt, Andante con moto) |
| 9 Mar 1996 | Michael Ignatieff | George Gershwin | Summertime (from Porgy and Bess) |
| 9 Mar 1996 | Michael Ignatieff | Hoagy Carmichael | Stardust |
| 9 Mar 1996 | Michael Ignatieff | Mahler | 4th mvmt (Urlicht) from Symphony No.2 in C minor (Resurrection) |
| 9 Mar 1996 | Michael Ignatieff | Arnold Schoenberg | Verklarte Nacht |
| 9 Mar 1996 | Michael Ignatieff | Schubert | Trout Quintet in A major (3rd mvmt – Scherzo) |
| 16 Mar 1996 | John Peel | Gregorio Allegri | Miserere |
| 16 Mar 1996 | John Peel | Max Bruch | Violin Concerto in G minor, Op.26 (2nd mvmt) |
| 16 Mar 1996 | John Peel | Conlon Nancarrow | Study for Player-Piano No.21 |
| 16 Mar 1996 | John Peel | George Gershwin | Rhapsody in Blue |
| 16 Mar 1996 | John Peel | Louis Moreau Gottschalk | Ojos Criollos, Danse cubaine |
| 16 Mar 1996 | John Peel | Neil Young | Rockin' in the Free World |
| 16 Mar 1996 | John Peel | Camille Saint-Saëns | Piano Concerto No.2 in G minor, Op.22 (3rd mvmt – Presto) |
| 23 Mar 1996 | Colin Davis | Beethoven | Fugue from Credo (Missa solemnis, Op.123) |
| 23 Mar 1996 | Colin Davis | Berlioz | Les Troyens (Act III finale) |
| 23 Mar 1996 | Colin Davis | Britten | Act I sc 2 from Peter Grimes |
| 23 Mar 1996 | Colin Davis | Bruckner | Symphony No.6 in A major (2nd mvmt) |
| 23 Mar 1996 | Colin Davis | Mozart | String Trio in E flat, K563 (2nd mvmt, Adagio) |
| 23 Mar 1996 | Colin Davis | Michael Tippett | Act II, sc 3 from The Midsummer Marriage |
| 30 Mar 1996 | Carl Davis | Monteverdi | Messenger's Aria (from Orfeo) |
| 30 Mar 1996 | Carl Davis | Schubert | Moment Musical in F minot D.780/3 |
| 30 Mar 1996 | Carl Davis | Mozart | Quintet in G minor, K.516 (3rd movt – Adagio ma non troppo) |
| 30 Mar 1996 | Carl Davis | Paul McCartney and Carl Davis | The world you're coming into (from Liverpool Oratorio) |
| 30 Mar 1996 | Carl Davis | Richard Strauss | Wiegenlied Op.41/1 |
| 30 Mar 1996 | Carl Davis | Bach | Overture – 1st part (from Suite No. 3 in D) |
| 30 Mar 1996 | Carl Davis | Leonard Bernstein | Danzon (3rd Dance Variation from Fancy Free) |
| 30 Mar 1996 | Carl Davis | Carl Davis | Pride and Prejudice – Opening Titles |
| 30 Mar 1996 | Carl Davis | Puccini | Chi il bel sogno di Doretta (from La Rondine) |
| 30 Mar 1996 | Carl Davis | William Walton | Spitfire Music (from Battle of Britain Suite) |
| 6 Apr 1996 | Sir David Attenborough | Britten | The Pagodas (from The Prince of the Pagodas Act 2 Scene 2) |
| 6 Apr 1996 | Sir David Attenborough | Duke Ellington | Stompy Jones |
| 6 Apr 1996 | Sir David Attenborough | Handel | And the Glory of the Lord (Messiah) |
| 6 Apr 1996 | Sir David Attenborough | Mahler | Ich bin der Welt abhanden gekommen |
| 6 Apr 1996 | Sir David Attenborough | Monteverdi | 1st Versicle and Response (Vespers of 1610) |
| 6 Apr 1996 | Sir David Attenborough | Mozart | Soave o si'il vento (Gentle be the breeze) 0 from Act 1 of Cosi fan Tutte |
| 6 Apr 1996 | Sir David Attenborough | Domenico Scarlatti | Sonata in G Major Longo 209 |
| 6 Apr 1996 | Sir David Attenborough | Thomas Tomkins | When David Heard |
| 13 Apr 1996 | Jilly Cooper | Beethoven | Quintet in E flat (1st movt – Allegro) |
| 13 Apr 1996 | Jilly Cooper | Brahms | Hungarian Dance No.3 in F arr. Joachim |
| 13 Apr 1996 | Jilly Cooper | Britten | Sentimental Sarabande (from Simple Symphony, Op 4) |
| 13 Apr 1996 | Jilly Cooper | Chopin | Andantino (from Fantasia on Polish airs, Op. 13) |
| 13 Apr 1996 | Jilly Cooper | Gilbert and Sullivan | Now, Marco dear (from The Gondoliers) |
| 13 Apr 1996 | Jilly Cooper | Mozart | Ah! taci, ingiusto core (from Don Giovanni) |
| 13 Apr 1996 | Jilly Cooper | Richard Strauss | Ein Heldenleben (closing section) |
| 13 Apr 1996 | Jilly Cooper | Richard Strauss | Night and Sunrise (from Ein Alpensinfonie) |
| 20 Apr 1996 | Juliet Stevenson | Schubert | Arpeggione Sonata, D.821 (1st movt – allegro moderato) |
| 20 Apr 1996 | Juliet Stevenson | Richard Strauss | Beim Schlafengehen (from Four Last Songs) |
| 20 Apr 1996 | Juliet Stevenson | Bach | Und von der sechsten Stunde + Wenn ich einmal soll scheiden (from St Matthew Passion) |
| 20 Apr 1996 | Juliet Stevenson | Britten | Scene 8 (from The Turn of the Screw Act I) |
| 20 Apr 1996 | Juliet Stevenson | James MacMillan | Sanctus (from Busqueda) |
| 20 Apr 1996 | Juliet Stevenson | Leonard Cohen | Famous Blue Raincoat |
| 20 Apr 1996 | Juliet Stevenson | Mike Reid and Allen Shamblin | I can't make you love me |
| 27 Apr 1996 | Simon Callow | Bizet and Oscar Hammerstein II | De cards don'lie'/'Dat ol'Boy (Carmen Jones) |
| 27 Apr 1996 | Simon Callow | Cole Porter | In the still of the night |
| 27 Apr 1996 | Simon Callow | John White | Waltz from incidental music to Les Enfants du Paradis |
| 27 Apr 1996 | Simon Callow | Kevin Malpass | Music from "Shades" |
| 27 Apr 1996 | Simon Callow | Mahler | Symphony no 8 – final section of part 2 |
| 27 Apr 1996 | Simon Callow | Mozart | Adagio (Serenade in B flat K 361) |
| 27 Apr 1996 | Simon Callow | Sergei Prokofiev | 2nd mvmt from Violin Concerto no 2 in G minor |
| 27 Apr 1996 | Simon Callow | Camille Saint-Saëns | Mon coeur s'ouvre a ta voix' (Samson and Delilah) |
| 4 May 1996 | Ernst Gombrich | Mozart | Laudate Dominum (from Vesperae Solennes de Confessore, K 339) |
| 4 May 1996 | Ernst Gombrich | Mozart | Quartet in B flat major, K 458 (3rd movt – Adagio) |
| 4 May 1996 | Ernst Gombrich | Haydn | Qui tollis peccata mundi (from the Nelson Mass) |
| 4 May 1996 | Ernst Gombrich | Schubert | Sonata in G major, D 894 (3rd movt – Menuetto) |
| 4 May 1996 | Ernst Gombrich | Beethoven | Sonata No 8 in G major, Op. 30/3 (last movt – Allegro Vivace) |
| 4 May 1996 | Ernst Gombrich | Bach | Concerto in E major, BWV 1042 (2nd mvt – Adagio) |
| 4 May 1996 | Ernst Gombrich | Beethoven | Quartet No 13 in B flat major, Op. 130 (3rd movt – Andante con moto, ma non troppo) |
| 11 May 1996 | Joanna Trollope | Britten | Dawn (from Four Sea Interludes from Peter Grimes) |
| 11 May 1996 | Joanna Trollope | Gabriel Fauré | In Paradisum (from Requiem) |
| 11 May 1996 | Joanna Trollope | George Gershwin | Summertime (from Porgy and Bess) |
| 11 May 1996 | Joanna Trollope | Górecki | Symphony No. 3 (opening of 3rd movt) |
| 11 May 1996 | Joanna Trollope | Mozart | Laudamus Te (rom Mass in C minor, K427) |
| 11 May 1996 | Joanna Trollope | Rodgers and Hart | Manhattan |
| 11 May 1996 | Joanna Trollope | Telemann | Concerto in D for three trumpets (1st + 2nd movts) |
| 11 May 1996 | Joanna Trollope | Ralph Vaughan Williams | Fantasia on a Theme by Thomas Tallis |
| 18 May 1996 | Oz Clarke | Bach | O Mensch, bewein dein Sünde gross (from St Matthew Passion) |
| 18 May 1996 | Oz Clarke | Jerry Leiber and Mike Stoller | King Creole |
| 18 May 1996 | Oz Clarke | Puccini | Che gelida manina (from La Bohème) |
| 18 May 1996 | Oz Clarke | Henry Purcell | When I am laid in earth (from Dido and Aeneas) |
| 18 May 1996 | Oz Clarke | Leo Robin and Ralph Rainger | Thanks for the Memory (from The Mitford Girls) |
| 18 May 1996 | Oz Clarke | Stephen Sondheim | There was a Barber and his Wife (from Sweeney Todd) |
| 18 May 1996 | Oz Clarke | Stephen Oliver | The Battle of Pelennor Fields (from The Lord of the Rings) |
| 18 May 1996 | Oz Clarke | Tom Waits | The Piano has been drinking (not me) |
| 18 May 1996 | Oz Clarke | Traditional music | She moved through the fair |
| 25 May 1996 | Anthony Storr | Bach | Menuets I & II from Partita no 1 in B flat |
| 25 May 1996 | Anthony Storr | Chopin | Nouvelles Etudes nos 1 & 2 |
| 25 May 1996 | Anthony Storr | Duparc | L'invitation au voyage |
| 25 May 1996 | Anthony Storr | Handel | Organ Concerto in B flat major op 4 no 2 Allegro (2nd movt) |
| 25 May 1996 | Anthony Storr | Haydn | Adagio from Quartet in F minor |
| 25 May 1996 | Anthony Storr | Liszt | Unstern-Sinistre |
| 25 May 1996 | Anthony Storr | Mozart | 4th mvt Allegro from String quintet in C |
| 25 May 1996 | Anthony Storr | Schubert | Abschied (Schwanengesang D957) |
| 1 Jun 1996 | Joe Melia | Beethoven | String Quartet in E flat major Op. 127 (3rd mvt – Scherzando vivace) |
| 1 Jun 1996 | Joe Melia | Britten | Elegy (from Serenade for Tenor, Horn and Strings) |
| 1 Jun 1996 | Joe Melia | Liszt | Les Preludes |
| 1 Jun 1996 | Joe Melia | Frank Loesser | Overture and Racetrack Trio (from Guys and Dolls) |
| 1 Jun 1996 | Joe Melia | Richard Strauss | Moonlight Music (from the last scene of Capriccio) |
| 1 Jun 1996 | Joe Melia | Verdi | Falstaff (opening of Act II) |
| 1 Jun 1996 | Joe Melia | Wagner | Hagen summons the Gibichung (from Götterdämmerung Act II) |
| 1 Jun 1996 | Joe Melia | Bert Williams and Will Vodery and Jean C. Havez | The Darktown Poker Club |
| 8 Jun 1996 | Carmen Callil | Stephen Foster | Ah! may the red rose live alway |
| 8 Jun 1996 | Carmen Callil | Richard Strauss | Beim Schlafengehen (from Four Last Songs) |
| 8 Jun 1996 | Carmen Callil | Schubert | String Quintet in C, D.956 (2nd movt – Adagio) |
| 8 Jun 1996 | Carmen Callil | Vincenzo Bellini | Prendi: l'anel ti dono (from La Sonnambula) |
| 8 Jun 1996 | Carmen Callil | Denham Harrison and Richard Elton | Give me a Ticket to Heaven |
| 8 Jun 1996 | Carmen Callil | Jerome Kern | Can't help loving that man |
| 8 Jun 1996 | Carmen Callil | Traditional music | Tantum Ergo |
| 8 Jun 1996 | Carmen Callil | Verdi | Dio, che nell'alma infondere amor (from Don Carlo) |
| 15 Jun 1996 | Oliver Knussen | Berlioz | Ride to the Abyss (from The Damnation of Faust) |
| 15 Jun 1996 | Oliver Knussen | Britten | Apparition of the Spirit (from Curlew River) |
| 15 Jun 1996 | Oliver Knussen | Busoni | Berceuse Elegiaque (opening) |
| 15 Jun 1996 | Oliver Knussen | Elliott Carter | A celebration of some 100 x 150 notes |
| 15 Jun 1996 | Oliver Knussen | Mussorgsky | Opening of Act II of Boris Godunov |
| 15 Jun 1996 | Oliver Knussen | Pérotin | Viderunt Omnes (opening) |
| 15 Jun 1996 | Oliver Knussen | Ravel | Valses Nobles et sentimentales (conclusion) |
| 15 Jun 1996 | Oliver Knussen | Arnold Schoenberg | Orchestral Interlude from Gurrelieder |
| 15 Jun 1996 | Oliver Knussen | Stravinsky | Four Russian Peasant Songs |
| 15 Jun 1996 | Oliver Knussen | Stravinsky | Movements for piano and orchestra No.4 |
| 15 Jun 1996 | Oliver Knussen | Tchaikovsky | Pas d'Action (from The Sleeping Beauty) |
| 22 Jun 1996 | Ian McEwan | Britten | Near the Black Mountains there I dwelt (Curlew River) |
| 22 Jun 1996 | Ian McEwan | Jonnie Johnson and Keith Richards | Tanqueray |
| 22 Jun 1996 | Ian McEwan | Mozart | Adagio ma non troppo (from Quintet for strings in G minor) |
| 22 Jun 1996 | Ian McEwan | Henry Purcell | Funeral Sentence – "Man that is born of a woman" |
| 22 Jun 1996 | Ian McEwan | Bach | Goldberg Variations – variation 11 |
| 22 Jun 1996 | Ian McEwan | Wynton Marsalis | Hesitation |
| 22 Jun 1996 | Ian McEwan | Lennox Berkeley | Sonatina – 2nd mvt |
| 22 Jun 1996 | Ian McEwan | Bach | 3 part invention in C minor |
| 22 Jun 1996 | Ian McEwan | Leonard Cohen | Hallelujah |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Julian Slade | We said we wouldn't look back from Salad Days |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Handel | Allegro and Hornpipe from Water Music Suite in D major |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Rodgers and Hammerstein | Everything's up to date in Kansas city (from Oklahoma) |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Grieg | Excerpt from first movement of Piano Concerto |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Tchaikovsky | Fantasy overture "Romeo and Juliet" |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Jean Sibelius | Finlandia |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Benny Goodman | Sing, sing, sing |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Acker Bilk | Stranger on the Shore |
| 29 Jun 1996 | Sir Robin Knox-Johnston | Gilbert and Sullivan | Where is the plaintiff followed by chorus Comes a broken lover from Trial by Jury |
| 6 Jul 1996 | David Sylvester | Harrison Birtwistle | Tenebrae (Three Settings of Celan for soprano and 5 instruments) |
| 6 Jul 1996 | David Sylvester | Guillaume De Machaut | Gloria (Messe de Notre Dame) |
| 6 Jul 1996 | David Sylvester | Henry Purcell | Hark, each Tree (Ode on St Cecilia's Day 1692) |
| 6 Jul 1996 | David Sylvester | Beethoven | Mir ist so wunderbar (Quartet from Fidelio Act 1) |
| 6 Jul 1996 | David Sylvester | Chopin | Prelude in E minor |
| 6 Jul 1996 | David Sylvester | Bach | Recit: "Die Welt, das Sundenhaus" & Aria: "Wie jammern mich doch die verkehrten Herzen" (Cantata no 170 "Vergnugte Ruh, Beliebte Seelenlust") |
| 6 Jul 1996 | David Sylvester | Bach | Fugue from "The Musical Offering" |
| 14 Sep 1996 | Marina Warner | Lewis Allan | Strange Fruit |
| 14 Sep 1996 | Marina Warner | Antonín Dvořák | Cello Concerto (1st movt) |
| 14 Sep 1996 | Marina Warner | John Adams | Night Chorus (from The Death of Klinghoffer) |
| 14 Sep 1996 | Marina Warner | John Woolrich | The Turkish Mouse |
| 14 Sep 1996 | Marina Warner | Monteverdi | Il Combattimento di Tancredi e Clorinda (conclusion) |
| 14 Sep 1996 | Marina Warner | Ravel | Le Jardin Féerique (from Ma mère l'oye) |
| 14 Sep 1996 | Marina Warner | Schubert | Gretchen am Spinnrade |
| 14 Sep 1996 | Marina Warner | Stravinsky | Airs by a stream (from L'Histoire du Soldat) |
| 21 Sep 1996 | Nigel Rees | John Gay | Virgins are like the Fair Flower (from The Beggar's Opera) |
| 21 Sep 1996 | Nigel Rees | Haydn | Kyrie (from the Nelson Mass) |
| 21 Sep 1996 | Nigel Rees | Felix Mendelssohn | Overture – Ruy Blas |
| 21 Sep 1996 | Nigel Rees | Mozart | Piano Concerto in D minor K.466 (2nd mvt – Romance) |
| 21 Sep 1996 | Nigel Rees | Rachmaninov | Prelude in C♯ minor arr. Wood |
| 21 Sep 1996 | Nigel Rees | Alexander Scriabin | Etude in C♯ minor Op. 2 No.1 |
| 21 Sep 1996 | Nigel Rees | Tchaikovsky | Gremin's Aria (from Eugene Onegin, Act III Scene 2) |
| 28 Sep 1996 | Tessa Blackstone | Wagner | Prelude to Die Meistersinger |
| 28 Sep 1996 | Tessa Blackstone | Stravinsky | The Tresses (Tableau 1 from Les Noces) |
| 28 Sep 1996 | Tessa Blackstone | Mozart | Voi che sapete (from Le Nozze di Figaro) |
| 28 Sep 1996 | Tessa Blackstone | Tchaikovsky | Waltz (from The Sleeping Beauty), Act 1) |
| 28 Sep 1996 | Tessa Blackstone | Beethoven | Symphony No. 8 in F, Op 93 (4th movt – Allegro vivace) |
| 28 Sep 1996 | Tessa Blackstone | Jerome Kern | Pick yourself up |
| 28 Sep 1996 | Tessa Blackstone | Mahler | Der Abschied (Das Lied von der Erde) |
| 28 Sep 1996 | Tessa Blackstone | Mozart | Violin Concerto no. 3 in G, K.216 (3rd movt – Rondo, allegro) |
| 5 Oct 1996 | Craig Raine | Mussorgsky | Ballet of the chicks in their shells (from Pictures at an Exhibition) arr. Yamashita |
| 5 Oct 1996 | Craig Raine | Bizet | Beat out dat rhythm on a drum |
| 5 Oct 1996 | Craig Raine | Handel | Ev'ry valley shall be exalted (from Messiah) |
| 5 Oct 1996 | Craig Raine | Haydn | Kyrie (from Missa in tempore belli) |
| 5 Oct 1996 | Craig Raine | Charles Ives | Memories (Very Pleasant: Rather Sad) |
| 5 Oct 1996 | Craig Raine | Mahler | Wenn dein Mütterlein (from Kindertotenlieder) |
| 5 Oct 1996 | Craig Raine | Puccini | Tosca (conclusion of Act 2) |
| 5 Oct 1996 | Craig Raine | Shel Silverstein | Sylvia's Mother |
| 5 Oct 1996 | Craig Raine | Stravinsky | Royal March (from The Soldier's Tale) |
| 5 Oct 1996 | Craig Raine | Tchaikovsky | Chinese Dance (from The Nutcracker) |
| 12 Oct 1996 | George Melly | Cole Porter | Let's do it |
| 12 Oct 1996 | George Melly | Gilbert and Sullivan | Take a pair of sparkling eyes (from The Gondoliers) |
| 12 Oct 1996 | George Melly | Edward Heyman and Robert Sour and Frank Eyton and Johnny Green | Body and Soul |
| 12 Oct 1996 | George Melly | Max Miller | Here's a funny thing (from Max at the Met) |
| 12 Oct 1996 | George Melly | Ottorino Respighi | Prologue (from The Birds) |
| 12 Oct 1996 | George Melly | Erik Satie | Airs à faire fuir |
| 12 Oct 1996 | George Melly | Sidney Bechet | Egyptian Fantasy |
| 12 Oct 1996 | George Melly | Stravinsky | Danse Sacrale (from The Rite of Spring) |
| 12 Oct 1996 | George Melly | William Walton | Popular Song (from Façade Suite) |
| 19 Oct 1996 | Paul Bailey | Bach | Nun komm', der Heiden Heiland, BWV 659 arr.Busoni |
| 19 Oct 1996 | Paul Bailey | Trad. Arr. Maurice Jacobson | Ca' the yowes arr. Jacobson |
| 19 Oct 1996 | Paul Bailey | Alban Berg | Interlude – Invention on a key (D minor) (from Wozzeck) |
| 19 Oct 1996 | Paul Bailey | Brahms | Sonata No. 1 in G Op. 78 (1st movt. – Vivace ma non troppo) |
| 19 Oct 1996 | Paul Bailey | Leoš Janáček | S Bohem, rodný kraju (from The Diary of one who disappeared) |
| 19 Oct 1996 | Paul Bailey | Mozart | Porgi amor (from Le Nozze di Figaro) |
| 19 Oct 1996 | Paul Bailey | Schubert | Der Leiermann (from Die Winterreise) |
| 19 Oct 1996 | Paul Bailey | Verdi | Dio, che nell' alma infondere amor (from Don Carlos) |
| 26 Oct 1996 | Hermione Lee | Bach | Courante (from Cello Suite No. 3 BWV 1009) |
| 26 Oct 1996 | Hermione Lee | Beethoven | Quartet in B flat, Op 130 (5th mvt – Cavatina) |
| 26 Oct 1996 | Hermione Lee | Britten | Parade + Départ (from Les illuminations) |
| 26 Oct 1996 | Hermione Lee | Haydn | Et Resurrexit (from Theresienmesse) |
| 26 Oct 1996 | Hermione Lee | Leoš Janáček | Quartet No. 2 – Intimate Letters (2nd movt – Adagio) |
| 26 Oct 1996 | Hermione Lee | Mozart | Cosa mi narri + Sull'aria (from Le Nozze di Figaro) |
| 26 Oct 1996 | Hermione Lee | Schubert | Sonata in A, D.959 (2nd mvt – Andantino) |
| 26 Oct 1996 | Hermione Lee | Verdi | Falstaff (beginning of Act I, Scene 2) |
| 2 Nov 1996 | Genista McIntosh | Heinrich Ignaz Franz Biber | Sonata & Die liederliche Gesellschaft von allerley Humor (drunken part writing) – 1st 2 mvmts from Battalia à 10 |
| 2 Nov 1996 | Genista McIntosh | Mozart | Laudamus te (Mass in C minor) |
| 2 Nov 1996 | Genista McIntosh | Sergei Prokofiev | 1st mvmt – Piano Concerto no 1 in D flat op 10 |
| 2 Nov 1996 | Genista McIntosh | Puccini | Signore, ascolta ... (Act 1, Turandot) |
| 2 Nov 1996 | Genista McIntosh | Rodgers and Hart | Ten Cents a Dance |
| 2 Nov 1996 | Genista McIntosh | Rossini | Kyrie (Petite Messe Solennelle) |
| 2 Nov 1996 | Genista McIntosh | Stravinsky | (O God, protect dear Tom ...) I go, I go to him (end of Act 1, The Rake's Progress) |
| 2 Nov 1996 | Genista McIntosh | Guy Woolfenden | Come unto these yellow sands (The Tempest) |
| 9 Nov 1996 | Cleo Laine | Carroll Coates | Love comes and goes |
| 9 Nov 1996 | Cleo Laine | Gabriel Fauré | En Sourdine |
| 9 Nov 1996 | Cleo Laine | George Gershwin | Soon |
| 9 Nov 1996 | Cleo Laine | Robert Herrick and Edward Purcell | Passing by |
| 9 Nov 1996 | Cleo Laine | Horace Silver | Ecaroh |
| 9 Nov 1996 | Cleo Laine | John Dankworth | Sinners Rue |
| 9 Nov 1996 | Cleo Laine | John Rutter | What sweeter music |
| 9 Nov 1996 | Cleo Laine | Eddie Sauter | Pan |
| 9 Nov 1996 | Cleo Laine | Stephen Sondheim | Not a day goes by (Symphonic Sondheim) |
| 9 Nov 1996 | Cleo Laine | Vivaldi | Spring – 1st mvmt |
| 16 Nov 1996 | Dr. Oliver Sacks | Schubert | Der Müller und der Bach (Die Schöne Müllerin) |
| 16 Nov 1996 | Dr. Oliver Sacks | Stravinsky | Infernal Dance & Berceuse (Firebird Suite) |
| 16 Nov 1996 | Dr. Oliver Sacks | Mozart | Part of final scene (Don Giovanni) |
| 16 Nov 1996 | Dr. Oliver Sacks | Bach | Final chorus (St John Passion) |
| 16 Nov 1996 | Dr. Oliver Sacks | Chopin | Mazurka: op 7 no 1 in B flat |
| 16 Nov 1996 | Dr. Oliver Sacks | Mozart | Andante – 2nd mvmt (Sinfonia Concertante in E flat for violin, viola and orchestra K 364) |
| 23 Nov 1996 | Sir John Drummond | Alban Berg | Die Nachtigall (from Seven Early Songs) |
| 23 Nov 1996 | Sir John Drummond | Bortnyansky | Songs of the Cherubim No 7 (conclusion) |
| 23 Nov 1996 | Sir John Drummond | Chopin | Sonata No 3 in B minor, Op. 58 |
| 23 Nov 1996 | Sir John Drummond | Haydn | Symphony No 49 in F minor – "La Passione" |
| 23 Nov 1996 | Sir John Drummond | Jerome Kern | The Way you look Tonight |
| 23 Nov 1996 | Sir John Drummond | Francis Poulenc | La Reine des Mouettes (from Métamorphoses) |
| 23 Nov 1996 | Sir John Drummond | Percy Bysshe Shelley | Ode to the West Wind |
| 23 Nov 1996 | Sir John Drummond | Stravinsky | Les Noces (Second tableau) |
| 23 Nov 1996 | Sir John Drummond | Verdi | Macbeth/Banquo duet (from Macbeth, Act I, Scene I) |
| 30 Nov 1996 | Eleanor Bron | Béla Bartók | Bluebeard's Castle (Doors 4 & 5) |
| 30 Nov 1996 | Eleanor Bron | Chopin | Etude in A flat op 25 no 1 |
| 30 Nov 1996 | Eleanor Bron | César Franck | Piano quintet (3rd movement) |
| 30 Nov 1996 | Eleanor Bron | Gerry Mulligan | Utter Chaos |
| 30 Nov 1996 | Eleanor Bron | Francis Poulenc | Villageoises (Petites Pièces enfantines) |
| 30 Nov 1996 | Eleanor Bron | Ottorino Respighi | Pines of Rome (mvmts 1) I pini di Villa Borghese |
| 30 Nov 1996 | Eleanor Bron | Schubert | Im Frühling |
| 7 Dec 1996 | Malcolm Bradbury | Bach | Brandenburg Concerto No 4 (1st mvt – Allegro) |
| 7 Dec 1996 | Malcolm Bradbury | Leonard Bernstein | The best of all possible worlds (from Candide) |
| 7 Dec 1996 | Malcolm Bradbury | Joseph Canteloube | Baïlèro (from Chants d'Auvergne) |
| 7 Dec 1996 | Malcolm Bradbury | Aaron Copland | Simple Gifts |
| 7 Dec 1996 | Malcolm Bradbury | Antonín Dvořák | Serenade for strings (1st mvt – Moderato) |
| 7 Dec 1996 | Malcolm Bradbury | Michael Nyman | The Disposition of the Linen (from The Draughtsman's Contract) |
| 7 Dec 1996 | Malcolm Bradbury | Mozart | Oboe Concerto in C K.314 (1st mvt – Allegro aperto) |
| 7 Dec 1996 | Malcolm Bradbury | Reicha | Clarinet Quintet Op 107 (2nd mvt – Andante siciliano) |
| 14 Dec 1996 | Alan Hollinghurst | Thomas Adès | Maid's Champagne Aria (Powder Her Face) |
| 14 Dec 1996 | Alan Hollinghurst | Leoš Janáček | 3rd movement, String Quartet no 2 "Intimate Letters" |
| 14 Dec 1996 | Alan Hollinghurst | Mahler | Symphony no 3 – 1st movement opening |
| 14 Dec 1996 | Alan Hollinghurst | Mozart | "E Susanna non vien! ... Dove sono i bei momenti" : (The Marriage of Figaro, act 3) |
| 14 Dec 1996 | Alan Hollinghurst | Robert Schumann | Movements from 'Carnival' – 'Papillons', 'Lettres dansantes', 'Chiarina, 'Chopin', 'Estrella' |
| 14 Dec 1996 | Alan Hollinghurst | Ralph Vaughan Williams | Scene 3 – Minuet of the Sons of Job and Their Wives – Job (A Masque for Dancing) |
| 14 Dec 1996 | Alan Hollinghurst | Wagner | O sink hernieder' (Tristan and Isolde Act 2) |
| 21 Dec 1996 | Sir Claus Moser | Monteverdi | Deus in adjutorium (fromVespers) |
| 21 Dec 1996 | Sir Claus Moser | Schubert | Gute Nacht (from Winterreise) |
| 21 Dec 1996 | Sir Claus Moser | Schubert | Moment Musical No 3 in F minor, D 780 |
| 21 Dec 1996 | Sir Claus Moser | Mozart | Piano Concerto No 23 in A, K 488 (2nd mvt – Adagio) |
| 21 Dec 1996 | Sir Claus Moser | Beethoven | Quartet in C, Op 59/3 (4th mvt – Allegro molto) |
| 21 Dec 1996 | Sir Claus Moser | Mozart | Riconosci in quest'amplesso (from Le Nozze di Figaro, Act 3) |
| 21 Dec 1996 | Sir Claus Moser | Wagner | Wotan's Farewell (from Die Walküre) |
| 21 Dec 1996 | Sir Claus Moser | Beethoven | Fuga – Allegro ma non troppo (from Sonata in A flat, Op 110) |
| 28 Dec 1996 | Dame Edna Everage | Henry Bishop | Home sweet home |
| 28 Dec 1996 | Dame Edna Everage | Carl Davis | Why do we love Australia (from The Last Night of the Poms) |
| 28 Dec 1996 | Dame Edna Everage | Charles Williams | The Dream of Olwen |
| 28 Dec 1996 | Dame Edna Everage | Percy Grainger | The Gum-suckers' March (from In a Nutshell) |
| 28 Dec 1996 | Dame Edna Everage | John Antill | A Rain Dance (from Corroboree) |
| 28 Dec 1996 | Dame Edna Everage | Aram Khachaturian | Sabre Dance |
| 28 Dec 1996 | Dame Edna Everage | Lehár | Girls were made to love and kiss (from Paganini) |
| 28 Dec 1996 | Dame Edna Everage | May Brahe | Bless this house |
| 28 Dec 1996 | Dame Edna Everage | Henry Purcell | Nymphs and Shepherds |
| 28 Dec 1996 | Dame Edna Everage | Rutland Boughton | Faery Song (from The Immortal Hour) |
| 28 Dec 1996 | Dame Edna Everage | William Garret James | Bush Night Song |

## 1997

| Date | Guest | Composer | Title |
| 4 Jan 1997 | David Malouf | Richard Strauss | Metamorphosen for 23 solo strings (end) |
| 4 Jan 1997 | David Malouf | Schubert | Wandrers Nachtlied II |
| 4 Jan 1997 | David Malouf | Bach | Fugue No.24 in B minor, BWV 869 (from The Well-Tempered Clavier) |
| 4 Jan 1997 | David Malouf | Chopin | Waltz No. 10 in B minor, Op.69 No.2 |
| 4 Jan 1997 | David Malouf | Haydn | Andante from String Quartet in F minor, Op.77 No.2 |
| 4 Jan 1997 | David Malouf | Mozart | Tutto e tranquillo e placido – Gente, gente, all'armi |
| 5 Apr 1997 | Roger Scruton | Bach | Double Concerto in D minor. BWV 1043 (1st mvt – Vivace) |
| 5 Apr 1997 | Roger Scruton | Samuel Barber | Knoxville: Summer of 1915 |
| 5 Apr 1997 | Roger Scruton | Alban Berg | Violin Concerto (conclusion) |
| 5 Apr 1997 | Roger Scruton | Brahms | Geistliches Wiegenlied, Op 91/2 |
| 5 Apr 1997 | Roger Scruton | Leoš Janáček | Sinfonietta (conclusion) |
| 5 Apr 1997 | Roger Scruton | Schubert | Symphony no.9 in C (Trio from the scherzo) |
| 5 Apr 1997 | Roger Scruton | Tomás Luis de Victoria | Caligaverunt oculi mei – Si est dolor – O vos omnes (from Tenebrae Responsories) |
| 5 Apr 1997 | Roger Scruton | Wagner | Brunnhilde pleads with Wotan (from Die Walkure) |
| 12 Apr 1997 | John Tusa | Alexander Vasilyevich Alexandrov | USSR National Anthem (part) |
| 12 Apr 1997 | John Tusa | Beethoven | Quartet (Rasumovsky) op 59 no 3 – Finale |
| 12 Apr 1997 | John Tusa | Antonín Dvořák | Piano Quintet in A op 81 |
| 12 Apr 1997 | John Tusa | Schubert | Liebesbotschaft (Love's Message) – from Schwanengesang |
| 12 Apr 1997 | John Tusa | Schubert | Piano Sonata in B flat opus post. D 960 3rd mvt Scherzo (Allegro vivace con delicatezza) |
| 12 Apr 1997 | John Tusa | Robert Schumann | Toccata op 7 |
| 12 Apr 1997 | John Tusa | Verdi | Di quella pira – (II Trovatore, Act III) |
| 12 Apr 1997 | John Tusa | Verdi | Rodrigo's (Marchese di Posa) death scene from Don Carlos (Act 4 Scene 2) |
| 19 Apr 1997 | Lord Armstrong | Bach | Jesu, meine freude BWV 227 (Gute Nacht....) |
| 19 Apr 1997 | Lord Armstrong | William Byrd | Justorum animae |
| 19 Apr 1997 | Lord Armstrong | Handel | Fugue in C minor (op 3 no 6) |
| 19 Apr 1997 | Lord Armstrong | Felix Mendelssohn | Piano trio in C minor (Finale – Allegro appassionato) |
| 19 Apr 1997 | Lord Armstrong | Mozart | Quintet for piano and wind K452 (2nd mvt) |
| 19 Apr 1997 | Lord Armstrong | Richard Strauss | Capriccio – Moonlight music from last scene |
| 19 Apr 1997 | Lord Armstrong | Ralph Vaughan Williams | A Sea Symphony – Scherzo: The Waves |
| 19 Apr 1997 | Lord Armstrong | Peter Warlock | Sleep |
| 26 Apr 1997 | Adam Phillips | Boulez | ...explosante-fixe... |
| 26 Apr 1997 | Adam Phillips | Bob Dylan | Tangled up in Blue |
| 26 Apr 1997 | Adam Phillips | Arnold Bax | Nonet |
| 26 Apr 1997 | Adam Phillips | Billy Myles | Have you ever loved a woman |
| 26 Apr 1997 | Adam Phillips | Leoš Janáček | Con moto (1st mvt – Quartet no 1 Kreutzer) |
| 26 Apr 1997 | Adam Phillips | Lucinda Williams | Lines around your eyes |
| 26 Apr 1997 | Adam Phillips | Robert Schumann | Fantasiestuck op 12 (Des Abends) |
| 26 Apr 1997 | Adam Phillips | Wagner | Prelude to Das Rheingold |
| 26 Apr 1997 | Adam Phillips | Anton Webern | 5 pieces for orchestra op 10 |
| 3 May 1997 | Siobhan Davies | Bach | Contrapunctus I (from The Art of Fugue) |
| 3 May 1997 | Siobhan Davies | Gavin Bryars | Three Elegies for Nine Clarinets (No.2) |
| 3 May 1997 | Siobhan Davies | Gerald Barry | Flamboys (conclusion) |
| 3 May 1997 | Siobhan Davies | Handel | Se m'ami, oh caro (from Aci, Galatea e Polifemo) |
| 3 May 1997 | Siobhan Davies | Kevin Volans | Third Dance (from White Man Sleeps) |
| 3 May 1997 | Siobhan Davies | Domenico Scarlatti | Sonata in B minor |
| 3 May 1997 | Siobhan Davies | Steve Reich | Clapping Music |
| 3 May 1997 | Siobhan Davies | Stravinsky | Les Noces (conclusion) |
| 10 May 1997 | Sir Roy Strong | Elgar | Symphony No 1 |
| 10 May 1997 | Sir Roy Strong | Johann Strauss Jr. | Klänge der Heimat – Czardas (from Die Fledermaus) |
| 10 May 1997 | Sir Roy Strong | Thomas Morley | It was a lover and his lass |
| 10 May 1997 | Sir Roy Strong | Sergei Prokofiev | Love Scene (from Romeo and Juliet Act 1) |
| 10 May 1997 | Sir Roy Strong | Puccini | Closing Quartet (from La Bohème Act III) |
| 10 May 1997 | Sir Roy Strong | Henry Purcell | Fairest Isle (from King Arthur) |
| 10 May 1997 | Sir Roy Strong | Richard Strauss | Countess's Reverie (from last act of Capriccio) |
| 10 May 1997 | Sir Roy Strong | Tchaikovsky | Journey Sequence (from Act II of Nutcracker) |
| 17 May 1997 | Paul Daniel | Bach | Aus Liebe will mein Heiland sterben (from St Matthew Passion) |
| 17 May 1997 | Paul Daniel | Beethoven | Sonata in A flat Op 110 (1st mvt) |
| 17 May 1997 | Paul Daniel | Alban Berg | Act II, Scene 3 (from Wozzeck) |
| 17 May 1997 | Paul Daniel | David Bowie | Fame (from the Stage album) |
| 17 May 1997 | Paul Daniel | Monteverdi | Possente Spirto (from L'Orfeo) |
| 17 May 1997 | Paul Daniel | Rodgers and Hammerstein | June is bustin' out all over |
| 17 May 1997 | Paul Daniel | Schubert | Heimliches Lieben |
| 24 May 1997 | Peter Shaffer | Felix Mendelssohn | Octet Op.20 (conclusion of 1st mvt) arr. Toscanin |
| 24 May 1997 | Peter Shaffer | Shakespeare | Deposition Scene (from Richard II) |
| 24 May 1997 | Peter Shaffer | Mozart | Piano Concerto in G, K 453 (3rd mvt – Allegretto) |
| 24 May 1997 | Peter Shaffer | Verdi | Si, pel ciel (from Otello) |
| 24 May 1997 | Peter Shaffer | Rossini | Zitto, zitto: piano, piano (from Cenerentola – Act I)Luigi Alva (Don Ramiro)/Renato Capecchi |
| 24 May 1997 | Peter Shaffer | Britten | Since she whom I loved (from Holy Sonnets of John Donne) |
| 24 May 1997 | Peter Shaffer | Handel | Eternal source of light Divine (from Ode for the Birthday of Queen Anne) |
| 24 May 1997 | Peter Shaffer | Marc Wilkinson | Chant of Resurrection – Final Lament (from The Royal Hunt of the Sun) |
| 24 May 1997 | Peter Shaffer | Mozart | Kyrie (from Mass in C minor, K427) |
| 31 May 1997 | Richard Eyre | Bach | Suite no 1 in G, BWV 1007 (1st & 2nd mvts -Prelude & Allemande) |
| 31 May 1997 | Richard Eyre | Chuck Berry | School Day |
| 31 May 1997 | Richard Eyre | Sam Coslow and Arthur Johnston | My Old Flame |
| 31 May 1997 | Richard Eyre | Miles Davis | So What (from Kind of Blue) |
| 31 May 1997 | Richard Eyre | Mozart | Fantasia in C minor |
| 31 May 1997 | Richard Eyre | Arnold Schoenberg | Verklãrte Nacht (conclusion) |
| 31 May 1997 | Richard Eyre | Jean Sibelius | Symphony No.5 (3rd mvt – conclusion) |
| 31 May 1997 | Richard Eyre | Verdi | Sanctus (from Requiem) |
| 7 Jun 1997 | Michael Grade | Beethoven | Missa Solemnis (Benedictus – part) |
| 7 Jun 1997 | Michael Grade | Billy Strayhorn | Chelsea Bridge |
| 7 Jun 1997 | Michael Grade | Max Bruch | Kol Nidre |
| 7 Jun 1997 | Michael Grade | Richard Strauss | Traum durch die Dämmerung |
| 7 Jun 1997 | Michael Grade | Jean Sibelius | Vivacissimo (3rd mvt – Symphony no.2) |
| 7 Jun 1997 | Michael Grade | Stephen Sondheim | The Worst Pies in London (Sweeney Todd) |
| 7 Jun 1997 | Michael Grade | Wagner | Siegfried (end of final scene) |
| 14 Jun 1997 | Baroness Warnock | Bach | Sonata in C, BWV 1033 (1st & 2nd mvts – Andante & Allegro) |
| 14 Jun 1997 | Baroness Warnock | Beethoven | Sonata in D minor, Op 31/2 (last mvt – Allegretto) |
| 14 Jun 1997 | Baroness Warnock | Felice and Boudleaux Bryant | Bye Bye Love |
| 14 Jun 1997 | Baroness Warnock | William Boyce | Symphony No 8 in D minor (last mvt – Tempo di Gavotta) |
| 14 Jun 1997 | Baroness Warnock | Henry Purcell | Rejoice in the Lord alway |
| 14 Jun 1997 | Baroness Warnock | Schubert | Quartet Movement in C minor, D.703 |
| 14 Jun 1997 | Baroness Warnock | Traditional music | Mary Hamilton |
| 14 Jun 1997 | Baroness Warnock | Jan Dismas Zelenka | Second Lamentation for Maundy Thursday |
| 21 Jun 1997 | George Walden | Béla Bartók | The Miraculous Mandarin (opening) |
| 21 Jun 1997 | George Walden | Ralph Burns and Milton (Shorty) Rogers | Keen and Peachy |
| 21 Jun 1997 | George Walden | Mussorgsky | Prelude to Khovanshchina, Act I |
| 21 Jun 1997 | George Walden | Henry Purcell | Man that is born of woman (from Funeral Music for Queen Mary) |
| 21 Jun 1997 | George Walden | Schubert | Sonata in A, D 959 (2nd mvt – andantino) |
| 21 Jun 1997 | George Walden | Sonny Bono | The Beat goes on |
| 21 Jun 1997 | George Walden | Stravinsky | The Soldier's Tale (exc. from part I) |
| 21 Jun 1997 | George Walden | Wagner | Träume (from Wesendonck-Lieder) |
| 28 Jun 1997 | Sheila Colvin | Antonio Carlos Jobim | A Felicidade |
| 28 Jun 1997 | Sheila Colvin | Britten | Fanfare + Villes (from Les Illuminations) |
| 28 Jun 1997 | Sheila Colvin | Oliver Knussen | Coursing |
| 28 Jun 1997 | Sheila Colvin | Schubert | Pause (from Die Schöne Müllerin, D795) |
| 28 Jun 1997 | Sheila Colvin | Tchaikovsky | Symphony No 5 in E minor, Op 64 (3rd mvt – Waltz) |
| 28 Jun 1997 | Sheila Colvin | Verdi | Falstaff – Act 1, Scene 2 |
| 28 Jun 1997 | Sheila Colvin | Kurt Weill | Seeräuber-Jenny (from Die Dreigroschenoper) |
| 5 Jul 1997 | Denis Quilley | Britten | Hymn and Sonnet (from Serenade |
| 5 Jul 1997 | Denis Quilley | George Butterworth | Loveliest of trees (from A Shropshire Lad) |
| 5 Jul 1997 | Denis Quilley | Debussy | String Quartet (2nd mvt – scherzo) |
| 5 Jul 1997 | Denis Quilley | Haydn | Symphony No 88 in G (finale – Allegro con spirito) |
| 5 Jul 1997 | Denis Quilley | Lehár | Dein ist mein ganzes Herz from The Land of Smiles) |
| 5 Jul 1997 | Denis Quilley | Lehár | Freunde das Leben ist Lebenswirth (from Giuditta) |
| 5 Jul 1997 | Denis Quilley | Francis Poulenc | Nocturne No 1 |
| 5 Jul 1997 | Denis Quilley | Rodgers and Hammerstein | What's the use of wonderin' (from Carousel) |
| 5 Jul 1997 | Denis Quilley | Jimmy Van Heusen and Johnny Burke | Here's that rainy day |
| 12 Jul 1997 | Lord Harewood | Beethoven | Slow movement (Symphony no 9) |
| 12 Jul 1997 | Lord Harewood | Britten | Sunday Morning (3rd Sea Interlude – opening of Act II, Peter Grimes) |
| 12 Jul 1997 | Lord Harewood | Leoš Janáček | Prelude to Katya Kabanova |
| 12 Jul 1997 | Lord Harewood | Sergei Prokofiev | Death of Prince Andrei (Scene XII War & Peace) |
| 12 Jul 1997 | Lord Harewood | Arnold Schoenberg | Nun sag ich dir zum ersten Mal (Gurrelieder pt 1) |
| 12 Jul 1997 | Lord Harewood | Schubert | Ungeduld (no 7 of Die Schöne Müllerin) with orchestrated accompaniment |
| 12 Jul 1997 | Lord Harewood | Verdi | Ah! Dite alla giovine' (La Traviata Act III) |
| 12 Jul 1997 | Lord Harewood | Wagner | Opening of Act II (The Valkyrie) |
| 13 Sep 1997 | Douglas Adams | Bach | Chromatic Fantasia and Fugue in D minor, BWV 903 |
| 13 Sep 1997 | Douglas Adams | Berlioz | The Shepherd's Farewell (from L'Enfance du Christ) |
| 13 Sep 1997 | Douglas Adams | Britten | Rejoice in the Lamb (conclusion) |
| 13 Sep 1997 | Douglas Adams | Gary Brooker and Keith Reid | Holding on |
| 13 Sep 1997 | Douglas Adams | Ligeti | Éjszaka (night) |
| 13 Sep 1997 | Douglas Adams | Mozart | Non so piu (from Le Nozze di Figaro) |
| 13 Sep 1997 | Douglas Adams | Randy Newman | Glory Train (from Faust) |
| 13 Sep 1997 | Douglas Adams | Robbie McIntosh | Gone Dancing |
| 20 Sep 1997 | Dame Felicity Lott | Schubert | An die Leier, D 737 |
| 20 Sep 1997 | Dame Felicity Lott | Richard Strauss | Capriccio (conclusion of Scene 7) |
| 20 Sep 1997 | Dame Felicity Lott | Bach | Have mercy, Lord (from St Matthew Passion) |
| 20 Sep 1997 | Dame Felicity Lott | Brahms | Der Abend, Op 64/2 |
| 20 Sep 1997 | Dame Felicity Lott | Handel | Va Tacito (from Giulio Cesare) |
| 20 Sep 1997 | Dame Felicity Lott | Jacques Brel | La Chanson des Vieux Amants |
| 20 Sep 1997 | Dame Felicity Lott | John Rutter | The Lord bless you and keep you |
| 20 Sep 1997 | Dame Felicity Lott | Mozart | Serenade in B flat, K 361 (3rd mvt – Adagio) |
| 27 Sep 1997 | Sir Georg Solti | Béla Bartók | Concerto for Orchestra (Giuoco delle coppie -mvmt II) |
| 27 Sep 1997 | Sir Georg Solti | Beethoven | Fidelio (Quartet – Act I) |
| 27 Sep 1997 | Sir Georg Solti | Mozart | The Marriage of Figaro (Sextet – Act III) |
| 27 Sep 1997 | Sir Georg Solti | Richard Strauss | Der Rosenkavalier (Trio – Act III) |
| 27 Sep 1997 | Sir Georg Solti | Verdi | Falstaff (final scene) |
| 27 Sep 1997 | Sir Georg Solti | Wagner | Die Meistersinger von Nürnberg (Pogner's monologue from Act I) |
| 4 Oct 1997 | Ian Craft | Richard Strauss | Love Duet (... Der Richtiger) (from Arabella Act II) |
| 4 Oct 1997 | Ian Craft | Robert Simpson | Symphony No 6 (conclusion) |
| 4 Oct 1997 | Ian Craft | Shostakovich | Symphony No 8 (3rd mvt – Allegro non troppo) |
| 4 Oct 1997 | Ian Craft | Bach | Partita No 1 in B minor, BWV 1002 (4th mvt – Tempo di Borea) |
| 4 Oct 1997 | Ian Craft | Beethoven | Fidelio Overture |
| 4 Oct 1997 | Ian Craft | John Blow | Venus!...Adonis!... (from Venus and Adonis Act I) |
| 4 Oct 1997 | Ian Craft | Bruckner | Os justi meditabitur |
| 11 Oct 1997 | Andrew Motion | Bach | Suite No 6 in D, BWV 1012 (1st mvt – Prélude) |
| 11 Oct 1997 | Andrew Motion | Beethoven | Sonata in B flat, Op 106 – Hammerklavier (3rd mvt) |
| 11 Oct 1997 | Andrew Motion | Bob Dylan | Love minus Zero |
| 11 Oct 1997 | Andrew Motion | Britten | Sonnet (from Serenade) |
| 11 Oct 1997 | Andrew Motion | Gluck | Ballet des Ombres Heureuses (from Orphée et Euridice) |
| 11 Oct 1997 | Andrew Motion | Haydn | Und Gott schuf grosse Walfische (from The Creation) |
| 11 Oct 1997 | Andrew Motion | Laurie Anderson | Let X = X (from album 'Big Science') |
| 11 Oct 1997 | Andrew Motion | Steve Reich | Three Movements (2nd mvt) |
| 18 Oct 1997 | Timothy Garton Ash | Anonymous work | Bogurodzica |
| 18 Oct 1997 | Timothy Garton Ash | Beethoven | Violin Concerto in D, Op 61 (last mvt) |
| 18 Oct 1997 | Timothy Garton Ash | Britten | Dirge (from Serenade) |
| 18 Oct 1997 | Timothy Garton Ash | Mozart | Sinfonia Concertante in E flat, K 364 (last mvt) |
| 18 Oct 1997 | Timothy Garton Ash | Peter Fischer | Apfelböck oder die Lilie auf dem Felde |
| 18 Oct 1997 | Timothy Garton Ash | Schubert | Erlkönig |
| 18 Oct 1997 | Timothy Garton Ash | Bedřich Smetana | Vltava (from Ma Vlast) |
| 25 Oct 1997 | Deborah McMillan | Heinrich Ignaz Franz Biber | Prelude, Aria & Variations "The Annunciation' (The Five Joyful Mysteries) |
| 25 Oct 1997 | Deborah McMillan | Blossom Dearie | Et tu Bruce |
| 25 Oct 1997 | Deborah McMillan | Mozart | Lacrimosa (Requiem) |
| 25 Oct 1997 | Deborah McMillan | Francis Poulenc | Concerto for two pianos & orchestra – 1st mvt. |
| 25 Oct 1997 | Deborah McMillan | Francis Poulenc | O magnum mysterium (Quartre Motets pour le Temps de Noel) |
| 25 Oct 1997 | Deborah McMillan | Sammy Fain and Jerry Seelen | I hear the music now |
| 25 Oct 1997 | Deborah McMillan | Arnold Schoenberg | Orchestral Prelude (Gurrelieder) |
| 25 Oct 1997 | Deborah McMillan | Schubert | La Pastorella |
| 1 Nov 1997 | Edmund White | Brahms | Sonata in F minor, Op. 120/1 (2nd mvt) |
| 1 Nov 1997 | Edmund White | Britten | Cello Symphony, Op 68 (2nd mvt) |
| 1 Nov 1997 | Edmund White | Gabriel Fauré | Berceuse (from Dolly Suite, Op 56) |
| 1 Nov 1997 | Edmund White | María Grever and Stanley Adams | What a difference a day makes |
| 1 Nov 1997 | Edmund White | Haydn | Symphony No. 45 in F♯ minor – Farewell (4th mvt) |
| 1 Nov 1997 | Edmund White | Leoš Janáček | Sonata 1. x. 1905 (1st mvt) |
| 1 Nov 1997 | Edmund White | Monteverdi | Tornate, o cari baci (from 7th book of madrigals) |
| 1 Nov 1997 | Edmund White | Puccini | Chi il bel sogno di Doretta (from La Rondine, Act 1) |
| 8 Nov 1997 | Robert Ponsonby | Albéniz | Triana (Iberia no V) |
| 8 Nov 1997 | Robert Ponsonby | Beethoven | Variation no 24 'Andante' (33 variations on a Waltz by Anton Diabelli op 120) |
| 8 Nov 1997 | Robert Ponsonby | Brahms | Liebeslieder Waltzes op 52 nos. 1–6 |
| 8 Nov 1997 | Robert Ponsonby | Leoš Janáček | 4th mvt (Mladi) |
| 8 Nov 1997 | Robert Ponsonby | Mozart | Quartet: Non ti fidar, o misera (Act 1, Don Giovanni) |
| 8 Nov 1997 | Robert Ponsonby | Schubert | Abendbilder |
| 8 Nov 1997 | Robert Ponsonby | Stravinsky | Pas de Deux (Divertimento – Le Baiser de la Fée) |
| 8 Nov 1997 | Robert Ponsonby | Verdi | End of Act I, Scene 1 (Falstaff) |
| 15 Nov 1997 | A N Wilson | Shostakovich | 2nd mvt Allegro (Symphony no. 10) |
| 15 Nov 1997 | A N Wilson | Charles Villiers Stanford | Irish Rhapsody No. 4 in A minor, Op. 141 |
| 15 Nov 1997 | A N Wilson | Richard Strauss | September (Four Last Songs) |
| 15 Nov 1997 | A N Wilson | Béla Bartók | 3rd mvt (Viola Concerto |
| 15 Nov 1997 | A N Wilson | Beethoven | 1st mvt Allegretto (Quartet in F op 135) |
| 15 Nov 1997 | A N Wilson | Bruckner | Locus Iste |
| 15 Nov 1997 | A N Wilson | Haydn | Quoniam Tu solus sanctus – Gloria (Nelson Mass) |
| 15 Nov 1997 | A N Wilson | Mozart | 3rd mvt Allegretto (Piano Sonata in C K330) |
| 22 Nov 1997 | György Ligeti | Beethoven | Sonata in C minor, Op 11 (2nd mvt) |
| 22 Nov 1997 | György Ligeti | Claude Vivier | Lonely Child |
| 22 Nov 1997 | György Ligeti | Conlon Nancarrow | Study no 3a |
| 22 Nov 1997 | György Ligeti | Traditional music | Gënding: Dhenggung Turulare |
| 22 Nov 1997 | György Ligeti | Traditional music | Piéré |
| 22 Nov 1997 | György Ligeti | Traditional music | Whistle Ensemble |
| 29 Nov 1997 | Maureen Duffy | Trad. Arr. Harry Burleigh | Deep River (pub. Maecenas Music) arr. Burleigh |
| 29 Nov 1997 | Maureen Duffy | Harold Adamson and Jimmy McHugh | You're a Sweetheart |
| 29 Nov 1997 | Maureen Duffy | William Byrd | Elegy on the death of Thomas Tallis |
| 29 Nov 1997 | Maureen Duffy | Handel | Non to basto, consorte + Io t'abbraccio (from Rodelinda) |
| 29 Nov 1997 | Maureen Duffy | Mozart | Clarinet Concerto in A, K.622 (2nd mvt – Adagio) |
| 29 Nov 1997 | Maureen Duffy | Henry Purcell | Sound the Trumpet (from Come ye Sons of Art) |
| 29 Nov 1997 | Maureen Duffy | Henry Purcell | Symphony (from Come ye Sons of Art) |
| 29 Nov 1997 | Maureen Duffy | Trad. Arr. Dolly Collins | Six Dukes |
| 6 Dec 1997 | Eduardo Paolozzi | Astor Piazzolla | Songe d'une nuit d'été |
| 6 Dec 1997 | Eduardo Paolozzi | Britten | Opening – Prelude The Emperor (The Prince of the Pagodas) |
| 6 Dec 1997 | Eduardo Paolozzi | Count Basie and S. Martin | Miss Thing – part 1 |
| 6 Dec 1997 | Eduardo Paolozzi | Honegger | Pacific 231 |
| 6 Dec 1997 | Eduardo Paolozzi | Charles Ives | Central Park in the Dark |
| 6 Dec 1997 | Eduardo Paolozzi | Cole Porter and Louis Henneve and Leon Palex | Vous faites partie de moi (I've got you under my skin) |
| 6 Dec 1997 | Eduardo Paolozzi | Stravinsky | 1st part of Bedlam Scene (final act, The Rake's Progress) |
| 6 Dec 1997 | Eduardo Paolozzi | Traditional Japanese | n/a |
| 13 Dec 1997 | Judith Weir | Trad. Arr. Copper | The Sweet Primeroses arr. Copper |
| 13 Dec 1997 | Judith Weir | Bach | Gloria (from Mass in F. BWV 233) |
| 13 Dec 1997 | Judith Weir | Brahms | Sextet No 1 in Bb, Op 18 (2nd mvt) |
| 13 Dec 1997 | Judith Weir | Britten | Carol (from Sacred and Profane) |
| 13 Dec 1997 | Judith Weir | Kevin Volans | White Man Sleeps (1st mvt) |
| 13 Dec 1997 | Judith Weir | Carl Loewe | Herr Oluf |
| 13 Dec 1997 | Judith Weir | Stravinsky | Oedipus Rex (exc from Act II) |
| 13 Dec 1997 | Judith Weir | Traditional music | Dzil Duet (from Accra, Ghana) |
| 20 Dec 1997 | Frederic Raphael | Antonio Carlos Jobim | Desafinado |
| 20 Dec 1997 | Frederic Raphael | Bach | Goldberg Variations (Theme and Variations 1–3) |
| 20 Dec 1997 | Frederic Raphael | Beethoven | Violin Concerto (exc from 1st mvt) |
| 20 Dec 1997 | Frederic Raphael | Haydn | Cello Concerto No 2 in D (3rd mvt) |
| 20 Dec 1997 | Frederic Raphael | Marguerite Monnot and Georges Moustaki | Milord |
| 20 Dec 1997 | Frederic Raphael | Mozart | Piano Sonata in C minor, K 457 (1st mvt) |
| 20 Dec 1997 | Frederic Raphael | Robert Schumann | Piano Concerto, Op 54 (2nd mvt) |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Stravinsky | Dance of the Earth (end of Pt 1 – The Rite of Spring |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Brahms | Denn es gehet dem Menschen (No 1 of 4 Ernste Gesänge op 121) |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Mahler | fragment from 1st mvmt Allegro maestoso (Symphony no 2 in C minor – 'Resurrection') |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Ned Washington & Leigh Harline | Give a little whistle |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Beethoven | Prestissimo (end of 3rd mvmt – Sonata no 21 in C op 53 'Waldstein') |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Brahms | Andante 3rd mvmt (Sonata in E flat op 120 no 2) |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Arnold Schoenberg | Sterne jubeln (from part 1 of Gurrelieder) |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Richard Strauss | closing moments of Salome |
| 27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Anton Webern | 2nd of 5 Pieces for orchestra op 10 |

## 1998

| Date | Guest | Composer | Title |
| 3 Jan 1998 | Susannah Clapp | Béla Bartók | Bluebeard's Castle (opening) |
| 3 Jan 1998 | Susannah Clapp | Beethoven | Sonata in F, Op.24, "Spring" (1st mvt – Allegro) |
| 3 Jan 1998 | Susannah Clapp | Moxy Früvous | The King of Spain |
| 3 Jan 1998 | Susannah Clapp | Robert Schumann | Romance Op.94/2 |
| 3 Jan 1998 | Susannah Clapp | Verdi | Volta la terrea (from Un Ballo in Maschera, Act I) |
| 3 Jan 1998 | Susannah Clapp | Kurt Weill | Alabama Song (from Mahagonny) |
| 10 Jan 1998 | John Fortune | Bunny O'Riley | Dream Land |
| 10 Jan 1998 | John Fortune | Domenico Scarlatti | Sonata in A major, Kirkpatrick 208 |
| 10 Jan 1998 | John Fortune | Domenico Scarlatti | Sonata in E major, Kirkpatrick 381 |
| 10 Jan 1998 | John Fortune | Haydn | String Quartet in B flat, Op.76/4, "Sunrise" (3rd mvt – Minuet) |
| 10 Jan 1998 | John Fortune | Charles Ives | The Unanswered Question |
| 10 Jan 1998 | John Fortune | Mugsy Spanier | Relaxin' at the Touro |
| 10 Jan 1998 | John Fortune | Alexander Scriabin | Piano Concerto in F sharp minor, Op.20 (2nd mvt – Andante) |
| 17 Jan 1998 | Louis de Bernières | Girolamo Frescobaldi | Aria con variazione detta la Frescobalda arr. Segovia |
| 17 Jan 1998 | Louis de Bernières | Armando Rodrigues and Affonso Correia Leite | Cançao de Alcipe (from the film 'Bocage') |
| 17 Jan 1998 | Louis de Bernières | Bach | 1st mvmt Allegro (Brandenburg Concerto no 4 BWV 1049) |
| 17 Jan 1998 | Louis de Bernières | Max Bruch | Andante-Allegro (Finale of Concerto for 2 pianos) |
| 17 Jan 1998 | Louis de Bernières | Chopin | Prelude no 4 in E minor |
| 17 Jan 1998 | Louis de Bernières | Gounod | Sanctus (Messe Solennelle) |
| 17 Jan 1998 | Louis de Bernières | Mikis Theodorakis | Apagoghi |
| 17 Jan 1998 | Louis de Bernières | Traditional music | Cieliot Lindo |
| 17 Jan 1998 | Louis de Bernières | Victor Valencia | Mis Dolencias ('Music from the Andes') |
| 24 Jan 1998 | Robert Gottlieb | Bizet | Allegro vivace (mvmt IV, Symphony in C) |
| 24 Jan 1998 | Robert Gottlieb | George Gershwin and Ira Gershwin | A Foggy Day |
| 24 Jan 1998 | Robert Gottlieb | Umberto Giordano | Finale Act IV (Andrea Chénier) |
| 24 Jan 1998 | Robert Gottlieb | W. C. Handy | St Louis Blues |
| 24 Jan 1998 | Robert Gottlieb | Meyerbeer | O Paradiso (L'Africana) |
| 24 Jan 1998 | Robert Gottlieb | Cole Porter | Ridin' High (from Red, Hot & Blue) |
| 24 Jan 1998 | Robert Gottlieb | Tchaikovsky | Adagio – from No 8 Pas d'action (Sleeping Beauty) |
| 31 Jan 1998 | Sir Roger Norrington | Bach | Ich habe genug (opening aria of Cantata BWV 82) |
| 31 Jan 1998 | Sir Roger Norrington | Beethoven | Allegro con brio (1st mvt – String Quartet in F minor) |
| 31 Jan 1998 | Sir Roger Norrington | Alban Berg | Violin Concerto |
| 31 Jan 1998 | Sir Roger Norrington | Berlioz | Dido's Farewell (Act V, Les Troyens) |
| 31 Jan 1998 | Sir Roger Norrington | William Byrd | Justorum animae |
| 31 Jan 1998 | Sir Roger Norrington | Henry Purcell | Chaconne (Dance for Chinese Man & Woman) |
| 31 Jan 1998 | Sir Roger Norrington | Heinrich Schütz | Final chorus from St Matthew Passion |
| 7 Feb 1998 | Jeremy Sams | Handel | Oh Thou that tellest .. (Messiah) arr. Cedric Dent |
| 7 Feb 1998 | Jeremy Sams | Chabrier | A la musique |
| 7 Feb 1998 | Jeremy Sams | Charles Trenet | L'Ame des Poètes |
| 7 Feb 1998 | Jeremy Sams | Jonathan Dove | Barbarina Alone (Figures in the Garden) |
| 7 Feb 1998 | Jeremy Sams | Lennox Berkeley | Prelude no 4 (6 Preludes) |
| 7 Feb 1998 | Jeremy Sams | Ravel | end of L'enfant et les Sortilèges |
| 7 Feb 1998 | Jeremy Sams | Schubert | Im Frühling |
| 7 Feb 1998 | Jeremy Sams | Stephen Sondheim | Move On (Sunday in the Park with George) |
| 7 Feb 1998 | Jeremy Sams | Hugo Wolf | Wire haben beide... (Italienisches Liederbuch) |
| 14 Feb 1998 | Claire Tomalin | Schubert | Octet in F, D.803 (2nd mvt – Adagio – opening) |
| 14 Feb 1998 | Claire Tomalin | Duparc | L'invitation au voyage |
| 14 Feb 1998 | Claire Tomalin | Beethoven | Sonata in C minor, Op.111 (2nd mvt – Arietta – conclusion) |
| 14 Feb 1998 | Claire Tomalin | Tchaikovsky | Waltz scene (from Eugene Onegin, Act II, Scene 1) |
| 14 Feb 1998 | Claire Tomalin | Robert Schumann | Zwielicht (from Liederkreis, Op.39) |
| 14 Feb 1998 | Claire Tomalin | Bach | Goldberg Variations (Theme and variations 1–2) |
| 14 Feb 1998 | Claire Tomalin | Beethoven | Quartet in E minor, Op.59/2 (3rd mvt – Allegretto) |
| 21 Feb 1998 | Lord Winston | Richard Strauss | Dance of the Seven Veils (from Salome) |
| 21 Feb 1998 | Lord Winston | Schubert | Piano Trio in B flat, D.898 (3rd mvt – Scherzo) |
| 21 Feb 1998 | Lord Winston | Rossini | Sextet (from La Cenerentola, Act III) |
| 21 Feb 1998 | Lord Winston | Bach | Jauchzet, frohlocket (from Christmas Oratorio) |
| 21 Feb 1998 | Lord Winston | Carlo Grossi | Cantata Ebraica in dialogo |
| 21 Feb 1998 | Lord Winston | Trad. Arr. Michael Alpert and Alan Bern | Bukovina 212 (pub. Ja/Nein Musikverlag) |
| 21 Feb 1998 | Lord Winston | Wagner | Vassal's Drinking Song (from Götterdämmerung) |
| 28 Feb 1998 | Edward Said | Bach | Canon at the Ninth (from Goldberg Variations) |
| 28 Feb 1998 | Edward Said | Alban Berg | Wozzeck (Act I, Scene 1) |
| 28 Feb 1998 | Edward Said | Berlioz | Les Troyens (final scene of Act II) |
| 28 Feb 1998 | Edward Said | Chopin | Impromptu in F sharp, Op.36 |
| 28 Feb 1998 | Edward Said | Messiaen | Amen des Anges, des Saints, du Chant des Oiseaux (from Visions de l'Amen) |
| 28 Feb 1998 | Edward Said | Robert Schumann | Widmung (from Myrten, Op.25) |
| 28 Feb 1998 | Edward Said | Wagner | Das Rheingold (Prelude) |
| 7 Mar 1998 | James Bernard | Britten | Variation of the King of the South (from The Prince of the Pagodas) |
| 7 Mar 1998 | James Bernard | Debussy | Syrinx |
| 7 Mar 1998 | James Bernard | George Gershwin | Embraceable You |
| 7 Mar 1998 | James Bernard | Lennox Berkeley | Serenade for Strings, Op.12 (1st mvt – Vivace) |
| 7 Mar 1998 | James Bernard | Liszt | Les jeux d'eaux à la Villa d'Este (from Années de Pélerinage) |
| 7 Mar 1998 | James Bernard | Nellie Lutcher | Hurry on down |
| 7 Mar 1998 | James Bernard | Rachmaninov | Dnes spasenie (from Vespers, Op.37) |
| 7 Mar 1998 | James Bernard | Josef Suk | Love Song, Op.7/1 (conclusion) |
| 7 Mar 1998 | James Bernard | Verdi | Love Duet (from Otello, Act I) |
| 14 Mar 1998 | John Sessions | Beethoven | Molto adagio 'A Convalescent's Hymn of Thanksgiving to God, in the Lydian mode' (3rd mvt – Quartet in A minor, Op.132) |
| 14 Mar 1998 | John Sessions | Brahms | Close of 2nd mvt Andante moderato (Symphony no 4 in E minor) |
| 14 Mar 1998 | John Sessions | Mose Allison | Warhorse |
| 14 Mar 1998 | John Sessions | Puccini | part of Act II scene 2 (Turandot) |
| 14 Mar 1998 | John Sessions | Schubert | Im Abendrot |
| 14 Mar 1998 | John Sessions | Shostakovich | Andante (2nd mvt – Piano Concerto no 2 in F) |
| 14 Mar 1998 | John Sessions | Stravinsky | Overture (Pulcinella) |
| 14 Mar 1998 | John Sessions | Wagner | Prelude (Die Walküre) |
| 21 Mar 1998 | Anthony Minghella | Puccini | E lucevan le stelle (Tosca) |
| 21 Mar 1998 | Anthony Minghella | Irene Higginbotham and Ervin Drake and Dan Fisher | Good Morning Heartache |
| 21 Mar 1998 | Anthony Minghella | Prince | Nothing compares 2 U (from album: I do not want what I haven't got) |
| 21 Mar 1998 | Anthony Minghella | Egberto Gismonti | Palhaco (Editions Gismoni SUISA) |
| 21 Mar 1998 | Anthony Minghella | Bach | Prelude & fugue in C minor (Bk 1 Well-Tempered Clavier) |
| 21 Mar 1998 | Anthony Minghella | Vivaldi | Stabat Mater |
| 21 Mar 1998 | Anthony Minghella | Van Morrison | This weight (from album: The Healing Game) |
| 21 Mar 1998 | Anthony Minghella | Bach | Prelude (Suite no 1 in G for solo cello) |
| 28 Mar 1998 | Ruth Padel | Bach | Double Concerto in D minor, BWV 1043 (2nd mvt – Largo) |
| 28 Mar 1998 | Ruth Padel | Beethoven | Quartet in A minor, Op.132 (1st mvt – Assai sostenuto – Allegro) |
| 28 Mar 1998 | Ruth Padel | Cole Porter | Night and Day |
| 28 Mar 1998 | Ruth Padel | Razaf and Belledna | Kitchen Man (pub. Feldman & Co.) |
| 28 Mar 1998 | Ruth Padel | Ruth Padel | Indian Red |
| 28 Mar 1998 | Ruth Padel | Theodorakis | Arnisi |
| 28 Mar 1998 | Ruth Padel | Traditional music | The Bold Irish Boy |
| 28 Mar 1998 | Ruth Padel | Verdi | La Traviata (conclusion of Act I) |
| 4 Apr 1998 | Allan Gurganus | Charles Dibdin | Tom Bowling (pub. Boosey) arr. Britten |
| 4 Apr 1998 | Allan Gurganus | Laura Nyro | I never meant to hurt you |
| 4 Apr 1998 | Allan Gurganus | Mahler | In diesem Wetter (from Kindertotenlieder) |
| 4 Apr 1998 | Allan Gurganus | Traditional Arr. Willis Patterson | My Lord, what a morning |
| 4 Apr 1998 | Allan Gurganus | Gurganus | Plays Well with Others (exc.) |
| 4 Apr 1998 | Allan Gurganus | Doris Tauber and Maceo Pinkard andWilliam Tracey | Them there eyes |
| 4 Apr 1998 | Allan Gurganus | Bach | Aria (from Goldberg Variations, BWV 988) |
| 4 Apr 1998 | Allan Gurganus | Brahms | Intermezzo, Op.118/2 |
| 4 Apr 1998 | Allan Gurganus | Duruflé | Sanctus (from Requiem, Op.9) |
| 4 Apr 1998 | Allan Gurganus | Gurganus | Plays Well with Others (exc.) |
| 11 Apr 1998 | Lady Antonia Fraser | William Byrd | Kyrie (from Mass for Four Voices) |
| 11 Apr 1998 | Lady Antonia Fraser | Donizetti | Ohimè! sorge il tremendo fantasma ("Mad Scene" from Lucia di Lammermoor Act II) |
| 11 Apr 1998 | Lady Antonia Fraser | Gluck | Adieu, conservez dans votre âme (from Iphigénie en Aulide) |
| 11 Apr 1998 | Lady Antonia Fraser | Leoš Janáček | The Vixen's Dream (from The Cunning Little Vixen, Act I) |
| 11 Apr 1998 | Lady Antonia Fraser | Mozart | "E Susanna non vien!... Dove sono" (from The Marriage of Figaro) |
| 11 Apr 1998 | Lady Antonia Fraser | Verdi | Ascolta! Le porte dell'asil s'apron già...Dio, che nell'alma infondere ("Brotherhood duet" from Don Carlos, Act II) |
| 11 Apr 1998 | Lady Antonia Fraser | Wagner | Siegmund's spring song (from Die Walküre, Act I) |
| 18 Apr 1998 | Sir Ian McKellen | Chopin | Polonaise in C minor op 40 no 2 |
| 18 Apr 1998 | Sir Ian McKellen | Elgar and Anthony Payne | part of 1st mvt, Allegro molto maestoso (Symphony no 3) |
| 18 Apr 1998 | Sir Ian McKellen | Frank Loesser | My Time of Day/I've Never been in love before (Guys and Dolls) |
| 18 Apr 1998 | Sir Ian McKellen | Grieg | Prelude (Act 1), Wedding Scene (Peer Gynt) |
| 18 Apr 1998 | Sir Ian McKellen | Holst | 1st mvt (A Moorside Suite) |
| 18 Apr 1998 | Sir Ian McKellen | Jule Styne and Stephen Sondheim | Rose's Turn (Gypsy) |
| 18 Apr 1998 | Sir Ian McKellen | Stephen Sondheim | Being Alive (Company) |
| 25 Apr 1998 | Guy Woolfenden | Britten | Elegy (Serenade for tenor, horn and strings op 31) |
| 25 Apr 1998 | Guy Woolfenden | Percy Grainger | Harkstow Grange (2nd mvt, A Lincolnshire Posy) |
| 25 Apr 1998 | Guy Woolfenden | Henry Purcell | Hear my prayer |
| 25 Apr 1998 | Guy Woolfenden | Stephen Sondheim | Another hundred people (Company) |
| 25 Apr 1998 | Guy Woolfenden | Michael Tippett | Adagio cantabile (Concerto for double string orchestra) |
| 25 Apr 1998 | Guy Woolfenden | Verdi | Tutto nel mondo è burla (last scene, Falstaff) |
| 25 Apr 1998 | Guy Woolfenden | William Walton | Andante comodo (1st mvt – Viola Concerto) |
| 2 May 1998 | Barbara Trapido | Alessandro Scarlatti | Già il sole dal Gange (L'Honesta Negli Amori) |
| 2 May 1998 | Barbara Trapido | Bach | Aria & Variations 1 – 5 (Goldberg Variations) |
| 2 May 1998 | Barbara Trapido | Britten | Dirge (Serenade op 31) |
| 2 May 1998 | Barbara Trapido | Gluck | Dance of the Blessed Spirits (Orfeo ed Euridice) |
| 2 May 1998 | Barbara Trapido | Haydn | Benedictus (Mariazellermesse 'Missa Cellensis') |
| 2 May 1998 | Barbara Trapido | Leopold Mozart | Marche (1st mvt Cassatio in G 'The Toy Symphony') |
| 2 May 1998 | Barbara Trapido | Henry Purcell | Come Ye Sons of Art (2nd mvt of Ode on the Birthday of Queen Mary, 1694) |
| 2 May 1998 | Barbara Trapido | Traditional music | Nkosi Sikelel' iAfrika |
| 9 May 1998 | Alan Borg | Ligeti | A Long Sad Tale (from Nonsense Madrigals) |
| 9 May 1998 | Alan Borg | Thomas Linley the younger | Arise! ye spirits of the storm (from Music for The Tempest) |
| 9 May 1998 | Alan Borg | Henry Purcell | March (from Music for the Funeral of Queen Mary) |
| 9 May 1998 | Alan Borg | Wagner | Quintet (from Die Meistersinger, Act III) |
| 9 May 1998 | Alan Borg | Handel | Scherza infida (from Ariodante) |
| 9 May 1998 | Alan Borg | Beethoven | Symphony No.5 in C minor, Op.67 (1st mvt – Allegro con brio) |
| 9 May 1998 | Alan Borg | Bach | Partita No. 1 in B flat, BWV 825 (1st mvt – Praeludium) |
| 9 May 1998 | Alan Borg | Beethoven | Grosse Fuge, Op.133 (conclusion) |
| 16 May 1998 | Bernard MacLaverty | Anonymous work | Esposa e Mare de Deu (La Festa o Misteri D'Elx) |
| 16 May 1998 | Bernard MacLaverty | Britten | Agnus Dei (Missa Brevis in D) |
| 16 May 1998 | Bernard MacLaverty | Leoš Janáček | Allegretto (Sinfonietta) |
| 16 May 1998 | Bernard MacLaverty | Mahler | Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder) |
| 16 May 1998 | Bernard MacLaverty | Messiaen | End of final mvt (Turangalila-Symphonie) |
| 16 May 1998 | Bernard MacLaverty | Mozart | Il mio tesoro (Don Giovanni) |
| 16 May 1998 | Bernard MacLaverty | Henry Purcell | Tis women makes us love |
| 16 May 1998 | Bernard MacLaverty | Schubert | no 2 Andantino (Moments musicaux) |
| 16 May 1998 | Bernard MacLaverty | Shostakovich | 2nd mvt Allegro (Symphony no 10 in E minor) |
| 23 May 1998 | Frances Partridge | Richard Strauss | Metamorphosen (conclusion) |
| 23 May 1998 | Frances Partridge | Schubert | Piano Trio in E flat, D.929 (2nd mvt) |
| 23 May 1998 | Frances Partridge | Bach | Double Concerto in D minor, BWV 1043 (2nd mvt – Largo ma non tanto) |
| 23 May 1998 | Frances Partridge | Beethoven | Quartet in C sharp minor, |
| 23 May 1998 | Frances Partridge | Handel | O sleep, why dost thou leave me (from Semele) |
| 23 May 1998 | Frances Partridge | Monteverdi | Zefiro torna |
| 23 May 1998 | Frances Partridge | Mozart | Piano Concerto in B flat, K 238 (1st mvt) |
| 23 May 1998 | Frances Partridge | Charles Trenet and Raoul Breton | Boum! |
| 30 May 1998 | William Boyd | Brahms | Horn Trio in E flat, Op.40 (1st mvt – Andante – poco più animato) |
| 30 May 1998 | William Boyd | Brahms | Kanon 13 (from 13 Kanonen, Op.113) |
| 30 May 1998 | William Boyd | Frederick Delius | Violin Sonata No.3 (1st mvt – Slow) |
| 30 May 1998 | William Boyd | Gabriel Fauré | Piano Quartet No.1 in C minor, Op.15 (3rd mvt – Adagio) |
| 30 May 1998 | William Boyd | Joseph Schwantner | Percussion Concerto (1st mvt – Con forza) |
| 30 May 1998 | William Boyd | Sergei Prokofiev | Cello Sonata in C, Op.119 (2nd mvt) |
| 30 May 1998 | William Boyd | Stephen Sondheim | Pretty Women (from Sweeney Todd) |
| 6 Jun 1998 | Binjamin Wilkomirski | Beethoven | Violin Concerto in D: Op.61 (2nd mvt – Larghetto) |
| 6 Jun 1998 | Binjamin Wilkomirski | Brahms | Clarinet Quintet in B minor, Op.115 (1st mvt – Allegro) |
| 6 Jun 1998 | Binjamin Wilkomirski | Mahler | Symphony No.1 (2nd mvt – Kräftig – exc.) |
| 6 Jun 1998 | Binjamin Wilkomirski | Mozart | In diesen heil'gen Hallen (from Die Zauberflöte) |
| 6 Jun 1998 | Binjamin Wilkomirski | Trad. Arr. Giora Feidman | Tatei Freilach |
| 6 Jun 1998 | Binjamin Wilkomirski | Trad. arr. Jacques Lasry | A Jewish Child of Poland |
| 13 Jun 1998 | Deborah Bull | Bach | Chaconne (5th mvt, Partita no 2 in D BWV 1004) |
| 13 Jun 1998 | Deborah Bull | Vittorio Monti | Czardas |
| 13 Jun 1998 | Deborah Bull | Mozart | Laudate Dominum (Vesperae solennes de confessore) |
| 13 Jun 1998 | Deborah Bull | Francis Poulenc | Andante con moto (2nd mvt, Piano Concerto) |
| 13 Jun 1998 | Deborah Bull | Sparre Olsen | Old Village Songs from Lom (nos. 1,4,5,6) |
| 13 Jun 1998 | Deborah Bull | Willie Nelson | Crazy |
| 20 Jun 1998 | Blake Morrison | Blake Morrison | The Ballad of the Yorkshire Ripper (exc.) |
| 20 Jun 1998 | Blake Morrison | Gavin Bryars | Cello Concerto (Farewell to Philosophy) (2nd mvt – Più mosso) |
| 20 Jun 1998 | Blake Morrison | John Lennon and Paul McCartney | Fixing a Hole (from Sgt Pepper) |
| 20 Jun 1998 | Blake Morrison | Mahler | Oft denk' ich, sie sind nur ausgegangen (from Kindertotenlieder) |
| 20 Jun 1998 | Blake Morrison | Miles Davis | Spanish Key (opening) |
| 20 Jun 1998 | Blake Morrison | Mozart | Rex Tremendae (from Requiem, K.626) |
| 20 Jun 1998 | Blake Morrison | Philip Glass | North Star |
| 20 Jun 1998 | Blake Morrison | Rodgers and Hammerstein | Cock-Eyed Optimist (from South Pacific) |
| 20 Jun 1998 | Blake Morrison | Schubert | Piano Quintet in A, D.667 – "Trout" (3rd mvt – Scherzo) |
| 20 Jun 1998 | Blake Morrison | Stevie Wonder | Living for the City |
| 27 Jun 1998 | Sir Anthony Caro | Traditional music | Early one morning |
| 27 Jun 1998 | Sir Anthony Caro | Stravinsky | Here I stand (from The Rake's Progress, Act I) |
| 27 Jun 1998 | Sir Anthony Caro | Mozart | Piano Concerto in D minor, K.466 (2nd mvt – Romance) |
| 27 Jun 1998 | Sir Anthony Caro | Schubert | String Quintet in C, D.956 (conclusion of 2nd mvt – Adagio) |
| 27 Jun 1998 | Sir Anthony Caro | Brahms | Denn wir habe hie (exc. from Ein Deutsches Requiem) |
| 27 Jun 1998 | Sir Anthony Caro | Haydn | Symphony No.104 in D – "London" (Finale – spiritoso) |
| 27 Jun 1998 | Sir Anthony Caro | Mozart | Là ci darem la mano (from Don Giovanni, Act I) |
| 27 Jun 1998 | Sir Anthony Caro | Schubert | Die liebe Farbe (from Die schöne Müllerin, D.795) |
| 4 Jul 1998 | Chris Smith (?) | Antonín Dvořák | Cello Concerto in B minor, Op.104 (exc. from 1st mvt) |
| 4 Jul 1998 | Chris Smith (?) | George Gershwin | Summertime (from Porgy and Bess) |
| 4 Jul 1998 | Chris Smith (?) | Machaut | Gloria (from Messe de Nostre Dame) |
| 4 Jul 1998 | Chris Smith (?) | Mahler | Der Abschied (conclusion) (from Das Lied von der Erde) |
| 4 Jul 1998 | Chris Smith (?) | Puccini | Mimi's Farewell (from La Bohème, Act III) |
| 4 Jul 1998 | Chris Smith (?) | Schubert | String Quintet in C, D.956 (1st mvt exposition) |
| 4 Jul 1998 | Chris Smith (?) | Jean Sibelius | Symphony No.2 (exc. from 3rd mvt) |
| 4 Jul 1998 | Chris Smith (?) | Kurt Weill | Ballad of Mack the Knife (from Die Dreigroschenoper) |
| 11 Jul 1998 | Amanda Holden | Robert Schumann | Study Op.56/4 (Espressivo) arr. Debussy |
| 11 Jul 1998 | Amanda Holden | Debussy | Cello Sonata (1st mvt – Prologue) |
| 11 Jul 1998 | Amanda Holden | Handel | Tu, preparati a morire (from Ariodante) |
| 11 Jul 1998 | Amanda Holden | Heiner Goebbels | Black on White (2nd mvt) |
| 11 Jul 1998 | Amanda Holden | Irving Berlin | You can't get a man with a gun |
| 11 Jul 1998 | Amanda Holden | John Adams | Violin Concerto (3rd mvt – Toccare – conclusion) |
| 11 Jul 1998 | Amanda Holden | Mozart | Quintet in E flat for piano and wind (2nd mvt – Larghetto) |
| 11 Jul 1998 | Amanda Holden | Tchaikovsky | Lensky's Aria (from Eugene Onegin) |
| 18 Jul 1998 | Professor Sir Michael Howard | Brahms | Violin Concerto in D, Op.77 (2nd mvt – Adagio) |
| 18 Jul 1998 | Professor Sir Michael Howard | Johann Strauss II | Emperor Waltz |
| 18 Jul 1998 | Professor Sir Michael Howard | Mozart | Riconosci in quest'amplesso (from Le Nozze di Figaro, Act III) |
| 18 Jul 1998 | Professor Sir Michael Howard | Puccini | Che gelida manina (from La Bohème) |
| 18 Jul 1998 | Professor Sir Michael Howard | Rodgers and Hammerstein | Oklahoma (from Oklahoma) |
| 18 Jul 1998 | Professor Sir Michael Howard | Schubert | Quintet in A – "The Trout" (exc. from 1st mvt – Allegro vivace) |
| 18 Jul 1998 | Professor Sir Michael Howard | Charles Trenet | La Mer |
| 18 Jul 1998 | Professor Sir Michael Howard | Verdi | Sanctus (from Requiem) |
| 25 Jul 1998 | Corin Redgrave | Beethoven | Allegro (1st mvt, violin sonata no 5 in F "Spring") |
| 25 Jul 1998 | Corin Redgrave | Britten | Romance (Variations on a theme of Frank Bridge) |
| 25 Jul 1998 | Corin Redgrave | Freddie Mercury | Bohemian Rhapsody |
| 25 Jul 1998 | Corin Redgrave | Irving Berlin | I'm beginning to miss you |
| 25 Jul 1998 | Corin Redgrave | Puccini | Che gelida manina (Act 1, La Bohème) |
| 25 Jul 1998 | Corin Redgrave | Arnold Schoenberg | No. 1 of Drei Kavierstücke op 11 |
| 25 Jul 1998 | Corin Redgrave | Michael Tippett | Lento cantabile (2nd mvt. String Quartet no 1) |
| 1 Aug 1998 | Lord Gowrie | Thomas Adès | Dolcissimo ed espressivo (The Origin of the Harp) |
| 1 Aug 1998 | Lord Gowrie | Alban Berg | Seele, wir bist du schöner (No. 1 of 5 Orchestral Songs Op 4) |
| 1 Aug 1998 | Lord Gowrie | Harrison Birtwistle | The second hunt & temptation (Act II, Gawain) |
| 1 Aug 1998 | Lord Gowrie | Brahms | Nachtwache II – Ruhn sie? (no 2 of 5 Gesänge – Lieder und Romanzen op 104) |
| 1 Aug 1998 | Lord Gowrie | Porter Grainger and Everett Robbins | T'Aint Nobody's Bizness If I Do (part) |
| 1 Aug 1998 | Lord Gowrie | Mozart | Kyrie (Mass in C minor K 427) |
| 1 Aug 1998 | Lord Gowrie | Arnold Schoenberg | Adagio (3rd mvmt, Piano Concerto) |
| 1 Aug 1998 | Lord Gowrie | Stravinsky | Part I (Symphony of Psalms) |
| 1 Aug 1998 | Lord Gowrie | Verdi | Solenne in quest'ora (La Forza del Destino) |
| 8 Aug 1998 | Richard Ingrams | Bach | Widerstehe doch der Sünde (exc.) (from Cantata, BWV 54) |
| 8 Aug 1998 | Richard Ingrams | Brahms | Violin Sonata in A, Op.100 (1st mvt – Allegro amabile) |
| 8 Aug 1998 | Richard Ingrams | Frederick Delius | Fennimore and Gerda – Intermezzo |
| 8 Aug 1998 | Richard Ingrams | George Gershwin | Embraceable You |
| 8 Aug 1998 | Richard Ingrams | Mozart | Quintet in D, K.593 (2nd mvt – Adagio) |
| 8 Aug 1998 | Richard Ingrams | Rachmaninov | Prelude in G, Op.32/5 |
| 8 Aug 1998 | Richard Ingrams | Robert Schumann | Study No.5 (from Symphonic Studies, Op.posth.) |
| 15 Aug 1998 | Jenny Uglow | Schubert | Adagio (part 2nd mvmt, String Quintet in C D 956) |
| 15 Aug 1998 | Jenny Uglow | Haydn | In rosy mantle appears & By Thee with bliss (Part 3, The Creation) |
| 15 Aug 1998 | Jenny Uglow | Francis Poulenc | Laudamus te (Gloria) |
| 15 Aug 1998 | Jenny Uglow | Henry Purcell | The earth trembled |
| 15 Aug 1998 | Jenny Uglow | Anonymous work | Flying Bomb Kwela (Fire) |
| 15 Aug 1998 | Jenny Uglow | Beethoven | Fugue – closing of Sonata in A flat, op 110 |
| 15 Aug 1998 | Jenny Uglow | Bertolt Brecht and Kurt Weill | Alabama Moon (Mahagonny) |
| 15 Aug 1998 | Jenny Uglow | Handel | Polonaise (4th mvmt, Concerto Grosso in E minor), opus 6, number 3) |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Bernhard Flies | Wiegenlied |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Chopin | Sonata No.3 in B minor, Op.58 (1st mvt – Allegro maestoso) |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Leo Weiner | Serenade, Op.3 (1st mvt – Allegretto) |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Medtner | Piano Concerto No.3 in E minor, Op.60 (exc. from finale) |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Mozart | Symphony No.34 in C, K.338 (Finale – Allegro vivace) |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Puccini | Dovunque al mondo (from Madama Butterfly, Act I) |
| 29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Richard Strauss | Ariadne auf Naxos (end of the Prologue) |
| 5 Sep 1998 | Michael Dibdin | Britten | Cello Symphony, Op.68 (2nd mvt – Presto inquieto) |
| 5 Sep 1998 | Michael Dibdin | Charles Dibdin | Vaudeville (from The Ephesian Matron) |
| 5 Sep 1998 | Michael Dibdin | Domenico Scarlatti | Sonata in D, Kk.33 |
| 5 Sep 1998 | Michael Dibdin | Guillaume Dufay | Quel fronte signorille in paradiso |
| 5 Sep 1998 | Michael Dibdin | Mozart | Quartet in G, K.387 (4th mvt – Molto Allegro) |
| 5 Sep 1998 | Michael Dibdin | Giovanni Pierluigi da Palestrina | Kyrie (from Missa Benedicta es) |
| 5 Sep 1998 | Michael Dibdin | Vivaldi | Cum dederit (from Nisi Dominus) |
| 5 Sep 1998 | Michael Dibdin | Blind Willie McTell | Statesboro Blues |
| 12 Sep 1998 | Alan Rusbridger | Valdemar Henrique | Boi-Bumbá arr. Patrick Russ |
| 12 Sep 1998 | Alan Rusbridger | Beethoven | Sonata in E, Op.109 (3rd mvt) |
| 12 Sep 1998 | Alan Rusbridger | Billy Mayerl | Punch |
| 12 Sep 1998 | Alan Rusbridger | Finley Quaye | Your love gets sweeter |
| 12 Sep 1998 | Alan Rusbridger | George Benjamin | Invention II (from Three Inventions) |
| 12 Sep 1998 | Alan Rusbridger | J. H. Maunder | Droop, sacred head (from Olivet to Calvary) |
| 12 Sep 1998 | Alan Rusbridger | Wagner | Wotan's Farewell (exc.) (from Die Walküre, Act III) |
| 12 Sep 1998 | Alan Rusbridger | Carl Maria von Weber | Clarinet Quintet in B flat, Op.34 (3rd mvt – Menuetto: Capriccio Presto) |
| 19 Sep 1998 | Bill Paterson | César Franck | Sonata in A (last mvt – Allegretto poco mosso) arr. Delsart |
| 19 Sep 1998 | Bill Paterson | Berlioz | Te Deum, Op.22 (Tibi Omnes) |
| 19 Sep 1998 | Bill Paterson | John Betjeman and Jim Parker (composer) | Eunice |
| 19 Sep 1998 | Bill Paterson | Britten | Dawn (from Four Sea Interludes from Peter Grimes) |
| 19 Sep 1998 | Bill Paterson | Alfredo Catalani | Ne andrò lontana |
| 19 Sep 1998 | Bill Paterson | Schubert | Quartet in D minor, D.810 – "Death and the Maiden" (1st mvt – Allegro – opening) |
| 19 Sep 1998 | Bill Paterson | Traditional music | Annalese Bain/Phil Cunningham's Reel/Andy Brown's Reel |
| 19 Sep 1998 | Bill Paterson | Traditional music | Martyrs |
| 26 Sep 1998 | Alan Titchmarsh | Gregorio Allegri | Miserere – opening |
| 26 Sep 1998 | Alan Titchmarsh | Bizet | Au fond du temple saint (Act I, The Pearl Fishers) |
| 26 Sep 1998 | Alan Titchmarsh | Antonín Dvořák | Allegro con brio (1st mvt, 8th symphony) |
| 26 Sep 1998 | Alan Titchmarsh | Elgar | Opening, 1st mvmt (Cello Concerto) |
| 26 Sep 1998 | Alan Titchmarsh | John Hughes | Cwm Rhondda (Mecolico) |
| 26 Sep 1998 | Alan Titchmarsh | Pat Metheny | Always and Forever |
| 26 Sep 1998 | Alan Titchmarsh | Rachmaninov | 1st movement (Symphony no 2) |
| 26 Sep 1998 | Alan Titchmarsh | Vivaldi | Gloria in excelsis Deo (1st mvmt, Gloria in D major, RV 589) |
| 3 Oct 1998 | The Duke of Kent | Bach | Qui tolllis peccata mundi (Gloria, B Minor Mass) |
| 3 Oct 1998 | The Duke of Kent | Chopin | Nocturne in C minor, Opus 48 no 1 |
| 3 Oct 1998 | The Duke of Kent | Leoš Janáček | Boris & Kát'a's farewell (from last scene Kát'a Kabanová) |
| 3 Oct 1998 | The Duke of Kent | Mozart | Adagio (String Quartet in B flat, K 458 "The Hunt") |
| 3 Oct 1998 | The Duke of Kent | Schubert | Nacht und Träume, D 827 |
| 3 Oct 1998 | The Duke of Kent | Wagner | end of Dawn Duet & (part of) Siegfried's Rhine Journey (from Prologue, Götterdämmerung) |
| 10 Oct 1998 | Gilbert Kaplan | Aaron Copland | Billy the Kid (part of complete ballet) |
| 10 Oct 1998 | Gilbert Kaplan | Charles Ives | Fugue: Andante moderato (3rd mvmt, Symphony no 4) |
| 10 Oct 1998 | Gilbert Kaplan | Mahler | 1st mvmt (part), Symphony no 7 |
| 10 Oct 1998 | Gilbert Kaplan | Mahler | End of Finale (Symphony no 2) |
| 10 Oct 1998 | Gilbert Kaplan | Mahler | Ich bin der Welt abhanden gekommen (Rückert songs) |
| 10 Oct 1998 | Gilbert Kaplan | Mahler | Part of Andante, Symphony no 6 |
| 10 Oct 1998 | Gilbert Kaplan | Sergei Prokofiev | Alexander's Entry into Pskov (final mvmt, Alexander Nevsky op 78) |
| 10 Oct 1998 | Gilbert Kaplan | Wagner | Final scene, Act III, Der Fliegende Holländer |
| 17 Oct 1998 | Tom Rosenthal | Bach | Prelude (Cello suite no 1 in C) |
| 17 Oct 1998 | Tom Rosenthal | Beethoven | O namenlose Freude! (Act II, Fidelio) |
| 17 Oct 1998 | Tom Rosenthal | Berlioz | Chanson d'Hylas (The Trojans) |
| 17 Oct 1998 | Tom Rosenthal | Britten | Now the Great Bear and Pleiades (Act 1 Peter Grimes) |
| 17 Oct 1998 | Tom Rosenthal | Manuel de Falla | En los jardines de la Sierra de Córdoba (mvmt 3 – Nights in the Gardens of Spain) |
| 17 Oct 1998 | Tom Rosenthal | Leoš Janáček | Gloria (Glagolitic Mass) |
| 17 Oct 1998 | Tom Rosenthal | Richard Strauss | Frühling (4 last songs) |
| 17 Oct 1998 | Tom Rosenthal | Tchaikovsky | Duet from Act I, The Queen of Spades |
| 17 Oct 1998 | Tom Rosenthal | Verdi | O si per ciel marmoreo giuro (close of Act II, Otello) |
| 24 Oct 1998 | Erich Segal | Bach | Prelude (Cello Suite no 1 in C) |
| 24 Oct 1998 | Erich Segal | Chopin | Waltz in C sharp minor (op 64 no 2) |
| 24 Oct 1998 | Erich Segal | Gilbert and Sullivan | When I was a lad (HMS Pinafore) |
| 24 Oct 1998 | Erich Segal | Gluck | Che faro senza Euridice? (Act III, Orfeo ed Euridice) |
| 24 Oct 1998 | Erich Segal | John Lennon and Paul McCartney | Let it be |
| 24 Oct 1998 | Erich Segal | Mozart | Laudate Dominum (Vesperae solennes sde confessore) |
| 24 Oct 1998 | Erich Segal | Salamone Rossi | Adon olam |
| 24 Oct 1998 | Erich Segal | Shostakovich | Waltz (1st movement, Jazz Suite no 1) |
| 24 Oct 1998 | Erich Segal | Thomas Tallis | Agnus Dei (Mass for Four Voices) |
| 24 Oct 1998 | Erich Segal | Kurt Weill and Bertolt Brecht | Mack the Knife |
| 31 Oct 1998 | Rabbi Julia Neuberger | Salomone De Rossi Ebreo | Baruch haba b'shem Adonai (Les Cantiques de Salomon) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Richard Strauss | How engaging, how exciting (Die Fledermaus) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Robert Schumann | Ich Grolle Nicht (Dichterliebe) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Vincenzo Bellini | Casta Diva (Norma) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Fromental Halévy | Eleazar's Song (La Juive) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Haydn | Allegretto (Sonata in G minor Hob XVI:44) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Haydn | The Heavens are telling (The Creation) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Jean-Marie Leclair | Allegro assai – 4th mvmt (Sonata for flute, viola da gamba & continuo in D major, op II no 8) |
| 31 Oct 1998 | Rabbi Julia Neuberger | Irene Higginbotham and Ervin Drake and Dan Fisher | Mine is the Life Song |
| 7 Nov 1998 | Christopher Bruce | Barry Guy | Refrain, Chorale & Antiphon (1st section: "After the Rain") |
| 7 Nov 1998 | Christopher Bruce | Dave Heath | Celtic Air (from "The Four Elements") |
| 7 Nov 1998 | Christopher Bruce | Handel | Act II scenes 6 & 7 ("Agrippina") |
| 7 Nov 1998 | Christopher Bruce | Mahler | Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder) |
| 7 Nov 1998 | Christopher Bruce | Arnold Schoenberg | Moondrunk & Columbine (1st 2 mvmts: "Pierrot Lunaire") |
| 7 Nov 1998 | Christopher Bruce | Traditional music | Barbara Allen |
| 7 Nov 1998 | Christopher Bruce | Traditional Music Arr. Incantation | Sikuriadas & "Ojos Azules" (Ghost Dances) |
| 14 Nov 1998 | Russell Hoban | Villoldo | El Choclo |
| 14 Nov 1998 | Russell Hoban | Carl Loewe | Tom der Reimer, op 135 |
| 14 Nov 1998 | Russell Hoban | Chopin | Mazurka in A minor op 67 no 4 |
| 14 Nov 1998 | Russell Hoban | Donald Fagen | The Goodbye Look |
| 14 Nov 1998 | Russell Hoban | Garbage | I'm only happy when it rains |
| 14 Nov 1998 | Russell Hoban | Haydn | In the beginning... & there was light The first day (The Creation) |
| 14 Nov 1998 | Russell Hoban | Sonny Terry and Brownie McGhee | Freight Train |
| 14 Nov 1998 | Russell Hoban | Monk | Round about Midnight |
| 14 Nov 1998 | Russell Hoban | Schubert | Der Leiermann (Winterreise) |
| 21 Nov 1998 | Marina Mahler | Luigi Nono | 3 voci (Prometeo Suite 1992) |
| 21 Nov 1998 | Marina Mahler | Wagner | part of end of Act I (Parsifal) |
| 21 Nov 1998 | Marina Mahler | Bach | Prelude no 4 in C sharp minor |
| 21 Nov 1998 | Marina Mahler | Bach | Prelude no 8 in E flat minor |
| 21 Nov 1998 | Marina Mahler | Bach | 2nd mvmt (Partita no 4) |
| 28 Nov 1998 | Clive Swift | Gabriel Fauré | Mi-a-o ('Dolly' Suite op 56) arr. Bream |
| 28 Nov 1998 | Clive Swift | Berlioz | Le Repos de la Sainte Famille (L'Enfance du Christ) |
| 28 Nov 1998 | Clive Swift | Chopin | Allegro maestoso (1st mvmt, Sonata in B minor op 58) |
| 28 Nov 1998 | Clive Swift | Eric Coates | Calling all workers |
| 28 Nov 1998 | Clive Swift | Eric Ball | Journey into Freedom |
| 28 Nov 1998 | Clive Swift | Richard Strauss | The Dinner (Le Bourgeois Gentilhomme Suite op 60) |
| 28 Nov 1998 | Clive Swift | Traditional music | Kol Nidrei |
| 5 Dec 1998 | Gillian Moore | Burt Bacharach | Say a little prayer |
| 5 Dec 1998 | Gillian Moore | Harrison Birtwistle | Mark of Orpheus |
| 5 Dec 1998 | Gillian Moore | Duke Ellington | Thanks for the beautiful land on the delta (New Orleans Suite) |
| 5 Dec 1998 | Gillian Moore | Ligeti | Movimento preciso e meccanico (3rd mvmt, Chamber Concerto) |
| 5 Dec 1998 | Gillian Moore | Henry Purcell | The Frost Scene' (Act III, King Arthur) |
| 5 Dec 1998 | Gillian Moore | Traditional music | Tamuke (offering) for Shakuhachi |
| 5 Dec 1998 | Gillian Moore | Turnage: Blood on the Floor | Junior Addict |
| 12 Dec 1998 | Armando Iannucci | Bach | Adagio – 1st mvmt, Sonata no 1 in G minor, BWV 1001, for solo violin |
| 12 Dec 1998 | Armando Iannucci | Alban Berg | Adagio (finale of Violin Concerto) |
| 12 Dec 1998 | Armando Iannucci | John Adams | 3rd mvmt, 1st half 'Wild Nights' – Harmonium |
| 12 Dec 1998 | Armando Iannucci | Jerry Leiber and Mike Stoller | Is that all there is? |
| 12 Dec 1998 | Armando Iannucci | Carl Nielsen | Symphony no 5 (1st mvmt) |
| 12 Dec 1998 | Armando Iannucci | P. D. Q. Bach | Madrigal 'My bonnie lass she smelleth' (The Triumphs of Thusnelda) |
| 12 Dec 1998 | Armando Iannucci | Michael Tippett | How can I cherish my man' & 'Steal Away' (A Child of our Time) |
| 19 Dec 1998 | Robert Craft | Stravinsky | 3 Japanese Lyrics |
| 19 Dec 1998 | Robert Craft | Stravinsky | Sektanskaya |
| 19 Dec 1998 | Robert Craft | Mozart | Serenade in B flat, K.361 (finale) |
| 19 Dec 1998 | Robert Craft | Beethoven | Symphony No.5 in C minor, Op.67 (1st mvt – Allegro con brio) |
| 19 Dec 1998 | Robert Craft | François Couperin | Incipit Lamentatio + Quomodo sedet (from Leçons des Ténèbres) |
| 19 Dec 1998 | Robert Craft | Lassus | Kyrie (from Missa Osculetur me) |
| 19 Dec 1998 | Robert Craft | Mozart | Qui Tollis (from Mass in C minor, K.427) |
| 19 Dec 1998 | Robert Craft | Stravinsky | Les Noces (1st tableau) |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Hunter/Garcia | Attics of my life |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | J. J. Cale | Cocaine |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Wagner | End of Overture (The Flying Dutchman) |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Puccini | Introduction (La Fanciulla del West) |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Manuel De Falla | Ritual Fire Dance (El amor brujo) |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Heitor Villa-Lobos | Aria (part) (Bachianas Brasileiras no 5) |
| 26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Puccini | End of Act II (Tosca) |

## 1999

| Date | Guest | Composer | Title | Performer / Label |
| 2 Jan 1999 | Brian Rix | Gene Roland | Exit Stage Left | |
| 2 Jan 1999 | Brian Rix | Gilbert and Sullivan | Painted Emblems + Ghosts' High Noon (from Ruddigore) | |
| 2 Jan 1999 | Brian Rix | Jerome Kern | Ol' Man River (from Showboat) | |
| 2 Jan 1999 | Brian Rix | Mahler | Symphony No.3 (opening) | |
| 2 Jan 1999 | Brian Rix | Tchaikovsky | Andante Cantabile, Op.11 | |
| 2 Jan 1999 | Brian Rix | Tommy Watt | Crumpets for the Count | |
| 2 Jan 1999 | Brian Rix | Walter Donaldson | Makin' Whoopee | |
| 2 Jan 1999 | Brian Rix | Gheorghe Zamfir | Doina de Jale | |
| 9 Jan 1999 | Gita Mehta | Haydn | (Allegro 1st mvmt) String Quartet in B flat major op.76 no.4 | |
| 9 Jan 1999 | Gita Mehta | Jayadeva | Gita Govinda (scene II) | |
| 9 Jan 1999 | Gita Mehta | Teré Biné | Gita Mehta | |
| 9 Jan 1999 | Gita Mehta | Traditional music | Raga Lathangi | |
| 9 Jan 1999 | Gita Mehta | Nina Simone | Sugar in my bowl | |
| 9 Jan 1999 | Gita Mehta | Traditional music | Raga Sindhu Bhairati | |
| 9 Jan 1999 | Gita Mehta | Traditional music | Raga Yaman | |
| 9 Jan 1999 | Gita Mehta | Traditional music | Raga Yaman | |
| 16 Jan 1999 | John Burningham | Rossini | Una voce poco fa (Barber of Seville) | |
| 16 Jan 1999 | John Burningham | Schubert | Erlkonig S557a arr. Liszt | |
| 16 Jan 1999 | John Burningham | Richard Strauss | Night, Sunrise, The Ascent (opening – An Alpine Symphony) | |
| 16 Jan 1999 | John Burningham | Bach | Prelude (3rd Suite for cello in C BWV 1009) | |
| 16 Jan 1999 | John Burningham | Consuelo Velázquez | Besame mucho | |
| 16 Jan 1999 | John Burningham | Stefano Donaudy | O del mio amato ben | |
| 16 Jan 1999 | John Burningham | La Rocca and Larry Shields | At the jazz band ball | |
| 16 Jan 1999 | John Burningham | Mozart | Deh! vieni all finestra (Act II, Don Giovanni) | |
| 16 Jan 1999 | John Burningham | Dino Olivieri and Louis Poterat | "J'attendrai" | |
| 16 Jan 1999 | John Burningham | Traditional music | The Coolin | |
| 23 Jan 1999 | John Fuller | Lutyens | As I walked out one evening | |
| 23 Jan 1999 | John Fuller | John Fuller | Concerto for Double Bass | |
| 23 Jan 1999 | John Fuller | Sergei Prokofiev | Piano Concerto No.4 in B flat, Op.53 (1st mvt – Vivace) | |
| 23 Jan 1999 | John Fuller | Shostakovich | String Quartet No.8 in C minor, Op.110 (4th mvt – Largo) | |
| 23 Jan 1999 | John Fuller | John Fuller | Trio | |
| 23 Jan 1999 | John Fuller | Francis Poulenc | Trio (1st mvt – Presto) | |
| 23 Jan 1999 | John Fuller | Stravinsky | Violin Concerto (3rd mvt – Aria II) | |
| 23 Jan 1999 | John Fuller | Karol Szymanowski | Violin Concerto No.2, Op.61 (3rd mvt – Andantino) | |
| 23 Jan 1999 | John Fuller | Bill Russo | Gazelle | |
| 23 Jan 1999 | John Fuller | Britten | Calypso (from Cabaret Songs) | |
| 30 Jan 1999 | Tom Phillips | Bach | Final chorus (St Matthew Passion) | |
| 30 Jan 1999 | Tom Phillips | Harrison Birtwistle | Part of 1st & 2nd Lullabyes (Gawain) | |
| 30 Jan 1999 | Tom Phillips | Brahms | Denn alles Fleisch es ist wie Gras (Ein Deutsches Requiem) | |
| 30 Jan 1999 | Tom Phillips | John Cage | Sonata 1 (Sonatas & Interludes) | |
| 30 Jan 1999 | Tom Phillips | Antonín Dvořák | String quartet in F op 96 (American) | |
| 30 Jan 1999 | Tom Phillips | Terry Riley | In C | |
| 30 Jan 1999 | Tom Phillips | Norbert Schultze and Hans Leip | Lili Marlene | |
| 30 Jan 1999 | Tom Phillips | Verdi | End of Act III (Otello) | |
| 30 Jan 1999 | Tom Phillips | Wagner | (Siegfried recalling the woodbird's song, just before he is killed – Act III Scene 2, Götterdämmerung) | |
| 6 Feb 1999 | Sir Humphrey Maud | Bach | Bourrées I & II (Suite no 3 in C major BWV 1009) | |
| 6 Feb 1999 | Sir Humphrey Maud | Benny Davis and Abner Silver | Chasing Shadows rec 1935 | |
| 6 Feb 1999 | Sir Humphrey Maud | Mozart | Allegro (1st mvmt, String Quintet in G minor, KV 516) | |
| 6 Feb 1999 | Sir Humphrey Maud | Pärt | Cantus in Memory of Benjamin Britten | |
| 6 Feb 1999 | Sir Humphrey Maud | Astor Piazzolla | Milonga in D | |
| 6 Feb 1999 | Sir Humphrey Maud | Henry Purcell | Fantasia no 1 | |
| 6 Feb 1999 | Sir Humphrey Maud | Schubert | Andante (2nd mvmt, sonata in A D 664) | |
| 6 Feb 1999 | Sir Humphrey Maud | Bessie Smith and Stuart Balcom | You've been a good ole wagon – rec 1925 | |
| 13 Feb 1999 | Jo Shapcott | John Adams | Hoe-down (Mad Cow) (from Gnarly Buttons) | |
| 13 Feb 1999 | Jo Shapcott | Bach | Canon circularis per tonos (from Musical Offering, BWV 1079) | |
| 13 Feb 1999 | Jo Shapcott | Britten | Hymn to St Cecilia (first part) | |
| 13 Feb 1999 | Jo Shapcott | Gerald Finzi | Wonder (from Dies Natalis) | |
| 13 Feb 1999 | Jo Shapcott | James MacMillan | Tryst (opening) | |
| 13 Feb 1999 | Jo Shapcott | Jo Shapcott | My Life asleep | |
| 13 Feb 1999 | Jo Shapcott | Jo Shapcott | The Mad Cow talks back | |
| 13 Feb 1999 | Jo Shapcott | Keith Jarrett | My Song | |
| 13 Feb 1999 | Jo Shapcott | Sergei Prokofiev | Sonata No. 2 in D minor, Op.14 (last mvt – Vivace) | |
| 13 Feb 1999 | Jo Shapcott | Traditional music | Bubaran Hudan Mas | |
| 13 Feb 1999 | Jo Shapcott | Traditional music | Torre del Viento | |
| 20 Feb 1999 | Bernard Williams | Bach | Sarabande & Bourrée (English Suite no 1 in A major BQV 806) | |
| 20 Feb 1999 | Bernard Williams | Alban Berg | Altenberglieder | |
| 20 Feb 1999 | Bernard Williams | Debussy | Act II Scene 1 (Pelléas et Mélisande) | |
| 20 Feb 1999 | Bernard Williams | Elgar | Repent and be baptized (end of Part III, The Kingdom) | |
| 20 Feb 1999 | Bernard Williams | Mozart | Rondeau: Allegro (3rd mvmt, Duo no 1 K423) | |
| 20 Feb 1999 | Bernard Williams | Richard Strauss | Zueignung (no 1-8 songs, op 10) | |
| 27 Feb 1999 | Philip Hensher | Thomas Adès | Fancy Aria (from Powder her face, Act I) | |
| 27 Feb 1999 | Philip Hensher | Busoni | Sonatina No.1 | |
| 27 Feb 1999 | Philip Hensher | Fat Boy Slim | Praise You | |
| 27 Feb 1999 | Philip Hensher | Nørgard | Symphony No.2 (conclusion) | |
| 27 Feb 1999 | Philip Hensher | Arnold Schoenberg | Premonitions (No.1 from Five Pieces for Orchestra, Op.16) | |
| 27 Feb 1999 | Philip Hensher | Stravinsky | First pas de trois (from Agon) | |
| 27 Feb 1999 | Philip Hensher | Kurt Weill | Bilbao-Song (from Happy End) | |
| 27 Feb 1999 | Philip Hensher | Hugo Wolf | Heb' auf dein blondes Haupt (from Italian Songbook) | |
| 6 Mar 1999 | Adrian Noble | Bach | Erbarme Dich (St Matthew Passion) | |
| 6 Mar 1999 | Adrian Noble | Beethoven | Mir ist so wunderbar (from Fidelio) | |
| 6 Mar 1999 | Adrian Noble | Leonard Bernstein | Psalm 23 (Chichester Psalms) | |
| 6 Mar 1999 | Adrian Noble | Keith Jarrett | The Cologne Concert, 1975 Part I (part) | |
| 6 Mar 1999 | Adrian Noble | Monteverdi | Lament (Il Ritorno d'Ulisse in Patria) | |
| 6 Mar 1999 | Adrian Noble | Mozart | Signor guardate un poco & 'Prayer trio' (Don Giovanni) | |
| 6 Mar 1999 | Adrian Noble | Henry Purcell | Chaconne – end of Act V (The Fairy Queen) | |
| 6 Mar 1999 | Adrian Noble | Shaun Davey | The Winter's End (adapted from score for RSC production of 'A Winter's Tale') | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | William Walton | Agincourt Song (Henry V) | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | Britten | Billy Budd (opening) | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | Mozart | In uomini, sin soldati sperare fedelta?You think men and soldiers will be faithful? (Act I, Cosi fan tutte) | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | Ralph Vaughan Williams | Overture (The Wasps) | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | Richard Strauss | part of trio – end of Act III (Der Rosenkavalier) | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | Flanders & Swann | The Hippopotamus Song | |
| 13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | Rodgers & Hammerstein | There is nothing like a dame (South Pacific) | |
| 20 Mar 1999 | Ursula Owen | Wagner | Liebestod (from Tristan und Isolde) arr. Caine | |
| 20 Mar 1999 | Ursula Owen | Richard Strauss | Morgen, Op.27/4 | |
| 20 Mar 1999 | Ursula Owen | Schubert | Nacht und Traüme, D.827 | |
| 20 Mar 1999 | Ursula Owen | Haydn | Piano Trio No.18 in E, Hob.XV/28 (2nd mvt – Allegretto) | |
| 20 Mar 1999 | Ursula Owen | Jerome Kern | The Folks who live on the Hill | |
| 20 Mar 1999 | Ursula Owen | Constant Lambert | The Rio Grande (opening) | |
| 20 Mar 1999 | Ursula Owen | Messiaen | Louange à l'Éternité de Jésus (from Quartet for the End of Time) | |
| 20 Mar 1999 | Ursula Owen | Verdi | Ah! si maledetto, sospetto fatale (from Don Carlo) | |
| 27 Mar 1999 | David Lodge | Trad. Arr. Aretha Franklin | Going Down Slow (from album: Aretha Arrives)arr. Aretha Franklin | |
| 27 Mar 1999 | David Lodge | André Previn | The Five of Us (A Different Kind of Blues) | |
| 27 Mar 1999 | David Lodge | Geoffrey Burgon | Young Martin in Love (Music from 'Martin Chuzzlewit') | |
| 27 Mar 1999 | David Lodge | John Lewis | Django | |
| 27 Mar 1999 | David Lodge | Ravel | Pavane pour une Infante défunte | |
| 27 Mar 1999 | David Lodge | Joaquín Rodrigo | Concerto de Aranjuez (Sketches of Spain) | |
| 27 Mar 1999 | David Lodge | Van Morrison | Slim Slow Slider (from album: Astral Weeks) | |
| 27 Mar 1999 | David Lodge | Tomás Luis de Victoria | O quam gloriosum | |
| 3 Apr 1999 | David Suchet | Vivaldi | Concerto for four guitars in B minor, RV 580 (4th mvt – Allegro) | |
| 3 Apr 1999 | David Suchet | Carl Maria von Weber | Grand Duo Concertant, Op.48 (Finale – Rondo: Allegro) | |
| 3 Apr 1999 | David Suchet | Carl Orff | O Fortuna (from Carmina Burana) | |
| 3 Apr 1999 | David Suchet | Antonio Salieri | Piano Concerto in C (3rd mvt – Andantino) | |
| 3 Apr 1999 | David Suchet | Rachmaninov | Piano Concerto No. 1 (2nd mvt – Andante) | |
| 3 Apr 1999 | David Suchet | Mozart | Soave sia il vento (from Così fan Tutte) | |
| 3 Apr 1999 | David Suchet | Camille Saint-Saëns | Symphony No.3, Op.78 (conclusion) | |
| 3 Apr 1999 | David Suchet | Mozart | Clarinet Concerto in A, K.622 (2nd mvt – Adagio) | |
| 10 Apr 1999 | Vikram Seth | Carl Maria von Weber | Clarinet Quintet in B flat, Op.134 (3rd mvt – Menuetto) | |
| 10 Apr 1999 | Vikram Seth | Bach | Contrapunctus I (from The Art of Fugue) | |
| 10 Apr 1999 | Vikram Seth | Schubert | Erster Verlust, D.226 | |
| 10 Apr 1999 | Vikram Seth | Brian Wilson and Mike Love | Fun, Fun, Fun | |
| 10 Apr 1999 | Vikram Seth | Vivaldi | Manchester Sonata No.1 in C (3rd mvt – Largo) | |
| 10 Apr 1999 | Vikram Seth | N/A | Nightingale and muntjac | |
| 10 Apr 1999 | Vikram Seth | Traditional music | Raga Marwa | |
| 10 Apr 1999 | Vikram Seth | Alec Roth | Duet between Arion and the Dolphin (from Arion and the Dolphin) | |
| 10 Apr 1999 | Vikram Seth | Bach | Am Abend, da es kühle war (from St Matthew Passion) | |
| 10 Apr 1999 | Vikram Seth | Schubert | Der Kreuzzug, D.932 | |
| 17 Apr 1999 | Jonathan Rée | Britten | Canticle 2 – Abraham and Isaac (conclusion) | |
| 17 Apr 1999 | Jonathan Rée | Hans Joachim Bach and Sten Axelson | Kannst du pfeifen, Johanna | arranger: H. Frommermann |
| 17 Apr 1999 | Jonathan Rée | Leoš Janáček | Osud | |
| 17 Apr 1999 | Jonathan Rée | Mozart | Ich bin die erste Sängerin (from Der Schauspieldirektor) | |
| 17 Apr 1999 | Jonathan Rée | Reicha | Quintet in A minor, Op.100/5 (2nd mvt – Andante con variazioni) | |
| 17 Apr 1999 | Jonathan Rée | Rousseau | J'ai perdu tout mon bonheur (from Le Devin du Village) | |
| 17 Apr 1999 | Jonathan Rée | Schubert | Erlkönig | |
| 17 Apr 1999 | Jonathan Rée | Schubert | Quartet in B flat, D.112 (Finale – presto) | |
| 17 Apr 1999 | Jonathan Rée | Hugo Wolf | Bei einer Trauung (from Mörike-Lieder) | |
| 24 Apr 1999 | Amelia Freedman | Brahms | Clarinet Quintet in B minor, Op.115 (3rd mvt – Andantino) | |
| 24 Apr 1999 | Amelia Freedman | Debussy | Jeux de Vagues (from La Mer) | |
| 24 Apr 1999 | Amelia Freedman | Gabriel Fauré | Une Sainte en son auréole + Puisque l'aube grandit (from La Bonne Chanson) | |
| 24 Apr 1999 | Amelia Freedman | Neal Hefti | The Kid from Red Bank | |
| 24 Apr 1999 | Amelia Freedman | Schubert | Trio in B flat, D.898 (2nd mvt – Andante un poco mosso) | |
| 24 Apr 1999 | Amelia Freedman | Simon Holt | Eyes, to the Shadow (from Canciones) | |
| 24 Apr 1999 | Amelia Freedman | Jule Styne and Stephen Sondheim | Everything's coming up Roses (from Gypsy) | |
| 24 Apr 1999 | Amelia Freedman | Kurt Weill | My Ship (from Lady in the Dark) | |
| 1 May 1999 | Peter Porter | Bach | Schmücke dich, o liebe Seele, BWV 654 | |
| 1 May 1999 | Peter Porter | Britten | Since she whom I loved (from Holy Sonnets of John Donne) | |
| 1 May 1999 | Peter Porter | Josquin | Miserere mei, Deus (conclusion) | |
| 1 May 1999 | Peter Porter | Mozart | Seid uns zum zweiten Mal willkommen (from Die Zauberflöte) | |
| 1 May 1999 | Peter Porter | Peter Porter | A Brahms Intermezzo | |
| 1 May 1999 | Peter Porter | Richard Strauss | Die Frau ohne Schatten (conclusion of Act I) | |
| 1 May 1999 | Peter Porter | Schiller | The Gods of Greece | |
| 1 May 1999 | Peter Porter | Schubert | Die Götter Griechenlands | |
| 1 May 1999 | Peter Porter | Stravinsky | The sun is bright (from The Rake's Progress, Act I, Scene 2) | |
| 1 May 1999 | Peter Porter | Ralph Vaughan Williams | Symphony No.5 (1st mvt – Preludio: Moderato – opening) | |
| 8 May 1999 | Susan Hill | Vincenzo Bellini | Allegro polonese (close of Concertino for Oboe in E flat major) | |
| 8 May 1999 | Susan Hill | Lennox Berkeley and Robert Herrick | How love came in | |
| 8 May 1999 | Susan Hill | Britten | Storm' (Sea Interlude II, Peter Grimes) | |
| 8 May 1999 | Susan Hill | Britten and W. H. Auden | When you're feeling like expressing your affection | |
| 8 May 1999 | Susan Hill | Elgar | Where Corals Lie (no 4 of Sea Pictures op 37) | |
| 8 May 1999 | Susan Hill | Handel | Lord, I trust thee | |
| 8 May 1999 | Susan Hill | Mozart | Der Vogelfänger bin ich ja (Act I, Die Zauberflöte) | |
| 8 May 1999 | Susan Hill | Hubert Parry | I was glad | |
| 8 May 1999 | Susan Hill | Schubert | Danksagung an den Bach (Die schöne Müllerin, D 795) | |
| 8 May 1999 | Susan Hill | Ralph Vaughan Williams and R. L. Stevenson | Bright is the ring of words | |
| 8 May 1999 | Susan Hill | Walford Davies | God be in my head | |
| 15 May 1999 | Sam West | Bach | Suite No.3 in C, BWV 1009 (4th mvt – Sarabande) | |
| 15 May 1999 | Sam West | Brian Eno and David Byrne | The Jezebel Spirit | |
| 15 May 1999 | Sam West | Haydn Wood | Roses of Picardy | |
| 15 May 1999 | Sam West | Knussen | When I Heard the Learn'd Astronomer (from Whitman Settings, Op.25) | |
| 15 May 1999 | Sam West | Felix Mendelssohn | Octet in E flat, Op.20 (1st mvt – Allegro moderato, ma con fuoco – opening) | |
| 15 May 1999 | Sam West | Mussorgsky | Serenade (from Songs and Dances of Death) | |
| 15 May 1999 | Sam West | Ravel | Piano Trio in A minor (3rd mvt – Passacaille) | |
| 15 May 1999 | Sam West | Stravinsky | Mysterious Circle of young Girls + Glorification of the Chosen Victim (from The Rite Of Spring) | |
| 15 May 1999 | Sam West | Thelonious Monk | Raise Four | |
| 22 May 1999 | Brian Sewell | Vincenzo Bellini | Adalgisa, Alma constanza (from Norma) | |
| 22 May 1999 | Brian Sewell | Messiaen | Transports de Joie (from L'Ascension) | |
| 22 May 1999 | Brian Sewell | Mussorgsky | Coronation Scene (from Boris Godunov) | |
| 22 May 1999 | Brian Sewell | Henry Purcell | The Blessed Virgin's Expostulation | |
| 22 May 1999 | Brian Sewell | Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |
| 22 May 1999 | Brian Sewell | Schubert | Ganymed, D.544 | |
| 22 May 1999 | Brian Sewell | Verdi | Ah, veglia, O Donna (from Rigoletto) | |
| 22 May 1999 | Brian Sewell | Wagner | Lohengrin (conclusion) | |
| 29 May 1999 | Kenny Werner | Beethoven | Adagio (1st mvmt, String Quartet op 131) | |
| 29 May 1999 | Kenny Werner | Django Bates | Early Bloomer (album: Winter Truce & Homes Blaze) | |
| 29 May 1999 | Kenny Werner | Elliott Carter | Fragment for String Quartet (1994) | |
| 29 May 1999 | Kenny Werner | John Kander and Fred Ebb | New York New York | |
| 29 May 1999 | Kenny Werner | Keith Jarrett | Landscape for future earth (Album: Facing You) | |
| 29 May 1999 | Kenny Werner | Kenny Werner | Kandinsky/Back to Light (album: Paintings) | |
| 29 May 1999 | Kenny Werner | Ravel | Bolero (part) | |
| 29 May 1999 | Kenny Werner | Arnold Schoenberg | 4th & 5th mvts (5 Orchestral Pieces, op 16) | |
| 5 Jun 1999 | Mavis Cheek | Brahms | Selig sind, die da Leid tragen (opening of Ein Deutsches Requiem) | |
| 5 Jun 1999 | Mavis Cheek | Con Conrad and Herb Magidson | The Continental | |
| 5 Jun 1999 | Mavis Cheek | Easter Mattins | Bells of the Monastery & Procession (part) | |
| 5 Jun 1999 | Mavis Cheek | Mozart | Andante – 2nd mvmt, Piano Concerto no 21 in C, K 467 | |
| 5 Jun 1999 | Mavis Cheek | Puccini | Te Deum' (end of Act I, Tosca) | |
| 5 Jun 1999 | Mavis Cheek | Puccini | Mimi's death scene from "Mi chiamano Mimi.."(La Bohème) | |
| 5 Jun 1999 | Mavis Cheek | Shostakovich | 1st mvmt, Symphony no 5 | |
| 5 Jun 1999 | Mavis Cheek | Stephen Sondheim | Send in the Clowns (A Little Night Music) | |
| 12 Jun 1999 | Tony Palmer | Bob Dylan | All along the Watchtower | |
| 12 Jun 1999 | Tony Palmer | Britten | Hyde Park Aria (from Owen Wingrave) | |
| 12 Jun 1999 | Tony Palmer | Billy Cowie | Kam Falla Mi! | |
| 12 Jun 1999 | Tony Palmer | Philip Glass | Mrs Alexander's outburst (from Satyagraha, Act II, Scene 1) | |
| 12 Jun 1999 | Tony Palmer | José Pablo Moncayo | Huapango (opening) | |
| 12 Jun 1999 | Tony Palmer | Puccini | Vissi d'Arte (from Tosca) | |
| 12 Jun 1999 | Tony Palmer | Rachmaninov | Prelude in B minor, Op.32/10 | |
| 12 Jun 1999 | Tony Palmer | Shostakovich | Piano Concerto No.2 in F, Op.102 (2nd mvt – Andante) | |
| 12 Jun 1999 | Tony Palmer | Ralph Vaughan Williams | A London Symphony (2nd mvt – Lento – conclusion) | |
| 19 Jun 1999 | Lady Natasha Spender | Bach | Fugue (2nd mvmt, Sonata no 1 in G minor BWV 1001) | |
| 19 Jun 1999 | Lady Natasha Spender | Samuel Barber | Allegro vivace e leggero (2nd mvmt, Piano Sonata op 26) | |
| 19 Jun 1999 | Lady Natasha Spender | Beethoven | Allegro appassionato (finale, String Quartet in A minor, op 132) | |
| 19 Jun 1999 | Lady Natasha Spender | Britten | Joe has gone fishing (end of Act I, Peter Grimes) | |
| 19 Jun 1999 | Lady Natasha Spender | Lennox Berkeley | Presto (2nd mvmt, Piano Sonata op 20) | |
| 19 Jun 1999 | Lady Natasha Spender | Mozart | Ach, ich fühls (Die Zauberflöte) | |
| 19 Jun 1999 | Lady Natasha Spender | Schubert | 1st mvmt, Piano Sonata in B flat | |
| 26 Jun 1999 | Leonard Ingrams | Robert Schumann | Märchenbilder op 113, no 3 – Rasch | |
| 26 Jun 1999 | Leonard Ingrams | Richard Strauss | Verwandlung (part) & Mondlicht (closing of Daphne) | |
| 26 Jun 1999 | Leonard Ingrams | Anonymous work | I will give my love an apple | |
| 26 Jun 1999 | Leonard Ingrams | Anonymous work | O Waly Waly | |
| 26 Jun 1999 | Leonard Ingrams | Bach | Friede über Israel (Closing chorus of Whitsun Cantata BWV 34) | |
| 26 Jun 1999 | Leonard Ingrams | Haydn | Un certo ruscelletto – "Like a little brook..." (Il Mondo della Luna, Act III) | |
| 26 Jun 1999 | Leonard Ingrams | Hindemith | Trauermusik | |
| 26 Jun 1999 | Leonard Ingrams | Henry Purcell | Fantasia for 4 viols in C minor Z738 | |
| 26 Jun 1999 | Leonard Ingrams | Ralph Vaughan Williams | Evening Hymn (no 4 of Four Hymns for tenor, viola and piano) | |
| 26 Jun 1999 | Leonard Ingrams | Tomás Luis de Victoria | O vos omnes (Tenebrae Responsories) | |
| 3 Jul 1999 | Peter Eyre | Vincenzo Bellini | Qui la voce sua soave ... (I Puritani) | |
| 3 Jul 1999 | Peter Eyre | Chopin | Ballade no 4 in F minor (part) | |
| 3 Jul 1999 | Peter Eyre | Elgar | 1st mvmt, (opening) Piano Quintet in A minor op 84 | |
| 3 Jul 1999 | Peter Eyre | Messiaen | Ta Voix (Poèmes pour Mi) | |
| 3 Jul 1999 | Peter Eyre | Schubert | Das Wirtshaus (Winterreise) | |
| 3 Jul 1999 | Peter Eyre | Verdi | Dio ch nell'alma infondere (Don Carlos) | |
| 3 Jul 1999 | Peter Eyre | Wagner | Liebestod (Tristan und Isolde) | |
| 10 Jul 1999 | Paul Levy | Bach | Was willst du dich, mein Geist, entsetzen (Cantata BWV 8 'Liebster Gott, wann werd ich sterben?') | |
| 10 Jul 1999 | Paul Levy | Beethoven | Andante & Vivace (1st mvmt, Sonata no 4 in C major for cello & piano Op 102 no 1) | |
| 10 Jul 1999 | Paul Levy | Alban Berg | Violin Concerto (1st mvmt) | |
| 10 Jul 1999 | Paul Levy | Sammy Cahn and Saul Chaplin and Sholom Secunda | Bei mir bist du schoen ("shayn") | |
| 10 Jul 1999 | Paul Levy | Maschwitz and Jack Strachey | These Foolish Things (album: These Foolish Things) | |
| 10 Jul 1999 | Paul Levy | Mozart | In diesen heil'gen Hallen (Act II, Magic Flute) | |
| 10 Jul 1999 | Paul Levy | Robert Schumann | Die Beiden Grenadiere | |
| 10 Jul 1999 | Paul Levy | Tchaikovsky | Prince Gremin's aria in praise of Tatyana (Act II, Eugene Onegin) | |
| 17 Jul 1999 | Nichola McAuliffe | Britten | Moonlight (from Four Sea Interludes from Peter Grimes) | |
| 17 Jul 1999 | Nichola McAuliffe | Philip Glass | Dance V (from In the Upper Room) | |
| 17 Jul 1999 | Nichola McAuliffe | Mozart | Il mio Tesoro (from Don Giovanni) | |
| 17 Jul 1999 | Nichola McAuliffe | Arnold Schoenberg | Heimfahrt + O alter Duft (from Pierrot Lunaire) | |
| 17 Jul 1999 | Nichola McAuliffe | Traditional music | El Soldado Ricante | |
| 17 Jul 1999 | Nichola McAuliffe | Traditional music | Tuvan throat singing | |
| 17 Jul 1999 | Nichola McAuliffe | Ralph Vaughan Williams | Silent Noon (from The House of Life) | |
| 17 Jul 1999 | Nichola McAuliffe | Wagner | Rienzi Overture | |
| 24 Jul 1999 | Dr. Anthony Stevens | Cole Porter | Experiment | |
| 24 Jul 1999 | Dr. Anthony Stevens | Debussy | String Quartet no 1 in G minor op 10 (1st mvmt, Animé et très décidé) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Elgar | The Swimmer (Sea Pictures op 37) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Handel | From Harmony, from heavenly Harmony (Ode for St Cecilia's Day) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Kamilieris | Last evening in the taverna (Hasapiko – Butcher's Dance) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Francis Poulenc | Hommage à Schubert (Improvisations no 12) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Henry Purcell | Sound the Trumpet (Come Ye Sons of Art) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Schubert | Wohin? (Die schöne Müllerin) | |
| 24 Jul 1999 | Dr. Anthony Stevens | Stanford | The little Admiral (4th of Songs of the Fleet) | |
| 24 Jul 1999 | Dr. Anthony Stevens | William Walton | En Famille (Façade) | |
| 31 Jul 1999 | Lord Neill | Bach | Menuets I & II + Gigue (from Partita in B flat, BWV825) | |
| 31 Jul 1999 | Lord Neill | Beethoven | Septet in E flat, Op.20 (2nd mvt – Adagio Cantabile) | |
| 31 Jul 1999 | Lord Neill | Britten | Peter Grimes (conclusion of Act I, Scene 1) | |
| 31 Jul 1999 | Lord Neill | Haydn | Symphony No.102 in B flat (Finale – Presto) | |
| 31 Jul 1999 | Lord Neill | Leoš Janáček | Katya Kabanova (conclusion of Act II) | |
| 31 Jul 1999 | Lord Neill | Liszt | Gnomenreigen | |
| 31 Jul 1999 | Lord Neill | Montsalvatge | Divertimento No.2 – Habañera | |
| 31 Jul 1999 | Lord Neill | Mozart | O voto tremendo (from Idomeneo) | |
| 31 Jul 1999 | Lord Neill | Robert Schumann | Im wunderschönen Monat Mai + Das ist ein Flöten und Geigen (from Dichterliebe) | |
| 7 Aug 1999 | Stephen Bayley | Beethoven | Triple Concerto in C, Op.56 (1st mvt – Allegro – first part) | |
| 7 Aug 1999 | Stephen Bayley | Brahms | Denn alles Fleisch, es ist wie Gras (from A German Requiem) (first part) | |
| 7 Aug 1999 | Stephen Bayley | Handel | Ombra mai fu (from Xerxes) | |
| 7 Aug 1999 | Stephen Bayley | Mick Jagger and Keith Richards | Gimmie Shelter (pub ABKCO Music) | |
| 7 Aug 1999 | Stephen Bayley | Puccini | Bimba dagli occhi pieni di malìa (from Madama Butterfly) | |
| 7 Aug 1999 | Stephen Bayley | Domenico Scarlatti | Sonata in E, Kk.380 | |
| 7 Aug 1999 | Stephen Bayley | Schubert | An die Musik | |
| 7 Aug 1999 | Stephen Bayley | Ned Washington and Victor Young | A Hundred Years from Today | |
| 7 Aug 1999 | Stephen Bayley | Kurt Weill | September Song (from Knickerbocker Holiday) | |
| 14 Aug 1999 | Django Bates | Bob Dylan | Just like a Woman (from the album Songs of the Poets) | |
| 14 Aug 1999 | Django Bates | Farmers Market | Nell in the sky with Farmers (from the album Musik fra Hybridene) | |
| 14 Aug 1999 | Django Bates | Charles Ives | Three Quarter-tone Pieces for Two Pianos (No.1 – Largo) | |
| 14 Aug 1999 | Django Bates | Keith Jarrett | Blossom (from the album Belonging) | |
| 14 Aug 1999 | Django Bates | Fritz Kreisler | Caprice Viennois | |
| 14 Aug 1999 | Django Bates | Lester Young | Lester leaps in (from the album Bird is Free) | |
| 14 Aug 1999 | Django Bates | Miles Davis | Sivad (exc.) (from the album Live-Evil) | |
| 14 Aug 1999 | Django Bates | N/A | Romanian folk music | |
| 14 Aug 1999 | Django Bates | Conlon Nancarrow | Study for Player Piano No.40A | |
| 21 Aug 1999 | Sophie Ryder | Debussy | Golliwog's Cakewalk (Children's Corner) | |
| 21 Aug 1999 | Sophie Ryder | Trad. Mexican | La Iguana | |
| 21 Aug 1999 | Sophie Ryder | Bach | Sicilienne (2nd mvmt, Sonata in E flat major BWV 1031 for flute & harpsichord) | |
| 21 Aug 1999 | Sophie Ryder | Domenico Scarlatti | Sonata in B minor (L 449/Kp 27) | |
| 21 Aug 1999 | Sophie Ryder | Liszt | Valse oubliée no 1 in A minor | |
| 21 Aug 1999 | Sophie Ryder | Morton Feldman | Why patterns? (part) | |
| 21 Aug 1999 | Sophie Ryder | A. Marly and H. Zaret | The Partisan (from album: Songs from a Room) | |
| 21 Aug 1999 | Sophie Ryder | Anthony Newley and Leslie Bricusse | "Feeling Good" | |
| 21 Aug 1999 | Sophie Ryder | Antonio Carlos Jobim and Gene Lees | Corcovado (Quiet Nights of Quiet Stars) | |
| 21 Aug 1999 | Sophie Ryder | Bach | Herr, unser Herrscher (end of opening chorus, St John Passion) | |
| 28 Aug 1999 | Robert David MacDonald | Schubert | Nacht und Träume | |
| 28 Aug 1999 | Robert David MacDonald | Richard Strauss | Recognition scene (from Elektra) (pub. Boosey) | |
| 28 Aug 1999 | Robert David MacDonald | Bach | Bist du bei mir | |
| 28 Aug 1999 | Robert David MacDonald | Vincenzo Bellini | Mira O Norma (from Norma) | |
| 28 Aug 1999 | Robert David MacDonald | Liszt | Le Triumphe Funèbre de Tasso (conclusion) | |
| 28 Aug 1999 | Robert David MacDonald | Sergei Prokofiev | Lullaby (from On Guard for Peace) | |
| 28 Aug 1999 | Robert David MacDonald | Ambroise Thomas | Connais-tu le pays (from Mignon) | |
| 28 Aug 1999 | Robert David MacDonald | Verdi | Chi i bei di m'adduce ancora | |
| 4 Sep 1999 | Rainer Hersch | Handel | The Arrival of the Queen of Sheba arr. Hersch | |
| 4 Sep 1999 | Rainer Hersch | Handel | Why do the Nations? (from The Messiah: A Soulful Celebration) arr. Mervyn Warren | |
| 4 Sep 1999 | Rainer Hersch | Schubert | Abschied + Die Taubenpost (from Schwanengesang) | |
| 4 Sep 1999 | Rainer Hersch | Richard Strauss | Metamorphosen (conclusion) | |
| 4 Sep 1999 | Rainer Hersch | Arnold Schoenberg | Musette (from Suite, Op.25) | |
| 4 Sep 1999 | Rainer Hersch | John Philip Sousa | The Stars and Stripes Forever arr. Horowitz | |
| 4 Sep 1999 | Rainer Hersch | Charles-Valentin Alkan | Comme le Vent, Op.39/1 (from 12 Studies in minor keys) | |
| 4 Sep 1999 | Rainer Hersch | Bach | Concerto in A, BWV 1055 (3rd mvt – Allegro ma non tanto) | |
| 4 Sep 1999 | Rainer Hersch | Sandy Linzer and Denny Randell | "A Lover's Concerto" | |
| 11 Sep 1999 | Jonathan Coe | Debussy | Interlude. Tempo di Minuetto (2nd mvmt, Sonata for flute, viola & harp) | |
| 11 Sep 1999 | Jonathan Coe | Herbert Howells | Merry Eye | |
| 11 Sep 1999 | Jonathan Coe | Kenny Wheeler | Consolation (Part VI, The Sweet Time Suite) | |
| 11 Sep 1999 | Jonathan Coe | Miklós Rózsa | Lento cantabile (2nd mvmt, Concerto for violin & orchestra op 24) | |
| 11 Sep 1999 | Jonathan Coe | Francis Poulenc | Déploration (3rd mvmt, Oboe Sonata) | |
| 11 Sep 1999 | Jonathan Coe | Robert Wyatt | Sea Song | |
| 18 Sep 1999 | John Humphrys | Bach | Sarabande (from Suite No.1 in G, BWV 1007) | |
| 18 Sep 1999 | John Humphrys | Beethoven | String Quartet in C♯ minor, Op.131: (1st mvt – Adagio non troppo) | |
| 18 Sep 1999 | John Humphrys | Billy Strayhorn | Take the A Train | |
| 18 Sep 1999 | John Humphrys | Elgar | Cello Concerto, Op.85 (3rd mvt – Adagio) | |
| 18 Sep 1999 | John Humphrys | Duke Ellington and Johnny Hodges | Weary Blues | |
| 18 Sep 1999 | John Humphrys | Gabriel Fauré | Sanctus (from Requiem, Op.48) | |
| 18 Sep 1999 | John Humphrys | Joseph Parry | Myfanwy | |
| 18 Sep 1999 | John Humphrys | Paul Simon | The Sound of Silence | |
| 18 Sep 1999 | John Humphrys | Rodgers and Hart | Manhattan | |
| 25 Sep 1999 | Keith Swanwick | Julia Eboly | untitled piano composition | |
| 25 Sep 1999 | Keith Swanwick | Elgar | Symphony No. 2 in E flat, Op.63 (3rd mvt – Rondo: Presto) | |
| 25 Sep 1999 | Keith Swanwick | John Lennon and Paul McCartney | Ticket to Ride | |
| 25 Sep 1999 | Keith Swanwick | Ligeti | Musica Ricercata (1st mvt) | |
| 25 Sep 1999 | Keith Swanwick | Miles Davis | Flamenco Sketches (from Kind of Blue) | |
| 25 Sep 1999 | Keith Swanwick | Schubert | Frühlingstraum (from Winterreise, D.911) | |
| 25 Sep 1999 | Keith Swanwick | John Philip Sousa | The Stars and Stripes for Ever | |
| 25 Sep 1999 | Keith Swanwick | Timbalada | Cadè O Timbau? | |
| 2 Oct 1999 | William Lyne | Haydn | 4th mvmt from String Quartet in B flat p 76 no 4) | |
| 2 Oct 1999 | William Lyne | Schubert | Die Taubenpost | |
| 2 Oct 1999 | William Lyne | Verdi | Duet, Act I "Dinne... alcun là von vedisti?" (Simon Boccanegra) | |
| 2 Oct 1999 | William Lyne | Handel | Scene 5 (part) – Act III, Saul | |
| 2 Oct 1999 | William Lyne | Johann Strauss II | Spiel ich die Unschuld vom Lande (Die Fledermaus) | |
| 2 Oct 1999 | William Lyne | Reynaldo Hahn | Tyndaris | |
| 2 Oct 1999 | William Lyne | François Couperin | Les Barricades mysterieuses (Livre de clavecin Book 2, Ordre 6) | |
| 2 Oct 1999 | William Lyne | Reynaldo Hahn | L'heure exquise (from Chansons grises) | |
| 2 Oct 1999 | William Lyne | Schubert | Andante con moto (Piano trio in E flat D 929) | |
| 9 Oct 1999 | John Carey | Gregorio Allegri | Miserere | |
| 9 Oct 1999 | John Carey | Bach | Bourrées 1 and 2 (from Suite No.4 in E flat, BWV 1010) | |
| 9 Oct 1999 | John Carey | Beethoven | Piano Trio in B flat, Op.97 – "Archduke" (4th mvt – Allegro moderato – presto) | |
| 9 Oct 1999 | John Carey | Gilbert and Sullivan | If you're anxious for to shine (from Patience) | |
| 9 Oct 1999 | John Carey | Haydn | The Heavens are Telling (from The Creation) | |
| 9 Oct 1999 | John Carey | Felix Mendelssohn | Violin Concerto in E minor, Op.64 (Finale – Allegro molto vivace) | |
| 9 Oct 1999 | John Carey | Verdi | Ah, fors'é lui (from La Traviata) | |
| 9 Oct 1999 | John Carey | Carl Maria von Weber | Clarinet Concerto No.2 in E flat, Op.74 | |
| 16 Oct 1999 | Sidonie Goossens | Alban Berg | 7 Early Songs – No 6 Liebesode | |
| 16 Oct 1999 | Sidonie Goossens | Britten | Nocturne for tenor, seven sol instruments and strings – 3rd movement "Encinctur'd with a twine of leaves" (with harp obbligato) | |
| 16 Oct 1999 | Sidonie Goossens | Britten | Young Person's Guide to the Orchestra | |
| 16 Oct 1999 | Sidonie Goossens | Frederick Delius | Brigg Fair | |
| 16 Oct 1999 | Sidonie Goossens | Elgar | Symphony No 1 3rd movt | |
| 16 Oct 1999 | Sidonie Goossens | Sergei Prokofiev | Prelude, Op 12 No 7 (originally for piano) | |
| 16 Oct 1999 | Sidonie Goossens | Ravel | Introduction and Allegro | |
| 16 Oct 1999 | Sidonie Goossens | Ralph Vaughan Williams | Serenade to Music | |
| 23 Oct 1999 | Al Alvarez | Al Alvarez | Ann Dancing | |
| 23 Oct 1999 | Al Alvarez | Beethoven | Sonata in C minor, Op.111 (2nd mvt – Arietta) | |
| 23 Oct 1999 | Al Alvarez | Harry Ruby | There's a girl in the heart of Wheeling, West Virginia | |
| 23 Oct 1999 | Al Alvarez | Leoš Janáček | The barn owl has not flown away (from On an Overgrown Path) | |
| 23 Oct 1999 | Al Alvarez | Mozart | Di scrivermi ogni giorno (from Così fan tutte) | |
| 23 Oct 1999 | Al Alvarez | Pérotin | Viderunt omnes (opening) | |
| 23 Oct 1999 | Al Alvarez | S. Silverstein | Everybody's Makin' It Big But Me | |
| 23 Oct 1999 | Al Alvarez | Schubert | Notturno in E flat major, D897 (opening) | |
| 23 Oct 1999 | Al Alvarez | Jean Sibelius | Symphony No.4 in A minor, Op.63 (opening of last mvt – Allegro) | |
| 30 Oct 1999 | Jim Crace | Mahler | Symphony No.5 – Funeral March arr. Caine | |
| 30 Oct 1999 | Jim Crace | Benedict Mason | Lighthouses of England and Wales (opening) | |
| 30 Oct 1999 | Jim Crace | Jim Crace | Being Dead (opening) | |
| 30 Oct 1999 | Jim Crace | John Adams | The Day Chorus (from The Death of Klinghoffer, Act II) | |
| 30 Oct 1999 | Jim Crace | Julian Argüelles | Qaanaaq (from the album Skull View) | |
| 30 Oct 1999 | Jim Crace | Louis Sclavis | Moi c'est S'Mariano (from the album Clarinettes) | |
| 30 Oct 1999 | Jim Crace | Youssou N'Dour and Jean-Philippe Rykiel | Tourista (from the album The Guide (Wommat)) | |
| 30 Oct 1999 | Jim Crace | Paganini | Sonata in A, Op.3/1 | |
| 30 Oct 1999 | Jim Crace | Francis Poulenc | Sonata for Two Clarinets (3rd mvt – Vif) | |
| 30 Oct 1999 | Jim Crace | Schubert | Impromptu in F minor, D.935/1 | |
| 6 Nov 1999 | Robin JH Simon | Handel | All we like sheep (Messiah) | |
| 6 Nov 1999 | Robin JH Simon | William Byrd | Ave verum corpus | |
| 6 Nov 1999 | Robin JH Simon | Henry Purcell | Dear pretty youth (Act IV, The Tempest) | |
| 6 Nov 1999 | Robin JH Simon | Schubert | Der Erlkönig | |
| 6 Nov 1999 | Robin JH Simon | Puccini | E gelida manina (La Bohème) | |
| 6 Nov 1999 | Robin JH Simon | Verdi | E scherzo, od è follia (It is a joke, or madness) (Un Ballo in Maschera) | |
| 6 Nov 1999 | Robin JH Simon | Chopin | Fantasie-Impromptu in C sharp minor op 66 | |
| 6 Nov 1999 | Robin JH Simon | Mozart | Notte e giorno faticar (Act I, Don Giovanni) | |
| 6 Nov 1999 | Robin JH Simon | Caradog Roberts | I bob un sy'n ffyddlon (tune: Rachie) | |
| 6 Nov 1999 | Robin JH Simon | Rossini | Largo al factotum (Act I, Il barbiere di Siviglia) | |
| 13 Nov 1999 | Anthony Sampson | Trad. Arr. Solomon Linda | Mbube arr. Linda | |
| 13 Nov 1999 | Anthony Sampson | Bach | Suite No.2 in D minor, BWV 1008 (1st mvt – Prélude) | |
| 13 Nov 1999 | Anthony Sampson | Beethoven | Variations on 'Ein Mädchen oder Weibchen', Op.66 | |
| 13 Nov 1999 | Anthony Sampson | Berlioz | Harold in Italy (1st mvt – Harold in the Mountains – first part) | |
| 13 Nov 1999 | Anthony Sampson | Bizet | Minuetto (from L'Arlésienne Suite No. 2) | |
| 13 Nov 1999 | Anthony Sampson | Hugh Masekela and Cedric Samson | Thank you Madiba (pub. Kayden Music/Warner Chappell) | |
| 13 Nov 1999 | Anthony Sampson | Mozart | Final reconciliation scene (from Le Nozze di Figaro) | |
| 13 Nov 1999 | Anthony Sampson | Puccini | Gratias agimus Tibi (from Messa di Gloria) | |
| 13 Nov 1999 | Anthony Sampson | Verdi | Finale (from Falstaff, Act III) | |
| 20 Nov 1999 | Gaia Servado | Berlioz | Appearance of the Ghost of Hector (from Les Troyens, Act II) | |
| 20 Nov 1999 | Gaia Servado | Debussy | Interlude (Descent into the vaults) (from Pelléas et Mélisande) | |
| 20 Nov 1999 | Gaia Servado | Mozart | Sento, o Dio (from Così fan Tutte) | |
| 20 Nov 1999 | Gaia Servado | Brahms | Symphony No.2 in D, Op.73 (2nd mvt – Adagio non troppo) | |
| 20 Nov 1999 | Gaia Servado | Mozart | Symphony No.40 in G minor. K.550 (2nd mvt – Andante) (first part) | |
| 20 Nov 1999 | Gaia Servado | Mussorgsky | Chorus of Priestesses (from Salammbô) | |
| 20 Nov 1999 | Gaia Servado | Rossini | William Tell | |
| 20 Nov 1999 | Gaia Servado | Verdi | É tardi (from La Traviata) | |
| 27 Nov 1999 | John Morgan | Vincenzo Bellini | Mira, O Norma (from Norma) | |
| 27 Nov 1999 | John Morgan | Brahms | Piano Trio No.3 in C minor, Op.101 (1st mvt – Allegro energico) | |
| 27 Nov 1999 | John Morgan | Handel | To Thee, Thou glorious Son (from Theodora) | |
| 27 Nov 1999 | John Morgan | Haydn | Benedictus (from Missa Brevis Sancti Joannis de Deo – "Little Organ Mass") | |
| 27 Nov 1999 | John Morgan | Francis Poulenc | Reine des Mouettes (from Métamorphoses) | |
| 27 Nov 1999 | John Morgan | Schubert | Sonata in A, D.664 (2nd mvt – Andante) | |
| 27 Nov 1999 | John Morgan | Robert Schumann | Im wunderschönen Monat Mai (from Dichterliebe, Op.48) | |
| 27 Nov 1999 | John Morgan | Wagner | Wotan's Farewell (opening) (from Die Walküre) | |
| 4 Dec 1999 | Jeremy Dixon | Robert Schumann | Die alten bosen Lieder (from Dichterliebe, Op.48) | |
| 4 Dec 1999 | Jeremy Dixon | Richard Strauss | Ja, ist Sie da?... (from Der Rosenkavalier) (pub. Boosey) | |
| 4 Dec 1999 | Jeremy Dixon | Alan Price | Poor People (from O Lucky Man!) | |
| 4 Dec 1999 | Jeremy Dixon | Bach | Goldberg Variations (Variation 25) | |
| 4 Dec 1999 | Jeremy Dixon | Brahms | Intermezzo in B flat minor, Op.117/2 | |
| 4 Dec 1999 | Jeremy Dixon | Britten | The Children (from Who are these children, Op.84) (pub. Faber) | |
| 4 Dec 1999 | Jeremy Dixon | Haydn | String Quartet in D, Op.33/6 (2nd mvt – Andante) | |
| 4 Dec 1999 | Jeremy Dixon | Conlon Nancarrow | Study No.21 (Canon – X) (pub. Schott) | |
| 11 Dec 1999 | Victoria Glendinning | Britten | One ever hangs where shelled roads part... (Agnus Dei – Part V, War Requiem) | |
| 11 Dec 1999 | Victoria Glendinning | Chopin | Etude in E major op 10 no 3 | |
| 11 Dec 1999 | Victoria Glendinning | Cole Porter | True Love (from 'High Society') | |
| 11 Dec 1999 | Victoria Glendinning | Handel | O Lovely Peace (Judas Maccabeus) | |
| 11 Dec 1999 | Victoria Glendinning | John Lennon and Paul McCartney | The Long and Winding Road | |
| 11 Dec 1999 | Victoria Glendinning | Mahler | end of Finale (1st Symphony) | |
| 11 Dec 1999 | Victoria Glendinning | Mozart | Deh vieni, non tardar (Come, do not delay..) – Act IV, The Marriage of Figaro | |
| 11 Dec 1999 | Victoria Glendinning | John Tavener | The Protecting Veil (opening) | |
| 18 Dec 1999 | Simon Schama | Lonnie Carter and Little Walter | Sittin' on top of the World | |
| 18 Dec 1999 | Simon Schama | Leoš Janáček | The Cunning Little Vixen | |
| 18 Dec 1999 | Simon Schama | Juan Luis Guerra | Ojalá que llueva café | |
| 18 Dec 1999 | Simon Schama | Puccini | Dunque è proprio finita (from La Bohème, Act III) | |
| 18 Dec 1999 | Simon Schama | Rodgers and Hart | Manhattan | |
| 18 Dec 1999 | Simon Schama | Schubert | Impromptu in G flat, D.899/3 | |
| 18 Dec 1999 | Simon Schama | Schubert | Quintet in C, D.956 (3rd mvt – Scherzo – first part) | |
| 18 Dec 1999 | Simon Schama | Verdi | L'onore! Ladri (from Falstaff, Act I, Part 1) | |
| 18 Dec 1999 | Simon Schama | Vivaldi | Flute Concerto in G minor, RV 439 – La Notte (3rd mvt – Largo: Il Sonno) | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | Philip Glass | Dance no 2 for Organ (part) | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | John Cage | Fifty six marches (3rd mvmt – 'A dip in the lake' for cello & toy instruments) | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | Lou Reed | I'll be your mirror | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | Laurie Anderson | O Superman (part) | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | Charles Ives | Prelude: Maestoso (1st mvmt, 4th symphony) | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | J Livingston & R Evans | Theme from 'Bonanza' | |
| 25 Dec 1999 | Don Maguire (Aka John Sessions) | Aaron Copland | Appalachian Spring (part) | |