# The Cuckoo (song)

"The Cuckoo" (Roud 413) is a traditional English folk song, also sung in the United States, Canada, Scotland and Ireland. The song is known by many names, including "The Coo-Coo", "The Coo-Coo Bird", "The Cuckoo Bird", "The Cuckoo Is a Pretty Bird", "The Evening Meeting", "The Unconstant Lover", "Bunclody" and "Going to Georgia". In the United States, the song is sometimes syncretized with the other traditional folk song "Jack of Diamonds". Lyrics usually include the line (or a slight variation): "The cuckoo is a pretty bird, she sings as she flies; she brings us glad tidings, and she tells us no lies."
According to Thomas Goldsmith of The Raleigh News & Observer, "The Cuckoo" is an interior monologue where the singer "relates his desires — to gamble, to win, to regain love's affection."
The song is featured in the E.L. Doctorow book The March. A soldier suffering from a metal spike stuck in his head sings verses from the song.

## Synopsis

Usually, but not always, the song begins with a verse about the cuckoo, for example:
   The cuckoo is a fine bird he sings as he flies, He brings us good tidings and tells us no lies. He sucks the sweet flowers to make his voice clear, And the more he cries cuckoo, the summer is nigh.
(In many American versions, the cuckoo patriotically "never sings 'cuckoo' till the fourth of July". In some ornithologically observant English versions "she sucks little birds' eggs to make her voice clear.")
A young woman (usually - sometimes a young man) complains of the inconstancy of young men (or women) and the pain of losing in love. The song often consists mainly of "floating" verses (verses found in more than one song expressing common experiences and emotions), and apart from the constant cuckoo verse, usually sung at the beginning, there is no fixed order, though sometimes a verse sounds as if it is going to be the start of a story:
   A-walking, a-talking, a-walking was I, To meet my true lover, he'll come by and by, To meet him in the meadows is all my delight, A-walking and talking from morning till night.
but then:
   O, meeting is a pleasure and parting is a grief, An unconstant lover is worse than a thief, A thief can but rob you and take all you have, An unconstant lover will bring you to the grave.
Often there is a cautionary moral:
   Come all pretty maidens wherever you be, Don't trust in young soldiers to any degree, They will kiss you and court you, poor girls to deceive, There's not one in twenty poor girls can believe.
Or a more symbolic warning, here in a Mississippi version:
   Come all you fair maidens take warning of me, Don't place your affections on a sycamore tree, For the top it will wither, and the roots they will die, And if I'm forsaken, I know not for why.

### Bunclody

An Irish song, this uses a similar tune and starts with verses extolling the beauty of Bunclody, a town in Co. Wexford. The third verse is the standard "Cuckoo is a pretty bird" and after an adapted floating verse:
   If I were a clerk And I could write a good hand I would write to my true love So that she'd understand That I am a young fellow Who is wounded in love Once I lived in Buncloudy [sic] But now must remove.
The song ends in a sad verse about emigration. There is a recording of this song by Luke Kelly of The Dubliners.

### Note on the Cuckoo

The cuckoo (Cuculus canorus) was until recent times a common visitor to the English countryside in spring and early summer, and its distinctive call was considered the first sign of spring. It is a nest parasite, and the female really does eat an egg of the host species when she lays her own egg in the nest. It is an important bird in folklore.
The cuckoo has traditionally been associated with sexual incontinence and infidelity. An old name for the cuckoo was "cuckold's chorister", and old broadsides played on the idea that the cuckoo's call was a reproach to husbands whose wives were unfaithful:
   The smith that on his anvill the iron hard doth ding: He cannot heare the cuckoo though he loud doth sing In poynting of plow harnesse, he labours till he sweat, While another in his forge at home may steale a private heat. – From The Cuckowes Comendation: / Or, the Cuckolds Credit: Being a merry Maying Song in Praise of the Cuckow., c.1625

## History
### Early printed versions

"The Cuckoo" was published as a broadside by London and provincial printers, but does not seem to have been common. Broadsides are not precisely dated, but the earliest in the Bodleian Ballad Collection was published between 1780 and 1812 CE, the latest before 1845. The broadside texts are similar, of five verses starting with a "Come all ye" warning about courting sailors and with the cuckoo appearing in the second verse.

### Collecting

The Roud Folk Song Index lists about 149 collected or recorded versions performed by traditional singers - 49 from England, 4 from Scotland, 2 from Ireland, 4 from Canada and 88 from the USA.
At least one collected version was published in the Folk Songs from the Kentucky Mountains (1917).

### Field recordings

* Alan Lomax recorded Hobart Smith from Saltville, Virginia performing Cuckoo Bird in 1942, and he claimed to have learned it from a man named John Greer in the early 1910s. He also recorded Jean Ritchie from Viper, Kentucky singing The Cuckoo is a Pretty Bird in New York in 1949.
* Hamish Henderson recorded Willie Mathieson from Ellon, Aberdeenshire, singing The Evening Meeting in 1952.
* Max Hunter recorded Mrs Norma Kisner of Springdale Arkansas, singing a fragment of Unconstant Lover in 1960.
* Max Hunter recorded Olivia Hauser of Fayetteville, Arkansas, singing False Hearted Lover in 1961.

## Performers

The first known recording was made by Kelly Harrell for Victor in 1926.
The song has been covered by many musicians in several different styles. In North America, an early notable recorded version was performed in 1929 by Appalachian folk musician Clarence Ashley with an unusual banjo tuning.
Notable artists who have recorded "The Cuckoo" include:
| Artist | Album name | Album year | Notes |
| Burr Tillstrom as Kukla | Kukla, Fran and Ollie | 1951 | |
| Billy Strings | Rock of Ages | 2013 | |
| Dave Alvin | Best of the Hightone Years | 2008 | -- |
| David Eugene Edwards | Hyacinth | 2023 | -- |
| Clarence Ashley | Anthology of American Folk Music, Vol. 1-3 | 1952 | Recorded and released in 1929 and included in this compilation album |
| Cosmo Sheldrake | Wake Up Calls | 2020 | |
| Joan Baez | Live At Newport | 1996 | |
| The Be Good Tanyas | Blue Horse | 2000 | Song was titled "The Coo Coo Bird". |
| Big Brother and the Holding Company | Big Brother and the Holding Company | 1967 | Song was titled "Coo Coo". |
| Anne Briggs | Anne Briggs | 1971 | |
| Buck 65 | Porch | 2007 | |
| Shirley Collins | Sweet England | 1959 | |
| Erik Darling | True Religion | 1961 | |
| Alfred Deller | The Art of Alfred Deller: The Counter-Tenor Legacy | 2008 | |
| Donovan | Beat Cafe | 2004 | |
| Dry Branch Fire Squad | Hand Hewn | 2001 | |
| Bob Dylan | Live at the Gaslight 1962 | 2005 | |
| Rory Gallagher | Wheels Within Wheels | 2003 | |
| Tim Eriksen and Riley Baugus | Cold Mountain | 2003 | |
| The Everly Brothers | Heartaches and Harmonies | 1994 | |
| Kelly Harrell | Worried Blues | 2006 | The first version recorded, released in 1926 |
| Kristin Hersh | Hips and Makers | 1994 | |
| Ramblin' Jack Elliott | Ramblin' Jack Elliott | 1961 | |
| Jonathan Foster | Roadside Attraction | 2023 | |
| Hem | Rabbit Songs | 2002 | |
| The Holy Modal Rounders | The Holy Modal Rounders | 1964 | |
| Hamish Imlach | Old Rarity | 1971 | |
| Kaleidoscope | Incredible! | 1969 | |
| The New Lost City Ramblers | Vol. 4 | 1962 | |
| Osborne Brothers | Voices In Bluegrass | 1973 | |
| Pentangle | Basket of Light | 1969 | |
| Peter, Paul and Mary | A Song Will Rise | 1965 | |
| The Pine Hill Haints | Ghost Dance | 2007 | |
| Rising Appalachia | Leylines | 2017 |
| Jean Ritchie | Singing the Traditional Songs of Her Kentucky Mountain Family | 1952 | |
| Tom Rush | Tom Rush | 1965 | |
| Martin Simpson | Righteousness and Humidity | 2003 | |
| Hobart Smith | In Sacred Trust: The 1963 Fleming Brown Tapes | 2005 | |
| Taj Mahal | The Natch'l Blues | 1968 | |
| Steve Martin & Edie Brickell | Music from The American Epic Sessions | 2017 | |
| Richard Thompson & Eliza Carthy | The Harry Smith Project Live Vol. 1 | 2006 | |
| Peter Tork | Live/Backstage at the Coffee Gallery | 2006 | |
| Artie Traum | Thief of Time | 2007 | |
| Doc Watson & Clarence Ashley | Original Folkways Recordings: 1960–1962 | 1994 | |
| Townes Van Zandt | Roadsongs | 1994 | |
| Laura Veirs | Two Beers Veirs | 2008 | |
| Uncle Sinner | Ballads and Mental Breakdowns | 2008 | |
| John Renbourn | Faro Annie | 1971 | Renbourn had previously recorded the song as a member of the band Pentangle (qv). |
| Willie Watson | Folksinger Vol. 2 | 2017 | |