# Modern Records

Modern Records (Modern Music Records before 1947) was an American record company and label formed in 1945 in Los Angeles by the Bihari brothers. Modern's artists included Etta James, Joe Houston, Little Richard, Ike & Tina Turner and John Lee Hooker. The label released some of the most influential blues and R&B records of the 1940s and 1950s.

## History

In the beginning, Modern bought master recordings from other small labels, as with the purchase of 32 unreleased Gold Star Records master recordings by Lightnin' Hopkins and Lil' Son Jackson for $2,500 from Bill Quinn in 1951. The Biharis also often used pseudonyms to give themselves writing credit on songs. Saul Bihari, for example, (whose middle name was Samuel) used the name Sam Ling as a songwriting pseudonym. Having started as an R&B label, Modern was later one of the few R&B labels to routinely cover rhythm and blues hits on other labels, apparently in an attempt to broaden their appeal and reach the popular market.
In 1958, the Bihari brothers formed Kent Records and stopped issuing records on Modern. In 1964, the Modern imprint was revived and the Ikettes released a few successful singles in 1965, but the company went bankrupt a few years later and ceased operations. The catalog went with the management into Kent Records. This back catalog was eventually licensed to the UK label Ace Records in the 1980s and later sold outright during the 1990s. Ace Records of the U.K. now owns the master tapes.

## Management and staff

* Saul, Jules and Joe Bihari were the main people who ran the label. Their older brother Lester was only there sporadically.
* Ike Turner was a talent scout and session musician for Modern Records in the 1950s. Artists Turner discovered for Modern include Bobby "Blue" Bland, Howlin' Wolf, and Rosco Gordon. According to B.B. King and Joe Bihari, Turner introduced King to the Bihari brothers which led to his RPM releases.
* Tony Hilder was an A&R man for Modern Records in the late 1950s. Later he went on to form his own labels, first CT Records and later owner and president of Impact Records.
* Austin McCoy was an artist, session musician and recording session director with Modern Records. He left Modern in late 1950 to take up an A&R post with Mercury Records at their Beverly Hills office.

## Albums

* Modern Music: The First Year – 1945 (Ace CDTOP 1339, 2012)
The following albums were released in mono with catalogue numbers "M-70nn" and in stereo with catalogue numbers "MST-8nn":
* –00 Era of Tommy Dorsey
* –01 Era of Benny Goodman
* –02 Era of Charlie Barnet
* –03 Era of Glenn Miller
* –04 Era of Woody Herman
* –05 Era of the Big Bands
* –06 Dixieland
* –07 Polka Party Time
* –08 Honky Tonk Piano
* –09 The Strauss Waltzes
* –10 Day Dreams
* –11 Organ Gems
* –12 Cha Cha Cha
* –13 Sing-A-Long
* –14 Rock and Roll Party
* –15 The Heart of Spain
* –16 Oldies and Goodies
* –17 Progressive Percussion
* –18 Hawaiian Holiday
* –19 Era of Hank Williams
* –20 Tradewinds to Hawaii
* –21 Dynamic Percussion
* –22 Mambo Cha Cha Cha
* –23 The Fabulous Ink Spots

## Selected singles

| Catalog No. | Release date | US | US R&B | Single (A-side, B-side) | Artist |
| 624 | Oct 1948 | — | 1 | "Blues After Hours" b/w "I'm Still In Love With You" | Pee Wee Crayton |
| 627 | Nov 1948 | — | 1 | "Boogie Chillen" b/w "Sally May" | John Lee Hooker |
| 704 | Oct 1949 | — | 5 | "Little School Girl" b/w Suitcase Blues" | Smokey Hogg |
| 714 | Oct 1949 | — | 6 | "Crawlin' King Snake" b/w "Drifting from Door to Door" | John Lee Hooker |
| 835 | Sep 1951 | — | 1 | "I'm in the Mood" b/w "How Can You Do It" | John Lee Hooker |
| 848 | Dec 1951 | — | — | "Crying All Night Long" b/w "Dry Up Baby" | Robert Bland |
| 857 | Feb 1952 | — | 7 | "The Wind Is Blowin" b/w "Would My Baby Make A Change" | Jimmy Witherspoon |
| 860 | Mar 1952 | — | — | "Ramblin' On My Mind" b/w "Just An Army Boy" | Boyd Gilmore |
| 864 | Apr 1952 | — | — | "Bad Women Bad Whiskey" b/w "You're My Angel" | Little Junior Parker and the Blue Flames |
| 947 | Jan 1955 | — | 1 | "The Wallflower" b/w "Hold Me, Squeeze Me" | Etta James and "The Peaches" |
| 961 | Jun 1955 | — | — | "Mary Lou" b/w "Don't Think I Will" | Young Jessie, Maxwell Davis & Orchestra |
| 962 | Aug 1955 | — | 6 | "Good Rockin' Daddy" b/w "Crazy Feeling" | Etta James, Maxwell Davis & Orchestra |
| 1002 | Sep 1956 | — | — | "Hit, Git And Split" b/w "Don't Happen No More" | Young Jessie |
| 1005 | Oct 1956 | — | 7 | "Goodnight My Love (Pleasant Dreams)" b/w "I Want You With Me Xmas" | Jessie Belvin |
| 1022 | Jun 1957 | — | — | "By The Light Of The Silvery Moon" b/w "Come What May" | Etta James |
| 1027 | Nov 1957 | — | — | "Just To Say Hello" b/w "My Satellite" | Jesse Belvin |
| 1003 | Dec 1964 | 107 | — | "Camel Walk" b/w "Nobody Loves Me" | The Ikettes |
| 1005 | Feb 1965 | 36 | 28 | "Peaches 'N' Cream" b/w "The Biggest Players" | The Ikettes |
| 1007 | May 1965 | 107 | 32 | "Good Bye, So Long" b/w "Hurt Is All You Gave Me" | Ike & Tina Turner |
| 1011 | Jul 1965 | 74 | 12 | "I'm So Thankful" b/w "Don't Feel Sorry For Me" | The Ikettes |
| 1012 | Aug 1965 | 134 | — | "I Don't Need" b/w "Gonna Have Fun" | Ike & Tina Turner |
| 1015 | Jan 1966 | 122 | — | "(Never More) Lonely For You" b/w "Sally Go Round the Roses" | The Ikettes |
| 1030 | 1967 | — | — | "Bring It Back Home To Me" b/w "Slippin' And Slidin'" | Little Richard |

## Subsidiaries

* Kent Records
* Crown Records
* Flair Records
* Meteor Records
* RPM Records
* Yuletide Records (Christmas music)