OpenLLM-France/wikimedia huggingface dataset:
# William Holbrook Beard

William Holbrook Beard (April 13, 1824 – February 20, 1900) was an American artistic painter who is known best for his satirical paintings of beasts performing human-like activities.

## Life

Beard was born in Painesville, Ohio. He studied abroad, is associated with the Düsseldorf school of painting, and during 1861 relocated to New York City, where, in 1862, he became a member of the National Academy of Design. Beard initiated his own artist's studio on Tenth Street in New York City in a building known as the Studio Building.
Beard was a prolific artist. His humorous treatment of bears, cats, dogs, horses and monkeys, generally with some human occupation and expression, usually satirical, gave him a great vogue at one time, and his pictures were much reproduced.
His brother, James Henry Beard (1814–1893), was also a painter.
William is buried in Green-Wood Cemetery in Brooklyn, New York.
* File:Beard,_William_Holbrook_~_Phantom_Crane,_1891,_oil_on_canvas.jpg
* File:'The_Witches'_Ride'_by_William_Holbrook_Beard,_1870.jpg
* File:0005_Scientists_at_Work_by_William_Holbrook_Beard.jpg
* File:Seminole_Child_with_Bittern_by_William_Holbrook_Beard.jpg
* File:William_Holbrook_Beard_-_Deer_on_the_Prairie.jpg
* File:Beard,_William_Holbrook_-_His_Majesty_Receives_-_Google_Art_Project.jpg
* File:Brooklyn_Museum_-_In_the_Forest_-_William_Holbrook_Beard_-_overall.jpg
* File:Brooklyn_Museum_-_For_What_Was_I_Created?_-_William_Holbrook_Beard_-_overall.jpg
* File:William_holbrook_beard,_la_scoperta_di_adamo,_1891.jpg
* File:William_Holbrook_Beard_-_The_Runaway_Match_-_1977.55_-_Smithsonian_American_Art_Museum.jpg
* File:Susanna_and_the_Elders,_by_William_Holbrook_Beard,_1865,_oil_on_canvas_-_Currier_Museum_of_Art_-_Manchester,_NH_-_DSC07415.jpg(depicting the biblical theme of Susanna and the Elders)
* File:Power_of_Death_by_William_Holbrook_Beard,_detail,_c._1889-1890,_oil_on_board_-_Fogg_Art_Museum,_Harvard_University_-_DSC01197.jpg
* File:Flaw_in_the_title_-_painted_by_W.H._Beard_;_engraved_by_Saml._Holyer_(sic)._LCCN2013645198.tif

## Article features

In 1999, William Beard was featured in an article in the American Art Journal written by Sarah Burns. He is mentioned among other political satirists of the mid to late 19th century.

## Selected works

* Lo, The Poor Indian (1876) - oil painting, Utah Museum of Fine Arts.
# Wyoming Highway 374

Wyoming Highway 374 (WYO 374) is a 25.37-mile-long (40.83 km) discontinuous east–west Wyoming State Road located in Sweetwater County that exists in two sections, with a short gap in between.

## Route description

Wyoming Highway 374 begins its western end at exit 61 of Interstate 80, southwest of Granger. WYO 374 travels along the north side of I-80, acting as a frontage road, for just under 5 miles until it reaches U.S. Route 30 where it temporarily ends. Further east along I-80/US 30, Highway 374 resumes at exit 68 at Little America. WYO 374 once again travels along the north side of I-80. At approximately 3.5 miles, Tenneco Road (CR 85) is intersected which provides access to exit 72 of I-80/US 30. Further east, Highway 374 reaches the southern terminus of Wyoming Highway 372 (La Barge Road) at a T intersection. WYO 372 travels north from here to Wyoming Highway 28 and U.S. Route 189 while WYO 374 turns south and immediately intersects exit 83 of I-80/US 30. Now Highway 374 travels eastward toward Green River on the south side of the interstate. As WYO 374 enters James Town, a census-designated place (CDP) west of Green River, Covered Wagon Road (CR 59) is intersected which provides access to exit 85 of I-80/US 30 and travels north to the Rolling Green Country Club. Shortly after, Highway 374 crosses the Green River and at 20.43 miles (25.37 total) the highway reaches its eastern terminus at the Green River business routes of I-80 and US 30 (Flaming Gorge Way) in Green River. Traveling north of here is exit 89 of I-80/US 30, while traveling south heads into downtown Green River and to Wyoming Highway 530.
Wyoming Highway 374 is not signed at any of its interchanges with Interstate 80.

## History

Wyoming Highway 374 is the original alignment of U.S. Route 30 from near Granger to Green River.

## Major intersections

The entire route is in Sweetwater County.

### Unsigned segment

| Location | mi | km | Destinations | Notes |
| ​ | 0.00 | 0.00 | I-80 – Green River, Evanston | Western terminus of unsigned segment; I-80 exit 61 |
| Granger Junction | 4.94 | 7.95 | US 30 | Eastern terminus of unsigned segment |
| 1.000 mi = 1.609 km; 1.000 km = 0.621 mi |||||

### Signed segment

The entire route is in Sweetwater County.
| Location | mi | km | Destinations | Notes |
| Little America | 0.000 | 0.000 | I-80 / US 30 – Rock Springs, Evanston | Western terminus; I-80 exit 68 |
| ​ | 3.42 | 5.50 | Westvaco Road to I-80 / US 30 | I-80 exit 72 |
| ​ | 14.07 | 22.64 | WYO 372 | Southern terminus of WYO 372 |
| ​ | 14.15 | 22.77 | I-80 / US 30 – Green River, Evanston | I-80 exit 83 |
| James Town | 16.84 | 27.10 | Covered Wagon Road to I-80 (US 30) | I-80 exit 85 |
| Green River | 20.662 | 33.252 | Flaming Gorge Way (I-80 BL / US 30 Bus.) | Eastern terminus |
| 1.000 mi = 1.609 km; 1.000 km = 0.621 mi |||||
# Carpenter's lar gibbon

Carpenter's lar gibbon (Hylobates lar carpenteri) is an endangered subspecies of white-handed gibbon, also known as the lar gibbon. It is listed as an endangered species because it is believed to have undergone a decline of more than 50% in the prior three generations due to loss of forest habitat and loss of mature individuals to hunting. The subspecific name honors primatologist Clarence R. Carpenter.
The subspecies is distinguished by sharply distinct dark and light color forms, both having a ring of white hair around the face, with hands and feet white sometimes as far as the wrists and ankles, and the hair much longer than in other subspecies. The dark form is very dark chocolate brown, the tips of the hairs being blackish and their bases silvery-brown, whereas the light form is creamy-white, with the basal one-quarter to one-third of the hairs light gray. Its range is confined to northern and part of northeastern Thailand. In the southwest part of its range, its distribution abuts that of the pileated gibbon, Hylobates pileatus.
# Pierre Loeb

Pierre Loeb (born 24 September 1897 in Paris; died 4 May 1964) was a French art dealer and gallery owner who focused primarily on Surrealism and 20th-century Modernism. In 1924 he founded the Galerie Pierre in Paris, whose most famous exhibition was the first collective exhibition of Surrealists the following year.

## Life

Pierre Loeb worked in his father's rope-making business. He met the dentist Daniel Tzanck, an art collector who introduced him to modern art. Tsanck was friends with the Bulgarian painter Jules Pascin as well as the French painter André Derain. In 1924, Loeb opened his Galerie Pierre at 13 rue Bonaparte in Paris and presented Pascin's works in his first exhibition. In the gallery's most famous exhibition, La peinture surréaliste (November 14–26, 1925), the first group exhibition of Surrealist painters, Loeb presented works by Hans Arp, Paul Klee, Man Ray, Max Ernst, Pablo Picasso, Joan Miró, Giorgio de Chirico, as well as André Masson.
In 1926, he moved the gallery to number 2, Rue des Beaux-Arts. In the same year Loeb met for the first time in person with Pablo Picasso, with whom he later became good friends and whose works he exhibited in 1929. He was also a great follower of Joan Miró, whose works he exhibited eleven times from 1927 to 1939. In 1930 Loeb showed sculptures by Henri Matisse, in 1934 the gallery hosted the first exhibition of the artist Balthus and in 1936 the first solo exhibition of Wolfgang Paalen. In 1938 he focused on the landscape paintings of Georges Braque.

## Nazi persecution and exile

When the Nazis occupied Paris in 1940, Loeb was persecuted because of his Jewish heritage. His art gallery was Aryanized, that is, transferred to a non-Jewish owner, Georges Aubry, in 1941. In 1942 he fled to Cuba, where he lived until the end of the war.

## Postwar

After the end of the war, Loeb returned to Paris and recovered his gallery, though not without difficulty. He organized a sensational exhibition of drawings by Antonin Artaud (1947). After that, he focused with great energy on abstract painting, exhibiting works by the artist group CoBrA and the École de Paris, as well as by individual artists such as Maria Helena Vieira da Silva, Zao Wou-Ki, Constantin Georges Macris, and Camille Bryen.
In 1957 he married Agathe Vaito.
In 1964 Pierre Loeb died one of the most famous art dealers and gallery owners of modernism. He rests in the Cimetière Montparnasse (28th Division). The grave is adorned with a granite sculpture entitled La Roue (The Wheel) by Hans Arp from 1965.

## Family

Pierre Loeb was the brother of photographer Denise Colomb (1902-2004). His son Albert Loeb (b. 1932) owned a gallery in New York City from 1958 to 1971 and opened a gallery in 1966 until February 2015 existing gallery in Paris. Pierre Loeb's grandchildren are the chanson singer, actress and director Caroline Loeb (* 1955) and the actor Martin Loeb (* 1959).
# Link register

per WP:SDNONE A link register (LR for short) is a register which holds the address to return to when a subroutine call completes. This is more efficient than the more traditional scheme of storing return addresses on a call stack, sometimes called a machine stack. The link register does not require the writes and reads of the memory containing the stack which can save a considerable percentage of execution time with repeated calls of small subroutines.
The IBM POWER architecture, and its PowerPC and Power ISA successors, have a special-purpose link register, into which subroutine call instructions put the return address.
In some other instruction sets, such as the ARM architectures, SPARC, and OpenRISC, subroutine call instructions put the return address into a specific general-purpose register, so that register is designated by the instruction set architecture as the link register. The ARMv7 architecture uses general-purpose register R14 as the link register, OpenRISC uses register r9, and SPARC uses "output register 7" or o7.
In some others, such as PA-RISC, RISC-V, and the IBM System/360 and its successors, including z/Architecture, the subroutine call instruction can store the return address in any general-purpose register; a particular register is usually chosen, by convention, to be used as the link register.
Some architectures have two link registers: a standard "branch link register" for most subroutine calls, and a special "interrupt link register" for interrupts. One of these is ARCv2 (ARC processors using version 2 of the ARCompact architecture), which uses general-purpose-registers r29 for the interrupt link register and r31 for the branch link register. References to "the link register" on such platforms will be referring to the branch link register.
Earlier ARC processors based on the ARCompact and ARCtangent architectures had three link registers: two interrupt link registers (ILINK) and one branch link register (BLINK). The two interrupt link registers were ILINK1 (for level 1 (low priority) maskable interrupts), and ILINK2 (for level 2 (mid priority) maskable interrupts). In these architectures, r29 was used as the level 1 interrupt link register, r30 as the level 2 interrupt link register, and r31 as the branch link register. ILINK1 and ILINK2 were not accessible in user mode on the ARC 700 processors.
The use of a link register, regardless of whether it is a dedicated register or a general-purpose register, allows for faster calls to leaf subroutines. When the subroutine is non-leaf, passing the return address in a register can still result in generation of more efficient code for thunks, e.g. for a subroutine whose sole purpose is to call another subroutine with arguments rearranged in some way. Other subroutines can benefit from the use of the link register because it can be saved in a batch with other callee-used registers—e.g. an ARM subroutine pushes registers 4-7 along with the link register, LR, by the single instruction STMDB SP!, {R4-R7, LR} pipelining all memory writes required.
# Fairbanks, Morse and Company Building

The Fairbanks, Morse and Company Building is a historic commercial building located at 900 S. Wabash Ave. in the South Loop, Chicago, Illinois. The building served as the national headquarters of Fairbanks, Morse and Company from 1907 to 1937. The company sold a variety of agricultural equipment; while it was originally known for its scales, by 1907 it was best known for producing internal combustion engines. At its peak, the company was one of the largest engine makers in the world, and it was particularly dominant in the diesel engine market. The headquarters building is a seven-story Chicago school building designed by Christian Eckstorm. While the company moved to a larger headquarters at 606 S. Michigan Ave. in 1937, the Wabash Avenue building is the best-preserved remnant of its historic significance and still bears the company's name above the second floor.
The building was added to the National Register of Historic Places on November 16, 1988.
# Fairchild House (Syracuse, New York)

Fairchild House, also known as the Fairchild Residence, is a Ward Wellington Ward-designed home in Syracuse, New York. It was listed on the National Register of Historic Places in 1997.
It is listed for its architecture.
* House and garage
* Matching garage
# Velichko

Velichko or Veličko (Cyrillic script: Величко) is a South Slavic masculine given name and an East Slavic surname. It may refer to:

## Surname

* Olga Velichko (born 1965), Russian fencer
* Olesya Velichko (born 1981), modern pentathlete
* Samiilo Velychko (1670-1728), Ukrainian Cossack chronicler
* Vasily Velichko (1860–1903), Russian explorer and editor
* Vladimir Velichko (born 1937), served as First Deputy Premier of the Soviet Union in 1991
* Yevgeniy Velichko (born 1987), cross-country skier

## Given name

* Velichko Cholakov (1982–2017), ethnically Bulgarian Azerbaijani weightlifter
* Velichko Minekov (1928–2022), Bulgarian sculptor
* Velichko Velichkov (born 1986), Bulgarian football defender
* Velichko Velichkov (1934–1982), sport shooter
# Outtrigger

Outtrigger may refer to:
* Outtrigger (video game), a 1999 video game
* Outtrigger (band), a Swedish metal band
# Elks Building (Stockton, California)

The Elks Building in Stockton, California is a 5-story U-shaped Chicago style/Commercial Style building built during 1906–08. Located at the corner of Sutter and Weber Streets, it has a copper cornice over those two streets.
It is unusual, structurally, due to reports from the 1906 San Francisco earthquake about which types of buildings survived earthquake and fire. Ergo it is built from steel and concrete on the first two floors, although from there up has timber framing with two-foot thick brick masonry exterior walls. A March 1906 newspaper report had stated the building was expected to be built from brick masonry; a May 1906 newspaper report said its construction would change.
It was listed on the National Register of Historic Places in 1980.
# Simran

Simran (Gurmukhi: ਸਿਮਰਨ, pronunciation:; Hindi: सिमरण, सिमरन; from Sanskrit: स्मरण, smaraṇa, 'to remember, reminisce, recollect'), in spirituality, is a Hindi and Punjabi word referring to the continuous remembrance of the finest aspect of the self, and/or the continuous remembrance (or feeling) of God. This state is maintained continuously while carrying out the worldly works outside.

## Sant Mat

In Sant Mat, the word simran is used for the spiritual practice of repeating the mantra given by the Satguru during initiation. The mantra itself is also called Simran. Simran repetition is done during meditation and also outside it.

## Sikhism

Simran—commonly used as a verb in Gurmukhi—refers to 'meditating' on the name (nām) of God. Sikhism is a distinct faith, whereby God can be realized purely through individual devotion, without subjection to rites and rituals by priests or other intermediaries.
According to the Guru Granth Sahib, through simran, one is purified and attains salvation (mukti). This is because si-mar means 'to die over', thus indicating the death of ego, allowing the realization of ultimate truth (sach) to appear.
On page 202 of the Guru Granth Sahib:
This hymn teaches that a person who wishes to gain from this human life must attain a higher spiritual state by becoming free of attachment by realizing emptiness of worldly phenomena. Thereby, merit is acquired by devoutly repeating, comprehending, and living by the sacred word every day so as to progressively reveal the divine and ultimate truth to the person who earnestly seeks it:
Guru Ram Das says in Sarang ki var (Guru Granth Sahib, 1242):
   Nām, the incorruptible is beyond our comprehending.
   At the same time, it is our constant companion and preserves all creation. Therefore, truth will disclose itself unto us and let us perceive it in our hearts. It is through earnestness that we can meet with such a truth.
# Laura Ross-Paul

Laura Ross-Paul (born 1950) is an American realism painter in the Pacific Northwest known primarily for her work in Oregon. Ross-Paul paints figures using a custom technique using oil paint, resin, and wax. Second Creek (2008) is on display at the Oregon State Capitol, acquired through the One Percent for Art Collection by the Oregon Legislative Assembly.
She was awarded the Bonnie Bronson Fellowship in 2009, after her work was transformed around her experience with breast cancer as the first cryoablation patient in the United States.

## Biography

Laura Ross-Paul was born in Portland, Oregon in 1950. Her mother died of breast cancer when she was still a student at Wilson High School at eighteen. After graduating in 1968, Ross-Paul attended Oregon State University (OSU) to study art. While there, she was the political cartoonist and illustrator OSU's Vietnam-era underground anti-war newspaper, The Scab Sheet 10 cents for the Truth. There she met Alex Paul, whom she married in 1970. They moved to Washington, where she earned a Bachelor of Fine Arts in Painting in 1974 from Fort Wright College. She then returned to Oregon, where she attended Portland State University (PSU) and graduated with her Master of Fine Arts in Painting in 1976 and a Bachelor of Science in Arts in 1978.
Ross-Paul taught art at PSU, Lewis and Clark College, Pacific Northwest College of Art, Oregon College of Arts and Crafts, and Hoffman Center for the Arts.
In 2014, Ross-Paul, her husband, and her oncologist, Peter Littrup, published They're Mine and I'm Keeping Them through the self-publishing service CreateSpace, an account of her experience with breast cancer and the first cryoablation patient in the United States. Ross-Paul illustrated the book.

## Paintings

Ross-Paul paints in the genre of American Realism with a unique twist referred to as "Supernatural Realism" by th Seattle Post-Intelligencer. She specializes in figure painting, using Pacific Northwest landscapes as metaphorical backgrounds. She paints with oil and watercolor paints in studio. She also adds wax and resin to her oil paintings using a technique she invented. Her style was inspired by Mark Tobey, Kenneth Callahan, and Morris Graves, and has been compared to Claude Monet and Caspar David Friedrich by 1859 Oregon's Magazine. The Oregonian referred to her as a "venerable [figure] from Portland's long established vanguard" of art. She is a contemporary of Margaret Coe.
Twelve of Ross-Paul's paintings were purchased by the Oregon Legislative Assembly in One Percent for Art Collection, the first law of its kind that dedicates tax dollars to acquiring works from the state's most well-known artists. Her 2008 painting, Second Creek, is hanging at the Oregon State Capitol.

## Awards and accolades

* Bonnie Bronson Fellowship (2008)
* Oregon Arts Commission fellowship
# Fairlee Railroad Depot

The Fairlee Railroad Depot is a historic railroad station at 320 United States Route 5 in the village center of Fairlee, Vermont. Built in 1848 and used in active service until 1972, it is one of the few surviving first-generation railroad station buildings in the state. Now used as a retail space, it was listed on the National Register of Historic Places in 1998.

## Description and history

The former Fairlee Railroad Depot stands on the south side of US 5, adjacent to the now-disused railroad tracks that run between US 5 and the Connecticut River. It is accessed by a gravel drive in the shape of a broad U, with parking in front. It is a single-story rectangular wood-frame structure, with a gabled roof and clapboarded exterior. The street-facing facade has an irregular plan, with a number of doors and windows of differing sizes, reflecting a variety of historic functions. The building originally housed a lobby and passenger waiting area, occupying about one-third of its space, with the remainder used as a freight storage area.
The station was probably built in 1848 by the Connecticut and Passumpsic Rivers Railroad Company, chartered in 1843 to provide railroad service along the Connecticut River north of White River Junction. The station's precise construction date is not known due to a lack of documentation; the assessment of its age is based on architectural analysis. About 1870, the freight area was enlarged by construction of an addition, and the building's lobby and office area was remodeled around the turn of the 20th century. It is also likely that a bay window bumping out on the track side from the agent's office was added around the same time. Operation of the rail line was taken over by the Boston and Main Corporation in 1870, and it remained in service until 1972.
# Murder on the Orient Express (2001 film)

Murder on the Orient Express is a 2001 made-for-television mystery film directed by Carl Schenkel based on the 1934 novel Murder on the Orient Express by Agatha Christie, featuring Hercule Poirot. This version is set in the present day and has a smaller cast than the novel. The screenplay was written by Stephen Harrigan and the original music score was composed by Christopher Franke.

## Plot

Hercule Poirot is travelling on the Orient Express. While on the journey, Poirot meets a very close friend Bouc, who works for the Compagnie Internationale des Wagons-Lits. The train is stopped when a landslide blocks the line on the second night out from Istanbul, and American millionaire Samuel Edward Ratchett is found stabbed to death the next morning.
Since no footprints are visible around the train and the doors to the other cars were locked, it seems that the murderer must still be among the passengers in Ratchett's car. Poirot and Bouc work together to solve the case. They are aided by Pierre Michel, the middle-aged French conductor of the car.
A key to the solution is Ratchett's revealed involvement in the Armstrong tragedy in the United States several years earlier, in which a baby was kidnapped and then murdered. (The fictitious Armstrong case, inspired by the real-life kidnapping of Charles Lindbergh's baby boy.)

## Cast

* Alfred Molina as Hercule Poirot
* Meredith Baxter as Mrs. Caroline Hubbard
* Leslie Caron as Sra. Nina Alvarado
* Amira Casar as Helena von Strauss
* Nicolas Chagrin as Pierre Michel
* Tasha de Vasconcelos as Vera Rossakoff
* David Hunt as Bob Arbuthnot
* Adam James as William MacQueen
* Dylan Smith as Tony Foscarelli
* Peter Strauss as Mr. Samuel Ratchett
* Fritz Wepper as Wolfgang Bouc
* Kai Wiesinger as Philip von Strauss
* Natasha Wightman as Mary Debenham

## Background

Burt Reynolds, Judi Dench, Lauren Bacall, Claire Bloom, Charlotte Rampling, and Sophia Loren were all originally believed to have been cast in the film. At least a dozen members of Keighley Playhouse in Keighley were extras on the film, and provided their own costumes.

## Filming and production

Filming started on 6 February 2001 in Leeds. A replica of an Orient Express buffet car was built at Horsforth's newly opened Transformer Studios, where the majority of the filming took place. Filming also took place in Kingston upon Hull, Bury, and Istanbul.