# Nad Tatrou sa blýska

"Nad Tatrou sa blýska" (Slovak pronunciation:; lit. 'Lightning O'er the Tatras') is the national anthem of Slovakia. The origins of it are in the Central European activism of the 19th century. Its main themes are a storm over the Tatra mountains that symbolized danger to the Slovaks, and a desire for a resolution of the threat. It used to be particularly popular during the 1848–1849 insurgencies.
It was one of Czechoslovakia's dual national anthems and was played in many Slovak towns at noon; this tradition ceased to exist after Czechoslovakia split into two different states in the early 1990s with the dissolution of Czechoslovakia.

## Origin
### Background

Twenty-three-year-old Janko Matúška wrote the lyrics of "Nad Tatrou sa blýska" in January and February 1844. The tune came from the folk song "Kopala studienku" (English: "She was digging a well") suggested to him by his fellow student Jozef Podhradský, a future religious and Pan-Slavic activist and gymnasial teacher, when Matúška and about two dozen other students left their prestigious Lutheran lyceum of Pressburg (preparatory high school and college) in protest over the removal of Ľudovít Štúr from his teaching position by the Lutheran Church under pressure from the authorities. The territory of present-day Slovakia was part of the Kingdom of Hungary within the Austrian Empire then, and the officials objected to his Slovak nationalism.
"Lightning over the Tatras" was written during the weeks when the students were agitated about the repeated denials of their and others' appeals to the school board to reverse Štúr's dismissal. About a dozen of the defecting students transferred to the Lutheran gymnasium of Levoča. When one of the students, the 18-year-old budding journalist and writer Viliam Pauliny-Tóth, wrote down the oldest known record of the poem in his school notebook in 1844, he gave it the title of Prešporskí Slováci, budúci Levočania (Pressburg Slovaks, Future Levočians), which reflected the motivation of its origin.
The journey from Pressburg (present-day Bratislava) to Levoča took the students past the High Tatras, Slovakia's and the then Kingdom of Hungary's highest, imposing, and symbolic mountain range. A storm above the mountains is a key theme in the poem.

### Versions

No authorized version of Matúška's lyrics has been preserved and its early records remained without attribution. He stopped publishing after 1849 and later became clerk of the district court. The song became popular during the Slovak Volunteer campaigns of 1848 and 1849. Its text was copied and recopied in hand before it appeared in print in 1851 (unattributed, as Dobrovoľnícka – Volunteer Song), which gave rise to some variation, namely concerning the phrase zastavme ich ("let's stop them") or zastavme sa ("let's stop"). A review of the extant copies and related literature inferred that Matúška's original was most likely to have contained "let's stop them." Among other documents, it occurred both in its oldest preserved handwritten record from 1844 and in its first printed version from 1851. The legislated Slovak national anthem uses this version, the other phrase was used from 1920 to 1993 (as the second part of the anthem of Czechoslovakia with Kde domov můj).
On January 1, 2025 at midnight, the public broadcaster Slovak Television and Radio first introduced the a partially revised version of its national anthem. This updated rendition features a modernized melody and a slightly slower tempo. Notably, the new arrangement includes the sound of the fujara, a traditional Slovak folk instrument, in the final seconds of the melody. The arrangement was overseen by Oskar Rózsa and his musical assembly. Public opinion on the change remains divided. While some have welcomed the modernization of the anthem, others question the necessity and quality of the revision as well as the procedural aspects of the change. Critics pointed out that the revision of national anthem should have taken place through an open competition and not assigned directly to Rózsa, who has embraced extreme right-wing talking points and conspiracy theories held by the culture minister Martina Šimkovičová and her head of cabinet Lukáš Machala. Additionally, the comments by Rózsa, who in response to criticism claimed his version of the anthem was not for liberals, who should "crawl into their holes" as their time in Slovakia was ending were met with widespread condemnation. Additionally, the new version of the anthem was poorly received by critics who labeled it a "kitch" and "sad funeral music". Finally, critics argue that the cost of revision, which amounted to approximately €50,000, was too large and that these funds could have been better allocated to sectors such as education or healthcare.

## National anthem

On 13 December 1918, only the first stanza of Janko Matúška's lyrics became half of the two-part bilingual Czechoslovak anthem, composed of the first stanza from a Czech operetta tune, Kde domov můj (Where Is My Home?), and the first stanza of Matúška's song, each sung in its respective language and both played in that sequence with their respective tunes. The songs reflected the two nations' concerns in the 19th century when they were confronted with the already fervent national-ethnic activism of the Hungarians and the Germans, their fellow ethnic groups in the Habsburg monarchy.
During the Second World War, "Hej, Slováci" was adopted as the unofficial state anthem of the puppet regime Slovak Republic.
When Czechoslovakia split into the Czech Republic and the Slovak Republic in 1993, the second stanza was added to the first and the result legislated as Slovakia's national anthem.

## Lyrics

Only the first two stanzas have been legislated as the national anthem.
| Slovak original IPA transcription 𝄆 Nad Tatrou sa blýska Hromy divo bijú 𝄇 𝄆 Zastavme ich, bratia Veď sa ony stratia Slováci ožijú 𝄇 𝄆 To Slovensko naše Posiaľ tvrdo spalo 𝄇 𝄆 Ale blesky hromu Vzbudzujú ho k tomu Aby sa prebralo 𝄇 𝄆 Už Slovensko vstáva Putá si strháva 𝄇 𝄆 Hej, rodina milá Hodina odbila Žije matka Sláva 𝄇 𝄆 Ešte jedle rastú Na krivánskej strane 𝄇 𝄆 Kto jak Slovák cíti Nech sa šable chytí A medzi nás stane 𝄇 𝄆 [nat ta.trɔw sa ˈbliːs.ka] [ˈɦrɔ.mi ˈɟi.ʋɔ ˈbi.juː] 𝄇 𝄆 [ˈza.staw.me ix ˈbra.cɪ̯ɐ] [ʋec sa ˈɔ.ni ˈstra.cɪ̯ɐ] [ˈsɫɔ.ʋaː.t͡si ˈɔ.ʐi.juː] 𝄇 𝄆 [tɔ ˈsɫɔ.ʋen.skɔ ˈna.ʂe] [ˈpɔ.sɪɐʎ ˈtʋr̩.dɔ ˈspa.ɫɔ] 𝄇 𝄆 [ˈa.ɫe ˈbɫes.ki ˈɦrɔ.mu] [ˈvzbu.d͡zu.juː ɦɔ ˈk‿tɔ.mu] [ˈa.bi sa ˈpre.bra.ɫɔ] 𝄇 𝄆 [uʂ ˈsɫɔ.ʋen.skɔ ˈfstaː.ʋa] [ˈpu.taː si ˈstr̩.ɦaː.ʋa] 𝄇 𝄆 [ɦej ˈrɔ.ɟi.na ˈmi.ɫaː] [ˈɦɔ.ɟi.na ˈɔd.bi.ɫa] [ˈʐi.je ˈmat.ka ˈsɫaː.ʋa] 𝄇 𝄆 [ˈeʂ.ce ˈjed.le ˈras.tuː] [na ˈkri.ʋaːn.skej ˈstra.ne] 𝄇 𝄆 [ktɔ jak ˈsɫɔ.ʋaːk ˈt͡siː.ci] [nex sa ˈʂab.ɫe ˈxi.ciː] [a ˈme.d͡zi naːs ˈsta.ne] 𝄇 | 𝄆 Far above the Tatras Lightning bolts are pounding. 𝄇 𝄆 These bolts shall we banish, brothers, they will vanish; Slovaks are rebounding. 𝄇 𝄆 Our Slovakia was, until now, quiescent. 𝄇 𝄆 But the lightning flashing and the thunder crashing made it effervescent. 𝄇 𝄆 Slovakia's now risen, Her shackles shattering 𝄇 𝄆 Hey, family endeared The hour's collided Mother Glory's living. 𝄇 𝄆 Still blooming are the firs On the Krivan borders 𝄇 𝄆 Who feels like a Slovak He shall hold the sabre And among us endure. 𝄇 |
| Hungarian verse (1920–1938) | German verse |
| 𝄆 Fenn a Tátra ormán Villámok cikáznak. 𝄇 𝄆 Állj meg szlovák testvér, Elmúlik a veszély Népünk ébredez már. 𝄇 | 𝄆 Ob der Tatra blitzt es, Dröhnt des Donners Krachen. 𝄇 𝄆 Doch der Stürme Wehen, Wird gar bald vergehen, Brüder, wir erwachen! 𝄇 |

### Poetics

One of the trends shared by many Slovak Romantic poets was frequent versification that imitated the patterns of the local folk songs. The additional impetus for Janko Matúška to embrace the trend in Lightning over the Tatras was that he actually designed it to replace the lyrics of an existing folk song. Among the Romantic-folkloric features in the structure of Lightning over the Tatras are the equal number of syllables per verse, and the consistent a−b−b−a disyllabic rhyming of verses 2-5 in each stanza. Leaving the first verses unrhymed was Matúška's license (a single matching sound, blýska—bratia, did not qualify as a rhyme):
    — Nad Tatrou sa blýska
    a - Hromy divo bijú
    b - Zastavme ich bratia
    b - Veď sa ony stratia
    a - Slováci ožijú
Another traditional arrangement of Matúška's lines gives 4-verse stanzas rhymed a−b−b−a with the first verse made up of 12 syllables split by a mid-pause, and each of the remaining 3 verses made up of 6 syllables:
    a - Nad Tatrou sa blýska, hromy divo bijú
    b - Zastavme ich bratia
    b - Veď sa ony stratia
    a - Slováci ožijú