# Flesh (1968 film)

Flesh (alternative title: Andy Warhol's Flesh) is a 1968 American film directed by Paul Morrissey and starring Joe Dallesandro as a hustler working on the streets of New York City. It highlights various Warhol superstars, in addition to being the film debuts of both Jackie Curtis and Candy Darling. Also appearing are Geraldine Smith as Joe's wife and Patti D'Arbanville as her lover.
Flesh is the first film of the "Paul Morrissey-Joe Dallesandro Trilogy" produced by Andy Warhol. The other films in the trilogy include Trash (1970) and Heat (1972). All three have gained a cult following and are noted examples of the ideals and ideology of the time period.

## Plot

As the film begins, Geri ejects Joe from their bed and insists he go out on the streets to make some money for her girlfriend's abortion. This leads to Joe's various encounters with clients, including an artist who wishes to draw Joe, played by Maurice Braddell, Louis Waldon as a gymnast, and John Christian.
Scenes filmed on the streets of New York City show Joe spending time with other hustlers, one of whom is played by his real life brother, and teaching the tricks of the trade to the new hustler, played by Barry Brown. The film includes a scene of Joe interacting with his real life one-year-old son. Flesh concludes with Joe in bed with Geraldine Smith and Patti D'Arbanville. The women strip Joe and begin to get intimate with each other. In turn, Joe gets bored and falls asleep.

## Cast

* Joe Dallesandro as Joe, The Hustler
* Geraldine Smith as Geri
* Maurice Braddell as The Artist
* Louis Waldon as David
* Geri Miller as Terry
* Candy Darling as Candy
* Jackie Curtis as Jackie
* Patti D'Arbanville as Geri's Girlfriend
* Barry Brown as Hustler

## Production

By the time Paul Morrissey made Flesh, he had already made a dozen short, silent films in the early 1960s and several films alongside Andy Warhol including My Hustler (1965) and Chelsea Girls (1966). Flesh marked his feature film debut.
Warhol and Morrissey conceived Flesh while Warhol was convalescing following the attempt on his life by Valerie Solanas. John Schlesinger was filming Midnight Cowboy, which featured a party scene with several members of Warhol's entourage, including Viva and Ultra Violet who, with Morrissey, shot a separate scene. Warhol initially endorsed the participation of his people but grew resentful at what he perceived as Schlesinger's poaching of Warhol's scene. Warhol decided to undercut Schlesinger by filming his own story about a male prostitute. The story is based on Warhol superstar Joe Dallesandro's experience as a male hustler.
Most of Flesh was shot at the New York apartment of Warhol's business manager, Fred Hughes. Morrissey used a 16mm Auricon camera favored by Warhol for his earlier films. This camera permitted the recording of sound directly onto the film and had a maximum run time of 33 minutes. This allowed for long improvised scenes. Morrissey often included the camera's flash frames and pops, which occur when starting and stopping the camera, as an aesthetic choice.
In a 1973 interview with Fusion magazine, Morrissey said of Flesh:
   "In Flesh, the man at the end talks about the wound he’s got on his arm, that his flesh is scarred, and he’s going to pot and getting fat by not going to the gym. One girl wants an abortion- wants her flesh removed. Everyone is in a predicament relating to their flesh. Joe’s predicament is that his flesh is attractive. It was all very deliberate."
Assisting Morrisey on Flesh was Jed Johnson, who had recently begun working at the Factory and would become Warhol's longtime partner. Despite Morrissey being credited as the writer for the film, Johnson told After Dark in 1970 that the dialogue was improvised. "A lot of people ask if we have a working script on our movies because the dialogue is so clever … what happens, as usual, is that Paul Morrissey gives a sentence to the actors and has them improvising on a topic while the camera is rolling," he said.

## Release

Flesh was first shown at the Andy Warhol Garrick Theatre at 152 Bleecker Street in Manhattan on September 26, 1968.
In June 1970, Jimmy Vaughan arranged a deal with Constantin, one of the largest film distributors in West Germany, to book the film into mainstream cinemas throughout Germany where it was seen by three million people, becoming one of the top five moneymakers of 1970.

### UK censorship controversy

Flesh premiered in London at the Open Space Theatre on Tottenham Court Road on January 15, 1970. British censor John Trevelyan was wary of issuing the film a cinema certificate but had suggested it to distributor Jimmy Vaughan for club screenings. On February 3, 1970, following a complaint by a member of the public, authorities raided the Open Space Theatre because the film did not possess a British Board of Film Classification (BBFC) certificate. After a public protest, the BBFC passed Flesh with an uncut 'X' certificate on October 27, 1970. The film reopened at the Nottingham Film Theatre in February 1971, and the Chelsea Essoldo cinema in March 1971.

## Reception

Flesh was originally not well received in the US and the UK, but it garnered popularity in Germany–being among the top 5 grossing movies of 1970.
In his book Film as a Subversive Art, Amos Vogel writes that the threadbare plot belies something "far deeper and funnier in Morrissey’s unsentimental, accepting attitude toward life, embodied by Joe Dallesandro’s brooding, disaffected performance".
Over the years, the film has gained a cult following. An image of Joe Dallesandro in Flesh was used on the front cover of The Smiths, the debut LP by The Smiths released in 1984.
Flesh ranks 478th on Empire's 2008 list of the 500 Greatest Movies of All Time, and in 2007, The Guardian picked Flesh as one of its "1000 Movies to See Before You Die". It holds an approval rating of 63% on Rotten Tomatoes based on 8 reviews, with an average rating of 7/10.